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01/2019 | 1390 | 161
Pages: i–xx
Subjects
subjects:
Illustrations
Attributed works:
[Bernard Quaritch Ltd, London. Master of the Brussels Initials, St John the Evangelist, very large initial ‘V’ cut from a gradual, Italy (Bologna), c. 1410–20.]
Attributed works:
[BRAFA, Brussels. Angel, circle of Guillaume Kerricx the Elder (1652–1719), c.1700. Painted wood, height 173 cm. Galerie Sismann, Paris]
Attributed works:
[BRAFA, Brussels. Floor lamp, by Poul Henningsen (1894–1967). 1927–28. Brass and lacquered metal, height 150 cm. Galerie Le Beau-Goklaere, Brussels]
Attributed works:
[BRAFA, Brussels. Forze Spazial, (Project for a lampshade), by Giacomo Balla (1871–1958). c.1925. Tempera on cardboard, 11.5 by 36.8 cm. Rosenberg & Co., New York]
Attributed works:
[BRAFA, Brussels. Pair of encoignures with Chinese export and European lacquer panels, attributed to Jacques Dubois (1694–1763). c.1750. Marble, bronze, oak, ormolu and lacquer with cherry and ebony veneer, height 94 cm. Röbigg, Munich]
Attributed works:
[BRAFA, Brussels. Psyche abandoned, by Piero Tenerani (1789–1867). 1845. Marble, height 120 cm. Brun Fine Art, London]
Attributed works:
[BRAFA, Brussels. Scenes from St Blas’s life, by The Riglos Master, (c.1434–60). c.1450–60. Panel, 188 by 52 cm. Galeria Bernat, Barcelona]
Attributed works:
[BRAFA, Brussels. The four elements, by Artus Wolffort (1581–1641). Canvas, 200 by 158 cm. Jan Muller Fine Art, Ghent]
Attributed works:
[Christopher Bishop Fine Art, New York. Bartholomeus Spranger (Antwerp 1546–Prague 1611). Saint Ursula 197 x 162 mm. Pen and brown ink over traces of black chalk with red and green washes. Squared for transfer. ca. 1583]
Attributed works:
[Découvert Fine Art, Rockport, MA. Compositional Study or Ricordo of Bottom Half of the Altar of St. George in Braida. Workshop of Paolo Veronese, with question of his hand. Verona, 1528 – 1588. Venice Pen, brown ink and brown wash, heightened with white on blue paper, 28.1 by 35.5 cm. From The Skippe Collection, Christie’s, 11/20 & 21/1958, lot 91, as Paolo Farinati]
Attributed works:
[Freeman's Auction, Philadelphia. Master of the Embroidered Foliage (Netherlandish, active Brussels, late 15th century). Nursing Madonna. Oil and tempera on cradled oak panel. 33 3/4 x 28 in. (85.7 x 71.1 cm). $150,000–250,000.]
Attributed works:
[Galerie J. Kugel, Paris. Léonard Limosin. Henri II, King of France, circa 1553. Polychrome enamel on copper, H. 7 in; L. 5.1 in. Ex. collection: Rosebery, Mentmore Towers]
Attributed works:
[Kunstkammer Georg Laue, Munich. Christ in the Garden of Gethsemane. Master of the St Sebastian's Martyrdoms. Vienna ca 1660. Wood. Height 20 cm, width 40.5 cm]
Attributed works:
[Master Drawings New York. A page from a sketchbook, belonging to Arshile Gorky (1904–48). 1931. Ink on paper, 31.5 by 23.8 cm. Pavel Zoubok Fine Art]
Attributed works:
[Master Drawings New York. Cupid dictating a letter to a young woman, by Jean-Baptiste Greuze (1725–1805). Pen and ink and grey wash heightened with white gouache on blue paper, 41 by 30.6 cm. Didier Aaron, Inc.]
Attributed works:
[Master Drawings New York. Girl leaning on her elbow, by Egon Schiele (1890–1918). 1915. Charcoal on paper, 50 by 33.3 cm. W&K – Wienerroither & Kohlbacher]
Attributed works:
[Master Drawings New York. In the courtroom (avant l’audience), by Honoré Daumier (1808–79). Pen and black ink and charcoal, 21.2 by 22.5 cm. Stephen Ongpin Fine Art]
Attributed works:
[Master Drawings New York. On the blue swamp, by Alexander Calder (1898–1976). 1966. Watercolour on paper, 78 by 58 cm. David Tunich, Inc.]
Attributed works:
[Master Drawings New York. Portrait of Nicolas, seigneur de Beurville et de Fresne, by Étienne Dumonstier (1540–1603). c.1581–83. Canvas, 187.3 by 107.3 cm. Galerie J. Kugel]
Attributed works:
[Master Drawings New York. Ruins of the Mithraic Mysteries, by Anthony Baus (b.1981). 2018. Pen and sepia ink and wash on toned paper, 30.5 by 38.1 cm. Robert Simon Fine Art]
Attributed works:
[Master Drawings New York. St John the Baptist, by Carlo Bononi (1569–1632). Pen, brown ink and wash, 15.2 by 6.9 cm. Découvert Fine Art]
Attributed works:
[Master Drawings New York. Study for the head of St John the Baptist, by Auguste Rodin (1840–1917). c.1885–90. Plaster, height 14 cm. Stuart Lochhead Sculpture]
Attributed works:
[Master Drawings New York. Venus at the forge of Vulcan, asking for arms for Cupid, by Biagio Pupini, called Biagio dalle Lame (active 1511–51). Pen and brown ink, heightened with a white, red and brown wash on paper, 29.3 by 20.5 cm. Hazlitt, Gooden & Fox (US) Ltd.]
Attributed works:
[Robert Simon Fine Art, New York. Anthony Baus (b.1981), Ruins of the Mithraic Mysteries. Pen and sepia ink and wash on toned paper, 30.4 x 38.1 cm]
Attributed works:
[Robert Simon Fine Art, New York. Giovanni Battista Tiepolo (Venice 1696–1770 Madrid), Allegory of Peace and Fortitude. One of five “secondo strappo” detached frescoes from the Palazzo Canossa, Verona, 185 x 138 cm]
Attributed works:
[Robert Simon Fine Art, New York. Jacob Jordaens (Antwerp, 1593–1678), Democritus. Colored chalk on paper, 14.3 x 11.3 cm]
Non-western art unattributed:
[BRAFA, Brussels. Moonflask. Chinese, Kangxi period (1662–1722). Porcelain, height 19.4 cm. Galerie Bertrand de Lavergne, Paris]
Non-western art unattributed:
[BRAFA, Brussels. Nimba shoulder mask. Republic of Guinea, Baga people, late 19th–early 20th century. Wood, height 120 cm. Charles-Wesley Hourdé, Paris]
Non-western art unattributed:
[Eurasian Arts Gallery, Brussels. Urartian Wingded Bull Cauldron Applique. Bronze, 17.5 cm wide; weight 900 grams. Provenance: UK private collection, purchased on the German art market before 1980.]
Non-western art unattributed:
[Peter Finer, London. A Fine Ottoman Dagger, Hancer and Scabbard, 19th century Turkey. Steel, rubies, emeralds, sapphire, silver, gold, jade shagreen and wood. Overall length: 46.5 cm / 18.3 in. Provenance: Private collection, United Kingdom]
Western art unattributed:
[BRAFA, Brussels. Anna Selbdritt. Southern Germany, Ulm, or Switzerland, Lucerne, c.1520. Limewood, with original polychrome and gilding, height 104 cm. Mullany Haute Epoque Fine Art, London]
Western art unattributed:
[BRAFA, Brussels. Hercules with the horn of the river-god Achelous, Roman, 4th century BC. Marble, height 56.2 cm. Phoenix Ancient Art, Geneva]
Western art unattributed:
[BRAFA, Brussels. The Virgin surrounded by saints, (The Königschlager Epitaph), Nuremberg, Germany. c.1450–60. Tempera on linen on wood, 138 by 206 cm. De Backker Medieval Art, Hoogstraten]
Western art unattributed:
[De Backker Medieval Art, Hoogstraten. Virgin and Child (detail) Paris, 3rd quarter of the 13th century, h: 27 cm]
Western art unattributed:
[Joanna Booth, London. English, circa 1450. Three figures probably from a choir stall. Oak with traces of colour. Height: 12½ ins (32 cm).]
Western art unattributed:
[Marc du Ry Limited, Marlborough. 'The Gothic Smile'. Northwest France, late thirteenth century. Fine-grained limestone, 25 cm high. Wooden stand by Kichizo Inagaki, Paris, c.1920–30, with his monogram]
Western art unattributed:
[Master Drawings New York. Laocoön and his sons. Italian, late 17th–early 18th century. Bronze, height 52 cm. Tomasso Brothers Fine Art]
Western art unattributed:
[Mullany Haute Epoque Fine Art, London. Anna Selbdritt. Oak, with traces of original polychrome and gilding. Flemish, Brabant, c. 1500 – 1520 H. 36 x W. 29 x D. 18 cm]
Western art unattributed:
[Robert Simon Fine Art, New York. Spanish Colonial, Cuzco School (Eighteenth Century), Baptism Dish. Silver, 22.9 cm high x 43.2 cm wide]
Book Review
'Bella quanto l'originale istesso': La Copia del Cenacolo della Royal Academy di Londra. Vicende, fortuna, attribuzione, by Pietro C. Marani
01/2017 | 1366 | 159
Pages: 44-45
Book Review
Painting Under Pressure. Fame, Reputation and Demand in Renaissance Florence, M. O’Malley
08/2014 | 1337 | 156
Pages: 536-537
related names
Reviewer:
Silver, Nathaniel (Silver, Nathaniel)
Subjects
places:
Illustrations
Attributed works:
38. The Virgin Annunciate, by Filippino Lippi (Musei Civici, San Gimignano)
Article
A statuette from the workshop of Leonardo da Vinci
11/2012 | 1316 | 154
Pages: 768-772
related names
Author:
Luchs, Alison (Luchs, Alison)
Author:
May, Katherine (May, Katherine)
Author:
Sturman, Shelley (Sturman, Shelley)
Subjects
artists:
dates:
museums and institutions:
Illustrations
Attributed works:
22. Detail of the Cowering warrier, from the workshop of Leonardo da Vinci. c.1490-95. Brass, 11.5 by 5.5 by 11 cm. (Museo Poldi Pezzoli, Milan, on deposit from the Fondazione Mario e Fosca Crespi).
Attributed works:
23. Cowering warrier, from the workshop of Leonardo da Vinci. c.1490-95. Brass, 11.5 by 5.5 by 11 cm. (Museo Poldi Pezzoli, Milan, on deposit from the Fondazione Mario e Fosca Crespi).
Attributed works:
24. Fig.23, viewed from a different angle.
Attributed works:
25. Photograph of the Cowering warrier when in the collection of Prince Trivulzio in 1907; from W. von Bode: Italienische Bronzestatuetten der Renaissance, Berlin 1907, II, p. 15, pl. 132.
Attributed works:
26. Fig.23, viewed from a different angle.
Attributed works:
27. Fig.23, viewed from behind.
Attributed works:
28. Fig.23, viewed from a different angle.
Attributed works:
29. Study for the equestrian statue of Francesco Sforza, by Leonardo da Vinci. c.1484. Silverpoint on white paper, covered with a blue preparation, 11.6 by 10.3 cm. (Royal Library, Windsor Castle).
Attributed works:
30. Four studies for an equestrian statue after Leonardo, by a follower of Leonardo da Vinci. c.1490-1510. Engraving, 21.7 by 16 cm. (British Museum, London).
Attributed works:
31. Muzio Attendolo Sforza on horseback, attributed to the Master B.F. and Antonio da Monza. 1491. Parchment, 33 by 22 cm. Fol.4v. from the Vita di Muzio Attendolo Sforza, text of 1458 by Antonio Minuti da Piacenza, transcribed in Milan by Bartolomeo Gambagnola of Cremona. (Bibliothèque Nationale de France, Paris, MS ital. 372).
Attributed works:
33. Inkstand with allegory of Fortune, by Peter Vischer the Younger. c.1515-25. Brass, 15.7 cm. high. (Ashmolean Museum, Oxford).
Attributed works:
34. Fig.33, viewed from behind.
Western art unattributed:
32. A warrier, North Italian (Paduan?). c.1500-25. Bronze, 17.3 by 13.7 by 10.7 cm. (National Gallery of Art, Washington).
Article
The contract for King Philip II’s tapestries of the ‘History of Noah’
06/2006 | 1239 | 148
Pages: 406-415
related names
Author:
Buchanan, Iain (Buchanan, Iain)
Subjects
print:
subjects:
Illustrations
Attributed works:
43. God orders Noah to construct the ark, from the History of Noah, workshop of Willem de Pannemaker, after a cartoon attributed to Michiel Coxcie. Brussels, 1562–65. Gold, silver, silk and wool, 433 by 433 cm. (Patrimonio Nacional de España, Museo de Tapices, Palacio de San Ildefonso, Segovia).
Attributed works:
44. The building of the ark, from the History of Noah, workshop of Willem de Pannemaker, after a cartoon attributed to Michiel Coxcie. Brussels, 1562–65. Gold, silver, silk and wool, 433 by 660 cm. (Patrimonio Nacional de España, Museo de Tapices, Palacio de San Ildefonso, Segovia).
Attributed works:
45. The disembarkation from the ark, from the History of Noah, workshop of Willem de Pannemaker, after a cartoon attributed to Michiel Coxcie. Brussels, 1562–65. Gold, silver, silk and wool, 430 by 705 cm. (Patrimonio Nacional de España, Museo de Tapices, Palacio de San Ildefonso, Segovia).
Attributed works:
46. The flood, from the History of Noah, workshop of Willem de Pannemaker, after a cartoon attributed to Michiel Coxcie. Brussels, c.1567. Silk and wool, 374 by 780 cm. (Wawel Royal Castle, Cracow).
Attributed works:
47. God establishes his covenant with Noah, from the History of Noah, workshop of Willem de Pannemaker, after a cartoon attributed to Michiel Coxcie. Brussels, c.1567. Silk and wool, 431 by 560 cm. (Rijksmuseum, Amsterdam).
Attributed works:
48. God orders Noah to construct the ark, from the History of Noah, workshop of Pieter van Aelst the Younger, after a cartoon attributed to Michiel Coxcie. Brussels, c.1550. Gold, silver, silk and wool, 472 by 525 cm. (Wawel Royal Castle, Cracow).
Attributed works:
49. The building of the ark, from the History of Noah, workshops of Pieter van Aelst the Younger and Willem de Kempeneer, after a cartoon attributed to Michiel Coxcie. Brussels, c.1550. Gold, silver, silk and wool, 483 by 784 cm. (Wawel Royal Castle, Cracow).
Attributed works:
50. The animals enter the ark, from the History of Noah, workshop of Jan van Tieghem, after a cartoon attributed to Michiel Coxcie. Brussels, c.1550. Gold, silver, silk and wool, 474 by 784 cm. (Wawel Royal Castle, Cracow).
Attributed works:
51. The flood, from the History of Noah, unidentified Brussels workshop, after a cartoon attributed to Michiel Coxcie. Brussels, c.1550. Gold, silver, silk and wool, 477 by 835 cm. (Wawel Royal Castle, Cracow).
Attributed works:
52. God establishes his covenant with Noah, from the History of Noah, workshop of Jan van Tieghem and Jan de Kempeneer, after a cartoon attributed to Michiel Coxcie. Brussels, c.1550. Gold, silver, silk and wool, 467 by 604 cm. (Wawel Royal Castle, Cracow).
Letter
The Boston Velazquez
05/1905 | 26 | 7
Pages: 160
related names
Author:
Head, Alban (Head, Alban)
Subjects
subjects:
Article
The New Velazquez in the Boston Museum
04/1905 | 25 | 7
Pages: 2+8-9+11-13+15-16
related names
Author:
Lathrop, Francis (Lathrop, Francis)
Subjects
dates:
media:
places:
Illustrations
Attributed works:
Plate I. Portrait of Philip IV. By Velazquez, in the Prado Gallery, Madrid.
Attributed works:
Plate II. I. Head from Full-Length Portrait of Philip IV.; In the Boston Museum.
Attributed works:
Plate II. II. Portrait of Philip IV., by Velazquez; In the Prado Gallery, Madrid.
Attributed works:
Plate II. III. Head from the Full-Length Portrait of Don Carlos, by Velazquez; in the Prado Gallery, Madrid.
Attributed works:
Plate II. IV. Head from the Full-Length Portrait of Don Fernando, by Velazquez; in the Prado Gallery, Madrid.
Attributed works:
Portrait of Philip IV. of Spain by Velazquez in the Museum of Fine Arts, Boston, U. S. A. Emery Walker Ph. Sc.