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827 articles
Exhibition Review
Dürer to Van Dyck: Drawings from Chatsworth House
02/2025 | 1463 | 167
Pages: 172–175
related names
Reviewer:
Horbatsch, Olenka (Horbatsch, Olenka)
Subjects
museums and institutions:
Reviewed Items
subjects:
Dürer to Van Dyck: Drawings from Chatsworth House Royal Scottish Academy, Edinburgh 9th November 2024–23rd February 2025 | :
Illustrations
Attributed works:
10. Arcadian landscape, by Hendrick Goltzius. 1593. Pen and black ink, 35.7 by 46.8 cm. (Chatsworth House, Derbyshire; exh. National Galleries of Scotland, Edinburgh).
Attributed works:
11. A dying tree, its trunk covered in brambles, beside a fence, by Peter Paul Rubens. c.1618. Pen, brown ink, red and black chalk and watercolour, 35.2 by 29.8 cm. (Chatsworth House, Derbyshire; exh. National Galleries of Scotland, Edinburgh).
Attributed works:
12. View of the Amsteldijk at Meerzhuizen, looking towards the little windmill, by Rembrandt. c.1648–50. Pen, brown ink and brown wash with watercolour on paper prepared with brown wash, 13 by 21.2 cm. (Chatsworth House, Derbyshire; exh. National Galleries of Scotland, Edinburgh).
Book Review
Bonifacio de’Pitati
09/2024 | 1458 | 166
Pages: 974-6
related names
Reviewer:
Nichols, Tom (Nichols, Tom)
Subjects
dates:
Reviewed Items
subjects:
Bonifacio de’Pitati By Philip Cottrell and Peter Humfrey. 463 pp. incl. 200 col. + b. & w. ills. (ZeL Edizioni, Ponzano Veneto, 2023), €120. ISBN 978–88– 87186–27–7. | :
Illustrations
Attributed works:
1. Virgin and Child with saints, by Bonifacio de’Pitati. c.1527. Oil on panel, 155 by 205 cm. (Musée du Louvre, Paris).
Attributed works:
2. Judgment of Solomon, by Bonifacio de’Pitati. 1533. Oil on canvas, 180 by 309 cm. (Gallerie dell’Accademia, Venice).
Article
Colossal orders and a Classical fa ade: Hoefnagel and Nonsuch revisited
02/2022 | 1427 | 164
Pages: 178-183
related names
Author:
Biddle, Martin (Biddle, Martin)
Subjects
dates:
subjects:
Illustrations
Attributed works:
1. Nonsuch Palace, Surrey, by Joducus Hondius after John Speed. 1610. Engraving, 28.5 by 51 cm. (From J. Speed: Theatre of the Empire of Great Britain, London 1611).
Attributed works:
2. Detail of Fig.3, showing the the west end of the south front.
Attributed works:
3. Nonsuch Palace from the south, by Joris Hoefnagel. 1568. Black chalk, pen and brown and black ink and watercolour, heightened with white and gold, on paper, 24.2 by 26.3 cm. (Victoria and Albert Museum, London; Bridgeman Images).
Attributed works:
4. A triumphal arch, by Sebastiano Serlio. (From S. Serlio: Regole generali di architetura sopra le cinque maniere de gli edifici, Venice 1537; Avery Architectural and Fine Arts Library, Columbia University, New York).
Article
A little-known collector and the early reception of Dürer’s self-portraits
02/2020 | 1403 | 162
Pages: 108-114
related names
Author:
Meurer, Susanne (Meurer, Susanne)
Subjects
collectors and dealers:
dates:
places:
Illustrations
Attributed works:
1. Self-portrait, by Albrecht Dürer. 1500. Oil on panel, 66 by 49 cm. (Alte Pinakothek, Munich; Bridgeman Images).
Attributed works:
2. Self-portrait, by Albrecht Dürer. 1498. Oil on panel, 52 by 41 cm. (Museo Nacional del Prado, Madrid; Bridgeman Images).
Attributed works:
3. Portrait of Albrecht Dürer the Elder, after Albrecht Dürer. 1497. Oil on limewood panel, 51 by 40.3 cm. (National Gallery, London; Bridgeman Images).
Attributed works:
5. Georg Römer, by Georg Pencz(?). 1534. Black chalk on paper, 30.8 by 20.4 cm. (Rijksmuseum, Amsterdam).
Attributed works:
6. Johann Neudörffer, by Nicolas Neufchatel. 1561. Oil on canvas, 102.3 by 92.5 cm. (Germanisches Nationalmuseum, Nuremberg; Bridgeman Images).
Attributed works:
7. The goldsmith Wenzel Jamnitzer, by Nicolas Neufchatel. c.1562–63. Oil on canvas, 92.5 by 80 cm. (Musée d’art et d’histoire, Geneva).
Western art unattributed:
4. Salvator Mundi, after Albrecht Dürer. c.1580–1600. Black chalk and brown wash on paper, 40.5 by 30.5 cm. (Hamburger Kunsthalle, Kupferstichkabinett).
Book Review
The Golden Age of Italian Maiolica-Painting: Catalogue of a Private Collection. By Timothy Wilson
07/2019 | 1396 | 161
Pages: 608-609
related names
Reviewer:
Mallet, J. V. G. (Mallet, J. V. G.; Mallet, John)
Subjects
dates:
media:
museums and institutions:
styles:
Reviewed Items
subjects:
The Golden Age of Italian Maiolica-Painting: Catalogue of a Private Collection By Timothy Wilson. 512 pp. incl. 220 col. + 77 b. & w. ills. (Umberto Allemandi, Turin, 2018), | :
Illustrations
Attributed works:
3. Plate, Michelangelo and Vitruvius and the arms of Paleologo of Monferrato, by Nicola da Urbino. c.1533. Tin-glazed earthenware, diameter 26.2 cm. (Private collection).
Book Review
Habsburg Tapestries (Studies in Western Tapestry, 4)
04/2019 | 1393 | 161
Pages: 348-349
related names
Reviewer:
Cleland, Elizabeth A.H. (Cleland, Elizabeth A.H.)
Subjects
dates:
media:
Reviewed Items
subjects:
Habsburg Tapestries (Studies in Western Tapestry, 4) By Iain Buchanan. | :
Illustrations
Attributed works:
4. Detail of Seven Deadly Sins: Pride, designed by Pieter Coecke van Aelst and woven in Willem de Pannemaker’s workshop. Before 1544. Wool, silk and precious-metal wrapped threads, 458 by 776 cm. (Patrimonio Nacional, Madrid).
Book Review
Eros Visible: Art, Sexuality and Antiquity in Renaissance Italy. By James Grantham Turner
03/2019 | 1392 | 161
Pages: 255-256
related names
Reviewer:
Robertson, Charles (Robertson, Charles)
Subjects
dates:
media:
Reviewed Items
subjects:
Eros Visible: Art, Sexuality and Antiquity in Renaissance Italy. By James Grantham Turner | :
Article
An English artist at the Valois court: a portrait of Henri III by Nicholas Hilliard
02/2019 | 1391 | 161
Pages: 102-111
related names
Author:
Aslet, William (Aslet, William)
Author:
BURGIO, Lucia (BURGIO, Lucia)
Author:
Cachaud, Céline (Cachaud, Céline)
Author:
Derbyshire, Alan (Derbyshire, Alan)
Author:
Rutherford, Emma (Rutherford, Emma)
Subjects
art literature:
dates:
places:
Illustrations
Attributed works:
1. Henri III of France, by Nicholas Hilliard. Here dated c.1576. Watercolour and bodycolour on vellum stuck to playing card, 5 by 3.7 cm. (Djanogly Collection).
Attributed works:
11. François Hercule, duc d’Alençon and Anjou. Here dated c.1578. Watercolour and bodycolour on vellum stuck to pasteboard, 5.8 by 4.9 cm. (Kunsthistorisches Museum, Vienna).
Attributed works:
3. Reverse of Fig.2, showing the maker’s stamp ‘JP’ or ‘PJ’.
Attributed works:
4. Coronation medal of Henri III, attributed to Germain Pilon. 1575. Bronze, diameter 16.3 cm. (British Museum, London).
Attributed works:
5. Detail of Fig.1 showing the lace ruff.
Attributed works:
7. Portrait of a gentleman, here proposed as Pierre de Ronsard, by Nicholas Hilliard. 1577. Watercolour and bodycolour on vellum stuck to playing card, height 5.1 by 4.4 cm. (Private collection).
Attributed works:
8. Pierre de Ronsard, by Benjamin Foulon. 1580–85. Black and red chalk on paper, 33 by 23 cm. (The State Hermitage Museum, St Petersburg).
Attributed works:
9. and 10. François Hercule, duc d’Alençon and Anjou and Queen Elizabeth I, by Nicholas Hilliard. c.1579. From Queen Elizabeth’s Prayer Book, with Six Prayers Composed by Her Majesty and Written by Herself in English, French, Latin, Greek, and Italian, etc., Southwood 1893 (The British Library, London; Bridgeman Images).
Western art unattributed:
2. Fig.1 in a Renaissance-revival pierced frame. Nineteenth century. Cherry wood, 20.5 by 12.5 cm. (Djanogly Collection).
Western art unattributed:
6. Henri III. France, after 1576. Oil on paper, 13.5 by 9.8 cm. (Kunsthistorisches Museum, Vienna)
Book Review
Venice Illuminated: Power and Painting in Renaissance Manuscripts. By Helena Katalin Szépe
02/2019 | 1391 | 161
Pages: 168-169
related names
Reviewer:
Humfrey, Peter (Humfrey, Peter)
Subjects
dates:
places:
Illustrations
Western art unattributed:
4. Girolamo Zane as Procurator and as Captain General of the Sea. 1568. Vellum, 29.5 by 21 cm. (British Library, London; King’s MS 156 fols.11v–12v).
Article
Royal wooden funeral effigies at Westminster Abbey
01/2019 | 1390 | 161
Pages: 26-35
related names
Author:
Blessley, Krista (Blessley, Krista)
Author:
Jenkins, Susan (Jenkins, Susan)
Subjects
museums and institutions:
places:
Illustrations
Attributed works:
10. Detail of Fig.8, showing the hip joint. (© The Dean and Chapter of Westminster).
Attributed works:
11. Axonometric diagram showing the jointing of the effigy in Fig.8, by Krista Blessley. (© The Dean and Chapter of Westminster).
Attributed works:
12. Effigy head and bust of Anne of Denmark, by Maximilian Colt. 1619. Probably pine, 47 by 45 by 25 cm. (Westminster Abbey, London; WA 0893; © The Dean and Chapter of Westminster)
Attributed works:
13. Detail of Fig.12, showing the blue vein painted on the left temple. (© The Dean and Chapter of Westminster).
Attributed works:
14. Effigy body of James I, by Maximilian Colt. 1625. Probably pine, 178 by 50 by 29cm. (Westminster Abbey, London; WA 1016; © The Dean and Chapter of Westminster).
Attributed works:
15. Some of the royal funeral effigies at Westminster Abbey in 1949, showing their condition after the Second World War. From R.P. Howgrave-Graham: ‘Royal effigies at Westminster Abbey: modern treatment leads to valuable discoveries’, Country Life, 11th January 1952, pp.82–84.
Attributed works:
2. Installation view of The Queen’s Diamond Jubilee Galleries, Westminster Abbey, London, showing the medieval funeral effigies. (© The Dean and Chapter of Westminster)
Attributed works:
3. The funeral of Anne of Bohemia, a detail from Chroniques, by Jean Froissart. South Netherlands, c.1480. Illumination on parchment. (British Library, London; MS Royal 18 E II, vol.IV, fol.227).
Attributed works:
7. Effigy head and bust of Elizabeth of York, probably by Richard Gibson. 1503. Probably pearwood, 65 by 40 by 39 cm. (Westminster Abbey, London; WA 0889; © The Dean and Chapter of Westminster).
Attributed works:
8. Articulated effigy body of Henry, Prince of Wales, by Richard Norris. 1612. Pine or fir wood with iron nails, loops and screws, 161 by 42.5 by 19 cm. Photograph c.1950. (Westminster Abbey, London; WA 1017; © The Dean and Chapter of Westminster).
Attributed works:
9. Detail of Fig.8, showing carpenters’ marks at joints. (© The Dean and Chapter of Westminster).
Western art unattributed:
1. Front, side and back views of the effigy of Edward III. 1377. Walnut, 176 by 42.8 by 27 cm. (Westminster Abbey, London; WA 0886; © The Dean and Chapter of Westminster).
Western art unattributed:
4. Detail of Fig.1, showing plaster underlayer on head. Photograph c.1950s. (© The Dean and Chapter of Westminster).
Western art unattributed:
5. X-radiograph detail of Fig.1, showing plaster underlayer on head. (© The Dean and Chapter of Westminster).
Western art unattributed:
6. Front, side and back views of the effigy of Catherine de Valois. 1437. Oak, 165 by 42 by 21 cm. (Westminster Abbey, London; WA 0888; © The Dean and Chapter of Westminster).
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