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06/2018 | 1383 | 160
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Robilant and Voena, London, Great Britain / London Art Week / Trinity Fine Art Ltd, London, Great Britain / Sotheby's, London, Great Britain / Daniel Katz Ltd (dealers), London, Great Britain / Stephen Ongpin Fine Art, London, Great Britain / Klaas Muller Antiques, Brussels, Belgium / Tomasso Brothers Fine Art, Leeds, Great Britain / Brun Fine Art, London / Trinity Fine Art Ltd, London, Great Britain / James Mackinnon, London, Great Britain / Galerie Lowet de Wotrenge, Antwerp, Belgium / Sam Fogg (dealer), London, Great Britain / Guy Peppiatt Fine Art, London, Great Britain / Irish Art Review / Burlington Contemporary Art Writing Prize / Peter Finer (antique arms), London, Great Britain / Andrew Edmunds (dealer), London, Great Britain / The Art Newspaper, London, Great Britain / Paul Mellon Centre for Studies in British Art, London, Great Britain / Getty Trust Publications , Great Britain / Patricia Wengraf Ltd, London, Great Britain / Masterpiece London / Hazlitt Holland-Hibbert, London, Great Britain / New Art Centre (gallery and sculpture park), Salisbury, Great Britain / Axel Vervoordt, Antwerp, Belgium / Les Enluminures (dealer), Paris, France / N.& I. Franklin, London, Great Britain / Landau Fine Art, Montreal, Canada / Day and Faber, London, Great Britain / Galerie Sismann, Paris, France / Simon Dickinson, London, Great Britain / Alessandro Cesati, Milan, Italy / Rafael Valls, London, Great Britain / Didier Aaron, Inc, New York, United States / Otto Naumann, New York, United States / The-saleroom.com / Timothy Newbery (frames), London, Great Britain / Burlington Magazine / Museo Nacional del Prado, Madrid, Spain / Museum aan de Stroom, Antwerp, Belgium / Hazlitt Gallery, London, Great Britain / Chanel, firm / Burlington Contemporary
subjects:
Illustrations
Attributed works:
[Andrew Edmunds Prints & Drawings, London. JAMES GILLRAY (1756–1815) The Orangerie; –or– the Dutch Cupid reposing, after the fatigues of Planting 1796. Etching & engraving 256 x 359 mm, with publisher’s watercolour]
Attributed works:
[Daniel Katz Gallery, London. SIR FRANCIS CHANTREY. Norton, 1781–1841, London. Lady Gertrude Sloane-Stanley. Marble. 65 cm high. Inscribed Lady Gertrude Sloane Stanley and signed F.L. Chantrey sculptor 1813 on the reverse. Commissioned by Hans Sloane-Stanley, 1813. Kept at Paultons, Romsey, Hampshire, until 1972. Exhibited at the Royal Academy, 1813, no.927]
Attributed works:
[Galerie Sismann, Paris. CHRIST AT THE COLUMN AFTER A MODEL BY FRANÇOIS DUQUESNOY (Brussels 1594–1643 Livorno, Italy). Bronze. France. Late 17th century. H 30.5 cm. Second version at the Metropolitan Museum of New York]
Attributed works:
[Galleria del Laocoonte, Rome. Arthur Segal, self-portrait (detail)]
Attributed works:
[Galleria del Laocoonte, Rome. Roberto Melli, The Little Mask (1913)]
Attributed works:
[Guy Peppiatt Fine Art, London. John Robert Cozens (1752–1797) Near Sallanches, France. Signed and dated 1778 on original mount, watercolour over pencil, 36.8 by 53.7 cm., 14½ by 21 in.]
Attributed works:
[Hazlitt, London. Sir Peter Lely.]
Attributed works:
[James Mackinnon, London. HUMPHRY REPTON (1752–1818) View from Sheffield Park towards Fletching, Kent, 1789 Watercolour, 61/8 x 197/8 in. (15.7 x 50.5 cm.)]
Attributed works:
[London Art Week. A mountainous river landscape with fishermen, by Marten Ryckaert (1587–1631). Panel, 26 by 36.5 cm. GALERIE LOWET DE WOTRENGE. EXHIBITING AT: 37 BURY STREET, SW1]
Attributed works:
[London Art Week. A seated young woman, by James Jacques-Joseph Tissot (1836–1902). Pencil, black wash, watercolour and gouache on blue-grey paper, 14.5 by 19.9 cm. STEPHEN ONGPIN FINE ART, 6 MASON’S YARD, SW1]
Attributed works:
[London Art Week. Bacchus and a young satyr, by Giovanni Battista Foggini (1652–1725). Bronze, height 46 cm. TOMASSO BROTHERS FINE ART, 67 JERMYN STREET, SW1]
Attributed works:
[London Art Week. David with the Head of Goliath, by Pier Francesco (1612–1666). c.1660–65. Canvas, 127 by 147 cm. LULLO PAMPOULIDES, 33 CORK STREET, W1S]
Attributed works:
[London Art Week. L’Eté, by Jean-Baptiste Carpeaux (1827–1875). Plaster, height 67 cm. DANIEL KATZ GALLERY, 6 HILLSTREET, W1J]
Attributed works:
[London Art week. Mechanical division of the crowd, by Mori Marisa (1900–1985). 1933. Oil on plywood, 71 by 100 cm. GALLERIA DEL LAOCOONTE. EXHIBITING AT: 6 RYDER STREET, SW1]
Attributed works:
[London Art Week. Monkeys in a guardroom, by Nicolaes van Veerendael (1640–1691). Canvas, 43 by 56.5 cm. KLAAS MULLER. EXHIBITING AT: 40–41 DUKE STREET, SW1]
Attributed works:
[London Art Week. Portrait of a bearded Venetian nobleman, by Peter Paul Rubens (1577–1640). Panel, 60 by 48.6 cm. SOTHEBY’S, LONDON. OLD MASTERS EVENING SALE, 4TH JULY, 34–35 NEW BONDSTREET, W1A]
Attributed works:
[London Art Week. Portrait of a man (Antoine de Ville), by Artemisia Gentileschi (1593–1654). Canvas, 204.5 by 109.2 cm. ROBILANT + VOENA, 38 DOVER STREET, W1]
Attributed works:
[London Art Week. Study of insects and a borage stem, by Jan van Kessel the Elder (1626–1679). c.1660. Oil on paper, 10.4 by 34.7 cm. CARETTO AND OCCHINEGRO. EXHIBITING AT: 21 GEORGIAN HOUSE, 10 BURY STREET, SW1]
Attributed works:
[London Art Week. The genius of the hunt, by Pompeo Marchesi (1790 –1858). c.1830–35. Marble, height 133 cm. TRINITYFINEART, 15 OLD BOND STREET, W1S]
Attributed works:
[London Art Week. Warkworth Hermitage, Northumberland, by Thomas Girtin (1775–1802). 1796. Pencil and watercolour, 25.5 by 30.4 cm. JAMES MACKINNON FINE ART. EXHIBITING AT: 73 NEW BOND STREET, W1S]
Attributed works:
[Masterpiece, London. Form, by Barbara Hepworth (1903–1975). 1936. White marble, 33 by 22.9 by 20.8 cm. HAZLITT HOLLAND HIBBERT, LONDON]
Attributed works:
[Masterpiece, London. Hours of Philippote de Nanterre, by the Master of Raoul d’Ailly (1395 –1463) and a collaborator. Amiens, c.1420s. Parchment, 18.1 by 13.5 cm. LES ENLUMINURES, CHICAGO AND PARIS]
Attributed works:
[Masterpiece, London. Large left-handed drummer, by Barry Flanagan (1941–2009). 2006. Bronze, 490 by 290 by 244 cm. NEW ART CENTRE, SALISBURY]
Attributed works:
[Masterpiece, London. Machine no. 2, by Graham Sutherland (1903–1980). 1959. Oil on canvas, 100 by 80.5 cm. M & L FINE ARTS, LONDON]
Attributed works:
[Masterpiece, London. Portrait of a Lady from Lucca, by Pietro Nocchi (1783–1854). 1823–1825. Oil on canvas, 236.4 by 154.5 cm. BRUN FINE ART, LONDON]
Attributed works:
[Masterpiece, London. Portrait of Ralph Stackpole, by Diego Rivera (1886–1957). 1932. Pencil, 50 by 40.4 cm. DAY AND FABER, LONDON]
Attributed works:
[Masterpiece, London. Sideboard dish, by Louis Mattayer. London, 1720. Silver, diameter 68.6 cm. N. & I. FRANKLIN, LONDON]
Attributed works:
[Masterpiece, London. Sleepers, by Pablo Picasso (1881–1973). 1965. Oil on canvas, 114 by 195 cm. LANDAU FINE ART, MONTREAL]
Attributed works:
[Masterpiece, London. Still life, by Giorgio Morandi (1890 –1964). 1961. Oil on canvas, 25 by 30 cm. ROBILANT + VOENA, LONDON, MILAN AND ST. MORITZ]
Attributed works:
[Museo del Prado, Madrid. Lorenzo Lotto, Portrait of a Young Man with a Lamp, ca. 1508. Oil on panel. Vienna, Kunsthistorisches Museum, Picture Gallery]
Attributed works:
[Nicholas Hall, New York. Carlo Maratti (1625–1713) Portrait of Francesca Gommi 98.5 x 74.5 cm.]
Attributed works:
[Paul Mellon Centre, London. Detail of Conrad Shawcross's The Dappled Light of the Sun (2015) installed in the courtyard of Burlington House alongside Alfred Drury's statue Sir Joshua Reynolds (1931) on the occasion of the 247th Summer Exhibition at the Royal Academy of Arts, 2015. Image courtesy of Getty Images. Photo: Peter Macdiarmid.]
Attributed works:
[Robilant + Voena, London. Il Tavolino di Gioje. The Grand Duke Francesco I de' Medici Table-Top. From 1870s to 1959 belonged to the Dukes of Westminster, London. Florence, circa 1568–1577. Executed by Bernardino Porfirio da Leccio (documented 1557–1588). Designed by Giorgio Vasari (1511–1574). Hardstones (Pietra Dura) set into a white marble support. Length: 160 cm (63 in.). Width: 107 cm (42 1/8 in.). Depth: 8 cm (3 1/8 in.).]
Attributed works:
[Sotheby's, London. GIAMBOLOGNA (1529-1608) Italian, Florence, before 1587 Mars Estimate £3,000,000–5,000,000]
Attributed works:
[Sotheby's, London. GIOVANNI BATTISTA FOGGINI (1652–1725) Lucretia and Paulina Estimate £180,000–250,000]
Attributed works:
[Sotheby's, Paris. ADÉLAÏDE LABILLE-GUIARD Portrait of the Duchesse d’Aiguillon Estimate €200,000–300,000]
Attributed works:
[Trinity Fine Art, London. FERDINANDO TACCA (Florence 1619–1686). A Highly Important Documentary Group of the Monument to Ferdinando I de' Medici in Livorno, adapted after the original figures by Giovanni Bandini (Florence 1540–1599) and Pietro Tacca (Carrara 1577–Florence 1640). Overall height 73.7 cm (29 in). Pedestal height 33.4 cm (13 1/6 in). PROVENANCE Inventory of Palazzo Pitti, Florence, 1761]
Attributed works:
[W. Apolloni, Rome. Gian Lorenzo Bernini, Samson slaying the lion (detail)]
Attributed works:
[W. Appoloni, Rome. Benedetto Luti, The Golden Age (detail)]
Non-western art unattributed:
[Masterpiece, London. Bastet. Egypt, 664–525 BC. Bronze, height 15 cm. AXEL VERVOORDT GALLERY, WIJNEGEM, BELGIUM AND HONG KONG]
Western art unattributed:
[Axel Vervoort. Gilded bronze. Western Europe, Roman Empire, 1st - 2nd century A.D. 21 x 10,50 x 11 cm]
Western art unattributed:
[London Art Week. A knight’s helmet, Genoa. 19th century. Marble, height 63 cm. BRUN FINE ART, 38 OLD BOND STREET, W1S]
Western art unattributed:
[London Art Week. A Saracen’s head, probably Florence. c.1500–1520. Marble, height 47 cm. GALLERY DESMET. EXHIBITING AT: 40–41 DUKE ST, SW1]
Western art unattributed:
[London Art Week. Aeneas and Achates taking their leave from the other Trojans on the Libyan coast near Carthage, by an unidentified painter close to the ‘Milan Marsyas’ painter, Urbino. c.1530. Tin-glazed earthenware, diameter 25.5 cm. RACCANELLO LE PRINCE. EXHIBITING AT: 32 ST GEORGE STREET, W1S]
Western art unattributed:
[London Art Week. St Mary Magdalene and a bearded prophet. One of three panels of Opus Anglicanum. London. c.1400. Embroidery on linen. Sizes vary. SAM FOGG, 15D CLIFFORD STREET, W1S]
Western art unattributed:
[Masterpiece, London. Anthemion finial of a grave stele, Greece (Attica). c. 4th century BC. Marble, height 47 cm. KALLOS GALLERY, LONDON]
Western art unattributed:
[Peter Finer, London. An Italian Stone Bow, late 16th century. Italy. Walnut wood, iron, leather, cord, and bone. 89 cm by 56 cm. Provenance Private Collection, USA]
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04/2018 | 1381 | 160
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Moeller Fine Art Ltd, New York, United States / London Original Print Fair / Andrew Edmunds (dealer), London, Great Britain / Redfern Gallery, London, Great Britain / Print Quarterly, London / Sarah Sauvin. Old Masters and Modern Prints. Paris / Osborne Samuel Gallery, London, Great Britain / Karsten Schubert, London, Great Britain / Paragon Press, London, Great Britain / Elizabeth Harvey-Lee, Oxford, Great Britain / Pratt Contemporary Art, Sevenoaks, Great Britain / Peter Finer (antique arms), London, Great Britain / Sphinx Fine Art, London, Great Britain / Master Drawings (art periodical) / Yale University Press, London, Great Britain / Museo Nacional del Prado, Madrid, Spain / Im Kinsky (auction house), Vienna, Austria / Getty Trust Publications , Great Britain / Dorotheum (auction house), Vienna, Austria / Simon Dickinson, London, Great Britain / Alessandro Cesati, Milan, Italy / Day and Faber, London, Great Britain / Rafael Valls, London, Great Britain / Didier Aaron, Inc, New York, United States / Otto Naumann, New York, United States / Trinity Fine Art Ltd, London, Great Britain / Daniel Katz Ltd (dealers), London, Great Britain / Emanuel Von Baeyer, London, Great Britain / Timothy Newbery (frames), London, Great Britain / The-saleroom.com / Museum of the Order of St John, London, Great Britain / Irish Art Review / Caring for your Collection / The Art Newspaper, London, Great Britain / Hazlitt Holland-Hibbert, London, Great Britain / Chanel, firm / Burlington Magazine
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subjects:
Illustrations
Attributed works:
[Andrew Edmunds Prints & Drawings. James Gilray (1756–1815). The Plumb-pudding in danger. 1805. Etching & engraving 258 x 263 mm, with publisher’s watercolour]
Attributed works:
[Dorotheum. Pieter Brueghel II (1564/65-1637/38), The King Drinks (detail), signed, oil on panel, 75 x 105 cm, €700,000 – 900,000, Auction 24 April 2018]
Attributed works:
[Elizabeth Harvey-Lee. Martin de Vos (designer): The Four Seasons. The set of four engravings, c1590 (“Summer” illustrated) First state of two. With Phillips Galle’s address (“Winter” with a Gothic P watermark)]
Attributed works:
[Flowers Gallery. Ken Currie , Head in Profile, 2017]
Attributed works:
[Galerie Sismann. Circle of Leonhard Kern (1588-1622). Andromeda. Germany. First half of the 17th century. H. 45 cm; W. 33 cm; D. 25 cm]
Attributed works:
[Im Kinsky Auction House. Georg Raphael Donner. Venus, Vienna, c. 1738/39 lead-pewter-alloy, h. 40 cm € 50,000–100,000]
Attributed works:
[London Original Print Fair. After Dürer #26, by Ann-Marie James. 2017. Ink on paper, 35 by 27 cm. Karsten Schubert, London]
Attributed works:
[London Original Print Fair. Church and farm at Eragny, by Camille Pissarro (1830–1903). c.1890. Etching, 15.3 by 24.2 cm. Elizabeth Harvey-Lee, Oxfordshire]
Attributed works:
[London Original Print Fair. Cottage in Dorset: Wood End, by Graham Sutherland (1903–1980). 1929. Etching, 13 by 17 cm. Redfern Gallery, London]
Attributed works:
[London Original Print Fair. Eros (3), by Ana Maria Pacheco. 2018. Monotype heightened in mixed media, 28.5 by 35 cm. Pratt Contemporary, Sevenoaks]
Attributed works:
[London Original Print Fair. Free Fall #31, by Carol Robertson. 2018. Monoprint. Flowers Gallery, London and New York]
Attributed works:
[London Original Print Fair. Gin Lane, by William Hogarth (1697–1764). 1751. Etching and engraving, 38.3 by 32.4 cm. Andrew Edmunds, London]
Attributed works:
[London Original Print Fair. I’m Blue, James Nares, 2017 (detail). Screenprint printed and published by Durham Press.]
Attributed works:
[London Original Print Fair. Oxfordshire (on the Oxford canal), by Muirhead Bone (1876–1953). Drypoint, 15.1 by 22.9 cm. Gordon Cook, London]
Attributed works:
[London Original Print Fair. Pisa, by Ben Nicholson (1894–1992). 1951. Etching, 19.5 by 14.75 cm. Osborne Samuel, London]
Attributed works:
[London Original Print Fair. Reclining artist, by Grayson Perry. Etching, 70.3 by 102.7 cm. Paragon Press, London]
Attributed works:
[London Original Print Fair. Seated woman drying her feet, by Théophile Alexandre Steinlen (1859–1923). 1902. Etching and aquatint, 29.8 by 29.7 cm. Sarah Sauvin, Paris]
Attributed works:
[London Original Print Fair. South South-West 2, by Rachel Gracey. 2018. Lithograph, 26 by 26 cm. Zuleika Gallery, London]
Attributed works:
[Moeller Fine Art. Jean-Étienne Liotard 1702–1789. Portrait de Philibert Cramer, c. 1758. Pastel on blue paper mounted on canvas, 25 × 21 3 ⁄16 in. (63.5 × 53.8 cm). Original frame with period glass]
Attributed works:
[Osborne Samuel. Cyril Edward Power (1872– 1951) The Sunshine Roof c1934 Linocut 26 x 33 cm]
Attributed works:
[Paragon Press. Joana Vasconcelos. Ria Formosa. Colour etching with blockprinting 2017]
Attributed works:
[Pratt Contemporary. Ana Maria Pacheco, Study for Sculpture, 2018. Triptych Monotype (detail). Each sheet: 59 x 56 cm.]
Attributed works:
[Redfern Gallery. Rue de Seine, by David Hockney. 1972. Etching and aquatint, 53 by 45 cm.]
Attributed works:
[Sarah Sauvin. Jean-Étienne Liotard, Self-Portrait as a Young Man Etching, ca.1731 (Tilanus 1; Roethlisberger and Loche 18) Counterproof of an unknown 1st state (of 3). Only one other counterproof known (Fondation Custodia) Provenance: Soliman Lieutaud (Lugt 1682)] (p.v) [Osborne Samuel. Cyril Edward Power (1872– 1951) The Sunshine Roof c1934 Linocut 26 x 33 cm]
Attributed works:
[Sphinx Fine Art. Karel Dujardin, A Horseman Holding a Roemer of Wine with an Ostler Tending the Horses (Detail)]
Attributed works:
[Zuleika Gallery. Man posing, by Lucien Freud (1922–2011). 1982. Etching, 70 by 54 cm. Edition of 50 + 15 AP]
Non-western art unattributed:
[Peter Finer. A Saddle. 15th–17th century. Eastern Tibet or Chinese. Iron, gold, silver, wood, leather and textile. 57 cm / 22.75 inches. Provenance: Private Collection UK]
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02/2018 | 1379 | 160
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Subjects
artists:
subjects:
Illustrations
Attributed works:
[Galerie Lowet de Wotrenge, Antwerp. Travellers in a landscape with ruins (detail), by Gillis Neyts.]
Attributed works:
[Hazlitt Holland-Hibbert, London. Loe Bar, by Peter Lanyon. 1962. Oil on board.]
Attributed works:
[Rubenshuis, Antwerp. Portrait of a Lady and her Daughter, by Titian. c.1550. Canvas, 88.3 by 80.6 cm. (Metropolitan Museum of Art, New York).]
Attributed works:
[Sphinx Fine Art, London. A horseman holding a roemer of wine with an ostler tending the horses (detail), by Karel Dujardin.]
Attributed works:
[TEFAF Maastricht. A maid setting a table, by Vilhelm Hammershøi. 1895. Canvas, 97 by 70 cm. (Daxer & Marschall, Munich).]
Attributed works:
[TEFAF Maastricht. Abstract composition, by Serge Poliakoff. c.1930. Canvas, 96 by 130 cm. (Galerie de la Béraudière, Geneva).]
Attributed works:
[TEFAF Maastricht. Apocalypsis cum figuris (second Latin edition in book form), by Albrecht Dürer. 1511. Engraving, 39.4 by 28 cm. (Dr Jörn Günther Rare Books AG, Basel).]
Attributed works:
[TEFAF Maastricht. Reclining nudes with heads turned left, by Gustav Klimt. Pencil, 363 by 562 cm. (W&K – Wienerroither & Kohlbacher, Vienna).]
Attributed works:
[TEFAF Maastricht. Roses, by Graham Sutherland. 1972. Gouache, pastel, pen and collage, 66.5 by 48 cm. (Christopher Kingzett Fine Art, London).]
Attributed works:
[TEFAF Maastricht. Study of a figure for the painting Le Conteur, by Jean-Antoine Watteau. Black and red chalk, 22.7 by 16.8 cm. (Jean-Luc Baroni Ltd, London).]
Attributed works:
[TEFAF Maastricht. The corn harvest, by Joos de Momper and Jan Breughel the Elder. Panel, 69 by 105.6 cm. (Arnoldi-Livie, Munich).]
Attributed works:
[TEFAF Maastricht. The Golden Lion at anchor by Willem van de Velde the Younger. c.1680. Canvas, 82 by 65 cm. (Galerie Sanct Lucas, Vienna).]
Attributed works:
[TEFAF Maastricht. The governesses of the lepers’ asylum, Amsterdam, by Ferdinand Bol. c.1668. Canvas, 170 by 208 cm. (Rijksmuseum, Amsterdam).]
Attributed works:
[TEFAF Maastricht. Various birds, a hare and a basket of fruit, by Jan Weenix. Canvas, 123 by 99.8 cm. (Adam Williams Fine Arts Ltd, New York).]
Attributed works:
[Trafalgar Galleries, London. The Emperor Claudius I on a white horse, by Giulio Romano. Oil on panel, 83 by 54 cm.]
Attributed works:
[Walter Padovani, Milan. Female head, by Giovanni Marchiori. c.1750. Terracotta on its original carved wooden base, 38 by 36 cm., height 52 cm.]
Western art unattributed:
[Peter Finer, London. A close helmet (Burgonet). Germany. c.1550. Steel and leather, 33 by 25.4 cm. ]
Western art unattributed:
[TEFAF Maastricht. Portrait of a Knight of the Order of St John of Jerusalem. German school. Late 15th century. Panel, 28 by 18.8 cm. (Galerie de Jonckheere, Geneva and Monaco).]
Western art unattributed:
[TEFAF Maastricht. Reliquary casket with The Crucifixion and Christ in Majesty and Apostles. Limoges, France. c.1195–1200. Champlevé enamel on copper gilt, 17.6 by 21.7 cm. (Brimo de Laroussilhe, Paris).]
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09/2013 | 1326 | 155
Pages: s.p.
Subjects
advertisements:
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subjects:
Illustrations
Attributed works:
[Alan Wheatley Art, London. Untitled (29.7.75), by John Hoyland (1934-2011). 1975. Signed and dated on the canvas overlap. Acrylic on canvas. 122 by 91.5 cm]
Attributed works:
[Austin/Desmond Fine Art, London. The garden, by Edward Burra (1905-76). 1927. Pencil, watercolour and bodycolour, 55.8 by 38.1 cm]
Attributed works:
[Beetles & Huxley, London. Julie Christie, by Terence Donovan (1936-96). 1962. From an edition of 50. Silver gelatin print. 50 by 60 cm]
Attributed works:
[Bonhams. 101 New Bond Street. London. William Scott RA (1913-1989). Cornish Harbour. Signed 'W.SCOTT' (lower right). Oil on board. 27 x 35 cm (10 5/8 x 13 3/4 in.)]
Attributed works:
[Boundary Gallery, London. Second portrait of Sunita, by Sir Jacob Epstein (1880-1959). 1925. Bronze. Height: 57 cm]
Attributed works:
[Dorotheum. Dorotheergasse 17. Vienna. Annibale Carracci (1560-1609), The Virgin in Prayer (detail), oil on canvas, 62.3 x 41.5 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Giovan Battista Gaulli, called Il Baciccio. Genoa, 1639 - Rome, 1709. The Holy Family with the Young Saint John the Baptist and Saint Elizabeth. Oil on canvas, 47 x 30 cm (18 1/2 x 11 13/16 in)]
Attributed works:
[Gwen Hughes Modern British Art, London. Thus she would come, escaped, half-dead to my door, by Patrick Caulfield (1936-2005). 1973. Signed and numbered from an edition of 100. Screenprint, 40.5 by 35.5 cm
Attributed works:
[Jonathan Clark Fine Art, London. Still life gourds, by Graham Sutherland (1903-80). 1949. Oil on canvas, 48 by 54 cm]
Attributed works:
[Museum of The Order of St. John. London. Caravaggio. The Cardsharps]
Attributed works:
[Osborne Samuel, London. Mingulay, by William Scott (1913-89). This work is recorded in the William Scott archive as No. 2321. Original gouache for the lithograph, 49 by 61 cm]
Attributed works:
[Piano Nobile, London. Blue Harbour, Sir Terry Frost (1915-2003). 1989. Oil on canvas, 66 by 67 cm]
Attributed works:
[Salamon Fine Old Master Paintings and Drawings. Palazzo Cicogna. Via San Damiano 2. Milano. Domenico Fetti (Rome 1589 - 1623 Venice). Portrait of Francesco Andreini. Red chalk, over traces of black chalk heightened with white on paper, watermark, "Letters LD", 417 x 264 mm. (16 7/16 x 10 3/8)]
Attributed works:
[Sphinx Fine Art. 125 Kensington Church Street. London. Peter Gallis. A Swag of flowers in a iche (detail)]
Attributed works:
[Whittford Fine Art, London. Janus IV, by Jeff Lowe (b.1952). 1982. Mild Steel, zinc coated and painted. Height: 146 cm. Width: 64 cm. Depth: 40 cm]
Attributed works:
[Whittford Fine Art, London. Thrill me, by Allen Jones (b. 1937). Signed and dated centre right. Countersigned by James Wedge centre left. Lithograph, 70.8 by 103.7 cm]
Attributed works:
[William Weston Gallery, London. Figure writing, reflected in a mirror. The writer, by Francis Bacon (1909-92). 1976. Signed in pencil. Lithograph in colours, 85 by 64 cm]
Western art unattributed:
[Mullany Haute Epoque Fine Art. 16 Carlisle Mansions, Carlisle Place. London. A pair of Angels Holding Candlesticks. Poplar, with the original polychrome and gilding. Italy, Naples, circa 1630-1640. H. 49 cm]
Western art unattributed:
[Venator & Hanstein. Cacilienstrasse 48. 50667 Cologne. Germany. Breviary, in Latin, Illumanted manuscript on vellum Italy, fifteenth century]
Exhibition Review
Sutherland. Oxford
05/2012 | 1310 | 154
Pages: 363-364
related names
Reviewer:
Beechey, James (Beechey, James)
Subjects
dates:
museums and institutions:
places:
subjects:
Reviewed Items
subjects:
Graham Sutherland: An Unfinished World | institution: Modern Art Oxford
Illustrations
Attributed works:
74. Tree forms in estuary, by Graham Sutherland. 1939. Watercolour, gouache and ink on paper, 29 by 22.5 cm. (Doncaster Museum Service, Doncaster Metropolitan Borough Council; exh. Modern Art Oxford).
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04/2011 | 1297 | 153
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Subjects
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subjects:
Illustrations
Attributed works:
[A. Clayton-Payne. 14 Old Bond Street. London. John Martin (1789-1854). Diogenes throwing away his Cup. Signed and dated 'J.Martin.1833'. Watercolour with scratching out, heightened with gum arabic. 7 3/4 x 10 1/4 inches (19.5 x 26 cm)]
Attributed works:
[Austin/Desmond Fine Art. Pied Bull Yard. 68/69 Great Russell Street. London. Peter Lanyon, (1918-1964). Bodmin Moor, 1953. Oil on board, 67 x 22 cm]
Attributed works:
[Austin/Desmond, London. The strange coast (Dymchurch), by Paul Nash (1889-1946). 1920. Signed in pencil lower right. A proof impression printed on white wove paper. Lithograph, 31 by 40.5 cm]
Attributed works:
[Charly Bailly. 10 rue de l’Hotel-de-Ville. Geneva. William James (Active circa 1761-1771). The Entrance of the Grand Canal with Santa Maria della Salute. Oil on canvas, 96 by 155 cm. (37 3/4 by 61 in)]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. Joseph Mallord William Turner, R.A. (1775-1851). The Blue Rigi]
Attributed works:
[Dorotheum. Dorotheergasse 17. Vienna. Ludovico Carracci, Portrait of a Youth wearing a Ruff. c.1590, oil on canvas, 47 x 38cm]
Attributed works:
[Emanuel von Beyer, London. Saint Jerome in the wilderness, by Annibale Carracci (1560-1609). Etching with some engraving, 18.2 by 25.5 cm]
Attributed works:
[Fine Art Society, London. The Palaces, by James McNeil Whistler (1834-1903). 1879-80. Signed in pencil Etching drypoint, printed in black ink on laid paper, 31.3 by 40 cm]
Attributed works:
[Frederick Mulder, London. Picador and bull, by Pablo Picasso (1881.1973). 1959. Linocut printed in colours, 53 by 64.5 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Bartolomeo Bimbi. Settignano, 1648 - Florence, 1730. Exotic Birds from the aviaries of Grand Duke Cosimo III de'Medici in a landscape. Oil on canvas, 119.4 x 151.1 cm (47 x 59 1/2 in)]
Attributed works:
[Gilden's Arts Gallery, London. Four nude women and a sculptured head, by Pablo Picasso (1881-1972). 1934. Vollard Suite pl. 82. Print, 44.5 by 34.5 cm]
Attributed works:
[Hazlitt, Gooden & Fox. 38 Bury Street, St. James’s London. SW1Y 6BB. William Etty (1787-1849). Young Negress. Oil on panel, 44 x 32.5 cm (17 1/4 x 12 3/4)]
Attributed works:
[Hill-Stone, Inc. Box 273, Gracie Station. New York. Christoffel Jegher. Antwerp 1596 - 1652/3 Antwerp. Susannah and the Elders. Woodcut after Pieter Paul Rubens. Hollstein I, Leblanc I, the first of two states, with Ruben's privilege. An extremely fine impression with the complete border showing all around.]
Attributed works:
[Hill-Stone, New York. The waterside trees, by Armand Seguin (1869-1903). c.1893. Field, Strauss and Wagstaff 24, only state. Etching, 33 by 43.3 cm]
Attributed works:
[Lempertz, 3 Neumarkt. Cologne. Pieter Brueghel the Young (1564-1638). Temptation of St. Anthony. Oil on wood, 46.5 x 64 cm]
Attributed works:
[Pascoe Pratt, London. Details of Renaissance paintings (Leonardo da Vinci, The Annunciation), by Andy Warhol (1928-87). 1984. Signed in pencil by the artist, numbered from the edition of 60. Screenprint in colours, 63.5 by 94 cm]
Attributed works:
[Richard Saltoun, London. Hole in the Sea, by Barry Flanagan (1941-2009). 1967-70. Photo-etching]
Attributed works:
[Sims Reed, London. Big Sur, by Peter Doig (born 1959). 2000-01. Signed in pencil and numbered from the edition of 46 Etching and aquatint printed in colour, 114 by 160.5 cm]
Attributed works:
[Sims Reed, London. Cheese mold standard with olive, by Ed Ruscha (born 1937). 1969. Signed in pencil and numbered from the edition of 150. Screenprint in colours, 65.5 by 101.5 cm]
Attributed works:
[The Fine Art Society, Ltd. 148 New Bond Street, London, W.1. Paul Nash 1889-1946. On the Western Front. October-November 1917. Watercolour, ink, chalk and pencil on paper 11 1/4 x 11 3/4 inches. 28.5 x 30 cm]
Attributed works:
[The London Original Print Fair. The Royal Academy. Piccadilly. London. Grayson Perry. Map of Nowhere (detail), 2008 © The Artist and Paragon Press, London.]
Attributed works:
[Wolseley Fine Art, Walterstone, Herefordshire. Articulated forms, by Graham Sutherland (1903-80). 1950. Signed an numbered 34/60. Lithograph, 30 by 58 cm]
Advertisements
Advertisements September 2010 (front)
09/2010 | 1290 | 152
Pages: s.p.
Subjects
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
[Agnew's, London. Fruit in a brown bowl, by Sir Matthew Smith, CBE. C.1928. Oil on canvas, 40 by 56 cm]
Attributed works:
[Agnew's, London. Picture of a boy, by Henry Lamb (1885-1960). Oil on panel, 35 by 25 cm]
Attributed works:
[Antichità Bacarelli, Florence. Head of Marz. Florence, first half of the seventeenth century. Onyx, Egyptian alabaster. Height: 59cm.]
Attributed works:
[Bernheimer - Colnnaghi, Munich and London. Giovanni Paolo Parini, by Louis-Gabriel Blanchet (1705-72). Oil on canvas, 96.5 by 76 cm]
Attributed works:
[Boundary Gallery, London. Adolescence, by Mark Gertler (1891-1939). 1923. Signed. Oil on canvas, 75 by 49.5 cm]
Attributed works:
[Carlo Orsi Antichità, Milan. Cupid, by Antonio Canova (1757-1822). Signed on the pedestal: ANT.CANOVA. Plaster. Height: 140 cm]
Attributed works:
[Cesare Lampronti, Rome and Milan. Rome Colosseum and the Arch of Constantine, by Bernardo Bellotto (1722-80). Oil on canvas, 61 by 98 cm.]
Attributed works:
[Charly Bailly. 10 rue de l’Hotel-de-Ville. Geneva. Jean-Baptiste Oudry (Paris 1686 - 1755 Beauvais). Portrait de la Famille Nau. Painted circa 1715. Oil on canvas, 158 by 233 cm. (62 1/4 by 91 3/4 in.)]
Attributed works:
[Didier Aaron & Cie, Paris, London & New York. Aeneas and Anchises fleeing Troy, by Jean Tassel (c.1608-67). c.1650. Oil on canvas, 88.5 by 76.5 cm]
Attributed works:
[Dorotheum. Dorotheergasse 17. Vienna. André Charles Boulle (1642-1732), Chandelier with Dolphins, Paris. c.1700. Bonze, fire gilt, height 77cm. diameter 81.3 cm]
Attributed works:
[Dorotheum. Dorotheergasse 17. Vienna. Giovanni Francesco Barbieri, Il Guercino (1591-1666), David and Abigail (detail), one of a pair, oil on canvas, 130 x 135 cm]
Attributed works:
[Duncan R Miller Fine Arts, London. Street scene, cassis, by Samuel John Peploe RSA (1871-1935). Oil on board, 33 by 41 cm]
Attributed works:
[G. Sarti, Paris. Virgin and Child, by Francesco Traini (documented 1321-45). c.1325. Tempera on panel with gold ground, 63.5 by 51.]
Attributed works:
[Galerie Béres, Paris, Composition, by Alberto Magnelli (1888-1971). 1937. Gouache on cardboard, 50.6 by 68 cm]
Attributed works:
[Galerie Brame & Lorenceau, Paris. Composition, by Olivier Debré (1920-99). Signed lower left: O. Debré. Oil on canvas, 58.4 by 71.1 cm.]
Attributed works:
[Galerie Canesso, Paris. The Holy Family with St. Dorothy, by Angelo Caroselli (1585-1652). Oil on panel, 53 by 45.5 cm]
Attributed works:
[Galerie de Jonckheere, Brussels & Paris. The indoors wedding dance, by Pieter Brueghel the Younger (1564-1638). Signed and dated 1622. Oil on panel, 76.6 by 108 cm]
Attributed works:
[Galerie Gloggner Luzern. Hochbuhlstrasse I. Luzern. Bartolomeo Passarotti (Bologna 1529-1592 Rom) "Fishmongers Shop" Oil on canvas, 114 x 153 cm]
Attributed works:
[Galerie Schmidt, Paris. Crouching nude leaning forward, by Pierre Bonard (1867-1947). Oil on panel, 106.7 by 75.2 cm.]
Attributed works:
[Galleria Bottega Antica, Bologna, Nude with red hair, by Giovanni Boldini. c.1910-12. Oil on canvas, 80 by 40 cm.]
Attributed works:
[Gallery Patrice Bellanger, Paris. St. Jerome, attributed to Camillo Rusconi (1658-1728). c. 1700-10. One of a pair of terracotta models. Height: 47 cm]
Attributed works:
[Gimpel Fils, London. Sibella, by Albert Irvin. 2008. Acrylic on canvas, 61 by 61 cm]
Attributed works:
[Hazlitt Holland-Hibbert. 38 Bury Street. St. James’s, London SW1Y 6BB. Christopher Nevinson 1889-1946. Night Arrivals, 1915. Ink and grey wash. 6 5/8 x 9 7/8 inches; 16.8 x 25.2 cm. Signed.]
Attributed works:
[JHW Fine Art, London. Boxing at Juan-les-Pins, by Wyndham Lewis (1882-1957). 1929. Watercolour, gouache, ink, and pencil, 32 by 44.5 cm]
Attributed works:
[Marlborough Gallery, London. Three studies of the human body (one of a series of three), by Francis Bacon. 1970. Oil on canvas, each panel, 198.1 by 145.3 cm]
Attributed works:
[Martin Tinney, Cardiff. Girl with cat, by Ceri Richards (1903-71). 1947. Oil on canvas, 50 by 40 cm]
Attributed works:
[Moretti, Florence, London & New York. Virgin and Child, by Neri di Bicci (1418-92). Oil on panel, 85.4 by 61 cm]
Attributed works:
[Nasher Museum of art at Duke University. IMAGE: David Bomberg, the Mud Bath, 1914. Oil on canvas, 152.4 x 224.2 cm. Collection of the Tate, London. Purchased 1964.]
Attributed works:
[Osborne Samuel, London. Squares (June), by Barbara Hepworth (1903-75). 1969. Bronze, edition of 9. 23 cm high.]
Attributed works:
[Richard Green, London. Shelter scene: Bunks in London Underground, by Henry Moore (1898-1986). Signed, inscribed with the title and #3. Pencil, crayon and wash, 27.3 by 21 cm]
Attributed works:
[Sladmore Gallery, London. Dancer at rest, by Edgar Degas (1834-1917). c.1920. Bronze.]
Attributed works:
[Sotheby’s & Co., 34-35 New Bond Street, London, W.1. Frank Auerbach. Head of Helen Gillespie II]
Attributed works:
[The Burlington Magazine. Philip IV of Spain, by Diego Velasquez. 1644. Canvas, 133.5 by 98.5 cm.(Frick Collection, New York)]
Attributed works:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. Jean-Pierre-Antoine Tassaert (1727-1788) (attributed to). Bust of a Child. Terracotta, on a mottled grey marble socle. 38.5 9 (15 1/8) high]
Attributed works:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. Joseph Willems (c.1715-1766). A black man in ragged clothes with a bowl. Signed and dated 1736. Terracotta.]
Attributed works:
[Venator & Hanstein. Cacilienstrasse 48. 50667 Cologne. Germany. J. Gould, The Birds of Europe. 5 Volumes.]
Attributed works:
[Whitfield Fine Art, London. Tree form, by Graham Sutherland (1903-80). Signed and dated: Sutherland 1958 (lower right). Oil, gouache, ink, pencil and pastel on paper mounted on board, 26.5 by 20 cm]
Western art unattributed:
[Galerie Chenel. 6 rue de Baune. Paris. A colossal marble Hercules Farnese head. Roman Ist-IInd AD.]
Western art unattributed:
[W. Apolloni, Rome. Dressing-table. Early nineteenth century. Carved Carrara Marble. Length: 151 cm. Width: 102 cm. Height: 203 cm.]
Article
Francis Bacon and the Lefevre Gallery
05/2010 | 1286 | 152
Pages: 307-312
related names
Author:
Hammer, Martin (Hammer, Martin)
Subjects
dates:
Illustrations
Attributed works:
21. Portrait of Duncan Macdonald, by Walter Sickert. 1928/29. Etching (2nd state), 28.6 by 21.1 cm. (Victoria and Albert Museum, London).
Attributed works:
23. Study for a man with microphones, by Francis Bacon. 1946 (subsequently overpainted). Canvas, 145 by 127.8 cm.
Western art unattributed:
22. Cover page of a catalogue for a group show at the Lefevre Gallery, London. February 1946.
Advertisements
Advertisements September 2009 (front)
09/2009 | 1278 | 151
Pages: s.p.
Subjects
advertisements:
subjects:
Illustrations
Attributed works:
[Adam Williams Fine Arts - New York. Head of a philosopher with a red hat, by Giandomenico Tiepolo. Oil on canvas, 60.6 by 50.9 cm]
Attributed works:
[Agnew's, London. Figure and maize, by Graham Sutherland (1903-80). Signed and dated "48" and inscribed 'Figure and Maize' (on the canvas overlap'. Oil on canvas, 40.6 by 50.8 cm.]
Attributed works:
[Anthony Hepworth FIne Art. Bath. Exercises, by Christopher Wood (1901-30). 1925. Oil on canvas, 40.6 by 50.4 cm.]
Attributed works:
[Beaux Arts, London. Everyworld, by John Hoyland. 2009. Acrylic on cotton duck, 152.5 by 140 cm.]
Attributed works:
[Belgrave Gallery, London and St. Ives. The round table, by Roger Fry. 1920. Oil on canvas, 76 by 69 cm.]
Attributed works:
[Bonhams. 101 New Bond Street. London. Illustrated: Louis-Ernest Barrias, French (1841-1905). A bronze entitled 'La Nature se devoilant devant la Science']
Attributed works:
[Carlo Orsi - Milan. Bacchus, by Dirck van Baburen (c.1595-1624). Oil on canvas, 91.5 by 69 cm]
Attributed works:
[Charles Ratton & Guy Ladrière. 14 rue de Marignan, 75008 Paris. Luca Longhi. 1502 - Ravenna - 1580. The Crucifixion. Bodycolour on vellum, 28.4 x 21 cm.]
Attributed works:
[Dorotheum. Dorotheergasse 17. Vienna. Alessandro Allori (1535-1607), Young noblewoman with lute, oil on wood, 73 x 54.5 cm]
Attributed works:
[Frascione Gallery - Milan. Allegory of Mother Earth, by Cristofano Robetta (1462-1535). Engraving.]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Jacopo Vignali. Pratovecchio (Arezzo), 1592 - Florence, 1664. Portrait of a man with gloves. Oil on canvas, 72 x 57 (28 3/8 x 22 7/16 in)]
Attributed works:
[Gimpel Fils, London. Barrier No.2, by Robert Adams. 1962. Bronzed Steel. Height: 176.5 cm.]
Attributed works:
[Hazlitt Holland-Hibbert. 38 Bury Street. St. James’s, London SW1Y 6BB. Howard Hodgkin. Born 1932. Girl in Bed, 1965. 28 x 36 1/4 inches; 71 x 92 cm. Signed, titled, and dated on the Stretcher.]
Attributed works:
[Jonathan Clark Fine Art. 18 Park Walk. London. View Through a Wood 1934 (detail) oil on canvas 20x26 cm]
Attributed works:
[Jonathan Clark, London. Wild Flowers-Spring, by Winifred Nicholson (1893-1981). c.1928. Oil on canvas, 51.5 by 61 cm.]
Attributed works:
[Lucy Johnson, London, Burford & Snape. Umber, by Ben Nicholson, (1894-1982). Signed, titled, dated 68, & numbered 'ph896' on the reverse. Pencil, oil wash and printed paper collage on artist's board, 35.8 by 41 cm.]
Attributed works:
[Michael Parkin, London. The gatherer, by Claughton Pellow (1890-1966). c. 1926. Watercolour, 39 by 42 cm.]
Attributed works:
[MoMA, New York. Claude Monet, Agapanthus (detail), 1914-26. Oil on canvas.]
Attributed works:
[Moretti - London, Florence and New York. David with the head of Goliath, by Francesco Curradi (1570-1661). Oil on canvas, 97 by 77 cm.]
Attributed works:
[Moretti. Piazza degli Ottaviani, 17/r. Firenze. 43-44 New Bond Street. London. 24 East 80th Street. New York. Francesco Botticini. Florence, 1446-1497. Madonna and Child Enthroned with Saint James Major and Saint John the Evangelist. Panel, 139.5x143 cm]
Attributed works:
[Noble Gallery - Truggi. St. Francis in meditation, by Francisco Zurbaran (1598-1664).]
Attributed works:
[Osborne Samuel, London. Maquette for seated torso, by Henry Moore. 1954. Bronze, edition of 9. Height: 34.3 cm]
Attributed works:
[Robilant + Voena. 38 Dover Street, London W1S 4LN. Palazzo Brivio Sforza, Via Olmetto 17. Milan Manfredi, Saint Jerome, 131 x 98 cm]
Attributed works:
[Robilant + Voena. 38 Dover Street, London W1S 4LN. Palazzo Brivio Sforza, Via Olmetto 17. Milan Pignoni, Bathsheba at the bath, 127 x 185.4 cm]
Attributed works:
[Robilant + Voena. 38 Dover Street, London W1S 4LN. Palazzo Brivio Sforza, Via Olmetto 17. Milan. Patch, View of the Arno with the Ponte alle Grazie, 85 x 170.5 cm]
Attributed works:
[Robilant+Voena - London and Milan. Bathsheba at her bath, by Simone Pignoni (1611-1698). Oil on canvas, 127 by 185.4 cm]
Attributed works:
[Steinitz, Paris. A pair of busts of young Moors, attributed to Melchior Barthel (1625-72). Italian, seventeenth century. Marble. Height: 54.4 cm.]
Attributed works:
[The Fine Art Partnership, Brighton. Window, Howard Hodgkin (b.1932). 1996. Signed and numbered from an edition of 50. Aquatint with hand-colouring and carborundum, 23 by 28 cm.]
Attributed works:
[Tomasso Brothers FIne Art, Leeds. The Medici Lion, by Pietro Simoni da Barga (documented 1571-89). Bronze, verdigris patina all'antica. Height: 19.7 cm. Length: 33.4 cm.]
Attributed works:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. Pietro Simoni da Barga (documented 1571-89). The Medici Lion.]
Attributed works:
[Trinity Fine Art. 29 Bruton Street. London W1J 6QP. Pierre-étienne Monnot (1657-1733). Model for the Tomb of Pope Innocent XI Odescalchi (1676-1689). Gilt terracotta and painted wood. 198 x 118 x 40 cm (the model), overall height with base 287 cm]
Attributed works:
[Venator & Hanstein. Cacilienstrasse 48. 50667 Cologne. Germany. Gerardus de Zutphania, De reformatione virum anime. Basle 1492. - Bound with two other incunables.]
Attributed works:
[Whitfield Fine Art, London. Portrait of a lady, by Augustus John (1878-1961). Oil on board, 31.7 by 24.2 cm.]
Western art unattributed:
[Antiques Alberto Castro - Alessandra di Castro - Rome. One of a pair of tables carved in wood and gilded. Height: 106 cm. Width: 179 cm. Depth: 89.5 cm.]
Western art unattributed:
[Longari Galleria - Milan. Head of an apostle. Parisian sculptor, c. 1220. Limestone.]
Western art unattributed:
[Steinitz. 9, Rue du Cirque – 77, Rue du Faubourg Saint-Honoré. Paris. Detail of the Pietra Dura top of a Russian Empire Gueridon, 17th century.]
Exhibition Review
Graham Sutherland. London and Nottingham
09/2005 | 1230 | 147
Pages: 630-631
related names
Reviewer:
Farr, Dennis (Farr, Dennis; Farr, Dennis Larry Ashwell; F., D. L. A.)
Subjects
dates:
places:
subjects:
Reviewed Items
subjects:
Graham Sutherland. Landscapes, War Scenes, Paintings 1924-1950 | institution: Djanogly Art Gallery , institution: Dulwich Picture Gallery
Illustrations
Attributed works:
58. Red landscape, by Graham Sutherland. 1942. 68 by 99.8 cm. (Southampton City Art Gallery; exh. Dulwich Picture Gallery, London).
Attributed works:
59. Devastation 1941: An East End street, by Graham Sutherland. 1941. Crayon, gouache, pen and ink, pencil and watercolour, 64.8 by 113.7 cm. (Tate London; exh. Dulwich Picture Gallery, London).
Attributed works:
60. Thorn tree, by Graham Sutherland. 1945-46. 127 by 101.5 cm. (British Council; exh. Dulwich Picture Gallery, London).
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