By using this website you agree to our Cookie policy

Search

21 articles
Book Review
Horace Vernet: 1789–1863
09/2024 | 1458 | 166
Pages: 985-7
related names
Reviewer:
Joannides, Paul (Joannides, Paul; J., P.; Joannides, P. E. A.)
Subjects
art literature:
artists:
Reviewed Items
subjects:
Horace Vernet: 1789–1863 Edited by Valérie Bajou. 447 pp. incl. 313 col. ills. (Éditions Faton, Dijon, and Château de Versailles, 2023), €50. ISBN 978–2–87844–344–8. | :
Illustrations
Attributed works:
8. Pope Pius VIII carried through St Peter’s, by Horace Vernet. 1829. Oil on canvas, 385 by 329 cm. (Château de Versailles; Bridgeman Images).
Article
‘After the duel’: an early painting by Paul Delaroche
12/2022 | 1437 | 164
Pages: 1190-1195
related names
Author:
Bann, Stephen (Bann, Stephen)
Subjects
art literature:
dates:
Illustrations
Attributed works:
1. ‘Salon de 1835, “Assassinat du duc de Guise”, tableau de M. Paul Delaroche’, by Andrew Best Leloir and Charles Émile Wattier. 1835. Engraving, 12 by 21.5 cm. (From Le Magasin Pittoresque 22, 1835, p.169).
Attributed works:
2. After the duel, by Paul Delaroche, 1825. Oil on canvas, 66 by 82 cm. (Private collection).
Attributed works:
3. Duel after the masquerade, by Jean-Léon Gérôme. 1857–59 (third version). Oil on canvas, 39.1 by 56.3 cm. (The Walters Art Museum, Baltimore).
Attributed works:
4. St Bartholomew scene, by R.J. Bingham after Paul Delaroche. 1857– 58. Albumen print. (From Oeuvre de Paul Delaroche, Paris 1858).
Attributed works:
5. A duel, by Pierre Roch Vigneron. 1829. Lithograph, 25 by 29 cm. (Private collection).
Attributed works:
6. Detail of St Vincent de Paul preaching to the court of Louis XIII on behalf of the abandoned children, by Zachee Prevost after Paul Delaroche. 1834 Salon. Engraving.
Attributed works:
7. The students of Baron Gros in 1820, by Louis Léopold Boilly, 1820. Black and white chalk on paper, 59.5 by 29.1 cm. (Musée Carnavalet, Paris; Alamy Stock photo).
Attributed works:
8. Study for the ‘Assassination of the duc de Guise’, by Paul Delaroche. c.1832 or before 1830. Pencil on paper, 13.5 by 24.2 cm. (Private collection).
Article
Innovation and empiricism: Delacroix’s ‘Taking of Constantinople by the Crusaders’
12/2022 | 1437 | 164
Pages: 1196-1209
related names
Author:
Lee, Simon (Lee, Simon)
Subjects
dates:
museums and institutions:
museums and institutions:
Illustrations
Attributed works:
1. Taking of Constantinople by the Crusaders, by Eugène Delacroix. 1840. Oil on canvas, 410 by 498 cm (Musée du Louvre, Paris; Bridgeman Images).
Attributed works:
10. Sketch for the Taking of Constantinople, by Eugène Delacroix. c.1839–40. Oil on canvas, 33 by 41 cm. (Musée Condé, Chantilly).
Attributed works:
11. Sketch for the Taking of Constantinople, here attributed to Eugène Delacroix. 1840. Oil on canvas, 65 by 81 cm. (Private collection; photograph courtesy of Collins Fine Art Ltd, New York).
Attributed works:
12. Drawing for the Taking of Constantinople, by Eugène Delacroix. c.1839–40. Graphite on paper, 20.7 by 33.8 cm. (Département des Arts Graphiques, Musée du Louvre, Paris, RF 42753).
Attributed works:
2. Louis-Philippe and the royal family visit the Salles des croisades at Versailles, July 1844, by Prosper Lafaye. 1844. Canvas, 61 by 86.5 cm (Musés des châteaux de Versailles et de Trianon).
Attributed works:
3. Detail of Fig.1, showing the group of the old man, woman and child.
Attributed works:
4. Detail of Fig.1, showing the group of Baudouin and the mounted crusaders.
Attributed works:
5. Detail of Fig.1, showing the group of women.
Attributed works:
6. Detail of Fig.1, showing a soldier assaulting an old man.
Attributed works:
7. Ptolemais delivered to Philippe-Auguste and Richard the Lionheart of England, 11th or 12th July 1191, by Merry-Joseph Blondel. 1840. Oil on canvas, 406 by 494 cm. (Grande Salle, Salles des croisades, Château de Versailles; Bridgeman Images).
Attributed works:
8. Detail of Fig.1, showing the reflection in the lid of the gold casket.
Attributed works:
9. Drawing for the Taking of Constantinople, by Eugène Delacroix. c.1839-40. Graphite on paper, 18.1 by 27.8 cm. (Département des Arts Graphiques, Musée du Louvre, Paris, RF 9368).
Exhibition Review
Louis-Philippe at Versailles
05/2019 | 1394 | 161
Pages: 402-409
related names
Reviewer:
Lee, Simon (Lee, Simon)
Subjects
artists:
dates:
media:
museums and institutions:
Illustrations
Attributed works:
1. Louis-Philippe with the plan of the Gallery of Battles, Versailles, by F.X. Winterhalter. 1841. Canvas, 284 by 184 cm. (Musée des châteaux de Versailles et de Trianon).
Attributed works:
2. The duc d’Orléans leaving the Palais Royale to go to the Hôtel de Ville, 31st July 1830, by Horace Vernet. 1832. Canvas, 215 by 261.5 cm. (Musée des châteaux de Versailles et de Trianon).
Attributed works:
3. Louis-Philippe and his five sons leaving the Palace of Versailles through the Gate of Honour after having reviewed the troops in the courtyards, 10th June 1837, by Horace Vernet. Canvas, 367 by 394 cm. (Musée des châteaux de Versailles et de Trianon).
Attributed works:
4. Taking of the city of Constantine, 13th October 1837, by Horace Vernet. 1839. Canvas, 512 by 518 cm. (Musée des chateaux de Versailles et de Trianon).
Attributed works:
5. Detail of Capture of the Smala of Abd el-Kader at Taguin, 16th May 1843, showing the duc d’Aumale accepting the surrender, by Horace Vernet. Canvas, 140 by 450 cm. (Musée des châteaux de Versailles et de Trianon).
Attributed works:
6. Detail of Capture of the Smala of Abd el-Kader at Taguin, 16th May 1843, showing the harem women, by Horace Vernet. Canvas, 140 by 450 cm. (Musée des châteaux de Versailles et de Trianon).
Attributed works:
7. Louis-Philippe and the royal family visit the Crusades rooms at Versailles, July 1844, by Prosper Lafaye. 1844. Canvas, 61 by 86.5 cm. (Musée des châteaux de Versailles et de Trianon).
Book Review
Horace Vernet and the Thresholds of Nineteenth-Century Visual Culture. Edited by Daniel Harkett and Katie Hornstein; Horace Vernet. Dessinateur lithographe 1816–1838: Catalogue raisonné de l’oeuvre lithographié. Edited by Pierre Sanchez
07/2018 | 1384 | 160
Pages: 608-610
Article
Horace Vernet’s ‘Orient’: photography and the Eastern Mediterranean in 1839, part II: the daguerreotypes and their texts
06/2016 | 1359 | 158
Pages: 430-439
related names
Author:
Hannoosh, Michèle (Hannoosh, Michèle)
Subjects
dates:
places:
Illustrations
Attributed works:
15. Pyramids of Geezeh, by David Roberts. 1839. Lithograph by Louis Haghe from Egypt & Nubia, from drawings made on the spot by David Roberts, with historical descriptions by William Brockedon. London 1846-49, II, pl.24 (Library of Congress Prints and Photographs Division, Washington DC)
Attributed works:
16. Pyramid of Cheops, by Frédéric Goupil-Fesquet and Horace Vernet. 22nd November 1839. Print after a lost daguerreotype from Excursions daguerriennes, I, 1840 (Rare Book Division, Department of Rare Books and Special Collections, Princeton University Library)
Attributed works:
17. Pompey's Pillar, by Frédéric Goupil-Fesquet. 8th November 1839. Print after a lost daguerreotype from Excursions daguerriennes, I, 1840 (Rare Book Division, Department of Rare Books and Special Collections, Princeton University Library)
Attributed works:
18. Pompey's Pillar, by David Roberts. 1839. Lithograph by Louis Haghe from Egypt & Nubia, from drawings made on the spot by David Roberts, with historical descriptions by William Brockedon. London 1846-49, I, pl.5 (Library of Congress Prints and Photographs Division, Washington DC)
Attributed works:
19. View of Luxor, by Frédéric Goupil-Fesquet (and Horace Vernet?) November 1839. Print after a lost daguerreotype from Excursions daguerriennes, I, 1840 (Rare Book Division, Department of Rare Books and Special Collections, Princeton University Library)
Attributed works:
20. View of the Ruins of Luxor from the Nile, by David Roberts. 1839. Lithograph by Louis Haghe from Egypt & Nubia, from drawings made on the spot by David Roberts, with historical descriptions by William Brockedon. London 1846-49, I, pl.16 (Library of Congress Prints and Photographs Division, Washington DC)
Attributed works:
21. Harem of Mehmet-Ali, by Frédéric Goupil-Fesquet and Horace Vernet. 7th November 1839. Print after a lost daguerreotype from Excursions daguerriennes, I, 1840 (Rare Book Division, Department of Rare Books and Special Collections, Princeton University Library)
Attributed works:
22. View of Beirut by Frédéric Goupil-Fesquet (and Horace Vernet?). 31st January-1st February 1840. Print after a lost daguerreotype from Excursions daguerriennes, I, 1840 (Rare Book Division, Department of Rare Books and Special Collections, Princeton University Library)
Attributed works:
23. View of Nazareth by Frédéric Goupil-Fesquet (and Horace Vernet?). 23rd December 1839. Print after a lost daguerreotype from Excursions daguerriennes, I, 1840 (Rare Book Division, Department of Rare Books and Special Collections, Princeton University Library)
Attributed works:
24. View of Acre by Frédéric Goupil-Fesquet (and Horace Vernet?). 25th-28th December 1839. Print after a lost daguerreotype from Excursions daguerriennes, I, 1840 (Rare Book Division, Department of Rare Books and Special Collections, Princeton University Library)
Attributed works:
25. View of Jerusalem by Frédéric Goupil-Fesquet (and Horace Vernet?). c.18th December 1839. Print after a lost daguerreotype from Excursions daguerriennes, I, 1840 (Rare Book Division, Department of Rare Books and Special Collections, Princeton University Library)
Attributed works:
26. View of Jerusalem from the road leading to Bethany, by David Roberts. 8th April 1839. Lithograph by Louis Haghe from The Holy Land, Syria, Idumea, Arabia, Egypt and Nubia from drawings made on the spot by David Roberts, with historical descriptions by William Brockedon. London 1842-45, I, pl.1 (Library of Congress Prints and Photographs Division, Washington DC)
Attributed works:
27. Study of Oriental dancers, by Horace Vernet. 1839 (Musée du Louvre, Paris)
Attributed works:
28. Study for Tamar, by Horace Vernet. 1840 (Musée du Louvre, Paris)
Attributed works:
29. Almée by Emile Vernet-Lecomte. 1869 (Courtesy Sotheby's, New York, sale 4th November 2010, lot 5)
Article
Horace Vernet’s ‘Orient’: photography and the Eastern Mediterranean in 1839, part I: a daguerrean excursion
04/2016 | 1357 | 158
Pages: 264-271
related names
Author:
Hannoosh, Michèle (Hannoosh, Michèle)
Subjects
artists:
dates:
subjects:
Illustrations
Attributed works:
38. Self-portrait, by Horace Vernet. 1835 (State Hermitage Museum, St Petersburg)
Attributed works:
39. The Arab tale-teller, by Horace Vernet. 1833 (Wallace Collection, London)
Attributed works:
40. Rebecca at the well, by Horace Vernet. 1833 (Location unknown)
Attributed works:
41. Central motif of the vault, Turkish Chamber, designed by Horace Vernet. 1833 (Villa Medici, Rome)
Attributed works:
42. Judah and Tamar, by Horace Vernet. 1840 (Wallace Collection, London)
Attributed works:
43. Portrait of Soliman Pasha, by Horace Vernet. 1840 (Location unknown, formerly in the collection of Sherif Sabry Pasha, Cairo). Fig.6 from J.M. Carré: Voyageurs et écrivains français en Egypte, Cairo 1932, II, p.54
Attributed works:
44. Arabs travelling in the desert, by Horace Vernet. 1843 (Wallace Collection, London)
Book Review
La Peinture d’Histoire en France, 1860–1900: La Lyre ou le Poignard, P. Sérié
11/2015 | 1352 | 157
Pages: 793-794
related names
Reviewer:
Shelton, Andrew Carrington (Shelton, Andrew Carrington)
Subjects
Illustrations
Attributed works:
71. Andromache, by Georges Rochegrosse. 1883 (Musée des Beaux-Arts, Rouen)
Advertisements
Advertisements December 2009 (front)
12/2009 | 1281 | 151
Pages: s.p.
Subjects
advertisements:
artists:
subjects:
Illustrations
Attributed works:
[Art Mentor Foundation, Lucerne. Morris and Company (Design Edward Burne-Jones): Tapestry: The Heartof the Rose.]
Attributed works:
[Charles Ratton & Guy Ladrière. 14 rue de Marignan, 75008 Paris. Jean-Paul Laurens (1838-1921). Joan d'Ark in Jail. Signed lower right. Grey and black walsh, white bodycolour, 46.3 x 39.3 cm.]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Alessandro Magnasco. Genoa, 1667 - 1749. Homage to Pluto. Oil on canvas, 87 x 117 cm (34 1/4 x 46 15/16 in). One of a pair (with A Jewish Funeral)]
Attributed works:
[Galleria Longari. Via Bigli 12, 20121 Milan. Fra' Damiano Zambelli da Bergamo (?-1549). The Flagellation. After 1542. Pyrography and marquetry in various wood with pewter, 76.5 by 51.5 cm]
Attributed works:
[Hazlitt, Gooden & Fox. 38 Bury Street, St. James’s London. SW1Y 6BB. Horace Vernet (1789-1863). La chasse dans les marais pontins. Oil on canvas, 38.5 x 46.7 cm (15 1/8 x 18 3/8 in)]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Marco Ricci. Belluno 1676 - 1730 Venice. A Winter landscape. Gouache on paper, mounted on panel: 318 x 460 mm]
Attributed works:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. Anthony van Dyck (1599-1641). Circa 1630-31. Oil on panel.]
Western art unattributed:
[Steinitz. 9, Rue du Cirque – 77, Rue du Faubourg Saint-Honoré. Paris. Porcelain Vase decorated with gild-bronze Renommées. Manufacture de Sèvres. Empire period, circa 1810. Hard-past porcelain, gilt bronze, jasper. Height: 62 cm (24 1/2 in). Diameter: 24 cm (9 1/2 in)]
Advertisements
Advertisements September 2004 (Back)
09/2004 | 1218 | 146
Pages: nil
Subjects
advertisements:
Illustrations
Attributed works:
[Chanel Fine Jewellery Boutique, 173 New Bond Street, London] "Camelia" Collection. Brooch in 18K white gold and diamonds.
Attributed works:
[Salander-O'Reilly, 20 East 79 Street, New York] Horace Vernet (1789-1863) La chasse aux Lions, 1836. Oil on paper laid on canvas, 11¼ x 14⅝ inches.
load more