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622 articles
Article
The young Jordaens
04/2023 | 1441 | 165
Pages: 366-377
related names
Author:
Vander Auwera, Joost (Vander Auwera, Joost )
Subjects
dates:
places:
Illustrations
Attributed works:
1. Adoration of the shepherds, by Jacques Jordaens. 1616. Oil on panel transferred to canvas, 113 by 81 cm. (Metropolitan Museum of Art, New York; Bridgeman Images).
Attributed works:
10. Holy Family with St Anne, the young St John the Baptist and his parents, by Jacques Jordaens. c.1620–25 and c.1650s–early 1660s. Oil on panel, 169.9 by 149.9 cm. (Metropolitan Museum of Art, New York).
Attributed works:
11. Holy Family with St Elizabeth, by Jacques Jordaens. c.1620–23. Pen and brown ink and brown wash, heightened in places with white body colour, 12.3 by 12.1 cm. (British Museum, London).
Attributed works:
12. X-radiographs of Fig.10, revealing the original central composition. (Metropolitan Museum of Art, New York).
Attributed works:
13. Satyr and peasants, by Jacques Jordaens. After 1663. Oil on panel, 77 by 50.1 cm. (Private collection).
Attributed works:
14. Holy Family, by Jacques Jordaens. Here dated c.1616. Oil on canvas, 155 by 113 cm. (Royal Museums of Fine Arts of Belgium, Brussels).
Attributed works:
15. Pan and Syrinx, by Jacques Jordaens. Here dated c.1619–20. Oil on canvas, 173 by 136 cm. (Assembly of photographs by Freya Maes and of X-radiographs by Guido van de Voorde; Royal Museums of Fine Arts of Belgium, Brussels; KIK/IRPA).
Attributed works:
16. Abduction of Europa, by Jacques Jordaens. c.1615–16. Oil on panel, 55 by 93.5 cm. (Current location unknown).
Attributed works:
17. Christ with Nicodemus, by Jacques Jordaens. Here dated c.1618. Oil on panel, 112 by 83 cm. (Royal Museums of Fine Arts of Belgium, Brussels; Bridgeman Images).
Attributed works:
18. Lot and his family leaving Sodom, by Jacques Jordaens, after Peter Paul Rubens. Here dated c.1617–18. Oil on canvas, 169.5 by 198.5 cm. (National Museum of Western Art, Tokyo).
Attributed works:
2. The daughters of Cecrops finding the child Erichthonius, by Jacques Jordaens. 1617. Oil on canvas, 170 by 280 cm. (Royal Museum of Fine Arts, Antwerp).
Attributed works:
3. Adoration of the shepherds, by Jacques Jordaens. 1618. Oil on canvas, 124 by 93 cm. (Nationalmuseum, Stockholm).
Attributed works:
4. Adoration of the shepherds, here attributed to Jacques Jordaens. Here dated c.1615. Oil on panel, 64.3 by 51.4 cm. (Museum Mayer van den Bergh, Antwerp).
Attributed works:
5. Adoration of the shepherds, by Jacques Jordaens. Here dated c.1615. Red and black chalk, brush in brown ink and watercolour, some white body-colour on paper, 16.7 by 20.2 cm. (Museum Boijmans Van Beuningen, Rotterdam).
Attributed works:
6. Holy Family with St Anne, by Jacques Jordaens. Here dated c.1617–18. Oil on panel, 63.7 by 48.5 cm. (City Hall, Municipality of Saint-Gilles, Brussels; on long-term loan to the Royal Museums of Fine Arts of Belgium, Brussels).
Attributed works:
7. Allegory on the Peace of Münster, by Jacques Jordaens. 1654. Oil on canvas, 184 by 139.5 cm. (National Gallery, Oslo).
Attributed works:
8. Detail of Fig.6.
Attributed works:
9. Holy Family with St Elizabeth, by Jacques Jordaens and workshop. c.1620–23. Oil on panel, 122.6 by 145 cm. (Alte Pinakothek, Munich).
Article
‘The crucifixion of St Peter’: Gerard Seghers, Michelangelo and Caravaggio
02/2022 | 1427 | 164
Pages: 145-154
related names
Author:
Delvingt, Anne (Delvingt, Anne)
Subjects
dates:
museums and institutions:
Illustrations
Attributed works:
1. The crucifixion of St Peter, here attributed to Gerard Seghers. c.1620– 22. Canvas, 232 by 201 cm. (State Hermitage Museum, St Petersburg).
Attributed works:
10. The crucifixion of St Peter, by an anonymous painter. c.1601–50. Oil on canvas, 245 by 225 cm. (Formerly Castello Santa Margherita Ligure).
Attributed works:
2. The resurrection, by Gerard Seghers. c.1620. Oil on canvas, 324 by 240 cm. (Musée du Louvre, Paris; Bridgeman Images).
Attributed works:
3. The raising of the Cross, by Gerard Seghers. c.1623–25. Oil on canvas, 535 by 395 cm. (St Charles Borromeo church, Antwerp; Bridgeman Images).
Attributed works:
4. Christ at the column, by Gerard Seghers, c.1630–35. Oil on canvas, 268 by 144 cm. (St Michael’s church, Ghent; © photograph the author).
Attributed works:
5. The ecstasy of St Francis, by Gerard Seghers. c.1622–24. Oil on canvas, 236 by 161 cm. (Musée du Louvre, Paris).
Attributed works:
6. The crucifixion of St Peter, by Antoon Sallaert. c.1630s. Oil on canvas, 400 by 280 cm. (St Peter’s church, Denderwindeke; © 2014 Kerat bv Kunstatelier-Frederik Cnockaert).
Attributed works:
7. The martyrdom of St Lievin, by Gerard Seghers, 1633. Oil on canvas, 259 by 194 cm. (St Bavo’s cathedral, Ghent; © Lukasweb).
Attributed works:
8. The crucifixion of St Peter, by Michelangelo. c.1545–50. Fresco, 625 by 661 cm. (Pauline chapel, Vatican City; Bridgeman Images).
Attributed works:
9. The conversion of St Paul, by Caravaggio. c.1600–01. Oil on cypress panel, 237 by 189 cm. (Palazzo Odescalchi, Rome; Bridgeman Images).
Book Review
The Transformation of Athens: Painted Pottery and the Creation of Classical Greece. By Robin Osborne
06/2019 | 1395 | 161
Pages: 519-520
related names
Reviewer:
Rodriguez Perez, Diana (Rodriguez Perez, Diana)
Subjects
places:
Reviewed Items
subjects:
The Transformation of Athens: Painted Pottery and the Creation of Classical Greece By Robin Osborne. | :
Article
Vasily Kandinsky and the Formal method
12/2018 | 1389 | 160
Pages: 1016-1023
related names
Author:
Bowlt, John E. (Bowlt, John E.)
Subjects
media:
places:
Illustrations
Attributed works:
1. Elementary life of the primary colour and its dependence on the simplest locale, by Vasily Kandinsky. Illustration to the lecture ‘On the Spiritual in Art’ delivered by Nikolai Kul’bin on Kandinsky’s behalf at the All-Russian Congress of Artists, St Petersburg, 29th and 31st December 1911. Published in Russian in I. Repin et al.: Trudy Vserossiiskogo s’ezda khudozhnikov (Transactions of the All-Russian Congress of artists), Petrograd 1914, I, pp.76–77.
Attributed works:
2. Improvisation 10, by Vasily Kandinsky. 1910. Canvas, 120 by 140 cm. (Fondation Beyeler, Basel; photograph courtesy Peter Schibli).
Attributed works:
3. Tsikl lektsii (Cycle of lectures), by Nikolay Punin. Petrograd 1920. Cover designed by Kazimir Malevich. (Photograph courtesy Museum of Modern Art, New York).
Attributed works:
5. Black lines, by Vasily Kandinsky. 1913. 129.4 by 131.1 cm. (Solomon R. Guggenheim Museum, New York; Bridgeman Images).
Attributed works:
6. Painting with the red spot, by Vasily Kandinsky. 1914. Canvas, 130 by 130 cm. (Centre Georges Pompidou, Paris; Bridgeman Images).
Non-western art unattributed:
4. Members of RAKhN (Russian Academy of Artistic Sciences) in the building of Svomas (Free State Art Studios), Moscow, June 1921. From left to right: Robert Fal’k, Evsei Shor, Nikolai Uspensky, Vasily Kandinsky, Evgenii Pavlov and Aleksandr Shenshin. Reproduced in C. Derouet and J. Boissel, eds.: exh. cat. Œuvres de Vassily Kandinsky (1866–1944), Paris (Centre Georges Pompidou) 1984, p.156.
Article
Russia, Rome and the tricky business of disaster painting
12/2018 | 1389 | 160
Pages: 996-1005
related names
Author:
Blakesley, Rosalind P. (Blakesley, Rosalind P.)
Subjects
Illustrations
Attributed works:
1. Last day of Pompeii, by Karl Bryullov. 1830–33. Canvas, 456.5 by 651 cm. (State Russian Museum, St Petersburg).
Attributed works:
10. Ivan the Terrible and his son Ivan. 16th November 1581, by Ilya Repin. 1885. Canvas, 199.5 by 254 cm. (State Tretyakov Gallery, Moscow).
Attributed works:
2. Destruction of Pompeii and Herculaneum, by John Martin. 1822. Canvas, 161.6 by 253 cm. (Tate, London).
Attributed works:
3. Earthquake in Rocca di Papa, near Rome, by Petr Basin. 1830. Canvas, 84 by 99 cm. (State Russian Museum, St Petersburg).
Attributed works:
4. Sketch for ‘Genseric’s invasion of Rome’, by Karl Bryullov. 1835–36. Canvas, 88 by 117.9 cm. (State Tretyakov Gallery, Moscow).
Attributed works:
5. Siege of Pskov by King Stefan Batory of Poland in 1581, by Karl Bryullov. 1839–43. Canvas, 482 by 675 cm. (State Tretyakov Gallery, Moscow).
Attributed works:
6. Death of Camilla, sister of Horatius, by Fedor Bruni. 1824. Canvas, 350 by 526.5 cm. (State Russian Museum, St Petersburg).
Attributed works:
7. The brazen serpent, by Fedor Bruni. 1834–41. Canvas, 565 by 852 cm. (State Russian Museum, St Petersburg).
Attributed works:
8. Sketch for ‘St Eustace Placidus in the Colosseum’, by Aleksei Markov. 1836–42. Canvas, 98 by 136.5 cm. (State Tretyakov Gallery, Moscow).
Attributed works:
9. Morning of the execution of the Streltsy, by Vasily Surikov. 1881. Canvas, 218 by 375 cm. (State Tretyakov Gallery, Moscow).
Article
From Giotto to the Bushmen: Roger Fry at the Slade 1909–13
09/2018 | 1386 | 160
Pages: 727-733
related names
Author:
Elam, Caroline (Elam, Caroline; E., C.; E., C. M.)
Subjects
media:
places:
subjects:
Illustrations
Attributed works:
1. Vision, volumes and recession, by Walter Sickert. c.1923, published 1929. Etching, 20 by 11.1 cm. (Courtauld Gallery, London).
Attributed works:
2. The unknown god: Roger Fry preaching the new faith, by Henry Tonks. Exhibited 1923. Canvas, 41.5 by 56 cm. (Private collection; courtesy Pym’s Gallery, London).
Attributed works:
3. Poster for the first Post-Impressionist exhibition, Grafton Galleries, London. 1910. Lettering by Roger Fry. 76.3 by 50.9 cm. (The Courtauld Gallery, London).
Attributed works:
4. The meeting at the Golden Gate from John Ruskin, Giotto and his Works in Padua, Orpington 1900, p.77. (Warburg Institute, London).
Attributed works:
5. Detail of The meeting at the Golden Gate, by Giotto. c.1305. Fresco. (Arena Chapel, Padua; Bridgeman Images).
Attributed works:
6. Some later primitives and Madame Tisceron, by John Currie. 1912. Tempera on canvas, 46 by 127 cm. (The Potteries Museum and Art Gallery, Stoke-on-Trent; Bridgeman Images).
Attributed works:
7. John Donne arriving in heaven, by Stanley Spencer. 1911. Canvas, 37 by 40.5 cm. (Fitzwilliam Museum, Cambridge).
Article
In his father’s workshop: Giovanni Bellini’s paintings for the Scuola di S. Giovanni Evangelista, Venice
04/2018 | 1381 | 160
Pages: 283-290
related names
Author:
Mazzotta, Antonio (Mazzotta, Antonio)
Subjects
collectors and dealers:
dates:
media:
museums and institutions:
places:
Illustrations
Attributed works:
1. Birth of the Virgin, here attributed to Giovanni Bellini. c.1452–53. Tempera on canvas, 112 by 152 cm. (Galleria Sabauda, Turin).
Attributed works:
10. Portrait of Jacopo Antonio Marcello, by Giovanni Bellini. 1453, from Jacopo Antonio Marcello, Passio Mauritii et sotiorum eius, 1453. Tempera on parchment, 18.7 by 13 cm. (Bibliothèque de l’Arsenal, Paris, MS 940).
Attributed works:
11. Detail of Fig.1.
Attributed works:
12. Detail of St James before Herod Agrippa, by Andrea Mantegna, c.1451–52. Fresco. Formerly in the Eremitani Church, Padua, destroyed 1944.
Attributed works:
13. Detail of The wedding at Cana, here attributed to Giovanni Bellini. c.1452–53. Tempera on canvas, 112 by 152 cm. (Private collection).
Attributed works:
14. Equestrian statue of Gattamelata (detail) by Donatello. c.1446–52. Bronze, 340 by 390 cm. (S. Antonio, Padua).
Attributed works:
15. The Adoration of the Magi (detail) here attributed to Giovanni Bellini. c.1452–53. Tempera on canvas, 111 by 151 cm. (Stanley Moss, New York).
Attributed works:
16. Detail of Fig.1.
Attributed works:
17. Woman at the Mirror (detail), by Giovanni Bellini. 1515. Oil on panel, 62.9 by 78.3 cm. (Kunsthistorisches Museum, Vienna).
Attributed works:
18. Annunciation (detail), by Giovanni Bellini. c.1465. Panel, 67 by 72 cm. (SS. Giovanni e Paolo, Venice).
Attributed works:
19. Detail of Fig.2.
Attributed works:
2. Annunciation, here attributed to Giovanni Bellini. c.1452–53. Tempera on canvas, 113 by 152 cm. (Galleria Sabauda, Turin).
Attributed works:
20. Detail of Fig.1.
Attributed works:
21. The Potenziani Madonna (detail), by Giovanni Bellini. c.1458–60. Tempera and oil on panel, 54 by 40 cm. (Metropolitan Museum of Art, New York).
Attributed works:
22. Imago pietatis (detail), by Giovanni Bellini. c.1455. Tempera on panel, 50.5 by 40.4 cm. (Museo Poldi Pezzoli, Milan).
Attributed works:
23. The Presentation of Christ in the Temple (detail), here attributed to Giovanni Bellini. c.1452–53. Tempera on canvas, 112 by 152 cm. (Private collection).
Attributed works:
3. Birth of the Virgin, by Jacopo Bellini and workshop. c.1444. Tempera on panel, 35 by 40 cm (S. Alessandro, Brescia).
Attributed works:
4. Madonna of the cherubim, by Jacopo Bellini. c.1455. Oil on panel, 77 by 60 cm. (Gallerie dell’Accademia, Venice).
Attributed works:
5. Birth of the Virgin (detail), after a design by Giambono, c.1440. Mosaic. (Cappella dei Mascoli, S. Marco, Venice).
Attributed works:
6. The Presentation in the Temple (detail), by Andrea Mantegna. Early 1450s. Tempera on canvas, 69 by 86.3 cm. (Gemäldegalerie, Berlin).
Attributed works:
7. Detail of Fig.1.
Attributed works:
8. St Maurice (detail), by Giovanni Bellini, from Jacopo Antonio Marcello, Passio Mauritii et sotiorum eius. 1453. Tempera on parchment, 18.7 by 13 cm. (Bibliothèque de l’Arsenal, Paris, MS 940),
Attributed works:
9. Detail of Fig.1.
Article
Bonifacio de’ Pitati’s ‘Triumphs of Petrarch’ and their Cypriot patron
08/2017 | 1373 | 159
Pages: 600-609
related names
Author:
Markou, Georgios E. (Markou, Georgios E.)
Subjects
dates:
places:
Illustrations
Attributed works:
1. Triumph of Love, by Bonifacio de' Pitati. c.1545 (Kunsthistorisches Museum, Vienna)
Attributed works:
10. Reverse of Fig.9
Attributed works:
11. Portrait of Laura da Pola, by Lorenzo Lotto. 1543-44 (Pinacoteca di Brera, Milan)
Attributed works:
2. Triumph of Chastity, by Bonifacio de' Pitati. c.1545 (Kunsthistorisches Museum, Vienna)
Attributed works:
3. 'Bartolomeo Pesaro' and 'Meschino', detail from Fig.2
Attributed works:
4. Triumph of Death, by Silvio Pomarede, after Bonifacio de' Pitati. 1748-50 (British Museum, London)
Attributed works:
5. Triumph of Fame, by Silvio Pomarede, after Bonifacio de' Pitati. 1750 (British Museum, London)
Attributed works:
6. Triumph of Time, by Bonifacio de' Pitati. c.1545 (Klassik Stiftung Weimar)
Attributed works:
7. Triumph of Divinity, by Bonifacio de' Pitati. c.1545 (Klassik Stiftung Weimar)
Attributed works:
9. Eugenio Synglitico, attributed to Danese Cattaneo. Medallion (British Museum, London)
Western art unattributed:
8. Genealogical tree of the Synglitico family
Book Review
Bosch and Bruegel: From Enemy Painting to Everyday Life. By Joseph Leo Koerner
07/2017 | 1372 | 159
Pages: 556-558
related names
Reviewer:
Buchanan, Iain (Buchanan, Iain)
Subjects
Illustrations
Attributed works:
41. The battle between Carnival and Lent, by Pieter Bruegel the Elder. 1559 (Kunsthistorisches Museum, Vienna)
Publication Received
Out of Time. Out of Place. Public Art (Now). Edited by Claire Doherty
06/2017 | 1371 | 159
Pages: 487
related names
Reviewer:
Wells, Emma (Wells, Emma)
Subjects
dates:
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