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Advertisements June 2010 (front)
06/2010 | 1287 | 152
Pages: s.p.
Subjects
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artists:
collectors and dealers:
collectors and dealers:
subjects:
Illustrations
Attributed works:
[Agnew's, Exhibiting at Tryon Gallery, 7 Bury Street, St. James's. The launch of a galleon, by Teodoro Filippo di Liagno called Filippo Napoletano (1587-1629). Pen and brown ink and brown wash over black chalk, 29.2 by 53.4 cm]
Attributed works:
[Agnew's. Cupid and Psyche, by Benjamin West (1738-1820). Oil on canvas, 137.8 by 142.9 cm]
Attributed works:
[Ben Elwes. 45 Maddox Street. London W1S 2PE. Leon de Troy (French, 1857-1955). Head of an African Man. Circa 1880. 19 1/2 x 15 3/8 inches (49.5 x 39 cm)]
Attributed works:
[Ben Elws Fine Art. Portrait of a young artist, attributed to Anne-Louis Girodet de Roussy-Trioson (1767-1824). Oil on canvas, 33.5 by 21.5 cm]
Attributed works:
[Bonhams. The head of a bearded man, a sketch for 'the visitation', by Federico Barocci (c.1526-1612). Oil on paper, laid down on canvas, 39.5 by 31.25 cm]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. Sir Peter Paul Rubens (Siegen 1577 - 1640 Antwerp). Portrait of a commander, three-quarter-length, being dressed for battle. Oil on panel. 48 1/4 x 38 3/8 in. (122.6 x 98.2 cm)]
Attributed works:
[Deborah Gage. The Holy family in the carpenter's shop, by Bartolomé Estaban Murillo (1618-82). Signed: Bar.me Murillo. Oil on canvas, 214.5 by 166.5 cm]
Attributed works:
[Derek Johns Ltd. Sylvia freed by Amyntas, by Willem van Mieris (1662-1747). Oil on panel, 37 by 44 cm]
Attributed works:
[Dickinson, London and New York. Citrons at verre, by Pablo Picasso (1881-1973). Signed centre left: Picasso and dated on the reverse: 14.1.44. Oil on canvas, 27 by 41 cm]
Attributed works:
[Didier Aaron, Clifford House, 15 Clifford Street. Wall decorations, by François-Joseph Bélanger (1744-1818). c. 1785-89.]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Agostino Tassi. Ponzano Romano near Rome, 1578 - Rome, 1644. A Shipyard. Oil on canvas, 74,5 x 98,5 cm (29 5/16 x 38 3/4 in). One of a pair (with The Capture of Troy)]
Attributed works:
[Galerie d’Art Saint-Honoré. 69, rue du Faubourg Saint-Honoré. Paris. Jan van Os. Middelharnis 1744 - 1808 The Hague. Still Life with Pineapples and Grapes. Oil on wood: 68.4 x 49.2 cm (26.9 x 19.3 inches). Signed and dated at bottom right: J Van Os f. 1776]
Attributed works:
[Hazlitt Holland-Hibbert. 38 Bury Street. St. James’s, London SW1Y 6BB. Barbara Hepworth 1903-1975. Two Forms (Maori), 1965. Carved slate on original black painted wooden base. Height: 13 1/2 inches; 34.3 cm]
Attributed works:
[Hazlitt-Holland Hibbert, London. Writing piece 'Well', by Anthony Caro. b.1924. Steel, 50.8 by 59.1 by 14 cm]
Attributed works:
[James Harvey, London. Equestrian portrait of George Burrows on his grey, by James Seymour (1702-52). Signed with monogram and dated 1746, lower left. Oil on canvas, 101.6 by127 cm]
Attributed works:
[Jean-Luc Baroni, 7-8 Mason's Yard. Studies of acrobats and a satyr, by Marco Marchetti called Marco da Faenza (1528-88). Bears number lower right corner: 52. Pen and brown ink and wash, 25.2 by 16.6 cm]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Jean-Auguste-Dominique Ingres (Montauban 1780-1867 Paris). Study of a Male Nude, Standing, with his Arms Crossed. Signed lower left: Ingres. Black chalk, 446 by 260 mm]
Attributed works:
[Katrin Bellinger at Colnaghi, 15 Old Bond Street. The death of St. Sebastian (?), by Paolo Farinati (1524-1606). Numbered in white chalk, lower right: 16. Black chalk, pen and brown ink, brown wash, heightened with white on yellow-ochre prepared paper, 35 by 46 cm.]
Attributed works:
[London International Fine Art Fair. Ducan Grant - Still Life with Bust of Virginia Woolf.]
Attributed works:
[MacConnal-Mason, London. La conciergerie, by Christopher Richard Wynne Nevinson (1889-1946). Signed. Oil on canvas, 50.8 by 61 cm]
Attributed works:
[N. & I. Franklin, London. A set of four Victorian etched crystal claret jugs with cast silver-gilt mounts. Made by John Figg of London, c.1875.]
Attributed works:
[Offer Waterman, London. Landscape with river and temple, by Ivon Hitchens (1893-1979). c.1943. Oil on canvas, 44.5 by 77.5 cm]
Attributed works:
[Philip Mould Ltd. Self-portrait, by Anthony van Dyck (1599-1641). Oil on canvas, oval, 59.7 by 47.3 cm.]
Attributed works:
[Philip Mould. 29 Dover Street. London. Angelica Kauffmann (1741-1807). Portrait of a Lady, c.1780. Oil on canvas, 24 3/4 x 20 2/2 inches, 62.5 x 52 cm]
Attributed works:
[Sandra Cronan, London. A Tutti Frutti bracelet and pair of dress clips, set throughout with diamonds, carved emeralds, sapphires and rubies. Mounted in platinum. By Henri Picq. Paris, c. 1925.]
Attributed works:
[Stoppenbach & Delestre: 25 Cork Street. Le jongleur, by André Derain (1880-1954). Gouache on paper, 20.5 by 12.5 cm]
Attributed works:
[Trinity Fine Art, 29 Bruton Street. Peasant woman with a young boy, by Francesco de Mura (1696-1782). Oil on paper, laid down on canvas, 37 by 51.2 cm]
Attributed works:
[Trinity Fine Art. 29 Bruton Street. London W1J 6QP. Giovanni Baratta: The Statues from Palazzo Giugni rediscovered.]
Attributed works:
[Trinity Fine Art. 29 Bruton Street. London W1J 6QP. Putto, one of a pair modelled by Carlo Francesco Mellone, cast by the founder Giuseppe Fontana, Milan, 1718. Bronze. Height: 71 cm]
Attributed works:
[Whitfield Fine Art. The rest on the flight into Egypt, by Antonio de Bellis (c.1616.57). Oil on copper, 31 by 22 cm]
Attributed works:
[Winterberg Kunst. D-69115 Heidelberg, Hildastrasse 12. Electress Elisabeth Auguste as Magnanimità. Pen, brownish blank ink, red chalk. 20 x 15.3 cm]
Attributed works:
[Winterberg Kunst. D-69115 Heidelberg, Hildastrasse 12. Glaucus and Scylla. Pen, brown ink, red chalk. 28,1 x 28,3 cm]
Attributed works:
[Winterberg Kunst. D-69115 Heidelberg, Hildastrasse 12. Pallas Athena with the Sculpture. Pen, brownish blank ink, red chalk 32,8 x 19,8 cm]
Non-western art unattributed:
[Russian, Eastern & Oriental Fine Art Fair. London. 'Bishamon' - Edo Period 18th century. Sydney Moss Ltd.]
Western art unattributed:
[Apter-Fredericks Ltd, London.A pair of George II burr walnut armchairs with shaped solid back splat and out-scrolling arms, with contemporary needlework drop-in seats, the legs headed by the Astley family crest of feathers and a ducal coronet, standing on carved hairy paw feet. English, c.1730]
Western art unattributed:
[London International FIne Art Fair. A pair of bronze and ormolu candelabras on marble plinths, M&J Duncan, East Essex.]
Western art unattributed:
[Sotheby’s & Co., 1334 York Avenue, 10021. New York. A Marble Group of Three Satyrs Fighting a Serpent, Roman Imperial, circa 1st Century A.D.]
Western art unattributed:
[Sotheby’s & Co., 34-35 New Bond Street, London, W.1. An Italian engraved ivory inlaid rosewood centre table made for the Duke of Urbino Francesco Maria II della Rovere (1549-1631), circa 1596.97]
Western art unattributed:
[Thomas Coulborn & Sons, Sutton Coldfield. Scarlet japanned secretaire. English, c.1730. Height: 206 cm. Width: 105 cm. Depth: 56 cm]
Western art unattributed:
[Tomasso Brothers, Leeds. Lucius Venus. Rome, 17th century. White marble and breccia africano. Height: 90 cm]
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Advertisements March 2007 (front)
03/2007 | 1248 | 149
Pages: s.p.
Subjects
advertisements:
advertisements:
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
[Adriano Ribolzi. Monte-Carlo. A rare XVI commode of rectangular shape à ressaut in Santo Domingo solid mahogany and veneer. It is stamped: Canabas, on the ridge of the bottom on the left-hand side, and the mark of the Jurande: JME. Joseph Canabas called Gegenbach (1712-1797). Paris, Louis XVI period. Height: 82.5 cm. Width: 135 cm]
Attributed works:
[Agnew’s, LTD, 43 Old Bond Street, London, W.1. Studies of five fashionable girls, by George Henry Harlow (1787-1819). Black and red chalks, 28 by 21.5 cm]
Attributed works:
[Arturo Cuellar, Burglistrasse 18, 8002 Zurich. Robert Delaunay (1885-1941). Study for the 'verseuse'/'coffeepot'. 1916. Gouache and watercolour on paper, 65x64 cm]
Attributed works:
[Charles Beddington Limited. 16 Saville Row, London, W1S 3PL. Philip Ferdinand de Hamilton (Brussels 1664-1750 Vienna). Studies of Fungi, including three examples of pinkish-white Bracket fungi (possibly Rigidoperus ulmarius), and edible Mushrooms Russula xerampelina (?), top right, Lactarius Chryssorrheus, lower left, and Russula sanguinea or lepida, lower left. Signed and dated 'P . F . de . Hamilton . S[uae]. C[aesareae]. [et Romanotum] M[aiestatis]. C[urtialis]. P[ictor]. /1736'. Oil on paper laid on canvas, 10 3/8 x 14 1/8 in. (26.3 x 36 cm)]
Attributed works:
[Charles Ratton & Guy Ladrière. 14 rue de Marignan, 75008 Paris. Jean Baptiste Isabey (Nancy 1767-Paris 1855). Portrait of a young woman. Signed lower right. Watercolour on paper, 14 x 10.5 cm]
Attributed works:
[Duke’s Auctioneers. The Dorchester Fine Art Salerooms. Weymouth Avenue, Dorchester, Dorset. The San Marco Panels. Guido di Pietro, called Fra Angelico. Dominican Saints, tempera on a gold ground, 390mmx130mm]
Attributed works:
[Flavia Ormond, Fine Arts. Adelson Galleries. 3 Netherton Grove. London. God the Father and the Holy Spirit with a host of Angels above a townscape, by Cristofano Roncalli, called Il Pomarancio (c. 1553-1626). Oil on paper in grisaille. 38.1 by 29.1 cm]
Attributed works:
[Flavia Ormond, Fine Arts. Adelson Galleries. 3 Netherton Grove. London. Louis-Léopold Boilly, La Bassée 1761 - 1845 Paris. The Favourite or Elder Sister (detail). Charcoal on grey paper with white heightening, signed L. Boilly. at lower right. 354 x 297 mm (13 9/10 x 11 7/10 inches)]
Attributed works:
[Galerie Antoine Laurentin. Paris. Marguerite, by André Lhote (1885-1962). Watercolour and gouache, 23.3 by 30.3 cm. Signed bottom right]
Attributed works:
[Galerie Berès. Paris. Study for the clowns, by Albert Gleizes (1881-1953). Signed and dated below to the right: Alb. Gleizes. Watercolour on paper, 47.9 by 33.2 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Aniello Falcone. Naples, 1607-1656. Calvary Battle between Turks and Christians. Oil on canvas, 76 x 113 cm.]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Battle, Aniello Falcone (1607-1656). Oil on canvas, 76 by 113 cm]
Attributed works:
[Galerie Coatalem. Paris. Lying nude, Gustave Klimt (1862-1918). Red chalk, 55 by 35 cm]
Attributed works:
[Galerie de la Présidence. Paris. Saint Malo, scene of death, by Paul Signac (1863-1935). 1929. Signed lower right. Watercolour, 27.3 by 44.2 cm]
Attributed works:
[Galerie Didier Aaron & Cie. Paris. Sight of the Palace of Concorde in Paris, by Pierre-François-Léonard Fontaine (1762-1853). Probably executed in 1829. Black chalk, pen and grey ink, brown washing and grey, watercolour and lights of white, 26.5 by 145 cm]
Attributed works:
[Giovanni Pratesi, Antiquario. Via Maggio 13, 50125, Firenze. Carlo Francesco Mellone (active in Milan from 1685 to 1743). Saint Pius V. Gilt and patinated terra-cotta. Height: 40 cm]
Attributed works:
[Giovanni Sarti, 137 rue du Faubourg Saint-Honoré. Paris. The mocking of Christ, by Daniel Crespi (circa 1595?-1630). Circa 1624-1625. Oil on canvas, 108 by 91 cm]
Attributed works:
[Heritage, Auction Galleries. 3500 Maple Ave., 17th Floor. Dallas. Harriet W. Frishmuth. Scherzo: A Fountain. Patinated bronze, c. 1929.]
Attributed works:
[Heritage, Auction Galleries. 3500 Maple Ave., 17th Floor. Dallas. Henri Roland Lancelot. Lago de Lugano. Oil on canvas, 12 3/4 x 16 in.]
Attributed works:
[Heritage, Auction Galleries. 3500 Maple Ave., 17th Floor. Dallas. Sir Joshua Reynolds. Portrait of Caroline Cox. Oil on canvas, 29 3/8 x 25 in]
Attributed works:
[Heritage, Auction Galleries. 3500 Maple Ave., 17th Floor. Dallas. Thomas Moran. Moonlight Icebergs in Mid-Atlantic. Oil on unlined canvas, 20 x 30 in]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Amphitrite, by Claude Pautre di Choisy (1744-1794). Red Chalk, 43.5 by 31 cm]
Attributed works:
[Katrin Bellinger. 15 Old Bond Street. London. A young woman spurning a cavalier's advances, another moving backwards to the right, by Antoine Watteau (1684-1721). Black lead and red chalk, touches of white chalk and traces of grey wash on beige paper, 16 by 14.3 cm]
Attributed works:
[Lowell Libson. 3 Clifford Street, New Bond Street, London, W1S 2LF. Sir Peter Lely. 1710-1762. Alice Beale, half-length, standing in a Landscape. Bartholomew Beale, half-length, standing in a landscape, his right hand resting on a bust of Homer. Oil on canvas; 36x30 inches; 91.5 x 76 cm each. The male portrait signed with the artist's PL monogram. In important English rococo frames for the pictures, c. 1750]
Attributed works:
[Pandora Old Masters. Po Box 1761. New York. Six men in a landscape, by Salvatore Rosa Arenella. (1615-1673). Pen and brown ink, brown wash and red chalk, 22.8 by 20 cm]
Attributed works:
[Rafael Valls. 11 Duke Street, St. James’s, London. A portrait of Mrs George Frederick Stratton, by Sir Thomas Lawrence, PRA (1769-1830). Oil on canvas, 76.9 by 64.7 cm]
Attributed works:
[Sotheby’s & Co., 34-35 New Bond Street, London, W.1. J M Turner, R.A. (1775-1851). Fishing Boats off Hastings. Watercolour over pencil with scratching out and stopping out. 7 1/4 by 11 7/8 in., 18.4 by 30.1 cm.]
Attributed works:
[Talabardon & Gautier. Paris. Minerve, by Charles Gleyre (1808-1874). 1865. Signed lower left: C. Gleyre. Three pencils and pastel, 55.5 by 43.5 cm.]
Attributed works:
[The Fine Art Society, Ltd. 148 New Bond Street, London, W.1. Frederick Cayley Robinson 1862-1927. The Call of the Sea, 1925. Oil on canvas 33 x 48 inches (84x122 cm). Signed Caylley Robinson 1925, lower left.]
Attributed works:
[The London Original Print Fair. Royal Academy of Arts. Burlington Gardens. London. Damien Hirst Sceptic 2006. Silkscreen print. 150 x 78.7 cm. Edition of 55. Published by Paul Stolped and Other Criteria.]
Attributed works:
[Trinity Fine Art. 29 Bruton Street. London W1J 6QP. Soldiers surprised by the tomb, the lower half of The Resurrection, by Giuseppe Maria Crespi, il Spagnulo (1665-1747). Two shades of red chalk, strenghtened with pen and black ink, red chalk framing lines, 25.6 by 22 cm]
Attributed works:
[W/S Fine Art, Ltd. 160 New Bond Street, London W1S 2UE. Thomas Jones (1743-1803). View of the Campi Flegrei from the Camaldolise Convent near Naples, 1783. Oil on canvas, 50 x 71 1/2 inches. Painted for Sir William Hamilton; exhibited in 1784 at the Royal Academy]
Attributed works:
[Whitfield Fine Art Ltd. London. Sleeping Cupid, by Giovanni-Battista Caracciolo, called Battistello (1578-1635). Oil on canvas, 75 by 140 cm]
Non-western art unattributed:
[Heritage, Auction Galleries. 3500 Maple Ave., 17th Floor. Dallas. Pavel Akimov Ovchinnikov. Russian Silver Gilt and ENamel Icon: The Annunciation, 1896-08-]
Western art unattributed:
[Rupert Wace Ancient Art. London. Exceptional bronze helmet face mask. Roman, 1st century AD. Height: 16.5 cm]