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90 articles
Article
Jean-Charles Cazin, 1881–83: naturalism and networking, regionalism and republicanism
03/2024 | 1452 | 166
Pages: 278–285
related names
Author:
Thomson, Richard (Thomson, Richard)
Subjects
dates:
Illustrations
Attributed works:
1. Recollection of the festival (Courage, Knowledge and Labour collaborate to establish the reign of Concord), by Jean-Charles Cazin. 1880–81. Oil on canvas, 289 by 234 cm. (Petit Palais, Paris).
Attributed works:
10. The dead town, by Jean-Charles Cazin. 1883. Oil on canvas, 71 by 91 cm. (Private collection).
Attributed works:
2. The Marne (riverbank with bathers), by Jean-Charles Cazin. 1881. Oil on canvas, 131.2 by 147 cm. (Museum of Fine Arts, Boston).
Attributed works:
3. Theocritus, by Jean-Charles Cazin. 1882. Oil on canvas, 74 by 60.5 cm. (Art Institute of Chicago; Bridgeman Images).
Attributed works:
4. Ulysses after the shipwreck, by Jean-Charles Cazin. c.1883. Oil on canvas, 73 by 59.5 cm. (Tate).
Attributed works:
5. Judith: the departure, by Jean-Charles Cazin. c.1882–83. Oil on canvas. (From W. Walton: Chefs d’Oeuvre de l’Exposition Universelle, Paris and Philadelphia 1889, between pp.16 and 17).
Attributed works:
6. The death-chamber of Léon Gambetta, by Jean-Charles Cazin. 1882. Oil on canvas, 38 by 46.3 cm. (Château-Musée Versailles; Bridgeman Images).
Attributed works:
7. Paysage au clair de lune, by Jean-Charles Cazin. c.1883–84. Oil on canvas, 27.4 by 22.3 cm. (Musée des Beaux-Arts, Reims).
Attributed works:
8. Rainbow, Achères la fôret, by Jean-Charles Cazin. 1883. Oil on canvas, 82 by 100.5 cm. (Cleveland Museum of Art; Bridgeman Images).
Attributed works:
9. Study for Rainbow, Achères la fôret, by Jean-Charles Cazin. c.1882–83. Oil on canvas, 22 by 27 cm. (Private collection).
Exhibition Review
Pastels: From Millet to Redon
07/2023 | 1444 | 165
Pages: 790–792
related names
Reviewer:
Jones, Kimberly A. (Jones, Kimberly A.)
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dates:
media:
museums and institutions:
Reviewed Items
subjects:
Pastels: From Millet to Redon Musée d’Orsay, Paris 14th March–2nd July | :
Illustrations
Attributed works:
14. Portrait of a woman, by Jacques-Émile Blanche. 1887. Pastel on canvas, 129 by 64 cm. (Musée d’Orsay, Paris).
Attributed works:
15. Bouquet of daisies, by Jean-François Millet. c.1871–74. Pastel on beige paper laid on canvas fixed to a strainer, 68 by 83.5 cm. (Musée d’Orsay, Paris).
Attributed works:
16. Going out to fish (Zuiderzee), by Piet Mondrian. c.1900. Pastel, watercolour and charcoal on paper, 60 by 100 cm. (Musée d’Orsay, Paris).
Article
Fruit of love: Van Dyck’s ‘James Stuart, Duke of Richmond’ in the Louvre and its afterlife
06/2020 | 1407 | 162
Pages: 492-501
related names
Author:
Sanzsalazar, Jahel (Sanzsalazar, Jahel)
Subjects
art literature:
dates:
museums and institutions:
Illustrations
Attributed works:
1. James Stuart, 4th Duke of Lennox and future 1st Duke of Richmond, by Anthony van Dyck. Here dated to 1637. Oil on canvas, 107 by 84 cm. (Musée du Louvre, Paris; RMN Grand-Palais, Paris).
Attributed works:
10. The quince, by Pierre Eskrich, from Emblemes d’Alciat, Lyon 1549. Engraving, 19 by 13 cm. (Biblioth que national de France, Paris).
Attributed works:
11. Mary Villiers, Lady Herbert of Shurland, by Anthony van Dyck. c.1636– 37. Oil on canvas, 101 by 83.8 cm. (Timken Museum of Art, San Diego).
Attributed works:
12. James Stuart, 4th Duke of Lennox and future 1st Duke of Richmond, attributed to Auguste Renoir after Anthony van Dyck. Oil on canvas, 116 by 89 cm. (Private collection).
Attributed works:
13. James Stuart, 4th Duke of Lennox and future 1st Duke of Richmond, by Thomas Couture after Anthony van Dyck. Pencil on paper, 9.1 by 12.2 cm. (Musée du Louvre, Paris, album RF 9106, fol.33; RMN Grand-Palais, Paris).
Attributed works:
14. Self-portrait in a white shirt, by Henri Fantin-Latour. 1859. Oil on canvas, 101 by 83.5 cm. (Musée de Grenoble).
Attributed works:
2. James Stuart, 4th Duke of Lennox and future 1st Duke of Richmond, by Anthony van Dyck. Here dated before 1637. Oil on canvas, 99.7 by 160 cm. (Kenwood House, London; Bridgeman Images).
Attributed works:
3. James Stuart, 4th Duke of Lennox and future 1st Duke of Richmond, by Anthony van Dyck. Here dated after 1637. Oil on canvas, 215.9 by 127.6 cm. (The Metropolitan Museum of Art, New York).
Attributed works:
4–6, left to right, details of Figs 1, 2 and 3, showing the face of James Stuart.
Attributed works:
7. James Stuart, 4th Duke of Lennox and future 1st Duke of Richmond, after Anthony van Dyck. After 1637. Oil on canvas, diameter 59.8 cm. (Location unknown).
Attributed works:
8. James Stuart, 4th Duke of Lennox and future 1st Duke of Richmond, by the studio of Anthony van Dyck. After 1637. Oil on canvas, 101.5 by 75 cm. (Private collection, formerly at Ickworth House, Suffolk;   RKD; Courtesy Sotheby's, New York).
Attributed works:
9. James Stuart, 4th Duke of Lennox and future 1st Duke of Richmond, after Anthony van Dyck. After 1637. Oil on canvas, 101.5 by 81 cm. (Antony House, Cornwall;   National Trust Images).
Book Review
The Société des Trois in the Nineteenth Century: The Translocal Artistic Union of Whistler, Fantin-Latour, and Legros. By Melissa Berry
09/2018 | 1386 | 160
Pages: 803
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Advertisements (front)
01/2018 | 1378 | 160
Pages: n.p.
Subjects
advertisements:
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advertisements:
advertisements:
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advertisements:
advertisements:
artists:
artists:
subjects:
Illustrations
Attributed works:
[Anthony Grant, New York. Some flowers for Suzanne, by Cy Twombly (1928–2011). 1982. Oil, wax crayon and pencil on paper, 113.3 by 76.8 cm.]
Attributed works:
[Bernard de Leye, Brussels. Box in gold and coloured mother-of-pearl, Paris, 1743. Under the lid a portrait miniature of André Haudry de Soucy (1688-1769), by Claude Lefèvre d’Orgeval]
Attributed works:
[Bernard de Leye, Brussels. Exceptional golden and enamelled rectangular snuff box, Paris, 1727. The lid shows ‘The Virtue seducing Pomone’ from workshop Mussard of Geneva. Under the lid, a miniature attributed to Carl-Gustav Klingstedt]
Attributed works:
[Boon Gallery, Knokke. The Oracle, by René Magritte (1898–1967). c.1931. Canvas, 60 by 92 cm.]
Attributed works:
[Christopher Bishop Fine Art, Milford. Pontormo, Astrological allegories for Villa Castello]
Attributed works:
[Christopher Bishop Fine Art, Milford. Saturn and Ceres (detail) from the Astrological allegories for Villa Castello, by Jacopo Pontormo. c.1537. Pen and brown ink and black chalk on paper, 16.1 by 24.7 cm.]
Attributed works:
[Costermans, Brussels. Interior of Antwerp Cathedral, by Pieter Neeffs II (1620–75) and Frans Francken III (1607–67). Panel, 39 by 43 cm.]
Attributed works:
[David Tunick, New York. The eight hundred year old Cypress in the garden of the Franciscan monastery at Salerno, by John Robert Cozens (1752–97). Watercolour and pencil on paper, 45.5 by 30.5 cm.]
Attributed works:
[De Backker Medieval Art, Hoogstraten. Madonna Enthroned with Child, by the Master of the Aufkirchen Saint Peter Enthroned (active around South Tyrol, Tyrol and Salzburg, c.1320-30). Swiss pine, polychrome and gilding, 77 by 33.5 by 29 cm.]
Attributed works:
[Découvert Fine Art, Rockport. Two men and various creatures, by Aureliano Milani (1675–1749). Pen and brown ink on paper, 26.7 by 35.7 cm.]
Attributed works:
[Didier Aaron, Inc., New York. Communion, by François Marius Granet (1775–1849). 1836. Pen, brush, ink and ink wash on paper, 25 by 38 cm.]
Attributed works:
[Freeman’s, Philadelphia. Byam Shaw, ‘When alone she sits with her music and books’. Oil on canvas]
Attributed works:
[Freeman’s, Philadelphia. Ghirlandaio Workshop. 16th century. Madonna and Child. Oil on panel]
Attributed works:
[Freeman’s, Philadelphia. Henry Moret, ‘Lorient’. Oil on canvas]
Attributed works:
[Freeman’s, Philadelphia. Pieter Nason, Portrait of a Commanding Officer. Oil on canvas]
Attributed works:
[Galerie Bernat, Barcelona and Madrid. Mary Magdalene, by Joan Reixach (1431–82). Panel, 97 by 59 cm.]
Attributed works:
[Galerie de la Présidence, Paris. Colour rythms n. 1444, by Sonia Delaunay (1885–1979). 1966. Gouache on paper, 75 by 56 cm.]
Attributed works:
[Galerie Philippe David, Zurich. The Church at Montigny, autumn, by Francis Picabia (1879–1953). 1908. Canvas, 65 by 81 cm.]
Attributed works:
[Galerie Schifferli, Geneva. Santa Conversazione, by Max Ernst (1891–1976). 1921. Photograph of a collage, 22.5 by 13.5 cm.]
Attributed works:
[Hazlitt Holland-Hibbert, London. Peter Lanyon, Inshore fishing. 1952. Oil on board]
Attributed works:
[Jill Newhouse Gallery, New York. Study for the second plate of ‘La Fée des Alpes’ (Manfred), by Henri Fantin-Latour (1836–1904). c.1885. Charcoal on paper, 62.5 by 46.5 cm.]
Attributed works:
[Klaas Muller Antiques, Brussels. Diana and nymphs hunting deer, by Peter Paul Rubens (1577–1640), Paul de Vos (c.1571–1678) and Jan Wildens (1585–1653). Canvas, 155 by 199 cm.]
Attributed works:
[Klaas Muller Antiques, Brussels. Peter Paul Rubens, Diana and nymphs hunting deer (detail). Oil on canvas, 155 by 199 cm.]
Attributed works:
[Kraushaar Galleries, New York. Balloon ascension #3: dithyrambe played by the ashraf, by Dorothy Dehner (1901–94). 1947, ink on paper, 44.5 by 66 cm.]
Attributed works:
[Lampronti Gallery, London. Canaletto, A Capriccio of the Prisons of San Marco. Oil on canvas, 105.5 by 127.5cm.]
Attributed works:
[Mullany Haute Epoque Fine Art, London. Frans Pourbus I, Portrait of Lamoraal, Count of Egmont, wearing a linen ruff and a white and green silk sleeved doublet. Signed and dated 1579. Oil on panel, 48 by 34cm.]
Attributed works:
[Mullany Haute Epoque Fine Art, London. Landscape with Madonna and Child, Joseph with Mary Pregnant and Rest on the Flight into Egypt, by Adriaen Isenbrant (c.1485–1551) and Workshop. c.1520. Central panel with frame: 24 by 19 cm.]
Attributed works:
[Robert Simon Fine Art, New York. Domenico di Bartolomeo Ubaldini called Domenico Puligo (Florence, 1492–1527). Portrait of a Gentleman in a Gray Hat and Cloak. Oil on panel, 95.9 by 73.3 cm.]
Attributed works:
[Rubenshuis, Antwerp. Titian, Portrait of a lady and her daughter]
Attributed works:
[Sotheby’s New York. Giovanni Bilivert, Venus, Cupid and Pan]
Attributed works:
[Sotheby’s, New York. A wooded river landscape with a landing stage, boats, various figures and a village beyond, by Jan Brueghel the Elder (1568–1625). 1614. Oil on copper, 25.9 by 37 cm.]
Attributed works:
[Stephen Ongpin Fine Art, London. Godfried Maes, The Head of Medusa]
Attributed works:
[Stephen Ongpin Fine Art, London. The presentation of the Virgin in the temple, by Niccolò Martinelli, called Il Trometta (c.1540–1611). Pen and brown ink and wash over black chalk, heightened with white, 31.1 by 22.8 cm.]
Attributed works:
[Stephen Ongpin Fine Art, London. Ubaldo Gandolfi (1728-81), Three men playing dice in a landscape. Pen and brown ink and brown wash over an underdrawing in black chalk, with framing lines in brown ink, 21.1 by 29 cm.]
Attributed works:
[Tomasso Brothers Fine Art, Leeds, Allegory of winter, by Giovanni Bonazza (1654–1736). c.1710. Terracotta, 33.5 cm. high]
Attributed works:
[Wienerroither & Kohlbacher, New York. Nude woman, by Egon Schiele, 1911]
Attributed works:
[Wienerroither & Kohlbacher, New York. Seated woman, by Egon Schiele (1890–1918). 1916. Pencil on paper, 45.2 by 28.8 cm.]
Non-western art unattributed:
[Galerie Bertrand de Lavergne, Paris. Smiling boy. Chinese, Kangxi period (1662–1722). c.1700. Famille verte porcelain, height: 23 cm.]
Western art unattributed:
[Axel Vervoordt, Wijnegem, Antwerp. Ibis sarcophagus. Egypt, late Ptolemaic period. Wood and bronze with traces of painted gesso, width: 37 cm.]
Western art unattributed:
[De Backker Medieval Art, Hoogstraten. Christ at rest. Burgundy or Upper Rhine, second half of the 15th century. Walnut, height: 69 cm.]
Western art unattributed:
[Peter Finer, London. A crossbowman’s quiver, Italian or German, c.1540-50. Wood, leather, boarskin, iron]
Exhibition Review
Fantin-Latour. Paris and Grenoble
01/2017 | 1366 | 159
Pages: 69-71
related names
Reviewer:
Sloan, Rachel (Sloan, Rachel)
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dates:
places:
subjects:
Illustrations
Attributed works:
71. A corner of a table, by Henri Fantin-Latour. 1872 (Musée d'Orsay, Paris; exh. Musée du Luxembourg, Paris)
Attributed works:
72. Still life, called 'The engagement', by Henri Fantin-Latour. 1869 (Musée de Grenoble; exh. Musée du Luxembourg, Paris)
Attributed works:
73. Self-portrait, by Henri Fantin-Latour. 1853 (Palais des beaux-arts, Lille; exh. Musée du Luxembourg, Paris)
Book Review
Manet, Wagner, and the Musical Culture of Their Time, T. Dolan
09/2014 | 1338 | 156
Pages: 609-610
related names
Reviewer:
Lilley, Ed (Lilley, Ed; Lilley, Ed)
Subjects
art literature:
dates:
museums and institutions:
Illustrations
Attributed works:
41. Tannhäuser: Venusberg, by Henri Fantin-Latour. 1862. Lithograph, 39.8 by 49.5 cm. (Boston Public Library).
Article
Fantin-Latour: a newly discovered album
04/2014 | 1333 | 156
Pages: 228-230
related names
Author:
Berry, Melissa (Berry, Melissa)
Subjects
dates:
museums and institutions:
places:
subjects:
Illustrations
Attributed works:
22. Portrait (Self-portrait?), by Henri Fantin-Latour (Stoke-on-Trent City Archives)
Attributed works:
23. Multi-figure composition, by Charles Cuisin (Stoke-on-Trent City Archives)
Attributed works:
24. Classical composition, by Henri Fantin-Latour (Stoke-on-Trent City Archives)
Attributed works:
25. Portrait of Férlet, by Marc-Louis Emmanuel Solon (Stoke-on-Trent City Archives)
Book Review
Fellow Men: Fantin-Latour and the Problem of the Group in Nineteenth-Century French Painting, B. Alsdorf
10/2013 | 1327 | 155
Pages: 717
related names
Reviewer:
Sloan, Rachel (Sloan, Rachel)
Subjects
Book Review
Painting Flowers: Fantin-Latour and the Impressionists
04/2012 | 1309 | 154
Pages: 280-281
related names
Reviewer:
Spencer, Robin (Spencer, Robin)
Subjects
dates:
Reviewed Items
subjects:
Painting Flowers: Fantin-Latour and the Impressionists | author: House, Emma , author: Ingram, David
Illustrations
Attributed works:
47. Fruit and flowers, by Henri Fantin-Latour. 1866. Canvas, 60 by 44.1 cm. (Bowes Museum, Barnard Castle).
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