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4 articles
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05/2021 | 1418 | 163
Pages: i-xvi
Subjects
Illustrations
Attributed works:
Allen Jones, You Dare, 1967, oil on canvas and aluminium steps with plastic tiles [Hazlitt Holland-Hibbert]
Attributed works:
François Boucher (Paris, France 1703–1770) The Story of Cupid and Psyche: An Old Philosopher Leads the Wandering Psyche to His Rustic Home (In preparation for one of the Beauvais Tapestries, 1734–1737) Oil on canvas in grisaille softened with blue grey, celadon, to grey. 49 x 52.3 cm. (193⁄16 x 209⁄16 in.) [Découvert Fine Art]
Attributed works:
GEORGE GOWER (c.1538–1596) William Arundell (c.1561–1592), 1580 Oil on panel 23   x 20 in (60.6 x 50.9 cm) [Philip Mould]
Attributed works:
JEAN-BAPTISTE GREUZE (1725-1805) The First Harvest of the Wheat Black chalk, brush and black and grey ink and grey wash on laid paper. 476 x 593 mm. (18  x 23 ⁄8 in.) [Stephen Ongpin Fine Art]
Attributed works:
Jean-Honoré FRAGONARD (Grasse 1732 – Paris 1806) A Philosopher reading Unlined, oval 45.8 x 57 cm - 18 x 22 / in. In its original frame stamped Chartier Estimate : 1.500.000 / 2.000.000 € [Enchères Champagne]
Attributed works:
Lorenzo Monaco (1370-1425) Saint Anthony the Abbot and Saint John - Crucifixion with a Donor [Moretti]
Attributed works:
Théodore Géricault Discovery of an unknown painting Sapeur du premier régiment de hussards, 1814 Oil on canvas, 81 x 64 cm [Galerie Johann Naldi with Arsinopia]
Attributed works:
Thomas Patch (Exeter 1725–1782 Florence), The River Arno looking towards the Ponte Santa Trinità, Florence oil on canvas, 95.2 x 129.5 cm, €100,000 – 150,000 [Dorotheum]
Non-western art unattributed:
Lot 418 A rare inscribed underglaze blue and copper-red decorated brushpot, China, Qing dynasty, probably Kangxi period. [Hermann Historica]
Western art unattributed:
Featuring in Five Centuries: FRENCH GOTHIC IVORY COMPOSITE CASKET CIRCA 1330 all panels intricately carved in bas-relief to include scenes from the Medieval tales Queste del Saint Grail and Tristan & Isolde, with brass brackets and handle 25cm wide, 11cm high, 13cm deep Provenance: Acquired by Thomas Baird of Auchmedden, circa 1615, thence by family descent  30,000-50,000 + fees [Lyon and Turnbull]
Western art unattributed:
Lot 192 A gilt incense boat with champlevé decoration, Limoges, 13th century [Hermann Historica]
Western art unattributed:
Lot 525 A magnificent marble portrait head of Caracalla, 205 - 209 A.D. [Hermann Historica]
Western art unattributed:
Lot 564 A Scandinavian Viking boar’s head from a ship, 7th - 9th century [Hermann Historica]
Western art unattributed:
Two lance tips with the finest blue-green ‘emerald’ patina Late Bronze age, 13th-11th Century BC Provenance: Private collection, South Germany Private collection, Switzerland [Peter Finer]
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01/2019 | 1390 | 161
Pages: i–xx
Subjects
subjects:
Illustrations
Attributed works:
[Bernard Quaritch Ltd, London. Master of the Brussels Initials, St John the Evangelist, very large initial ‘V’ cut from a gradual, Italy (Bologna), c. 1410–20.]
Attributed works:
[BRAFA, Brussels. Angel, circle of Guillaume Kerricx the Elder (1652–1719), c.1700. Painted wood, height 173 cm. Galerie Sismann, Paris]
Attributed works:
[BRAFA, Brussels. Floor lamp, by Poul Henningsen (1894–1967). 1927–28. Brass and lacquered metal, height 150 cm. Galerie Le Beau-Goklaere, Brussels]
Attributed works:
[BRAFA, Brussels. Forze Spazial, (Project for a lampshade), by Giacomo Balla (1871–1958). c.1925. Tempera on cardboard, 11.5 by 36.8 cm. Rosenberg & Co., New York]
Attributed works:
[BRAFA, Brussels. Pair of encoignures with Chinese export and European lacquer panels, attributed to Jacques Dubois (1694–1763). c.1750. Marble, bronze, oak, ormolu and lacquer with cherry and ebony veneer, height 94 cm. Röbigg, Munich]
Attributed works:
[BRAFA, Brussels. Psyche abandoned, by Piero Tenerani (1789–1867). 1845. Marble, height 120 cm. Brun Fine Art, London]
Attributed works:
[BRAFA, Brussels. Scenes from St Blas’s life, by The Riglos Master, (c.1434–60). c.1450–60. Panel, 188 by 52 cm. Galeria Bernat, Barcelona]
Attributed works:
[BRAFA, Brussels. The four elements, by Artus Wolffort (1581–1641). Canvas, 200 by 158 cm. Jan Muller Fine Art, Ghent]
Attributed works:
[Christopher Bishop Fine Art, New York. Bartholomeus Spranger (Antwerp 1546–Prague 1611). Saint Ursula 197 x 162 mm. Pen and brown ink over traces of black chalk with red and green washes. Squared for transfer. ca. 1583]
Attributed works:
[Découvert Fine Art, Rockport, MA. Compositional Study or Ricordo of Bottom Half of the Altar of St. George in Braida. Workshop of Paolo Veronese, with question of his hand. Verona, 1528 – 1588. Venice Pen, brown ink and brown wash, heightened with white on blue paper, 28.1 by 35.5 cm. From The Skippe Collection, Christie’s, 11/20 & 21/1958, lot 91, as Paolo Farinati]
Attributed works:
[Freeman's Auction, Philadelphia. Master of the Embroidered Foliage (Netherlandish, active Brussels, late 15th century). Nursing Madonna. Oil and tempera on cradled oak panel. 33 3/4 x 28 in. (85.7 x 71.1 cm). $150,000–250,000.]
Attributed works:
[Galerie J. Kugel, Paris. Léonard Limosin. Henri II, King of France, circa 1553. Polychrome enamel on copper, H. 7 in; L. 5.1 in. Ex. collection: Rosebery, Mentmore Towers]
Attributed works:
[Kunstkammer Georg Laue, Munich. Christ in the Garden of Gethsemane. Master of the St Sebastian's Martyrdoms. Vienna ca 1660. Wood. Height 20 cm, width 40.5 cm]
Attributed works:
[Master Drawings New York. A page from a sketchbook, belonging to Arshile Gorky (1904–48). 1931. Ink on paper, 31.5 by 23.8 cm. Pavel Zoubok Fine Art]
Attributed works:
[Master Drawings New York. Cupid dictating a letter to a young woman, by Jean-Baptiste Greuze (1725–1805). Pen and ink and grey wash heightened with white gouache on blue paper, 41 by 30.6 cm. Didier Aaron, Inc.]
Attributed works:
[Master Drawings New York. Girl leaning on her elbow, by Egon Schiele (1890–1918). 1915. Charcoal on paper, 50 by 33.3 cm. W&K – Wienerroither & Kohlbacher]
Attributed works:
[Master Drawings New York. In the courtroom (avant l’audience), by Honoré Daumier (1808–79). Pen and black ink and charcoal, 21.2 by 22.5 cm. Stephen Ongpin Fine Art]
Attributed works:
[Master Drawings New York. On the blue swamp, by Alexander Calder (1898–1976). 1966. Watercolour on paper, 78 by 58 cm. David Tunich, Inc.]
Attributed works:
[Master Drawings New York. Portrait of Nicolas, seigneur de Beurville et de Fresne, by Étienne Dumonstier (1540–1603). c.1581–83. Canvas, 187.3 by 107.3 cm. Galerie J. Kugel]
Attributed works:
[Master Drawings New York. Ruins of the Mithraic Mysteries, by Anthony Baus (b.1981). 2018. Pen and sepia ink and wash on toned paper, 30.5 by 38.1 cm. Robert Simon Fine Art]
Attributed works:
[Master Drawings New York. St John the Baptist, by Carlo Bononi (1569–1632). Pen, brown ink and wash, 15.2 by 6.9 cm. Découvert Fine Art]
Attributed works:
[Master Drawings New York. Study for the head of St John the Baptist, by Auguste Rodin (1840–1917). c.1885–90. Plaster, height 14 cm. Stuart Lochhead Sculpture]
Attributed works:
[Master Drawings New York. Venus at the forge of Vulcan, asking for arms for Cupid, by Biagio Pupini, called Biagio dalle Lame (active 1511–51). Pen and brown ink, heightened with a white, red and brown wash on paper, 29.3 by 20.5 cm. Hazlitt, Gooden & Fox (US) Ltd.]
Attributed works:
[Robert Simon Fine Art, New York. Anthony Baus (b.1981), Ruins of the Mithraic Mysteries. Pen and sepia ink and wash on toned paper, 30.4 x 38.1 cm]
Attributed works:
[Robert Simon Fine Art, New York. Giovanni Battista Tiepolo (Venice 1696–1770 Madrid), Allegory of Peace and Fortitude. One of five “secondo strappo” detached frescoes from the Palazzo Canossa, Verona, 185 x 138 cm]
Attributed works:
[Robert Simon Fine Art, New York. Jacob Jordaens (Antwerp, 1593–1678), Democritus. Colored chalk on paper, 14.3 x 11.3 cm]
Non-western art unattributed:
[BRAFA, Brussels. Moonflask. Chinese, Kangxi period (1662–1722). Porcelain, height 19.4 cm. Galerie Bertrand de Lavergne, Paris]
Non-western art unattributed:
[BRAFA, Brussels. Nimba shoulder mask. Republic of Guinea, Baga people, late 19th–early 20th century. Wood, height 120 cm. Charles-Wesley Hourdé, Paris]
Non-western art unattributed:
[Eurasian Arts Gallery, Brussels. Urartian Wingded Bull Cauldron Applique. Bronze, 17.5 cm wide; weight 900 grams. Provenance: UK private collection, purchased on the German art market before 1980.]
Non-western art unattributed:
[Peter Finer, London. A Fine Ottoman Dagger, Hancer and Scabbard, 19th century Turkey. Steel, rubies, emeralds, sapphire, silver, gold, jade shagreen and wood. Overall length: 46.5 cm / 18.3 in. Provenance: Private collection, United Kingdom]
Western art unattributed:
[BRAFA, Brussels. Anna Selbdritt. Southern Germany, Ulm, or Switzerland, Lucerne, c.1520. Limewood, with original polychrome and gilding, height 104 cm. Mullany Haute Epoque Fine Art, London]
Western art unattributed:
[BRAFA, Brussels. Hercules with the horn of the river-god Achelous, Roman, 4th century BC. Marble, height 56.2 cm. Phoenix Ancient Art, Geneva]
Western art unattributed:
[BRAFA, Brussels. The Virgin surrounded by saints, (The Königschlager Epitaph), Nuremberg, Germany. c.1450–60. Tempera on linen on wood, 138 by 206 cm. De Backker Medieval Art, Hoogstraten]
Western art unattributed:
[De Backker Medieval Art, Hoogstraten. Virgin and Child (detail) Paris, 3rd quarter of the 13th century, h: 27 cm]
Western art unattributed:
[Joanna Booth, London. English, circa 1450. Three figures probably from a choir stall. Oak with traces of colour. Height: 12½ ins (32 cm).]
Western art unattributed:
[Marc du Ry Limited, Marlborough. 'The Gothic Smile'. Northwest France, late thirteenth century. Fine-grained limestone, 25 cm high. Wooden stand by Kichizo Inagaki, Paris, c.1920–30, with his monogram]
Western art unattributed:
[Master Drawings New York. Laocoön and his sons. Italian, late 17th–early 18th century. Bronze, height 52 cm. Tomasso Brothers Fine Art]
Western art unattributed:
[Mullany Haute Epoque Fine Art, London. Anna Selbdritt. Oak, with traces of original polychrome and gilding. Flemish, Brabant, c. 1500 – 1520 H. 36 x W. 29 x D. 18 cm]
Western art unattributed:
[Robert Simon Fine Art, New York. Spanish Colonial, Cuzco School (Eighteenth Century), Baptism Dish. Silver, 22.9 cm high x 43.2 cm wide]
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Pages: n.p.
Subjects
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artists:
artists:
subjects:
Illustrations
Attributed works:
[Anthony Grant, New York. Some flowers for Suzanne, by Cy Twombly (1928–2011). 1982. Oil, wax crayon and pencil on paper, 113.3 by 76.8 cm.]
Attributed works:
[Bernard de Leye, Brussels. Box in gold and coloured mother-of-pearl, Paris, 1743. Under the lid a portrait miniature of André Haudry de Soucy (1688-1769), by Claude Lefèvre d’Orgeval]
Attributed works:
[Bernard de Leye, Brussels. Exceptional golden and enamelled rectangular snuff box, Paris, 1727. The lid shows ‘The Virtue seducing Pomone’ from workshop Mussard of Geneva. Under the lid, a miniature attributed to Carl-Gustav Klingstedt]
Attributed works:
[Boon Gallery, Knokke. The Oracle, by René Magritte (1898–1967). c.1931. Canvas, 60 by 92 cm.]
Attributed works:
[Christopher Bishop Fine Art, Milford. Pontormo, Astrological allegories for Villa Castello]
Attributed works:
[Christopher Bishop Fine Art, Milford. Saturn and Ceres (detail) from the Astrological allegories for Villa Castello, by Jacopo Pontormo. c.1537. Pen and brown ink and black chalk on paper, 16.1 by 24.7 cm.]
Attributed works:
[Costermans, Brussels. Interior of Antwerp Cathedral, by Pieter Neeffs II (1620–75) and Frans Francken III (1607–67). Panel, 39 by 43 cm.]
Attributed works:
[David Tunick, New York. The eight hundred year old Cypress in the garden of the Franciscan monastery at Salerno, by John Robert Cozens (1752–97). Watercolour and pencil on paper, 45.5 by 30.5 cm.]
Attributed works:
[De Backker Medieval Art, Hoogstraten. Madonna Enthroned with Child, by the Master of the Aufkirchen Saint Peter Enthroned (active around South Tyrol, Tyrol and Salzburg, c.1320-30). Swiss pine, polychrome and gilding, 77 by 33.5 by 29 cm.]
Attributed works:
[Découvert Fine Art, Rockport. Two men and various creatures, by Aureliano Milani (1675–1749). Pen and brown ink on paper, 26.7 by 35.7 cm.]
Attributed works:
[Didier Aaron, Inc., New York. Communion, by François Marius Granet (1775–1849). 1836. Pen, brush, ink and ink wash on paper, 25 by 38 cm.]
Attributed works:
[Freeman’s, Philadelphia. Byam Shaw, ‘When alone she sits with her music and books’. Oil on canvas]
Attributed works:
[Freeman’s, Philadelphia. Ghirlandaio Workshop. 16th century. Madonna and Child. Oil on panel]
Attributed works:
[Freeman’s, Philadelphia. Henry Moret, ‘Lorient’. Oil on canvas]
Attributed works:
[Freeman’s, Philadelphia. Pieter Nason, Portrait of a Commanding Officer. Oil on canvas]
Attributed works:
[Galerie Bernat, Barcelona and Madrid. Mary Magdalene, by Joan Reixach (1431–82). Panel, 97 by 59 cm.]
Attributed works:
[Galerie de la Présidence, Paris. Colour rythms n. 1444, by Sonia Delaunay (1885–1979). 1966. Gouache on paper, 75 by 56 cm.]
Attributed works:
[Galerie Philippe David, Zurich. The Church at Montigny, autumn, by Francis Picabia (1879–1953). 1908. Canvas, 65 by 81 cm.]
Attributed works:
[Galerie Schifferli, Geneva. Santa Conversazione, by Max Ernst (1891–1976). 1921. Photograph of a collage, 22.5 by 13.5 cm.]
Attributed works:
[Hazlitt Holland-Hibbert, London. Peter Lanyon, Inshore fishing. 1952. Oil on board]
Attributed works:
[Jill Newhouse Gallery, New York. Study for the second plate of ‘La Fée des Alpes’ (Manfred), by Henri Fantin-Latour (1836–1904). c.1885. Charcoal on paper, 62.5 by 46.5 cm.]
Attributed works:
[Klaas Muller Antiques, Brussels. Diana and nymphs hunting deer, by Peter Paul Rubens (1577–1640), Paul de Vos (c.1571–1678) and Jan Wildens (1585–1653). Canvas, 155 by 199 cm.]
Attributed works:
[Klaas Muller Antiques, Brussels. Peter Paul Rubens, Diana and nymphs hunting deer (detail). Oil on canvas, 155 by 199 cm.]
Attributed works:
[Kraushaar Galleries, New York. Balloon ascension #3: dithyrambe played by the ashraf, by Dorothy Dehner (1901–94). 1947, ink on paper, 44.5 by 66 cm.]
Attributed works:
[Lampronti Gallery, London. Canaletto, A Capriccio of the Prisons of San Marco. Oil on canvas, 105.5 by 127.5cm.]
Attributed works:
[Mullany Haute Epoque Fine Art, London. Frans Pourbus I, Portrait of Lamoraal, Count of Egmont, wearing a linen ruff and a white and green silk sleeved doublet. Signed and dated 1579. Oil on panel, 48 by 34cm.]
Attributed works:
[Mullany Haute Epoque Fine Art, London. Landscape with Madonna and Child, Joseph with Mary Pregnant and Rest on the Flight into Egypt, by Adriaen Isenbrant (c.1485–1551) and Workshop. c.1520. Central panel with frame: 24 by 19 cm.]
Attributed works:
[Robert Simon Fine Art, New York. Domenico di Bartolomeo Ubaldini called Domenico Puligo (Florence, 1492–1527). Portrait of a Gentleman in a Gray Hat and Cloak. Oil on panel, 95.9 by 73.3 cm.]
Attributed works:
[Rubenshuis, Antwerp. Titian, Portrait of a lady and her daughter]
Attributed works:
[Sotheby’s New York. Giovanni Bilivert, Venus, Cupid and Pan]
Attributed works:
[Sotheby’s, New York. A wooded river landscape with a landing stage, boats, various figures and a village beyond, by Jan Brueghel the Elder (1568–1625). 1614. Oil on copper, 25.9 by 37 cm.]
Attributed works:
[Stephen Ongpin Fine Art, London. Godfried Maes, The Head of Medusa]
Attributed works:
[Stephen Ongpin Fine Art, London. The presentation of the Virgin in the temple, by Niccolò Martinelli, called Il Trometta (c.1540–1611). Pen and brown ink and wash over black chalk, heightened with white, 31.1 by 22.8 cm.]
Attributed works:
[Stephen Ongpin Fine Art, London. Ubaldo Gandolfi (1728-81), Three men playing dice in a landscape. Pen and brown ink and brown wash over an underdrawing in black chalk, with framing lines in brown ink, 21.1 by 29 cm.]
Attributed works:
[Tomasso Brothers Fine Art, Leeds, Allegory of winter, by Giovanni Bonazza (1654–1736). c.1710. Terracotta, 33.5 cm. high]
Attributed works:
[Wienerroither & Kohlbacher, New York. Nude woman, by Egon Schiele, 1911]
Attributed works:
[Wienerroither & Kohlbacher, New York. Seated woman, by Egon Schiele (1890–1918). 1916. Pencil on paper, 45.2 by 28.8 cm.]
Non-western art unattributed:
[Galerie Bertrand de Lavergne, Paris. Smiling boy. Chinese, Kangxi period (1662–1722). c.1700. Famille verte porcelain, height: 23 cm.]
Western art unattributed:
[Axel Vervoordt, Wijnegem, Antwerp. Ibis sarcophagus. Egypt, late Ptolemaic period. Wood and bronze with traces of painted gesso, width: 37 cm.]
Western art unattributed:
[De Backker Medieval Art, Hoogstraten. Christ at rest. Burgundy or Upper Rhine, second half of the 15th century. Walnut, height: 69 cm.]
Western art unattributed:
[Peter Finer, London. A crossbowman’s quiver, Italian or German, c.1540-50. Wood, leather, boarskin, iron]
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01/2017 | 1366 | 159
Pages: s.p.
Subjects
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subjects:
Illustrations
Attributed works:
[Aesthetica Magazine. Anna Tihanyi. Christal Night, 2014. From the series Berlin bhf]
Attributed works:
[Aktis Gallery, London. Still life, by Le Corbusier (1887-1965), 1921. Pastel and graphite on paper, 48,8 cm by 58,2 cm]
Attributed works:
[Art et Patrimone - Laurence Lenne, Brussels. Albarello. Antwerp, c. 1565. Maiolica. Height: 36 cm. Width: 26 cm]
Attributed works:
[Artcurial. Jean-Antoine Watteau. Study of a man wearing a hat. Black and red chalk. 22,70 x 16,90 cm]
Attributed works:
[Charles Beddington Limited. 16 Saville Row, London, W1S 3PL. Luca Carlevarijs (Udine 1663 - 1730 Venice). Venice: The Church of the Zitelle and the Giudecca from the Giudecca Canal. Pen and ink and grey wash on paper, laid down on a second sheer with ink borders 12 5/8 x 18 7/8 in (32 x 46.7 cm)]
Attributed works:
[Christie's New York. Old Master & British Drawings, 22 January 2017. Head of a young man, by Giovanni Domenico TIepolo (1727-1804). Red and white chalk and stumping on blue paper, 292 by 20.2 cm]
Attributed works:
[Christopher Bishop Fine Art. Jacopo Bassano (1510-1592). The Sower. Pen and brown ink with brown washes highlighted in white on blue paper, 287 x 201 mm. Inscribed upper right: "questo disegno uin del excellente pittor il sr. jachomo ponte l'ano 1592 10 auiosto"]
Attributed works:
[Day & Faver Exhibiting at: Academy Mansion, 2nd Floor, 2 East 63rd Street. Study for the nave of San Paolo Maggiore, Bologna, by Giuseppe Maria Rolli (1645-1727). 1695. Pen and brown ink, 41.1 by 26.8 cm]
Attributed works:
[Découvert Fine Art Exhibiting at: Lois Wagner Fine Arts, Inc., 15 East 71st Street, Suite 2A. Pietà with instruments of the Passion flanked by St. Francis of Paola and St. Francis of Assisi (Study for fresco or marble altar), by Bartolomeo Passerotti (1529-92). Black CHalk, pen and brown ink, 39.8 by 50.4 cm]
Attributed works:
[Découvert Fine Art. 73 Main St., Rockport, Ma. USA. Salvator Rosa (Arenella, Naples 1615-1673 Rome). Studies of Trees. Black chalk, pen and brown ink, 181 x 128 mm (1) 164 x 137 mm (2)]
Attributed works:
[Galerie Ary Jan, Paris. Indiscretion, by Gustave de Jonghe (1829-93). Oil on panel, 74 by 54 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Gioacchino Assereto (Genoa, 1600 - 1650). Joas saved from Athalia's persecution. Oil on canvas, 147,5 x 195,5 cm (58 x 77 in), signed "AXERET" at lower centre, next to the crown]
Attributed works:
[Harold t'Kint de Roodenbeke Gallery, Brussels. Ball game, by Alexander Calder (1898-1976). Gouache on paper, 110 by 74 cm.]
Attributed works:
[Honourable Silver Objects - Cabinets of Curiosities, Antwerp. Soup tureen, by Gregory van der Toorn (1715-71)Silver. Height: 27 cm. Width: 36.2 cm. Depth: 22 cm]
Attributed works:
[Kunstberatung Zürich AG, Zürich. The harrowing of hell, by Pieter Huys (1519-81/84). Oi on panel, 27 by 39.5 cm]
Attributed works:
[Mattia & Maria Novella Romano Exhibiting at: Arader Galleries, 1016 Madison Avenue, 4th Floor. Beheading of St John the Baptist, by Cherubino ALberti (1553-1615). Brown ink, brown washes and traces of black chalk on laid paper, 25 by 28.5 cm]
Attributed works:
[Mattia & Novella ROmano, Florence. Giuseppe Cesari called Cavalier d'Arpino. Arpino 1568 - 1640 Rome. St. Mark and David with head of Goliath within two niches. Pen, brown ink, brown washes, heightened with white on laid paper. 194 x 180 mm. (7 5/8 x 7 1/8 in.)]
Attributed works:
[Museo Nacional del Prado Madrid. Jusepe de Ribera. Acrobats on a loose Wire. Late 1630s. Pen, brown ink and brown wash. 257 x 198 mm. Madrid, Museo de la Real Academia de Bellas Artes de San Ferdinando, D-2208]
Attributed works:
[Otto Naumann, Ltd. 22 East 80th Street. New York. Diego Rodriguez de Silva Y Velázquez (Seville 1599 - 1660 Madrid) Portrait of a Gentleman, bust-length, in a black tunic and white golilla collar (during cleaning). Oil on canvas; 47 x 39 cm]
Attributed works:
[Peter Finer. 38&39 Duke Street. St. James’s. London. An etched and gilt reinforced buff made by Anton Peffenhauser for the Prince Elector Christian I of Saxony, c. 1586]
Attributed works:
[Philippe Heim, Paris. In search of Sir Franklin, by François-Musin (1820-88). Oil on canvas, 78 by 128 cm]
Attributed works:
[Sphinx Fine Art. 125 Kensington Church St. London. Jan Molenaer II. The Sense of Taste (detail)]
Attributed works:
[Stephen Ongpin Fine Art Exhibiting at: Dickson Roundell inc., 19 East 66th Street. Giovanni Francesco Barbieri, called Il Guercino. Lot and his Daughters. Pen and brown ink and brown wash. 180 x 235 mm. (7 1/8 x 8 7/8 in)]
Attributed works:
[Stephen Ongpin Fine Art Exhibiting at: Dickson Roundell inc., 19 East 66th Street. The head of a female figure wearing a helmet, by Jean-Baptiste Marie Pierre (1714-89. Pastel and black chalk on blue paper, 30.5 by 22.7 cm]
Non-western art unattributed:
[Galerie Jacques German, Montreal. Mangam crest mask. Nigeria, Benue region, early 20th century. Patinated wood and pigments. Height: 46 cm.]
Non-western art unattributed:
[Jacques Barrrére Gallery, Paris. Head of Buddha. Afghanistan or Pakistan, 3rd to 4th century. Terracotta, 22 by 14 by 15.5 cm]
Western art unattributed:
[Christopher Bishop FIne Art Exhibiting at: Academy Mansion, 15th Floor, 2st East 63 Street. Pan and Syrinx. Fountainbleau school, 1550. Pen and brown ink with brown washes on buff paper, 45.4 by 28.8 cm]
Western art unattributed:
[Galerie Theunissen & De Ghellinck, Brussels. Cabinet, Florence, c 1700. Rosewood, ivory, semi-precious stones and gilt bronze. Height: 59 cm. Width: 62 cm. Depth: 34 cm]
Western art unattributed:
[Mullany Haute Epoque Fine Art, London. Christ Child blessing, Flemish, early 16th century. Walnut with original polychrome and gilding. Height (with base): 30.7 cm; (without base): 28 cm]