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02/2018 | 1379 | 160
Pages: n.p.
Subjects
artists:
subjects:
Illustrations
Attributed works:
[Galerie Lowet de Wotrenge, Antwerp. Travellers in a landscape with ruins (detail), by Gillis Neyts.]
Attributed works:
[Hazlitt Holland-Hibbert, London. Loe Bar, by Peter Lanyon. 1962. Oil on board.]
Attributed works:
[Rubenshuis, Antwerp. Portrait of a Lady and her Daughter, by Titian. c.1550. Canvas, 88.3 by 80.6 cm. (Metropolitan Museum of Art, New York).]
Attributed works:
[Sphinx Fine Art, London. A horseman holding a roemer of wine with an ostler tending the horses (detail), by Karel Dujardin.]
Attributed works:
[TEFAF Maastricht. A maid setting a table, by Vilhelm Hammershøi. 1895. Canvas, 97 by 70 cm. (Daxer & Marschall, Munich).]
Attributed works:
[TEFAF Maastricht. Abstract composition, by Serge Poliakoff. c.1930. Canvas, 96 by 130 cm. (Galerie de la Béraudière, Geneva).]
Attributed works:
[TEFAF Maastricht. Apocalypsis cum figuris (second Latin edition in book form), by Albrecht Dürer. 1511. Engraving, 39.4 by 28 cm. (Dr Jörn Günther Rare Books AG, Basel).]
Attributed works:
[TEFAF Maastricht. Reclining nudes with heads turned left, by Gustav Klimt. Pencil, 363 by 562 cm. (W&K – Wienerroither & Kohlbacher, Vienna).]
Attributed works:
[TEFAF Maastricht. Roses, by Graham Sutherland. 1972. Gouache, pastel, pen and collage, 66.5 by 48 cm. (Christopher Kingzett Fine Art, London).]
Attributed works:
[TEFAF Maastricht. Study of a figure for the painting Le Conteur, by Jean-Antoine Watteau. Black and red chalk, 22.7 by 16.8 cm. (Jean-Luc Baroni Ltd, London).]
Attributed works:
[TEFAF Maastricht. The corn harvest, by Joos de Momper and Jan Breughel the Elder. Panel, 69 by 105.6 cm. (Arnoldi-Livie, Munich).]
Attributed works:
[TEFAF Maastricht. The Golden Lion at anchor by Willem van de Velde the Younger. c.1680. Canvas, 82 by 65 cm. (Galerie Sanct Lucas, Vienna).]
Attributed works:
[TEFAF Maastricht. The governesses of the lepers’ asylum, Amsterdam, by Ferdinand Bol. c.1668. Canvas, 170 by 208 cm. (Rijksmuseum, Amsterdam).]
Attributed works:
[TEFAF Maastricht. Various birds, a hare and a basket of fruit, by Jan Weenix. Canvas, 123 by 99.8 cm. (Adam Williams Fine Arts Ltd, New York).]
Attributed works:
[Trafalgar Galleries, London. The Emperor Claudius I on a white horse, by Giulio Romano. Oil on panel, 83 by 54 cm.]
Attributed works:
[Walter Padovani, Milan. Female head, by Giovanni Marchiori. c.1750. Terracotta on its original carved wooden base, 38 by 36 cm., height 52 cm.]
Western art unattributed:
[Peter Finer, London. A close helmet (Burgonet). Germany. c.1550. Steel and leather, 33 by 25.4 cm. ]
Western art unattributed:
[TEFAF Maastricht. Portrait of a Knight of the Order of St John of Jerusalem. German school. Late 15th century. Panel, 28 by 18.8 cm. (Galerie de Jonckheere, Geneva and Monaco).]
Western art unattributed:
[TEFAF Maastricht. Reliquary casket with The Crucifixion and Christ in Majesty and Apostles. Limoges, France. c.1195–1200. Champlevé enamel on copper gilt, 17.6 by 21.7 cm. (Brimo de Laroussilhe, Paris).]
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01/2018 | 1378 | 160
Pages: n.p.
Subjects
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artists:
artists:
subjects:
Illustrations
Attributed works:
[Anthony Grant, New York. Some flowers for Suzanne, by Cy Twombly (1928–2011). 1982. Oil, wax crayon and pencil on paper, 113.3 by 76.8 cm.]
Attributed works:
[Bernard de Leye, Brussels. Box in gold and coloured mother-of-pearl, Paris, 1743. Under the lid a portrait miniature of André Haudry de Soucy (1688-1769), by Claude Lefèvre d’Orgeval]
Attributed works:
[Bernard de Leye, Brussels. Exceptional golden and enamelled rectangular snuff box, Paris, 1727. The lid shows ‘The Virtue seducing Pomone’ from workshop Mussard of Geneva. Under the lid, a miniature attributed to Carl-Gustav Klingstedt]
Attributed works:
[Boon Gallery, Knokke. The Oracle, by René Magritte (1898–1967). c.1931. Canvas, 60 by 92 cm.]
Attributed works:
[Christopher Bishop Fine Art, Milford. Pontormo, Astrological allegories for Villa Castello]
Attributed works:
[Christopher Bishop Fine Art, Milford. Saturn and Ceres (detail) from the Astrological allegories for Villa Castello, by Jacopo Pontormo. c.1537. Pen and brown ink and black chalk on paper, 16.1 by 24.7 cm.]
Attributed works:
[Costermans, Brussels. Interior of Antwerp Cathedral, by Pieter Neeffs II (1620–75) and Frans Francken III (1607–67). Panel, 39 by 43 cm.]
Attributed works:
[David Tunick, New York. The eight hundred year old Cypress in the garden of the Franciscan monastery at Salerno, by John Robert Cozens (1752–97). Watercolour and pencil on paper, 45.5 by 30.5 cm.]
Attributed works:
[De Backker Medieval Art, Hoogstraten. Madonna Enthroned with Child, by the Master of the Aufkirchen Saint Peter Enthroned (active around South Tyrol, Tyrol and Salzburg, c.1320-30). Swiss pine, polychrome and gilding, 77 by 33.5 by 29 cm.]
Attributed works:
[Découvert Fine Art, Rockport. Two men and various creatures, by Aureliano Milani (1675–1749). Pen and brown ink on paper, 26.7 by 35.7 cm.]
Attributed works:
[Didier Aaron, Inc., New York. Communion, by François Marius Granet (1775–1849). 1836. Pen, brush, ink and ink wash on paper, 25 by 38 cm.]
Attributed works:
[Freeman’s, Philadelphia. Byam Shaw, ‘When alone she sits with her music and books’. Oil on canvas]
Attributed works:
[Freeman’s, Philadelphia. Ghirlandaio Workshop. 16th century. Madonna and Child. Oil on panel]
Attributed works:
[Freeman’s, Philadelphia. Henry Moret, ‘Lorient’. Oil on canvas]
Attributed works:
[Freeman’s, Philadelphia. Pieter Nason, Portrait of a Commanding Officer. Oil on canvas]
Attributed works:
[Galerie Bernat, Barcelona and Madrid. Mary Magdalene, by Joan Reixach (1431–82). Panel, 97 by 59 cm.]
Attributed works:
[Galerie de la Présidence, Paris. Colour rythms n. 1444, by Sonia Delaunay (1885–1979). 1966. Gouache on paper, 75 by 56 cm.]
Attributed works:
[Galerie Philippe David, Zurich. The Church at Montigny, autumn, by Francis Picabia (1879–1953). 1908. Canvas, 65 by 81 cm.]
Attributed works:
[Galerie Schifferli, Geneva. Santa Conversazione, by Max Ernst (1891–1976). 1921. Photograph of a collage, 22.5 by 13.5 cm.]
Attributed works:
[Hazlitt Holland-Hibbert, London. Peter Lanyon, Inshore fishing. 1952. Oil on board]
Attributed works:
[Jill Newhouse Gallery, New York. Study for the second plate of ‘La Fée des Alpes’ (Manfred), by Henri Fantin-Latour (1836–1904). c.1885. Charcoal on paper, 62.5 by 46.5 cm.]
Attributed works:
[Klaas Muller Antiques, Brussels. Diana and nymphs hunting deer, by Peter Paul Rubens (1577–1640), Paul de Vos (c.1571–1678) and Jan Wildens (1585–1653). Canvas, 155 by 199 cm.]
Attributed works:
[Klaas Muller Antiques, Brussels. Peter Paul Rubens, Diana and nymphs hunting deer (detail). Oil on canvas, 155 by 199 cm.]
Attributed works:
[Kraushaar Galleries, New York. Balloon ascension #3: dithyrambe played by the ashraf, by Dorothy Dehner (1901–94). 1947, ink on paper, 44.5 by 66 cm.]
Attributed works:
[Lampronti Gallery, London. Canaletto, A Capriccio of the Prisons of San Marco. Oil on canvas, 105.5 by 127.5cm.]
Attributed works:
[Mullany Haute Epoque Fine Art, London. Frans Pourbus I, Portrait of Lamoraal, Count of Egmont, wearing a linen ruff and a white and green silk sleeved doublet. Signed and dated 1579. Oil on panel, 48 by 34cm.]
Attributed works:
[Mullany Haute Epoque Fine Art, London. Landscape with Madonna and Child, Joseph with Mary Pregnant and Rest on the Flight into Egypt, by Adriaen Isenbrant (c.1485–1551) and Workshop. c.1520. Central panel with frame: 24 by 19 cm.]
Attributed works:
[Robert Simon Fine Art, New York. Domenico di Bartolomeo Ubaldini called Domenico Puligo (Florence, 1492–1527). Portrait of a Gentleman in a Gray Hat and Cloak. Oil on panel, 95.9 by 73.3 cm.]
Attributed works:
[Rubenshuis, Antwerp. Titian, Portrait of a lady and her daughter]
Attributed works:
[Sotheby’s New York. Giovanni Bilivert, Venus, Cupid and Pan]
Attributed works:
[Sotheby’s, New York. A wooded river landscape with a landing stage, boats, various figures and a village beyond, by Jan Brueghel the Elder (1568–1625). 1614. Oil on copper, 25.9 by 37 cm.]
Attributed works:
[Stephen Ongpin Fine Art, London. Godfried Maes, The Head of Medusa]
Attributed works:
[Stephen Ongpin Fine Art, London. The presentation of the Virgin in the temple, by Niccolò Martinelli, called Il Trometta (c.1540–1611). Pen and brown ink and wash over black chalk, heightened with white, 31.1 by 22.8 cm.]
Attributed works:
[Stephen Ongpin Fine Art, London. Ubaldo Gandolfi (1728-81), Three men playing dice in a landscape. Pen and brown ink and brown wash over an underdrawing in black chalk, with framing lines in brown ink, 21.1 by 29 cm.]
Attributed works:
[Tomasso Brothers Fine Art, Leeds, Allegory of winter, by Giovanni Bonazza (1654–1736). c.1710. Terracotta, 33.5 cm. high]
Attributed works:
[Wienerroither & Kohlbacher, New York. Nude woman, by Egon Schiele, 1911]
Attributed works:
[Wienerroither & Kohlbacher, New York. Seated woman, by Egon Schiele (1890–1918). 1916. Pencil on paper, 45.2 by 28.8 cm.]
Non-western art unattributed:
[Galerie Bertrand de Lavergne, Paris. Smiling boy. Chinese, Kangxi period (1662–1722). c.1700. Famille verte porcelain, height: 23 cm.]
Western art unattributed:
[Axel Vervoordt, Wijnegem, Antwerp. Ibis sarcophagus. Egypt, late Ptolemaic period. Wood and bronze with traces of painted gesso, width: 37 cm.]
Western art unattributed:
[De Backker Medieval Art, Hoogstraten. Christ at rest. Burgundy or Upper Rhine, second half of the 15th century. Walnut, height: 69 cm.]
Western art unattributed:
[Peter Finer, London. A crossbowman’s quiver, Italian or German, c.1540-50. Wood, leather, boarskin, iron]
Exhibition Review
Peter Lanyon
03/2016 | 1356 | 158
Pages: 212-213
related names
Reviewer:
James, Merlin (James, Merlin; James, Merlin Ingli; Ingli James, Merlin; J., M.)
Subjects
artists:
dates:
museums and institutions:
places:
subjects:
Illustrations
Attributed works:
57. Near cloud, by Peter Lanyon. 1964 (Private collection; exh. Courtauld Gallery, London)
Attributed works:
58. Drift, by Peter Lanyon. 1961 (Private collection; exh. Courtauld Gallery, London)
Attributed works:
59. North east, by Peter Lanyon. 1963 (Courtesy Beaux Arts Gallery, London; exh. Courtauld Gallery, London)
Exhibition Review
St Ives artists
10/2015 | 1351 | 157
Pages: 725-726
related names
Reviewer:
Smith, Rachel (Smith, Rachel)
Subjects
dates:
museums and institutions:
places:
subjects:
Illustrations
Attributed works:
55. Blue glass airscape, by Peter Lanyon. 1960 (Private collection; exh. Abbot Hall Art Gallery, Kendal)
Attributed works:
56. Torrid zone/region, by Bryan Wynter. 1958 (Lakeland Arts Trust; exh. Abbot Hall Art Gallery, Kendal)
Attributed works:
57. Green, black and white movement, by Terry Frost. 1951-52 (Scottish National Gallery of Modern Art, Edinburgh; exh. Newlyn Art Gallery and The Exchange, Penzance)
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04/2011 | 1297 | 153
Pages: s.p.
Subjects
advertisements:
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collectors and dealers:
subjects:
Illustrations
Attributed works:
[A. Clayton-Payne. 14 Old Bond Street. London. John Martin (1789-1854). Diogenes throwing away his Cup. Signed and dated 'J.Martin.1833'. Watercolour with scratching out, heightened with gum arabic. 7 3/4 x 10 1/4 inches (19.5 x 26 cm)]
Attributed works:
[Austin/Desmond Fine Art. Pied Bull Yard. 68/69 Great Russell Street. London. Peter Lanyon, (1918-1964). Bodmin Moor, 1953. Oil on board, 67 x 22 cm]
Attributed works:
[Austin/Desmond, London. The strange coast (Dymchurch), by Paul Nash (1889-1946). 1920. Signed in pencil lower right. A proof impression printed on white wove paper. Lithograph, 31 by 40.5 cm]
Attributed works:
[Charly Bailly. 10 rue de l’Hotel-de-Ville. Geneva. William James (Active circa 1761-1771). The Entrance of the Grand Canal with Santa Maria della Salute. Oil on canvas, 96 by 155 cm. (37 3/4 by 61 in)]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. Joseph Mallord William Turner, R.A. (1775-1851). The Blue Rigi]
Attributed works:
[Dorotheum. Dorotheergasse 17. Vienna. Ludovico Carracci, Portrait of a Youth wearing a Ruff. c.1590, oil on canvas, 47 x 38cm]
Attributed works:
[Emanuel von Beyer, London. Saint Jerome in the wilderness, by Annibale Carracci (1560-1609). Etching with some engraving, 18.2 by 25.5 cm]
Attributed works:
[Fine Art Society, London. The Palaces, by James McNeil Whistler (1834-1903). 1879-80. Signed in pencil Etching drypoint, printed in black ink on laid paper, 31.3 by 40 cm]
Attributed works:
[Frederick Mulder, London. Picador and bull, by Pablo Picasso (1881.1973). 1959. Linocut printed in colours, 53 by 64.5 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Bartolomeo Bimbi. Settignano, 1648 - Florence, 1730. Exotic Birds from the aviaries of Grand Duke Cosimo III de'Medici in a landscape. Oil on canvas, 119.4 x 151.1 cm (47 x 59 1/2 in)]
Attributed works:
[Gilden's Arts Gallery, London. Four nude women and a sculptured head, by Pablo Picasso (1881-1972). 1934. Vollard Suite pl. 82. Print, 44.5 by 34.5 cm]
Attributed works:
[Hazlitt, Gooden & Fox. 38 Bury Street, St. James’s London. SW1Y 6BB. William Etty (1787-1849). Young Negress. Oil on panel, 44 x 32.5 cm (17 1/4 x 12 3/4)]
Attributed works:
[Hill-Stone, Inc. Box 273, Gracie Station. New York. Christoffel Jegher. Antwerp 1596 - 1652/3 Antwerp. Susannah and the Elders. Woodcut after Pieter Paul Rubens. Hollstein I, Leblanc I, the first of two states, with Ruben's privilege. An extremely fine impression with the complete border showing all around.]
Attributed works:
[Hill-Stone, New York. The waterside trees, by Armand Seguin (1869-1903). c.1893. Field, Strauss and Wagstaff 24, only state. Etching, 33 by 43.3 cm]
Attributed works:
[Lempertz, 3 Neumarkt. Cologne. Pieter Brueghel the Young (1564-1638). Temptation of St. Anthony. Oil on wood, 46.5 x 64 cm]
Attributed works:
[Pascoe Pratt, London. Details of Renaissance paintings (Leonardo da Vinci, The Annunciation), by Andy Warhol (1928-87). 1984. Signed in pencil by the artist, numbered from the edition of 60. Screenprint in colours, 63.5 by 94 cm]
Attributed works:
[Richard Saltoun, London. Hole in the Sea, by Barry Flanagan (1941-2009). 1967-70. Photo-etching]
Attributed works:
[Sims Reed, London. Big Sur, by Peter Doig (born 1959). 2000-01. Signed in pencil and numbered from the edition of 46 Etching and aquatint printed in colour, 114 by 160.5 cm]
Attributed works:
[Sims Reed, London. Cheese mold standard with olive, by Ed Ruscha (born 1937). 1969. Signed in pencil and numbered from the edition of 150. Screenprint in colours, 65.5 by 101.5 cm]
Attributed works:
[The Fine Art Society, Ltd. 148 New Bond Street, London, W.1. Paul Nash 1889-1946. On the Western Front. October-November 1917. Watercolour, ink, chalk and pencil on paper 11 1/4 x 11 3/4 inches. 28.5 x 30 cm]
Attributed works:
[The London Original Print Fair. The Royal Academy. Piccadilly. London. Grayson Perry. Map of Nowhere (detail), 2008 © The Artist and Paragon Press, London.]
Attributed works:
[Wolseley Fine Art, Walterstone, Herefordshire. Articulated forms, by Graham Sutherland (1903-80). 1950. Signed an numbered 34/60. Lithograph, 30 by 58 cm]
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02/2011 | 1295 | 153
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Subjects
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subjects:
Illustrations
Attributed works:
[Charles Beddington Limited. 16 Saville Row, London, W1S 3PL. Antoine de Lohny (active in Autun, Toulouse, Barcelona and Piedmont 1446 - c.1490). Saint Vincent Ferrer Proaching. Tempera on gold ground panel, 41 3/4 x 16 3/8 in. (106 x 41.5 cm)
Attributed works:
[Charles Beddington, London. A capriccio of classical ruins on a Mediterranean coast, by Leonard Coccorante (1680-1750). Signed with monogram 'LC' (lower right). Oil on canvas, 75 by 126 cm]
Attributed works:
[Charly Bailly. 10 rue de l’Hotel-de-Ville. Geneva. Attributed to Pieter Balten (Antwerp 1525 - 1598). Kermesse with the feast of Saint Georges. Oil on canvas, 153 by 286 cm (60 1/4 by 112 1/2 in.).]
Attributed works:
[David Koetser, Switzerland. A wooded dune landscape, by Jacob van Ruisdael (1628/29-82). Signed and dated lower center: JVRuidfael 1648. Oil on panel, 27.5 by 31 cm]
Attributed works:
[De Jonckheere, Paris and Geneva. The siege of Therouanne, with the army led by Charles V camping at the foot of the town, by Henri Met de Bles (c.1510 - 1560). Oil on panel, 118.1 by 181 cm]
Attributed works:
[Galerie Canesso, Paris. Exotic birds from the aviaries of Grand Duke Cosimo III de' Medici in a landscape, by Bartolomeo Bimbi (1648-1730). Oil on canvas, 119.4 by 151.1 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Giuseppe Bonito. Castellamare di Stabia, 1707 - Naples, 1789. The Painter's Studio. Oil on canvas, 168 x 235 cm /66 1/4 x 92 1/2 in)]
Attributed works:
[Galerie Neuse, Kunsthandel GmbH. Contrescarpe 14. D-28203, Bremen, Germany. Jan van Bijlert (Ultrecht 1597-1671). Young Woman with a cat. Allegory of the sense of touch. Oil on canvas, 76.5 x 64.5 cm.]
Attributed works:
[Galeries Hans. Jungfernstieg, 34 III. D-20354 Hamburg. Nicolas Maes. 'The presentation of Christ in the temple. Pen, brush and brown ink, 13.7 x 14.7 cm)]
Attributed works:
[Gallery Matthiesen. 7/8 Manson’s Yard, Duke Street, St. James’s. London, W.1. WERNER VAN DER VALKERT (In or nr. The Hague c.1580/85 - c-1627 Amsterdam). Omnia Vincit Amor. Circa 1616. Oil on panel; 78 x 63 cm (30 3/4 x 24 3/4 in)]
Attributed works:
[Haboldt & Co. Paris. 'Tronie' of an old man, by Jan Lievens (1607-74). c. 1629. Oil on panel, 60.1 by 47.8 cm]
Attributed works:
[Hazlitt Holland-Hibbert. 38 Bury Street. St. James’s, London SW1Y 6BB. Peter Lanyon 1918-1964. Coast Wind, 1957. Oil on board. 72 x 48 inches; 183 x 122 cm. Signed and dated.]
Attributed works:
[Johnny van Haeften Ltd, London. The Hofstede Wolf en Hoeck on the Pumer, by Jan van der Heyden (1637-1712). Signed lower left. Oil on panel, 33.8 by 39.7 cm.]
Attributed works:
[Johnny van Haeften Ltd. 13 Duke Street, St. James’s, London SW1Y 6DB. Michael Sweerts (Brussels 1618 - 1664 Goa). A Portrait of a Gentleman. On canvas, 25 1/4 x 20 1/4 ins (64.1 x 51.4 cm) - oval.]
Attributed works:
[Koetser Gallery Ltd. Talstrasse 37. Zurich. Jan Luijkenstraat 62 (sous). Amsterdam. Oil sketch by Sir Peter Paul Rubens (1577 Siegen - Antwerp 1640). Alexander and Roxana. Oil on panel, 40 x 35.5 cm]
Attributed works:
[Oskar Reinahrt. Haldenstrasse 95. Winterthur. Camille Corot, La Petite Liseuse of Jeune bergère aussie et liant, c.1855/65]
Attributed works:
[Otto Naumann Ltd. New York. Architectural capriccio with a self-portrait of Bellotto in the costume of a venetian nobleman, by Bernardo Bellotto (1721-80). Oil on canvas, 155 by 112 cm]
Attributed works:
[Richard L. Feigen & Co., New York. Mountainous landscape with Hunters, by Jan Looten (c.1618-c.1680). Oil on canvas, 112.5 by 146.5 cm]
Attributed works:
[Schlichte Bergen, Amsterdam. An ideal landscape with an epitaph for Epaminondas, by George Augustus Wallis Merton (1761-1847). One of pair of neoclassical drawings in their contemporary frames. Black chalk on brown paper, 72 by 101 cm]
Attributed works:
[Schlichte Bergen. P.C. Hooftstraat 53”, 1071 BN Amsterdam. Adrian Ludwig Richter. Dresden 1803-1884 Loschwitz. Am Brunnen bei Grottaferrata. Signed and dated L. Richter/1832. Canvas 113 x 99.5 cm]
Attributed works:
[The Burlington Magazine, London. Study for the Age of Bronze, by Pietro da Cortona. 1641. Pen and ink over black chalk, 35 by 25 cm (Dulwich Picture Gallery)
Attributed works:
[The Burlington Magazine. London. Head of St. Peter from the Last Supper, after Leonardo da Vinci (Giovanni Antonio Boltraffio ?). Black chalk, pastel and watercolour. (Cabinet des Estampes at des Dessins, Stasbourg)]
Attributed works:
[The Burlington Magazine. Study after Ruben's 'Peace and War', here attributed to Eugène Delacroix. c.1825. Watercolour and gouache, 33.5 by 26 cm. (Private collection)]
Attributed works:
[The Matthisen Gallery, London. Huntsmen in a landscape, by Paul Brill (1554-1626). Signed and dated 1612. On canvas, 59 by 87 cm]
Attributed works:
[The Rubens House Museum. Anthony van Dyck (1599-1641), Isabella Brant. @ National Gallery of Art, Washington, DC.]
Attributed works:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. Dove Walk. 107b Pimlico Road. London. Wilhelm de Groff (early 18th Century). A monumental portrait of Maximilian II Emanuel, Elector of Bavaria (1662-1726). Bronze.]
Western art unattributed:
[Bonhams. 101 New Bond Street. London. Illustrated: A needlework mirror with folding shutters. English, late 17th Century.]
Exhibition Review
Peter Lanyon. St Ives
01/2011 | 1294 | 153
Pages: 56-57
related names
Reviewer:
Dunne, Nathan (Dunne, Nathan)
Subjects
artists:
dates:
museums and institutions:
print:
subjects:
Reviewed Items
subjects:
Peter Lanyon | institution: Tate St Ives
Illustrations
Attributed works:
62. Field landing, by Peter Lanyon. 1963–64. Mixed media, 93 by 153 by 53.9 cm. (Austin/Desmond Fine Art Ltd.; exh. Tate St Ives).
Attributed works:
63. High ground, by Peter Lanyon. 1956. Oil on board, 119.3 by 182.8 cm. (Private collection; exh. Tate St Ives).
Attributed works:
64. Generation, by Peter Lanyon. 1947. Oil on board, 87.6 by 33.6 cm. (Private collection; exh. Tate St Ives).
Book Review
Peter Lanyon: Modernism and the Land
10/2007 | 1255 | 149
Pages: 711-712
related names
Reviewer:
James, Merlin (James, Merlin; James, Merlin Ingli; Ingli James, Merlin; J., M.)
Subjects
artists:
places:
print:
Reviewed Items
subjects:
Peter Lanyon: Modernism and the Land | author: Causey, Andrew
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Advertisements September 2007 (front)
09/2007 | 1254 | 149
Pages: s.p.
Subjects
advertisements:
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subjects:
Illustrations
Attributed works:
[Adam Williams Fine Art. New York. Portrait of a young man, by Bernardo Strozzi (1581-1644). Oil on canvas, 50 by 38cm]
Attributed works:
[Alan Cristea Gallery. 31 Cork Street, London, W1S 3NU. Josef Albers. Placards. 1934]
Attributed works:
[Alan Cristea Gallery. 31 Cork Street, London, W1S 3NU. Newlyn, by Ben Nicholson. 1948. Drypoint. Paper: 19.0 by 22.4 cm / Image: 15.2 by 18.4 cm. Edition of 8]
Attributed works:
[Alan Cristea Gallery. 31 Cork Street, London, W1S 3NU. Richard Hamilton. Beatles. 2007]
Attributed works:
[Altomani & Sons. Milan and Pesaro. Allegory of the Four seasons, by Francesco Bertos (1678-1741). Carrara marble, height: 40 cm]
Attributed works:
[Boundary Gallery. London. Mother and child, by David Bomberg (1890-1957). 1920. Watercolour, 39.4 by 29.2 cm]
Attributed works:
[Charles Ratton & Guy Ladrière. 14 rue de Marignan, 75008, Paris. François Jerome Chantereau (?1710-Paris, 1757). Departure for the hunt. Black chalk heightened with pastel on blue paper, 28.8x44.2 cm. Unidentified collector's mark (Lugt no.883) at lower left.]
Attributed works:
[Crane Kalman Gallery. London. Construction, by Edward Burra (1905-76). c. 1950. Gouache on paper, 72.4 by 104.1 cm]
Attributed works:
[Duncan R. Miller Fine Arts. London. Red and green relationships, by William Johnstone OBE., LLD (1897-1981). 1962. Oil on canvas, 63.5 by 76 cm]
Attributed works:
[Enrico Frascione. Florence. Christ in the Garden of Gethsemane, by Giovan Francesco Barbieri known as Il Guercino (1591-1666). Pen, ink and sepia watercolour on beige paper, 30 by 24 cm.]
Attributed works:
[Fondantico di Tiziana Sassoli e C. Bologna. The Elderly Farmer, by Giovanni Andrea Donducci Known as Il Mastelletta (Bologna 1575-1655). Oil on canvas, 113 by 152.]
Attributed works:
[Gagosian. 6-24 Britannia Street. London. Epiphany, 1964. Richard Hamilton.]
Attributed works:
[Gillian Jason. London. Flowers, early summer, by David Bomberg. 1936. Oil on canvas, 91.4 by 70 cm]
Attributed works:
[Gimpel Fils. London. Opus O.632 Transformation of A.D. No.3, by Alan Davie. 1970. Oil on canvas, 122 by 153 cm]
Attributed works:
[Grassi Studio. New York. Crucifixion, by Ercole Procaccini il Vecchio (1515-1595). Oil on canvas, 48 by 34 cm]
Attributed works:
[Grosvenor Gallery. London. Girl, by Reg Butler (1913-81). 1954. Cast bronze in an edition of 8, with a black patina, 52 cm high]
Attributed works:
[Hazlitt Holland-Hibbert. 38 Bury Street. St. James’s, London SW1Y 6BB. 17 East 76th Street, New York. Walter Sickert. 1860-1942. The Horses of St. Mark's, 1901. Oil on paper laid on panel. 19 3/4 x 15 1/2 inches: 50.2 x 39.4 cm. Signed.]
Attributed works:
[JPMorgan CHase Art Collection. Josef Albers. Homage to the Square: In Late Red, 1959, oil on masonite, 101.6 x 101.6 cm.]
Attributed works:
[Karsten Shubert. 5-8 Lower John Street, London. John Stezaker, Marriage (Film portrait collage) XXXII, 2007]
Attributed works:
[Keith Chapman. London. Winston Churchill, by Sir Jacob Epstein (1880-1959). 1946. Bronze, 31 cm high.]
Attributed works:
[Koller. Hardturmstrasse 102. CH-8031, Zurich. Ambrosius Bosschaert II (Middelburg 1609-1645 Utrecht). Still life with fruits, shells and insects. 1630. Oil on panel. Monogrammed and dated. 38.2 x 50.2 cm.]
Attributed works:
[Moretti. Piazza Ottaviani 17/r, 50123 Florence. 43 New Bond Street. London. 24 East 80th Street. New York. Giovan Girolamo Savoldo. Brescia, c. 1480-Venice, post 1540. St. Dominic and St. Veneranda St. Anthony Abbot and st. Vincent Ferrer. Oil on canvas, 149.5x49cm (each)]
Attributed works:
[Museo Thyssen-Bornemisza. Madrid. Vincent Van Gogh. Two figures in a wood (detail), 1890. Cincinnati Art Museum, legacy of Mary E. Johnston.]
Attributed works:
[Osborne Samuel. London. Neapolitan bathers, by Keith Vaughan. (1912-1977). 1951. Oil on board, 63 by 48 cm]
Attributed works:
[Piacenti Art Gallery. Florence. Madonna with Child, by Jacopo Amigoni (1682-1752). Oil on canvas, 66.5 by 52.7 cm.]
Attributed works:
[Sotheby’s & Co., 34-35 New Bond Street, London, W.1. Richard Hamilton. I'm Dreaming of a Black Christmas (Lullin 82). Screenprint on collotype in colours, 1971.]
Attributed works:
[The Italian Cultural Institute. 8 Storey's Gate, London. Francesco Gonzales. The Grey Series, a portrait of Sir Denis Mahon and other new paintings.]
Attributed works:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. Baccio Bandinelli. 1493-1560. Monumental bust of a young man. Marble. Height 77cm]
Attributed works:
[Venator & Hanstein. Cacilienstrasse 48. 50667 Cologne. Germany. E. Blackwell. Herbal book. 6 volumes, 1757-73]
Attributed works:
[Waddington Galleries. 11 Cork Street. London. Josef Albers, Homage to the Square (JAAF 1976.1.372), 1953, 18x18 in/ 45.7x45.7 cm, oil on masonite]
Attributed works:
[Whitford Fine Art, London. Gravy for the Navy again, by Peter Phillips (b.1939). Oil on canvas, 36 by 36 cm]
Attributed works:
[Wilson Stephens Fine Art. London. Nude figures, by Duncan Grant (1885-1978). 1928. Pen on paper, 12.7 by 20 cm]
Western art unattributed:
[Galleria Nella Longari. Milan. Head of a putto, Florentine sculptor of the early sixteenth century. Marble, height: 19cm]
Western art unattributed:
[The 25th Florence Biennale. Photograph of Palazzo Corsini sull'Arno.]
Western art unattributed:
[The 25th Florence Biennale. The late seventeenth century Throne Room, Palazzo Corsini, Florence. Photograph.]
Book Review
Peter Lanyon: At the Edge of Landscape
05/2001 | 1178 | 143
Pages: 305-306
related names
Reviewer:
Lewis, Adrian (Lewis, Adrian)
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Reviewed Items
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Peter Lanyon: At the Edge of Landscape | author: Stephens, Chris
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