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03/2025 | 1464 | 167
Pages: i-xl
Subjects
Illustrations
Attributed works:
A young man, by Claude Hoin (1750–1817). 1802. Pastel on paper mounted on canvas, 39 by 31 cm. [DIDIER AARON & CIE, PARIS AND NEW YORK/Tefaf]
Attributed works:
Adoration of the shepherds, attributed to Girolamo Ticciati (1676–1744). c.1700. Modelled terracotta, 41 by 97 cm. [Alessandro Cesati, Milan. Stand 171/ Tefaf]
Attributed works:
Albrecht Duerer. Virgin and child with the pear. 1511. Engraving. Meder 33 a. Est. 15,000 € [Venator and Hansen]
Attributed works:
Allegorical portrait of a young man, by Mirabello Cavalori (1520–72). 1565–70. Oil on canvas, 182 by 105 cm. [Trinity Fine Art, London. Stand 361/ Tefaf]
Attributed works:
Allegory on iron forge, by David Vinckboons (1576–c.1632). c.1613. Pen and brown ink, brush and brown ink, brown wash, heightened with white, gold ink framing lines on green prepared paper, 13.8 by 13.1 cm. [ONNO VAN SEGGELEN, ROTTERDAM/Salon du Dessin]
Attributed works:
AUGUSTE RODIN (1840-1917) Despair, Conceived 1886-1887, this example modelled c.1900 Signed A. Rodin, Plaster with shellac, 7 1/4 x 3 1/4 x 5 in, 18.6 x 8.6 x 13 cm Provenance Charles Delanglade, Marseille, a gift from the artist, c. 1900 [Willoughby Gerrish]
Attributed works:
Black nude, by Georges Dorignac (1879– 1925). Black chalk and black watercolour on paper, 56 by 43 cm. [GALERIE DE BAYSER, PARIS/Tefaf]
Attributed works:
Charity, by Lorenzo Bartolini (1777– 1850). 1846. Marble, height 184 cm. [Walter Padovani, Milan. Stand 126/Tefaf]
Attributed works:
Charles CORDIER (Cambrai 1827-1905 Alger) Mauresque d’Alger chantant Before 1870 Life size bust H. 74 cm [Univers du Bronze]
Attributed works:
Console table, attributed to Giuseppe Maria Bonzanigo (1745–1820). c.1790. Painted and microcarved parcel gilt walnut with grey Valdieri marble top, 95 by 151 by 66 cm. [Burzio, London. Stand 157/ Tefaf]
Attributed works:
Honoré Daumier (French, 1808–1879) THE BEER DRINKERS (LES BUVEURS DE BIÈRE), circa 1860 Signed: h. Daumier (lower left) Oil on panel, 10¼ by 12⅛ in. (26 by 30.7 cm.) [Gallery 19c]
Attributed works:
Imperial vase fuseau, painted with a portrait miniature of Caroline Murat (1782–1839), by Antoine-Charles Le Guay (1762–1846) and Antoine Beranger (1785–1867) for Sèvres Porcelain Manufactory. 1810–12. Hard-paste porcelain, enamels, gold, height 54.5 cm. [Camille Leprince, Paris. Stand 182/Tefaf]
Attributed works:
Interior of a harem, by Francesco Hayez (1791–1882). 1840. Oil on canvas, 84 by 108 cm. [Antonacci Lapiccirella Fine Art, Rome. Stand 318/Tefaf]
Attributed works:
JACQUES-ÉMILE BLANCHE (1861–1942) Portrait of Georges de Porto-Riche (1849–1930), 1889 Recently acquired by the Musée d’Orsay, Paris [Robilant and Voena]
Attributed works:
JAMES BARRY (1741 Cork – 1806 London), Self-portrait, c.1802. Inscribed in pen and ink “Barry Fecit / James Barry Esq. late P.P.+ R.A. of / the Royal Academy and member of Clementine Academy at Bologna”. Mezzotint. Size of sheet: c.46 x 34.8 cm. [Emanuel von Baeyer/Tefaf]
Attributed works:
JEAN-BAPTISTE GREUZE (1725-1805) The Triumph of Silenus Pen and brown and black ink and grey wash, over an underdrawing in black chalk. Inscribed J. B. Greuze at the lower right. 538 x 378 mm. (21¹⁄₈ x 14⁷⁄₈ in.) [Stephen Ongpin]
Attributed works:
JOHN CHEERE (1709–1787) Samson Slaying a Philistine Bronzed lead 48 cm (19 in.) high 54 cm (21¼ in.) high, overall [Tomasso]
Attributed works:
JUSEPE DE RIBERA (c.1630) An Apostle Oil on canvas, 76 x 62 cm [Giammarco Cappuzzo Fine Art]
Attributed works:
JUSEPE DE RIBERA Xàtiva 1591 – Naples 1652 SAINT ANDREW THE APOSTLE Naples 1630 Oil on canvas. 71.8 x 63.5 cm [Galeria Bernat]
Attributed works:
Kankamkankami, by Rover Thomas Joolama (1926–98). 1990. Natural earth pigment and brush gum on linen, 90 by 180 cm. [D’Lan Contemporary, Melbourne. Stand 431/Tefaf]
Attributed works:
Lady Mary Sadleir, née Lorymer, by Mary Beale (1633–99). 1685. Oil on canvas, 76.2 by 63.5 cm. [The Weiss Gallery, London. Stand 346/Tefaf]
Attributed works:
Laurent Delvaux (Ghent 1696 – Nivelles 1778) BOZZETTO OF HERCULES MODEL FOR THE STATUE IN THE PALACE OF CHARLES-ALEXANDRE DE LORRAINE IN BRUSSELS Terracotta and traces of gilding Brussels, 1768 [Desmet]
Attributed works:
LOMBARD SCHOOL Circa 1500 God the Father Pen and brown ink on green-washed paper, 14 x 21 cm. [Charles Ratton and Guy Ladrière]
Attributed works:
London night scene, by Émile Claus (1849–1924). 1915. Conté crayon on paper, 12.3 by 18.3 cm. AMBROISE DUCHEMIN, PARIS/Salon du Dessin]
Attributed works:
Lucas CRANACH le Jeune (att. à), Maurice, duc de Saxe - vers 1545/50 © Reims, Musée des Beaux-Arts. Photo : Corentin Le Goff. Design : Olivier Andreotti (Toluca Studio) [Salon du dessin]
Attributed works:
MICHEL ANGUIER (1612–1686) Farnese Hercules 57 cm (22½ in.) high Terracotta [Tomasso]
Attributed works:
Mick Namarari Tjapaltjarri, Wallaby Sign for Men and Women, 11972 [D'Lan Contemporary/Tefaf]
Attributed works:
no speaking is left in me, by Edmund de Waal (b.1964). 2013. Fourteen porcelain vessels on aluminium shelf, 31 by 100 by 24.3 cm. [Piano Nobile, London. Stand 463/Tefaf]
Attributed works:
On the edge of Fontainebleau forest, by Alfred Sisley (1839–99). 1868. Oil on canvas, 96.8 by 86.4 cm. [C19 Gallery, Westlake TX. Stand 328/Tefaf]
Attributed works:
Portrait of a Capuchin Friar, by Giacomo Ceruti, called Il Pitocchetto (1698–1767). c.1730. Oil on canvas, 93 by 78 cm. [Galerie Canesso, Paris and Milan. Stand 360/Tefaf]
Attributed works:
Portrait of a woman, facing left, by Monogrammist I.S. (active 1651–58). c.1630s. Oil on canvas laid onto panel, 34 by 27 cm. [Nicholas Hall Fine Art, New York. Stand 363/Tefaf]
Attributed works:
Project for a painted mural n°2, by Luigi Spazzapan (1889–1958). 1923. Tempera on paper applied to Masonite, 24 by 35 cm. [BOTTEGANTICA, MILAN/Salon du Dessin]
Attributed works:
Punchinello and his family spinning fl ax, by Giovanni Domenico Tiepolo (1727–1804). c.1790–1800. Pen and brown ink and wash, over an underdrawing in black chalk, 34.5 by 46.4 cm. [Stephen Ongpin Fine Art, London. Stand 603/Tefaf] Nicholas Hall Fine Art, New York. Stand 363/Tefaf]
Attributed works:
SÈVRES (France)- Manufacture Impériale de Porcelaine Déjeuner “TêTes De Madones D’après Raphaël” à fond d’or et Motifs De rosaces Peinture par Marie-Victoire jaquotot (1772-1855), circa 1813 Porcelaine dure, émaux, or, métal doré Au dos des pièces, références d’inventaires du Musée du Louvre (alors renommé musée Napoléon) [Camille Leprince]
Attributed works:
Still life with terracotta Púcaros, by Josepha Ayalla (1630–84) and Baltazar de Óbidos (1604–74). c.1670. Oil on canvas, 24.6 by 30.4 cm. [Rafael Valls, London. Stand 333/Tefaf]
Attributed works:
Study of a seated shepherd, by Parmigianino (1503–40). c.1524–27. Pen and brown ink on paper, 15.8 by 11.8 cm. [GALERIE TERRADES, PARIS/Tefaf]
Attributed works:
The Calling of Saints Peter and Andrew by Robert Edge Pine (1730–1788) [Darnley Fine Art]
Attributed works:
The virgin, by Adolfo Wildt (1868–1931). 1925. Marble, 33.8 by 29 cm. [Stuart Lochhead Sculpture, London. Stand 108/Tefaf]
Attributed works:
Three hamlets, two villages, by Boris Kosarev (1897–1994). 1921. Watercolour on paper, 24 by 19 cm. [JAMES BUTTERWICK, LONDON/Salon du Dessin]
Attributed works:
Tiger, by Eugène Delacroix (1798–1863) and Frédéric Chopin (1810–49). Pen and brown ink on a music stave, 5.5 by 22 cm. [GALERIE ÉRIC COATALEM, PARIS/Tefaf]
Attributed works:
TIZIANO VECELLIO, CALLED TITIAN Madonna and Child with St. Mary Magdalene oil on canvas 104.7 × 93 cm; 411/4 × 365/8 inches [Trinity Fine Art/Tefaf]
Attributed works:
Triumph of David, from a Book of Hours, by the Master of Mary of Burgundy. Ghent, c.1480. Tempera on parchment, 15.3 by 11 cm. [Les Enluminures, New York, Chicago and Paris. Stand 216/Tefaf]
Attributed works:
Two people, by Wifredo Lam (1902–82). 1978. Watercolour and pastel on paper, 30.5 by 47.5 cm. [GALERIE TRAITS NOIRS, PARIS/Salon du Dessin]
Attributed works:
View of Antibes, by Henri Edmond Cross (1856–1910). 1908. Watercolour on paper, 17.4 by 24.6 cm. [GALERIE DE LA PRÉSIDENCE, PARIS/Tefaf]
Attributed works:
Woman on a balcony, by Maurice Denis (1870–1943). 1893. Watercolour and Indian ink on paper, 17.5 by 13 cm. [GALERIE BERÈS, PARIS/Salon du Dessin]
Attributed works:
Woman with a blue bow (Isabelle Lemonnier), by Édouard Manet (1832–83). c.1876–79. Pastel (and oil?) on canvas, 55 by 46 cm. [David Tunick Inc., New York. Stand 371/Tefaf]
Attributed works:
Yakov Chernikhov (1889–1951) From the series Aristografiya (1920s) Gouache on paper, 28 x 23.8 cm [James Butterwick]
Non-western art unattributed:
A Gujarati chest, India, 2nd half of the 16th century. Teak, black mastic, mother-of-pearl and shellac with gilt copper fi ttings, 39 by 64 by 38 cm. [São Roque, Lisbon. Stand 179/Tefaf]
Non-western art unattributed:
A Safavid blue and white charger. Iran, 17th century. Fritware decorated in underglaze cobalt blue, diameter 48.2 cm. [Amir Mohtashemi, London. Stand 251/Tefaf]
Non-western art unattributed:
A Sino-Portuguese Ming Saint Peter  Southern China, Ming Dynasty,  17th century Gilt wood Height.: 62  cm Provenance: Private collection, France [São Roque]
Non-western art unattributed:
Large futabana (two-flower) vase with butterfly handles. Edo period. Bronze, height 33.5 cm. [Joost van den Burgh, London. Stand 156/Tefaf]
Non-western art unattributed:
LIMESTONE RELIEF FROM THE TOMB OF MENTUEMHAT Late Dynastic Period 25th–26th Dynasty, c. 650 BC Length 25 cm [Rupert Wace]
Western art unattributed:
A medallion of Aphrodite. Hellentistic, c.2nd–1st century BCE. Gold, diameter 4.9 cm. [Kallos Gallery, London. Stand 504/Tefaf]
Western art unattributed:
After a model by Michelangelo (1475-1564), Crucified Christ, bronze, c. 1560-1570, height: 25.5 cm [Stuart Lochhead Sculpture]
Western art unattributed:
FONTANA workshop, URBINO A trilobed basin, bacile bronzo a tre angoli, decorated with four scenes of Joseph’s history in Egypt from the Figure del Vecchio testamento by bernard salomon Circa 1565-1575 Tin-glazed earthenware Measurements: 47 x 45 x 5 cm [Camille Leprince]
Western art unattributed:
Renaissance cup in the form of a Gothic pointed shoe. South Germany, 1567. Leather, copper, fi re-gilt and engraved, 10 by 18 cm. [Georg Laue Kunstkammer, Munich. Stand 204/Tefaf]
Western art unattributed:
Salver from King D. Fernando II collection         Iberian colonial,  17th century Silver Dim.:  37.8 × 38 × 4cm Weight: 114g [São Roque]
Western art unattributed:
Tric-trac tableman : Battle scene Cologne, circa 1150 Walrus ivory, traces of red paint Diameter : 5.5 cm; Depth : 1.2 cm. [Brimo de la Roussilhe]
Exhibition Review
Julie Manet: An Impressionist Heritage
03/2022 | 1428 | 164
Pages: 305-307
related names
Reviewer:
Thomson, Belinda (Thomson, Belinda)
Subjects
artists:
museums and institutions:
Reviewed Items
subjects:
Julie Manet: An Impressionist Heritage Musée Marmottan Monet, Paris 19th October 2021–20th March 2022 | :
Illustrations
Attributed works:
27. Julie Manet or Child with cat, by Pierre- Auguste Renoir. 1887. Oil on canvas, 65.5 by 53.5 cm. (Musée d’Orsay, Paris; exh. Musée Marmottan Monet, Paris).
Attributed works:
28. Julie Manet writing, by Ernest Rouart. Undated. Oil on canvas, 116.7 by 89.2 cm. (Private collection; exh. Musée Marmottan Monet, Paris).
Attributed works:
29. Portraits of Jeannie at the piano and Paule listening to her, by Julie Manet. 1899. Oil on canvas, 90 by 90 cm. (Private collection; exh. Musée Marmottan Monet, Paris).
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01/2019 | 1390 | 161
Pages: i–xx
Subjects
subjects:
Illustrations
Attributed works:
[Bernard Quaritch Ltd, London. Master of the Brussels Initials, St John the Evangelist, very large initial ‘V’ cut from a gradual, Italy (Bologna), c. 1410–20.]
Attributed works:
[BRAFA, Brussels. Angel, circle of Guillaume Kerricx the Elder (1652–1719), c.1700. Painted wood, height 173 cm. Galerie Sismann, Paris]
Attributed works:
[BRAFA, Brussels. Floor lamp, by Poul Henningsen (1894–1967). 1927–28. Brass and lacquered metal, height 150 cm. Galerie Le Beau-Goklaere, Brussels]
Attributed works:
[BRAFA, Brussels. Forze Spazial, (Project for a lampshade), by Giacomo Balla (1871–1958). c.1925. Tempera on cardboard, 11.5 by 36.8 cm. Rosenberg & Co., New York]
Attributed works:
[BRAFA, Brussels. Pair of encoignures with Chinese export and European lacquer panels, attributed to Jacques Dubois (1694–1763). c.1750. Marble, bronze, oak, ormolu and lacquer with cherry and ebony veneer, height 94 cm. Röbigg, Munich]
Attributed works:
[BRAFA, Brussels. Psyche abandoned, by Piero Tenerani (1789–1867). 1845. Marble, height 120 cm. Brun Fine Art, London]
Attributed works:
[BRAFA, Brussels. Scenes from St Blas’s life, by The Riglos Master, (c.1434–60). c.1450–60. Panel, 188 by 52 cm. Galeria Bernat, Barcelona]
Attributed works:
[BRAFA, Brussels. The four elements, by Artus Wolffort (1581–1641). Canvas, 200 by 158 cm. Jan Muller Fine Art, Ghent]
Attributed works:
[Christopher Bishop Fine Art, New York. Bartholomeus Spranger (Antwerp 1546–Prague 1611). Saint Ursula 197 x 162 mm. Pen and brown ink over traces of black chalk with red and green washes. Squared for transfer. ca. 1583]
Attributed works:
[Découvert Fine Art, Rockport, MA. Compositional Study or Ricordo of Bottom Half of the Altar of St. George in Braida. Workshop of Paolo Veronese, with question of his hand. Verona, 1528 – 1588. Venice Pen, brown ink and brown wash, heightened with white on blue paper, 28.1 by 35.5 cm. From The Skippe Collection, Christie’s, 11/20 & 21/1958, lot 91, as Paolo Farinati]
Attributed works:
[Freeman's Auction, Philadelphia. Master of the Embroidered Foliage (Netherlandish, active Brussels, late 15th century). Nursing Madonna. Oil and tempera on cradled oak panel. 33 3/4 x 28 in. (85.7 x 71.1 cm). $150,000–250,000.]
Attributed works:
[Galerie J. Kugel, Paris. Léonard Limosin. Henri II, King of France, circa 1553. Polychrome enamel on copper, H. 7 in; L. 5.1 in. Ex. collection: Rosebery, Mentmore Towers]
Attributed works:
[Kunstkammer Georg Laue, Munich. Christ in the Garden of Gethsemane. Master of the St Sebastian's Martyrdoms. Vienna ca 1660. Wood. Height 20 cm, width 40.5 cm]
Attributed works:
[Master Drawings New York. A page from a sketchbook, belonging to Arshile Gorky (1904–48). 1931. Ink on paper, 31.5 by 23.8 cm. Pavel Zoubok Fine Art]
Attributed works:
[Master Drawings New York. Cupid dictating a letter to a young woman, by Jean-Baptiste Greuze (1725–1805). Pen and ink and grey wash heightened with white gouache on blue paper, 41 by 30.6 cm. Didier Aaron, Inc.]
Attributed works:
[Master Drawings New York. Girl leaning on her elbow, by Egon Schiele (1890–1918). 1915. Charcoal on paper, 50 by 33.3 cm. W&K – Wienerroither & Kohlbacher]
Attributed works:
[Master Drawings New York. In the courtroom (avant l’audience), by Honoré Daumier (1808–79). Pen and black ink and charcoal, 21.2 by 22.5 cm. Stephen Ongpin Fine Art]
Attributed works:
[Master Drawings New York. On the blue swamp, by Alexander Calder (1898–1976). 1966. Watercolour on paper, 78 by 58 cm. David Tunich, Inc.]
Attributed works:
[Master Drawings New York. Portrait of Nicolas, seigneur de Beurville et de Fresne, by Étienne Dumonstier (1540–1603). c.1581–83. Canvas, 187.3 by 107.3 cm. Galerie J. Kugel]
Attributed works:
[Master Drawings New York. Ruins of the Mithraic Mysteries, by Anthony Baus (b.1981). 2018. Pen and sepia ink and wash on toned paper, 30.5 by 38.1 cm. Robert Simon Fine Art]
Attributed works:
[Master Drawings New York. St John the Baptist, by Carlo Bononi (1569–1632). Pen, brown ink and wash, 15.2 by 6.9 cm. Découvert Fine Art]
Attributed works:
[Master Drawings New York. Study for the head of St John the Baptist, by Auguste Rodin (1840–1917). c.1885–90. Plaster, height 14 cm. Stuart Lochhead Sculpture]
Attributed works:
[Master Drawings New York. Venus at the forge of Vulcan, asking for arms for Cupid, by Biagio Pupini, called Biagio dalle Lame (active 1511–51). Pen and brown ink, heightened with a white, red and brown wash on paper, 29.3 by 20.5 cm. Hazlitt, Gooden & Fox (US) Ltd.]
Attributed works:
[Robert Simon Fine Art, New York. Anthony Baus (b.1981), Ruins of the Mithraic Mysteries. Pen and sepia ink and wash on toned paper, 30.4 x 38.1 cm]
Attributed works:
[Robert Simon Fine Art, New York. Giovanni Battista Tiepolo (Venice 1696–1770 Madrid), Allegory of Peace and Fortitude. One of five “secondo strappo” detached frescoes from the Palazzo Canossa, Verona, 185 x 138 cm]
Attributed works:
[Robert Simon Fine Art, New York. Jacob Jordaens (Antwerp, 1593–1678), Democritus. Colored chalk on paper, 14.3 x 11.3 cm]
Non-western art unattributed:
[BRAFA, Brussels. Moonflask. Chinese, Kangxi period (1662–1722). Porcelain, height 19.4 cm. Galerie Bertrand de Lavergne, Paris]
Non-western art unattributed:
[BRAFA, Brussels. Nimba shoulder mask. Republic of Guinea, Baga people, late 19th–early 20th century. Wood, height 120 cm. Charles-Wesley Hourdé, Paris]
Non-western art unattributed:
[Eurasian Arts Gallery, Brussels. Urartian Wingded Bull Cauldron Applique. Bronze, 17.5 cm wide; weight 900 grams. Provenance: UK private collection, purchased on the German art market before 1980.]
Non-western art unattributed:
[Peter Finer, London. A Fine Ottoman Dagger, Hancer and Scabbard, 19th century Turkey. Steel, rubies, emeralds, sapphire, silver, gold, jade shagreen and wood. Overall length: 46.5 cm / 18.3 in. Provenance: Private collection, United Kingdom]
Western art unattributed:
[BRAFA, Brussels. Anna Selbdritt. Southern Germany, Ulm, or Switzerland, Lucerne, c.1520. Limewood, with original polychrome and gilding, height 104 cm. Mullany Haute Epoque Fine Art, London]
Western art unattributed:
[BRAFA, Brussels. Hercules with the horn of the river-god Achelous, Roman, 4th century BC. Marble, height 56.2 cm. Phoenix Ancient Art, Geneva]
Western art unattributed:
[BRAFA, Brussels. The Virgin surrounded by saints, (The Königschlager Epitaph), Nuremberg, Germany. c.1450–60. Tempera on linen on wood, 138 by 206 cm. De Backker Medieval Art, Hoogstraten]
Western art unattributed:
[De Backker Medieval Art, Hoogstraten. Virgin and Child (detail) Paris, 3rd quarter of the 13th century, h: 27 cm]
Western art unattributed:
[Joanna Booth, London. English, circa 1450. Three figures probably from a choir stall. Oak with traces of colour. Height: 12½ ins (32 cm).]
Western art unattributed:
[Marc du Ry Limited, Marlborough. 'The Gothic Smile'. Northwest France, late thirteenth century. Fine-grained limestone, 25 cm high. Wooden stand by Kichizo Inagaki, Paris, c.1920–30, with his monogram]
Western art unattributed:
[Master Drawings New York. Laocoön and his sons. Italian, late 17th–early 18th century. Bronze, height 52 cm. Tomasso Brothers Fine Art]
Western art unattributed:
[Mullany Haute Epoque Fine Art, London. Anna Selbdritt. Oak, with traces of original polychrome and gilding. Flemish, Brabant, c. 1500 – 1520 H. 36 x W. 29 x D. 18 cm]
Western art unattributed:
[Robert Simon Fine Art, New York. Spanish Colonial, Cuzco School (Eighteenth Century), Baptism Dish. Silver, 22.9 cm high x 43.2 cm wide]
Exhibition Review
Daumier
02/2014 | 1331 | 156
Pages: 125-126
related names
Reviewer:
James, Merlin (James, Merlin; James, Merlin Ingli; Ingli James, Merlin; J., M.)
Subjects
artists:
dates:
places:
subjects:
Illustrations
Attributed works:
70. The artist facing his work (L'artiste en face do son oeuvre), by Honoré Daumier (Private collection; exh. Royal Academy of Arts, London)
Attributed works:
71. The clown resting (Hercules and Pierrot in the wings) (Les Saltimbanques au repos (un Hercule et un Pierrot dans les coulisses)), by Honoré Daumier (Michael and Judy Steinhardt collection, New York; exh. Royal Academy of Arts, London)
Attributed works:
72. The kiss (Le Baiser), by Honoré Daumier (Musée d'Orsay, Paris; exh. Royal Academy of Arts, London)
Attributed works:
73. Man on a rope (L'Homme à la corde), by Honoré Daumier (National Gallery of Canada, Ottawa; exh. Royal Academy of Arts, London)
Article
Daumier and the Salons of 1840 and 1841
04/2012 | 1309 | 154
Pages: 248-250
related names
Author:
Lilley, Ed (Lilley, Ed; Lilley, Ed)
Subjects
artists:
dates:
places:
Illustrations
Attributed works:
18. Ascension of Christ, by Honoré Daumier. 1840. Lithograph, 34.4 by 24.6 cm. (Bibliothèque nationale de France, Paris).
Attributed works:
19. Pilgrimage of St Roch, by Honoré Daumier. 1840. Lithograph, 24.6 by 34.4 cm. (Bibliothèque nationale de France, Paris).
Western art unattributed:
20. Ascension of Christ. Netherlands, c.1580. Painted glass, diameter 22 cm. (University of Bristol).
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10/2005 | 1231 | 147
Pages: i-xvi
Subjects
advertisements:
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advertisements:
subjects:
Illustrations
Attributed works:
[August Laube. Trittligasse 19. CH-8001. Zurich. Max Beckmann (Leipzig 1884-1950 New York). Frauenbad (Women's Bathhouse). Drypoint etching. 1922.]
Attributed works:
[August Laube. Trittligasse 19. CH-8001. Zurich. The Great passion, by Albrecht Durer (1471-1528). Series of 12 woodcuts.]
Attributed works:
[Bassenge. Erdener str. 5A. 14193 Berlin. Germany. Nicolò Della Casa (active in Rome 1543-1548) attributed to. Portrait of the sculptor Baccio Bandinelli in his workshop. Engraving. 42.5 x 33 cm. An underscribed proof impression. The only known impression.]
Attributed works:
[Ben Elwes. 45 Maddox Street. London W1S 2PE. RICHARD WILSON (British, 1713-1782). The Cascatelli of Tivoli and Villa Maecenas with the Artist painting in the Foreground. 1752. 16 1/2 x 28 3/8 inches (42x72 cm). Oil on canvas. Signed lower left: R.W.]
Attributed works:
[C. G. Boerner, Dusseldorf. 13 Kasernenstr 13. USA 23 East 73rd Street, New York. England. 15 Duke Street, St. James’s London, SW1Y 6DB. A woman bathing her feet in a brook, by Rembrandt Harmensz. van Rijn. 1658. Etching, 16.2 by 8.2 cm]
Attributed works:
[Carolyn Staley Fine Japanese Prints. Seattle. Roaring tiger near rocks, by Ohara Koson (1877-1945). Early 1900s.]
Attributed works:
[Courtesy Hill-Stone, Inc., New York. The billowing trees, by Armand Seguin (1869-1903). 1893. Etching, drypoint and softground.]
Attributed works:
[David Tunick, Inc., New York. Enfoncé lafayette! Attrappe mon vieux!, by Honoré Daumier. 1834. Lithograph on chine appliqué]
Attributed works:
[Frederick Baker, Inc. Chicago. La rue: affiches Charles Verneau, by Theophile-Alexandre Steinlen (1859-1923). 1896. Colour lithograph on six joined sheets, 233.6 by 298 cm.]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Jacopo dal Ponte, called Bassano. (Bassano del Grappa, c. 1510-13 February 1592). The Adoration of the Shepherds. Oil on canvas, 75.8 x 102 cm (29 7/8 x 40 1/8 in)]
Attributed works:
[Gemini G.E.L. at Joni Moisant Weyl. Los Angeles. The Yangtze, from states of the river, by Ellsworth Kelly. 2005. Lithograph, 114.3 by 81.3 cm. Edition of 25.]
Attributed works:
[John Spink at Colnaghi's, 15 Old Bond Street, London, W1. Windsor Castle from Fellows Eyot, 1811 - Francis Towne (Provenance: JH Merivale and by descent.)]
Attributed works:
[Mary Ryan Gallery, Inc. New York. Water made of lines, by David Hockney. 1978-80. Lithograph, 66 by 86.4 cm. Edition of 39.]
Attributed works:
[Pratt Contemporary Art – Pratt Editions. Ightham, Sevenoaks, Kent TNI5 9HH. England. Ana Maria Pacheco, Misfortunes of a Sardine 7, drypoint, plate size 12 x15 cm.]
Attributed works:
[Pratt Contemporary Art – Pratt Editions. Ightham, Sevenoaks, Kent TNI5 9HH. England. Ash to Dark Water, by Marcus Rees Roberts. A triple-section Artist's Book presented in a wooden box with engraved lid. Etching, drypoint, acrylic, chalk and crayon on Hahnemuhle 'Bugra' 140gsm. Box size: 49 by 35 by 6.2 cm. Edition of 25.]
Attributed works:
[Sragow Gallery, New York. Automatism A, by Robert Motherwell. 1965-66. Lithograph, 71.1 by 54 cm.]
Attributed works:
[Stern Pissarro Gallery. 46 Ledbury Road, London W11 2AB. Camille Pissarro, Paysage à Pontoise, Pastel and Charcoal on paper, 26.5 x 42 cm (10 1/2 x 16 1/2 inches). Executed c. 1873-1874.]
Attributed works:
[Stern Pissarro Gallery. 46 Ledbury Road, London W11 2AB. Camille Pissarro, Une Rue à l'Hermitage, Pontoise, Pastel and charcoal on paper, 26 x 40 cm (10 1/4 x 15 3/4 inches). Executed c. 1873-1874.]
Attributed works:
[The Marlborough Gallery, London. Natural History, part I mushrooms, no. II, by Cy Twombly. 1974. Mixed media, 76.2 by 56 cm. Edition of 98.]
Attributed works:
[The Old Print Shop, Inc. 150 Lexington Avenue at 30th Street. New York, NY 10016-8108. Illustrated: Shadow Dance. Drypoint by Martin Lewis, 1930.]
Attributed works:
[Wildenstein & Co. Inc. 19 East 4th Street. New York, NY 10021. Philippe de Champaigne (1602-1674) The Visitation, c. 1643. Oil on canvas: 112.4 x 97.8 cm.]
Western art unattributed:
[C.J. Goodfriend Drawings and Prints, New York. Raphael and his mistress, Anonymous after Raphael. Chiaroscuro woodcut.]
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02/2005 | 1223 | 147
Pages: i-xvi
Subjects
advertisements:
subjects:
Illustrations
Attributed works:
[Agnew, LTD, 43 Old Bond Street, London, W.1. A swag of roses and other flowers hanging from a nail, by Nicolaes van Verendael (1640-1691). Canvas (Unlined), 52,8 x 45,8 cm. Signed (upper left): Ni V/Verendael.]
Attributed works:
[Agnew, LTD, 43 Old Bond Street, London, W.1. Honore Daumier (1808-1879). Joueurs de Cartes. Panel, 10 5/8 x 13 1/2 in (26.9 x 34.3 cm) Signed H. Daumier (lower right)]
Attributed works:
[Artemis, Fine Arts. C. G. Boerner, Dusseldorf. 13 Kasernenstr 13. USA 23 East 73rd Street, New York. England. 15 Duke Street, St. James’s London, SW1Y 6DB. Portrait of Countess Karoly, 1865, by Gustave Courbet (1819-1877). Oil on canvas, 82.5 x 65 cm. Signed and dated lower right: G. Courbet Dauville [sic] 65.]
Attributed works:
[Beddington & Blackman Ltd. 16 Saville Row, London, W1S 3PL. A gypsy telling a soldier's fortune as a girl picks his pocket, by Paolo de Matteis (1662-1728). Oil on canvas.]
Attributed works:
[Beddington & Blackman Ltd. 16 Saville Row, London, W1S 3PL. Philips Konick 1619 - Amsterdam - 1688. A panoramic Landscape with Trees on a Knoll by a River in the Foreground, a Church and other Buildings beyond. On canvas, 34 x 43 in. ((86.4 x 109.2 cm)]
Attributed works:
[Detroit Institute of Arts. Interior of the Grote Kerk, Haarlem, 1676, by Jacob Berckheyde. Oil on canvas, 103 x 88 cm. Mother nursuring her child, circa 1674-76, by Pieter de Hooch. Oil on canvas, 79.4 x 58.1 cm.]
Attributed works:
[Detroit Institute of Arts. Portrait of Philip Rubens, 1610-11, by Peter Paul Rubens. Oil on panel, 68.5 x 53.5 cm. Flowers in a glass vase, 1704, by Rachel Ruysch. Oil on canvas, 83.8 x 67.0 cm. Bull in a city street, circa 1670, by Jan van der Heyden and Adriaen van de Velde. Oil on canvas, 31.4 x 40.3 cm. Pond in a wooden landscape, circa 1665-70, by Jacob van Ruisdael. Oil on canvas, 53 x 62.2 cm. Portrait of Hendrick Swalmius, circa 1639, by Frans Hals. Oil on pnel, 27 x 20 cm. Job, circa 1610, by Jacob Jordaens. Oil on panel, 67 x 52 cm.]
Attributed works:
[Galerie Canesso, Paris. Rinaldo by Armida, by Gregorio de Ferrari (1647-1726). Oil on canvas, 141 x 167 cm.]
Attributed works:
[Galerie Canesso. 8 rue Rossini, Paris. Valerio Castello. Genoa 1624-1659. The Massacre of the Innocents. Oil on canvas, 122 x 172 cm. (48 x 67 1/2 in)]
Attributed works:
[Galerie Neuse, Kunsthandel GmbH. Contrescarpe 14. D-28203, Bremen, Germany. Jacob de Backer (Antwerp c. 1540 - c. 1595). Salome with the head of St. John the Baptiste. Oil on Panel. 18.5 x 24.8 in. (47 x 63 cm)]
Attributed works:
[Galerie Neuse, Kunsthandel GmbH. Contrescarpe 14. D-28203, Bremen, Germany. Susannah and the elders, Master of the Prodigal Son (1530-1560). Oil on panel.]
Attributed works:
[Hazlitt, Gooden & Fox. 38 Bury Street, St. James’s London. SW1Y 6BB. Louis Gauffier (1761-1801) The Angel releasing St. Peter from Prison. Oil on paper laid down on canvas. 19 x 12.7 cm (7 1/2 x 5 in)]
Attributed works:
[Johnny van Haeften Ltd, London. Diana resting after the hunt, with shepherdesses and two greyhounds, a landscape beyond, by Gerrit van Honthorst (1592-1656)]
Attributed works:
[Johnny van Haeften Ltd. 13 Duke Street, St. James’s, London SW1Y 6DB. Jacob Jordaens (1593 - Antwerp - 1678) A portrait of the artist's daughter Elizabeth, half lenght, wearing a straw hat with a sprig of honeysuckle and an ostrich plume, holding a basket. On canvas. 29 x 23 1/8 in. 73.7 x 59 cm.]
Attributed works:
[Koopman Rare Art Ltd. London. A pair of George III silver-gilt wine ewers and a set of six goblets by Andrew Fogelberg and Stephen Gilbert. London, 1780. Height: 38 cm. Weight: 210 ozs.]
Attributed works:
[Moretti. 43 New Bond Street, London W1S 2SA. Piazza Ottaviani 17/r, 50123 Florence. Bernardino Zaganelli. Catignola, c. 1470-1513. Madonna and CHild enthroned with two angels. Panel, 91 x 47 cm.]
Attributed works:
[Moretti. 43 New Bond Street, London W1S 2SA. Piazza Ottaviani 17/r, 50123 Florence. Madonna and Child worshipped by two angels, by Sano di Pietro (Siena 1406-1481). Tempera on panel, 52 x 35.2 cm.]
Attributed works:
[Rafael Valls, London. A young girl at prayer, by Jean-Baptiste Greuze (1725-1805). Oil on panel, 20.5 x 31.3 cm. Signed and dated 1779.]
Attributed works:
[Rafael Valls. 11 Duke Street, St. James’s, London. Jan Davidsz. de Heem 1660-1684. Dutch School. A still life of Bunches of Grapes hanging from a Nail, with numerous insects including a Bumble Bee, a Grasshopper, Beetles, a Red Admiral Butterfly, and a Silver Gilt embossed Cup and Cover and Glasses on a Ledge draped with a velvet Cloth. 28 1/2 x 34 3/4 inches (72.3 x 88.1 cm). Signed.]
Attributed works:
[Robert Bowman Ltd. London. Polyphemus, by Auguste Rodin (1840-1917). Signed 'A.R. Rodin' and inscribed with foundry mark 'Alexis Rudier Fondeur Paris'. Bronze, rich dark brown/black patination with green and red highlights. Height: 24 cm.]
Attributed works:
[Schlichte Bergen. P.C. Hooftstraat 53’, 1071 BN Amsterdam. Jean-Léon Gérome (Vésoul 1824-1904 Paris). A Wadi (Dray riverbed). Oil on canvas, 25 x 33 cm. Painted around 1867/68. Prov.: Estate of the artist; Mme Renault, thence by descent in the Renault family, until 2004.]
Attributed works:
[Schlichte Bergen. P.C. Hooftstraat 53’, 1071 BN Amsterdam. Madame Guillaumin allaitant sa fille, by Armand Guillaumin (1841-1927). Red chalk, 20 x 17 cm.Signed and dated 1896.]
Attributed works:
[Tradart, Geneva. Golden aureus struck in Rome under the reign of Macrinus. 217-218 B.C. Obverse: bust of Macrinus, wearing laurel leaves and breastplate and draped with the paludamentum, the purple cloak of generals. Reverse: Security upright, fancing forward, holding a sceptre and leaning on a column.]
Western art unattributed:
[Selective Art, sa. Via Prevedina 3, CH-6834. Switzerland. A sculptor close to Giotto, Maestro Espressionista di S. Chiara? S. Lucia. First quarter of the 14th century. Polychromed wood with gold pastiglia. Height: 127 cm.]
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Advertisements October 2004 (Front)
10/2004 | 1219 | 146
Pages: i-xii
Subjects
advertisements:
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
[Ars Libri. New York. Klange, 1913, by Wassilly Kandinsky. With 56 original woodcuts (12 in colour)]
Attributed works:
[Artemis Fine Arts. C. G. Boerner, Dusseldorf. 13 Kasernenstr 13. USA 23 East 73rd Street, New York. 15 Duke Street, St. James’s, London. La Torre di Malghera, by Antonio Canale, called Canaletto (1697-1768). Etching, c. 1740. Sheet size: 419x578mm. Plate size: 298x427mm]
Attributed works:
[Artemis Fine Arts. C. G. Boerner, Dusseldorf. 13 Kasernenstr 13. USA 23 East 73rd Street, New York. 15 Duke Street, St. James’s, London. Max Liebermann (1847-1935). A Girl Reading - Portrait of Anna-Christiane Mattuschka, 1896. Lithograph in two colours, 458x306 mm, Schiefler 41b. A very rare proof of one of Liebermann's few original lithographs.]
Attributed works:
[Artemis Fine Arts. C. G. Boerner, Dusseldorf. 13 Kasernenstr 13. USA 23 East 73rd Street, New York. 15 Duke Street, St. James’s, London. The Three Trees, 1643, by Rembrandt van Rijn (1606-1669). Etching with drypoint and burin.]
Attributed works:
[Bassenge. Erdener str. 5A. 14193 Berlin. Germany. Rembrandt Christ at Emmaus. B. 87.]
Attributed works:
[C.J. Goodfriend Drawings and Prints, New York. St. James Major, c. 1526-20, by Hans Baldung (1484/5-1545). Woodcut]
Attributed works:
[Crown Point Press. San Francisco. Untitled (LO 269), 2004, by Laura Owens. Colour spit bite aquatint, 647x381 mm. Edition 40.]
Attributed works:
[David Tunick, Inc., New York. Yvonne D. de face, 1913, by Jacques Villon (1875-1963). Drypoint.]
Attributed works:
[Dickinson. 58 Jermyn Street. London. 19 East 66th Street. New York. Giovanni Antonio Canal, il Canaletto (Venice 1697-1768). The night Festival on the Zattere near the Church of Santa Marta, Venice, on the Eve of Saint Martha's Day (29 July). Oil on canvas. 37 1/4 x 50in. (94.5x127 cm)]
Attributed works:
[Frederick Mulder. London. Gruppenbildnis Edenbar, 1923, by Max Beckmann (1884-1950). Woodcut, 494x498 mm. Signed in pencil lower right.]
Attributed works:
[Galerie St. Etienne. New York. Girl, 1907, by Ernst Ludwig Kirchner (1880-1939). Lithograph. 325x274 mm]
Attributed works:
[Hazlitt, Gooden & Fox. 38 Bury Street, St. James’s London. SW1Y 6BB. Carle van Loo (1705-1765). Portrait of a Young Girl. Red Chalk, 45x28 cm (17 3/4 x 11 in)]
Attributed works:
[Hill-Stone, Inc. Box 273, Gracie Station. New York. Antonio canal, called Canaletto. Venice 1697-1768 Venice. Al Dolo. Etching. Bromberg 4, the second state of three. Watermark: Three Crescents. A brilliant impression of this important, large Canaletto.]
Attributed works:
[Hill-Stone, Inc. Box 273, Gracie Station. New York. The rest on the flight into Egypt, 1593, by Gerrit Pietersz (1566-1612). Etching.]
Attributed works:
[Jan Johnson. 2258A Coursol Street, Montreal. Crispin De Passe I (ca. 1565-1637): Jonah thrown into the Sea. Engraving. Hollstein 144, first state of two.]
Attributed works:
[Jan Johnson. 2258A Coursol Street, Montreal. Rue des Cordeliers, Dinan, 1907, by Clarence Gagnon (1881-1942). Etching 235x289 mm]
Attributed works:
[Paul Proute. 74 Rue de Seine, 75006. Paris. Honoré Daumier. Le ventre législatif, 1834. Lithograph, Delteil 131.]
Attributed works:
[Paul Proute. 74 Rue de Seine, 75006. Paris. Nu assis à la chemise de tulle, 1925, by Henri Matisse (1869-1954). Lithograph, margins: 535x370. Signed and numbered 38/50]
Attributed works:
[Pratt Contemporary Art – Pratt Editions. Ightham, Sevenoaks, Kent TNI5 9HH. England. Sardine by Giant on foreign shores, 2003, by Ana Maria Pacheco (1943-). Drypoint, 150x120mm]
Attributed works:
[Stiebel. New York, Upper Eastside. Sheet of Studies by Francesco Mazzola known as Parmigianino.]
Attributed works:
[The Old Print Shop, Inc. 150 Lexington Avenue at 30th Street. New York, NY 10016-8108. Illustrated: Arrangement - New York. Lithograph by Jan Matulka, c. 1925]
Attributed works:
[The Old Print Shop, Inc. 150 Lexington Avenue at 30th Street. New York, NY 10016-8108. Saved, 1889, by Winslow Homer. Signed in pencil lower right. Top left etched "G. W. H. Ritchie, Imp." and top right "Copyright 1889 by C. Klackner, N.Y." Vellum, 425x705 mm]
Article
Three Daumiers in Cardiff Reassessed
05/2000 | 1166 | 142
Pages: 281-287
related names
Author:
Burnstock, Aviva (Burnstock, Aviva)
Author:
Evans, Mark L. (Evans, Mark L.; Evans, Mark)
Subjects
artists:
collectors and dealers:
dates:
places:
Illustrations
Attributed works:
10. Don Quixote and Sancho Panza, by Honoré Daumier. Pen, Ink and Wash over Reddish Chalk on Paper, 26.7 by 38.2 cm. (Staatliche Kunsthalle, Karlsruhe).
Attributed works:
11. Don Quixote and Sancho Panza, by Honoré Daumier. Crayon on Tracing Paper, 25 by 32 cm. (Zdenko Bruck Collection, Buenos Aires).
Attributed works:
12. Don Quixote and Sancho Panza, by Honoré Daumier. Oil over Crayon on Panel, 24 by 31.5 cm. (Heirs of Léon Lhermitte, France).
Attributed works:
13. A Famous Case, Here Attributed to an Imitator of Honoré Daumier. Oil on Panel, 12.7 by 36.5 cm. (National Museum & Gallery of Wales, Cardiff).
Attributed works:
14. A Famous Case, by Honoré Daumier. Mid-1860s. Pen, Ink, Wash, Water-Colour, Gouache, conté Crayon and Black Chalk on Paper, 26 by 43 cm. (Private Collection, Courtesy of Hazlitt, Gooden & Fox).
Attributed works:
3. The Heavy Burden, Here Attributed to Honoré Daumier. c.1850-52. Oil, Lithographic Crayon and Water-Colour on Paper Laid down on Panel, 39.5 by 32 cm. (National Museum and Gallery of Wales, Cardiff).
Attributed works:
4. Digital Mosaic X-Radiograph of Fig.3. [The Heavy Burden, Here Attributed to Honoré Daumier. c.1850-52. Oil, Lithographic Crayon and Water-Colour on Paper Laid down on Panel, 39.5 by 32 cm. (National Museum and Gallery of Wales, Cardiff).]
Attributed works:
5. Woman and Child, by Honoré Daumier. Charcoal (Partly Rubbed) on Paper, 30.6 by 24.2 cm. (Lester Avnet Collection, Great Neck, NY).
Attributed works:
6. Detail of Fig.4. [The Heavy Burden, Here Attributed to Honoré Daumier. c.1850-52. Oil, Lithographic Crayon and Water-Colour on Paper Laid down on Panel, 39.5 by 32 cm. (National Museum and Gallery of Wales, Cardiff).]
Attributed works:
7. Detail of Fig.3 in Raking Light, Showing the Earlier Position of the Child's Head. [The Heavy Burden, Here Attributed to Honoré Daumier. c.1850-52. Oil, Lithographic Crayon and Water-Colour on Paper Laid down on Panel, 39.5 by 32 cm. (National Museum and Gallery of Wales, Cardiff).]
Attributed works:
8. Fig.9, Superimposed with an Outline of the Underdrawing Visible with the Naked Eye and under Infra-Red Light. [The Third-Class Railway Carriage, by Honoré Daumier. c.1865. Oil on Panel, 25.4 by 33 cm. (National Museum and Gallery of Wales, Cardiff).]
Attributed works:
9. The Third-Class Railway Carriage, by Honoré Daumier. c.1865. Oil on Panel, 25.4 by 33 cm. (National Museum and Gallery of Wales, Cardiff).
Exhibition Review
Daumier. Ottawa, Paris and Washington
01/2000 | 1162 | 142
Pages: 65-67
related names
Reviewer:
Laughton, Bruce (Laughton, Bruce)
Subjects
artists:
dates:
museums and institutions:
museums and institutions:
subjects:
Illustrations
Attributed works:
106. Fauteuils d'orchestre, by Honoré Daumier. c.1865-70. 60 by 86 cm. (Cincinnati Art Museum; Exh. Grand Palais, Paris).
Attributed works:
107. Ecce Homo, by Honoré Daumier. c.1853-59(?). 160 by 127 cm. (Museum Folkwang, Essen; Exh. Grand Palais, Paris).
Attributed works:
108. Fugitifs, by Honoré Daumier. c.1852. Pen, Wash and Red Chalk, 24.9 by 39.3 cm. (Louvre, Paris, Fonds du Musée d'Orsay; Exh. Grand Palais, Paris).
Attributed works:
109. Un Avocat et sa cliente, by Honoré Daumier. c.1862. Black Chalk and Water-Colour, 21.8 by 17.5 cm. (Graphische Sammlung der Staatsgalerie, Stuttgart; Exh. Grand Palais, Paris).
Attributed works:
110. La France-Promethée et l'aigle-vautour, by Honoré Daumier. February 1871. Lithograph, 22.7 by 19 cm. (Musée d'Art et d'Histoire, St Denis; Exh. Grand Palais, Paris).
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