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18 articles
Article
A medal of the Sun King by Claude I Ballin
05/2024 | 1454 | 166
Pages: 441–445
related names
Author:
Jouvet, Ludovic (Jouvet, Ludovic)
Subjects
dates:
places:
Illustrations
Attributed works:
1. Louis XIV, by Henri de Villers after Claude I Ballin. 1754 (after a wax of 1672). Uniface bronze, diameter 165 mm. (with frame). (Private collection).
Attributed works:
2. Louis XIV, by Jean Warin. 1665. Marble, height 106 cm. (Château de Versailles).
Attributed works:
3. Abraham Simon, by Georges Vertue after G. Kneller. First half of the 18th century. Red chalk and wash on paper, 16 by 13.1cm. (British Museum, London).
Attributed works:
4. Louis XIV, by Robert Nanteuil. 1664. Engraving, 40.2 by 31.5 cm. (plate). (Bibliothèque nationale de France, Paris).
Attributed works:
5. Ferrante Loffredo, Marquess of Trevico. French, mid-16th century. Wax on glass, diameter 10 cm. (Frick Collection, New York).
Attributed works:
6. Louis XIV, by Francesco Bertinetti. 1672. Uniface bronze, diameter 140 mm. (Musée du Louvre, Paris).
Attributed works:
7. Claude Ballin orfèvre, by Jacques Lubin. c.1675–1700. Etching and engraving, 25.1 by 19.5 cm. (British Museum, London).
Attributed works:
8. Louis XIV, by Jean Warin. 1665. Gold, diameter 100 mm. (Bibliothèque nationale de France, Paris).
Attributed works:
9. Louis XIV, after Claude I Ballin. 1750–1800 (after a wax of 1672). Uniface bronze, diameter 165 mm. (Musée du Louvre, Paris).
Obituary
Ronald Lightbown (1932–2021)
09/2021 | 1422 | 163
Pages: 879-880
related names
Author:
Jervis, Simon (Jervis, Simon; J., S.; J., S. S.)
Subjects
subjects:
Illustrations
Attributed works:
1. Ronald Lightbown, photographed in 1992.
Article
Royal wooden funeral effigies at Westminster Abbey
01/2019 | 1390 | 161
Pages: 26-35
related names
Author:
Blessley, Krista (Blessley, Krista)
Author:
Jenkins, Susan (Jenkins, Susan)
Subjects
museums and institutions:
places:
Illustrations
Attributed works:
10. Detail of Fig.8, showing the hip joint. (© The Dean and Chapter of Westminster).
Attributed works:
11. Axonometric diagram showing the jointing of the effigy in Fig.8, by Krista Blessley. (© The Dean and Chapter of Westminster).
Attributed works:
12. Effigy head and bust of Anne of Denmark, by Maximilian Colt. 1619. Probably pine, 47 by 45 by 25 cm. (Westminster Abbey, London; WA 0893; © The Dean and Chapter of Westminster)
Attributed works:
13. Detail of Fig.12, showing the blue vein painted on the left temple. (© The Dean and Chapter of Westminster).
Attributed works:
14. Effigy body of James I, by Maximilian Colt. 1625. Probably pine, 178 by 50 by 29cm. (Westminster Abbey, London; WA 1016; © The Dean and Chapter of Westminster).
Attributed works:
15. Some of the royal funeral effigies at Westminster Abbey in 1949, showing their condition after the Second World War. From R.P. Howgrave-Graham: ‘Royal effigies at Westminster Abbey: modern treatment leads to valuable discoveries’, Country Life, 11th January 1952, pp.82–84.
Attributed works:
2. Installation view of The Queen’s Diamond Jubilee Galleries, Westminster Abbey, London, showing the medieval funeral effigies. (© The Dean and Chapter of Westminster)
Attributed works:
3. The funeral of Anne of Bohemia, a detail from Chroniques, by Jean Froissart. South Netherlands, c.1480. Illumination on parchment. (British Library, London; MS Royal 18 E II, vol.IV, fol.227).
Attributed works:
7. Effigy head and bust of Elizabeth of York, probably by Richard Gibson. 1503. Probably pearwood, 65 by 40 by 39 cm. (Westminster Abbey, London; WA 0889; © The Dean and Chapter of Westminster).
Attributed works:
8. Articulated effigy body of Henry, Prince of Wales, by Richard Norris. 1612. Pine or fir wood with iron nails, loops and screws, 161 by 42.5 by 19 cm. Photograph c.1950. (Westminster Abbey, London; WA 1017; © The Dean and Chapter of Westminster).
Attributed works:
9. Detail of Fig.8, showing carpenters’ marks at joints. (© The Dean and Chapter of Westminster).
Western art unattributed:
1. Front, side and back views of the effigy of Edward III. 1377. Walnut, 176 by 42.8 by 27 cm. (Westminster Abbey, London; WA 0886; © The Dean and Chapter of Westminster).
Western art unattributed:
4. Detail of Fig.1, showing plaster underlayer on head. Photograph c.1950s. (© The Dean and Chapter of Westminster).
Western art unattributed:
5. X-radiograph detail of Fig.1, showing plaster underlayer on head. (© The Dean and Chapter of Westminster).
Western art unattributed:
6. Front, side and back views of the effigy of Catherine de Valois. 1437. Oak, 165 by 42 by 21 cm. (Westminster Abbey, London; WA 0888; © The Dean and Chapter of Westminster).
Article
‘Sunbeams and shadows’: exhibiting the collection at Westminster Abbey
01/2019 | 1390 | 161
Pages: 4-8
related names
Author:
Jenkins, Susan (Jenkins, Susan)
Subjects
dates:
museums and institutions:
places:
Illustrations
Attributed works:
1. The Queen’s Diamond Jubilee Galleries, showing part of the section Building Westminster Abbey. 2018. (© The Dean and Chapter of Westminster).
Attributed works:
2. The gallery before the installation of the displays. 2017. (© The Dean and Chapter of Westminster).
Attributed works:
3. Floorplan of The Queen’s Diamond Jubilee Galleries and the Weston Tower, showing the themed sections: Westminster Abbey & the Monarchy (orange); Worship & Daily Life (pale blue); Building Westminster Abbey (pink); and The Abbey and National Memory (dark blue). (© MUMA).
Attributed works:
4. Part of the Building Westminster Abbey and Worship and Daily Life sections of The Queen’s Diamond Jubilee Galleries. The case on the right contains the Westminster Retable, the high altarpiece of Henry III’s Abbey (1259–69). (© The Dean and Chapter of Westminster).
Attributed works:
7. View of the Abbey’s interior from The Queen’s Diamond Jubilee Galleries. 2018. (© The Dean and Chapter of Westminster).
Western art unattributed:
5. The Undercroft Museum, Westminster Abbey. Photograph c.1930s. (© The Dean and Chapter of Westminster).
Western art unattributed:
6. The wax funeral effigy of Charles II, photographed in the Upper Islip Chapel in 1896. (© The Dean and Chapter of Westminster).
Book Review
Exhibiting Art in Georgian Ireland: the Society of Artists’ Exhibitions Recreated Edited by David Fleming, Ruth Kenny and William Laffan
12/2018 | 1389 | 160
Pages: 1077-1078
related names
Reviewer:
McEvansoneya, Philip (McEvansoneya, Philip)
Subjects
museums and institutions:
places:
Illustrations
Attributed works:
6. Installation view of Exhibiting Art in Georgian Ireland: the Society of Artists’ Exhibitions Recreated, City Assembly Room, Dublin (16th June–29th July 2018). (Courtesy Irish Georgian Society).
Article
‘The big Italian’: Giambologna and his model Bartolommeo di Lionardo Ginori
11/2018 | 1388 | 160
Pages: 912-919
related names
Author:
Avery, Charles (Avery, Charles)
Subjects
art literature:
dates:
museums and institutions:
places:
Illustrations
Attributed works:
1. Rape of the Sabines, by Giambologna. 1582. Marble, height (excluding the base) c.410 cm. (Loggia dei Lanzi, Florence; Bridgeman Images).
Attributed works:
10. Prometheus, cast from a model by Giambologna. c.1590. Gilt bronze, height 23 cm. (Private collection; photograph courtesy Tomasso Brothers Fine Art, UK).
Attributed works:
2. Crucified Christ, by Giambologna. 1580s. Bronze, 33.5 by 21.5 cm (Cleveland Museum of Art; Bridgeman Images).
Attributed works:
3. Portrait of Giambologna, with his model for ‘Samson and a Philistine’, by Federigo Zuccaro. 1575. Black and red chalk, 26.1 by 188 cm. (National Galleries of Scotland, Edinburgh).
Attributed works:
4. Rape of the Sabines, by Giambologna. c.1581. Clay with traces of whitewash, height c.410 cm. (Galleria dell’Accademia, Florence).
Attributed works:
5. Mars, by Giambologna. c.1581–87. Gilt bronze, height 39.4 cm. (Staatliche Kunstsammlung, Dresden; photograph Arrigo Coppitz).
Attributed works:
6. Portrait of Bartolommeo di Lionardo Ginori, by Santi di Tito. c.1583. Canvas, height c.250 cm. (Private collection, Florence; photo Galleria dell’Accademia, Florence).
Attributed works:
7. Portrait of Pietro di Cosimo de’ Medici, by Santi di Tito. c.1583. Canvas, 208 by 113 cm. (Galleria degli Uffizi, Florence).
Attributed works:
8. Mars and Prometheus, cast from models by Giambologna. c.1587 and c.1590 respectively. Bronze, heights 39.4 cm. and 23 cm. (Both private collection; photograph courtesy Tomasso Brothers Fine Art, UK).
Attributed works:
9. Man seen from three angles, by Antonio del Pollaiuolo. Fifteenth century. Stylus, pen and ink and wash on paper, 26.5 by 36 cm. (Musée du Louvre, Paris).
Book Review
A Moment’s Monument: Medardo Rosso and the International Origins of Modern Sculpture. By Sharon Hecker; Medardo Rosso: Experiments in Light and Form. By Sharon Hecker and Tamara H. Schenkenberg; Medardo Rosso: Sight Unseen and his Encounters with London. Edited by Sharon Hecker and Julia Peyton-Jones
11/2018 | 1388 | 160
Pages: 982-983
related names
Reviewer:
McKever, Rosalind (McKever, Rosalind)
Subjects
art literature:
Illustrations
Attributed works:
6. Ecce puer (Behold the child), by Medardo Rosso. 1906. Plaster coated with sealant, 50 by 38.5 by 32.5 cm. (Museo Medardo Rosso, Barzio).
Exhibition Review
Degas
04/2018 | 1381 | 160
Pages: 334-335
related names
Reviewer:
Sloan, Rachel (Sloan, Rachel)
Subjects
dates:
Illustrations
Attributed works:
12. Lady with a parasol, by Edgar Degas. 1870–72. Canvas, 75.3 by 85 cm. (Courtauld Gallery, London; exh. Denver Art Museum).
Attributed works:
13. At the café, by Edgar Degas. c.1875–77. Canvas, 65.7 by 54.6 cm. (Fitzwilliam Museum, Cambridge; exh. Denver Art Museum).
Attributed works:
14. Arabesque over the right leg, left arm in front, first study, by Edgar Degas. c.1882–95. Coloured wax over a commercially prefabricated metal wire armature, attached to a wooden base, 23.5 by 13.7 by 27.5 cm. (Fitzwilliam Museum, Cambridge).
Publication Received
Una rivoluzione di cera. Francesco Orso e i ‘cabinets de figures’ in Francia. By Andrea Daninos.
11/2016 | 1364 | 158
Pages: 911-912
related names
Reviewer:
Quiviger, François (Quiviger, François; Q., F.)
Subjects
dates:
Article
Bandinelli’s modello for the ‘Neptune’ in Piazza della Signoria, Florence
11/2013 | 1328 | 155
Pages: 763-768
related names
Author:
Krahn, Volker (Krahn, Volker)
Subjects
dates:
museums and institutions:
museums and institutions:
subjects:
Illustrations
Attributed works:
18. Neptune, by Baccio Bandinelli, (with base), after restoration (Musée Fabre, Montpellier)
Attributed works:
19. Fig. 18 before restoration (Musée Fabre, Montpellier)
Attributed works:
20. Detail of Fig. 18, after restoration
Attributed works:
21. Neptune, after Baccio Bandinelli (posthumous cast). (with base). (Galleria Colonna, Rome)
Attributed works:
22. Detail of Fig. 21
Attributed works:
23. Fig.18, after restoration
Attributed works:
24. Fig.18, after restoration
Attributed works:
25. Detail of Fig.18, during restoration
Attributed works:
26. CT scan of Fig.18, detail
Attributed works:
27. CT scan of Fig.18
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