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33 articles
Article
Jan van Eyck’s diptych for Philip the Good
07/2025 | 1468 | 167
Pages: 637–649
related names
Author:
Capron, Emma (Capron, Emma)
Subjects
museums and institutions:
subjects:
Illustrations
Attributed works:
1. Virgin in the church, by Jan van Eyck. c.1432–41. Oil on oak panel, 31 by 14 cm. (Gemäldegalerie, Berlin).
Attributed works:
10. The author presents his book to Philip the Good, by the workshop of the Master of Girart de Roussillon, from the Livres du roy Modus et de la royne Ratio, by Henri de Ferrières. c.1450. Parchment. (Royal Library of Belgium, Brussels, MS 10218-19, fol.2r).
Attributed works:
11. Detail of Fig.1.
Attributed works:
12. Philip the Good kneeling before the statue of the Virgin of the Corn, detail from the so-called book-altar of Philip the Good. Flanders, 1450. Parchment. (Austrian National Library, Vienna, Cod.1800, fol.13v).
Attributed works:
13. Philip the Good attending mass, by Jean le Tavernier, from Traité de l’oraison dominicale, by Jean Miélot. After 1457. Parchment. (Royal Library of Belgium, Brussels, MS 9092, fol.9r; Bridgeman Images).
Attributed works:
2. Reverse of the Este Diptych, by Ercole de’ Roberti. c.1490. Oil on panel, 18.8 by 14.7 cm. (left) and 18.9 by 14.5 cm. (right). (National Gallery, London).
Attributed works:
4. Detail of Fig.1.
Attributed works:
5. Virgin in the church and Antonio Siciliano, attributed to Jan Gossaert. c.1513. Oil on panel, both 40.2 by 22 cm. (Galleria Doria Pamphilj, Rome).
Attributed works:
6. Virgin in the church and Christiaan de Hondt praying in a chamber, by the Master of 1499. 1499. Oil on panel, 31.3 by 14.7 cm. (left) and 31.2 by 14.8 cm. (right). (Royal Museum of Fine Arts, Antwerp).
Attributed works:
7. Virgin and Child, by a follower of Adriaen Isenbrandt (left) and Margaret of Austria praying in a chamber, Netherlandish artist (right). c.1510. Oil on oak panel, 30.6 by 14.6 cm. (Museum of Fine Arts Ghent, Belgium).
Attributed works:
8. Philip the Good kneeling before the Annunciation, by Willem Vrelant, from the Traité sur la salutation angélique, by Jean Miélot. c.1461. Parchment. (Royal Library of Belgium, Brussels, MS 9270, fol.2v).
Attributed works:
9. Jean Wauquelin presenting his Chroniques to Philip the Good, with the young Charles, count of Charolais, by his side, wearing cloth of gold, by Rogier van der Weyden, from the Chroniques de Hainaut, by Jean Wauquelin. 1447–48. Parchment. (Royal Library of Belgium, Brussels, MS 9242, frontispiece).
Western art unattributed:
3. Extract from the inventory of Margaret of Austria. 1516. Ink on paper. (Archives départementales du Nord, Lille; Chambre des Comptes de Lille, no.123904, fol.1v).
Article
Fragments of a Ferrarese sketch by Donatello
11/2024 | 1460 | 166
Pages: 11401151
related names
Author:
Scansani, Marco (Scansani, Marco)
Subjects
artists:
dates:
museums and institutions:
places:
Illustrations
Attributed works:
1. Funeral of the Virgin, by Donatello. Photograph taken before 1921. (Formerly Museo Schifanoia, Ferrara).
Attributed works:
10. Feast of Herod, by Donatello. c.1435. Marble, 50 by 71.3 by 5 cm. (Palais des Beaux-Arts de Lille).
Attributed works:
11. Detail of the Descent from the Cross scene on the Passion Pulpit, by Donatello. c.1461–66. Bronze. (S. Lorenzo, Florence; photograph Fondazione Federico Zeri, Bologna).
Attributed works:
12. Detail of the Ascension scene on the Resurrection Pulpit, by Donatello. c.1461–66. Bronze. (S. Lorenzo, Florence; photograph Fondazione Federico Zeri, Bologna).
Attributed works:
13. Detail of Fig.14. (Photograph Fondazione Federico Zeri, Bologna).
Attributed works:
14. St Stephen and St Lawrence, by Donatello. c.1435–40. Polychromed terracotta, 215 by 180 cm. (Old Sacristy, S. Lorenzo, Florence)
Attributed works:
14. St Stephen and St Lawrence, by Donatello. c.1435–40. Polychromed terracotta, 215 by 180 cm. (Old Sacristy, S. Lorenzo, Florence)
Attributed works:
15. Detail of Dancing and festive putti from the Holy Girdle Pulpit, by Donatello. 1434–38. Marble. (Museo dell’Opera del Duomo, Prato).
Attributed works:
16. Side view of Fig.3.
Attributed works:
17. Detail of a putto from the Cavalcanti Annunciation, by Donatello. c.1433–35. Terracotta. (S. Croce, Florence; photograph Fondazione Federico Zeri, Bologna).
Attributed works:
18. Feast of St George, Allegory of the month of April, by Francesco del Cossa. c.1470. Fresco. (Salone dei Mesi, Museo Schifanoia, Ferrara).
Attributed works:
19. Madonna with Child and five angels, by Donatello. c.1455–60. Terracotta with traces of paint, 21.5 by 15.5 by 4.2 cm. (Bode-Museum, Berlin).
Attributed works:
2. Funeral of the Virgin, here attributed to Donatello. 1450. Terracotta, 33 by 24.5 by 2 cm. (Private collection).
Attributed works:
20. David with the head of Goliath, from a model by Donatello. Cast c.1460–65 after a wax model by Donatello c.1455. Bronze, height 37 cm. (Bode-Museum, Berlin).
Attributed works:
3. Evangelist, here attributed to Donatello. 1450. Terracotta, 33 by 33 by 9 cm. (Private collection).
Attributed works:
4. Acephalous figure (perhaps an Evangelist?), here attributed to Donatello. 1450. Terracotta, 25 by 20 by 4 cm. (Private collection).
Attributed works:
5. Fig.1 and Fig.2 placed side by side.
Attributed works:
6. Detail of the Pentecost scene on the Resurrection Pulpit, by Donatello. c.1461–66. Bronze. (S. Lorenzo, Florence; photograph Fondazione Federico Zeri, Bologna).
Attributed works:
7. Resurrection of Drusiana, by Donatello. 1435–40. Polychrome stucco, diameter approx. 215 cm. (Old Sacristy, S. Lorenzo, Florence).
Attributed works:
8. Detail of Fig.7. (Photograph Fondazione Federico Zeri, Bologna).
Attributed works:
9. Pietà, by Donatello. c.1450–53. Marble, 36.5 by 30.5 by 4.5 cm. (S. Gaetano, Padua).
Short Notice
A new document for Luca della Robbia and his Portuguese patron Afonso of Braganza, 1st Marquis of Valença
02/2024 | 1451 | 166
Pages: 156–159
related names
Shorter Notice by:
Aimi, Francesca (Aimi, Francesca)
Subjects
dates:
Illustrations
Attributed works:
1. Resurrection, by Luca della Robbia. 1442–45. Glazed terracotta, 200 by 260 cm. (Florence Cathedral; Bridgeman Images).
Attributed works:
2. Ascension, by Luca della Robbia. 1446–51. Glazed terracotta, 200 by 260 cm. (Florence Cathedral; Bridgeman Images).
Attributed works:
3. Madonna della Misericordia with Sts Peter and Benedict, by Andrea della Robbia or follower. c.1490. Glazed terracotta, 260 by 233 cm. (S. Maria in Gradi, Arezzo).
Article
Peregrinating Rome and Jerusalem in Enguerrand Quarton’s ‘Coronation of the Virgin’
05/2020 | 1406 | 162
Pages: 372-387
related names
Author:
Gajewski, Alexandra (Gajewski, Alexandra)
Subjects
dates:
places:
Illustrations
Attributed works:
1. Detail of Fig.3, showing Rome.
Attributed works:
10. Calvary with a Carthusian monk, by Jean de Beaumetz. 1389–95. Oil on panel, 60 by 48.5 cm. (Mus e du Louvre, Paris).
Attributed works:
11. Map of Jerusalem. Twelfth century. Pen on parchment, 32.5 by 22.5 cm. (British Library, London; MS Cotton Tiberius E IV., fol.143r; Bridgeman Images).
Attributed works:
12. Map of Jerusalem, from Peregrinatio in Terram Sanctam by Bernhard von Breydenbach, by Erhard Reuwich. 1486. Handcoloured woodcut on vellum, 27 by 127 cm. (British Library, London; Bridgeman Images).
Attributed works:
13. Rome, from the Très Riches Heures de Duc de Berry, by the Limbourg brothers. Before 1416. Illumination on parchment, folio 29 by 21 cm. (Musée Condé, Chantilly; MS 65, fol.141v).
Attributed works:
14. Detail of Rome, from Cosmographia by Claudius Ptolomaeus, by Pietro del Massaio. c.1470–c.1480. Painting on parchment, folio 61 by 45 cm. (Bibliothèque nationale de France, Paris; MS Latin 4802, fol.133r.
Attributed works:
2. Detail of Fig.3, showing Jerusalem.
Attributed works:
3. Coronation of the Virgin, by Enguerrrand Quarton. 1453–54. Oil(?) and tempera on panel, 183 by 220 cm. (Musée Pierre de Luxembourg, Villeneuve-lès-Avignon).
Attributed works:
4. Detail of the Virgin of Chancellor Rolin, by Jan van Eyck. c.1435. Oil on panel, 66 by 62 cm. (Musée du Louvre, Paris).
Attributed works:
5. Detail of Fig.3, showing a square outside St Peter’s, Rome.
Attributed works:
6. Detail of Fig.3, showing S. Croce in Gerusalemme, Rome.
Attributed works:
7. Detail of Fig. 3, showing Jean de Montagnac and Antoine de Montagny at the tomb of the Virgin.
Attributed works:
8. Detail of Fig.3, showing the Crucifixion.
Attributed works:
9. Detail of Fig.9. showing Guillaume de Montjoie, Bishop of Bézier, at the tomb of Christ.
Publication Received
Bartolomé Bermejo: Master of the Spanish Renaissance. Edited by Letizia Treves
10/2019 | 1399 | 161
Pages: 889
related names
Reviewer:
Sobré, Judith B. (Sobré, Judith B.)
Subjects
dates:
museums and institutions:
subjects:
Reviewed Items
works:
Bartolomé Bermejo: Master of the Spanish Renaissance Edited by Letizia Treves. 128 pp. incl. 93 col. ills. (National Gallery, London, and Yale University Press, New Haven and London, 2019), £16.95. ISBN 978–1–85709–644–6. | :
Short Notice
The first known record of Piero della Francesca’s ‘Flagellation of Christ’ and the question of its inscription
06/2019 | 1395 | 161
Pages: 488-491
related names
Author:
Brüggen Israëls, Machtelt (Brüggen Israëls, Machtelt)
Subjects
dates:
places:
Illustrations
Attributed works:
1. Flagellation of Christ, by Piero della Francesca. c.1456–57. Panel, 67.5 by 91.0 cm. (Galleria Nazionale delle Marche, Urbino; photograph courtesy Ministero dei beni e delle attività culturali e del turismo; Archivio fotografico).
Attributed works:
2. Tracing of the three foregroud figures in Fig.1 by Johann Anton Ramboux. c.1833–43. Pencil on oiled vellum, 57.3 by 36.5 cm. (© Städel Museum, Frankfurt am Main; inv. no.Bib. 2472 VII, Sammlung von Umrissen und Durchzeichnungen, dienend zur Geschichte der bildenden Künste des Mittelalters in Italien, VII, fol.49r).
Attributed works:
3. Detail of Fig.2, showing the inscription.
Article
In his father’s workshop: Giovanni Bellini’s paintings for the Scuola di S. Giovanni Evangelista, Venice
04/2018 | 1381 | 160
Pages: 283-290
related names
Author:
Mazzotta, Antonio (Mazzotta, Antonio)
Subjects
collectors and dealers:
dates:
media:
museums and institutions:
places:
Illustrations
Attributed works:
1. Birth of the Virgin, here attributed to Giovanni Bellini. c.1452–53. Tempera on canvas, 112 by 152 cm. (Galleria Sabauda, Turin).
Attributed works:
10. Portrait of Jacopo Antonio Marcello, by Giovanni Bellini. 1453, from Jacopo Antonio Marcello, Passio Mauritii et sotiorum eius, 1453. Tempera on parchment, 18.7 by 13 cm. (Bibliothèque de l’Arsenal, Paris, MS 940).
Attributed works:
11. Detail of Fig.1.
Attributed works:
12. Detail of St James before Herod Agrippa, by Andrea Mantegna, c.1451–52. Fresco. Formerly in the Eremitani Church, Padua, destroyed 1944.
Attributed works:
13. Detail of The wedding at Cana, here attributed to Giovanni Bellini. c.1452–53. Tempera on canvas, 112 by 152 cm. (Private collection).
Attributed works:
14. Equestrian statue of Gattamelata (detail) by Donatello. c.1446–52. Bronze, 340 by 390 cm. (S. Antonio, Padua).
Attributed works:
15. The Adoration of the Magi (detail) here attributed to Giovanni Bellini. c.1452–53. Tempera on canvas, 111 by 151 cm. (Stanley Moss, New York).
Attributed works:
16. Detail of Fig.1.
Attributed works:
17. Woman at the Mirror (detail), by Giovanni Bellini. 1515. Oil on panel, 62.9 by 78.3 cm. (Kunsthistorisches Museum, Vienna).
Attributed works:
18. Annunciation (detail), by Giovanni Bellini. c.1465. Panel, 67 by 72 cm. (SS. Giovanni e Paolo, Venice).
Attributed works:
19. Detail of Fig.2.
Attributed works:
2. Annunciation, here attributed to Giovanni Bellini. c.1452–53. Tempera on canvas, 113 by 152 cm. (Galleria Sabauda, Turin).
Attributed works:
20. Detail of Fig.1.
Attributed works:
21. The Potenziani Madonna (detail), by Giovanni Bellini. c.1458–60. Tempera and oil on panel, 54 by 40 cm. (Metropolitan Museum of Art, New York).
Attributed works:
22. Imago pietatis (detail), by Giovanni Bellini. c.1455. Tempera on panel, 50.5 by 40.4 cm. (Museo Poldi Pezzoli, Milan).
Attributed works:
23. The Presentation of Christ in the Temple (detail), here attributed to Giovanni Bellini. c.1452–53. Tempera on canvas, 112 by 152 cm. (Private collection).
Attributed works:
3. Birth of the Virgin, by Jacopo Bellini and workshop. c.1444. Tempera on panel, 35 by 40 cm (S. Alessandro, Brescia).
Attributed works:
4. Madonna of the cherubim, by Jacopo Bellini. c.1455. Oil on panel, 77 by 60 cm. (Gallerie dell’Accademia, Venice).
Attributed works:
5. Birth of the Virgin (detail), after a design by Giambono, c.1440. Mosaic. (Cappella dei Mascoli, S. Marco, Venice).
Attributed works:
6. The Presentation in the Temple (detail), by Andrea Mantegna. Early 1450s. Tempera on canvas, 69 by 86.3 cm. (Gemäldegalerie, Berlin).
Attributed works:
7. Detail of Fig.1.
Attributed works:
8. St Maurice (detail), by Giovanni Bellini, from Jacopo Antonio Marcello, Passio Mauritii et sotiorum eius. 1453. Tempera on parchment, 18.7 by 13 cm. (Bibliothèque de l’Arsenal, Paris, MS 940),
Attributed works:
9. Detail of Fig.1.
Article
Five Jacopo Bellinis: the lives of Christ and the Virgin at the Scuola Grande di S. Giovanni Evangelista, Venice
08/2016 | 1361 | 158
Pages: 601-609
related names
Author:
Hammond, Joseph (Hammond, Joseph)
Subjects
dates:
Illustrations
Attributed works:
1. The meeting at the Golden Gate, by Jacopo Bellini and assistants. c.1455-65 (Private collection)
Attributed works:
10. Christ among the doctors, by Jacopo Bellini and assistants. c.1455-65 (Private collection)
Attributed works:
11. Wedding at Cana, by Jacopo Bellini, assistants and followers. c.1455-65 (Private collection)
Attributed works:
2. Birth of the Virgin, by Jacopo Bellini and assistants. c.1450-55 (Galleria Sabauda, Turin)
Attributed works:
3. St Jerome in the wilderness, by Jacopo Bellini. c.1460 (Museo del Castelvecchio, Verona)
Attributed works:
4. Christ among the doctors, by Jacopo Bellini (British Museum, London)
Attributed works:
5. Marriage of the Virgin, by Jacopo Bellini and assistants. c.1455-65 (Stanley Moss, Riverdale-on-Hudson, New York)
Attributed works:
6. Annunciation, by Jacopo Bellini and assistants. ca.1450-55 (Galleria Sabauda, Turin)
Attributed works:
7. Visitation, by Jacopo Bellini and assistants. c.1455-65 (Private collection)
Attributed works:
8. Adoration of the Magi, by Jacopo Bellini and assistants. c.1455-65 (Stanley Moss, Riverdale-on-Hudson, New York)
Attributed works:
9. Presentation of Christ in the temple, by Jacopo Bellini and assistants. c.1455-65 (Private collection)
Publication Received
Les origins de l’estampe en Europe du Nord 1400–1470. By Séverine Lepape
04/2016 | 1357 | 158
Pages: 299
related names
Reviewer:
McDonald, Mark (McDonald, Mark)
Subjects
museums and institutions:
Book Review
Illuminated Crusader Histories for Philip the Good of Burgundy, E.J. Moodey
10/2013 | 1327 | 155
Pages: 706-707
related names
Reviewer:
Inglis, Erik (Inglis, Erik)
Subjects
dates:
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