By using this website you agree to our Cookie policy

Search

64 articles
Article
The nude male form in Chen Yanqiao’s woodblock prints and cartoons, 1934–35
10/2021 | 1423 | 163
Pages: 898-907
related names
Author:
Emrich-Rougé, Elizabeth (Emrich-Rougé, Elizabeth)
Subjects
dates:
places:
subjects:
Illustrations
Attributed works:
1. Pull, by Chen Yanqiao. 1934. Woodblock print, 25.1 by 19.1 cm. (Courtesy Lu Xun Memorial Museum, Shanghai).
Attributed works:
10. Beautiful illustrations of the body, by Wan Laiming. 1933. (From The Young Companion, no.78, July 1933; from online database CNBKSY – Quanguo Baokan Suoyin, Shanghai Library).
Attributed works:
2. Title page from Cartoons and Life no.2 (December 1935), featuring Struggle, by Chen Yanqiao. 1935. Ink drawing. (From online database CNBKSY – Quanguo Baokan Suoyin, Shanghai Library).
Attributed works:
3. China, roar!, by Li Hua. 1935. Woodblock print, 23 by 16.5 cm. (From Modern Prints 1, no.14, December 1935, reproduced in Progress in Prints: Chinese Modern Woodblock Prints in Lu Xun’s Collection, Shanghai 1991, I, p.251; courtesy Lu Xun Memorial Museum, Shanghai).
Attributed works:
4. The despairing (top) and Forced to wander as a refugee (below), by Chen Yanqiao. 1934–35. Woodblock prints. (From Cartoon Life, no.5, January 1935, p.30; from online database CNBKSY – Quanguo Baokan Suoyin, Shanghai Library).
Attributed works:
5. Sun chariot, by Zhu Yingpeng and Xu Suling. (From Vanguard Monthly 1, no.3, December 1930; from online database CNBKSY – Quanguo Baokan Suoyin, Shanghai Library).
Attributed works:
6. A beautifully brave and strong body. 1929. Photograph. (From Modern Miscellany 1, no.3, p.2; from online database CNBKSY – Quanguo Baokan Suoyin, Shanghai Library).
Attributed works:
7. Health and beauty. 1930. Photograph. (From Athletic China, no.1, October 1930; from online database CNBKSY – Quanguo Baokan Suoyin, Shanghai Library).
Attributed works:
8. Guerilla forces, by Chen Yanqiao. 1935. Woodblock print. (From Collected Wood Shavings, no.1, 20th April 1935, p.7; from online database CNBKSY – Quanguo Baokan Suoyin, Shanghai Library).
Attributed works:
9. Figures in the palm of his hand, by Wan Laiming. 1935. Ink drawing. (From Phenomenon Cartoon, no.2, May 1935; from online database CNBKSY – Quanguo Baokan Suoyin, Shanghai Library).
Article
The ‘fortuna critica’ of the ‘Maiden of Lille’
05/2020 | 1406 | 162
Pages: 404-411
related names
Author:
Riviale, Laurence (Riviale, Laurence)
Subjects
collectors and dealers:
dates:
museums and institutions:
places:
Illustrations
Attributed works:
1. Study of a bust at Lille, by John Singer Sargent. c.1877. Oil on mahogany panel, 30.7 by 20.6 cm. (Private collection).
Attributed works:
10. The Maiden of Lille, by Arthur Mayeur. Drawing reproduced on the cover of Lille et la région du nord en 1909, Lille 1909.
Attributed works:
2. The ‘Maiden of Lille’ in the Wicar galleries at the Palais des Beaux-Arts, Lille, c.1892. (Palais des Beaux-Arts, Lille).
Attributed works:
4. The Maiden of Lille, by Aurelio Micheli. c.1909. Plaster, wax and polychromy. (Letter Stiftung, Cologne).
Attributed works:
5. Jean-Jacques Henner’s studio in Paris, with a plaster cast of the ‘Maiden of Lille’ from the Kaiser Friedrich Museum, Berlin. Detail of a photograph, c.1900. (Courtesy Henner Museum, Paris).
Attributed works:
6. Wolfgang Gurlitt’s music room at 113 Potsdamer Strasse, Berlin. Photograph, c.1920. (Bildindex der Kunst und Architektur, Deutsches Dokumentationszentrum für Kunstgeschichte, Bildarchiv Foto Marburg). 
Attributed works:
7. The display of old-master drawings in the Royal Library at Windsor Castle. Photograph by James Russell and Sons, 1910. (Manley family collection). 
Attributed works:
8. The plaster-cast room at the Museum of Fine Arts, Copley Square, Boston. Photograph, 1902. (Museum of Fine Arts, Boston).
Attributed works:
9. The Maiden of Lille, in the Musée Wicar, Lille. Photograph by Robert Jefferson Bingham, 1864. (Palais des Beaux-Arts, Lille).
Western art unattributed:
3. The Maiden of Lille. Possibly seventeenth or eighteenth century. Beeswax, terracotta and glass, 44.5 by 30.3 by 19.5 cm. (Palais des Beaux- Arts, Lille; photograph the author).
Book Review
The Icon and the Square: Russian Modernism and the Russo-Byzantine Revival. By Maria Taroutina
03/2020 | 1404 | 162
Pages: 268-269
related names
Reviewer:
Spira, Andrew (Spira, Andrew)
Subjects
Reviewed Items
subjects:
The Icon and the Square: Russian Modernism and the Russo- Byzantine Revival By Maria Taroutina. 288 pp. incl. 51 col. + 65 b. & w. ills. (Pennsylvania State University Press, University Park PA, 2018),  79.95. ISBN 978–0–271–08104–5. | :
Exhibition Review
Romanticism. Gallerie d’Italia and Museo Poldi Pezzoli, Milan
02/2019 | 1391 | 161
Pages: 151-154
related names
Reviewer:
Hecker, Sharon (Hecker, Sharon)
Subjects
dates:
places:
Illustrations
Attributed works:
14. Nocturne in Capri, by Salvatore Fergola. 1843. Canvas, 106 by 131 cm. (Museo e Real Bosco di Capodimonte, Naples; exh. Gallerie d’Italia, Milan).
Attributed works:
15. Spartacus, by Vincenzo Vela. 1847–50. Marble, 206 by 72.5 by 90 cm. (Museo d’arte della Svizzera italiana, Lugano; photograph Museo Vincenzo Vela / Mauro Zeni; exh. Gallerie d’Italia, Milan).
Attributed works:
16. Meditation, by Francesco Hayez. 1851. Canvas, 92.5 by 71 cm. (Galleria d’Arte Moderna ‘Achille Forti’, Verona; exh. Gallerie d’Italia, Milan).
Attributed works:
17. Veiled Vestal, by Raffaele Monti. 1845. Marble, 48 by 25.5 by 27 cm. (Castle of Racconigi, Cuneo; exh. Gallerie d’Italia, Milan).
Editorial
Hilliard in Europe
02/2019 | 1391 | 161
Pages: 99
Book Review
Windows for the World: Nineteenth-Century Stained Glass and the International Exhibitions, 1851–1900. By Jasmine Allen
12/2018 | 1389 | 160
Pages: 1073-1074
related names
Reviewer:
Harrison, Martin (Harrison, Martin)
Subjects
art literature:
dates:
media:
Illustrations
Attributed works:
4. Madonna and Child, by Kehinde Wiley. 2016. Stained glass in an aluminium frame, 249 by 117 cm. (© Kehinde Wiley Studio; courtesy the artist and Galerie Templon, Paris and Brussels).
Article
The ‘Martinoff Drawings’: a quest for Russian art at the South Kensington Museum
12/2018 | 1389 | 160
Pages: 1006-1015
related names
Author:
Hardiman, Louise (Hardiman, Louise)
Subjects
Illustrations
Attributed works:
1. Copy of decoration in a sixteenth-century manuscript of the Gospels in the Patriarchal Library, Moscow, by Nikolai Martynov. c.1880–81. Watercolour and pencil on paper, 39.3 by 26.7 cm. (Victoria and Albert Museum, London, no.M.10.b: 8881).
Attributed works:
10. Detail of The mitre of the Patriarch Job (1586–1605) in the treasury of the Patriarch, Moscow, by Nikolai Martynov. c.1880–81. Watercolour and pencil on paper, 30.5 by 21.6 cm. (Victoria and Albert Museum, London; no.M.10.b: 8854).
Attributed works:
11. Detail of Two pairs of eyeglasses, and cases for same, of the Patriarch Nikon (1652–1658) in the treasury of the Patriarch, Moscow, by Nikolai Martynov. c.1880–81. Watercolour and pencil on paper, 35.5 by 25.4 cm. (Victoria and Albert Museum, London; no.M.10.a: 8858).
Attributed works:
12. A saccos (dalmatic) of the Metropolitan Dionysy, made by order of Tsar Ivan Vasilievich (1530–1584) in the treasury of the Patriarch, Moscow, 16th century (second half), by Nikolai Martynov. c.1880–81. Watercolour and pencil on paper, 38 by 26.8 cm. (Victoria and Albert Museum, London; no.M.10.b: 8873).
Attributed works:
2. Detail of Church of the Holy Trinity, Ostankino, near Moscow, by Nikolai Martynov. c.1880–81. Watercolour and pencil on paper, 36.9 by 24.2 cm. (Victoria and Albert Museum, London; no.M.10.a: 8845).
Attributed works:
4. Detail of The Panagia of the Patriarch Job (1586–1605) in the treasury of the Patriarch, Moscow, by Nikolai Martynov. c.1880–81. Watercolour and pencil on paper, 25.4 by 36.3 cm. (Victoria and Albert Museum, London; no.M.10.a: 8842).
Attributed works:
5. Detail of A halo from the image of the Virgin in the sacristy of the Convent of the Transfiguration of Our Lord, Staraya Russa, Novgorod, by Nikolai Martynov. c.1880–81. Watercolour and pencil on paper, 35.5 by 28.5 cm. (Victoria and Albert Museum; London; no.M.10.a: 8861).
Attributed works:
6. Detail of The Pastoral Staff of the Patriarch Nikon (1652–1658), in the treasury of the Patriarch, Moscow, by Nikolai Martynov. c.1880–81. Watercolour and pencil on paper, 28.5 by 35.5 cm. (Victoria and Albert Museum, London; no.M.10.a: 8855).
Attributed works:
7. A censer at the Convent of the Blessed Virgin, Serpukhov, Province of Moscow, by Nikolai Martynov. c.1880–81. Watercolour and pencil on paper, 37 by 28.5 cm. (Victoria and Albert Museum, London, no.M.10.a: 8849).
Attributed works:
8. Detail of The klobouk (headdress of the Greek friars), of the Patriarch Nikon (1652–1658), in the treasury of the Patriarch, Moscow, by Nikolai Martynov. c.1880–81. Watercolour and pencil on paper, 33 by 22.9 cm. (Victoria and Albert Museum, London; no.M.10.b: 8853).
Attributed works:
9. A sash of the Patriarchs, in the treasury of the Patriarch, Moscow, by Nikolai Martynov. c.1880–81. Watercolour and pencil on paper, 36.8 by 22.9 cm. (Victoria and Albert Museum, London; no.M.10.b: 8877).
Non-western art unattributed:
3. Reliquary or triple cross, after a seventeenth-century original at the Cathedral of the Dormition, Moscow, at the time of reproduction. c.1881. Electrotype, 32.4 by 16.5 by 3.2 cm. (Metropolitan Museum of Art, New York).
Article
Russia, Rome and the tricky business of disaster painting
12/2018 | 1389 | 160
Pages: 996-1005
related names
Author:
Blakesley, Rosalind P. (Blakesley, Rosalind P.)
Subjects
Illustrations
Attributed works:
1. Last day of Pompeii, by Karl Bryullov. 1830–33. Canvas, 456.5 by 651 cm. (State Russian Museum, St Petersburg).
Attributed works:
10. Ivan the Terrible and his son Ivan. 16th November 1581, by Ilya Repin. 1885. Canvas, 199.5 by 254 cm. (State Tretyakov Gallery, Moscow).
Attributed works:
2. Destruction of Pompeii and Herculaneum, by John Martin. 1822. Canvas, 161.6 by 253 cm. (Tate, London).
Attributed works:
3. Earthquake in Rocca di Papa, near Rome, by Petr Basin. 1830. Canvas, 84 by 99 cm. (State Russian Museum, St Petersburg).
Attributed works:
4. Sketch for ‘Genseric’s invasion of Rome’, by Karl Bryullov. 1835–36. Canvas, 88 by 117.9 cm. (State Tretyakov Gallery, Moscow).
Attributed works:
5. Siege of Pskov by King Stefan Batory of Poland in 1581, by Karl Bryullov. 1839–43. Canvas, 482 by 675 cm. (State Tretyakov Gallery, Moscow).
Attributed works:
6. Death of Camilla, sister of Horatius, by Fedor Bruni. 1824. Canvas, 350 by 526.5 cm. (State Russian Museum, St Petersburg).
Attributed works:
7. The brazen serpent, by Fedor Bruni. 1834–41. Canvas, 565 by 852 cm. (State Russian Museum, St Petersburg).
Attributed works:
8. Sketch for ‘St Eustace Placidus in the Colosseum’, by Aleksei Markov. 1836–42. Canvas, 98 by 136.5 cm. (State Tretyakov Gallery, Moscow).
Attributed works:
9. Morning of the execution of the Streltsy, by Vasily Surikov. 1881. Canvas, 218 by 375 cm. (State Tretyakov Gallery, Moscow).
Exhibition Review
Frida Kahlo: Making Her Self Up. Victoria and Albert Museum, London
10/2018 | 1387 | 160
Pages: 862-863
related names
Reviewer:
Oliver, Sophie (Oliver, Sophie)
Subjects
art literature:
dates:
places:
Illustrations
Attributed works:
18. Self-portrait, by Frida Kahlo. 1948. Panel, 50 by 40 cm. (Private collection; exh. Victoria and Albert Museum, London).
Attributed works:
20. Self-portrait on the border between Mexico and the United States of America, by Frida Kahlo. 1932. Oil on metal, 31 by 35 cm. (Modern Art International Foundation; courtesy María and Manuel Reyero; exh. Victoria and Albert Museum, London).
Western art unattributed:
19. Cotton huipil with machine-embroidered chain stitch; printed cotton skirt with embroidery and holán (ruffle). (Museo Frida Kahlo, Mexico City; exh. Victoria and Albert Museum, London).
load more