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97 articles
Short Notice
The final years of John Michael Wright: new evidence from sale catalogues
04/2024 | 1453 | 166
Pages: 386–388
related names
Author:
Eade, Jane (Eade, Jane)
Subjects
Illustrations
Attributed works:
1. Portrait of a young lady, probably Lady Isabella Sydney, Viscountess Strangford (d.1663), attributed to John Michael Wright. Watercolour and chalk on paper, 26.4 by 20.2 cm. (Private collection).
Attributed works:
2. Lady Anne Percy, Lady Stanhope (1633–54) or Lady Isabella Sydney, Viscountess Strangford (d.1663), by Peter Lely. 1647–49. Oil on canvas, 123 by 99 cm. (Petworth House, West Sussex).
Attributed works:
3. Elizabeth Claypole (née Cromwell), by John Michael Wright. 1658. Oil on panel, 54 by 45.1 cm. (National Portrait Gallery, London).
Short Notice
A ‘legacy to Mr Peter Lilly’: new light on the collaboration between Peter Lely and Remigius van Leemput
02/2024 | 1451 | 166
Pages: 163–165
related names
Shorter Notice by:
Innes-Mulraine, James (Innes-Mulraine, James)
Subjects
dates:
Illustrations
Attributed works:
1. Henry Hyde, 2nd Earl of Clarendon (1638– 1709), when Viscount Cornbury, with his first wife, Theodosia Capel (1640–62), by Remigius van Leemput after Peter Lely. c.1661–1710. Oil on panel, 36.8 by 47.4 cm. (© His Majesty King Charles III, 2024; Royal Collection Trust).
Attributed works:
2. Henry Hyde, Viscount Cornbury, later 2nd Earl of Clarendon (1638–1709) and his wife, Theodosia Capel, Viscountess Cornbury, by Peter Lely. Before 1662. Oil on canvas, 143 by 181.5 cm. (Private collection).
Attributed works:
3. Henry VII, Elizabeth of York, Henry VIII and Jane Seymour, by Remigius van Leemput. 1667. Oil on canvas, 88.9 by 99.2 cm. (© His Majesty King Charles III, 2024; Royal Collection Trust).
Exhibition Review
British Baroque: Power and Illusion. Tate Britain, London
04/2020 | 1405 | 162
Pages: 334-336
related names
Reviewer:
Wood, Jeremy (Wood, Jeremy)
Subjects
dates:
museums and institutions:
styles:
subjects:
Reviewed Items
subjects:
British Baroque: Power and Illusion Tate Britain, London 4th February–19th April | :
Illustrations
Attributed works:
8. Dummy board: man with a cane. c.1690. Oil on panel lined with canvas, height 188 cm. (Victoria and Albert Museum, London; exh. Tate Britain, London).
Attributed works:
9. Installation view of British Baroque: Power and Illusion at Tate Britain, London, 2019, showing (centre) two of the ‘Petworth Beauties’ by Michael Dahl. (  Tate Photography).
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Advertisements (front)
06/2018 | 1383 | 160
Pages: n.p.
Subjects
advertisements:
Robilant and Voena, London, Great Britain / London Art Week / Trinity Fine Art Ltd, London, Great Britain / Sotheby's, London, Great Britain / Daniel Katz Ltd (dealers), London, Great Britain / Stephen Ongpin Fine Art, London, Great Britain / Klaas Muller Antiques, Brussels, Belgium / Tomasso Brothers Fine Art, Leeds, Great Britain / Brun Fine Art, London / Trinity Fine Art Ltd, London, Great Britain / James Mackinnon, London, Great Britain / Galerie Lowet de Wotrenge, Antwerp, Belgium / Sam Fogg (dealer), London, Great Britain / Guy Peppiatt Fine Art, London, Great Britain / Irish Art Review / Burlington Contemporary Art Writing Prize / Peter Finer (antique arms), London, Great Britain / Andrew Edmunds (dealer), London, Great Britain / The Art Newspaper, London, Great Britain / Paul Mellon Centre for Studies in British Art, London, Great Britain / Getty Trust Publications , Great Britain / Patricia Wengraf Ltd, London, Great Britain / Masterpiece London / Hazlitt Holland-Hibbert, London, Great Britain / New Art Centre (gallery and sculpture park), Salisbury, Great Britain / Axel Vervoordt, Antwerp, Belgium / Les Enluminures (dealer), Paris, France / N.& I. Franklin, London, Great Britain / Landau Fine Art, Montreal, Canada / Day and Faber, London, Great Britain / Galerie Sismann, Paris, France / Simon Dickinson, London, Great Britain / Alessandro Cesati, Milan, Italy / Rafael Valls, London, Great Britain / Didier Aaron, Inc, New York, United States / Otto Naumann, New York, United States / The-saleroom.com / Timothy Newbery (frames), London, Great Britain / Burlington Magazine / Museo Nacional del Prado, Madrid, Spain / Museum aan de Stroom, Antwerp, Belgium / Hazlitt Gallery, London, Great Britain / Chanel, firm / Burlington Contemporary
subjects:
Illustrations
Attributed works:
[Andrew Edmunds Prints & Drawings, London. JAMES GILLRAY (1756–1815) The Orangerie; –or– the Dutch Cupid reposing, after the fatigues of Planting 1796. Etching & engraving 256 x 359 mm, with publisher’s watercolour]
Attributed works:
[Daniel Katz Gallery, London. SIR FRANCIS CHANTREY. Norton, 1781–1841, London. Lady Gertrude Sloane-Stanley. Marble. 65 cm high. Inscribed Lady Gertrude Sloane Stanley and signed F.L. Chantrey sculptor 1813 on the reverse. Commissioned by Hans Sloane-Stanley, 1813. Kept at Paultons, Romsey, Hampshire, until 1972. Exhibited at the Royal Academy, 1813, no.927]
Attributed works:
[Galerie Sismann, Paris. CHRIST AT THE COLUMN AFTER A MODEL BY FRANÇOIS DUQUESNOY (Brussels 1594–1643 Livorno, Italy). Bronze. France. Late 17th century. H 30.5 cm. Second version at the Metropolitan Museum of New York]
Attributed works:
[Galleria del Laocoonte, Rome. Arthur Segal, self-portrait (detail)]
Attributed works:
[Galleria del Laocoonte, Rome. Roberto Melli, The Little Mask (1913)]
Attributed works:
[Guy Peppiatt Fine Art, London. John Robert Cozens (1752–1797) Near Sallanches, France. Signed and dated 1778 on original mount, watercolour over pencil, 36.8 by 53.7 cm., 14½ by 21 in.]
Attributed works:
[Hazlitt, London. Sir Peter Lely.]
Attributed works:
[James Mackinnon, London. HUMPHRY REPTON (1752–1818) View from Sheffield Park towards Fletching, Kent, 1789 Watercolour, 61/8 x 197/8 in. (15.7 x 50.5 cm.)]
Attributed works:
[London Art Week. A mountainous river landscape with fishermen, by Marten Ryckaert (1587–1631). Panel, 26 by 36.5 cm. GALERIE LOWET DE WOTRENGE. EXHIBITING AT: 37 BURY STREET, SW1]
Attributed works:
[London Art Week. A seated young woman, by James Jacques-Joseph Tissot (1836–1902). Pencil, black wash, watercolour and gouache on blue-grey paper, 14.5 by 19.9 cm. STEPHEN ONGPIN FINE ART, 6 MASON’S YARD, SW1]
Attributed works:
[London Art Week. Bacchus and a young satyr, by Giovanni Battista Foggini (1652–1725). Bronze, height 46 cm. TOMASSO BROTHERS FINE ART, 67 JERMYN STREET, SW1]
Attributed works:
[London Art Week. David with the Head of Goliath, by Pier Francesco (1612–1666). c.1660–65. Canvas, 127 by 147 cm. LULLO PAMPOULIDES, 33 CORK STREET, W1S]
Attributed works:
[London Art Week. L’Eté, by Jean-Baptiste Carpeaux (1827–1875). Plaster, height 67 cm. DANIEL KATZ GALLERY, 6 HILLSTREET, W1J]
Attributed works:
[London Art week. Mechanical division of the crowd, by Mori Marisa (1900–1985). 1933. Oil on plywood, 71 by 100 cm. GALLERIA DEL LAOCOONTE. EXHIBITING AT: 6 RYDER STREET, SW1]
Attributed works:
[London Art Week. Monkeys in a guardroom, by Nicolaes van Veerendael (1640–1691). Canvas, 43 by 56.5 cm. KLAAS MULLER. EXHIBITING AT: 40–41 DUKE STREET, SW1]
Attributed works:
[London Art Week. Portrait of a bearded Venetian nobleman, by Peter Paul Rubens (1577–1640). Panel, 60 by 48.6 cm. SOTHEBY’S, LONDON. OLD MASTERS EVENING SALE, 4TH JULY, 34–35 NEW BONDSTREET, W1A]
Attributed works:
[London Art Week. Portrait of a man (Antoine de Ville), by Artemisia Gentileschi (1593–1654). Canvas, 204.5 by 109.2 cm. ROBILANT + VOENA, 38 DOVER STREET, W1]
Attributed works:
[London Art Week. Study of insects and a borage stem, by Jan van Kessel the Elder (1626–1679). c.1660. Oil on paper, 10.4 by 34.7 cm. CARETTO AND OCCHINEGRO. EXHIBITING AT: 21 GEORGIAN HOUSE, 10 BURY STREET, SW1]
Attributed works:
[London Art Week. The genius of the hunt, by Pompeo Marchesi (1790 –1858). c.1830–35. Marble, height 133 cm. TRINITYFINEART, 15 OLD BOND STREET, W1S]
Attributed works:
[London Art Week. Warkworth Hermitage, Northumberland, by Thomas Girtin (1775–1802). 1796. Pencil and watercolour, 25.5 by 30.4 cm. JAMES MACKINNON FINE ART. EXHIBITING AT: 73 NEW BOND STREET, W1S]
Attributed works:
[Masterpiece, London. Form, by Barbara Hepworth (1903–1975). 1936. White marble, 33 by 22.9 by 20.8 cm. HAZLITT HOLLAND HIBBERT, LONDON]
Attributed works:
[Masterpiece, London. Hours of Philippote de Nanterre, by the Master of Raoul d’Ailly (1395 –1463) and a collaborator. Amiens, c.1420s. Parchment, 18.1 by 13.5 cm. LES ENLUMINURES, CHICAGO AND PARIS]
Attributed works:
[Masterpiece, London. Large left-handed drummer, by Barry Flanagan (1941–2009). 2006. Bronze, 490 by 290 by 244 cm. NEW ART CENTRE, SALISBURY]
Attributed works:
[Masterpiece, London. Machine no. 2, by Graham Sutherland (1903–1980). 1959. Oil on canvas, 100 by 80.5 cm. M & L FINE ARTS, LONDON]
Attributed works:
[Masterpiece, London. Portrait of a Lady from Lucca, by Pietro Nocchi (1783–1854). 1823–1825. Oil on canvas, 236.4 by 154.5 cm. BRUN FINE ART, LONDON]
Attributed works:
[Masterpiece, London. Portrait of Ralph Stackpole, by Diego Rivera (1886–1957). 1932. Pencil, 50 by 40.4 cm. DAY AND FABER, LONDON]
Attributed works:
[Masterpiece, London. Sideboard dish, by Louis Mattayer. London, 1720. Silver, diameter 68.6 cm. N. & I. FRANKLIN, LONDON]
Attributed works:
[Masterpiece, London. Sleepers, by Pablo Picasso (1881–1973). 1965. Oil on canvas, 114 by 195 cm. LANDAU FINE ART, MONTREAL]
Attributed works:
[Masterpiece, London. Still life, by Giorgio Morandi (1890 –1964). 1961. Oil on canvas, 25 by 30 cm. ROBILANT + VOENA, LONDON, MILAN AND ST. MORITZ]
Attributed works:
[Museo del Prado, Madrid. Lorenzo Lotto, Portrait of a Young Man with a Lamp, ca. 1508. Oil on panel. Vienna, Kunsthistorisches Museum, Picture Gallery]
Attributed works:
[Nicholas Hall, New York. Carlo Maratti (1625–1713) Portrait of Francesca Gommi 98.5 x 74.5 cm.]
Attributed works:
[Paul Mellon Centre, London. Detail of Conrad Shawcross's The Dappled Light of the Sun (2015) installed in the courtyard of Burlington House alongside Alfred Drury's statue Sir Joshua Reynolds (1931) on the occasion of the 247th Summer Exhibition at the Royal Academy of Arts, 2015. Image courtesy of Getty Images. Photo: Peter Macdiarmid.]
Attributed works:
[Robilant + Voena, London. Il Tavolino di Gioje. The Grand Duke Francesco I de' Medici Table-Top. From 1870s to 1959 belonged to the Dukes of Westminster, London. Florence, circa 1568–1577. Executed by Bernardino Porfirio da Leccio (documented 1557–1588). Designed by Giorgio Vasari (1511–1574). Hardstones (Pietra Dura) set into a white marble support. Length: 160 cm (63 in.). Width: 107 cm (42 1/8 in.). Depth: 8 cm (3 1/8 in.).]
Attributed works:
[Sotheby's, London. GIAMBOLOGNA (1529-1608) Italian, Florence, before 1587 Mars Estimate £3,000,000–5,000,000]
Attributed works:
[Sotheby's, London. GIOVANNI BATTISTA FOGGINI (1652–1725) Lucretia and Paulina Estimate £180,000–250,000]
Attributed works:
[Sotheby's, Paris. ADÉLAÏDE LABILLE-GUIARD Portrait of the Duchesse d’Aiguillon Estimate €200,000–300,000]
Attributed works:
[Trinity Fine Art, London. FERDINANDO TACCA (Florence 1619–1686). A Highly Important Documentary Group of the Monument to Ferdinando I de' Medici in Livorno, adapted after the original figures by Giovanni Bandini (Florence 1540–1599) and Pietro Tacca (Carrara 1577–Florence 1640). Overall height 73.7 cm (29 in). Pedestal height 33.4 cm (13 1/6 in). PROVENANCE Inventory of Palazzo Pitti, Florence, 1761]
Attributed works:
[W. Apolloni, Rome. Gian Lorenzo Bernini, Samson slaying the lion (detail)]
Attributed works:
[W. Appoloni, Rome. Benedetto Luti, The Golden Age (detail)]
Non-western art unattributed:
[Masterpiece, London. Bastet. Egypt, 664–525 BC. Bronze, height 15 cm. AXEL VERVOORDT GALLERY, WIJNEGEM, BELGIUM AND HONG KONG]
Western art unattributed:
[Axel Vervoort. Gilded bronze. Western Europe, Roman Empire, 1st - 2nd century A.D. 21 x 10,50 x 11 cm]
Western art unattributed:
[London Art Week. A knight’s helmet, Genoa. 19th century. Marble, height 63 cm. BRUN FINE ART, 38 OLD BOND STREET, W1S]
Western art unattributed:
[London Art Week. A Saracen’s head, probably Florence. c.1500–1520. Marble, height 47 cm. GALLERY DESMET. EXHIBITING AT: 40–41 DUKE ST, SW1]
Western art unattributed:
[London Art Week. Aeneas and Achates taking their leave from the other Trojans on the Libyan coast near Carthage, by an unidentified painter close to the ‘Milan Marsyas’ painter, Urbino. c.1530. Tin-glazed earthenware, diameter 25.5 cm. RACCANELLO LE PRINCE. EXHIBITING AT: 32 ST GEORGE STREET, W1S]
Western art unattributed:
[London Art Week. St Mary Magdalene and a bearded prophet. One of three panels of Opus Anglicanum. London. c.1400. Embroidery on linen. Sizes vary. SAM FOGG, 15D CLIFFORD STREET, W1S]
Western art unattributed:
[Masterpiece, London. Anthemion finial of a grave stele, Greece (Attica). c. 4th century BC. Marble, height 47 cm. KALLOS GALLERY, LONDON]
Western art unattributed:
[Peter Finer, London. An Italian Stone Bow, late 16th century. Italy. Walnut wood, iron, leather, cord, and bone. 89 cm by 56 cm. Provenance Private Collection, USA]
Exhibition Review
Peter Lely. London
03/2013 | 1320 | 155
Pages: 188-189
related names
Reviewer:
Lammertse, Friso (Lammertse, Friso)
Subjects
artists:
dates:
museums and institutions:
places:
subjects:
Illustrations
Attributed works:
36. Rape of Europa, by Peter Lely (Devonshire Collection, Chatsworth; exh. Courtauld Gallery, London)
Attributed works:
37. Boy as a shepherd, by Peter Lely (Dulwich Picture Gallery, London; exh. Courtauld Gallery, London)
Advertisements
Advertisements March 2007 (front)
03/2007 | 1248 | 149
Pages: s.p.
Subjects
advertisements:
advertisements:
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
[Adriano Ribolzi. Monte-Carlo. A rare XVI commode of rectangular shape à ressaut in Santo Domingo solid mahogany and veneer. It is stamped: Canabas, on the ridge of the bottom on the left-hand side, and the mark of the Jurande: JME. Joseph Canabas called Gegenbach (1712-1797). Paris, Louis XVI period. Height: 82.5 cm. Width: 135 cm]
Attributed works:
[Agnew’s, LTD, 43 Old Bond Street, London, W.1. Studies of five fashionable girls, by George Henry Harlow (1787-1819). Black and red chalks, 28 by 21.5 cm]
Attributed works:
[Arturo Cuellar, Burglistrasse 18, 8002 Zurich. Robert Delaunay (1885-1941). Study for the 'verseuse'/'coffeepot'. 1916. Gouache and watercolour on paper, 65x64 cm]
Attributed works:
[Charles Beddington Limited. 16 Saville Row, London, W1S 3PL. Philip Ferdinand de Hamilton (Brussels 1664-1750 Vienna). Studies of Fungi, including three examples of pinkish-white Bracket fungi (possibly Rigidoperus ulmarius), and edible Mushrooms Russula xerampelina (?), top right, Lactarius Chryssorrheus, lower left, and Russula sanguinea or lepida, lower left. Signed and dated 'P . F . de . Hamilton . S[uae]. C[aesareae]. [et Romanotum] M[aiestatis]. C[urtialis]. P[ictor]. /1736'. Oil on paper laid on canvas, 10 3/8 x 14 1/8 in. (26.3 x 36 cm)]
Attributed works:
[Charles Ratton & Guy Ladrière. 14 rue de Marignan, 75008 Paris. Jean Baptiste Isabey (Nancy 1767-Paris 1855). Portrait of a young woman. Signed lower right. Watercolour on paper, 14 x 10.5 cm]
Attributed works:
[Duke’s Auctioneers. The Dorchester Fine Art Salerooms. Weymouth Avenue, Dorchester, Dorset. The San Marco Panels. Guido di Pietro, called Fra Angelico. Dominican Saints, tempera on a gold ground, 390mmx130mm]
Attributed works:
[Flavia Ormond, Fine Arts. Adelson Galleries. 3 Netherton Grove. London. God the Father and the Holy Spirit with a host of Angels above a townscape, by Cristofano Roncalli, called Il Pomarancio (c. 1553-1626). Oil on paper in grisaille. 38.1 by 29.1 cm]
Attributed works:
[Flavia Ormond, Fine Arts. Adelson Galleries. 3 Netherton Grove. London. Louis-Léopold Boilly, La Bassée 1761 - 1845 Paris. The Favourite or Elder Sister (detail). Charcoal on grey paper with white heightening, signed L. Boilly. at lower right. 354 x 297 mm (13 9/10 x 11 7/10 inches)]
Attributed works:
[Galerie Antoine Laurentin. Paris. Marguerite, by André Lhote (1885-1962). Watercolour and gouache, 23.3 by 30.3 cm. Signed bottom right]
Attributed works:
[Galerie Berès. Paris. Study for the clowns, by Albert Gleizes (1881-1953). Signed and dated below to the right: Alb. Gleizes. Watercolour on paper, 47.9 by 33.2 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Aniello Falcone. Naples, 1607-1656. Calvary Battle between Turks and Christians. Oil on canvas, 76 x 113 cm.]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Battle, Aniello Falcone (1607-1656). Oil on canvas, 76 by 113 cm]
Attributed works:
[Galerie Coatalem. Paris. Lying nude, Gustave Klimt (1862-1918). Red chalk, 55 by 35 cm]
Attributed works:
[Galerie de la Présidence. Paris. Saint Malo, scene of death, by Paul Signac (1863-1935). 1929. Signed lower right. Watercolour, 27.3 by 44.2 cm]
Attributed works:
[Galerie Didier Aaron & Cie. Paris. Sight of the Palace of Concorde in Paris, by Pierre-François-Léonard Fontaine (1762-1853). Probably executed in 1829. Black chalk, pen and grey ink, brown washing and grey, watercolour and lights of white, 26.5 by 145 cm]
Attributed works:
[Giovanni Pratesi, Antiquario. Via Maggio 13, 50125, Firenze. Carlo Francesco Mellone (active in Milan from 1685 to 1743). Saint Pius V. Gilt and patinated terra-cotta. Height: 40 cm]
Attributed works:
[Giovanni Sarti, 137 rue du Faubourg Saint-Honoré. Paris. The mocking of Christ, by Daniel Crespi (circa 1595?-1630). Circa 1624-1625. Oil on canvas, 108 by 91 cm]
Attributed works:
[Heritage, Auction Galleries. 3500 Maple Ave., 17th Floor. Dallas. Harriet W. Frishmuth. Scherzo: A Fountain. Patinated bronze, c. 1929.]
Attributed works:
[Heritage, Auction Galleries. 3500 Maple Ave., 17th Floor. Dallas. Henri Roland Lancelot. Lago de Lugano. Oil on canvas, 12 3/4 x 16 in.]
Attributed works:
[Heritage, Auction Galleries. 3500 Maple Ave., 17th Floor. Dallas. Sir Joshua Reynolds. Portrait of Caroline Cox. Oil on canvas, 29 3/8 x 25 in]
Attributed works:
[Heritage, Auction Galleries. 3500 Maple Ave., 17th Floor. Dallas. Thomas Moran. Moonlight Icebergs in Mid-Atlantic. Oil on unlined canvas, 20 x 30 in]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Amphitrite, by Claude Pautre di Choisy (1744-1794). Red Chalk, 43.5 by 31 cm]
Attributed works:
[Katrin Bellinger. 15 Old Bond Street. London. A young woman spurning a cavalier's advances, another moving backwards to the right, by Antoine Watteau (1684-1721). Black lead and red chalk, touches of white chalk and traces of grey wash on beige paper, 16 by 14.3 cm]
Attributed works:
[Lowell Libson. 3 Clifford Street, New Bond Street, London, W1S 2LF. Sir Peter Lely. 1710-1762. Alice Beale, half-length, standing in a Landscape. Bartholomew Beale, half-length, standing in a landscape, his right hand resting on a bust of Homer. Oil on canvas; 36x30 inches; 91.5 x 76 cm each. The male portrait signed with the artist's PL monogram. In important English rococo frames for the pictures, c. 1750]
Attributed works:
[Pandora Old Masters. Po Box 1761. New York. Six men in a landscape, by Salvatore Rosa Arenella. (1615-1673). Pen and brown ink, brown wash and red chalk, 22.8 by 20 cm]
Attributed works:
[Rafael Valls. 11 Duke Street, St. James’s, London. A portrait of Mrs George Frederick Stratton, by Sir Thomas Lawrence, PRA (1769-1830). Oil on canvas, 76.9 by 64.7 cm]
Attributed works:
[Sotheby’s & Co., 34-35 New Bond Street, London, W.1. J M Turner, R.A. (1775-1851). Fishing Boats off Hastings. Watercolour over pencil with scratching out and stopping out. 7 1/4 by 11 7/8 in., 18.4 by 30.1 cm.]
Attributed works:
[Talabardon & Gautier. Paris. Minerve, by Charles Gleyre (1808-1874). 1865. Signed lower left: C. Gleyre. Three pencils and pastel, 55.5 by 43.5 cm.]
Attributed works:
[The Fine Art Society, Ltd. 148 New Bond Street, London, W.1. Frederick Cayley Robinson 1862-1927. The Call of the Sea, 1925. Oil on canvas 33 x 48 inches (84x122 cm). Signed Caylley Robinson 1925, lower left.]
Attributed works:
[The London Original Print Fair. Royal Academy of Arts. Burlington Gardens. London. Damien Hirst Sceptic 2006. Silkscreen print. 150 x 78.7 cm. Edition of 55. Published by Paul Stolped and Other Criteria.]
Attributed works:
[Trinity Fine Art. 29 Bruton Street. London W1J 6QP. Soldiers surprised by the tomb, the lower half of The Resurrection, by Giuseppe Maria Crespi, il Spagnulo (1665-1747). Two shades of red chalk, strenghtened with pen and black ink, red chalk framing lines, 25.6 by 22 cm]
Attributed works:
[W/S Fine Art, Ltd. 160 New Bond Street, London W1S 2UE. Thomas Jones (1743-1803). View of the Campi Flegrei from the Camaldolise Convent near Naples, 1783. Oil on canvas, 50 x 71 1/2 inches. Painted for Sir William Hamilton; exhibited in 1784 at the Royal Academy]
Attributed works:
[Whitfield Fine Art Ltd. London. Sleeping Cupid, by Giovanni-Battista Caracciolo, called Battistello (1578-1635). Oil on canvas, 75 by 140 cm]
Non-western art unattributed:
[Heritage, Auction Galleries. 3500 Maple Ave., 17th Floor. Dallas. Pavel Akimov Ovchinnikov. Russian Silver Gilt and ENamel Icon: The Annunciation, 1896-08-]
Western art unattributed:
[Rupert Wace Ancient Art. London. Exceptional bronze helmet face mask. Roman, 1st century AD. Height: 16.5 cm]
Short Notice
An ambivalent image: Lely’s double-portrait of Charles I and the Duke of York
03/2007 | 1248 | 149
Pages: 180-182
related names
Author:
Harris, Frances (Harris, Frances)
Subjects
artists:
dates:
print:
subjects:
Illustrations
Attributed works:
36. Charles I with James, Duke of York, by Peter Lely. 1647. 126.4 by 146.7cm. (Duke of Northumberland, Syon House, Middlesex).
Article
A Rediscovered Portrait of Queen Anne, When a Child, by Sir Peter Lely
07/2003 | 1204 | 145
Pages: 501-504
related names
Author:
Taylor, David A. H. B. (Taylor, David A. H. B.)
Subjects
artists:
dates:
places:
Illustrations
Attributed works:
19. Queen Anne, when a child, by Peter Lely. c. 1667-68. 126.4 by 102 cm. (Royal Collection).
Attributed works:
21. Queen Anne, when a child, by Abraham Blooteling after Peter Lely. 1678. Mezzotint, 20.5 by 14.1 cm. (National Portrait Gallery, London).
Attributed works:
22. Queen Anne, when a child, by Peter Lely. c. 1678. 123.2 by 97.8 cm. (Private collection).
Attributed works:
23. Mary II, when Princess of Orange, by Peter Lely. c. 1677. 126.4 by 102.9 cm. (Royal Collection).
Western art unattributed:
20. Queen Anne, when a child, after Peter Lely. c. 1678-79. Mezzotint, 33 by 24.9 cm. (National Portrait Gallery, London).
Advertisements
Advertisements July 2003 (front)
07/2003 | 1204 | 145
Pages: i-xii
Subjects
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
[Charles Ratton & Guy Ladriere, 14, rue de Marignan and 11, quai Voltaire, Paris, France] Felix-Joseph Barrias (Paris 1827 - Paris 1902) Head of a bearded man, turned towards the right Charcoal and pink chalk on blue paper, 321 x 274 mm.
Attributed works:
[Chris Beetles Ltd., 8/9 Ryder Street, London, UK] Ecstasy of a Sainted Nun 223.5 x 131.5 cm., arched top.
Attributed works:
[Hall & Knight Ltd., 43 New Bond Street, London, UK] Sebastiano Ricci (Belluno 1659-1734 Venice) The Last Communion of St. Mary of Egypt Oil on canvas, 209 x 142 cm 82 1/4 x 55 7/8 inches)
Attributed works:
[Hazlitt, Gooden & Fox, 38 Bury Street, London, UK] Severo Calzetta da Ravenna, (fl. 1496-1543) A candlestick in the form of a mermaid with twin tails Bronze, height 23.5 cm (9¼ in)
Attributed works:
[Liliane Fredericks, Flat 1, 32 Stanhope Gardens, London, UK] Giulio Carpioni (Venice 1611 - 1678 Venice). Two Male Heads Looking to the Right Red chalk on blue paper (152 x 165 mm)
Attributed works:
[Lowell Libson Ltd., 3 Clifford Street, London, UK] Sir Peter Lely (1618 - 1680) The Honourable Leonard Grey. Oil on canvas Size: 29¾ x 25 inches (75.5 x 63.5 cm) Signed with initials Painted circa 1646-50
Attributed works:
[Mia N. Weiner, Mountain Road, Norfolk, CT, USA] Bernardino Gatti, Il Sojaro (Pavia? ca. 1495 - 1576 Cremona) Leg Study, preparatory for the altarpiece Virgin Mourning Dead Christ commissioned for San Domenico, Cremona but since 1797 in the Louvre. red chalk, brush & white gouache. 196 x 110 mm. squared in red chalk.
Attributed works:
[Yale University Press advertisement] Van Dyck. A Complete Catalogue of the Paintings. Susan J. Barnes, Nora De Poorter, Oliver Millar and Horst Vey. This stunning book is the long-awaited catalogue raisonné of Sir Anthony Van Dyck's painted oeuvre. Handsomely designed and illustrated, it includes a reproduction of every known authentic painting by the artist, the provenance and the significant facts and literature on each.
Attributed works:
[Yale University Press advertisement] Whistler, Women and Fashion. Margaret F. MacDonald, Susan Grace Galassi and Aileen Ribeiro, with Patricia de Monfort. Costume and fashion were a lifelong obsession for James McNeill Whistler. This lavishly illustrated book focuses on fashion in Whistler's art as a key to understanding his life and work and as a new means of exploring his relationship with women and his portraits of them.
Western art unattributed:
Interior of St Michael's Cathedral, Coventry, November 15th 1940, by John Piper. 1940. Oil on Canvas Laid on Board, 50 by 61 cm. (Herbert Art Gallery and Museum, Coventry).
Western art unattributed:
[Cambridge University Press advertisement] Book covers. The Cambridge History of Western Textiles Edited by David Jenkins. An authoritative study on the production and uses of textiles in Europe since ancient times. The Roman House and Social Identity Shelley Hales Examines house types from Britain to Syria to understand how people imagined and articulated their place in the Roman world. The Cambridge Companion to Titian Edited by Patricia Meilman. An introduction to one of the giants of Western art.
Western art unattributed:
[Yale University Press advertisement] A Private Passion 19th-Century Paintings and Drawings from the Grenville L. Winthrop Collection. Harvard University Stephan Wolohojian et al. The Winthrop Collection of French, British and American art includes the best group of Delacroix and Ingres drawings outside France, the most significant group of pre-Raphaelite paintings outside Britain, and a world-renowned collection of Sargent watercolours. This book is the catalogue for an international travelling exhibition on show at The National Gallery, London from June to September.
Western art unattributed:
[Yale University Press advertisement] Goddess The Classical Mode Harold Koda This beautifully illustrated book explores the continually evolving influence of classical dress through the ages, presenting a historical survey of this fascinating theme.
Western art unattributed:
[Yale University Press advertisement] The Pleasures of Antiquity. Jonathan Scott. In this first comprehensive history of the collecting of antiquities in Great Britain, Jonathan Scott examines how the great British antiquities collections were put together and displayed, from Lord Arundel's collection of marbles in the seventeenth century to the Grand Tour acquisitions of the eighteenth century, and the greatest art acquisition of all time, that of the Elgin Marbles.
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10/2001 | 1183 | 143
Pages: i-xx
Subjects
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Illustrations
Attributed works:
Porta Pinciana in Rome, by Herman van Swanevelt. Pen and Brown Wash over Traces of Black Chalk or Graphite, 20.6 by 27.2 cm. (Rijksprentenkabinet, Rijksmuseum, Amsterdam)
Attributed works:
[Artemis Group, 23 East 73rd Street, New York, New York] James McNeill Whistler (1834-1903) Nocturne (Kennedy 184 iv/v). Etching with Drypoint in Brown. 1879-80, Signed in Pencil
Attributed works:
[Auctioneers Glerum, Lekstraat 63, 1079 EM Amsterdam, The Netherlands] A. (van der) Salm (1657-1720), Whale Hunt in the Northern Sea, Pen Painting, 57 × 81 cm Estimate: £ 70,000 - £ 100,000
Attributed works:
[Caxton, 63 Patrick Street, Dublin, 8, Ireland] Jacob Matham (1571-1631) Mythological and Allegorical Subjects After Hendrik Goltzius Published 1588 Venus, Bacchus, and Ceres
Attributed works:
[Colnaghi, 15 Old Bond Street, London, UK] Eugene Delacroix (1798 - 1863) A Portrait of Dr. François-Marie Desmaisons. Oil on Canvas: 65 × 54 cm. Signed at upper Right: Eug. Delacroix.
Attributed works:
[Daniel Katz Ltd, 59 Jermyn Street, London, UK] England, Nottingham The Tenth Sign of the Last Judgement Alabaster and Polychrome Mid 15th Century Private Collection, America
Attributed works:
[Exh. International Fine Print Dealers Association Print Fair, New York, New York] Abraham Entertaining the Angels, by Rembrandt. 1656.
Attributed works:
[Exh. International Fine Print Dealers Association Print Fair, New York, New York] Albrecht Dürer, Detail of Melencolia I, 1514.
Attributed works:
[Exh. International Fine Print Dealers Association Print Fair, New York, New York] Dog Barking at the Moon, by Joan Miró. 1952. Lithograph
Attributed works:
[Exh. International Fine Print Dealers Association Print Fair, New York, New York] Glow of the City, by Martin Lewis. 1929.
Attributed works:
[Exh. International Fine Print Dealers Association Print Fair, New York, New York] Nature morte sous la Lampe, by Pablo Picasso. 1962.
Attributed works:
[Exh. International Fine Print Dealers Association Print Fair, New York, New York] Odalisque, by Jean-Auguste Dominique Ingres. 1825. Lithograph, 15 × 21 cm; (Margins 32 × 49.7 cm).
Attributed works:
[Exh. International Fine Print Dealers Association Print Fair, New York, New York] Self Portrait, by Chuck Close. 2000. Silkscreen
Attributed works:
[Exh. International Fine Print Dealers Association Print Fair, New York, New York] The Lamp, by Mary Cassatt. 1890-91. Drypoint, Soft-Ground, Aquatint in Colours.
Attributed works:
[Exh. International Fine Print Dealers Association Print Fair, New York, New York] The Parable of the Rich Man III, by Crispin de Passe II (1597/98-after 1670). Engraving 26.4 × 33.3 cm. Hollstein 5, Only State.
Attributed works:
[Exh. International Fine Print Dealers Association Print Fair, New York, New York] Tobit Burying the Dead, by G. B. Castiglione. c.1647-51.
Attributed works:
[Hall & Knight Ltd., 43 New Bond Street, London, UK] Sebastien Bourdon (Montpellier 1616-1671 Paris). Sine Cerere et Baccho Friget Venus or Bacchus and Ceres with Nymphs and Satyrs. Oil on Canvas, 48 × 82.5 cm 18 7/8 × 32½ Inches)
Attributed works:
[Hazlitt, Gooden & Fox, 38 Bury Street, London, UK] Joseph-Charles Marin (1759-1834) Oedipe et Antigone Terracotta, h. 23 cm, w. 21.2 cm, d. 17 cm
Attributed works:
[Hill-Stone Incorporated, Park Avenue, New York, New York] Rembrandt van Rijn. Leiden 1606 - 1669 Amsterdam
Attributed works:
[Jack Kilgore & Co., Inc. 154 East 71st Street, New York] Jean-Baptiste-Camille Corot (1796-1875) Tree Trunk in the Forest of Fontainebleau Oil on Paper Laid Down on Canvas, 9½ by 12 3/4 Inches (24.4 by 32.5 cm.)
Attributed works:
[Maison d'Art, 27 Ave., De La Costa, Monte Carlo, Monaco] Domenico Riccio Called Domenico Brusasorci Verona, Circa 1515-1567 Allegorical Scene. Oil on Canvas. Diameter 196 cm
Attributed works:
[National Gallery, London, UK] Diana Kike, Countess of Oxford, by Peter Lely. Shown at 'Portraits of Women of Prominence and Influence within the Court of Charles II, from Royal Brides and Daughters to Mistresses and Actresses'.
Attributed works:
[Paul Proute S. A., 74, rue de Seine, 75006, Paris, France] Rembrandt Harmensz van Rijn, View of Amsterdam, ca. 1640. Etching and Drypoint, 110 × 153 mm. (Bartsch-Hollstein 210, Hind 176 ii/ii) Very Fine Impression
Attributed works:
[Phillips International, 101 New Bond Street, London, UK] A Fine George II Mahogany Commode, Possibly Attributable to William Hallett Snr. Provenance: the Family of William Pitt, 1st Earl of Chatham
Attributed works:
[Talabardon & Gautier, 134, Faubourg St-Honore, Paris, France] Henri-Joseph Harpignies (1819-1916). A Sign for the Estaminet Du Buisson, 1865. Oil on Panel, 77.7 cm × 105.5 cm. Signed, Monogrammed and Dated Lower Left.
Attributed works:
[The Hermitage Rooms at Somerset House, London, UK] The Lamentation (Detail) by Jacques de Bellange
Attributed works:
[The Old Print Shop Inc., 150 Lexington Avenue, New York, New York] Illustrated - Late Traveler. Drypoint by Martin Lewis, 1949. Recorded Impressions 12.
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