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Advertisements October 1996 (front)
10/1996 | 1123 | 138
Pages: i-xx
Subjects
artists:
subjects:
Illustrations
Attributed works:
[ C. G. Boerner, Kasernenstrasse 13, Düsseldorf / 23 East 73rd Street, New York ] Albrecht Dürer. Knight, Death and Devil. Engraving, 1513. B. 98. Meder 74 a/b (Of g). Boon-Scheller 74. Duplicate from the Kunsthalle Hamburg.
Attributed works:
[ Charles Ratton & Guy Ladrière, 14 rue de Marignan and 11 quai Voltaire, Paris ] Nicolas René Jollain (1732-1804). "Thetis Imploring Jupiter for Her Son Achilles" Pen and Black Ink, Grey Wash, White Bodycolour and Traces of Red Chalk. Height: 35 cm. Length: 43 cm.
Attributed works:
[ Colnaghi, 14 Old Bond Street, London / 21 East 67th Street, New York ] François-Joseph Heim. Belfort 1787 - Paris 1865. The Defeat of the Teutones and Cimbri by Marius Gaius. Oil on Canvas: 61 × 82.5 cms
Attributed works:
[ Compagnia di Belle Arti, Via Olmetto 17, Milan ] Bernardo Bellotto. Venice 1721 - Warsaw 1780. Castel Sant' Angelo with St Peter's in the Distance. Oil on Canvas, 19 × 30 Inches (48.2 × 71.1 cm)
Attributed works:
[ Cover ] Marble Boy, Here Attributed to Michelangelo. Marble, 39 cm. High (Services culturelles de l'Ambassade de France, New York).
Attributed works:
[ Gallerie d' Arte Armondi, C.so Palestro 37/B, Brescia ] The Last Judgement. Tempera on Panel 65 × 47.5 cm. By the Master of the Johnson Magdalen 1st Quarter of the 16th-Century.
Attributed works:
[ Germann auction sales, Zeltweg 67, Zurich ] Johann Heinrich Füssli, 1741-1825. The Nursery of Shakespeare, 1805-1810. Oil on Canvas. 183 × 153 cm
Attributed works:
[ Heribert Tenschert, Antiquariat Bibermühle A. G., Ramsen / Kirchplatz 14-15 Rotthalmünster ] The Master of the Munich Golden Legend, Paris, c.1430.
Attributed works:
[ Hill-Stone, New York ] Battista Franco. Venice 1510 - 1580. The Israelites Receiving Manna from Heaven. Etching and Engraving. Bartsch 4, the Second of Two States, with the Reclining Figure Lower Left.
Attributed works:
[ Macmillan Publishers, The Dictionary of Art ] Table Clock, Augsberg, Silver-Gilt and Base-Taille Enamel, c. 1570-75. Case by Cornelius Gross, Enamel by David Altenstetter. (Kunsthistorisches Museum, Vienna). From the Article Gilding
Attributed works:
[ Mia N. Weiner, Mountain Road, Norfolk ] Cherubino Alberti (Borgo San Sepolcro 1553 - 1615 Rome). A Group of Figures Pen & Brown Ink. 9 3/4 × 7 1/2″ (247 × 190 mm).
Attributed works:
[ Richard Green, 33 New Bond Street and 44 Dover Street, London ] John Fernely Senior (1782-1860). Thomas Tertius Paget with His Wife on Horseback in Bradgate Park, Leicestershire. Signed, Inscribed Melton Mowbray and Dated 1852. Canvas: 33 ½ × 44 ¼ in / 85 × 112 cm
Attributed works:
[ Richard L. Feigen & Company, 49 East 68th Street, New York ] Alexandre Hyacinthe Dunouy. Italian Landscape with a Village at the Foot of the Mountains, Oil on Canvas, 112 by 157 cm. Signed and Dated, Lower Left: "Dunouy 1797".
Attributed works:
[ Rob Smeets, Via Camperio 9, Milan ] The Master of the Vasteras Trinity Active Antwerp c. 1515 - 1520. The Vergin and Child with a Concert of Angels. Oil on Shaped Panel 120 × 88 cm
Attributed works:
[ Sotheby's, New York ] One of a Pair of Louis XV Royal Silver Wine Coolers. Claude Ballin II. Paris, 1744-45, from the Penthièvre-Orléans Service and Applied with the Arms of Louis-Philippe, King of the French (1830-48). Height 10in. (26.8cm). Estimate: $2,500,000-3,000,000.
Attributed works:
[ Trafalgar Galleries, 35 Bury Street, St. James, London ] Vincenzo Catena (Venice c. 1480 - Rome c. 1531). The Madonna and Child with the Infant St. John Seen at a Window Overlooking the Campo S. Maria Formosa, Venice Oil on Panel $16frac{1}{16}times 20frac{3}{8}$ Inches. (40.7 × 51.9 cm). Signed: V. C. P.
Attributed works:
[ Villa Grisebach, Fasanenstrasse 25, Berlin ] August Macke. Spaziergänger unter Bäumen (Strollers beneath Trees) 1913. Watercolour, Pastel on Paper. 35,5 × 45,5 cm (14 × $17 frac{7}{8}$ in.)
Attributed works:
[ Villa Grisebach, Fasanenstrasse 25, Berlin ] Otto Dix. Selbstbildnis, grinsend, mit aufgestütztem Kopf (Self-Portrait, Grinning, with Propped Head). 1917 Crayon on Paper. 40,1 × 38,9 cm ($15 frac{3}{4}times 15 frac{3}{8}$ in.)
Attributed works:
[Brimo de Laroussilhe, 7 quai Voltaire, Paris ] Jan Baegert (Wesel, c.1465 - 1470, c.1530). Annunciation to the Madonna of Her Approaching Death Oil Painting on Wood, h. 85 cm, w. 48 cm
Western art unattributed:
[ Huntington Antiques Ltd, The Old Forge, Church Street, Stow on the Wold, Cheltenham ] A Very Important Large Nottingham Alabaster Relief of the Virgin and Child, Late 14th Century, the Crowned Virgin Supporting the Child on Her Right Hip, a Sceptre (Fragmentary) in Her Left Hand, the Child with a Fruit in His Right Hand (Left Missing) Traces of Original Gilding and Polychromy, Losses and Wear. 91.1 cm High ($37frac{3}{4}^{prime prime}$ High).
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Advertisements September 1996 (front)
09/1996 | 1122 | 138
Pages: i-xx
Subjects
artists:
subjects:
Illustrations
Attributed works:
[ Arno Winterberg, Hildastr. 12, Heidelberg ] August Lucas, (1803 - Darmstadt - 1863). Washerwoman at Well near Subiaco. Oil on Canvas 1846. Signed with the Monogram and Dated 58 by 47,5 cm
Attributed works:
[ Biennale Internationale des Antiquaires, Paris ] Apollo and Diana Killing the Niobids. By Jacques-Louis David. Oil on Canvas. 46 by 55 cm. (Talabardon).
Attributed works:
[ Biennale Internationale des Antiquaires, Paris ] Commode. By Etienne Levasseur (Stamped). Japanese Lacquer, Green Marble top, with Ebony, Brass and Bronze Mounts. 82.5 by 127.5 by 52.5 cm. (Perrin).
Attributed works:
[ Biennale Internationale des Antiquaires, Paris ] Female Donor against a Landscape. Attributed to Adriaen Isenbrandt. Oil on Panel. 25.4 by 18.4 cm. (Brimo de Laroussilhe).
Attributed works:
[ Biennale Internationale des Antiquaires, Paris ] La Commode Rouge. By Edouard Vuillard (Signature Stamp Lower Left). Oil on Canvas, c.1890. 34 by 26,5 cm, (Galerie Hopkins Thomas).
Attributed works:
[ Biennale Internationale des Antiquaires, Paris ] Punchinello with a Gnocchi Pot. By Giovanni Battista Tiepolo. Pen and Brown Ink with Wash. 13.5 by 19 cm. (Hazlitt, Gooden and Fox).
Attributed works:
[ Biennale Internationale des Antiquaires, Paris ] Rodogune Prevents Antiochus from Drinking the Poisoned Cup. By Anne-Louis Girodet de Roussy-Trioson. Oil on Canvas. 31.7 by 40.8 cm. (Didier Aaron).
Attributed works:
[ Biennale Internationale des Antiquaires, Paris ] View of the Grand Canal, Venice. By Giuseppe Bernardino Bison. Oil on Parchment. 15 by 20 cm. (Piero Corsini).
Attributed works:
[ Colnaghi, 14 Old Bond Street, London / 21 East 67th Street, New York ] Jean François de Troy Paris 1679 - 1752 Rome. Bathsheba at Her Bath. Oil on Canvas: 100 × 135 cm
Attributed works:
[ Cover ] Two Breton Women in a Field, by Emile Bernard. c.1886. Panel, 62 by 82 cm. (Van Gogh Museum, Amsterdam).
Attributed works:
[ Galerie Berès, 25 quai Voltaire, Paris ] Edouard Vuillard The Inkwell c.1886. Oil on Canvas. Signed E. Vuillard l.r. 13 × 19,7 cm
Attributed works:
[ Galerie Koller Auctioneers, Hardturmstrasse 102, Zurich ] Workshop of Pierre Reymond (Around 1513 - After 1584). Serie of 10 Limoges Enemel Plaques with Representations of the Month. Limoges around 1550. 6,4 × 8,4 cm. Provenance: J. P. Morgan Collection.
Attributed works:
[ Paul Prouté S. A., 74 Rue de Seine, Paris ] Louis-Adolphe Hervier Paris 1818 - 1879. Village de la Sarthe. Oil on Canvas, 0,70 × 1,20 m. Signed Lower Left
Attributed works:
[ Piero Corsini Inc., 162 East 63rd Street, New York ] Matthias Stomer (Amersfoort, c.1600 - Sicily, after 1650). The Annunciation 1630s. Oil on Canvas, 43¼ × $58frac{1}{16}$ in. (104.8 × 145 cm.)
Attributed works:
[ Talabardon, 44 Rue Sainte -Anne, Paris ] Lancelot-Théodore Turpin de Crissé (1782-1859). Oil on Canvas. The Feast of Corpus Christi at Saint-Germain-l'Auxerrois. Signed with Monogram TT and Dated 10 Juin 1830 Lower Centre 97.7 cm × 130 cm
Attributed works:
[ Trafalgar Galleries, 35 Bury Street, St James, London ] Bartolomeo Manfredi (Ostiano c. 1580 - Rome c. 1622) A Drinking and Musical Party. Oil on Canvas 130 × 190 cm (51 × 75 Inches)
Attributed works:
[Charles Ratton & Guy Ladrière, 14 rue de Marignan and 11 quai Voltaire, Paris ] Jacob Adrien Bacher (1608 - 1651). "Portrait of a Man". Oil on Canvas, Monogram on the Right - 105 × 90 cm
Western art unattributed:
[ Cinq Antiquaires a Paris ] A Louis XVI Pair of Jardinieres Carved and Painted Wood. Height: 85 in - 216 cm.
Western art unattributed:
[ Donati Arte Claassica, Via Nassa 3, Lugano ] Greek Marble Head, Probably of the Goddess Igea. Late 4th Century BC. Height: 25 cm.
Western art unattributed:
[ Galerie Francois Antonovich, Les Louvres des Antiquaires, 2 Place du Palais Royal, Paris ] Alexandre le Grand type de Brooklyn. Terre cuite d'époque ptolémaïque H.22 cm
Western art unattributed:
[ H. W. Keil Ltd, 129-131 The Promenade, Cheltenham, Gloucester ] A Most Attractive Early 18th Century Walnut Bureau Bookcase with Shaped Interior. With Unusual top. Of Small Dimensions and Having an Excellent Golden Colour. C.1710. Height 8′5″ Width 2′9″ Depth 1′10″
Western art unattributed:
[ Wakelin & Linfield, Billingshurst, West Sussex ] Copper Gilt Ewer in the Form of a Stag. Augsburg. c. 1630. Brass Candlestick of Leuchterman Form. Franco/Flemish. Late 16th Century.
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Advertisements June 1996 (front)
06/1996 | 1119 | 138
Pages: i-xliv
Subjects
advertisements:
subjects:
Illustrations
Attributed works:
[ Asprey, 165-169 New Bond Street, London ] A Magnificent Pair of Perfume Vases. Chelsea (Gold Anchor Mark) Circa 1760. Height 15 ins (38 cms).
Attributed works:
[ Bassenge Art and book auctions, Erdener Strasse 5A, Berlin - Grunevald ] Adolph von Menzel (1815 Breslau - 1905 Berlin). Portrait of a Young Lady. Pencil Drawing. 31 × 24 cm. Signed and Dated: A. Menzel 31 Juli 1874. Hofgastein.
Attributed works:
[ Charles Ratton & Guy Ladrière, 14 rue de Marignan and 11 quai Voltaire, Paris ] Girolamo della Robbia (1488-1566). Glazed terracotta bust of a Man. Provenance: Château d'Assier, near Figeac, France. Height: 47cm
Attributed works:
[ Christie's, 8 King Street, St James, London ] Michele Marieschi (1710-1743), A Panoramic View of the Bacino di S. Marco Oil on Canvas, 37½ × $70frac{3}{8}$ in. (95.2 × 178.7 cm.)
Attributed works:
[ Colnaghi, 14 Old Bond Street, London / 21 East 67th Street, New York ] Hubert Robert. 1733 - Paris - 1808. A Romantic Landscape with a Waterfall and Castle. Oil on Canvas: 124.6 × 194.9 cms
Attributed works:
[ Daniel Katz Ltd, 59 Jermyn Street, London ] Giovanni Francesco Rustici. (Florence 1474 - 1554 Tours). A Rivergod Terracotta Size: 32cm × 31.5 cm
Attributed works:
[ Derek Roberts Fine Antique Clocks, 25 Shipbourne Road, Tonbridge, Kent ] Thomas Tompion No 205, Circa 1697. An Excellent Example of the Work of England's Finest Clockmaker. We Carry an Extensive Collection of Clocks of Most Types, Including Longcase, Bracket, Wall Carriage, Skeleton and Precision Pendulum Clocks.
Attributed works:
[ Hazlitt, Gooden & Fox, 38 Bury Street, St James, London ] Paul Elie Ranson 1864-1909. Vanité. Pen and Ink on Buff Paper, 22 × 24.3 cm. Signed with Initials; with the Nabi Sign Datable Circa 1892
Attributed works:
[ Hill-Stone, New York ] After Pieter Brueghel, the Elder c. 1525 - 1569. Three Men of War in a Tempest, Sailing to the Right. Engraving, by Frans Huys; c. 1570. Bartsch 105, Hollstein 105, the First State of Two before the Removal of Cock's Address. Watermark: Pot, Similar to Briquet 12637 (Datable c. 1561 - 63). A Very Fine Impression Printed in Dark Brown Ink.
Attributed works:
[ Joanna Barnes Fine Arts, 14 Mason's Yard, Duke Street, St. James, London ] Head of Christ by Pierre Puget (1622-1694). Marble H. 40 cm.
Attributed works:
[ Mallett & Son Antiques Ltd, 141 New Bond Street, London ] A Vary Rare Tapestry Sofa Seat by Morris & Co in the Swirling Acanthus Pattern, with Lilies at the Centre. English, Circa 1910. 34 × 98 in (86 × 249 cm)
Attributed works:
[ Mallory of Bath, E. P. Mallory & Son Ltd, 1-4 Bridge Street, Bath ] Pair of Fine Antique Silver Tea Caddies. Engraved Crest below a Barons Coronet. London George III 1818. By Wm Elliott. 25o/s. Approximately $3frac{3}{4}$ × $2frac{3}{4}$ × 3″ (Excluding Baluster Finials).
Attributed works:
[ Museo Thyssen Bornemisza, Madrid ] Paul Gauguin 'Allees et Venues, Martinique'
Attributed works:
[ Olimpia Theodoli, 55 Cambridge Street, London ] Jacques Callot (1592-1635) Cap.Mala Gamba - Cap.Bellavita. Etching. Lieure 393, First State of Two from the Balli di Sfessania
Attributed works:
[ Paul Prouté S. A., 74 rue de Seine, Paris ] Henri Martin (1860 - 1943). Two Standing Men, and a Detail of Feet. Charcoal, 592 × 243 mm, Signed with the Artists Initials Inscribed "pour la Sorbonne".
Attributed works:
[ Phillips, 101 New Bond Street, London ] Charles François Grenier de la Croix, Called Lacroix de Marseilles (Active Circa 1750-1782), A Mediterranean Harbour Scene, Signed and Dated 1759, Oil on Canvas, 97 cm × 137 cm. Estimate: £100,000-£150,000
Attributed works:
[ Phillips, 101 New Bond Street, London ] Claude Gellée, Called Claude Lorrain, (1600-1682). "A River Scene with Figures Loading a Barge", Pen and Brown Ink with Brown and Grey - Brown Wash, 126mm × 91 mm (Shown Actual Size). Estimate: £7,000-£10,000
Attributed works:
[ Richard L. Feigen & Company, 49 East 68th Street, New York ] Jean-Baptiste Camille Corot, Civita Castellana in the Mountains, Circa 1826-1827, Oil on Canvas, 24.8 by 39.2 cm. Lower right: "Vente/Corot"
Attributed works:
[ Sotheby's, 34-35 New Bond Street, London ] Antonio Canova (1757-1822). The Recently Discovered "Amorino" Commissioned by and Executed in Marble for John David La Touche, Son of the Irish Banker, Rome, 1790, 172cm High (Excluding Base). Estimate on Request.
Attributed works:
[ Sotheby's, 34-35 New Bond Street, London ] Francisco José Goya y Lucientes. Fuente de Todos 1746-1828 Bordeaux, Death of a Picador. Oil on Tinplate, 43 × 31,9 cm. From the Collection Formed by the British Rail Pension Fund. Estimate: £1,000,000-1,500,000
Attributed works:
[ Sotheby's, 34-35 New Bond Street, London ] Hans Memling, Seligenstadt c. 1440-1494 Bruges, Mater Dolorosa, Oil on Panel, 52.2 × 37.7cm. Estimate: £600,000-800,000.
Attributed works:
[ Sotheby's, 34-35 New Bond Street, London ] Pieter de Hooch, Rotterdam 1629-After 1683 Amsterdam. A Maid with a Broom and a Pail in a Sunlit Courtyard, Signed with Initials Lower Right: P. D. H. Oil on Canvas, 48.2 × 42.9cm. From the Fattorini Collection. Estimate on Request.
Attributed works:
[ Sotheby's, 34-35 New Bond Street, London ] Taddeo Zuccaro, Study of a Woman and Child, Red Chalk, a Separate Study in Pen and Brown Ink, 294 mm × 230 mm. From the Collection at Corsham Court. Estimate: £60,000-80,000.
Attributed works:
[ Tate Gallery Millbank, London (sponsored by BP) ] René Magritte, Man with a Newspaper, 1928
Attributed works:
[ The Grosvenor House Art & Antiques Fair, Park Lane, London ] A Fine Chippendale Period Carved Gilded Looking Glass. English, 1765. Height: 54 in (137 cm) Width: 26½ in (67 cm)
Attributed works:
[ The Grosvenor House Art & Antiques Fair, Park Lane, London ] A magnificent English George III commode in the manner of John Cobb. Executed in selected, faded mahogany, inlaid with oval panels of West Indian satinwood, the panels inlaid with floral marquetry, the sides still retaining the original carrying handles, the sabots to the feet also original. Circa 1765-70. Height: 37 in (97 cm) Width: 45½ in (116 cm) Depth: 24 in (61 cm)
Attributed works:
[ The Grosvenor House Art & Antiques Fair, Park Lane, London ] A Mediterranean Harbour Scene; Morning Claude Joseph Vernet. (1714 Avignon - Paris 1789) Signed and Dated Roma 1745. Oil on Canvas. $34frac{3}{4}$ × 47¼ in (88.2 × 120 cm).
Attributed works:
[ The Grosvenor House Art & Antiques Fair, Park Lane, London ] John Everett Millais (1829-1896). Alexander Munro (Inverness 1825-Cannes 1871). Plaster. Signed with Monogram.
Attributed works:
[ The Grosvenor House Art & Antiques Fair, Park Lane, London ] The Battle between Carnival and Lent Pieter Breughel the Younger. Oil on Canvas. Circa 1564 - Antwerp - 1637/8. 47 × 66½ in (119.5 × 169 cm).
Attributed works:
[ The Hellenic Centre, 16/18 Paddington Street, London ] Machos, Signs of Aproaching Rain, 1961. Oil on Canvas, 74 × 102 cm.
Attributed works:
[ The Matthiesen Gallery, 7-8 Mason's Yard, Duke Street, St James, London ] Giovanni del Biondo. Florence Active c. 1356-1398. The Funeral of St. Benedict. Tempera and Gold on Panel: 32 × 35 cm
Non-western art unattributed:
[ Cover ] The Crucifixion, Detail of a Tablet-Woven Silk Curtain. Ethiopian, c.1730-38. (Royal Ontario Museum, Toronto)
Non-western art unattributed:
[ Grace Wu Bruce, 701 Universal Trade Centre, 3 Arbuthnot Road, Hong Kong ] Huanghuali Wood Qiaotouan Table. w 226.1 cm d 43.2 cm h 82.6 cm. Chinese, Ming Dynasty, Late 16th to Early 17th Century
Non-western art unattributed:
[ Linda Wrigglesworth, 34 Brook Street, London ] 'Undercover in Japan'. Japanese Futon Covers, Furoshiki, Yogi & Fukusa. Edo & Meiji Period, 1700-1912
Non-western art unattributed:
[ Michael Sim, Royal Parade, Chisleyhurst, Kent ] A Chinese Kangxi period vase. Height 12½″. A mid-18th century stick barrometer by John Bird, Sea Quadrant, Strand. One of his instruments is described by Roger Pickering in Philosophical Transactions, Vol.43 No.473, p.5 (1744). From a selection of English and French carriage clocks; makers include Viner and Cole. A Chippendale period mahoganny secretaire, similar in proportions to the recently announced Osterley example. Width 2′ 6″; height 3′ 8″; depth 16″. Circa 1770. John Dwerrihouse, Berkeley Square, London. A neoclassical longcase clock of the model most often associated with Benjamin Vulliamy. The case was made by Joseph Rich, Vulliamy's cabinet maker. circa 1800.
Non-western art unattributed:
[ Sam Fogg, 35 St. George Street, London ] The Life of Mäba's S'eyon. Manuscript on Vellum with 82 Full Page Paintings. Gondar, Ethiopia. Early 18th Century. From the Library of Emperor Tewodros II at Magdala. In 1898 a Full Facsimile of the Manuscript was Published by E. A. Wallis Budge.
Non-western art unattributed:
[ The Grosvenor House Art & Antiques Fair, Park Lane, London ] A Blue and White Porcelain Ewer in the Shape of a Standing Crayfish. Standing on a Base with Flowers. Chinese, Wanli Period (1573-1619) Late 16th Century. Porcelain with Underglaze Decoration in Blue. Height: $6frac{3}{4}$ in
Non-western art unattributed:
[ Wiener Kunst Auktionen, Kärntnerringhof, Kärntner Ring 5-7, Vienna ] Suzani Lakai Embroidery Usbekistan, 2nd Half of 19th Century, Silk on Silk Emproidered, 136 × 176 cm. US$ 9,000 - 12,000
Non-western art unattributed:
[Eskenazi Oriental art, 10 Clifford Street, London ] Bronze Stallion. Late Eastern Zhou - Early Western Han Period, 3rd - 2nd Century BC. Height: 16.3cm
Western art unattributed:
[ Annie Trotter Ancient Art, Stand L22, Grays Mews Antique Market, 1-7 Davies Mews, London ] Cypro-Mycenaean Piriform Storage Jar, 1300-1200 B. C.
Western art unattributed:
[ Aubrey Brocklehurst, 124 Cromwell Road, London ] Fine Quality Tubular Chime Longcase Clock in a Mahogany Veneered Case. Late 19th Century. Height 7′ 9″ (236 cms)
Western art unattributed:
[ C. John, 70 South Audley Street, London ] A Magnificent Brussels Renaissance Tapestry Depicting the Opposing Armies of Scipio and Hannibal. Circa 1600. Silk and Wool. In Excellent Condition. Height 343 cm (135 in). Width 320 cm (126 in).
Western art unattributed:
[ Daniel Katz Ltd, 59 Jermyn Street, London ] Florence, Italy Late 17th Century Laocoön Group Bronze Height 57 cm
Western art unattributed:
[ Douglas Bryan, The old bakery, St. David's Bridge Cranbrook Kent ] A Rare Pine and Oak Court Cupboard with Paint Decoration. Circa 1650. Height: 65″ (165 cm) Width 57″ (145 cm) Depth 20″ (51 cm).
Western art unattributed:
[ Jeanette Hayhurst, 32A Kensington Church Street, London ] A Group of Early 18th-Century English Glasses.
Western art unattributed:
[ Laurie Leigh 32 High Street, Oxford ] English 18th & 19th Century Wine Glasses and Tableware.
Western art unattributed:
[ Mark J. West, 39 B High Street, Wimbledon Village, London ] A Large Crystal Champagne Jug and Two Goblets, Engraved All over with Stars and on One Side with the Crest of the Prince of Wales (The Three Ostrich Feathers and above the Motto 'Ich Dien) and on the Reverse with the Arms of the City of London (A Wing and Cross of St George above the Motto 'Domine nos Dirige). Height (jug) 31.7 cm (12½ in).
Western art unattributed:
[ Norman Adams, 8-10 Hans Road, London ] A Fine Large George II Carved Wood Gilt Mirror of Bold Design. Circa 1735. Height 62 ins (158 cms). Width 36 ins (92 cms).
Western art unattributed:
[ Somerbale Antiques, 6 Radstock Road, Midsomer Norton, Bath ] Fine Beilby Wine Glass. The Ogee Bowl Enamelled in White with the Fruiting Vine Motif. Traces of a Gilt Rim on a Stem with a Double Series Opaque Twist. Plain Conical Foot. Height: 15.2cm. c. 1770
Western art unattributed:
[ Sotheby's, 34-35 New Bond Street, London ] A large and fine gilt copper and cloisonné enamel reliquary chasse commemorating the Martydom, Burial and Ascent of the soul of Saint Thomas à Becket. Limoges, circa 1195, 30.5cm × 29.9cm × 11.4cm. From the Collection formed by the British Rail Pension Fund. Estimate on request.
Western art unattributed:
[ The Grosvenor House Art & Antiques Fair, Park Lane, London ] A George III Satinwood Display Cabinet. English. Circa 1780. Height: 82 in (208 cm) Width: 45 in (114 cm) Depth: 22½ in (57 cm)
Western art unattributed:
[ The Grosvenor House Art & Antiques Fair, Park Lane, London ] A pair of Brighton Pavilion jardinières. A unique pair of hexagonal jardinières, standing on simulated bamboo columns and curved platform bases with painted fretwork in red and green with pink and red hanging bells to the corners. Original paintwork. Wood (beech and pine). English, circa 1802. Height: $33frac{3}{4}$ in (86 cm)
Western art unattributed:
[ The Grosvenor House Art & Antiques Fair, Park Lane, London ] A pair of ovoid-shaped porcelain vases with wide curved necks and mask-headed handles, the spreading foot on square bases and plinths, lavishly decorated with a rare variety of flowers and birds on a white ground. Bearing the blue mark JP en bleu grand feu sous émail. French, circa 1840 Height: 28 in (71 cm) Length: 13 in (33 cm) Depth: 8½ in (21 cm).
Western art unattributed:
[ William H. Stokes, the Cloisters, 6/8 Dollar street, Cirencester, Gloucestershire ] Small English Boarded Chest with Chip-Carved Decoration to the Front. Oak, Early 16th-Century. $28frac{3}{4} text{ins}times 16frac{3}{4}$ ins × 21½ ins High.
Western art unattributed:
[Gerald E. Marsh Antique Clocks Ltd., 32a The Square, Winchester, Hants ] J. S. Chauvet, Paris. A Louis XV longcase clock of superb quality, veneered in tulip wood and king wood with ormolu mounts. The movement with Dead Beat escapement, striking the hours and half hours, the dial indicating the time, seconds, date, month and moon phases. Height: 6 feet 11 inches.
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Advertisements September 1995 (back)
09/1995 | 1110 | 137
Pages: 649-650
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Advertisements August 1995 (front)
08/1995 | 1109 | 137
Pages: i-iv
Subjects
advertisements:
artists:
subjects:
Illustrations
Attributed works:
[ Galerie Hans, Jungfernstieg 34, Hamburg ] Thomas Gainsborough (1727 - 1788). Wooded Landscape with Herdsman and Cows, Grey and Brown Wash and Oil on Brown-Toned Paper, 36,6 × 42,9 cm. Early 1770s
Attributed works:
[ Galerie Sanct Lucas, Palais Pallavicini, Josefsplatz 5, Vienna ] Josef Danhauser. Vienna, 1805 - 1845 Panel, 36 × 40.3 cms. Signed in Monogram and Dated 1845
Attributed works:
[ The Artemis Group, David Garritt Limited, 15 Duke Street, St. James, London / Artemis S. A., 11 Grand Rue, Geneva ] John Sell Cotman 1782-1842. The East End of the Bauchon Chapel in Norwich Cathedral, c.1806-10. Watercolour and Gum Arabic over a Pencil Drawing. Size: 428 × 275 mm.
Western art unattributed:
[ Cover ] Prophet from the Ceiling of the Painted Chamber at Westminster Palace. c.1263-66. Oak Panel, 45.3 by 42.5 cm. (British Museum, London).
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08/1995 | 1109 | 137
Pages: 585-586
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Advertisements July 1995 (front)
07/1995 | 1108 | 137
Pages: i-viii
Subjects
advertisements:
subjects:
Illustrations
Attributed works:
[ Arturo Cuellar, Bürglistrasse 18, Zurich ] Claude Gellée dit Le Lorrain (1600 - 1682). "View of an Imaginary Port", France, Circa 1640 - 1645. Pen and Sepia Ink with Sepia Wash over Traces of Black Chalk 5¼ × $7frac{3}{4}$ Inches (13.4 × 19.8 cm)
Attributed works:
[ C. G. Boerner, Kasernenstrasse 13, Düsseldorf / 61 East 77th Street, New York ] Johann Christian Reinhart, 1761 Hof - Rome 1847. A Rocky Landscape with Pan Playing the Flute Black Chalk and Brown Washes, Signed and Dated C. Reinhart fec. Roma 1808. Size 444 × 588 mm.
Attributed works:
[ Colnaghi, 14 Old Bond Street, London / 21 East 67th Street, New York ] Claude Vignon, Tours 1593 - Paris 1670. The Adoration of the Magi, Oil on Copper: 48.5 × 37 cms
Attributed works:
[ Cover ] Sts John the Baptist and Lawrence, by Hans Memling. Panel, 57.5 by 17.2 cm. Each (National Gallery, London).
Attributed works:
[ Galerie Sanct Lucas, Palais Pallavicini, Josefsplatz 5, Vienna ] Herman Saftleven Born 1609 in Rotterdam, Died 1685 in Utrecht Panel, 34.2 × 47.8 cms. Signed and Dated 1634
Attributed works:
[ Sam Fogg, 35 St. George Street, London ] Book of Hours with 74 Miniatures by the Dresden Master, Circa 1495
Attributed works:
[Paul Prouté S.A., 74 rue de Seine, Paris ] Giovanni Benedetto Castiglione, (Genova 1609 + Mantova 1665). The Sacrifice of Noah(?). Pen and Brown Ink, 169 × 252.
Western art unattributed:
[ Cinq Antiquaires a Paris ] A Louis XVI Pair of Jardinieres Carved and Painted Wood Height: 85 in - 216 cm.
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Advertisements January 1995 (front)
01/1995 | 1102 | 137
Pages: i-xvi
Subjects
advertisements:
advertisements:
artists:
subjects:
Illustrations
Attributed works:
[ Alex Wengraf Limited, The Old Knoll, Eliot Hill, London ] Karel Philips Spierincks Called Carlo Filipo 1609 - Brussels - Rome - 1639. Apollo and Hyacinth. Oil on Canvas, 88.5 × 84.5 cm ($34frac{3}{4}$ × 33¼ Inches)
Attributed works:
[ Arturo Cuellar, Bürglistrasse 18, Zurich ] Claude Gellée dit le Lorrain (1600 - 1682). "View of an Imaginary Port". France, Cica 1640-1645. Pen and Sepia Ink with Sepia Wash over Traces of Black Chalk 5¼ × $7frac{3}{4}$ Inches (13.4 × 19.8 cm)
Attributed works:
[ C. G. Boerner, Kasernenstrasse 13, Düsseldorf / 61 East 77th Street, New York ] Eugen N. Neureuther. Illustrations to G. A. Bürger's Ballad "Lenore". Pen and Black Ink, Water-Colours and Body-Colour. Signed and Dated. 1835. 420 × 282 mm. Von Boetticher 72.
Attributed works:
[ Charles Ratton & Guy Ladrière, 14 rue de Marignan and 11 quai Voltaire, Paris ] Jean-François de Troy (Paris 1679 - Rome 1752). La Sainte Famille. Oil on Panel - 26.5 × 25.8cm. Signed "De Troy Fils" - Dated 1732
Attributed works:
[ Colnaghi, 14 Old Bond Street, London / 108-112 Rue du Faubourg St. Honoré, Paris / 21 East 67th Street, New York ] Giovanni David (1743-1790). An Allegory of the Wool Guild, with Athena and Fates Pen and Grey Ink and Wash, Heightened with White and Yellow, 16¼ × $9frac{3}{4}$ ins
Attributed works:
[ cover ] The Judgment of Solomon, by Nicolas Poussin. 100 by 150 cm. (Louvre, Paris).
Attributed works:
[ Dover Street Gallery, 13 Dover Street, London ] Luigi Garzi (1638-1721). The Finding of Moses. Oil on canvas. 312 by 221 cms
Attributed works:
[ Galerie Sanct Lucas, Palais Pallavicini, Josefsplatz 5, Vienna ] Pieter Neefs the Elder. Antwerp 1578-1656. Panel, Signed and Dated 1612. 36,8 × 31,2 cms
Attributed works:
[ Otto Nauman, Ltd, 22 East 80th Street, New York ] Simon Pietersz. Verelst (1644-1721). An Opium Poppy and other Flowers in a Glass Vase.
Attributed works:
[ Paul Prouté S. A., 74 rue de Seine, Paris ] Giovanni Paolo Pannini. Piacenza 1691 + Rome 1765. Antique Architectural Capriccio. Pen and Brown Ink, Brown and Indian Ink Wash, 715 × 453.
Attributed works:
[ Richard L. Feigen & Company, 6 Ryder Street, St James, London / 49 East 68th Street, New York] Nicolas Poussin. Saint Denis couronné par un ange. Oil on Canvas, 173 by 107.5 cms. Musée des Beaux-Arts, Rouen.
Attributed works:
[ Schlichte Bergen, P. C. Hooftstraat 53, Amsterdam / Velazquezstraat 8, Amsterdam ] Jacob Jordaens Antwerp 1593 - 1678. Study of a Man's Head by Candlelight. Oil on Paper Laid down on Panel, 38.5 × 26cm
Attributed works:
[ The Olympia Antiques Fairs, Exhibition Centre, Warwick Road, London ] Gwen John Self Portrait (Detail), Circa 1900, by Courtesy of the National Portrait Gallery, London.
Attributed works:
[ Thomas Colville Fine Art, 58 Trumbull Street, New Haven / 1000 Madison Avenue, New York ] The Three Oaks, c. 1835-40. Oil on Canvas. 20 × 29¼ Inches Initialed Lower Right J. D.
Western art unattributed:
[ Glass Gallery Michael Kovacek, Spiegelgasse 12, Vienna ] Beaker, façon de Venise Netherlands. ca. 1700. Colourless Glass with Chips of Red, White and Yellow Glass Embedded in the Surface: Trailed and Milled Foot-Rim: Kicked-in Base with Pontil-Mark, Height 18.6 cm.
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Advertisements December 1994 (front)
12/1994 | 1101 | 136
Pages: i-xx
Subjects
advertisements:
subjects:
Illustrations
Attributed works:
[ Christie's, 502 Park Avenue, New York ] Jacopo del Casentino: (active 1339-died between 1349/58). A Portable Tabernacle: The Madonna and Child enthroned with a Royal female Saint, a Bishop Saint, Saints John the Baptist, Peter and adoring Angels; The wings: the Nativity; and the Crucifixion, with the Annunciation above. Tempera on gold ground panel. Centre: 16 × 8 in. (40.6 × 21.6cm.) wings: 16 × 5 in. (40.6 × 14cm.) Estimate: $250,000-350,000. Property from the Collection of Carel Goldschmidt.
Attributed works:
[ Colnaghi, 14 Old Bond Street, London / 108-112 Rue du Faubourg St. Honoré, Paris / 21 East 67th Street, New York ] Pierre Henri de Valenciennes. Toulouse 1750 - Paris 1819. An Ideal Classic Landscape with Washerwomen around a Fountain. Oil on Canvas: 205.7 × 162.8 cms. Signed and Dated at lower Right: Valenciennes 1809
Attributed works:
[ cover ] Detail of a Crucifix, Attributed to Andrea del Verrocchio. Limewood and Cork with Stucco and Polychromy, 87 cm High (Whole). (Confraternity of S. Francesco Poverino, Florence).
Attributed works:
[ Flavia Ormond Fine Arts, 24 Brechin Place, London ] Ubaldo Gandolfi, 1728 - 1781. Christ and the Woman of Canaan. c. 1763 - 5. Pen and Brown Ink and Brown Wash over Black Chalk. 212 × 295 mm.
Attributed works:
[ Galerie Sanct Lucas, Palais Pallavicini, Josefsplatz 5, Vienna ] Pieter van LAER. Born between 1582 and 1613 in Haarlem, Died There Approx. 1642 Copper, 9,6 × 11,8 cms.
Attributed works:
[ Hill-Stone, New York ] After Pieter Brueghel, the Elder c. 1525 - 1569 The Battle of the Money-Bags and the Strong-Boxes.
Attributed works:
[ Joanna Barnes Fine Arts, 14 Mason's Yard, Duke Street, St. James, London ] Cardinal Cheverus by Pierre-Jean David d'Angers (Angers 1788 - Paris 1856) Terracotta. H. 49cm Signed: David
Attributed works:
[ Olimpia Theodoli, 55 Cambridge Street, London ] Pietro Testa (1611-1650) The Lyceum of Painting. Etching, c. 1638 (Cropper 41, II/II)
Attributed works:
[ Otto Naumann, Ltd., 22 East 80th Street, New York ] Antiveduto Gramatica (1571 between Siena and Rome - 1626 Rome) Samson and Delilah (One of a Pair) in Its Original 17th Century frame
Attributed works:
[ Richard Green, 33 New Bond Street, London ] Anthonie Palamedesz. (1601-1674). Cavaliers and Ladies Making Music. Signed and Dated 1634. Panel: 23½× 26¼in/52 × 66.5 cm
Attributed works:
[ Richard L. Feigen & Company, 6 Ryder Street, St James, London / 49 East 68th Street, New York] Abraham Bloemaert, Miracle of the Loaves, 1593. Oil on Canvas Laid down on Panel 15 by 19¼ Inches (38 by 49 cm.) Indistinctly Signed and Dated, lower Right: "A Bloemaert/fecirir 1593"
Attributed works:
[ Sam Fogg, 35 St. George Street, London ] A Seraph, from the Ceiling of the Painted Chamber at Westminster. Painted in about 1265, Probably by Walter of Durham, 'The King's Painter'. Oil on Panel; 45 × 42 cm.
Attributed works:
[ Sotheby's, 1334 York Avenue, New York ] Giuseppe Bernardino Bison (1762-1844). A Lady and Gentleman Looking out of an Ornate Window. Pen and Brown Ink and Wash and Watercolour. 305×197mm. Estimate:$12,000-$16,000
Attributed works:
[ Sotheby's, 1334 York Avenue, New York ] Pierre-Paul Prud'hon (1758-1823). Study for the "Glorification of the House of Burgundy" (Glorification of the Prince de Condè) Oil on Canvas, 136.5cm × 84.5cm). Estimate:$100,00-$150,000.
Western art unattributed:
[ C. G. Boerner, Kasernenstrasse 13, Düsseldorf / 61 East 77th Street, New York ] Mater Sapientiae. Franconian (? Ca. 1450). Watercolour, Coloured in Redbrown, Greybrown, Pale Yellow and Light Green. Schreiber II, 1046. Unique.
Western art unattributed:
[ Glass Gallery Michael Kovacek, Spiegelgasse 12, Vienna ] Marriage Goblet for Georg Wolf von Tettau and his wife Dorothea von Wallenfels, Hall in Tirol?, dated 1586. Colourless glass, blown and free-formed, diamond-engraved. Bowl diamond-engraved with the alliance coat-of-arms of Georg Wolf von Tettau and his wife Dorothea von Wallenfels. Above the arms the initials of the married couple GWVT (Georg Wolf von Tettau) and DVWF (Dorothea von Wallenfels) as well as the wedding date 1.5.8.6.; framing scriptband with continous inscription: ICH. STELL. MEIN. SACH. ALLEIN. ZV. GOTT. DER. WIRT. MIR. HELFEN. IN. ALLER. NOT. (I trust in God who will help me in distress.) Height 39.8 cm - 41.2 cm. Upper diam. 26.4 cm.
Western art unattributed:
[ Nella Longari, Via Bigli 15, Milan ] ATTAVANTE Miracle of San Michele on Monte Gargano. Florence, 1480 Circa. Tempera on Vellum, Cut to Shape, 265 × 280 mm. Musical Annotations on Four-Line Stave and Fragments of Text in round Gothic Script on Reverse (Super eum Spiritum Meum) Annotation in Ink, Bottom-Left: 1834 W. E. 324 Master Unknown.
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Advertisements April 1992 (front)
04/1992 | 1069 | 134
Pages: i-xxviii
Subjects
advertisements:
artists:
subjects:
Illustrations
Attributed works:
[ L 'Arte Antica Silverio Salamon, Via A. Volta, Turin] Albrecht Dürer, Nuremburg 1471-1528 The Four Horsemen of the Apocalypse, 1497 c.a Woodcut, Meder 167 (mm. 392×167)
Attributed works:
[Bruno Scardeoni, 54 Via Nassa, Lugano] The Nativity, Oil on Panel 17.8 by 17.8 cms by Benvenuto Tisi, il Garofalo (Ferrara c1481-1559).
Attributed works:
[Butterfied & Butterfield, 220 San Bruno Ave., San Francisco/ 7601 Sunset Blvd. Los Angeles] Jacob Marrel (Dutch, 1614-1681) Floral Still Life with Lizard and Insects in a Niche, Signed and Dated 1635, Oil on Panel, 24½ × 18 Inches (62.2 × 45.72 cm). Joachim Wtewael (Dutch, 1566-1638) Jacob and Esau, Oil on Canvas, $60frac{3}{4}$ × 80 Inches (154.3 × 203.2 cm). Leon-François Comerre (French, 1815-1916) Cassandre Tuee par Clytemmnestre. Oil on Canvas, 52 × $78frac{3}{4}$ Inches (132.1 × 200 cm), Signed and Dated. Sir Henry Landseer, R. A. (British, 1802-1873) Odds and Ends-Trophy for a Hall. Oil on Canvas, $54frac{3}{4}$ × 43 Inches (139.1 × 109.2 cm)
Attributed works:
[C. G. Boerner, Kasernenstrasse 13, Dusseldorf/ 61 East 77th Street, New York] Rembrandt. The Agony in the Garden. Etching and Drypoint. (1657). Bartsch 75, Scidlitz and White-Boon Only State. Hind 293.
Attributed works:
[Cover] Detail of Christ's Head from the Christ and St Thomas Group by Verrocchio from Orsanmichele, Florence, during Cleaning. Bronze.
Attributed works:
[Galerie Alain Berger, 3 rue de L' Universite, Paris] Pier-Maria Bagnadore (Or Bagnatore), Orzi c.1550-1619. Christ Surrounded by Angels Holding the Instruments of the Passion. Pen with White Heightening, 29.7 by 26 cms.
Attributed works:
[Galerie Gerda Bassenge, Erdener Strasse 5A, Berlin] Master IB with the Bird. Leda and the Swan. Engraving. 1503. Bartsch XIII, 46; Hind V, 257, 9 II.
Attributed works:
[Galleria Salamon, Via San Daniano 2, Milan] Antonio Canal Called Il Canaletto (Venice 1697-1768). Grand Canal: From Sta Maria della Carità to the Bacino di S. Marco. Oil on Canvas: cm. 46 × 63.5
Attributed works:
[H. W. Fichter, Arndstrasse 49, Frankfurt/ Main] Eugen Bracht (1842 Morges-Darmstadt 1921). Out of the Sinai Desert. Oil on Canvas Signed, Dated and Stamped Lower Right
Attributed works:
[Karl & Faber, Amiraplatz 3, Munich] Robert Michel, (Germany, 1897-1983), Giant Fish, Mixed Media on Paper, c.1920, 59 × 68 cm, Signed.
Attributed works:
[Kate Ganz Ltd, 54 South Street, London/ 66 East 83rd Street, New York] G. B. Tiepolo, Study for a Figure Seen From Below, Pen, Brown Ink and Wash, 27.3 × 18.7 cms., c.1760.
Attributed works:
[Richard L. Feigen & Company, 6 Ryder Street St James, London] Pieter Lastman, Balaam and the Ass, 1622. Oil on Panel, $15frac{7}{8} text{by} 22frac{7}{8}$ Inches (40.3 by 60.6 cm.). Signed and Dated, Lower Left: "P. Lastman Fecit 1622"
Attributed works:
[Sotheby's, 34-35 New Bond Street, New York] Corneille de Lyon (1510-1574), Portrait of King James V of Scotland (1512-1542), Oil on Panel, in a Tabernacle Frame from Northern Italy, Probably Part Mid Sixteenth Century, 17 by 14.5 cm. From the Sale of British Paintings 1500-1850, London, 8th April. Estimate: £30,000 - 40,000.
Attributed works:
[Spink & Son LTD, 5,6 &7 King Street St James, London] John Russell 1745-1806. Study of the Head of a Clergyman
Attributed works:
[Stanza del Borgo, Via G. Puccini 5, Milan] Pietro Antonio Novelli. Venice 1729-1804. Allegory of Time. Pen, Brown Ink with Grey and Brown Wash 412 × 275 mm.
Attributed works:
[Trinity Fine Art LTD, 29 Bruton Street, London] Valerio Castello, Moses Striking the Rock, Oil on Canvas, 50 × 41 cms, the Bozzetto for the Painting in the Musée du Louvre.
Attributed works:
[Villa Grisebach auctions, Fasanenstrasse 25, Berlin] Fernand Khnopff. Portrait of a Woman. Around 1910 Drawing in Black and Blue Chalk over Pencil on Thin Cardboard. 22.3 × 11 cm. Signed in Pencil on Lower Right: Fernand Khnopff. Estimate: DM 20,000 - 30,000
Attributed works:
[Voena, Via dei Mille 36, Turin] Massimo Stanzione Orta di Atella/CE 1585 ca. - Naples 1658 ca. The Mystic Marriage of Saint Catherine. Oil on Canvas, 124 × 150 cm.
Western art unattributed:
[Antony Embden, 15 Quai Voltaire, Paris] A Bronze Lion and Lioness. Florentine c. 1600 Height: Approx. 12 cm. Length: 15 cm. On Their Original Wood Plinths.
Western art unattributed:
[Charles Ratton & Guy Ladriere, 14 rue de Merignan and 11 quai Voltaire, Paris] Small Travelling-Case with Secret Compartments, Covered Red Morocco Leather Decorated with Gilt Stamping. The Medici Arms Appear on the Interior of the Lid. Italian. Sixteenth Century.
Western art unattributed:
[Nella Longari, Via Bigli 15, Milan] "Miniatore Toscano" Initial "M": "Due Santi" XIII cent. Tempera on Vellum 100 × 125 mm.
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