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06/2018 | 1383 | 160
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Robilant and Voena, London, Great Britain / London Art Week / Trinity Fine Art Ltd, London, Great Britain / Sotheby's, London, Great Britain / Daniel Katz Ltd (dealers), London, Great Britain / Stephen Ongpin Fine Art, London, Great Britain / Klaas Muller Antiques, Brussels, Belgium / Tomasso Brothers Fine Art, Leeds, Great Britain / Brun Fine Art, London / Trinity Fine Art Ltd, London, Great Britain / James Mackinnon, London, Great Britain / Galerie Lowet de Wotrenge, Antwerp, Belgium / Sam Fogg (dealer), London, Great Britain / Guy Peppiatt Fine Art, London, Great Britain / Irish Art Review / Burlington Contemporary Art Writing Prize / Peter Finer (antique arms), London, Great Britain / Andrew Edmunds (dealer), London, Great Britain / The Art Newspaper, London, Great Britain / Paul Mellon Centre for Studies in British Art, London, Great Britain / Getty Trust Publications , Great Britain / Patricia Wengraf Ltd, London, Great Britain / Masterpiece London / Hazlitt Holland-Hibbert, London, Great Britain / New Art Centre (gallery and sculpture park), Salisbury, Great Britain / Axel Vervoordt, Antwerp, Belgium / Les Enluminures (dealer), Paris, France / N.& I. Franklin, London, Great Britain / Landau Fine Art, Montreal, Canada / Day and Faber, London, Great Britain / Galerie Sismann, Paris, France / Simon Dickinson, London, Great Britain / Alessandro Cesati, Milan, Italy / Rafael Valls, London, Great Britain / Didier Aaron, Inc, New York, United States / Otto Naumann, New York, United States / The-saleroom.com / Timothy Newbery (frames), London, Great Britain / Burlington Magazine / Museo Nacional del Prado, Madrid, Spain / Museum aan de Stroom, Antwerp, Belgium / Hazlitt Gallery, London, Great Britain / Chanel, firm / Burlington Contemporary
subjects:
Illustrations
Attributed works:
[Andrew Edmunds Prints & Drawings, London. JAMES GILLRAY (1756–1815) The Orangerie; –or– the Dutch Cupid reposing, after the fatigues of Planting 1796. Etching & engraving 256 x 359 mm, with publisher’s watercolour]
Attributed works:
[Daniel Katz Gallery, London. SIR FRANCIS CHANTREY. Norton, 1781–1841, London. Lady Gertrude Sloane-Stanley. Marble. 65 cm high. Inscribed Lady Gertrude Sloane Stanley and signed F.L. Chantrey sculptor 1813 on the reverse. Commissioned by Hans Sloane-Stanley, 1813. Kept at Paultons, Romsey, Hampshire, until 1972. Exhibited at the Royal Academy, 1813, no.927]
Attributed works:
[Galerie Sismann, Paris. CHRIST AT THE COLUMN AFTER A MODEL BY FRANÇOIS DUQUESNOY (Brussels 1594–1643 Livorno, Italy). Bronze. France. Late 17th century. H 30.5 cm. Second version at the Metropolitan Museum of New York]
Attributed works:
[Galleria del Laocoonte, Rome. Arthur Segal, self-portrait (detail)]
Attributed works:
[Galleria del Laocoonte, Rome. Roberto Melli, The Little Mask (1913)]
Attributed works:
[Guy Peppiatt Fine Art, London. John Robert Cozens (1752–1797) Near Sallanches, France. Signed and dated 1778 on original mount, watercolour over pencil, 36.8 by 53.7 cm., 14½ by 21 in.]
Attributed works:
[Hazlitt, London. Sir Peter Lely.]
Attributed works:
[James Mackinnon, London. HUMPHRY REPTON (1752–1818) View from Sheffield Park towards Fletching, Kent, 1789 Watercolour, 61/8 x 197/8 in. (15.7 x 50.5 cm.)]
Attributed works:
[London Art Week. A mountainous river landscape with fishermen, by Marten Ryckaert (1587–1631). Panel, 26 by 36.5 cm. GALERIE LOWET DE WOTRENGE. EXHIBITING AT: 37 BURY STREET, SW1]
Attributed works:
[London Art Week. A seated young woman, by James Jacques-Joseph Tissot (1836–1902). Pencil, black wash, watercolour and gouache on blue-grey paper, 14.5 by 19.9 cm. STEPHEN ONGPIN FINE ART, 6 MASON’S YARD, SW1]
Attributed works:
[London Art Week. Bacchus and a young satyr, by Giovanni Battista Foggini (1652–1725). Bronze, height 46 cm. TOMASSO BROTHERS FINE ART, 67 JERMYN STREET, SW1]
Attributed works:
[London Art Week. David with the Head of Goliath, by Pier Francesco (1612–1666). c.1660–65. Canvas, 127 by 147 cm. LULLO PAMPOULIDES, 33 CORK STREET, W1S]
Attributed works:
[London Art Week. L’Eté, by Jean-Baptiste Carpeaux (1827–1875). Plaster, height 67 cm. DANIEL KATZ GALLERY, 6 HILLSTREET, W1J]
Attributed works:
[London Art week. Mechanical division of the crowd, by Mori Marisa (1900–1985). 1933. Oil on plywood, 71 by 100 cm. GALLERIA DEL LAOCOONTE. EXHIBITING AT: 6 RYDER STREET, SW1]
Attributed works:
[London Art Week. Monkeys in a guardroom, by Nicolaes van Veerendael (1640–1691). Canvas, 43 by 56.5 cm. KLAAS MULLER. EXHIBITING AT: 40–41 DUKE STREET, SW1]
Attributed works:
[London Art Week. Portrait of a bearded Venetian nobleman, by Peter Paul Rubens (1577–1640). Panel, 60 by 48.6 cm. SOTHEBY’S, LONDON. OLD MASTERS EVENING SALE, 4TH JULY, 34–35 NEW BONDSTREET, W1A]
Attributed works:
[London Art Week. Portrait of a man (Antoine de Ville), by Artemisia Gentileschi (1593–1654). Canvas, 204.5 by 109.2 cm. ROBILANT + VOENA, 38 DOVER STREET, W1]
Attributed works:
[London Art Week. Study of insects and a borage stem, by Jan van Kessel the Elder (1626–1679). c.1660. Oil on paper, 10.4 by 34.7 cm. CARETTO AND OCCHINEGRO. EXHIBITING AT: 21 GEORGIAN HOUSE, 10 BURY STREET, SW1]
Attributed works:
[London Art Week. The genius of the hunt, by Pompeo Marchesi (1790 –1858). c.1830–35. Marble, height 133 cm. TRINITYFINEART, 15 OLD BOND STREET, W1S]
Attributed works:
[London Art Week. Warkworth Hermitage, Northumberland, by Thomas Girtin (1775–1802). 1796. Pencil and watercolour, 25.5 by 30.4 cm. JAMES MACKINNON FINE ART. EXHIBITING AT: 73 NEW BOND STREET, W1S]
Attributed works:
[Masterpiece, London. Form, by Barbara Hepworth (1903–1975). 1936. White marble, 33 by 22.9 by 20.8 cm. HAZLITT HOLLAND HIBBERT, LONDON]
Attributed works:
[Masterpiece, London. Hours of Philippote de Nanterre, by the Master of Raoul d’Ailly (1395 –1463) and a collaborator. Amiens, c.1420s. Parchment, 18.1 by 13.5 cm. LES ENLUMINURES, CHICAGO AND PARIS]
Attributed works:
[Masterpiece, London. Large left-handed drummer, by Barry Flanagan (1941–2009). 2006. Bronze, 490 by 290 by 244 cm. NEW ART CENTRE, SALISBURY]
Attributed works:
[Masterpiece, London. Machine no. 2, by Graham Sutherland (1903–1980). 1959. Oil on canvas, 100 by 80.5 cm. M & L FINE ARTS, LONDON]
Attributed works:
[Masterpiece, London. Portrait of a Lady from Lucca, by Pietro Nocchi (1783–1854). 1823–1825. Oil on canvas, 236.4 by 154.5 cm. BRUN FINE ART, LONDON]
Attributed works:
[Masterpiece, London. Portrait of Ralph Stackpole, by Diego Rivera (1886–1957). 1932. Pencil, 50 by 40.4 cm. DAY AND FABER, LONDON]
Attributed works:
[Masterpiece, London. Sideboard dish, by Louis Mattayer. London, 1720. Silver, diameter 68.6 cm. N. & I. FRANKLIN, LONDON]
Attributed works:
[Masterpiece, London. Sleepers, by Pablo Picasso (1881–1973). 1965. Oil on canvas, 114 by 195 cm. LANDAU FINE ART, MONTREAL]
Attributed works:
[Masterpiece, London. Still life, by Giorgio Morandi (1890 –1964). 1961. Oil on canvas, 25 by 30 cm. ROBILANT + VOENA, LONDON, MILAN AND ST. MORITZ]
Attributed works:
[Museo del Prado, Madrid. Lorenzo Lotto, Portrait of a Young Man with a Lamp, ca. 1508. Oil on panel. Vienna, Kunsthistorisches Museum, Picture Gallery]
Attributed works:
[Nicholas Hall, New York. Carlo Maratti (1625–1713) Portrait of Francesca Gommi 98.5 x 74.5 cm.]
Attributed works:
[Paul Mellon Centre, London. Detail of Conrad Shawcross's The Dappled Light of the Sun (2015) installed in the courtyard of Burlington House alongside Alfred Drury's statue Sir Joshua Reynolds (1931) on the occasion of the 247th Summer Exhibition at the Royal Academy of Arts, 2015. Image courtesy of Getty Images. Photo: Peter Macdiarmid.]
Attributed works:
[Robilant + Voena, London. Il Tavolino di Gioje. The Grand Duke Francesco I de' Medici Table-Top. From 1870s to 1959 belonged to the Dukes of Westminster, London. Florence, circa 1568–1577. Executed by Bernardino Porfirio da Leccio (documented 1557–1588). Designed by Giorgio Vasari (1511–1574). Hardstones (Pietra Dura) set into a white marble support. Length: 160 cm (63 in.). Width: 107 cm (42 1/8 in.). Depth: 8 cm (3 1/8 in.).]
Attributed works:
[Sotheby's, London. GIAMBOLOGNA (1529-1608) Italian, Florence, before 1587 Mars Estimate £3,000,000–5,000,000]
Attributed works:
[Sotheby's, London. GIOVANNI BATTISTA FOGGINI (1652–1725) Lucretia and Paulina Estimate £180,000–250,000]
Attributed works:
[Sotheby's, Paris. ADÉLAÏDE LABILLE-GUIARD Portrait of the Duchesse d’Aiguillon Estimate €200,000–300,000]
Attributed works:
[Trinity Fine Art, London. FERDINANDO TACCA (Florence 1619–1686). A Highly Important Documentary Group of the Monument to Ferdinando I de' Medici in Livorno, adapted after the original figures by Giovanni Bandini (Florence 1540–1599) and Pietro Tacca (Carrara 1577–Florence 1640). Overall height 73.7 cm (29 in). Pedestal height 33.4 cm (13 1/6 in). PROVENANCE Inventory of Palazzo Pitti, Florence, 1761]
Attributed works:
[W. Apolloni, Rome. Gian Lorenzo Bernini, Samson slaying the lion (detail)]
Attributed works:
[W. Appoloni, Rome. Benedetto Luti, The Golden Age (detail)]
Non-western art unattributed:
[Masterpiece, London. Bastet. Egypt, 664–525 BC. Bronze, height 15 cm. AXEL VERVOORDT GALLERY, WIJNEGEM, BELGIUM AND HONG KONG]
Western art unattributed:
[Axel Vervoort. Gilded bronze. Western Europe, Roman Empire, 1st - 2nd century A.D. 21 x 10,50 x 11 cm]
Western art unattributed:
[London Art Week. A knight’s helmet, Genoa. 19th century. Marble, height 63 cm. BRUN FINE ART, 38 OLD BOND STREET, W1S]
Western art unattributed:
[London Art Week. A Saracen’s head, probably Florence. c.1500–1520. Marble, height 47 cm. GALLERY DESMET. EXHIBITING AT: 40–41 DUKE ST, SW1]
Western art unattributed:
[London Art Week. Aeneas and Achates taking their leave from the other Trojans on the Libyan coast near Carthage, by an unidentified painter close to the ‘Milan Marsyas’ painter, Urbino. c.1530. Tin-glazed earthenware, diameter 25.5 cm. RACCANELLO LE PRINCE. EXHIBITING AT: 32 ST GEORGE STREET, W1S]
Western art unattributed:
[London Art Week. St Mary Magdalene and a bearded prophet. One of three panels of Opus Anglicanum. London. c.1400. Embroidery on linen. Sizes vary. SAM FOGG, 15D CLIFFORD STREET, W1S]
Western art unattributed:
[Masterpiece, London. Anthemion finial of a grave stele, Greece (Attica). c. 4th century BC. Marble, height 47 cm. KALLOS GALLERY, LONDON]
Western art unattributed:
[Peter Finer, London. An Italian Stone Bow, late 16th century. Italy. Walnut wood, iron, leather, cord, and bone. 89 cm by 56 cm. Provenance Private Collection, USA]
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07/2017 | 1372 | 159
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Subjects
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Illustrations
Attributed works:
[20/21 British Art Fair. Keith Vaughan (1912-1977). Eden Camp, 1954 (detail). Gouache and ink on paper, signed and dated, 28 x 35.5 cm.]
Attributed works:
[ARPAB, Losboa. Allegory of America. Dirck Barendsz. (attributed). Teak, mother-of-pearl and brass pins; and oil painting. Gujrat, India (plate); and Amsterdam, Netherlands (painting). 16th century, ca. 1580. Dimensions 42.7 x 42.7 cm]
Attributed works:
[British Museum, London. Katsushika Hokusai (1760-1849), Under the Wave off Kanagawa (detail). Colour woodblock print, c.1831. Acquired with Art Fund support]
Attributed works:
[Gallerie Neuse Kunsthadel GmbH, Achim Neuse. Objet d'Art. Turned ivory, height: 44 cm. Copenhagen, 18th century, workshop of Lorenz Spengler (Schaffhausen 1720-1807 Copenhagen). Head of 'Det Kongelige Kunstkammer']
Attributed works:
[Karen Taylor Fine Art. 22 Bury Street, St. James's, London. William James Muller (1812-1845). Five studies of the head of an African. Oil on canvas.]
Attributed works:
[Kunstkammer Georg Laue. Munich. The Rothschild Relief. Feast of Diana. Ignaz Elhafen, signed. Rome, ca. 1675-1685. Ivory. 15 x 25 x 2 cm]
Attributed works:
[Museo del Prado, Madrid. Velazquez. Portrait of Philip II]
Attributed works:
[Peter FIner, 38/39 Duke Street, St. James's, London. A gift of King George III: a pair of Spanish bronze cannon cast by Mathias Solano, the Royal Gunfoundry, Seville, to Major-General John Graves Simcoe in 1798, in recognition of his services in Franch San Domingo, Hispaniola (Haiti), dated 1747.]
Attributed works:
[Sphinx Fine Art.125 Kensington Church St. London. Ludolph Backhuysen. Shipping by the Dutch Coast (detail)]
Attributed works:
[Van Der Meij. Herengracht 372, 106 ch Amsterdam. Valentin Ruths (1825-1905) Sunflowers. Oil on cardboard on panel, 25.2 x 34 cm. Signed with initials below right.]
Western art unattributed:
[Mackinnon. 5 Ryder Street, St. James's London. A Highly Important George I Giltwood Secretaire Cabinet, almost certainly made for the Portuguese Royal Court]
Western art unattributed:
[Peter FIner, 38/39 Duke Street, St. James's, London. A fine hunting trousse, German, c. 1720-40]
Western art unattributed:
[PORFIRIUS Kunstkammer. A collection of three generations of ornamental turners' work, all realised on the same rose engine turning lathe. The foreground box with the Tudor Rose on the cover, was made by the 'Tudor Court Turner', in the second helf of the 16th century. He was probably a German Turner who came to work for the Tudor Court on the German-built rose engine turning lathe. The large beaker and cover by the 'Inheritor of the Tudor Court Turner' was made around 1600. The small beaker and cup by the 'Second Inheritor of the Toudor Court Turner' dates from the first half of the 17th century. All objects are made in Lignum Vitae, a fine-grained type of palissander]
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Advertisements June 2016 (front)
06/2016 | 1359 | 158
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subjects:
Illustrations
Attributed works:
[Ana Chiclana. Ruiz de Alarcon, 27. Madrid. Agustin Esteve y Marques. 1753 - Valencia - 1830. Portrait of Maria de la Concepcion Belvis de Moncada y Pizarro, VIII Marquesa de Ariza. Oil on canvas: 200 x 113,5. Signed and dated 1796]
Attributed works:
[Arcadia Carri Fine Art. Exhibiting at: 6 Hill Street, W1. St Sebastian, from the circle of Michel Erhart (fl. 1469-1522) c. 1490. Limewood. Height: 97 cm. Width: 22 cm. Depth: 19 cm]
Attributed works:
[Bazaart. Justin Raccanello & Camille Leprince. 7-10 Chandos Street, London. Rare maiolica charger decorated with a capriccio landscape in monocromia turchina. Workshop of Maestro Jacomo de Pesaro, Venice, c.1545. D.45 cm]
Attributed works:
[Benjamin Proust Fine Art Ltd, 43-44 New Bond Street, W1. The Holy Family by Bnedetto Briosco (1460-1517). c.1500. Marble. Height: 31.3 cm. Width: 26.3 cm. Depth: 8.5 cm]
Attributed works:
[Bonham's, 101 New Bond Street, W1. Self-portrait, by William Dobson (1610-46). Oil on canvas, 59.9 by 47.2 cm]
Attributed works:
[Brun Fine Art, 38 Old Bond Street, W1. Bust of Paolo Emilio Campi, by Sebastiano Pantanelli (d.1792). Terracotta. Height: 63 cm]
Attributed works:
[Brun Fine Art. 38 Old Bond Street. London. Francesco Maria Schiaffino (1688-1763). Genoa. Ecstasy of Saint Teresa. White Marble. H:66, W: 58, D: 35 cm]
Attributed works:
[Chanel. L'instant. Watch]
Attributed works:
[Charles Beddington Ltd, 16 Saville Row, W1. Night and day: Mediterranean coasts with fishermen (one of a pair) by Francesco Fidenza (1747-1819). Oil on panel, 37.3 by 43.7 cm]
Attributed works:
[Crispian Riley Smith, Exhibiting at: 22 Bury Street, SW1. Studies of four legs in profile, one an ecorché study seen from behind, by Bartolomeo Passarotti (1529-92). Black chalk and pen and brown ink on paper. 28.2 by 20.8 cm]
Attributed works:
[Daniel Katz Gallery, 6 Hill Street, W1. Bust of Giuseppe Bossi, by Antonio Canova (1757-1822). 1816. Plaster. Height: 92 cm]
Attributed works:
[Florian Härb and Martin Grässle, 5 Dalmeny Court, 8 Duke Street, SW1. A rearing horse, by Lazzaro Tavorone (1556-1641). Black and white chalk on red prepared paper, 33.8 by 23.4 cm]
Attributed works:
[Florian Härb. 5 Dalmeny Court, 8 Duke Street, St. James’s. London. Claude Gillot. Langres 1673-1722 Paris. Four Actresses. Pen and black ink, sanguine wash with traces of pencil. 146 x 200 mm]
Attributed works:
[Fondation Custodia. 121 rue de Lille. Paris. Exhibition: G. W. Eckersberg. 1783-1853. Artiste danois à Paris, Rome et Copenhague]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Alessandro Magnasco. Genova, 1667-1749. The Raising of Lazarus. Oil on canvas, 35.5 x 45 cm (14 x 17 3/4 cm)]
Attributed works:
[Galerie Neuse, Kunsthandel GmbH. Contrescarpe 14. D-28203, Bremen, Germany. Grape Picker "Büttenmann", dated 1547 belonging to the patrician family of Lōffelholz in Nuremberg. Silver, parcel-gilt. Christoff Ritter I (master 1547-1565/75). Inscription: "Hanssen Lōffelholz von Kolbergs auf Herolzpach". Height: 20.5 cm, weight: 703 g.]
Attributed works:
[Hazlitt Holland-Hibbert. 38 Bury Street. St. James’s, London SW1Y 6BB. Howard Hodgkin. Born 1932. The Meeting, 1963-65. Oil on canvas. 40 x 44 inches]
Attributed works:
[James Mackinnon exhibiting at: Saffronart, London, 73 New Bond Street, FIrst Floor, London. Achille Benouville (1815-1891). The Roman Campagna. Watercolour and gouache over black chalk on blue paper 12 1/2 x 16 5/8 in. (31.7 x 42.3 cm) Bears atelier stamp on verso numbered 119]
Attributed works:
[Johnny van Haeften Ltd, 13 Duke Street, SW1. Still-life, by Jacob van Hulsdonck (1582-1647). On panel, the reverse prepared with gesso, 71.5 by 104 cm]
Attributed works:
[Kunstkammer Georg Laue, Munich. Court wedding casket. Cabinetmaker: Heinrich Eichler. Augsburg, ca. 1685. Tortoiseshell, ivory, silver, oil on panel, wood. Height 40 cm, Width 40 cm, Depth 27 cm]
Attributed works:
[London Art Week 2016. George Chinnery (1774-1852). Chinese figure by a waterfall in the hills. Courtesy of Martyn Gregory, London]
Attributed works:
[Martyn Gregory, 34 Bury Street, Sw1. A Chinese figure by a waterfall in the hills, by George Chinnery (1774-1852). Watercolour, 19 by 11.2 cm]
Attributed works:
[Maurizio Nobile, Exhibiting at: 37 Bury Street, SW1. The veil of St. Veronica, by Giovanni Battista Foggini. (1652-1725). Black chalk, pen and brown ink with brown wash, 11.5 by 9 cm]
Attributed works:
[Maurizio Nobile. Via Santo Stefano, 19/a. Bologna. 45, rue de Penthièvre. Paris. Giuseppe Antonio Petrini (Carona, 1677-1755/59). Saint Joseph, (detail) oil on canvas, unlined, cm 114x87]
Attributed works:
[Museo Nacional del Prado, Madrid. Bosch Adoration of the Magi (detail), c.1494. Madrid, Museo Nacional del Prado]
Attributed works:
[Sotheby's. 76 Rue du Faubourg Saint-Honoré. Paris. Louyse Moillon. Still life with basket of plums.]
Attributed works:
[Sphinx Fine Art, Exhibiting at: 50 Maddox Street, W1. An allegory of summer, by Abel Grimmer (1570-1618). Oil on canvas, 28.7 by 39.3 cm.]
Attributed works:
[Stephen Ongpin Fine Art, 6 Manson's Yards, SW1. A standing Moroccan Man, by Eugène Delacroix (1798-1863). Watercolour and pencil, 32.3 by 24.2 cm]
Attributed works:
[Tomasso Brothers Fine Art, 12 Duke Street, SW1. The Albani Faun (After the Antique), by Luigi Valadier (1726-85). Bronze on a turned Breccia Africano socle. Height: 55.5 cm]
Attributed works:
[Trinity Fine Art. 29 Bruton Street. London W1J 6QP. Master of the Unruly Children (active Florence and Tuscany, first half of the sixteenth century). River God. Terracotta, 26 x 33 x 21 cm]
Attributed works:
[Van der Meij Fine Arts. Herengracht 372. Amsterdam. P.C. Skovgaard (1817-1875). Twig with berries 1853. Oil on canvas, 27 x 31 cm]
Attributed works:
[Whitford Fine Art. 6 Duke Street, St, James’s. London. Joseph Lacasse, Dominante Bleue, 1955-56 (detail)]
Western art unattributed:
[Ben Elwes Fine Art, 45 Maddox Street, W1. Three-quarter length portrait of Sir Peter Saltonstall, in the pose of Melancholia, English school, c.1600-10. Oil on oak panel, 88,9 by 71.1 cm]
Western art unattributed:
[Benjamin Proust. 5th Floor. 43-44 New Bond Street. London. Faenza, circa 1550. Drug Jar. Diameter: 35.5 cm. Height: 30 cm. Provenance: Paolo Sprovieri Collection, Rome]
Western art unattributed:
[Peter Finer. 38&39 Duke Street. St. James’s. London. A composite South German Stechzeuc Armour, circa 1490-5.]
Western art unattributed:
[Piasa. 118 rue du Faubourg Saint Honoré. Paris. Exceptional gold cross with five rock crystal intaglios representing Christ in majesty and the Tetramorph. Ottonian Art, IX/Xe century without excluding the re-employment of Carolingian gems. 11,7 cm x 11,7 cm]
Western art unattributed:
[Sam Fogg, Ltd. 15d Clifford Street, London. Gilded Light. 16th-century stained glass rounded from the collection of Sir Thomas Neave and other private collection]
Western art unattributed:
[Ted Few. 14 Tankerville Road, London Two bronze figures, Greco-Italic, 7th-6th century BC; and Umbrian, 3rd-2nd century BC: from a collection of 47 ancient statuettes from Sigmaringen]
Exhibition Review
Master Drawings. London
09/2012 | 1314 | 154
Pages: 649-652
related names
Reviewer:
Green, Richard (Green, Richard)
Subjects
dates:
places:
print:
subjects:
Reviewed Items
subjects:
Master Drawings London | institution: Agnew's , institution: August Laube , institution: Ben Elwes Fine Art , institution: C.G. Boerner (dealer) , institution: Christie's , institution: Crispian Riley-Smith Fine Arts Ltd , institution: Didier Aaron , institution: Florian Härb , institution: Hill-Stone Inc. , institution: James Mackinnon , institution: Jean-Luc Baroni , institution: José de la Mano Galería de Arte , institution: Katrin Bellinger , institution: Lowell Libson , institution: Simon Dickinson , institution: Stephen Ongpin Fine Art , institution: Stoppenbach & Delestre , institution: Trinity Fine Art Ltd
Illustrations
Attributed works:
32. Adoration of the shepherds, by Tommaso Manzuoli, called Maso da San Friano. c.1565. Pen and brown ink and wash over black chalk, heightened with white, on blue paper, 26.5 by 19.5 cm. (Exh. Florian Härb, London).
Attributed works:
33. La Passionnée, by François Boucher. 1745–50. Black, white and red chalks with black pastel and stump, 25 by 17 cm. (Exh. Katrin Bellinger at Colnaghi, London).
Attributed works:
34. Allegorical funerary monument to Leonardo da Vinci, by Luis Paret y Alcázar. c.1784. Pen and sepia ink and wash, 27.8 by 14.5 cm. (Exh. José de la Mano Galería de Arte at Mackinnon, London).
Attributed works:
36. Detail of A view from the Palatine Hill, Rome, the Alban Hills in the distance, by Carlo Labruzzi. c.1765–75. Watercolour over graphite, 37.2 by 53 cm. (Exh. Dickinson, London).
Attributed works:
37. La Scuola di Virgilio, by Michael Wentzel. 22nd June 1829. Watercolour over pen and ink with traces of graphite on Canson paper, 30.5 by 47.3 cm. (Exh. C.G. Boerner at Trinity Fine Art, London).
Attributed works:
38. The Fountain of the Four Rivers, Piazza Navona, Rome, by Charles-François-Pierre de La Traverse. 1751–59. Pen and black ink with brown wash, heightened with white, 78 by 57 cm. (Exh. Didier Aaron, London).
Attributed works:
39. Parental affection, or The Meeting of a Family in Heaven, by William Blake. c.1785–90. Pen and watercolour over graphite, 14.3 by 9.2 cm. (Exh. Lowell Libson, London).
Western art unattributed:
35. The sky at sunset, by an unidentified French(?) artist. 4th May 1821. Oil on paper laid on canvas, 24 by 30 cm. (Exh. Ben Elwes Fine Art, London).
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Advertisements January 1988 (Front)
01/1988 | 1018 | 130
Pages: i-xxiv
Subjects
Illustrations
Attributed works:
[Armin B. Allen, 3 Bury Street, London] A Rare Holitsch Faiënce Centerpiece. Circa 1760, Height 11¼ Inches.
Attributed works:
[Asprey, 165-169 New Bond Street, London] A Charles II Tankard, Makers Mark R. N., London 1678. 6¼″ High. 24 07.
Attributed works:
[Bankside Gallery, 48 Hopton St., London] The Wave, by Jacqueline Rizvi R. W. S. Watercolour and Bodycolour, 14″ by 19½″.
Attributed works:
[Bourne Fine Art, Duke St., London] Cellardyke, by Sam Bough R. S. A. (1822-78). Watercolour, Signed and Dated 1875, 13½″ by 19″.
Attributed works:
[Colnaghi, 14 Old Bond St., London] A View of Windsor from the Thames, by William Evans of Eton (1798-1877), Pencil and Watercolour Heightened with White, 11½″ by 17½″.
Attributed works:
[Colnaghi, 14 Old Bond Street, London] Jean-Baptiste Santerre Magny-en-Vexin (Pontoise) (1651) - Paris, (1717). A Young Girl Beckoning, Canvas: 79.5 × 64 cms. Signed and Dated on Letter: Santerre 1703.
Attributed works:
[David Carritt Limited, 15 Duke Street, London] John Martin. Sadak in Search of the Waters of Oblivion. 1812. Oil on Canvas 72 × 49½in
Attributed works:
[Frederick Cummings, 146 West 57th Street, New York] Gustave Courbet (1819-1877). Seated Male Figure, Called 'The Gaul'. Black Chalk on White Paper (With Touches of Red Chalk). 24⅜ × 19 in.; 62 × 48 cm.
Attributed works:
[Heim Gallery (London) Limited, 59 Jermyn Street, London] Philippe Mercier Berlin 1689-1760 London. A Concert. Oil on Canvas. 96.5 by 127 cm
Attributed works:
[J.S. Maas & Co. Ltd, New Bond St., London] Portrait Head of Beatrice Stuart, by Sir Frank Dicksee P. R. A. (1853-1928). Pencil, Signed and Dated, 1912. 10⅞" by 7¼″.
Attributed works:
[James MacKinnon, 17 Savile Row, London] Portrait of a Gentleman, by Antoine-Pierre Mongin (1761-1827), Charcoal. 16½″ by 14″. Signed and Dated.
Attributed works:
[Jean Willems, rue Ernest Allard 5, Brussels] Giovanni-Paolo Lomazzo, Milano 1538-1600. 'Study for an Apostle'. Black Chalk Heightened with White on Blue Paper Squared with Red Chalk 328 × 248 mm. Watermark: Hand
Attributed works:
[Marlborough Fine Art (London) Ltd, 6 Albemarle Street, London] Pearl One 1987. Oil on Canvas 94 × 84in./238.8 × 213.4 cm.
Attributed works:
[Martyn Graham, 34 Bury St., London] Brahmin Bull in a Landscape, by John Collet (c. 1725-1780).
Attributed works:
[Matthiesen Fine Art Ltd, 7-8 Mason's Yard, Duke Street, London] Gentileschi St Francis Receiving the Stigmata
Attributed works:
[Oscar and Peter Johnson Limited, 27 Lowndes St., London] A View of Oxford from Boar's Hill, by Philip Henry Delamotte, Watercolour, 12¼″ by 16½″, Framed.
Attributed works:
[Piero Corsini Inc., 162 East 63rd Street, New York] Guido Reni Bologna, 1575-1642. The Penitent Magdalene. Oil on Canvas, 35¾ x 29¼ Inches (90.5 × 74.4 cm.) Formerly in the Collections of Cardinal Flavio Chigi and Lord Kinnaird of Rossie Priory. Acquired By The Walters Art Gallery, Baltimore
Attributed works:
[Richard L. Feigen Company, 113 East 79th Street, New York] Richard Parkes Bonington, 'Disguised: Quentin and Louis XI (Walter Scott, Quentin Durward),' 1826, Pencil and Watercolour on Paper, 5¾ Inches by 4¼ Inches (14.6 by 10.8 cm) Signed and Dated, Lower Left: 'RPB 1826'
Attributed works:
[Spencer A. Samuels Gallery, 39 East 72nd Street, New York] Massimo Stanzione (1585-1656). Adoration of the Magi. Oil on Canvas. 97 by 62 Inches. Signed with Monogram: MX
Attributed works:
[Stephen Somerville Ltd, 40 Warwick Avenue, London] Windy Morning, by Sir George Clausen R. A. (1852-1944). Watercolour and Bodycolour on Wove Paper, 250 by 314 mm. Signed in Pen and Black Ink.
Attributed works:
[Stoppenbach & Delestre Ltd, 25 Cork St., London] Self-Portrait, by Jules Adolf Aimé Louis Breton (1827-1905). Charcoal and Pencil, 44 by 30 cm, Signed Lower Centre.
Attributed works:
[Wartski, 14 Grafton Street, London] Carl Faberge. The Double Opening Matt Gold Case Is Decorated with a Greek Key Pattern in Black Enamel Set with Rose Diamonds and Brilliant Diamonds Weighing Approximately a Carat Each. The Thumbpush Is Also Set with Rose Diamonds. Signed Fully Fabergé and Bearing the Gold Standard 56. Moscow c. 1900.
Attributed works:
[William Drummond, Ryder St., London] Studies of a Young Woman Looking over Her Left Shoulder. 1890 by Adolf von Menzel, Breslau (1815-1905) Berlin. Black Chalk, 14 by 11 cm, Signed with Monogram and Dated Lower Right. 'A. M. 90′.
Non-western art unattributed:
[Michael B. Weisbrod Inc., 987 Madison Avenue, New York] Ritual Bronze 'Jia' Vessel. Shang Dynasty. 13th-12th Century BC. Height: 19¼ in. (49.0 cm)
Western art unattributed:
[Athenaeum, 5 Avenue Princesse Alice, Monte Carlo] Lombardy. End XIVth/Beginning XVth Century. Height: 20.5 cm. Width: 15 cm.
Western art unattributed:
[Edward R. Lubin, 3 East 75 Street, New York] A Green-Tinted Puzzle Goblet (Scherzgefass), German, 17th Century. Height: 13½ Inches (35 cm.).
Western art unattributed:
[Kimbell Art Museum, 3333 Camp Bowie Boulevard, Fort Worth, Texas] On the Cover: (Front) Detail. Michelangelo da Caravaggio. The Cardsharps, c. 1594-95: (Back) Kimbell Art Museum, View to the North from Conservation Studio: Inside Spread. Kaikei, Standing Shaka Buddha, c. 1210.
Western art unattributed:
[Phillips, Blenstock House, 7 Blenheim Street, New Bond Street, London] Fine George III Mahogany Octagonal Rent Desk, Sold Recently at Phillips for £36,000.