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03/2025 | 1464 | 167
Pages: i-xl
Subjects
Illustrations
Attributed works:
A young man, by Claude Hoin (1750–1817). 1802. Pastel on paper mounted on canvas, 39 by 31 cm. [DIDIER AARON & CIE, PARIS AND NEW YORK/Tefaf]
Attributed works:
Adoration of the shepherds, attributed to Girolamo Ticciati (1676–1744). c.1700. Modelled terracotta, 41 by 97 cm. [Alessandro Cesati, Milan. Stand 171/ Tefaf]
Attributed works:
Albrecht Duerer. Virgin and child with the pear. 1511. Engraving. Meder 33 a. Est. 15,000 € [Venator and Hansen]
Attributed works:
Allegorical portrait of a young man, by Mirabello Cavalori (1520–72). 1565–70. Oil on canvas, 182 by 105 cm. [Trinity Fine Art, London. Stand 361/ Tefaf]
Attributed works:
Allegory on iron forge, by David Vinckboons (1576–c.1632). c.1613. Pen and brown ink, brush and brown ink, brown wash, heightened with white, gold ink framing lines on green prepared paper, 13.8 by 13.1 cm. [ONNO VAN SEGGELEN, ROTTERDAM/Salon du Dessin]
Attributed works:
AUGUSTE RODIN (1840-1917) Despair, Conceived 1886-1887, this example modelled c.1900 Signed A. Rodin, Plaster with shellac, 7 1/4 x 3 1/4 x 5 in, 18.6 x 8.6 x 13 cm Provenance Charles Delanglade, Marseille, a gift from the artist, c. 1900 [Willoughby Gerrish]
Attributed works:
Black nude, by Georges Dorignac (1879– 1925). Black chalk and black watercolour on paper, 56 by 43 cm. [GALERIE DE BAYSER, PARIS/Tefaf]
Attributed works:
Charity, by Lorenzo Bartolini (1777– 1850). 1846. Marble, height 184 cm. [Walter Padovani, Milan. Stand 126/Tefaf]
Attributed works:
Charles CORDIER (Cambrai 1827-1905 Alger) Mauresque d’Alger chantant Before 1870 Life size bust H. 74 cm [Univers du Bronze]
Attributed works:
Console table, attributed to Giuseppe Maria Bonzanigo (1745–1820). c.1790. Painted and microcarved parcel gilt walnut with grey Valdieri marble top, 95 by 151 by 66 cm. [Burzio, London. Stand 157/ Tefaf]
Attributed works:
Honoré Daumier (French, 1808–1879) THE BEER DRINKERS (LES BUVEURS DE BIÈRE), circa 1860 Signed: h. Daumier (lower left) Oil on panel, 10¼ by 12⅛ in. (26 by 30.7 cm.) [Gallery 19c]
Attributed works:
Imperial vase fuseau, painted with a portrait miniature of Caroline Murat (1782–1839), by Antoine-Charles Le Guay (1762–1846) and Antoine Beranger (1785–1867) for Sèvres Porcelain Manufactory. 1810–12. Hard-paste porcelain, enamels, gold, height 54.5 cm. [Camille Leprince, Paris. Stand 182/Tefaf]
Attributed works:
Interior of a harem, by Francesco Hayez (1791–1882). 1840. Oil on canvas, 84 by 108 cm. [Antonacci Lapiccirella Fine Art, Rome. Stand 318/Tefaf]
Attributed works:
JACQUES-ÉMILE BLANCHE (1861–1942) Portrait of Georges de Porto-Riche (1849–1930), 1889 Recently acquired by the Musée d’Orsay, Paris [Robilant and Voena]
Attributed works:
JAMES BARRY (1741 Cork – 1806 London), Self-portrait, c.1802. Inscribed in pen and ink “Barry Fecit / James Barry Esq. late P.P.+ R.A. of / the Royal Academy and member of Clementine Academy at Bologna”. Mezzotint. Size of sheet: c.46 x 34.8 cm. [Emanuel von Baeyer/Tefaf]
Attributed works:
JEAN-BAPTISTE GREUZE (1725-1805) The Triumph of Silenus Pen and brown and black ink and grey wash, over an underdrawing in black chalk. Inscribed J. B. Greuze at the lower right. 538 x 378 mm. (21¹⁄₈ x 14⁷⁄₈ in.) [Stephen Ongpin]
Attributed works:
JOHN CHEERE (1709–1787) Samson Slaying a Philistine Bronzed lead 48 cm (19 in.) high 54 cm (21¼ in.) high, overall [Tomasso]
Attributed works:
JUSEPE DE RIBERA (c.1630) An Apostle Oil on canvas, 76 x 62 cm [Giammarco Cappuzzo Fine Art]
Attributed works:
JUSEPE DE RIBERA Xàtiva 1591 – Naples 1652 SAINT ANDREW THE APOSTLE Naples 1630 Oil on canvas. 71.8 x 63.5 cm [Galeria Bernat]
Attributed works:
Kankamkankami, by Rover Thomas Joolama (1926–98). 1990. Natural earth pigment and brush gum on linen, 90 by 180 cm. [D’Lan Contemporary, Melbourne. Stand 431/Tefaf]
Attributed works:
Lady Mary Sadleir, née Lorymer, by Mary Beale (1633–99). 1685. Oil on canvas, 76.2 by 63.5 cm. [The Weiss Gallery, London. Stand 346/Tefaf]
Attributed works:
Laurent Delvaux (Ghent 1696 – Nivelles 1778) BOZZETTO OF HERCULES MODEL FOR THE STATUE IN THE PALACE OF CHARLES-ALEXANDRE DE LORRAINE IN BRUSSELS Terracotta and traces of gilding Brussels, 1768 [Desmet]
Attributed works:
LOMBARD SCHOOL Circa 1500 God the Father Pen and brown ink on green-washed paper, 14 x 21 cm. [Charles Ratton and Guy Ladrière]
Attributed works:
London night scene, by Émile Claus (1849–1924). 1915. Conté crayon on paper, 12.3 by 18.3 cm. AMBROISE DUCHEMIN, PARIS/Salon du Dessin]
Attributed works:
Lucas CRANACH le Jeune (att. à), Maurice, duc de Saxe - vers 1545/50 © Reims, Musée des Beaux-Arts. Photo : Corentin Le Goff. Design : Olivier Andreotti (Toluca Studio) [Salon du dessin]
Attributed works:
MICHEL ANGUIER (1612–1686) Farnese Hercules 57 cm (22½ in.) high Terracotta [Tomasso]
Attributed works:
Mick Namarari Tjapaltjarri, Wallaby Sign for Men and Women, 11972 [D'Lan Contemporary/Tefaf]
Attributed works:
no speaking is left in me, by Edmund de Waal (b.1964). 2013. Fourteen porcelain vessels on aluminium shelf, 31 by 100 by 24.3 cm. [Piano Nobile, London. Stand 463/Tefaf]
Attributed works:
On the edge of Fontainebleau forest, by Alfred Sisley (1839–99). 1868. Oil on canvas, 96.8 by 86.4 cm. [C19 Gallery, Westlake TX. Stand 328/Tefaf]
Attributed works:
Portrait of a Capuchin Friar, by Giacomo Ceruti, called Il Pitocchetto (1698–1767). c.1730. Oil on canvas, 93 by 78 cm. [Galerie Canesso, Paris and Milan. Stand 360/Tefaf]
Attributed works:
Portrait of a woman, facing left, by Monogrammist I.S. (active 1651–58). c.1630s. Oil on canvas laid onto panel, 34 by 27 cm. [Nicholas Hall Fine Art, New York. Stand 363/Tefaf]
Attributed works:
Project for a painted mural n°2, by Luigi Spazzapan (1889–1958). 1923. Tempera on paper applied to Masonite, 24 by 35 cm. [BOTTEGANTICA, MILAN/Salon du Dessin]
Attributed works:
Punchinello and his family spinning fl ax, by Giovanni Domenico Tiepolo (1727–1804). c.1790–1800. Pen and brown ink and wash, over an underdrawing in black chalk, 34.5 by 46.4 cm. [Stephen Ongpin Fine Art, London. Stand 603/Tefaf] Nicholas Hall Fine Art, New York. Stand 363/Tefaf]
Attributed works:
SÈVRES (France)- Manufacture Impériale de Porcelaine Déjeuner “TêTes De Madones D’après Raphaël” à fond d’or et Motifs De rosaces Peinture par Marie-Victoire jaquotot (1772-1855), circa 1813 Porcelaine dure, émaux, or, métal doré Au dos des pièces, références d’inventaires du Musée du Louvre (alors renommé musée Napoléon) [Camille Leprince]
Attributed works:
Still life with terracotta Púcaros, by Josepha Ayalla (1630–84) and Baltazar de Óbidos (1604–74). c.1670. Oil on canvas, 24.6 by 30.4 cm. [Rafael Valls, London. Stand 333/Tefaf]
Attributed works:
Study of a seated shepherd, by Parmigianino (1503–40). c.1524–27. Pen and brown ink on paper, 15.8 by 11.8 cm. [GALERIE TERRADES, PARIS/Tefaf]
Attributed works:
The Calling of Saints Peter and Andrew by Robert Edge Pine (1730–1788) [Darnley Fine Art]
Attributed works:
The virgin, by Adolfo Wildt (1868–1931). 1925. Marble, 33.8 by 29 cm. [Stuart Lochhead Sculpture, London. Stand 108/Tefaf]
Attributed works:
Three hamlets, two villages, by Boris Kosarev (1897–1994). 1921. Watercolour on paper, 24 by 19 cm. [JAMES BUTTERWICK, LONDON/Salon du Dessin]
Attributed works:
Tiger, by Eugène Delacroix (1798–1863) and Frédéric Chopin (1810–49). Pen and brown ink on a music stave, 5.5 by 22 cm. [GALERIE ÉRIC COATALEM, PARIS/Tefaf]
Attributed works:
TIZIANO VECELLIO, CALLED TITIAN Madonna and Child with St. Mary Magdalene oil on canvas 104.7 × 93 cm; 411/4 × 365/8 inches [Trinity Fine Art/Tefaf]
Attributed works:
Triumph of David, from a Book of Hours, by the Master of Mary of Burgundy. Ghent, c.1480. Tempera on parchment, 15.3 by 11 cm. [Les Enluminures, New York, Chicago and Paris. Stand 216/Tefaf]
Attributed works:
Two people, by Wifredo Lam (1902–82). 1978. Watercolour and pastel on paper, 30.5 by 47.5 cm. [GALERIE TRAITS NOIRS, PARIS/Salon du Dessin]
Attributed works:
View of Antibes, by Henri Edmond Cross (1856–1910). 1908. Watercolour on paper, 17.4 by 24.6 cm. [GALERIE DE LA PRÉSIDENCE, PARIS/Tefaf]
Attributed works:
Woman on a balcony, by Maurice Denis (1870–1943). 1893. Watercolour and Indian ink on paper, 17.5 by 13 cm. [GALERIE BERÈS, PARIS/Salon du Dessin]
Attributed works:
Woman with a blue bow (Isabelle Lemonnier), by Édouard Manet (1832–83). c.1876–79. Pastel (and oil?) on canvas, 55 by 46 cm. [David Tunick Inc., New York. Stand 371/Tefaf]
Attributed works:
Yakov Chernikhov (1889–1951) From the series Aristografiya (1920s) Gouache on paper, 28 x 23.8 cm [James Butterwick]
Non-western art unattributed:
A Gujarati chest, India, 2nd half of the 16th century. Teak, black mastic, mother-of-pearl and shellac with gilt copper fi ttings, 39 by 64 by 38 cm. [São Roque, Lisbon. Stand 179/Tefaf]
Non-western art unattributed:
A Safavid blue and white charger. Iran, 17th century. Fritware decorated in underglaze cobalt blue, diameter 48.2 cm. [Amir Mohtashemi, London. Stand 251/Tefaf]
Non-western art unattributed:
A Sino-Portuguese Ming Saint Peter  Southern China, Ming Dynasty,  17th century Gilt wood Height.: 62  cm Provenance: Private collection, France [São Roque]
Non-western art unattributed:
Large futabana (two-flower) vase with butterfly handles. Edo period. Bronze, height 33.5 cm. [Joost van den Burgh, London. Stand 156/Tefaf]
Non-western art unattributed:
LIMESTONE RELIEF FROM THE TOMB OF MENTUEMHAT Late Dynastic Period 25th–26th Dynasty, c. 650 BC Length 25 cm [Rupert Wace]
Western art unattributed:
A medallion of Aphrodite. Hellentistic, c.2nd–1st century BCE. Gold, diameter 4.9 cm. [Kallos Gallery, London. Stand 504/Tefaf]
Western art unattributed:
After a model by Michelangelo (1475-1564), Crucified Christ, bronze, c. 1560-1570, height: 25.5 cm [Stuart Lochhead Sculpture]
Western art unattributed:
FONTANA workshop, URBINO A trilobed basin, bacile bronzo a tre angoli, decorated with four scenes of Joseph’s history in Egypt from the Figure del Vecchio testamento by bernard salomon Circa 1565-1575 Tin-glazed earthenware Measurements: 47 x 45 x 5 cm [Camille Leprince]
Western art unattributed:
Renaissance cup in the form of a Gothic pointed shoe. South Germany, 1567. Leather, copper, fi re-gilt and engraved, 10 by 18 cm. [Georg Laue Kunstkammer, Munich. Stand 204/Tefaf]
Western art unattributed:
Salver from King D. Fernando II collection         Iberian colonial,  17th century Silver Dim.:  37.8 × 38 × 4cm Weight: 114g [São Roque]
Western art unattributed:
Tric-trac tableman : Battle scene Cologne, circa 1150 Walrus ivory, traces of red paint Diameter : 5.5 cm; Depth : 1.2 cm. [Brimo de la Roussilhe]
Article
The provenance of ‘The death of Sardanapalus’: new insights from unpublished correspondence
05/2024 | 1454 | 166
Pages: 470–478
related names
Author:
WATSON, Andrew M. (WATSON, Andrew M.)
Subjects
collectors and dealers:
dates:
sources:
Illustrations
Attributed works:
1. Portrait of Daniel David Wilson, by ?Adolphe-David Fink. 1820s. Oil on canvas, 72 by 58 cm. (Private collection).
Attributed works:
2. The death of Sardanapalus, by Eugène Delacroix. 1827. Oil on canvas, 392 by 496 cm. (Musée du Louvre, Paris; Bridgeman Images).
Attributed works:
3. Environs of Southampton, by Jules Dupré. 1835. Oil on canvas, 115 by 184 cm. (Musée d’Art et d’Histoire Louis Senlecq, L’Isle-Adam).
Attributed works:
4. Virgin and Child (Madonna of the Rosary), by Bartolomé Esteban Murillo. c.1675. Oil on canvas, 167 by 111 cm. (Château de Chenonceau).
Attributed works:
5. Portrait of Henriette Casenave Wilson, c.1830s. Pastel on board(?), 25 by 19 cm. (Private collection).
Attributed works:
6. Woodcutters, by Constant Troyon. 1839. Oil on canvas, 213 by 154 cm. (Musée des Beaux-Arts, La Rochelle).
Attributed works:
8. A basket of flowers, by Eugène Delacroix. 1848–49. Oil on canvas, 107.3 by 142.2 cm. (Metropolitan Museum of Art, New York).
Attributed works:
9. Façade of L’hôtel Brochart de Saron, 17, rue de l’Université, by Charles Lansiaux. Photograph. (Musée Carnavalet, Paris; PWB Images; Alamy Stock Photo).
Western art unattributed:
7. Château d’Écoublay. Postcard, 9 by 13.6 cm. (Private collection).
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03/2024 | 1452 | 166
Pages: i-xxxvi
Subjects
Illustrations
Attributed works:
A pair of light-blue baroque console tables with original alabaster fiorito marble tops, after the design of Filippo Juvarra (1678-1736) 163 x 89 x 63 cm, Turin, 1700 circa. Burzio/Tefaf]
Attributed works:
A superb example of Dutch Delft imitation of Wanli Kraak porcelain Delft. De Drie Proceleyne Flessies (the three porcelain bottles) Willem van der Kool 1702 - 1716 [Mazereeuw Antiquair]
Attributed works:
AGOSTINO BRUNIAS (1730–1796) Six Paintings of the People of Dominica and Saint Vincent Recently acquired by The Huntingdon Library and Museum, California [Robilant and Voena]
Attributed works:
ANTONIO NOVELLI ( 1599–1650) The Penitent Saint Mary Magdalene Ca. 1640–1650 Terracotta, h. 41 cm Signed ATO. NL . F. [Trinity Fine Art]
Attributed works:
Cockerel caster. by Michael Wissmar (d.1746). c.1720. Silver, cast, repoussé, pierced, engraved, flat-chased and parcelgilt, height 23.5 cm. [Kunstkammer Georg Laue, Munich/Tefaf]
Attributed works:
Comte de l’Empire Etienne Pierre Graf Méjan (Secretary of the Italian Kingdom), by Luigi Manfredini (1771–1840), after Joseph Chinard (1756–1813). Milan c.1811. Bronze, height 75 cm. [Burzio, London/Tefaf]
Attributed works:
Domenico Andrea Pelliccia, Carrara, 1736–1821, Portrait of Grand Duke Pietro Leopoldo of Tuscany, 117, Marble h. 80 x 65 cm [Walter Padovani]
Attributed works:
Françoise de la Rochefoucauld (c.1549–c.1580), by Prosper d’Épinay (1836–1914). c.1885. Polychrome terracotta, height 60.3 cm. [Stuart Lochhead, London/Tefaf]
Attributed works:
Gustav Klimt, “Portrait of Fräulein Lieser”, Estimate: € 30 Mio - 50 Mio 1917, oil on canvas; framed, 140 x 80 cm [Kinsky]
Attributed works:
Hendrick Avercamp (1585–1634), Winter landscape with skaters on the ice, (detail) oil on panel, 41 x 60.5 cm, €220,000 – 250,000, Auction 24 April 2024 [Dorotheum]
Attributed works:
Honey, from the Liechtenstein Tacuinum Sanitatis. c.1450. Illuminated manuscript on vellum, 160 by 170 cm. Dr Jörn Günther Rare Books/Tefaf]
Attributed works:
Infanta Catalina Micaela, Duchess of Savoy (1567–97), by Alonso Sánchez Coello (1532–88). c.1585. Oil on paper laid on panel, 8.3 by 6.8 cm. [Galeria Caylus, Madrid/Tefaf]
Attributed works:
Jean-Baptiste Carpeaux (1827–1875) Plaster model with original polychrome surface , c. 1868 Petite-Modèle, height 35 cm [Stuart Lockhead/Tefaf]
Attributed works:
Johan Zoffany (1733–1810) Edward Townsend singing the ‘Beggar’s Ballad’, 1796. Recently acquired by Staatliche Kunsthalle Karlsruhe Karlsruhe, Germany [Moretti]
Attributed works:
Johann Joachim Kaendler Harlequin and Columbine (1706–1775) with slapstick Model, 1739–1740 Manufacture and decoration, Meissen, c. 1740 H. 15.5 cm (6.1 in), w. 18.5 cm (7.3 in) [Robbig.Munchen, Wawel Royal Castle/Tefaf]
Attributed works:
LOUIS-CLAUDE VASSÉ (PARIS 1716-1772) Study for the funeral monument of Paul-Esprit Feydeau de Brou Estimate: €15,000-25,000 [Christie's]
Attributed works:
Mary Beale (1633-1699) Portrait of a Young Boy seated in a Landscape, 1680s Oil on canvas 50 x 40 in. (127 x 101.6 cm) [Philip Mould]
Attributed works:
MASTER OF THE CANESSO PEDDLER ACTIVE IN NORTHERN ITALY IN THE LATE 17th CENTURY A Book Peddler Oil on canvas, 67½ × 40¾ in (171.5 × 103.5 cm) 1670/1690 [Galerie Canesso, Paris/Tefaf]
Attributed works:
Meyer de Haan or Melancholy, by Paul Gauguin (1848–1903). c.1889. Ink and pencil on paper, 29.8 by 19.1 cm. [FRANÇOIS DELESTRE FINE ARTS, PARIS/Salon du Dessin]
Attributed works:
Nude woman leaning on her left forearm, by Amedeo Modigliani (1884–1920). c.1910. Pencil on wove paper, 43 by 26.7 cm. [Agnews Works on Paper, Brussels/Tefaf]
Attributed works:
Oblong table, by Martin-Guillaume Biennais (1764– 1843). Moulded, chased and gilded bronze, inlaid French scagliola top, 71 by 72 by 45 cm. [Artur Ramon Art, Madrid/ Tefaf]
Attributed works:
Peace and Justice (also known as Love and Justice), by Rosalba Carriera (1673–1757). Pastel on paper, 63 by 54 cm. [Brun Fine Art, London/Tefaf]
Attributed works:
PIER LEONE GHEZZI (1674–Rome–1755) A waiter with a tray Pen and brown ink, 31.2 x 21.5 cm.[Ratton and Ladrière]
Attributed works:
Pierre, by Mary Cassatt (1844–1926). 1906. Pastel on paper mounted on canvas, 58 by 48 cm. GALERIE ERIC COATALEM, PARIS/Salon du Dessin]
Attributed works:
Potted pansies, by Victoria Dubourg (1840–1926). c.1870s. Oil on canvas, in original frame, 21 by 26.8 cm. [Robilant+Voena/Tefaf]
Attributed works:
Rauch, by Franz West (1947–2012). 2008. Papier-mâché, acrylic paint, metal, wood, artist pedestal, 152 by 104 by 62 cm. [Tim Van Laere Gallery, Antwerp/Tefaf]
Attributed works:
Reclining lion and feline head, by Eugène Delacroix (1798–1863). Pen and brown ink and wash, 18 by 23 cm. [GALERIE DE BAYSER, PARIS/Salon du Dessin]
Attributed works:
Sir Anthony Van Dyck, Portrait of a Carmelite monk, (detail) c.1618. [Simon Dickinson/Tefaf]    
Attributed works:
Sir Horace Mann, by Prince Hoare (1755–1834). c.1749. Terracotta, height 51.5 cm. [Walter Padovani, Milan/Tefaf]
Attributed works:
Snow over Zojoji Temple, by Kawase Hasui (1883–1957). 1953. Woodblock print, 36.4 by 47.3 cm. [Galerie Tanakaya, Paris/Tefaf]
Attributed works:
Studio Talk, book cover project, by Sonia Delaunay (1885–1979). 1938. Gouache on paper, 27 by 21 cm. [GALERIE LAURENTIN, PARIS/Salon du Dessin]
Attributed works:
Study for a lion, by Edwin Landseer (1802– 73). c.1822. Oil on canvas, 92.5 by 72.5 cm. [Dickinson Fine Art, London/Tefaf]
Attributed works:
Study for ‘The Levenson Children’, by George Romney (1734–1802). 1777. Brush and brown wash over black chalk, 26 by 27 cm. [W.M. BRADY & CO., NEW YORK/Salon du Dessin]
Attributed works:
Study of a man’s head, by Pierre- Paul Prud’hon (1758–1823). 1819. Black crayon, stumping, and white chalk, 19 by 24 cm. [GALERIE TERRADES, PARIS/Salon du Dessin]
Attributed works:
Study of two characters, by Giovanni Battista Tiepolo (1696–1770). Pen and brown ink wash with traces of black crayon, 20 by 20.7 cm. [GALERIE TARANTINO, PARIS/Salon du Dessin]
Attributed works:
Terracotta group depicting Hercules with lion. Signed and dated: Bardi fecit 1790 68 x 46 x 37 cm[Brun/Tefaf]
Attributed works:
The fall of the damned and the seven-headed Hydra, by Federico Zuccari (1539–1609). Black chalk, pen, brown ink, red chalk and brown wash, 28.7 by 35 cm. [MAURIZIO NOBILE FINE ART, PARIS/Salon du Dessin]
Attributed works:
The fall of the damned and the seven-headed Hydra, by Federico Zuccari (1539–1609). Black chalk, pen, brown ink, red chalk and brown wash, 28.7 by 35 cm. [MAURIZIO NOBILE FINE ART, PARIS/Salon du Dessin]
Attributed works:
The Saccomazzone Players, after a model by Orazio Mochi (1571– 1625). Florence, 17th century. Bronze, 36.5 by 45 by 30 cm. [Tomasso, London/Tefaf]
Attributed works:
The unicorn passes over the sea, by Le Corbusier (1887–1965). 1962. Wool, 213 by 270 cm. [De Wit Fine Tapestries, Mechelen/Tefaf]
Attributed works:
Untitled, 1973, by Sam Francis (1923–94). 1973. Acrylic on paper, 15.2 by 23.1 cm. [GALERIE BÈRES, PARIS/Salon du Dessin]
Attributed works:
Waterfront. Aisnères, by Paul Signac (1863–1935). c.1900. Graphite and watercolour on paper, 12.5 by 17.5 cm. [GALERIE PAUL PROUTÉ, PARIS/Salon du Dessin]
Attributed works:
Winter landscape with fishermen and skaters on the ice, by Jan van Goyen (1596–1656). 1653. Black chalk and grey wash, 17.1 by 27.4 cm. [ONNO VAN SEGGELEN FINE ARTS, ROTTERDAM/Salon du Dessin]
Non-western art unattributed:
A Sind Indo-Portuguese extraordinary cabinet.       Teak, ebony, ivory, green-dyed bone, gilt copper fittings India, Sind (present-day Pakistan), ca.1580–1630.     Dim.: 182.0  ×  97 .0  ×  61.0  cm Provenance: Casa do Costeado, Portugal [São Roque/Tefaf]
Non-western art unattributed:
A Sinhalese Tabernacle Masterpiece, Ceylon, ca. 1590–1630. Dim. 22.8 x 9.8 x 9.8 cm. [São Roque/Tefaf]
Non-western art unattributed:
Gujarat casket. India, Gujarat, second half of the 16th century. Tortoiseshell with silver mounts, 14 by 29.5 by 18 cm. [São Roque, Lisbon/Tefaf]
Article
Delacroix in Morocco and Andalusia: rediscovered notebooks and drawings
03/2023 | 1440 | 165
Pages: 226-257
related names
Author:
Hannoosh, Michèle (Hannoosh, Michèle)
Subjects
dates:
Illustrations
Attributed works:
1. Scenes in Meknes, by Eugène Delacroix. 1832. Ink and watercolour on paper, 19.3 by 12.7 cm. (Meknes notebook, fol.26v; Musée du Louvre, Paris; © RMN-Grand Palais; Michel Urtado).
Attributed works:
10. Woman of Tangier hanging laundry, by Eugène Delacroix. 1833. Lithograph, 19.3 by 25.7 cm. (Yale University Art Gallery, New Haven).
Attributed works:
11. Mule-drivers of Tetuan, by Eugène Delacroix. 1832. Watercolour on paper, 25.2 by 32.5 cm. (Musée archéologique municipal, Laon).
Attributed works:
12. Mule-drivers of Tetuan, by Eugène Delacroix. 1833. Lithograph, 28.7 by 38.9 cm. (Clark Art Institute, Williamstown; Bridgeman Images).
Attributed works:
13. Study of muledrivers, by Eugène Delacroix. 1832. Graphite on paper, 16.4 by 10.3 cm. (Aubry sketchbook, fol.20v; private collection).
Attributed works:
14. Study for ‘Mule-drivers of Tetuan’, by Eugène Delacroix. 1832. Graphite and pen on paper, 19.5 by 30.9 cm. (Musée du Louvre, Paris; © RMN-Grand Palais; Agence Bulloz).
Attributed works:
15. Study of Arab men, by Eugène Delacroix. 1832. Watercolour and graphite on laid paper, 21.1 by 28.9 cm. (National Gallery of Art, Washington).
Attributed works:
16. Studies of Arab men, by Eugène Delacroix. 1832. Graphite on paper, each page 16.4 by 10.3 cm. (Aubry sketchbook, fols.16v and 17r; private collection).
Attributed works:
17. Study of doors, by Eugène Delacroix. 1832. Graphite and watercolour on paper, 16.4 by 10.3 cm. (Aubry sketchbook, fol.15r; private collection).
Attributed works:
18. Woman in a mantilla, by Eugène Delacroix. 1832. Watercolour over graphite on cream wove paper, 22 by 17 cm. (Location unknown, formerly in a private collection; from L’Art expressif au XIXe siècle français, Paris 1960).
Attributed works:
19. Interior of a building in Seville, by Eugène Delacroix. 1832. Watercolour and graphite on paper, 20.6 by 16.4 cm. (Aubry sketchbook, fols.29v–30r; private collection).
Attributed works:
2. Front cover of Eugène Delacroix’s ‘English sketchbook’. 1825. 12 by 19.5 cm. (Musée national Eugène Delacroix, Paris).
Attributed works:
20. Le picador, by Eugène Delacroix. Watercolour and graphite on paper, 28.8 by 21.9 cm. (Musée du Louvre, Paris; © RMN-Grand Palais; Michel Urtado).
Attributed works:
21. Bullfighters, by Eugène Delacroix. 1832(?). Graphite on paper, 18.1 by 22.4 cm. (Musée du Louvre, Paris; © RMN-Grand Palais; Gérard Blot).
Attributed works:
22. Picador, by Antonio Carnicero. 1787–90. Hand-coloured etching, 17.7 by 28 cm. (From Colección de las principales suertes de una corrida de toros, pl.III; British Museum, London).
Attributed works:
23. Detail of a sketch of Sidi Kasem (fol.15r), by Eugène Delacroix. 1832. Graphite on paper. (Meknes notebook, fols.14v–15r; Musée du Louvre, Paris; © RMN-Grand Palais; Michel Urtado).
Attributed works:
24. Sketch of a horse slipping, by Eugène Delacroix. 1832. Graphite on paper, 19.3 by 12.7 cm. (Meknes notebook, fol.13v; Musée du Louvre, Paris; © RMN-Grand Palais; Michèle Bellot).
Attributed works:
25. View of Sidi Kasem, by Eugène Delacroix. 1832. Graphite on paper, 6.1 by 17.6 cm. (Roux sketchbook, fols.11v–12r; Orientalist Museum, Doha).
Attributed works:
26. View of Sidi Kasem, by Eugène Delacroix. 1832. Graphite on paper, 6.1 by 17.6 cm. (Roux sketchbook, fols.12v–13r; Orientalist Museum, Doha).
Attributed works:
27. View en route to Zerhoun?, by Eugène Delacroix. 1832. Watercolour and graphite on paper, 9.5 by 16 cm. (Musée du Louvre, Paris; © RMN-Grand Palais; Michel Urtado).
Attributed works:
28. Study of figures in Morocco, by Eugène Delacroix. 1832. Graphite and brush on paper, 18.3 by 18.3 cm. (Morgan Library and Museum, New York).
Attributed works:
29. Study of horsemen, by Eugène Delacroix. 1832. Graphite and watercolour on paper, 15.8 by 21.2 cm. (Louvre sketchbook 1757, fol.22r; Musée du Louvre, Paris; © RMN-Grand Palais; Michel Urtado).
Attributed works:
3. Dominican convent, Cadiz, by Eugène Delacroix. 1832. Watercolour and graphite on paper, 9.5 by 15.2 cm. (Musée du Louvre, Paris; © RMN-Grand Palais; Michel Urtado).
Attributed works:
30. Study of horsemen, by Eugène Delacroix. 1832. Graphite and watercolour on paper, 15.8 by 21.2 cm. (Louvre sketchbook 1757, fol.23r; Musée du Louvre, Paris; © RMN-Grand Palais; Michel Urtado).
Attributed works:
31. Arab cavalry practicing a charge, by Eugène Delacroix. 1833. Oil on canvas, 60.5 by 74.5 cm. (Städel Museum, Frankfurt).
Attributed works:
32. Botzaris attacks the Turkish camp, by Eugène Delacroix. 1862. Oil on canvas, 65 by 73 cm. (Toledo Museum of Art).
Attributed works:
33. Scenes in Meknes, by Eugène Delacroix. 1832. Ink and watercolour on paper, each page 19.3 by 12.7 cm. (Meknes notebook, fols.24v–25r; Musée du Louvre, Paris; © RMN-Grand Palais; Michèle Bellot).
Attributed works:
34. Scenes in Meknes, by Eugène Delacroix. 1832. Ink and watercolour on paper, each page 19.3 by 12.7 cm. (Meknes notebook, fols.25v and 26r; Musée du Louvre, Paris; © RMN-Grand Palais; Gérard Blot).
Attributed works:
35. Sheet of studies from Meknes, by Eugène Delacroix. 1832. Ink and watercolour on paper, 20.4 by 25.7 cm. (Library of Congress, Washington).
Attributed works:
4. Christopher Columbus and his son at La Rábida, by Eugène Delacroix. 1838. Oil on canvas, 90.3 by 118 cm. (National Gallery of Art, Washington; Bridgeman Images).
Attributed works:
5. Study of a monk, by Eugène Delacroix. 1832. Graphite on paper, 16.4 by 10.3 cm. (Aubry sketchbook, fol.34r; private collection).
Attributed works:
6. Study of a monk, by Eugène Delacroix. 1832. Graphite on paper, 16.4 by 10.3 cm. (Aubry sketchbook, fol.31r; private collection).
Attributed works:
7. Woman of Tangier hanging laundry, by Eugène Delacroix. 1832. Graphite on paper, 18 by 23.1 cm. (Musée du Louvre, Paris; © RMNGrand Palais; Michel Urtado).
Attributed works:
8. Study of a doorway and Study of a woman hanging laundry, by Eugène Delacroix. 1832. Graphite and ink on paper, each page 16.4 by 10.3 cm. (Aubry sketchbook, fols.8v and 9r; private collection).
Attributed works:
9. A woman bathing and her Moorish servant, by Eugène Delacroix. 1832. Watercolour and graphite on white wove paper, 16 by 18.3 cm. (Fogg Museum, Harvard Art Museums, Cambridge MA).
Article
Innovation and empiricism: Delacroix’s ‘Taking of Constantinople by the Crusaders’
12/2022 | 1437 | 164
Pages: 1196-1209
related names
Author:
Lee, Simon (Lee, Simon)
Subjects
dates:
museums and institutions:
museums and institutions:
Illustrations
Attributed works:
1. Taking of Constantinople by the Crusaders, by Eugène Delacroix. 1840. Oil on canvas, 410 by 498 cm (Musée du Louvre, Paris; Bridgeman Images).
Attributed works:
10. Sketch for the Taking of Constantinople, by Eugène Delacroix. c.1839–40. Oil on canvas, 33 by 41 cm. (Musée Condé, Chantilly).
Attributed works:
11. Sketch for the Taking of Constantinople, here attributed to Eugène Delacroix. 1840. Oil on canvas, 65 by 81 cm. (Private collection; photograph courtesy of Collins Fine Art Ltd, New York).
Attributed works:
12. Drawing for the Taking of Constantinople, by Eugène Delacroix. c.1839–40. Graphite on paper, 20.7 by 33.8 cm. (Département des Arts Graphiques, Musée du Louvre, Paris, RF 42753).
Attributed works:
2. Louis-Philippe and the royal family visit the Salles des croisades at Versailles, July 1844, by Prosper Lafaye. 1844. Canvas, 61 by 86.5 cm (Musés des châteaux de Versailles et de Trianon).
Attributed works:
3. Detail of Fig.1, showing the group of the old man, woman and child.
Attributed works:
4. Detail of Fig.1, showing the group of Baudouin and the mounted crusaders.
Attributed works:
5. Detail of Fig.1, showing the group of women.
Attributed works:
6. Detail of Fig.1, showing a soldier assaulting an old man.
Attributed works:
7. Ptolemais delivered to Philippe-Auguste and Richard the Lionheart of England, 11th or 12th July 1191, by Merry-Joseph Blondel. 1840. Oil on canvas, 406 by 494 cm. (Grande Salle, Salles des croisades, Château de Versailles; Bridgeman Images).
Attributed works:
8. Detail of Fig.1, showing the reflection in the lid of the gold casket.
Attributed works:
9. Drawing for the Taking of Constantinople, by Eugène Delacroix. c.1839-40. Graphite on paper, 18.1 by 27.8 cm. (Département des Arts Graphiques, Musée du Louvre, Paris, RF 9368).
Short Notice
Dunkirk, Delaroche and Delacroix
12/2022 | 1437 | 164
Pages: 1252-1255
related names
Author:
Jervis, Simon (Jervis, Simon; J., S.; J., S. S.)
Subjects
dates:
places:
Illustrations
Attributed works:
1. Jane (née Roberts) Jervis, first wife of Swynfen Jervis, by Paul Delaroche. c.1830 (dated 1829 by a later hand). Pastel on paper, 46.2 by 34.3 cm. (Cleveland Museum of Art).
Attributed works:
2. Mounted racehorses, by Eugène Lami. c.1830. Pen and ink on paper, 8.1 by 14.7 cm. (Private collection).
Attributed works:
3. A woodland scene, by Louis Francia. c.1830. Pencil with white heightening on paper, 19.1 by 12.8 cm. (Private collection).
Attributed works:
4. A standing man (possibly a portrait of Swynfen Jervis), by Eugène Delacroix. c.1830. Pen and ink on paper, 18.8 by 13.2 cm. (Private collection).
Exhibition Review
Julie Manet: An Impressionist Heritage
03/2022 | 1428 | 164
Pages: 305-307
related names
Reviewer:
Thomson, Belinda (Thomson, Belinda)
Subjects
artists:
museums and institutions:
Reviewed Items
subjects:
Julie Manet: An Impressionist Heritage Musée Marmottan Monet, Paris 19th October 2021–20th March 2022 | :
Illustrations
Attributed works:
27. Julie Manet or Child with cat, by Pierre- Auguste Renoir. 1887. Oil on canvas, 65.5 by 53.5 cm. (Musée d’Orsay, Paris; exh. Musée Marmottan Monet, Paris).
Attributed works:
28. Julie Manet writing, by Ernest Rouart. Undated. Oil on canvas, 116.7 by 89.2 cm. (Private collection; exh. Musée Marmottan Monet, Paris).
Attributed works:
29. Portraits of Jeannie at the piano and Paule listening to her, by Julie Manet. 1899. Oil on canvas, 90 by 90 cm. (Private collection; exh. Musée Marmottan Monet, Paris).
Article
Avatars of Antiquity II: Drapery as metaphor
12/2020 | 1413 | 162
Pages: 1056-1071
related names
Author:
Penny, Nicholas (Penny, Nicholas)
Subjects
places:
styles:
subjects:
subjects:
Illustrations
Attributed works:
1. Drapery study for the high priest in the Trial and martyrdom of St Stephen, by Edward Poynter. 1872. Black chalk on buff paper, 41 by 27.5 cm. (Royal Academy of Arts, London).
Attributed works:
10. Draped female torso, from the Acropolis, Xanthos. 470–460 BC. Marble, height 123.8 cm. (British Museum, London).
Attributed works:
11. Rebecca at the well, by Nicolas Poussin. 1648. Oil on canvas, 118 by 199 cm. (Musée du Louvre, Paris).
Attributed works:
12. Detail from Paul preaching at Athens, by Raphael. c.1516. Body colour on paper mounted on canvas, whole canvas 320 by 390 cm. (Royal Collection, on loan to the Victoria and Albert Museum, London).
Attributed works:
13. Drapery study for the high priest in the Trial and martyrdom of St Stephen, by Edward Poynter. 1872. Black chalk on buff paper, 27.6 by 27.1 cm. (Royal Academy of Arts, London).
Attributed works:
14. Drapery study for the kneeling handmaiden in Semiramis founding Babylon, by Edgar Degas. 1860–62. Graphite with lead-white body colour and blue wash on paper, 24.4 by 31.1 cm. (Musée d’Orsay, Paris).
Attributed works:
15. Cymon and Iphigenia by Frederic Leighton. c.1884. Oil on canvas, 162.6 by 327.7 cm. (Art Gallery of New South Wales, Sydney).
Attributed works:
16. Drapery study by Leonardo. c.1475–82. Brown-grey wash and lead white on linen prepared with a pale grey ground, 220 by 139 cm. (Cabinet des Dessins, Musée du Louvre, Paris).
Attributed works:
17. Detail of Virgin and Child, by Masaccio. 1426. Egg tempera on wood, whole panel 134.8 by 73.5 cm. (National Gallery, London).
Attributed works:
18. The penitence of Mary Magdalene, by Charles Le Brun. 1655. Oil on canvas, 252 by 171 cm. (Musée du Louvre, Paris).
Attributed works:
19. Heliodorus driven from the Temple, by Eugène Delacroix. 1855–61. Mural, 751 by 485 cm. (Chapelle des Anges, Saint-Sulpice, Paris)
Attributed works:
2. Detail of an Antique mural painting of a dancer, by Filippo Morghen after Camillo Paderni. Engraving, 38 by 48 cm. (page). (From Le pitture antiche d’Ercolano e contorni, I, Naples 1757).
Attributed works:
20. Ariadne on Naxos, by G.F. Watts. 1867–75. Oil on canvas, 75 by 94 cm. (Guildhall Museum, London).
Attributed works:
21. Divine figures from the east pediment of the Parthenon, Athens, believed to represent Venus reclining on the lap of her mother, Dione, by Phidias or associate. 438–432 BC. Marble, length 233 cm. (British Museum, London).
Attributed works:
22. Captive Andromache, by Frederic Leighton. c.1888. Oil on canvas, 195.6 by 406.4 cm. (City Art Gallery, Manchester).
Attributed works:
23. Detail of the figure of Amor in the chimneypiece made for the residence of Cornelius Vanderbilt II on Fifth Avenue at 57th Street, Manhattan, by Augustus Saint-Gaudens. c.1881–83. Limestone, height of chimneypiece 468.3 cm. (Metropolitan Museum of Art, New York).
Attributed works:
24. Dido receiving Aeneas and Cupid disguised as Ascanius, by Francesco Solimena. 1710. Oil on canvas, 207.2 by 310.2 cm. (National Gallery, London).
Attributed works:
3. One of the ‘attitudes’ of Lady Hamilton, by Tommaso Piroli after Friedrich Rehberg. Engraving, 26.9 by 20.8 cm. (From F. Rehberg: Drawings Faithfully Copied from Nature at Naples, n.p. 1794, fig.7).
Attributed works:
4. Veiled and masked dancer. Alexandria(?), c.100 BC. Bronze, height 20.5 cm. (Metropolitan Museum of Art, New York).
Attributed works:
5. Detail of Two dancers, after Antonio Canova. 1799. Tempera on paper. (Casa Canova, Possagno).
Attributed works:
6. Hebe, by Antonio Canova. 1816–17. Marble with gilt metal, height 158 cm. (Pinacoteca Civica, Forlì).
Attributed works:
7. Veiled woman (Allegory of Purity), by Antonio Corradini. 1717–25. Carrara marble. (Museo del Settecento Veneziano, Ca Rezzonico, Venice).
Attributed works:
8. Hebe, by Bertel Thorvaldsen. 1819–23. Marble, height 152.2 cm. (Thorvaldsen Museum, Copenhagen).
Western art unattributed:
9. Kore, from the Temple of Hera, Samos. 570–60 BC. Marble, height 192 cm. (Musée du Louvre, Paris).
Book Review
Orientalist Lives: Western Artists in the Middle East, 1830–1920 Journey to the Maghreb and Andalusia, 1832
08/2020 | 1409 | 162
Pages: 720-721
related names
Reviewer:
Humphreys, Andrew (Humphreys, Andrew)
Subjects
collectors and dealers:
subjects:
Reviewed Items
subjects:
Journey to the Maghreb and Andalusia, 1832 By Eugène Delacroix, translated by Michèle Hannoosh. 216 pp. incl. 8 b. & w. ills. (Penn State University Press, Pennsylvania, 2019), £27.95. ISBN 978–0–271–08334–6. | :
subjects:
Orientalist Lives: Western Artists in the Middle East, 1830–1920 By James Parry. 304 pp. incl. 105 col. ills. (The American University in Cairo Press, Cairo, 2018), £45. ISBN 978–977–416–835–2. | :
Illustrations
Attributed works:
6. The offering, by Ludwig Deutsch. 1897. Oil on panel, 61.5 by 80 cm. (Private collection).
Article
Delacroix after Goya’s ‘Caprichos’: a new sheet of drawings
06/2019 | 1395 | 161
Pages: 474-481
related names
Author:
Fayos-Perez, Paula (Fayos-Perez, Paula)
Subjects
dates:
media:
museums and institutions:
works:
Illustrations
Attributed works:
1. Detail of the verso of Fig.2 showing the ‘PBMA’ watermark.
Attributed works:
10. Right Detail of Capricho no.70, Devout profession, by Francisco de Goya. 1799. Aquatint and drypoint, 30 by 20 cm (sheet). (Museo Nacional del Prado, Madrid).
Attributed works:
11. Opposite left Studies of ‘Los Caprichos’, no.6, by Eugène Delacroix. c.1824. Pen and brown ink, brush, and brown wash, 18 by 11 cm. (Musée du Louvre, Paris).
Attributed works:
12. Opposite right Capricho no.6, Nobody knows himself, by Francisco de Goya. 1799. Etching and burnished aquatint. 30 by 20 cm (sheet). (Museo Nacional del Prado, Madrid).
Attributed works:
13. 31, 35, 55, 61, 62, 63 and 65, showing young women inspired by Capricho 31, by Eugène Delacroix. Date unknown. Graphite, 25 by 39 cm. (Musée du Louvre, Paris).
Attributed works:
14. Detail of Studies of ‘Los Caprichos’, nos.11, 31, 33 and 36, showing a young woman inspired by Capricho 31, by Eugène Delacroix. c.1824–26. Pen and brown ink, 31 by 20 cm. (Musée du Louvre, Paris).
Attributed works:
15. Studies of ‘Los Caprichos’, nos.32 and 37, by Eugène Delacroix. c.1824. Pen and brown ink, 20 by 15 cm. (Musée du Louvre, Paris).
Attributed works:
16. Woman dragging on the floor, gripping a staircase, by Eugène Delacroix. c.1824–29. Pen, brown ink and brown wash, 22 by 31 cm. (Musée du Louvre, Paris).
Attributed works:
17. Croquis, Buonaparte and other sketches, by Eugène Delacroix. 1814. Etching. 5 by 9 cm. (Location unknown, repr. in N.M. Athanassoglou- Kallmyer: Eugène Delacroix: Prints, Politics and Satire 1814–1822, New Haven and London 1991, p.12, fig.4).
Attributed works:
18. An old man of letters meditates. What century are we in!!!, by Eugène Delacroix. Published in Le Miroir (27th June 1821). Lithograph. 17 by 22 cm. (Bibliothèque nationale de France, Paris).
Attributed works:
19. Right Capricho no.23, Those specks of dust, by Francisco de Goya. 1799. Etching, burnished aquatint, drypoint and burin, 30 by 20 cm. (Museo Nacional del Prado, Madrid).
Attributed works:
2. Two Studies after ‘Los Caprichos’, nos.31 and 32, here attributed to Eugène Delacroix. c.1820–24. Black chalk and brown wash, 23 by 34 cm. (Colomer collection, Madrid).
Attributed works:
3. Capricho no.31, She prays for her, by Francisco de Goya. 1799. Etching, burnished aquatint, drypoint, and burin, 30 by 20 cm. (sheet). (Museo Nacional del Prado, Madrid).
Attributed works:
4. Capricho no.32, Because she was susceptible, by Francisco de Goya. 1799. Aquatint and burnisher, 30 by 20 cm (sheet). (Museo Nacional del Prado, Madrid).
Attributed works:
5. Detail of Capricho no.27, Which of them is the more overcome?, by Francisco de Goya. 1799. Etching, aquatint and drypoint, 30 by 20 cm. (sheet). (Museo Nacional del Prado, Madrid).
Attributed works:
6. Detail of Méphistophélès se présente chez Marthe, from Faust, by Eugène Delacroix. 1828. Lithograph, 24.4 by 20.9 cm. (Bibliothèque nationale de France, Paris; Bridgeman Images).
Attributed works:
7. Detail of Studies after Los Caprichos nos.26, 27, 29, 35, 69, by Eugène Delacroix. c.1824. Pen and brown ink, 22 by 18 cm. (Fogg Art Museum, Cambridge MA; © President and Fellows of Harvard College).
Attributed works:
8. Caricatures, by Eugène Delacroix. Graphite, 11 by 18 cm. (Musée du Louvre, Paris).
Attributed works:
9. Detail of Capricho no.19, Everyone will fall, by Francisco de Goya. 1799. Etching and burnished aquatint, 30 by 20 cm (sheet). (Museo Nacional del Prado, Madrid).
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