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Advertisements February 2011 (front)
02/2011 | 1295 | 153
Pages: s.p.
Subjects
advertisements:
artists:
subjects:
Illustrations
Attributed works:
[Charles Beddington Limited. 16 Saville Row, London, W1S 3PL. Antoine de Lohny (active in Autun, Toulouse, Barcelona and Piedmont 1446 - c.1490). Saint Vincent Ferrer Proaching. Tempera on gold ground panel, 41 3/4 x 16 3/8 in. (106 x 41.5 cm)
Attributed works:
[Charles Beddington, London. A capriccio of classical ruins on a Mediterranean coast, by Leonard Coccorante (1680-1750). Signed with monogram 'LC' (lower right). Oil on canvas, 75 by 126 cm]
Attributed works:
[Charly Bailly. 10 rue de l’Hotel-de-Ville. Geneva. Attributed to Pieter Balten (Antwerp 1525 - 1598). Kermesse with the feast of Saint Georges. Oil on canvas, 153 by 286 cm (60 1/4 by 112 1/2 in.).]
Attributed works:
[David Koetser, Switzerland. A wooded dune landscape, by Jacob van Ruisdael (1628/29-82). Signed and dated lower center: JVRuidfael 1648. Oil on panel, 27.5 by 31 cm]
Attributed works:
[De Jonckheere, Paris and Geneva. The siege of Therouanne, with the army led by Charles V camping at the foot of the town, by Henri Met de Bles (c.1510 - 1560). Oil on panel, 118.1 by 181 cm]
Attributed works:
[Galerie Canesso, Paris. Exotic birds from the aviaries of Grand Duke Cosimo III de' Medici in a landscape, by Bartolomeo Bimbi (1648-1730). Oil on canvas, 119.4 by 151.1 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Giuseppe Bonito. Castellamare di Stabia, 1707 - Naples, 1789. The Painter's Studio. Oil on canvas, 168 x 235 cm /66 1/4 x 92 1/2 in)]
Attributed works:
[Galerie Neuse, Kunsthandel GmbH. Contrescarpe 14. D-28203, Bremen, Germany. Jan van Bijlert (Ultrecht 1597-1671). Young Woman with a cat. Allegory of the sense of touch. Oil on canvas, 76.5 x 64.5 cm.]
Attributed works:
[Galeries Hans. Jungfernstieg, 34 III. D-20354 Hamburg. Nicolas Maes. 'The presentation of Christ in the temple. Pen, brush and brown ink, 13.7 x 14.7 cm)]
Attributed works:
[Gallery Matthiesen. 7/8 Manson’s Yard, Duke Street, St. James’s. London, W.1. WERNER VAN DER VALKERT (In or nr. The Hague c.1580/85 - c-1627 Amsterdam). Omnia Vincit Amor. Circa 1616. Oil on panel; 78 x 63 cm (30 3/4 x 24 3/4 in)]
Attributed works:
[Haboldt & Co. Paris. 'Tronie' of an old man, by Jan Lievens (1607-74). c. 1629. Oil on panel, 60.1 by 47.8 cm]
Attributed works:
[Hazlitt Holland-Hibbert. 38 Bury Street. St. James’s, London SW1Y 6BB. Peter Lanyon 1918-1964. Coast Wind, 1957. Oil on board. 72 x 48 inches; 183 x 122 cm. Signed and dated.]
Attributed works:
[Johnny van Haeften Ltd, London. The Hofstede Wolf en Hoeck on the Pumer, by Jan van der Heyden (1637-1712). Signed lower left. Oil on panel, 33.8 by 39.7 cm.]
Attributed works:
[Johnny van Haeften Ltd. 13 Duke Street, St. James’s, London SW1Y 6DB. Michael Sweerts (Brussels 1618 - 1664 Goa). A Portrait of a Gentleman. On canvas, 25 1/4 x 20 1/4 ins (64.1 x 51.4 cm) - oval.]
Attributed works:
[Koetser Gallery Ltd. Talstrasse 37. Zurich. Jan Luijkenstraat 62 (sous). Amsterdam. Oil sketch by Sir Peter Paul Rubens (1577 Siegen - Antwerp 1640). Alexander and Roxana. Oil on panel, 40 x 35.5 cm]
Attributed works:
[Oskar Reinahrt. Haldenstrasse 95. Winterthur. Camille Corot, La Petite Liseuse of Jeune bergère aussie et liant, c.1855/65]
Attributed works:
[Otto Naumann Ltd. New York. Architectural capriccio with a self-portrait of Bellotto in the costume of a venetian nobleman, by Bernardo Bellotto (1721-80). Oil on canvas, 155 by 112 cm]
Attributed works:
[Richard L. Feigen & Co., New York. Mountainous landscape with Hunters, by Jan Looten (c.1618-c.1680). Oil on canvas, 112.5 by 146.5 cm]
Attributed works:
[Schlichte Bergen, Amsterdam. An ideal landscape with an epitaph for Epaminondas, by George Augustus Wallis Merton (1761-1847). One of pair of neoclassical drawings in their contemporary frames. Black chalk on brown paper, 72 by 101 cm]
Attributed works:
[Schlichte Bergen. P.C. Hooftstraat 53”, 1071 BN Amsterdam. Adrian Ludwig Richter. Dresden 1803-1884 Loschwitz. Am Brunnen bei Grottaferrata. Signed and dated L. Richter/1832. Canvas 113 x 99.5 cm]
Attributed works:
[The Burlington Magazine, London. Study for the Age of Bronze, by Pietro da Cortona. 1641. Pen and ink over black chalk, 35 by 25 cm (Dulwich Picture Gallery)
Attributed works:
[The Burlington Magazine. London. Head of St. Peter from the Last Supper, after Leonardo da Vinci (Giovanni Antonio Boltraffio ?). Black chalk, pastel and watercolour. (Cabinet des Estampes at des Dessins, Stasbourg)]
Attributed works:
[The Burlington Magazine. Study after Ruben's 'Peace and War', here attributed to Eugène Delacroix. c.1825. Watercolour and gouache, 33.5 by 26 cm. (Private collection)]
Attributed works:
[The Matthisen Gallery, London. Huntsmen in a landscape, by Paul Brill (1554-1626). Signed and dated 1612. On canvas, 59 by 87 cm]
Attributed works:
[The Rubens House Museum. Anthony van Dyck (1599-1641), Isabella Brant. @ National Gallery of Art, Washington, DC.]
Attributed works:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. Dove Walk. 107b Pimlico Road. London. Wilhelm de Groff (early 18th Century). A monumental portrait of Maximilian II Emanuel, Elector of Bavaria (1662-1726). Bronze.]
Western art unattributed:
[Bonhams. 101 New Bond Street. London. Illustrated: A needlework mirror with folding shutters. English, late 17th Century.]
Exhibition Review
The Mystery of Faith. An Eye on Spanish Sculpture 1550–1750
01/2010 | 1282 | 152
Pages: 50-52
related names
Reviewer:
Mulcahy, Rosemarie (Mulcahy, Rosemarie)
Subjects
places:
print:
Reviewed Items
subjects:
The Mystery of Faith. An Eye on Spanish Sculpture 1550–1750 | institution: Coll y Cortés Fine Arts , institution: Matthiesen Gallery
Illustrations
Attributed works:
60. Infant Christ and Infant Baptist, attributed to Felipe de Ribas. c.1640s. Polychromed wood, each 59 by 24 cm. (Exh. Matthiesen Gallery, London).
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Advertisements March 2003 (front)
03/2003 | 1200 | 145
Pages: i-lv
Subjects
advertisements:
subjects:
Illustrations
Attributed works:
Frederico Barocci (1535 - Urbino - 1612) The Stigmatisation of St Francis, c. 1590. Brush. red and white bodycolor, 495 x 370 cm.
Attributed works:
[Adam Williams Fine Art Ltd., 50 East 78th Street, New York, New York] Master of the View of Sainte Gudule (active Brussels c. 1470- c. 1490) St Sebastian Oil on panel, 49¾ x 21 inches (126.4 x 53.3 cm).
Attributed works:
[Adrian Sassoon, 14 Rutland Gate, London, UK] A Very Rare Sèvres Porcelain Cuvette Mahon, 2nd size 1760, bleu céleste ground Flowers painted by J.-B. Noualhier l'aîné Width 9¼ in. (23.5 cm.)
Attributed works:
[Agnew's, 43 Old Bond Street, London] Juan de Valdés Leal (Seville 1622 - 1690) The Annunciation Canvas, 32¼ x 25½ inches (82 x 65 cm)
Attributed works:
[Arnoldi-Livie, Galeriestrasse 2b, 80539 Munich, Germany] Macrino d'Alba (Gian Giacomo de Alladio) Alba c. 1470 - before 1528 Adoration of the Christ Child with two Franciscan Friars, c. 1505 Grey pen and brown wash with light beige wash over pencil: 27.7 x 24.8 cm Provenance: K. E. Hasse, Goettingen (Lugt 860). Conte Gelozzi, (Lugt 545)
Attributed works:
[Arturo Cuellar, Burglistrasse 18, 8002 Zurich, Switzerland] Federico Zuccaro (Sant' Angelo in Vado 1540 - 1609 Ancona) Study for the West Octant of the Cupola of the Florentine Cathedral, ca. 1574-76 Pen and ink, brown, grey and pink wash heightened with white. 29.5 x 42.9 cm.
Attributed works:
[BAS Printers advertisement] David Hockney "Cherry Blossom", 2002 Watercolour & Crayon on Paper (4 sheets) 36 x 48 in © 2002 David Hockney courtesy of Annely Juda Fine Art, London
Attributed works:
[BAS Printers advertisement] Georges Lemmen Dans la Cour, 1903 from the catalogue 'Female Form', courtesy of James Roundell, London
Attributed works:
[Charles Ratton & Guy Ladriere, 14, rue de Marignan and 11, quai Voltaire, Paris, France] René Dudot (active 1640-1659) Christ presented to the temple oil on canvas, 99 x 74 mm.
Attributed works:
[Christie's Education] Jeff Koons Pink Panther, 1988
Attributed works:
[Christie's Education] The Jenkins Venus circa late 1st/mid-2nd Century A.D.
Attributed works:
[Christie's, 20 Rockefeller Plaza, New York, New York] Pieter Brueghel II (Brussels c. 1564-1637 Antwerp) A winter landscape with peasants skating and playing kolf on a frozen river, a town beyond signed and dated 'P.BRUEGHEL.1621.' (lower right) oil on panel, unframed 16⅜ x 22¼ in. (41.5 x 56.5 cm.)
Attributed works:
[David & Constance Yates, Lenox Hill Station, New York, New York] Francois Rude (Dijon 1780 - 1855 Paris) Old Gaul Plaster. Height: 24 3/4 inches (63 cm). Signed Fcois RUDE under proper left shoulder
Attributed works:
[Derek Johns Limited, 12 Duke Street, London, UK] François Chauveau Paris 1616 - 1676 Paris THE FALL OF ROME Pen and brown ink with grey wash, 255 x 191mm
Attributed works:
[Douwes Fine Art, 38 Duke St., London, UK] Hans Bollongier (circa 1600-Haarlem-1681) "Flowers in a Glass Vase on a Stone Ledge". Oil on panel: 45 x 31.5 cm. Signed and dated 1627.
Attributed works:
[Douwes Fine Art, 38 Duke St., London, UK] Jacob Gerritsz Cuyp (1594-Dordrecht-1651) "Portrait of Johanna van Diemen, aged 57". Oil on panel: 59 x 49 cm. Signed, dated 1645 and inscribed "Aetatis 57". Expertise: Dr Alan Chong inspected the painting and has identified the sitter.
Attributed works:
[Douwes Fine Art, 38 Duke St., London, UK] Karel Dujardin (Amsterdam 1622-1678 Venice) "An Italianate River Landscape with Travellers and Bathers, a Castle beyond". Oil on canvas: 60 x 66.5 cm. Expertise: Dr M-F. Kilian. To be included in forthcoming catalogue raisonné.
Attributed works:
[Douwes Fine Art, 38 Duke St., London, UK] Philips Wouwerman (1619-Haarlem-1668) "Peasants resting on their way in a Hilly Landscape". Oil on panel: 31.5 x 41.5 cm. Signed with monogram.
Attributed works:
[Dover Street Art Gallery, 13 Dover Street, London, UK] Michele Marieschi The Grand Canal and The Palazzo Corner della Regina, and The Piazza San Marco, A Pair, Both 1736, Oil on Canvas, 54.5 by 82.5 cm
Attributed works:
[Dover Street Art Gallery, 13 Dover Street, London, UK] Michele Marieschi The Grand Canal and The Palazzo Corner della Regina, and The Piazza San Marco, A Pair, Both 1736, Oil on Canvas, 54.5 by 82.5 cm
Attributed works:
[Exh. BADA Fair, London] A Midnight Feast by Frederick Daniel Hardy (1826-1911). Signed and dated 1866. Oil on panel, 22 x 35.5 cm (8 3/4$ x 14 in).
Attributed works:
[Exh. BADA Fair, London] Les Etangs a Chalou-Moulineux - Effet de Soleil couchant by Albert Lebourg (1849-1928). French. Signed. Circa 1910. Oil on panel, 41 x 27 cm (16 x 10 1/2 in).
Attributed works:
[Exh. BADA Fair, London] St Julian the Hospitalier by Lorenzo di Niccolo (fl. 1392-1412). Tempera on gold ground panel.
Attributed works:
[Exh. BADA Fair, London] Two Lovers in a Garden by Frans Francken the Younger (1581-1642). Flemish School. Oil on panel, 17.8 x 14 cm (7 x 5 1/2 in).
Attributed works:
[Exh. Salon Du Dessin, Salons Hoche, Paris, France and Exh. TEFAF Maastricht] Adolph Von Menzel Breslau 1815-1905 Berlin Studies of a Man Holding a Rod (preparatory for the painting The Iron Roll Mill, 1875) Carpenter's pencil, 399 x 259 mm
Attributed works:
[Exh. Salon Du Dessin, Salons Hoche, Paris, France] A wild male teal, by Johann Jakob Walther (1600-1677). Black chalk and body colour, 25.7 x 40.4 cm.
Attributed works:
[Exh. Salon Du Dessin, Salons Hoche, Paris, France] Fishing boats at sunset, by William Callow (1812-1908). Watercolour, 23.6 x 31.8 cm. Signed.
Attributed works:
[Exh. Salon Du Dessin, Salons Hoche, Paris, France] Madonna and child with Saint Gaetano of Thiene, by Ubaldo Gandolfi (1728-1781). Black chalk, pen and brown ink and brown wash, 27 x 20.8 cm.
Attributed works:
[Exh. Salon Du Dessin, Salons Hoche, Paris, France] Portrait of Lady Hamilton, by Jean-Baptiste-Joseph Wicar (1652-1734). Black chalk, 18.7 x 22.1 cm.
Attributed works:
[Exh. Salon Du Dessin, Salons Hoche, Paris, France] Portraits of sixteen members of La Société des Amis des Arts, by Louis Léopold Boilly (1761-1845). Black and white chalk on blue-yellow paper, 57.5 x 45.5 cm.
Attributed works:
[Exh. Salon Du Dessin, Salons Hoche, Paris, France] Reclining nude, 1954-1955, by Nicolas de Stael (1914-1955).
Attributed works:
[Exh. Salon Du Dessin, Salons Hoche, Paris, France] Scene from classical antiquity: A young man on his deathbed, supported by his father and surrounded by his wife and children, by François-Pascal-Simon Gérard, called Baron Gérard (1770-1837). Pen and brown ink and brown wash, heightened with white, 29.8 x 22.2 cm.
Attributed works:
[Exh. Salon Du Dessin, Salons Hoche, Paris, France] Self-portrait, by Annibale Carracci (1560-1609). Pen and brown ink, 12 x 19 cm.
Attributed works:
[Exh. Salon Du Dessin, Salons Hoche, Paris, France] The artist drawing inside the ruins of a watermill, by Caspar Wolf (1735-1783). Gouache, 43.7 x 55.2 cm.
Attributed works:
[Exh. Salon Du Dessin, Salons Hoche, Paris, France] The music room in the Sanssouci Palace, Potsdam, 1852, by Eduard Gaertner (1802-1877). Watercolour, 18 x 26.8 cm.
Attributed works:
[Exh. Salon Du Dessin, Salons Hoche, Paris, France] Turkish sentinel, 1854, by Théodore Valério (1819-1879). Watercolour, 30.2 x 22.3 cm.
Attributed works:
[Exh. Salon Du Dessin, Salons Hoche, Paris, France] View of a pavillion in Arcueil park with a fountain and basin, by Jean-Baptiste Oudry (1686-1755). Black and white chalk, 30 x 52.2 cm.
Attributed works:
[Exh. Salon Du Dessin, Salons Hoche, Paris, France] Woman and bird in front of the sun, 1942, by Joan Miro (1893-1983). Watercolour, 62 x 47 cm.
Attributed works:
[Exh. TEFAF Maastricht] Figures in an elegant interior by Eglon Hendrik van der Neer (Amsterdam 1634-1703 Düsseldorf) On canvas, 85.5 x 70.1 cm
Attributed works:
[Exh. TEFAF Maastricht] 'The interior of a Picture Gallery' On panel 21⅜ x 29¾ ins. 54.2 x 75.5 cm. Frans Francken the Younger 1581 - Antwerp - 1642 and Hendrick van Steenwyck the Younger Frankfurt or Antwerp c. 1560 - 1642 London
Attributed works:
[Exh. TEFAF Maastricht] A Bandit seated at the entrance to a Cave by Eugene Delacroix (1798-1863) Signed upper right Eug. Delacroix Oil on canvas, 32.5 x 24.5 cm
Attributed works:
[Exh. TEFAF Maastricht] A Vase with a large colourful Bouquet of Flowers by Jean François Raffaëlli (1850-1924). Signed. On canvas, 92 x 80 cm.
Attributed works:
[Exh. TEFAF Maastricht] A View from the Terrace at Palazzo Doria Pamphili by Francois-Marius Granet (1775 - Aix en Provence - 1849) Oil on canvas, 37 x 28 cm
Attributed works:
[Exh. TEFAF Maastricht] Nature morte aux pommes by Gustave Caillebotte (Paris 1848 - 1894 Gennevilliers) Oil on panel, 26 x 36.6 cm
Attributed works:
[Exh. TEFAF Maastricht] New York, Times Square by Jean-Emile Laboureur (1877-1943) Ink on paper, 50 x 37 cm
Attributed works:
[Exh. TEFAF Maastricht] Paris, le pont Marie et le quai de l'Hôtel de ville, circa 1882 by Armand Guillaumin (1841-1927). Oil on canvas, 59.6 x 81 cm. Signed lower left 'Guillaumin'.
Attributed works:
[Exh. TEFAF Maastricht] Portrait of Duke Alessandro Farnese by Otto van Veen (1545-1592). Oil, heightened with gold on copper, 20.25 x 13 cm.
Attributed works:
[Exh. TEFAF Maastricht] William Blake (1757 - 1827) The Virgin Hushing the Young John the Baptist 1799 pen and ink tempera on paper on linen, laid down on canvas, 27 x 38 cm (10 5/8 x 15 inches) signed with monogram and dated at lower left WB inv 1799
Attributed works:
[Exh. TEFAF Maastrich] Femme se coiffant - La Lettre, by Edgar Degas (1834-1917). Pastel on paper, 49.5 x 58 cm.
Attributed works:
[Exh. TEFAF Maastrich] A Flotilla of Dutch Vessels, including a Zeeland States yacht and a masting hulk flying the Flag of Flushing, in Zeeland waters by Bonaventura Peeters (1614 - 1652, Flemish School) Signed and Dated 1637. Oil on Panel, 50 x 96 cm.
Attributed works:
[Exh. TEFAF Maastrich] A river landscape with the Blind leading the Blind, a carnival in a village beyond by Lucas van Valckenborch I (Louvain after 1535-1597 Frankfurt am Main) Panel, circular: 25.2 cm diameter.
Attributed works:
[Exh. TEFAF Maastrich] A still life with a lemon, grapes, cherries and apricots on a pewter plate by Cornelis de Heem (1631-1695). Canvas, 27.5 x 38 cm
Attributed works:
[Exh. TEFAF Maastrich] Les Demoiselles au bord de l'eau ou jeunes Femmes au bord de l'eau, 1908 by Pierre Bonnard (1867-1947). Signed lower left Bonnard. Oil on canvas, 108 x 124cm
Attributed works:
[Exh. TEFAF Maastrich] Portrait of Denis Diderot by Jean-Baptiste Greuze (Tournus 1725-1805 Paris). Oil on canvas, oval, 61 x 49 cm
Attributed works:
[Francois Delestre, 36 rue Laffitte, Paris, France] Scène de patinage, 1864 Oil on canvas, 42.8 x 57 cm (16⅞ x 22⅜ in).
Attributed works:
[Galerie Canesso, 8 rue Rossini, Paris, France] Antonio d'Enrico, called Tanzio da Varallo Riale d'Alagna, 1575 or 1580 (?) - Varallo Sesia, 1632/1633 The Virgin and Child with Saints Charles Borromeo and Francis Oil on canvas, 39 9/16 x 28 7/8 inches (100.5 x 73.4 cm.)
Attributed works:
[Galerie Eric Coatalem, 93, Faubourg Saint-Honore, Paris, France] Monnoyer Still-life with flowers, fruit, a parrot and a monkey Oil on canvas, 109.5 x 150 cm Signature, lower left: J Baptiste
Attributed works:
[Galerie Koller, Hardturmstrasse 102, Zurich, Switzerland] Giovanni Pedrini, known as Giampietrino (Italy about 1510 - after 1540). A half-length female figure with a red coat and a fine veil before a landscape. Oil on panel. 60.3 x 46 cm.
Attributed works:
[Galerie Neuse Kunsthandel, Contrescarpe 14, Bremen, Germany] Leonhard Kern (Forchtenberg 1588-1662 Schwäbisch Hall) "Gaea or the allegory of famine" Ivory, ca., 1630/35 Monogrammed: LK Height: 24 cm
Attributed works:
[Giovanni Pratesi Antiquario, Via Maggio 13, Firenze, Italy] Domenico Pieratti (Florence 1600 - Rome 1656) Ferdinando II of the Medici Porphyry yellow mischio marble. Height 82 cm
Attributed works:
[Hall & Knight Ltd., 43 New Bond Street, London, UK] Thomas Hudson (Devonshire 1701-1779 Twickenham) The Thistlethwayte Family Oil on canvas, 184.7 x 214.6 cm (72 3/4 x 84 1/2 inches)
Attributed works:
[Hazlitt, Gooden & Fox, 38 Bury Street, London, UK] Alexandre Calame (1810-1864) Lac de Neuchâtel Oil on paper laid down on canvas, 40 x 52 cm (15¾ x 20½ in)
Attributed works:
[Hill-Stone Incorporated, Park Avenue, New York, New York] Pietro Serafi, called the Greek active Rome c. 1520. Brussels c. 1530, died Barcelona 1567 Two Soldiers, a fragment of a Tapestry Cartoon
Attributed works:
[Lawrence Steigrad Fine Arts, 42 East 76th street, New York, New York] Joachim Anthonisz Wtewael (Utrecht 1566 - 1638 Utrecht) The Evangelist Luke Oil on panel, 31¾ x 24½ inches (79.3 x 62.2 cm)
Attributed works:
[Liliane Fredericks, Flat 1, 32 Stanhope Gardens, London, UK] Guiseppe Passeri (Rome 1654 - 1714 Rome), Rest on the Flight to Egypt (recto) Hagar and Ishmael (verso) 195 x 150 mm Red and brown ink (recto and verso), over red chalk (verso only)
Attributed works:
[Lowell Libson Ltd., 3 Clifford Street, London, UK] John Sell Cotman 1782 - 1842 The Cow Tower, Norwich Watercolour Size: 13⅞ x 10⅝ inches (357 x 270 mm) Painted in 1807
Attributed works:
[Matthiesen, 7/8 Mason's Yard, Duke Street, London, UK] Niccolò Reneiri called Nicolas Regnier Maubeuge 1591 - 1667 Venice The Death of Sophonisba Oil on canvas, 126 x 161 cm.
Attributed works:
[Mia N. Weiner, Mountain Road, Norfolk, CT, USA] Giovanni Battista Tiepolo (Venice 1696-1770 Madrid) The Crucifixion black chalk underdrawing, brush & brown ink & wash. 439 x 312 mm
Attributed works:
[Nevill Keating Tollemache Ltd, 5 Pickering Place, London, UK] Camille Claudel (1864 - 1943) La Valse bronze, height 46.4 cm; Eugène Blot cast
Attributed works:
[Noortman Old Masters, Vrijthof 49, 6211 LE Maastricht, Holland] Claude Monet la chapelle de Notre-Dame de Grâce, Honfleur oil on canvas: 52 x 68 cm signed provenance & literature list available
Attributed works:
[Paul Proute S. A., 74, rue de Seine, 75006, Paris, France] Giovanni Battista Tiepolo Venice 1696 - Madrid 1770 Male Faun Holding a Palm Branch and Female Faun Holding a Crown Pen and brown ink and wash over traces of black chalk 182 x 260 mm
Attributed works:
[Richard Green, 39 Dover Street, London, UK] A portrait of a silversmith, identified as Christian van Vianen (circa 1600-1667) Signed with monogram and dated centre left: TDK 1630 Panel: 25¾ x 21⅛ in / 65.4 x 53.5 cm
Attributed works:
[Schlichte Bergen, P. C. Hooftstraat 53, 1071 BN Amsterdam] François Diday (Geneva 1802 - 1877) A View of the Rosenlaui, the Wellhorn and the Wetterhorn near Lucerne Canvas, 121 x 162 cm In its original frame Signed and dated 1844
Attributed works:
[Talabardon & Gautier, 134, Faubourg St-Honore, Paris, France] Edouard Traviès (1809 - after 1866), Watercolour and gouache on vellum, 25.5 x 32.1 cm Butterflies, signed and dated 1831, Exhibition: Paris, Salon, 1831, no 1966
Attributed works:
[The Fine Arts Society, 148 New Bond Street, London, UK] Venice, The Lion of Saint Mark, 1915 Etching · 5⅛ x 4¾ (13.2 x 12 cm) Provenance: The Leicester Galleries' Collection of Sickert Etchings
Attributed works:
[Thomas Boller Zurich, Mythenschloss, Mythenquai 28, Zurich, Switzerland] Lorenzo Tiepolo (Venice 1736-1776 Madrid) Portrait of a bearded man Pastel on paper, 59 x 46 cm.
Attributed works:
[Thomas Williams Fine Art Ltd., 10 Dalmeny Court, 8 Duke Street, London, UK] Godfried Maes Antwerp 1649-1700
Attributed works:
[Trinity Fine Art Ltd, 29 Bruton Street, London, UK] Girolamo Muziano (Brescia 1532 - Rome 1592) St Jerome Red chalk, 440 x 270 mm. Preparatory for a painting formerly in the Torlonia collection, now in Palazzo Barberini in Rome
Attributed works:
[W.M. Brady & Co., Inc., 3 East 76th Street, New York, New York] Giovanni Francesco Barbieri, called Il Guercino Cento 1591-1666 Bologna Saint Francis in a Landscape, Kneeling in Adoration before a Crucifix Brush and brown wash with pen and brown ink (recto); writing in pen and brown ink (verso); laid down. 9½ x 7¾ inches, 242 x 197 mm
Attributed works:
[Wallace Collection, London, UK] French Bronzes in the Wallace Collection by Robert Wenley This book is one of only a handful devoted to the subject and the first in English for many years. Featuring over fifty of the finest French bronzes in the Wallace Collection, all of them reproduced in colour, mostly for the first time.
Attributed works:
[Wallace Collection, London, UK] Richard Parkes Bonington by Stephen Duffy This publication discusses and illustrates the Wallace Collection's paintings and watercolours by Bonington, comprising of richly costumed historical scenes and views of France and Northern Italy. In colour for the first time.
Western art unattributed:
[Exh. BADA Fair, London] A George IV breakfront bookcase in finely figured mahogany. English, circa 1825.
Western art unattributed:
[Exh. BADA Fair, London] A massive brass-bound chest of Zambezi teak, from Groote Schuur, Cape Province, South Africa, circa 1909.
Western art unattributed:
[Exh. BADA Fair, London] Tin glazed Earthenware Dish. Circa 1720-40. Diameter: 30 cm (11 3/4 in).
Western art unattributed:
[Getty Publications advertisement] Elementary Instructions for Students of Sculpture A translation of Carradori's 1802 introduction to studio practices for sculpture students, considered vital to understanding the art and craft of sculpting as they were practiced before the 20th century.
Western art unattributed:
[Getty Publications advertisement] Nine Letters on Landscape Painting Written in the Years 1815-1824; with a Letter from Goethe by Way of Introduction An elegant appeal for the alliance of artistic skill, scientific observation, and emotional truth in the depiction of nature.
Western art unattributed:
[Prestel (printers) advertisement] Flora Symbolica Flowers in Pre-Raphaelite Art Debra N. Mancoff This beautifully illustrated book brings together forty outstanding examples of Pre-Raphaelite art, and looks at the meaning of flowers in all aspects of Victorian culture.
Western art unattributed:
[Prestel (printers) advertisement] Icons of Renaissance Architecture Alexander Markschies This latest volume in the popular Icons series spans the European continent to present a new look at one of the most exciting periods in architectural history.
Western art unattributed:
[Prestel (printers) advertisement] Robert Campin A Monograph and Survey of Work Felix Thürlemann This superbly illustrated volume sheds new light on the "Master of Flémalle", an artist whose importance ranks alongside that of van Eyck. Based on years of research, with many fresh attributions and a comprehensive catalogue raisonné.
Western art unattributed:
[Prestel (printers) advertisement] The Eclipse of Art Tackling the Crisis in Art Today Julian Spalding One of the art world's most outspoken critics explores the modern public's alienation from contemporary art and makes a powerful plea for the revival of communication, accessibility, and traditional skills in this field.
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Advertisements November 2001 (front)
11/2001 | 1184 | 143
Pages: i-xvi
Subjects
advertisements:
subjects:
Illustrations
Attributed works:
In Shade, Foot of Olga Gorge, Katatjuta (The Olgas), by Michael Andrews. 1987. Acrylic, 213.4 by 228.6 cm. (Private Collection; Exh. Tate Britain, London)
Attributed works:
[Bob P. Haboldt & Co., 70 rue de Faubourg Saint-Honore, Paris, France] Willem van Mieris (Leiden 1662-1747 Leiden). Joseph Interpreting the Pharaoh's Dream. Gouache on Vellum, 6 5/8 × 5½ in. (168 × 141 mm)
Attributed works:
[British Petroleum (BP) Advertisement] Collage of 4 images. Royal Opera House. National Portrait Gallery. Louise Courtnell Self Portrait (Detail) 1991. Cast Gold Mask, Quimbaya (Colombia) 600-1100AD. Singer. Sir Joshua Reynolds Self Portrait as a Deaf Man (Detail) c. 1775. Tate Britain. British Museum
Attributed works:
[Christie's, 8 King Street, London, UK] Gentile Bellini (Venice 1429-c. 1507). Cardinal Bassarion Attended by Two Monks in Prayer with the Bassarion Reliquary: Tabernacle Door for the Sala dell'Albergo of the Scuola di S. Maria dei Battuti della Carità, Venice, '1472'. Tempera with Gold and Silver on Panel. 40¼ × 14 5/8 in. (102.3 × 37.2 cm.). Estimate: £200,000-300,000
Attributed works:
[Christie's, 8 King Street, London, UK] Gustave Moreau (French, 1826-1898). Sainte Cécile (Les Anges lui annoncent son prochain martyre). Signed 'Gustave Moreau' (Lower Left). oil on Canvas. 28 3/8 x 23 5/8 in. (73.2 × 60 cm.). Painted in 1897. Estimate: £500,000-700,000
Attributed works:
[Colnaghi, 15 Old Bond Street, London, UK] Gian Paolo Panini (1691 - 1765). Study of a Bishop. Oil on Canvas: 30.5 × 16.4 cm.
Attributed works:
[De Bayser, 69 rue St Anne, Paris, France] Théodore Rousseau. Lisière de forêt à Boisrémond. 29 × 45 cm.
Attributed works:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] A Pair of William IV Soup Tureens, by Edward Barnard & Sons, London, 1831. Silver, 329 oz., 29.2 × 45.7 cm.
Attributed works:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] Chasseur Amérindien Clock, from the Model by Deverberie, French c. 1798. Patinated Bronze and Ormolu with Enamel and Pearl. 52 × 32 cm.
Attributed works:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] Dante Gabriel Rossetti (1828 - 1882), Algernon Charles Swinburne, Watercolour, 1861, The Fitzwilliam Museum, Cambridge
Attributed works:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] One of a Pair of Chamberlain's Worcester Pot-Pourri Vases and Covers, c. 1815-20, Painted with Views of Powderham Castle, Devon, and Trentham Hall, Staffordshire. ht 19 cm.
Attributed works:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] Ormolu Table Clock, by Richard Webster, London, c. 1830-40. ht.50.8 cm.
Attributed works:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] Portrait of Annie, the Artist's Daughter, by Robert Jobling (1841-1923). Oil on Canvas 64.1 × 48.3 cm.
Attributed works:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] St George, by Edward Coley Burne-Jones, c. 1887. White and Red Chalk Heightened with Body-Colour.
Attributed works:
[Ian Spencer Antiques, Ltd., The Barn, Princes House, Peasemore, Berkshire, UK] A Cloth of Gold. A 14th/15th Century Double Sided Processional Banner Originating from the German Principalities. Dimensions 58 cm by 47 cm
Attributed works:
[Museo Thyssen-Bornemisza, Paseo del Prado, 8. Madrid, Spain] Pablo Picasso. Tico Women Running on the Beach (The Race), 1922.
Attributed works:
[Phillips International, 101 New Bond Street, London, UK] A Fine Early 18th Century Silvered and Japanned Serpentine Commode, Possibly Piedmontese. Estimate: £30,000-40,000
Attributed works:
[Phillips International, 101 New Bond Street, London, UK] Eugène Delacroix (1798-1863). Hamlet Tries to Follow His Father's Ghost. Stamped E. D. Lower Right. Pencil, 31 × 21 cm. Estimate: £8,000-12,000
Attributed works:
[Simois Gestion de Arte, Salustiano Olozaga 5, Madrid 28001, Spain] Juan de la Vega Ventura. Still Life. Madrid, ca. 1660
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] The Gelmhan Hall State Bed. Circa 1680-90. The Hangings attributed to Francis Lapiere. The frame attributed to Thomas Roberts.
Attributed works:
[Stair Sainty Matthiesen, 22 East 80th Street, New York, New York] Gustave Courbet. Ornans 1819 - 1877 La Tour-de-Peitz. Vue d'une mer agitée près d'une falaise. Oil on Canvas: 24 × 31 7/8 ins. 61 × 81 cm. Signed Lower Right: G. Courbet
Non-western art unattributed:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] Doucai Saucer Dish, Yongzheng Mark and Period, 1723-25. Porcelain, Width 15.6 cm.
Western art unattributed:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] Escritoire, Danish, Signed and Dated 1827. Mahogany and Brass, 142.7 × 121.8 × 55.9 cm.
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Advertisements July 2001(front)
07/2001 | 1180 | 143
Pages: i-xii
Subjects
advertisements:
artists:
subjects:
Illustrations
Attributed works:
Portrait of Francis Basset, Later Baron de Dunstanville, by Pompeo Batoni. 1778. 221 by 157 cm. (Museo del Prado, Madrid)
Attributed works:
[Charles Ratton & Guy Ladriere, 14, rue de Marignan and 11, quai Voltaire, Paris, France] Giovanni Domenico Porta (1722-1780). A Portrait of Cardinal Bufalini. Oil on Canvas, 98.5 × 74 cm. Signed on the Letter, with the Sitter's Name Inscribed. Signed and Dated 1766 on the Verso.
Attributed works:
[Colnaghi, 15 Old Bond Street, London, UK] Giuseppe Porta, Called Giuseppe Salviati (c.1520-c.1575) The Queen of Sheba Presenting Gifts to King Solomon Pen and Brown Ink and Brown Wash, Heightened with White, on Blue Paper. 194 × 271 mm. (7 5/8 x 10 5/8 in.)
Attributed works:
[Dover Street Art Gallery, 13 Dover Street, London, UK] Jakob-Philipp Hackert (1737 Prenzlau - San Pietro di Careggi 1807), A View of the Roman Campagna by the Appian Way, Oil on Copper, 13¼ × 21¼ in, 34.9 × 53.6cm, Signed, Inscribed and Dated 'P. Hackert f./à Rome. 1781/via...'
Attributed works:
[Exh. Chris Beetles Ltd., 8/9 Ryder Street, London, UK] Filippo Lauri (Rome 1623-1694) And Viviano Codazzi Architecture (Bergamo 1603 - Rome 1672). Adoration of the Magi. Oil on Copper, 46 × 37.5 cm.
Attributed works:
[Julia Bennett, Flemings Hill Farm, Great Easton, Great Dunmow, Essex, UK] Attributed to Herman van der Myn (Mijn). Born Amsterdam 1684 - Died London c. 1741. Fine Portrait of a Child in a Blue Dress, Holding a Rose and Standing with a Dog beside a Floral Display. c. 1720. Oil on Canvas 50 by 40 Inches
Attributed works:
[Matthiesen, 7/8 Mason's Yard, Duke Street, London, UK] Girolamo Romanino 1484/5-1560, Christ and the Woman Taken in Adultery. Oil on Canvas, 51 × 64 in.
Attributed works:
[Mia N. Weiner, Mountain Road, Norfolk, CT, USA] Vision of the Madonna and Child Appearing to San Filippo Neri. Oil on Copper. 15 5/8 x 11 5/8 inches (395 × 295 mm). Ludovico Stern. 1709 - Rome - 1777
Attributed works:
[Robert Simon Fine Art Art, Inc., Satis House, Tower Hill Road, London, UK] Lorenzo Lotto (Venice ca. 1480 - Loreto 1556). Holy Family with St. Catherine of Alexandria. Oil on Canvas, 33½ × 43¼ Inches (85 × 110 cm). Signed: L. Lotvs
Western art unattributed:
[Exh. Biennale Internazionale dell 'Antiquariato Firenze] Veduta di una Parte di Lung 'Amo dalla parte opposta al Palarro del Sig 'P' Corsini.
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Advertisements June 1996 (front)
06/1996 | 1119 | 138
Pages: i-xliv
Subjects
advertisements:
subjects:
Illustrations
Attributed works:
[ Asprey, 165-169 New Bond Street, London ] A Magnificent Pair of Perfume Vases. Chelsea (Gold Anchor Mark) Circa 1760. Height 15 ins (38 cms).
Attributed works:
[ Bassenge Art and book auctions, Erdener Strasse 5A, Berlin - Grunevald ] Adolph von Menzel (1815 Breslau - 1905 Berlin). Portrait of a Young Lady. Pencil Drawing. 31 × 24 cm. Signed and Dated: A. Menzel 31 Juli 1874. Hofgastein.
Attributed works:
[ Charles Ratton & Guy Ladrière, 14 rue de Marignan and 11 quai Voltaire, Paris ] Girolamo della Robbia (1488-1566). Glazed terracotta bust of a Man. Provenance: Château d'Assier, near Figeac, France. Height: 47cm
Attributed works:
[ Christie's, 8 King Street, St James, London ] Michele Marieschi (1710-1743), A Panoramic View of the Bacino di S. Marco Oil on Canvas, 37½ × $70frac{3}{8}$ in. (95.2 × 178.7 cm.)
Attributed works:
[ Colnaghi, 14 Old Bond Street, London / 21 East 67th Street, New York ] Hubert Robert. 1733 - Paris - 1808. A Romantic Landscape with a Waterfall and Castle. Oil on Canvas: 124.6 × 194.9 cms
Attributed works:
[ Daniel Katz Ltd, 59 Jermyn Street, London ] Giovanni Francesco Rustici. (Florence 1474 - 1554 Tours). A Rivergod Terracotta Size: 32cm × 31.5 cm
Attributed works:
[ Derek Roberts Fine Antique Clocks, 25 Shipbourne Road, Tonbridge, Kent ] Thomas Tompion No 205, Circa 1697. An Excellent Example of the Work of England's Finest Clockmaker. We Carry an Extensive Collection of Clocks of Most Types, Including Longcase, Bracket, Wall Carriage, Skeleton and Precision Pendulum Clocks.
Attributed works:
[ Hazlitt, Gooden & Fox, 38 Bury Street, St James, London ] Paul Elie Ranson 1864-1909. Vanité. Pen and Ink on Buff Paper, 22 × 24.3 cm. Signed with Initials; with the Nabi Sign Datable Circa 1892
Attributed works:
[ Hill-Stone, New York ] After Pieter Brueghel, the Elder c. 1525 - 1569. Three Men of War in a Tempest, Sailing to the Right. Engraving, by Frans Huys; c. 1570. Bartsch 105, Hollstein 105, the First State of Two before the Removal of Cock's Address. Watermark: Pot, Similar to Briquet 12637 (Datable c. 1561 - 63). A Very Fine Impression Printed in Dark Brown Ink.
Attributed works:
[ Joanna Barnes Fine Arts, 14 Mason's Yard, Duke Street, St. James, London ] Head of Christ by Pierre Puget (1622-1694). Marble H. 40 cm.
Attributed works:
[ Mallett & Son Antiques Ltd, 141 New Bond Street, London ] A Vary Rare Tapestry Sofa Seat by Morris & Co in the Swirling Acanthus Pattern, with Lilies at the Centre. English, Circa 1910. 34 × 98 in (86 × 249 cm)
Attributed works:
[ Mallory of Bath, E. P. Mallory & Son Ltd, 1-4 Bridge Street, Bath ] Pair of Fine Antique Silver Tea Caddies. Engraved Crest below a Barons Coronet. London George III 1818. By Wm Elliott. 25o/s. Approximately $3frac{3}{4}$ × $2frac{3}{4}$ × 3″ (Excluding Baluster Finials).
Attributed works:
[ Museo Thyssen Bornemisza, Madrid ] Paul Gauguin 'Allees et Venues, Martinique'
Attributed works:
[ Olimpia Theodoli, 55 Cambridge Street, London ] Jacques Callot (1592-1635) Cap.Mala Gamba - Cap.Bellavita. Etching. Lieure 393, First State of Two from the Balli di Sfessania
Attributed works:
[ Paul Prouté S. A., 74 rue de Seine, Paris ] Henri Martin (1860 - 1943). Two Standing Men, and a Detail of Feet. Charcoal, 592 × 243 mm, Signed with the Artists Initials Inscribed "pour la Sorbonne".
Attributed works:
[ Phillips, 101 New Bond Street, London ] Charles François Grenier de la Croix, Called Lacroix de Marseilles (Active Circa 1750-1782), A Mediterranean Harbour Scene, Signed and Dated 1759, Oil on Canvas, 97 cm × 137 cm. Estimate: £100,000-£150,000
Attributed works:
[ Phillips, 101 New Bond Street, London ] Claude Gellée, Called Claude Lorrain, (1600-1682). "A River Scene with Figures Loading a Barge", Pen and Brown Ink with Brown and Grey - Brown Wash, 126mm × 91 mm (Shown Actual Size). Estimate: £7,000-£10,000
Attributed works:
[ Richard L. Feigen & Company, 49 East 68th Street, New York ] Jean-Baptiste Camille Corot, Civita Castellana in the Mountains, Circa 1826-1827, Oil on Canvas, 24.8 by 39.2 cm. Lower right: "Vente/Corot"
Attributed works:
[ Sotheby's, 34-35 New Bond Street, London ] Antonio Canova (1757-1822). The Recently Discovered "Amorino" Commissioned by and Executed in Marble for John David La Touche, Son of the Irish Banker, Rome, 1790, 172cm High (Excluding Base). Estimate on Request.
Attributed works:
[ Sotheby's, 34-35 New Bond Street, London ] Francisco José Goya y Lucientes. Fuente de Todos 1746-1828 Bordeaux, Death of a Picador. Oil on Tinplate, 43 × 31,9 cm. From the Collection Formed by the British Rail Pension Fund. Estimate: £1,000,000-1,500,000
Attributed works:
[ Sotheby's, 34-35 New Bond Street, London ] Hans Memling, Seligenstadt c. 1440-1494 Bruges, Mater Dolorosa, Oil on Panel, 52.2 × 37.7cm. Estimate: £600,000-800,000.
Attributed works:
[ Sotheby's, 34-35 New Bond Street, London ] Pieter de Hooch, Rotterdam 1629-After 1683 Amsterdam. A Maid with a Broom and a Pail in a Sunlit Courtyard, Signed with Initials Lower Right: P. D. H. Oil on Canvas, 48.2 × 42.9cm. From the Fattorini Collection. Estimate on Request.
Attributed works:
[ Sotheby's, 34-35 New Bond Street, London ] Taddeo Zuccaro, Study of a Woman and Child, Red Chalk, a Separate Study in Pen and Brown Ink, 294 mm × 230 mm. From the Collection at Corsham Court. Estimate: £60,000-80,000.
Attributed works:
[ Tate Gallery Millbank, London (sponsored by BP) ] René Magritte, Man with a Newspaper, 1928
Attributed works:
[ The Grosvenor House Art & Antiques Fair, Park Lane, London ] A Fine Chippendale Period Carved Gilded Looking Glass. English, 1765. Height: 54 in (137 cm) Width: 26½ in (67 cm)
Attributed works:
[ The Grosvenor House Art & Antiques Fair, Park Lane, London ] A magnificent English George III commode in the manner of John Cobb. Executed in selected, faded mahogany, inlaid with oval panels of West Indian satinwood, the panels inlaid with floral marquetry, the sides still retaining the original carrying handles, the sabots to the feet also original. Circa 1765-70. Height: 37 in (97 cm) Width: 45½ in (116 cm) Depth: 24 in (61 cm)
Attributed works:
[ The Grosvenor House Art & Antiques Fair, Park Lane, London ] A Mediterranean Harbour Scene; Morning Claude Joseph Vernet. (1714 Avignon - Paris 1789) Signed and Dated Roma 1745. Oil on Canvas. $34frac{3}{4}$ × 47¼ in (88.2 × 120 cm).
Attributed works:
[ The Grosvenor House Art & Antiques Fair, Park Lane, London ] John Everett Millais (1829-1896). Alexander Munro (Inverness 1825-Cannes 1871). Plaster. Signed with Monogram.
Attributed works:
[ The Grosvenor House Art & Antiques Fair, Park Lane, London ] The Battle between Carnival and Lent Pieter Breughel the Younger. Oil on Canvas. Circa 1564 - Antwerp - 1637/8. 47 × 66½ in (119.5 × 169 cm).
Attributed works:
[ The Hellenic Centre, 16/18 Paddington Street, London ] Machos, Signs of Aproaching Rain, 1961. Oil on Canvas, 74 × 102 cm.
Attributed works:
[ The Matthiesen Gallery, 7-8 Mason's Yard, Duke Street, St James, London ] Giovanni del Biondo. Florence Active c. 1356-1398. The Funeral of St. Benedict. Tempera and Gold on Panel: 32 × 35 cm
Non-western art unattributed:
[ Cover ] The Crucifixion, Detail of a Tablet-Woven Silk Curtain. Ethiopian, c.1730-38. (Royal Ontario Museum, Toronto)
Non-western art unattributed:
[ Grace Wu Bruce, 701 Universal Trade Centre, 3 Arbuthnot Road, Hong Kong ] Huanghuali Wood Qiaotouan Table. w 226.1 cm d 43.2 cm h 82.6 cm. Chinese, Ming Dynasty, Late 16th to Early 17th Century
Non-western art unattributed:
[ Linda Wrigglesworth, 34 Brook Street, London ] 'Undercover in Japan'. Japanese Futon Covers, Furoshiki, Yogi & Fukusa. Edo & Meiji Period, 1700-1912
Non-western art unattributed:
[ Michael Sim, Royal Parade, Chisleyhurst, Kent ] A Chinese Kangxi period vase. Height 12½″. A mid-18th century stick barrometer by John Bird, Sea Quadrant, Strand. One of his instruments is described by Roger Pickering in Philosophical Transactions, Vol.43 No.473, p.5 (1744). From a selection of English and French carriage clocks; makers include Viner and Cole. A Chippendale period mahoganny secretaire, similar in proportions to the recently announced Osterley example. Width 2′ 6″; height 3′ 8″; depth 16″. Circa 1770. John Dwerrihouse, Berkeley Square, London. A neoclassical longcase clock of the model most often associated with Benjamin Vulliamy. The case was made by Joseph Rich, Vulliamy's cabinet maker. circa 1800.
Non-western art unattributed:
[ Sam Fogg, 35 St. George Street, London ] The Life of Mäba's S'eyon. Manuscript on Vellum with 82 Full Page Paintings. Gondar, Ethiopia. Early 18th Century. From the Library of Emperor Tewodros II at Magdala. In 1898 a Full Facsimile of the Manuscript was Published by E. A. Wallis Budge.
Non-western art unattributed:
[ The Grosvenor House Art & Antiques Fair, Park Lane, London ] A Blue and White Porcelain Ewer in the Shape of a Standing Crayfish. Standing on a Base with Flowers. Chinese, Wanli Period (1573-1619) Late 16th Century. Porcelain with Underglaze Decoration in Blue. Height: $6frac{3}{4}$ in
Non-western art unattributed:
[ Wiener Kunst Auktionen, Kärntnerringhof, Kärntner Ring 5-7, Vienna ] Suzani Lakai Embroidery Usbekistan, 2nd Half of 19th Century, Silk on Silk Emproidered, 136 × 176 cm. US$ 9,000 - 12,000
Non-western art unattributed:
[Eskenazi Oriental art, 10 Clifford Street, London ] Bronze Stallion. Late Eastern Zhou - Early Western Han Period, 3rd - 2nd Century BC. Height: 16.3cm
Western art unattributed:
[ Annie Trotter Ancient Art, Stand L22, Grays Mews Antique Market, 1-7 Davies Mews, London ] Cypro-Mycenaean Piriform Storage Jar, 1300-1200 B. C.
Western art unattributed:
[ Aubrey Brocklehurst, 124 Cromwell Road, London ] Fine Quality Tubular Chime Longcase Clock in a Mahogany Veneered Case. Late 19th Century. Height 7′ 9″ (236 cms)
Western art unattributed:
[ C. John, 70 South Audley Street, London ] A Magnificent Brussels Renaissance Tapestry Depicting the Opposing Armies of Scipio and Hannibal. Circa 1600. Silk and Wool. In Excellent Condition. Height 343 cm (135 in). Width 320 cm (126 in).
Western art unattributed:
[ Daniel Katz Ltd, 59 Jermyn Street, London ] Florence, Italy Late 17th Century Laocoön Group Bronze Height 57 cm
Western art unattributed:
[ Douglas Bryan, The old bakery, St. David's Bridge Cranbrook Kent ] A Rare Pine and Oak Court Cupboard with Paint Decoration. Circa 1650. Height: 65″ (165 cm) Width 57″ (145 cm) Depth 20″ (51 cm).
Western art unattributed:
[ Jeanette Hayhurst, 32A Kensington Church Street, London ] A Group of Early 18th-Century English Glasses.
Western art unattributed:
[ Laurie Leigh 32 High Street, Oxford ] English 18th & 19th Century Wine Glasses and Tableware.
Western art unattributed:
[ Mark J. West, 39 B High Street, Wimbledon Village, London ] A Large Crystal Champagne Jug and Two Goblets, Engraved All over with Stars and on One Side with the Crest of the Prince of Wales (The Three Ostrich Feathers and above the Motto 'Ich Dien) and on the Reverse with the Arms of the City of London (A Wing and Cross of St George above the Motto 'Domine nos Dirige). Height (jug) 31.7 cm (12½ in).
Western art unattributed:
[ Norman Adams, 8-10 Hans Road, London ] A Fine Large George II Carved Wood Gilt Mirror of Bold Design. Circa 1735. Height 62 ins (158 cms). Width 36 ins (92 cms).
Western art unattributed:
[ Somerbale Antiques, 6 Radstock Road, Midsomer Norton, Bath ] Fine Beilby Wine Glass. The Ogee Bowl Enamelled in White with the Fruiting Vine Motif. Traces of a Gilt Rim on a Stem with a Double Series Opaque Twist. Plain Conical Foot. Height: 15.2cm. c. 1770
Western art unattributed:
[ Sotheby's, 34-35 New Bond Street, London ] A large and fine gilt copper and cloisonné enamel reliquary chasse commemorating the Martydom, Burial and Ascent of the soul of Saint Thomas à Becket. Limoges, circa 1195, 30.5cm × 29.9cm × 11.4cm. From the Collection formed by the British Rail Pension Fund. Estimate on request.
Western art unattributed:
[ The Grosvenor House Art & Antiques Fair, Park Lane, London ] A George III Satinwood Display Cabinet. English. Circa 1780. Height: 82 in (208 cm) Width: 45 in (114 cm) Depth: 22½ in (57 cm)
Western art unattributed:
[ The Grosvenor House Art & Antiques Fair, Park Lane, London ] A pair of Brighton Pavilion jardinières. A unique pair of hexagonal jardinières, standing on simulated bamboo columns and curved platform bases with painted fretwork in red and green with pink and red hanging bells to the corners. Original paintwork. Wood (beech and pine). English, circa 1802. Height: $33frac{3}{4}$ in (86 cm)
Western art unattributed:
[ The Grosvenor House Art & Antiques Fair, Park Lane, London ] A pair of ovoid-shaped porcelain vases with wide curved necks and mask-headed handles, the spreading foot on square bases and plinths, lavishly decorated with a rare variety of flowers and birds on a white ground. Bearing the blue mark JP en bleu grand feu sous émail. French, circa 1840 Height: 28 in (71 cm) Length: 13 in (33 cm) Depth: 8½ in (21 cm).
Western art unattributed:
[ William H. Stokes, the Cloisters, 6/8 Dollar street, Cirencester, Gloucestershire ] Small English Boarded Chest with Chip-Carved Decoration to the Front. Oak, Early 16th-Century. $28frac{3}{4} text{ins}times 16frac{3}{4}$ ins × 21½ ins High.
Western art unattributed:
[Gerald E. Marsh Antique Clocks Ltd., 32a The Square, Winchester, Hants ] J. S. Chauvet, Paris. A Louis XV longcase clock of superb quality, veneered in tulip wood and king wood with ormolu mounts. The movement with Dead Beat escapement, striking the hours and half hours, the dial indicating the time, seconds, date, month and moon phases. Height: 6 feet 11 inches.
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Advertisements January 1988 (Front)
01/1988 | 1018 | 130
Pages: i-xxiv
Subjects
Illustrations
Attributed works:
[Armin B. Allen, 3 Bury Street, London] A Rare Holitsch Faiënce Centerpiece. Circa 1760, Height 11¼ Inches.
Attributed works:
[Asprey, 165-169 New Bond Street, London] A Charles II Tankard, Makers Mark R. N., London 1678. 6¼″ High. 24 07.
Attributed works:
[Bankside Gallery, 48 Hopton St., London] The Wave, by Jacqueline Rizvi R. W. S. Watercolour and Bodycolour, 14″ by 19½″.
Attributed works:
[Bourne Fine Art, Duke St., London] Cellardyke, by Sam Bough R. S. A. (1822-78). Watercolour, Signed and Dated 1875, 13½″ by 19″.
Attributed works:
[Colnaghi, 14 Old Bond St., London] A View of Windsor from the Thames, by William Evans of Eton (1798-1877), Pencil and Watercolour Heightened with White, 11½″ by 17½″.
Attributed works:
[Colnaghi, 14 Old Bond Street, London] Jean-Baptiste Santerre Magny-en-Vexin (Pontoise) (1651) - Paris, (1717). A Young Girl Beckoning, Canvas: 79.5 × 64 cms. Signed and Dated on Letter: Santerre 1703.
Attributed works:
[David Carritt Limited, 15 Duke Street, London] John Martin. Sadak in Search of the Waters of Oblivion. 1812. Oil on Canvas 72 × 49½in
Attributed works:
[Frederick Cummings, 146 West 57th Street, New York] Gustave Courbet (1819-1877). Seated Male Figure, Called 'The Gaul'. Black Chalk on White Paper (With Touches of Red Chalk). 24⅜ × 19 in.; 62 × 48 cm.
Attributed works:
[Heim Gallery (London) Limited, 59 Jermyn Street, London] Philippe Mercier Berlin 1689-1760 London. A Concert. Oil on Canvas. 96.5 by 127 cm
Attributed works:
[J.S. Maas & Co. Ltd, New Bond St., London] Portrait Head of Beatrice Stuart, by Sir Frank Dicksee P. R. A. (1853-1928). Pencil, Signed and Dated, 1912. 10⅞" by 7¼″.
Attributed works:
[James MacKinnon, 17 Savile Row, London] Portrait of a Gentleman, by Antoine-Pierre Mongin (1761-1827), Charcoal. 16½″ by 14″. Signed and Dated.
Attributed works:
[Jean Willems, rue Ernest Allard 5, Brussels] Giovanni-Paolo Lomazzo, Milano 1538-1600. 'Study for an Apostle'. Black Chalk Heightened with White on Blue Paper Squared with Red Chalk 328 × 248 mm. Watermark: Hand
Attributed works:
[Marlborough Fine Art (London) Ltd, 6 Albemarle Street, London] Pearl One 1987. Oil on Canvas 94 × 84in./238.8 × 213.4 cm.
Attributed works:
[Martyn Graham, 34 Bury St., London] Brahmin Bull in a Landscape, by John Collet (c. 1725-1780).
Attributed works:
[Matthiesen Fine Art Ltd, 7-8 Mason's Yard, Duke Street, London] Gentileschi St Francis Receiving the Stigmata
Attributed works:
[Oscar and Peter Johnson Limited, 27 Lowndes St., London] A View of Oxford from Boar's Hill, by Philip Henry Delamotte, Watercolour, 12¼″ by 16½″, Framed.
Attributed works:
[Piero Corsini Inc., 162 East 63rd Street, New York] Guido Reni Bologna, 1575-1642. The Penitent Magdalene. Oil on Canvas, 35¾ x 29¼ Inches (90.5 × 74.4 cm.) Formerly in the Collections of Cardinal Flavio Chigi and Lord Kinnaird of Rossie Priory. Acquired By The Walters Art Gallery, Baltimore
Attributed works:
[Richard L. Feigen Company, 113 East 79th Street, New York] Richard Parkes Bonington, 'Disguised: Quentin and Louis XI (Walter Scott, Quentin Durward),' 1826, Pencil and Watercolour on Paper, 5¾ Inches by 4¼ Inches (14.6 by 10.8 cm) Signed and Dated, Lower Left: 'RPB 1826'
Attributed works:
[Spencer A. Samuels Gallery, 39 East 72nd Street, New York] Massimo Stanzione (1585-1656). Adoration of the Magi. Oil on Canvas. 97 by 62 Inches. Signed with Monogram: MX
Attributed works:
[Stephen Somerville Ltd, 40 Warwick Avenue, London] Windy Morning, by Sir George Clausen R. A. (1852-1944). Watercolour and Bodycolour on Wove Paper, 250 by 314 mm. Signed in Pen and Black Ink.
Attributed works:
[Stoppenbach & Delestre Ltd, 25 Cork St., London] Self-Portrait, by Jules Adolf Aimé Louis Breton (1827-1905). Charcoal and Pencil, 44 by 30 cm, Signed Lower Centre.
Attributed works:
[Wartski, 14 Grafton Street, London] Carl Faberge. The Double Opening Matt Gold Case Is Decorated with a Greek Key Pattern in Black Enamel Set with Rose Diamonds and Brilliant Diamonds Weighing Approximately a Carat Each. The Thumbpush Is Also Set with Rose Diamonds. Signed Fully Fabergé and Bearing the Gold Standard 56. Moscow c. 1900.
Attributed works:
[William Drummond, Ryder St., London] Studies of a Young Woman Looking over Her Left Shoulder. 1890 by Adolf von Menzel, Breslau (1815-1905) Berlin. Black Chalk, 14 by 11 cm, Signed with Monogram and Dated Lower Right. 'A. M. 90′.
Non-western art unattributed:
[Michael B. Weisbrod Inc., 987 Madison Avenue, New York] Ritual Bronze 'Jia' Vessel. Shang Dynasty. 13th-12th Century BC. Height: 19¼ in. (49.0 cm)
Western art unattributed:
[Athenaeum, 5 Avenue Princesse Alice, Monte Carlo] Lombardy. End XIVth/Beginning XVth Century. Height: 20.5 cm. Width: 15 cm.
Western art unattributed:
[Edward R. Lubin, 3 East 75 Street, New York] A Green-Tinted Puzzle Goblet (Scherzgefass), German, 17th Century. Height: 13½ Inches (35 cm.).
Western art unattributed:
[Kimbell Art Museum, 3333 Camp Bowie Boulevard, Fort Worth, Texas] On the Cover: (Front) Detail. Michelangelo da Caravaggio. The Cardsharps, c. 1594-95: (Back) Kimbell Art Museum, View to the North from Conservation Studio: Inside Spread. Kaikei, Standing Shaka Buddha, c. 1210.
Western art unattributed:
[Phillips, Blenstock House, 7 Blenheim Street, New Bond Street, London] Fine George III Mahogany Octagonal Rent Desk, Sold Recently at Phillips for £36,000.
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06/1986 | 999 | 128
Pages: i-xxxii
Subjects
advertisements:
advertisements:
advertisements:
artists:
artists:
Illustrations
Attributed works:
Detail from The Meeting, by Fragonard. (Frick Collection, New York).
Attributed works:
[Adolphe Sten at Douwes Fine Art Gallery, 38 Duke Street, London] Hubert Robert The Capitoline Hill with the Steps of Santa Maria in Aracoeli Red Chalk. 326 by 454 mm. Dated 1762. One of a Series of Roman Views, All Executed in 1762. Another of the Palazzo de' Senatori is in the Louvre (inv. R. F. 785).
Attributed works:
[Agnew, 43 Old Bond Street, London] Simon Vouet 1590-1649. Allegory of Fortune Canvas: 59 × 46 ins
Attributed works:
[Brod Gallery, 24 St. James's Street, London] Philippe de Champaigne Brussels 1602-1674 Paris The Visitation. Oil on Canvas 79×102 cm (31×40 ins)
Attributed works:
[Chaucer Fine arts & Galleria Gasparrini, 45 Pimlico Road, Palazzo Ruspoli, via Fontnella Borghese, Rome] Claude Lorrain Chamagne 1600 — Rome 1682. Wooded Landscape with a Brook. Canvas, 99 × 149 cm. Signed
Attributed works:
[Chaucer Fine arts & Galleria Gasparrini, 45 Pimlico Road, Palazzo Ruspoli, via Fontnella Borghese, Rome] Eliseo Sala Milan 1813 — Bancate di Brianza 1879. The Morning Toilet. Canvas, 166 × 127 cm. Signed
Attributed works:
[Colnaghi, 14 Old Bond Street, London] Camillo Procaccini Bologna 1546—Milan 1629. The Transfiguration. Etching. First State of Two. (572 × 345 mm)
Attributed works:
[Conway Maritime Press Ltd, PO Box 10, Teignmouth] Conway's Marine Artists. Nicholas Pocock 1740-1821. 240 × 184mm (9½″ × 7¼″), 128 Pages, 65 Photographs, Eight-Page Colour Section. ISBN 0 85177 X. £12.95 (+ £1.94 Post and Packing When Ordering Direct).
Attributed works:
[Danielle Harrison Gallery, 68 Prince's Gate Mews, London] Tony Pilbro 'Adam & Eve' 1986. Oil on Canvas 60″ × 39″ 152 × 99 cm
Attributed works:
[Galerie Schmit, 396 rue Saint Honore, Paris] Picasso "Couple d'Espagnols"; Pastel 15 ¾ x 19 ⅝ Inches - Executed in Barcelona during the Summer 1900.
Attributed works:
[Galleri K Bjørn, Farmannsgt 6, Oslo] Edvard Munch, Zum Walde (Schiefler 444), Woodcut Printed in Six Colours. A Fine Impression of This Very Rare Print.
Attributed works:
[Gallery Lingard, 50 Pall Mall, London] G. E. Street 1824-1881 A Travel Sketch of Bruges 1868. Watercolour over Pencil 9 × 11¼ Inches (22.9 × 28.6 cms)
Attributed works:
[Giacomo Algranti Ltd, 66 Westbourne Terrace, London] Pieter van Boucle (Antwerp[?] Early 17th Century - Paris 1673). Still Life with Game. Oil on Canvas, 116 × 189cm
Attributed works:
[Hazlitt, Gooden & Fox, 38 Bury Street, London] Charles-Etienne Leguay 1762-1846. Portrait of a Woman. Black Chalk, Estompé, Slightly Heightened with White, 22.8 × 18.2 cm
Attributed works:
[Johnny van Haeften, 13 Duke Street, London] Jan Fris (c. 1627 - Amsterdam - 1672). A Vanitas with a Skull, Plumed Helmet, Bullae and Musical Instruments. Signed and Dated 1670. On Canvas. 53½ × 44½ ins.
Attributed works:
[Marlborough Fine Art Ltd, 6 Albemarle Street, London] Oskar Kokoschka (1886-1980) Reclining Girl c. 1920 Watercolour 20 × 27 in/50.8 × 68.6 cm
Attributed works:
[Matthiesen, 141 East 69th Street, New York] Michiel Sweerts Brussels 1624—Goa 1664. Mars Destroying the Arts. Canvas: 69 × 51 cm
Attributed works:
[Pelham Galleries, 163 & 165 Fulham Road, London] A Fine George III Tortoise-Shell and Ormolu Mounted Bracket-Clock by John Marriott Striking the Hours and Quarter and Playing Six Tunes. The Music and Automaton with Pull-Repeat. London, Circa 1765. Height: 21 Inches (53 cm)
Attributed works:
[Phillips, 7 Blenheim Street, London] Henri Matisse, Lead Pencil on Paper, Signed and Dated 41, 12½″ x 17″ (32 cm × 43 cm), Certificate Margherite Duthuit. Estimate: £40,000-£50,000 ($60,000-$75,000).
Attributed works:
[Richard L. Feigen & Company, 113 East 79th Street, New York] Thomas Gainsborough, "Mrs Philip Dupont," Circa 1779 Oil on Canvas, 77.5 by 64.4 cm
Attributed works:
[Sotheby's, 34-35 New Bond Street, London] Luca Giordano, Lucretia, Oil on Canvas, 120 × 95 cm. Estimate: £60-80,000.
Attributed works:
[Sotheby's, 34-35 New Bond Street, London] Théodore Gericault, A Portrait of a Young Man, Oil on Canvas, 45.5 × 36.5 cm
Attributed works:
[Stoppenbach & Delestre, 25 Cork Street, London] Nicolas Didier Boguet (1755-1839) Vue de Frascati Oil on Canvas, Signed and Dated 1812 22½×39 in 57.2×99.1 cm
Attributed works:
[Stoppenbach & Delestre, 25 Cork Street, London] Nicolas Didier Boguet (1755-1839). Vue du Frascati Oil on Canvas, Signed and Dated 1812 22½ × 39in 57.2×99.1 cm
Attributed works:
[The Fine art Society, 148 New Bond Street, London] Richard Garbe. The Mummer. Height 20½ ins. (52.1 cm.)
Attributed works:
[Wildenstein, 147 New Bond Street, London] William Blake, The House of Death, c. 1795 480 by 603 mm Colour-Print, Finished in Pen, Chalk and Watercolour, Heightened with White
Non-western art unattributed:
[Eskenazi, Foxglove House, 166 Piccadilly, London] Seated Wood Figure of Guanyin 13th Century Height: 86cm
Non-western art unattributed:
[F. Dörling, Neuer Wall 40/42, Hamburg] Meiping Vase. China 15th Century. Ht. 36.5 cm.
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11/1985 | 992 | 127
Pages: i-liv
Subjects
advertisements:
advertisements:
advertisements:
Illustrations
Attributed works:
[Adolphe Stein c/o Vic Pearson & Co Ltd, 7 Munton Road, London] Giovanni Battista Piranesi Title? Boy Standing. Pen and Brown Ink 90 × 108 × 58 mm
Attributed works:
[Agnew, 43 Old Bond Street, London] Giovanni Battista Foggini (1652-1725), Studies of the Mocking of Christ. Pen and Ink and Wash, 295 × 212 mm
Attributed works:
[Alan Jacobs Gallery, 8 Duke Street, London] Oil on Canvas. Jan Siberechts, Antwerp 1627-c1703 London. 88 × 130 cms
Attributed works:
[Annamaria Edelstein at Robin Symes, 94 Jermyn Street, London] Ferrau Fenzoni. Faenza 1562-1645 Two Studies of Male Nudes: St Sebastian. Pen and Brown Ink over Black Chalk. 236 by 178 mm
Attributed works:
[Arnoldi-Livie, Maximilianstr. 36, Munich] Giovanni Paolo Schor 1615-1674, "Design for the Back of a Coach for the Spanish Ambassador in Rome with the Arms of Castile and Habsburg." 1673. Pen and Brown Ink with Grey Wash. 29.5 × 20 cm. Inscribed and Dated by the Artist: "facta per il S. marches de Lice Amb. Ventino di Spagna - l'anno 1673"
Attributed works:
[Artemis Fine Arts (UK) Ltd, 15 Duke Street, London] Rembrandt Harmensz. van Rijn, The Entombment, c. 1654, B.86, First State, Etching and Drypoint on Thin Oriental Paper, 212 × 163 mm., ex-colls. K. E. von Liphart, Carl Schlösser, Edward Smith, Paul Davidsohn and E. A. Seasongood.
Attributed works:
[Belle Etage, Mahlerstraße 15, Vienna] Display Cabinet. Height 191 cm, Width 90 cm. Designed by Otto Prutscher and Erwin Puchinger; Manufactured by S. Oppenheim. Exh. Winterausstellung des Österreichischen Landesmuseums 1901. Lit., Das Interieur, 1901.
Attributed works:
[Berko in Art Gallery, Berko-Kustlaan, Belgium] Charles Verlat (1824-1890). Canvas: 118 × 75 cm. Signed
Attributed works:
[Berlinghof Kunstauktionshaus GmbH, Zwingerstr. 18, Heidelberg] Easter Egg, Moscow, about 1905, Plique á Jour-Enamel, Made by the Master Iwan Petrowitsch Chlebnikow DM 85.000
Attributed works:
[C.G. Boerner, Kasernenstrasse 13, Dusseldorf] D. M. Canuti (1620 Bologna-Rome 1684). Red Chalk and Brush in Brown and Rose, Heightened with White. 256: 350 mm.
Attributed works:
[Cailleux, 136 Faubourg Saint Honoré, Paris] François Boucher "Les Grâces au tombeau de Watteau". Red Chalk. 255 mm × 215 mm. Engraved by Boucher in Reverse for the Title Page of Figures de Différents Caractères. (1728)
Attributed works:
[Colnaghi Usa Ltd, 26 East 80th Street, New York] Francesco Solimena 1657-1747, St. Peter. Oil on Canvas 39¼ × 28½ ins.
Attributed works:
[Colnaghi, 14 Old Bond Street, London] Pier Francesco Mola (Rome 1612-1666), Study of a Cellist. Red Chalk and Red Wash. 270 × 190 mm
Attributed works:
[David Jones, 109 rue Cardinet, Paris] Giovanni Maria Morandi Florence 1622-Rome 1717. "Death of the Virgin" Black Chalk with Brown and Grey Wash, Squared in Black Chalk. 28 cm × 41 cm. A Drawing Related to the Painting "Death of the Virgin" in S. Maria della Pace, Rome.
Attributed works:
[David Koester, 37 Talstrasse, Zurich] David Teniers, the Younger. Signed. Panel, 21 × 16 cm
Attributed works:
[Dorotheum Kunstpalais, Dorotheergasse 11, Vienna] Egon Schiele, 48,2 × 31,8 cm, Rufpreis: öS 800.000,-
Attributed works:
[Electa, via Trentacoste, Milan] Raffaello Architetto by C. L. Frommel - S. Ray M. Tafuri
Attributed works:
[Etienne Libert-Alain Castor, 3 rue Rossini, Paris] Adriaen van de Venne (1589-1662). On Panel, Signed and Dated 1615, 16.5 × 24.5 cm.
Attributed works:
[Etienne Libert-Alain Castor, 3 rue Rossini, Paris] Workshop of Primaticcio: 'Ulysses and the Sirens' Oil on Canvas 151 × 208 cm.
Attributed works:
[Galerie de La Scala, 68 rue La Boétie, Paris] Govaert Flink (1615-1660)
Attributed works:
[Galerie F. Franco, Avenue Molière, Brussels] Bernard van Orley, Virgin Enthroned, Panel 31.5 × 35 cm.
Attributed works:
[Galerie Gerda Bassenge, Erdener Strasse, Berlin] Andrea Salvatore Aglio (1736-1786, Arzo, Active in Dresden). Prospect of the Hofkirche in Dresden. Pen and Pencil, Grey Wash. 442 × 194mm. Signed. Coll. I. O. Wessner (Lugt 2562a).
Attributed works:
[Galerie Salis, Goldgasse 13, Salzburg] Camille Pissarro (1830-1903), Sur la rivière, c. 1872/75. Oil on Canvas, 19 × 24,5 cm, Signed Bottom Left.
Attributed works:
[Galerie Salis, Goldgasse 13, Salzburg] Gustav Klimt (1862-1918) "Adele Bloch-Bauer" 1903, Brown Coloured Pencil on Paper, 45 × 32 cm, 1903. Provenence: Present of Gustav Klimt to Adele Bloch-Bauer, Since Then in Property of the Family. Literature: Will Be Included in the Forthcoming Catalogue Raisonné by Dr. Alice Strobl, Gustav Klimt "The Drawings".
Attributed works:
[Galleria Gilli, Via Gesù, Milan] Bernadino Campi, Cremona 1522-1590/95. St. Stephen. Black & Red Chalk, Heightened with White, Squared in Red Chalk. 390 × 230 mm. Preparatory Drawing for the Dome of S. Sigismondo, Cremona.
Attributed works:
[Hazlitt, Gooden & Fox, 38 Bury Street, London] Gustave Doré 1832-1883, La France protège ses enfants. Pen and Ink over Pencil and Black Chalk, with Grey and Brown Washes, Heightened with White Gouache, 73.7 × 55.9 cm. Signed and Dated 1871
Attributed works:
[Jacques Fischer - Chantal Kiener 46 rue de Verneuil Paris] Alphonse Perin (1798-1874), D'un ensemble de neuf cartons et sept dessins pour la décoration de la chapelle de l'Eucharistie à Notre-Dame de Lorette à Paris. 1835-1852. Carton de "La Cène". Tympan au-dessus de la porte de la sacristie. Détail. Dimensions du carton: 200 × 400 cm. Dimensions du détail: 58 × 83 cm environ. Fusain, crayon bleu, sanguine, craie blanche et lavis bleu.
Attributed works:
[Jacques van Rijn Fine Art O.L., Vrouweplein 28, Maastricht] Pieter de Bloot 1602-1658, 'A Village Scene with Drinking and Dancing Peasants'. Panel, 49½ × 74½ cm. Signed with Monogram
Attributed works:
[Jean Willems, rue Ernest Allard, Brussels] Pietro Dandini, Firenze 1646-1712. The Multiplication of the Loaves. Brown Ink and Wash 212 × 388 mm. Provenance: Coll. G. Vallardi (L. 1223).
Attributed works:
[Joanna Booth, 247 Kings Road, London] Attributed to Georg Frederic Wille (1715-1808), Head of a Boy. Red Chalk 458 mm by 322 mm. Provenance: Vallardi (L. 1223)
Attributed works:
[Marlborough Fine Art Ltd, 6 Albemarle Street, London] The Jewish Rider 1984-85 Oil on Canvas 60 × 60 in./152.4 × 152.4 cm.
Attributed works:
[Matthiesen in association with Stair Sainty Matthiesen, 7-8 Mason's Yard, Duke Street, London] Giovanni Boldini. The Countess of Rasty
Attributed works:
[Me Hubert Le Blanc, 32 avenue de L'Opera, Paris] Jan Steen, Le souper fin. Canvas, Signed on the Left Towards the Bottom of the Table Base. 48.5 × 64.5cm
Attributed works:
[Mia N. Weiner at Piero Corsini Inc., 162 East 63rd Street, New York] Giulio Romano, Bacchanale. Pen & Brown Ink & Wash. 8¼ × 11¾ ″
Attributed works:
[Morton Morris & Company, 32 Bury Street, London] Jean-Honoré Fragonard "Le Verrou". Red Chalk, Pen and Brown Ink, and Brown Wash: 9½ × 14½ Inches
Attributed works:
[Newhouse Galleries Inc, 19 East 66th Street, New York] Joachim Wtewael 1566-1638, Saint Sebastian. On Canvas, 169.5 × 124.8 cm. Signed and Dated 1600
Attributed works:
[Pamela Gordon, 25 rue de Lille, Paris] Simon Vouet, (Paris 1590-1649 Paris). Head of an Old Man. Black and White Chalk on Beige Paper. 5 × $4frac{15}{16}$ in. (128 × 126 mm.). A Preparatory Study for the Figure of Time in the Painting Time, Venus, Mars and Amor in The John and Mabel Ringling Museum, Sarasota
Attributed works:
[Pat Coombs, London] Palma Vecchio (1480?-1528)
Attributed works:
[Phillips, Blenstock House, 7 Blenheim Street, London] Luca Giordano, "The Penitent Magdalen", Oil on Canvas, 72″ × 71″.
Attributed works:
[Phillips, Blenstock House, 7 Blenstock Street, London] Armand Guillaumin, "Bord de Rivière", Signed, Oil on Canvas, 54 cm. × 65 cm.
Attributed works:
[Pietro Scarpa, Via XXII Marzo, Venice] Parmigianino: St. John the Baptist (Actual Size)
Attributed works:
[Pyms Gallery, 13 Motcomb Street, London] Henry Tonks Neac (1862-1937), A Conversation, Betteshanger Barn. Oil on Canvas 24 × 20 ins. Ins. H. Tonks, 1927-8
Attributed works:
[Richard Green, 4 New Bond Street, London] James Tissot (1836-1902), Jeune Femme chantant à l'Orgue. Signed. Canvas: 42¼ × 28¼ in/105 × 72 cm
Attributed works:
[Richard Green, 4 New Bond Street, London] John Cleveley Snr. (1712-1777). The 'Amazon' with the 'Caroline' at a Distance. Signed, Titled and Dated 1750. Canvas 35¾ × 51 in 91 × 129.5 cm
Attributed works:
[Richard L. Feigen & Company, 113 East 79th Street, New York] Jacques-Louis David, "Cupid and Psyche," 1813 Black, Grey and Sepia Inks with White Gouache over Black Chalk, 16.8 by 22.6 cm. Signed, Lower Right: "L. David 1813"
Attributed works:
[Shaunagh Fitzgerald Ltd at Baskett & Day, 173 New Bond Street, London] Circle of Albrecht Dürer
Attributed works:
[Society Portraits 1850-1939 a joint exhibition held at Colnaghi, 14 Old Bond Street, London and Clarendon Gallery, 8 Viggo Street, London] Sir John Lavery, Lady Wimbourne. Oil on Canvas, 78″ × 40″
Attributed works:
[Sotheby's, 34-35 New Bond Street, London] An Italian Marble Group of Aeneas and Anchise by Antonio Carra, Signed, Venetian, Late 16th Century, Height 87.6 cm. £15,000-20,000.
Attributed works:
[Sotheby's, 34-35 New Bond Street, London] Christoffer Wilhelm Eckersberg, Sailing Ships, Dated 1825, Oil on Canvas, 38.5 by 54 cm.
Attributed works:
[Spencer A. Samuels 11 East 57th Street New York] Domenico Campagnola, Study of Candlesticks. Pen & Brown Ink, 11¾ × 7¼″
Attributed works:
[Spink & Son Ltd, King Street, London] Walter Richard Sickert, R. A., 1860-1942. The Hat Shop. Oils on Canvas. 13 × 16 Inches. Signed.
Attributed works:
[Stair Sainty Matthiesen, 141 East 69 Street, New York] Louis de Boullongne II, Rinaldo and Armida. Oil on Canvas. 38 × 51½ Inches. Signed: L. de Boullogne 1704. Exhibited: Paris. Salon. 1704.
Attributed works:
[Stanze del Borgo, via Puccini 5, Milan] Bernardo Strozzi - Genoa 1581 - Venice 1644, "Testa di Fanciullo". Charcoal, White Touches on Chamois Paper - 144 x 131 mm. From the S. Varni Collection The Drawing is Dated ca. 1610, during the Artist's Genoa Period.
Attributed works:
[The Leger Galleries Ltd, 13 Old Bond Street, London] Thomas Shotter Boys. A View of Paris near the Jardin des Tuileries. Size: 14 × 10 Inches. Signed and Dated 1832
Attributed works:
[Thomas le Claire Adickesstraße 40 Hamburg] Cornelis Saftleven (1607 Gorkum - Rotterdam 1681): "Landscape with Shepherd and Cattle", Black Chalk, Grey Washes; Monogrammed and Dated > 1659 <; 159: 197 mm.
Attributed works:
[Wiener Kunst und Antiquitatenmesse] Belle Etage Left: Table. Height 75cm, diameter 115cm. Design attributed to Adolf Loos. Vienna c. 1900. Below left: Brass Lamp. Design attributed to Josef Hoffmann. Vienna 1903. Galerie bei der Albertina Below: Garden bench. 1906-1908. Softwood painted white. Larger variant of the bench, which was exhibited at the "Kunstschau 1908" and in the Austrian pavilion in Rome 1911. Provenance: Dr Hugo Koller House. Height: 105cm, length 200cm, width 54cm. Right: Dancer. Painted plaster. 53cm high. On a highly polished wooden pedestal, 141cm high. Attributed to Richard Teschner, Vienna c. 1909.
Attributed works:
[William H. Schab Gallery, 11 East 57th Street, New York] Carletto Caliari, Study of Hands
Attributed works:
[Yvonne Tan Bunzl, London] Carlo Dolci. Red and Black Chalk 255 × 190 mm
Western art unattributed:
[Berlinghof Kunstauktionshaus GmbH, Zwingerstr. 18, Heidelberg] Lion-Gilded-Aquamanile, Hildesheim, 14./15. Century 13 × 11,5 cm
Western art unattributed:
[Glassgallery Michael Kovacek, Vienna] Bohemian Goblets c. 1840-50. Left: Colourless Glass with White and Blue Overlays, Painted in Gold and Silver. Height 14.5 cm. Centre: Colourless Glass, Gold-Ruby Overlay on Interior. Painted in Gold, Silver and Enamels. Height 24.5 cm. Right: Colourless Glass, Gold-Ruby Overlay, Painted in Gold, Silver and Enamels. Height 15.3 cm
Western art unattributed:
[Phillips, Blenstock House, 7 Blenheim Street, London] An Important Roman Figure of Hercules, 2nd Century AD., 176 cm. High. Estimate: Refer to Department.
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Advertisements October 1985 (Front)
10/1985 | 991 | 127
Pages: i-lxii
Subjects
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
Illustrations
Attributed works:
Detail from View of the South Front, Chiswick House, by Jacques Rigaud. Pen and Wash. (Chatsworth Settlement Trustees).
Attributed works:
[Ab Stockholms Auktionsverk, Jakobsgatan 10, Stockholm] Anders Zorn: Interior with Mrs Weguelin and Son, Signed 1889, Oil on Canvas, 130 × 88 cm.
Attributed works:
[Alan Jacobs Gallery, 8 Duke Street, London] Daniel Vertangen. The Hague 1598-1684 Amsterdam. "Kitchen Interior". Oil on Canvas, 66 × 63.5 cms. Signed
Attributed works:
[Bond Street Antique Centre, 124 New Bond Street, London] Art'antica Rovati 01-491 2327. Pair of Dresden Vases. c.1730. Vinci Antiques 01-499 1041. Rare George II Silver. Cake Basket by Edward Aldridge. London 1746
Attributed works:
[Bond Street Antique Centre, 124 New Bond Street, London] Claudia Beck 01-409 2854. Frederick Walter Lee, RMS (fl. 1894-1938). 'Westminster Hall at Sunset'. Signed & Dated September 1897. Watercolour 15¾ × 26½ Inches.
Attributed works:
[Bourne Fine Art, 14 Mason's Yard, London & 4 Dundas Street, Edinburgh] An exhibition of furniture, stained glass and watercolours to be shown at out London gallery during November and at our Edinburgh gallery during December] E.A. Taylor 1874-1952 Artist and designer.
Attributed works:
[Browse & Danby, 19 Cork Street, London] P.W. Steer 1860-1942 Girl on a Sofa, 1891. Oil on Canvas 22½ × 24½ Inches
Attributed works:
[C.G. Boerner, Kasernenstrasse 13, Dusseldorf] Adriaen van Ostade. B. 32, Davidsohn und Godefroy IV (von X bzw. XII). Wm. Phoenix.
Attributed works:
[Christopher Wood Gallery, 15 Motcomb Street, London] Sir Robert Smirke, RA. Windsor Castle, Berkshire. Signed and Dated 1824. Watercolour 10½ × 13¾ Inches
Attributed works:
[Colnaghi & Clarendon Gallery, 14 Old Bond Street, London] Sir John Lavery, Lady Wimbourne. Oil on Canvas, 78″ × 40″
Attributed works:
[Colnaghi USA Ltd, 26 East 80th Street, New York] Eustache le Sueur 1617-1665. Judas Remonstrating with Christ over Magdalen and the Pot of Alabaster. Canvas 154 × 132 cms.
Attributed works:
[David Koetser Gallery, 37 Talstrasse, Zurich] David Teniers, the Younger. Signed. Panel, 21 × 16 cm
Attributed works:
[De Vuyst, Kerkstraat 24-52, Lokeren] Edouard Vuillard: "Vue d'un parc avec bonnes d'enfant" (1900). Pastel - Stamp of the Artist - 28.5 × 20.5 cm
Attributed works:
[De Vuyst, Kerkstraat 24-52, Lokeren] Honoré Daumier: "l'Avocat". Bronze - Dark Brown Patination - Monogram - Foundry Valsuani - cire perdue - ex. nr. 28/30 - H25 L10.5 cm
Attributed works:
[De Vuyst, Kerkstraat 24-52, Lokeren] James Ensor: "BreakWater at Ostend". Canvas - Signed 1878 - 36.5 × 46.5 cm
Attributed works:
[De Vuyst, Kerkstraat 24-52, Lokeren] Maurice Utrillo: "Le moulin de la Galette à Montmartre". Canvas - Signed - 46 × 54 cm
Attributed works:
[Edition PVA, Postfach 1950, Landau/Pflaz] Professor Dr. Werner Sumowski, University of Stuttgart, has attended to the art of Rembrandt, his pupils and his precursors for thirty years now. He enjoys an international reputation as a Rembrandt research worker of rank and as leading expert on the Rembrandt School. Besides books, his bibliography comprises numerous publications in specialized journals at home and abroad. Successive publication of the twelve volumes of his edition of drawings by the Rembrandt School began in 1979.
Attributed works:
[Fry Gallery, 58 Jermyn Street, London] John Ruskin HRWS
Attributed works:
[Fry Gallery, 58 Jermyn Street, London] Peter De Wint OWCS
Attributed works:
[Fry Gallery, 58 Jermyn Street, London] Philip Wilson Steer OM
Attributed works:
[Fry Gallery, 58 Jermyn Street, London] Sir Alfred Munnings PPRA
Attributed works:
[Galerie Bruno Meissner, Bahnhofstrasse, Zurich] Jan Hackaert. (Amsterdam 1629-1699), "Avenue of Silver Birch beside a River". Öl/Lwd., 52 × 49 cm
Attributed works:
[Galerie d'Arenberg, rue aux laines 14-1000, Brussels] François Rude (1784-1855). Bust of David, s. and d. "Brux. 1826". Plaster, h.: 80,5 cm
Attributed works:
[Galerie de La Scala, 68 rue La Boétie, Paris] Van Loo Carle (1705-1765), "Saint-François"
Attributed works:
[Gallery Antiques Limited, 6 Peter Street, Winchester] An important Chippendale period carved giltwood mirror c.1760. A pair of fine George II giltwood oval mirrors illustrated in 'English Looking Glasses' by Geoffrey Wills, p.85. An important pair of Regency mahogany writing tables, probably by Gillows. Two fine Empire encriers. An unusual pair of satyr candlesticks, French c.1785. A pair of Charles X steel and ormolu candlesticks. A fine French mantel clock with porcelain flowers by 'Angevin a Paris'. A good pair of chestnut urns with their original decoration c.1790. One from a pair of fine and important Paktong fire grate fronts and fenders from Battle Abbey by Robert Adam c.1775. See P.11 & 12 of 'Paktong' by W. D. John & K. Coombes. A pair of marble pedestals c.1810 and two marble busts.
Attributed works:
[Gavina Ewart, 60 High Street, Worcestershire] A Fine Pair of Minton Porcelain Figures Set in Ormolu Candelabra Stands. Circa 1840. 33 cm High. A Rare Minton Figure of the Burlesque Sculptor c. 1835.
Attributed works:
[Gebr. Douwes Fine Art, Rokin 46, Amsterdam] Jules Héreau (1839-1879) "Monsieur La Fontaine." Panel: 45 × 35 cm. 17¾ × 13¾ Inches. Signed and Inscribed: "a mon ami La Fontaine, Barbizon, Sept 1859"
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[Hennell, 12 New Bond Street, London] Robert Hennell III 1837. 13″ Long overall (Loaded). Weight, 8 oz (Jugs only)
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[Howard Antiques, 8 Davies Street, Berkeley Square, London] An Exceptional 17th Century Chinese Black Lacquer Cabinet with the Original Fitted Interior, Supported on Its Contemporary English Silvered Carved Wood Stand, in the Manner of Daniel Marot, Centred with Stags. Circa 1690. Height 70″ Width 40″ Depth 21″
Attributed works:
[John Noott, Picton House Gallery, Highstreet, Worcestershire] William Shayer. A Halt by the Way. Oil on Panel. 18″ × 24″
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[Johnny van Haeften, 13 Duke Street, London] On Canvas. Jacob Isaacksz. van Ruisdael, (c. 1628 - Haarlem - 1682). 31 × 38 ins.
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[Lawrence Fine Art, South Street, Crewkerne] Alfred Grenfell Haigh. Lt. Col. Sir Denis f. Boles, Bart., on His Hunter Sligo, Leading out His Favourite Hounds, on the Quantocks. Signed and Dated 1925, 48in. × 59½in.
Attributed works:
[Leslie Smith Gallery, Hertelaan 15, Wassenaar, Netherlands] Panel: 50 × 70 cm. Signed and Dated 1858. B. J. van Hove (1790-1880). Town View of Delft. Price: $36,000
Attributed works:
[Marlborough Fine Art Ltd, 6 Albemarle Street, London] Der Traum 1 1984 Oil on Canvas 78¾ times 78¾ in./200 × 200 cm.
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[Morton Morris & Company, 32 Bury Street, London] Portrait of Sotiri. Dragoman of Mr. Colquhom
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[Oscar & Peter Johnson Ltd, Lowndes Lodge, Gallery 27, Lownes Street, London] Ballymacad - 1936. This Bronze by the American Sculptress, Pauline Boumphrey (1886-1959) Was Not Started Until the Horse, Belonging to Her Husband - Joe, Was at Least Sixteen Years Old.
Attributed works:
[Phaidon] Pompeo Batoni. Holbein. Chardin
Attributed works:
[Phillips Son & Neale Inc., 406 East 79th Street, New York] Ossip Zadkine (1890-1967), "Garden Statue," Bronze, Edition 6, 1943, 53.3 cm. × 134.6 cm. × 63.5 cm.
Attributed works:
[Phillips Son & Neale Inc., 406 East 79th Street, New York] Pablo Picasso (1881-1973), "La Ballerine," Pencil and Gouache on Paper, 32 cm. x 22 cm.
Attributed works:
[Phillips, Blenstock House, 7 Blenheim Street, London] Ford Madox Brown, "An English Fireside of 1854-55", Signed and Dated '55, Oil on Panel, 31 × 20 cm.
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[R. Polak Gallery, 85 Parkstraat, The Hague] H. W. Mesdag 1831-1915. 'Return of the Fishing Fleet'
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[Raffety Huber, 34 Kensington Church Street, London] A Fine English Musical Bracket Clock by S. & C. Joyce, London, the Movement Playing a Selection of Seven Scottish Tunes, with Original Wall Bracket, Circa 1820.
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[Richard Green, 44 Dover Street, London] Sir Francis Grant PRA (1803-1878). Lady Louisa and Lady Beatrix Legge with Their Pony. Signed and Inscribed. Canvas: 90 × 66 in/229 × 168 cm
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[Richard L. Feigen & Company, 113 East 79th Street, New York] Nicolaes Berchem, "Childhood of Jupiter on Mt. Ida," 1646. Oil on Panel, 72 by 95.5 cm
Attributed works:
[Ronald A. Lee, 1-9 Bruton Place, London] Made Circa 1659 This Historical Timepiece by Ahasuerus Fromanteel Was the First Fusee-Regulated Pendulum Movement and the First Architect Designed Ebony Case with Gilt Metal Mounts. Height 27 ins.
Attributed works:
[Ronald A. Lee, 1-9 Bruton Place, London] The Early George III Mahogany Bookcase, Formerly at Haddo House, Aberdeenshire, Attributed to William Vile the Royal Cabinetmaker. Circa 1760. Height 11 ft 6 ins.
Attributed works:
[Ronald A. Lee, 1-9 Bruton Place, London] The George III Mahogany Hanging Cabinet Similar in Style to the Lanterns Made by William Vile in 1763 for the Hall at Buckingham (House) Palace Now in Kensington Palace.
Attributed works:
[Ronald A. Lee, 1-9 Bruton Place, London] The Royal Family at the Academy. 1787. Pencil, Pen and Grey Ink and Watercolour by Johann Heinrich Ramberg (1763-1840) King George III and Queen Charlotte Accompanied by Members of the Royal Family at Somerset House. Formerly in the Collection of the Earls of Harewood.
Attributed works:
[S.J.Shrubsole, 43 Museum Street, London] 3 pairs of Wine Coasters from Our Current Selection of Fine Table Silver. Top: By William Bateman, London 1820 Middle: By Henry Chawner, London 1791 Bottom: By S. C. Youngs & Co., Sheffield 1817
Attributed works:
[Salons Independants des Antiquaires et de la Haute Joaillerie, Marseille] Jean Louis Bouzou Armchair. Louis XV, estampillé Meunier. With Its Original Upholstery. Jean Sarfati Pair of Busts in Classical Costume. Venice. Gilt and Silvered Wood. Seventeenth Century. Dario Boccara Detail from La Chasse à l'ours (Brussels) Studio of Cornelius Matteus. 3.55m by 3.77m c. 1575. Antiquaire du Paradou. Lion Resting. Marble. Venice. Thirteenth Century.
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[Sotheby's, 1334 York Avenue, New York] A Florentine Bronze Figure of Flora, Giambologna, Susini Workshops, c. 1600, Height 31.8 cm.
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[Stair Sainty Matthiesen, 141 East 69 Street, New York, New Orleans Museum of Ar, Columbus Museum of Art] Francois Boucher. Leda and the Swan. Oil on Canvas, 23⅜ × 29¼ Inches. Signed: f Boucher. Exhibited: Paris, Salon, 1742, no. 21 bis.
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[T. Crowther & Son Ltd, 282 North End Road, Fulham] A Fine and Important Carved Pinewood Painted Chimney-Piece of Chippendale Period, Complete with Its Original Marble Slips. English Circa 1750.
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[The Belgrave Gallery, 22 Mason's Yard, Duke Street, London] Alfred Wolmark. A Painted Sign. Oil on Panel.
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[The Fine Art Society, 148 New Bond Street, London] Thomas Hartley Cromek 1809-1873. The Arch of Titus with the Colosseum, Rome. Watercolour 30″ × 21½″ (76.2 × 54.6)
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[The Leger Galleries Ltd, 13 Old Bond Street, London] Francis Towne. Lake Maggiore at Evening. Size: 6⅛ × 8¼ Inches. Signed and Dated, 1781.
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[Trevor Trevor House, 110 High Street, Lewes] A Very Important Secretaire Bookcase in Mahogany of Beautiful Colour and Patination, Having Floral Marquetry. In the Manner of Hepplewhite in the French Taste. England. George III. Circa 1780 Height: 6′ 11″ 211cms. Width: 2′ 11″ 89cms. Depth: 1′ 8″ 51cms.
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[William Tillman, Crouch Lane, Borough Green, Kent] An Important Sheraton Style Oval Breakfast Table in Mahogany Inlaid with Rosewood and Satinwood. Length 74½″/189.2 cm. Width 49½″/125.7 cm. Height 28″/71 cm. This Table Will Seat Eight People.
Attributed works:
[Winifred Williams, 3 Bury Street, London] Capodimonte. Painted by Giovanni Caselli. Blue fleur de lys mark. Height 21 cm. Circa 1750
Non-western art unattributed:
[John Sparks, 128 Mount Street, London] A Pair of Chinese Porcelain Vases Copying a Delft Model and Decorated in 'famille verte' Enamels. Height: 11¾. K'ang Hsi (1662-1722)
Western art unattributed:
[A.V. & M.R. Santos 1 Campden Street London] Very Rare "Famille Rose". Teapot c. 1775 the Decoration is Intended to Commemorate the Electoral Struggles of 1768 and 1772 in the House of Commons, between John Wilkes, a Liberal MP, and William Murray, Lord Chief of Justice from 1766 Until 1778, and a Pillar of the Establishment. John Wilkes Was a Noted Champion of Personal Liberty and Supporter of the American Revolution Cause. Illustrated in Page 232 of "Oriental Export Market Porcelain" by G. Godden.
Western art unattributed:
[Arnold Wiggins & Sons Limited, 30-34 Woodfield Place, Harrow Road, London] English, c. 1780 Sight 49¼ × 39¼ ins, Width 6½ ins. Provenance: Ashridge; Welbeck Abbey
Western art unattributed:
[Aubrey Brocklehurst, 124 Cromwell Road, London] A Louis XV Ormolu-Mounted Kingwood Longcase Clock by an Anonymous French Maker. The 8-Day Movement Has Steel Dead-Beat Pallets, Hour and Halfhour Striking, and a Vitreous Enamel Dial. Height to Top of Case Excluding Father Time, 7′ 0″. Maximum Height 7′ 9½″, (240 cms).
Western art unattributed:
[Brockbank & Atkins, 17 Ryder Street, London] A High Quality Early 19th Century Longcase Regulator c1830. The 8 Day Substantial Movement with Dead Beat Escapement. Harrisons Maintaining Power, Jewelled Pallets and End Stops Throughout the Train The Mercury Compensated Pendulum Suspended from the Backboard of the Fine Tapering Mahogany Case.
Western art unattributed:
[C. John, 70 South Audley Street, London] An Extremely Rare and Exceptional English Soho Tapestry. Circa 1780. Size: 9′ 11″ (302 cm) Wide × 8′ 1″ (246 cm) High.
Western art unattributed:
[Gallery Lingard, Old Registry Office, 250 Kings Road, Chelsea] 19th Century Belgian School. Design for a Chamber of Commerce, Antwerp, c. 1880
Western art unattributed:
[H.W. Keil Limited, Tudor House, Worcestershire] 2 of an Excellent Set of 6 Late Seventeenth Century Oak Single Chairs of the Cromwellian Period Covered in Red Velvet. c. 1680. An Excellent Late Seventeenth Century William and Mary Walnut and Padouk One Drawer Table with Barley Sugar Twist Legs and Parquetry Top. c. 1690.
Western art unattributed:
[Howard Phillips, 11a Henrietta Place, London] A Rare Set of 'Colour Twists' c. 1760
Western art unattributed:
[John Murray in association with Britoil] The Glasgow Boys. The Glasgow School of painting 1875-1895. Roger Billcliffe
Western art unattributed:
[Paul Mitchell Limited, 99 New Bond Street, London] English Rococo c. 1745, Sight 49¼ × 39½ ins, Width 5½ ins
Western art unattributed:
[Priests, 60 North Street, Thame] A Fine Quality Sheraton Period Burr Yew Ladies Work Table. c. 1790.
Western art unattributed:
[Ronald A. Lee, 1-9 Bruton Place, London] 16th Century Latticino Glass Goblet Supported on an English Silver Base of Circa 1595-1605. The Glass of Venetian Origin. Engraved with an Earl's Coronet, the Letter T under, within a Foliated Wreath. Height: 8¼ ins. Formerly in the Collection of John Girdwood.
Western art unattributed:
[Ronald A. Lee, 1-9 Bruton Place, London] This William and Mary Red, Green and Black Lacquer Chair is Part of a Suite. Associated with the Furnishings at the Palaviccini Palace in Rome (See Hans Huth: Lacquer of the West Plate 84 pp 76). Circa 1700.
Western art unattributed:
[Samarcande, 13 rue des Saint-Pères, Paris] Head of a Young Woman. Terracotta. Magna Graecia, Taranto. Second Century BC. Height 12 cm
Western art unattributed:
[Stair & Company Ltd, 120 Mount Street, London] A Rare Secretaire Cabinet with an Extending Writing Surface. Fine 'verre églomisé' Panels to the Door and Well-Figured Mahogany Veneers to the Drawer Fronts. Fitted with Various Compartments. English. Circa 1745. Size: 33½″ Wide 22″ Deep 72″ High
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