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88 articles
Article
The young Jordaens
04/2023 | 1441 | 165
Pages: 366-377
related names
Author:
Vander Auwera, Joost (Vander Auwera, Joost )
Subjects
dates:
places:
Illustrations
Attributed works:
1. Adoration of the shepherds, by Jacques Jordaens. 1616. Oil on panel transferred to canvas, 113 by 81 cm. (Metropolitan Museum of Art, New York; Bridgeman Images).
Attributed works:
10. Holy Family with St Anne, the young St John the Baptist and his parents, by Jacques Jordaens. c.1620–25 and c.1650s–early 1660s. Oil on panel, 169.9 by 149.9 cm. (Metropolitan Museum of Art, New York).
Attributed works:
11. Holy Family with St Elizabeth, by Jacques Jordaens. c.1620–23. Pen and brown ink and brown wash, heightened in places with white body colour, 12.3 by 12.1 cm. (British Museum, London).
Attributed works:
12. X-radiographs of Fig.10, revealing the original central composition. (Metropolitan Museum of Art, New York).
Attributed works:
13. Satyr and peasants, by Jacques Jordaens. After 1663. Oil on panel, 77 by 50.1 cm. (Private collection).
Attributed works:
14. Holy Family, by Jacques Jordaens. Here dated c.1616. Oil on canvas, 155 by 113 cm. (Royal Museums of Fine Arts of Belgium, Brussels).
Attributed works:
15. Pan and Syrinx, by Jacques Jordaens. Here dated c.1619–20. Oil on canvas, 173 by 136 cm. (Assembly of photographs by Freya Maes and of X-radiographs by Guido van de Voorde; Royal Museums of Fine Arts of Belgium, Brussels; KIK/IRPA).
Attributed works:
16. Abduction of Europa, by Jacques Jordaens. c.1615–16. Oil on panel, 55 by 93.5 cm. (Current location unknown).
Attributed works:
17. Christ with Nicodemus, by Jacques Jordaens. Here dated c.1618. Oil on panel, 112 by 83 cm. (Royal Museums of Fine Arts of Belgium, Brussels; Bridgeman Images).
Attributed works:
18. Lot and his family leaving Sodom, by Jacques Jordaens, after Peter Paul Rubens. Here dated c.1617–18. Oil on canvas, 169.5 by 198.5 cm. (National Museum of Western Art, Tokyo).
Attributed works:
2. The daughters of Cecrops finding the child Erichthonius, by Jacques Jordaens. 1617. Oil on canvas, 170 by 280 cm. (Royal Museum of Fine Arts, Antwerp).
Attributed works:
3. Adoration of the shepherds, by Jacques Jordaens. 1618. Oil on canvas, 124 by 93 cm. (Nationalmuseum, Stockholm).
Attributed works:
4. Adoration of the shepherds, here attributed to Jacques Jordaens. Here dated c.1615. Oil on panel, 64.3 by 51.4 cm. (Museum Mayer van den Bergh, Antwerp).
Attributed works:
5. Adoration of the shepherds, by Jacques Jordaens. Here dated c.1615. Red and black chalk, brush in brown ink and watercolour, some white body-colour on paper, 16.7 by 20.2 cm. (Museum Boijmans Van Beuningen, Rotterdam).
Attributed works:
6. Holy Family with St Anne, by Jacques Jordaens. Here dated c.1617–18. Oil on panel, 63.7 by 48.5 cm. (City Hall, Municipality of Saint-Gilles, Brussels; on long-term loan to the Royal Museums of Fine Arts of Belgium, Brussels).
Attributed works:
7. Allegory on the Peace of Münster, by Jacques Jordaens. 1654. Oil on canvas, 184 by 139.5 cm. (National Gallery, Oslo).
Attributed works:
8. Detail of Fig.6.
Attributed works:
9. Holy Family with St Elizabeth, by Jacques Jordaens and workshop. c.1620–23. Oil on panel, 122.6 by 145 cm. (Alte Pinakothek, Munich).
Book Review
Subjects from History: The Decius Mus Series (Corpus Rubenianum Ludwig Burchard, 13)
09/2021 | 1422 | 163
Pages: 862-864
related names
Reviewer:
Brown, Christopher (Brown, Christopher)
Subjects
Reviewed Items
works:
Subjects from History: The Decius Mus Series (Corpus Rubenianum Ludwig Burchard, 13) By Reinhold Baumstark and Guy Delmarcel. 2 vols, 778 pp. incl. 99 col. + 161 b. & w. ills. (Brepols, Turnhout, 2019), €275. ISBN 978–1–912554–23–2. | :
Illustrations
Attributed works:
1. Modello for The interpretation of the victim, by Peter Paul Rubens. 1617. Oil on panel, 74.6 by 104.1 cm. (Oskar Reinhart Collection ‘Am Römerholz’, Kunst Museum Winterthur).
Short Notice
New information about Jacques Jordaens’s portraits of Johannes I Wierts and his wife
02/2021 | 1415 | 163
Pages: 155-157
related names
Author:
Cauteren, Katharina van (Cauteren, Katharina van)
Subjects
artists:
dates:
patrons:
places:
Illustrations
Attributed works:
10. Detail of Fig.7.
Attributed works:
7. Johannes I Wierts, by Jacques Jordaens. c.1635. Oil on canvas, 134.5 by 108.5 cm. (Wallraf-Richartz Museum and Fondation Corboud, Cologne).
Attributed works:
8. Susanna Walewijns, by Jacques Jordaens. c.1635. Oil on canvas, 134.5 by 108.5 cm. (Wallraf-Richartz Museum and Fondation Corboud, Cologne).
Attributed works:
9. Detail of Antverpia, constructionis eius primordia et incrementa, showing Stoofstraat at the bottom centre of the map, printed by Pieter II Verbiest. c.1662. Engraving, 49 by 67.5 cm. (City Archive, Antwerp).
Exhibition Review
Works by Jordaens in Russia Pushkin State Museum of Fine Arts, Moscow
09/2019 | 1398 | 161
Pages: 759-762
related names
Reviewer:
Phillips, Catherine (Phillips, Catherine)
Subjects
artists:
dates:
Illustrations
Attributed works:
11. Meleager and Atalanta, by Jacob Jordaens. 1617–18. Canvas, 156.5 by 123 cm. (Museum of Fine Arts, Ekaterinburg; exh. Pushkin State Museum of Fine Arts, Moscow).
Attributed works:
12. ‘Diliget’ (allegory of the choice between Virtue and Vice), by Jacob Jordaens. c.1645. Black and red chalk, pen and brown ink, brown wash, 29 by 18 cm. (State Hermitage Museum, St Petersburg).
Attributed works:
13. Bean king (the king drinks), by Jacob Jordaens. c.1638. Oil on canvas, 160 by 213 cm. (State Hermitage Museum, St Petersburg; Bridgeman Images).
Letter
Letters: A portrait of Gaspar de Crayer
08/2019 | 1397 | 161
Pages: 620
Subjects
Illustrations
Attributed works:
1. Portrait of Gaspar de Crayer, by Jacob Jordaens. c.1642–50. Oil on canvas, 67 by 54.5 cm. (Private collection).
Advertisements
Advertisements (front)
01/2019 | 1390 | 161
Pages: i–xx
Subjects
subjects:
Illustrations
Attributed works:
[Bernard Quaritch Ltd, London. Master of the Brussels Initials, St John the Evangelist, very large initial ‘V’ cut from a gradual, Italy (Bologna), c. 1410–20.]
Attributed works:
[BRAFA, Brussels. Angel, circle of Guillaume Kerricx the Elder (1652–1719), c.1700. Painted wood, height 173 cm. Galerie Sismann, Paris]
Attributed works:
[BRAFA, Brussels. Floor lamp, by Poul Henningsen (1894–1967). 1927–28. Brass and lacquered metal, height 150 cm. Galerie Le Beau-Goklaere, Brussels]
Attributed works:
[BRAFA, Brussels. Forze Spazial, (Project for a lampshade), by Giacomo Balla (1871–1958). c.1925. Tempera on cardboard, 11.5 by 36.8 cm. Rosenberg & Co., New York]
Attributed works:
[BRAFA, Brussels. Pair of encoignures with Chinese export and European lacquer panels, attributed to Jacques Dubois (1694–1763). c.1750. Marble, bronze, oak, ormolu and lacquer with cherry and ebony veneer, height 94 cm. Röbigg, Munich]
Attributed works:
[BRAFA, Brussels. Psyche abandoned, by Piero Tenerani (1789–1867). 1845. Marble, height 120 cm. Brun Fine Art, London]
Attributed works:
[BRAFA, Brussels. Scenes from St Blas’s life, by The Riglos Master, (c.1434–60). c.1450–60. Panel, 188 by 52 cm. Galeria Bernat, Barcelona]
Attributed works:
[BRAFA, Brussels. The four elements, by Artus Wolffort (1581–1641). Canvas, 200 by 158 cm. Jan Muller Fine Art, Ghent]
Attributed works:
[Christopher Bishop Fine Art, New York. Bartholomeus Spranger (Antwerp 1546–Prague 1611). Saint Ursula 197 x 162 mm. Pen and brown ink over traces of black chalk with red and green washes. Squared for transfer. ca. 1583]
Attributed works:
[Découvert Fine Art, Rockport, MA. Compositional Study or Ricordo of Bottom Half of the Altar of St. George in Braida. Workshop of Paolo Veronese, with question of his hand. Verona, 1528 – 1588. Venice Pen, brown ink and brown wash, heightened with white on blue paper, 28.1 by 35.5 cm. From The Skippe Collection, Christie’s, 11/20 & 21/1958, lot 91, as Paolo Farinati]
Attributed works:
[Freeman's Auction, Philadelphia. Master of the Embroidered Foliage (Netherlandish, active Brussels, late 15th century). Nursing Madonna. Oil and tempera on cradled oak panel. 33 3/4 x 28 in. (85.7 x 71.1 cm). $150,000–250,000.]
Attributed works:
[Galerie J. Kugel, Paris. Léonard Limosin. Henri II, King of France, circa 1553. Polychrome enamel on copper, H. 7 in; L. 5.1 in. Ex. collection: Rosebery, Mentmore Towers]
Attributed works:
[Kunstkammer Georg Laue, Munich. Christ in the Garden of Gethsemane. Master of the St Sebastian's Martyrdoms. Vienna ca 1660. Wood. Height 20 cm, width 40.5 cm]
Attributed works:
[Master Drawings New York. A page from a sketchbook, belonging to Arshile Gorky (1904–48). 1931. Ink on paper, 31.5 by 23.8 cm. Pavel Zoubok Fine Art]
Attributed works:
[Master Drawings New York. Cupid dictating a letter to a young woman, by Jean-Baptiste Greuze (1725–1805). Pen and ink and grey wash heightened with white gouache on blue paper, 41 by 30.6 cm. Didier Aaron, Inc.]
Attributed works:
[Master Drawings New York. Girl leaning on her elbow, by Egon Schiele (1890–1918). 1915. Charcoal on paper, 50 by 33.3 cm. W&K – Wienerroither & Kohlbacher]
Attributed works:
[Master Drawings New York. In the courtroom (avant l’audience), by Honoré Daumier (1808–79). Pen and black ink and charcoal, 21.2 by 22.5 cm. Stephen Ongpin Fine Art]
Attributed works:
[Master Drawings New York. On the blue swamp, by Alexander Calder (1898–1976). 1966. Watercolour on paper, 78 by 58 cm. David Tunich, Inc.]
Attributed works:
[Master Drawings New York. Portrait of Nicolas, seigneur de Beurville et de Fresne, by Étienne Dumonstier (1540–1603). c.1581–83. Canvas, 187.3 by 107.3 cm. Galerie J. Kugel]
Attributed works:
[Master Drawings New York. Ruins of the Mithraic Mysteries, by Anthony Baus (b.1981). 2018. Pen and sepia ink and wash on toned paper, 30.5 by 38.1 cm. Robert Simon Fine Art]
Attributed works:
[Master Drawings New York. St John the Baptist, by Carlo Bononi (1569–1632). Pen, brown ink and wash, 15.2 by 6.9 cm. Découvert Fine Art]
Attributed works:
[Master Drawings New York. Study for the head of St John the Baptist, by Auguste Rodin (1840–1917). c.1885–90. Plaster, height 14 cm. Stuart Lochhead Sculpture]
Attributed works:
[Master Drawings New York. Venus at the forge of Vulcan, asking for arms for Cupid, by Biagio Pupini, called Biagio dalle Lame (active 1511–51). Pen and brown ink, heightened with a white, red and brown wash on paper, 29.3 by 20.5 cm. Hazlitt, Gooden & Fox (US) Ltd.]
Attributed works:
[Robert Simon Fine Art, New York. Anthony Baus (b.1981), Ruins of the Mithraic Mysteries. Pen and sepia ink and wash on toned paper, 30.4 x 38.1 cm]
Attributed works:
[Robert Simon Fine Art, New York. Giovanni Battista Tiepolo (Venice 1696–1770 Madrid), Allegory of Peace and Fortitude. One of five “secondo strappo” detached frescoes from the Palazzo Canossa, Verona, 185 x 138 cm]
Attributed works:
[Robert Simon Fine Art, New York. Jacob Jordaens (Antwerp, 1593–1678), Democritus. Colored chalk on paper, 14.3 x 11.3 cm]
Non-western art unattributed:
[BRAFA, Brussels. Moonflask. Chinese, Kangxi period (1662–1722). Porcelain, height 19.4 cm. Galerie Bertrand de Lavergne, Paris]
Non-western art unattributed:
[BRAFA, Brussels. Nimba shoulder mask. Republic of Guinea, Baga people, late 19th–early 20th century. Wood, height 120 cm. Charles-Wesley Hourdé, Paris]
Non-western art unattributed:
[Eurasian Arts Gallery, Brussels. Urartian Wingded Bull Cauldron Applique. Bronze, 17.5 cm wide; weight 900 grams. Provenance: UK private collection, purchased on the German art market before 1980.]
Non-western art unattributed:
[Peter Finer, London. A Fine Ottoman Dagger, Hancer and Scabbard, 19th century Turkey. Steel, rubies, emeralds, sapphire, silver, gold, jade shagreen and wood. Overall length: 46.5 cm / 18.3 in. Provenance: Private collection, United Kingdom]
Western art unattributed:
[BRAFA, Brussels. Anna Selbdritt. Southern Germany, Ulm, or Switzerland, Lucerne, c.1520. Limewood, with original polychrome and gilding, height 104 cm. Mullany Haute Epoque Fine Art, London]
Western art unattributed:
[BRAFA, Brussels. Hercules with the horn of the river-god Achelous, Roman, 4th century BC. Marble, height 56.2 cm. Phoenix Ancient Art, Geneva]
Western art unattributed:
[BRAFA, Brussels. The Virgin surrounded by saints, (The Königschlager Epitaph), Nuremberg, Germany. c.1450–60. Tempera on linen on wood, 138 by 206 cm. De Backker Medieval Art, Hoogstraten]
Western art unattributed:
[De Backker Medieval Art, Hoogstraten. Virgin and Child (detail) Paris, 3rd quarter of the 13th century, h: 27 cm]
Western art unattributed:
[Joanna Booth, London. English, circa 1450. Three figures probably from a choir stall. Oak with traces of colour. Height: 12½ ins (32 cm).]
Western art unattributed:
[Marc du Ry Limited, Marlborough. 'The Gothic Smile'. Northwest France, late thirteenth century. Fine-grained limestone, 25 cm high. Wooden stand by Kichizo Inagaki, Paris, c.1920–30, with his monogram]
Western art unattributed:
[Master Drawings New York. Laocoön and his sons. Italian, late 17th–early 18th century. Bronze, height 52 cm. Tomasso Brothers Fine Art]
Western art unattributed:
[Mullany Haute Epoque Fine Art, London. Anna Selbdritt. Oak, with traces of original polychrome and gilding. Flemish, Brabant, c. 1500 – 1520 H. 36 x W. 29 x D. 18 cm]
Western art unattributed:
[Robert Simon Fine Art, New York. Spanish Colonial, Cuzco School (Eighteenth Century), Baptism Dish. Silver, 22.9 cm high x 43.2 cm wide]
Exhibition Review
Adriaen Brouwer: Master of Emotions. Museum Oudenaarde and the Flemish Ardennes
12/2018 | 1389 | 160
Pages: 1052-1055
related names
Reviewer:
Pijl, Luuk (Pijl, Luuk)
Subjects
dates:
media:
places:
Illustrations
Attributed works:
18. Peasants celebrating, by Adriaen Brouwer. 1626–28. Panel, 35 by 53.5 cm. (Kunsthaus Zürich; exh. Museum Oudenaarde).
Attributed works:
19. Tavern scene, by Adriaen Brouwer. 1634–36. Panel, 48 by 67 cm. (National Gallery, London; exh. Museum Oudenaarde).
Attributed works:
20. Peasant drinking, by Adriaen Brouwer. 1632–34. Copper, 18 by 19 cm. (Private collection; exh. Museum Oudenaarde).
Exhibition Review
Between Rubens and Van Dyck: Gaspar de Crayer. Musée de Flandre, Cassel; Gaspar de Crayer and Ghent: An unbreakable bond. Museum voor Schone Kunsten, Ghent
11/2018 | 1388 | 160
Pages: 958-960
related names
Reviewer:
Brown, Christopher (Brown, Christopher)
Subjects
dates:
places:
Illustrations
Attributed works:
10. The Martyrdom of St Catherine, by Gaspar de Crayer. c.1622. Canvas, 242 by 188 cm. (Musée des Beaux-Arts, Grenoble; photograph J.-L. Lacroix; exh. Musée de Flandre, Cassel).
Attributed works:
11. Adolescent Virgin decorated by angels in the presence of Joachim and St Anne, by Gaspar de Crayer. Canvas, 155 by 111 cm. (Royal Museums of Fine Arts of Belgium, Brussels; photograph J. Geleyns; exh. Musée de Flandre, Cassel).
Attributed works:
12. Philip IV of Spain in parade armour, by Gaspar de Crayer. c.1627– 30. Canvas, 182.9 by 118.1 cm. (Metropolitan Museum of Art, New York; exh. Musée de Flandre, Cassel).
Exhibition Review
Jordaens
03/2014 | 1332 | 156
Pages: 185-186
related names
Reviewer:
Vlieghe, Hans (Vlieghe, Hans; Vlieghe, H.)
Subjects
artists:
dates:
museums and institutions:
places:
subjects:
Illustrations
Attributed works:
35. The adoration of the shepherds, by Jacob Jordaens (Musée des Beaux-Arts, Grenoble; exh. Petit Palais, Paris)
Attributed works:
36. The adoration of the shepherds, by Jacob Jordaens(?) (Museum Mayer van den Bergh, Antwerp; exh. Petit Palais, Paris)
Exhibition Review
Jordaens and the Antique. Brussels and Kassel
01/2013 | 1318 | 150
Pages: 58-59
related names
Reviewer:
Vlieghe, Hans (Vlieghe, Hans; Vlieghe, H.)
Subjects
artists:
dates:
places:
subjects:
Illustrations
Attributed works:
75. Study of a seated nude man, by Jacob Jordaens (British Museum, London; exh. Koninklijke Musea voor Schone Kunsten van België, Brussels)
Attributed works:
76. Seated nude man seen from behind in two different poses, here attributed to Arnout Vinckenborch (Hessisches Landesmuseum, Darmstadt; exh. Koninklijke Musea voor Schone Kunsten van België, Brussels)
Attributed works:
77. Homage to Ceres, by Jacob Jordaens (Museo Nacional del Prado, Madrid; exh. Koninklijke Musea voor Schone Kunsten van België, Brussels)
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