I disegni di Antonio e Piero del Pollaiolo
(Corpus der italienischen Zeichnungen
1300–1550, I, Toscana, 16)
By Lorenza Melli. 455 pp. incl. 728 col. ills.
(Michael Imhof Verlag, Petersberg, 2023),
€99. ISBN 978–3–7319–1237–8. |
:
Illustrations
Attributed works:
1. Studies of horsemen and foot soldiers
for the ‘Martyrdom of St. Sebastian’, by
Antonio and Piero del Pollaiuolo. c.1470–75.
Pen and brown ink and wash with traces of
black chalk on brown tinted paper, 16.4 by
28.6 cm. (Gallerie degli Uffizi, Florence).
Attributed works:
2. Blind Cupid, detail of central fragment
from a larger sheet, by Antonio del Pollaiuolo.
c.1460–65. Pen and brown ink with wash
and traces of black chalk on paper, 14.8
by 4.2 cm. (Gallerie degli Uffizi, Florence)
Article
A tale of two velvets in works by Jaume Huguet and Piero della Francesca
1. Consecration of St Augustine, by Jaume Huguet. c.1463–75. Tempera
on panel, 250 by 193 cm. (Museu Nacional d’Art de Catalunya, Barcelona).
Attributed works:
10. Detail from Meeting between the Queen of Sheba and King Solomon,
by Piero della Francesca. 1452–56. Fresco. (S. Francesco, Arezzo;
Bridgeman Images).
Attributed works:
4. Flagellation of Christ, by Piero della Francesca. c.1456–57. Egg
tempera and oil on panel, 67.5 by 91 cm. (Galleria Nazionale delle
Marche, Urbino; Bridgeman Images).
Attributed works:
5. Detail of Fig.4, showing the figure in the right foreground
dressed in blue.
Attributed works:
6. Detail of Fig.1, showing the figure in the right foreground
wearing a green cope.
Attributed works:
9. Detail of Fig.1, showing the same sprig motif as in Fig.8.
Western art unattributed:
2. Blue velvet cloth of gold of tissue. Italy, 1450–75. 126 by 57 cm.
(repeat 84.5 by 57 cm.). (Abegg-Stiftung, Riggisberg; photograph
Christoph von Viràg).
Western art unattributed:
3. Panel of green velvet cloth of gold of tissue (three loom widths
sewn together). Italy, third quarter of the fifteenth century,
110 by 239 cm. (Museum of Fine Arts, Boston).
Western art unattributed:
7. Blue velvet cloth with two heights of cut-silk pile, voided and brocaded
with gold. Italy, c.1450–70. 96.8 by 41.8 cm. (repeat, 65.5 by 28.5 cm.).
(Abegg-Stiftung, Riggisberg; photograph Christoph von Viràg).
Western art unattributed:
8. Detail of Fig.3, showing the sprig motif.
Book Review
Albrecht Dürer: Documentary Biography. By Jeffrey Ashcroft
1. Door of the Sala dei Gigli, Palazzo Vecchio, Florence, by Benedetto da Maiano. c.1475–78. Marble. (Photograph Raffaello Bencini; Alinari Archives, Florence)
Attributed works:
2. Door of the Sala dei Gigli, Palazzo Vecchio, Florence, by Benedetto da Maiano. Photograph by Fratelli Alinari c.1890, 16 by 21 cm. (Alinari Archives, Florence).
Attributed works:
3. Door of the Sala dell’Udienza, Palazzo Vecchio, Florence, by Benedetto da Maiano. c.1475–78. Marble. (Photograph Raffaello Bencini; Alinari Archives, Florence).
Attributed works:
4. Above Detail of the door of the Sala dei Gigli, Palazzo Vecchio, Florence, showing the base of the figure. (Photograph the author).
Attributed works:
5. Opposite St John the Baptist, by Benedetto da Maiano. Marble, height 125 cm. Photograph by Fratelli Alinari c.1900, 15 by 21 cm. (Alinari Archives, Florence).
Book Review
Ghirlandaria: Un manoscritto di ricordi della famiglia Ghirlandaio. Edited by Lisa Venturini