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32 articles
Article
George I’s Kensington Palace: the sculptural dimension
11/2023 | 1448 | 165
Pages: 1196-1205
related names
Author:
Marsden, Jonathan (Marsden, Jonathan)
Subjects
dates:
media:
museums and institutions:
subjects:
Illustrations
Attributed works:
1. Summer from Four Seasons, by Camillo Rusconi. c.1695. Marble, height (without pedestal) 74.9 cm. (© 2023 HM King Charles III; Royal Collection Trust).
Attributed works:
10. Flora, by John van Nost II or Robert Pitt. 1724. Gilded lead, height 159 cm.; 11. Apollo, by John van Nost II or Robert Pitt. 1724. Gilded lead, height 165 cm.; 12. Mercury, by J.M. Rysbrack. 1724. Gilded lead, height 167 cm.; 13. Diana, by J.M. Rysbrack. 1724. Gilded lead, height 173 cm. (All © 2023 HM King Charles III; Royal Collection Trust).
Attributed works:
14. Roman Marriage, by J.M. Rysbrack. 1723. Marble, 195 by 155 cm. (© 2023 HM King Charles III; Royal Collection Trust).
Attributed works:
15. John Michael Rysbrack, by John Faber the Younger after John Vanderbank. 1734. Mezzotint, 35.4 by 25.2 cm (sheet). (National Portrait Gallery, London).
Attributed works:
16. Flora, by Sigismondo Betti. c.1710–30. Pencil drawing on paper, 57 by 48 cm. (Eton College Library, Windsor; reproduced by permission of the Provost and Fellows of Eton College).
Attributed works:
17. The Cupola Room, Kensington Palace. Photograph. c.1930. (© Historic Royal Palaces).
Attributed works:
18. Hermes Andros / Farnese, attributed to Andrew Carpenter. 1724. Lead, height 78 cm. (© 2023 HM King Charles III; Royal Collection Trust).
Attributed works:
19. ‘Archimedes’, by Hubert Le Sueur. c.1637–38. Bronze, height 41 cm. (© 2023 HM King Charles III; Royal Collection Trust).
Attributed works:
2. Kensington Palace: the King’s Gallery, by Charles Wild. 1816. Watercolour with touches of bodycolour over etched outlines, 19.8 by 25 cm. (© 2023 HM King Charles III; Royal Collection Trust).
Attributed works:
20. Detail of Fig.7, showing a bust over the fireplace.
Attributed works:
21. Bust of an unknown woman. Early seventeenth century. Bronze, height 71 cm. (© 2023 HM King Charles III; Royal Collection Trust).
Attributed works:
3. The King’s Gallery, Kensington Palace, looking east, with the paintings hung as in George I’s time, with Camillo Rusconi’s Four Seasons on the window piers. (© Historic Royal Palaces).
Attributed works:
4. Kensington Palace: Queen Caroline’s Drawing Room, by Charles Wild. c.1816. Pen and ink with watercolour and bodycolour, over pencil, 20.3 by 25 cm. (© 2023 HM King Charles III; Royal Collection Trust).
Attributed works:
5. A Roman statue, by Elisha Kirkall. 1720s. Mezzotint, 36.5 by 21.5 cm. (British Museum, London).
Attributed works:
6. Kensington Palace: the Great Staircase, by Charles Wild. 1819. Pen and ink with watercolour and bodycolour, over etched outlines, 25.2 by 20.2 cm. (© 2023 HM King Charles III; Royal Collection Trust).
Attributed works:
7. Kensington Palace: the Cupola Room, by Richard Cattermole. c.1817. Pen and ink with watercolour and bodycolour, over pencil, 20.4 by 25.3 cm. (© 2023 HM King Charles III; Royal Collection Trust).
Attributed works:
8. Bacchus, by J.M. Rysbrack. 1724. Gilded lead, height 170 cm. (© 2023 HM King Charles III; Royal Collection Trust).
Attributed works:
9. Ceres, by J.M. Rysbrack. 1724. Gilded lead, height 193 cm. (© 2023 HM King Charles III; Royal Collection Trust).
Article
‘Sunbeams and shadows’: exhibiting the collection at Westminster Abbey
01/2019 | 1390 | 161
Pages: 4-8
related names
Author:
Jenkins, Susan (Jenkins, Susan)
Subjects
dates:
museums and institutions:
places:
Illustrations
Attributed works:
1. The Queen’s Diamond Jubilee Galleries, showing part of the section Building Westminster Abbey. 2018. (© The Dean and Chapter of Westminster).
Attributed works:
2. The gallery before the installation of the displays. 2017. (© The Dean and Chapter of Westminster).
Attributed works:
3. Floorplan of The Queen’s Diamond Jubilee Galleries and the Weston Tower, showing the themed sections: Westminster Abbey & the Monarchy (orange); Worship & Daily Life (pale blue); Building Westminster Abbey (pink); and The Abbey and National Memory (dark blue). (© MUMA).
Attributed works:
4. Part of the Building Westminster Abbey and Worship and Daily Life sections of The Queen’s Diamond Jubilee Galleries. The case on the right contains the Westminster Retable, the high altarpiece of Henry III’s Abbey (1259–69). (© The Dean and Chapter of Westminster).
Attributed works:
7. View of the Abbey’s interior from The Queen’s Diamond Jubilee Galleries. 2018. (© The Dean and Chapter of Westminster).
Western art unattributed:
5. The Undercroft Museum, Westminster Abbey. Photograph c.1930s. (© The Dean and Chapter of Westminster).
Western art unattributed:
6. The wax funeral effigy of Charles II, photographed in the Upper Islip Chapel in 1896. (© The Dean and Chapter of Westminster).
Article
Henrietta Finch, sculptor?
05/2014 | 1334 | 156
Pages: 299-302
related names
Author:
Baker, Malcolm (Baker, Malcolm)
Subjects
dates:
Illustrations
Attributed works:
10. Detail of Fig.9
Attributed works:
6. Detail of Fig.8 showing the inscription
Attributed works:
7. Elizabeth Finch, by Louis François Roubiliac (English Heritage, Kenwood House, London)
Attributed works:
8. Elizabeth Finch, attributed to Henrietta Finch, after Louis François Roubiliac (Victoria and Albert Museum, London)
Attributed works:
9. The Finch family, by Charles Philips (Yale Center for British Art, New Haven)
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Advertisements December 2010 (front)
12/2010 | 1293 | 152
Pages: s.p.
Subjects
subjects:
Illustrations
Attributed works:
[Charly Bailly. 10 rue de l’Hotel-de-Ville. Geneva. Miguel Parra (Valence 1780-1846 Madrid). Still Life with flowers and a stone figure fountain in a landscape. Signed and dated lower right: M. l Parra Valencia 1830. Oil on canvas unlined. One of a pair, 119 by 88 cm (46 3/4 by 34 3/4 in.)]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1 The Property of a private French collector. Pierre Bonnard (1867-1947). Terrasse à Vernon. Painted in 1923. Oil on canvas. 46 1/2 x 40 1/2 in. (118 x 103 cm) signed and dated 'Bonnerd 23' (lower right)]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. Michael Rysbrack (1694-1770). A Terracotta bust of John Locke, 1755. Plus a letter from Rysbrack to his Patron dated 31 July 1756, Discussing the delivery of the bust.]
Attributed works:
[Dickinson. 58 Jermyn Street. London. 19 East 66th Street. New York. Georges Seurat (1859-1891), Paysage avec Cheval, 1882/3. Inscribed on the reverse by Maximilien Luce in blue chalk: Catalogue Seurat 2/ G.Seaurat / Catalogue de La Revue 54 /L.. Oil on panel, 16 x 25 cm (6 1/4 x 9 7/8 in)]
Attributed works:
[Dickinson. 58 Jermyn Street. London. 19 East 66th Street. New York. Georges Seurat (1859-1891), Paysan travaillant, 1882/3. Inscribed on the reverse by Maximilien Luce in blue chalk: G. Seurat L 43. Oil on panel, 16 x 25 cm (6 1/4 x 9 7/8 in)]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Andrea De Lione. Naples, 1610 - 1685. The Crossing of the Red Sea. Oil on octagonal canvas, 74 x 74 cm (29 x 29 cm)]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Mariotto di Nardo. (1394 Florence 1424). Presentation of the Virgin. Oil on panel: 23.1 by 37.5 cm]
Attributed works:
[Moretti. 43-44 New Bond Street. London. Quattro 'favole' inedite di Giacinto Gimignani]
Attributed works:
[Stern Pissarro Gallery. 66 St. James’s Street. London. Alfred Sisley, La Seine à Saint-Cloud, oil on canvas, 38 x 55.3 cm / 15 x 21.8 in, signed & dated 1877.]
Western art unattributed:
[Galleria Longari. Via Bigli 12, 20121 Milan. Lapicida lombardo del XII secolo. LEONE GUARDIANO. Granito grigio. 43 x 74 x 26 cm]
Advertisements
Advertisements November 2009 (front)
11/2009 | 1280 | 151
Pages: s.p.
Subjects
artists:
collectors and dealers:
museums and institutions:
subjects:
Illustrations
Attributed works:
[Art Mentor Foundation, Lucerne. Morris and Company (Design Edward Burne-Jones): Tapestry: The Heart of the Rose (detail), 1901.]
Attributed works:
[Bonhams. 101 New Bond Street. London. Illustrated: Sir George James Frampton, English (1860-1928). A Bronze Figure of Peter Pan. Dated 1920, 48 cm high (18.5 in high)]
Attributed works:
[Charles Ratton & Guy Ladrière. 14 rue de Marignan, 75008, Paris. Jean-Joseph Foucou (1739-1815). Portrait of a lady. White marble. Height: 79 cm. Width: 48 cm. Signed and dated "J J Foucou 1771" at the rear.]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. Rembrandt Harmensz. van Rijn. Portrait of a man with arms akimbo. Signed and dated 'Rembrandt f. 1658' (lower left). Oil on canvas, 42 1/4 x 34 1/4 in. (107.4 x 87 cm)]
Attributed works:
[Daguerre. 5 bis, rue du Cirque. Paris. Pablo Gargallo - Bacchante, 1926 - Copper - h - 11 in]
Attributed works:
[Dorotheum. Dorotheergasse 17. Vienna. Lynn Chadwick (1914-2003). Maquette III, Jubilee III, 1984, bronze, 77 x 33 x 68 cm and 76 x 33 x 63 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Paris Bordon. Treviso, 1500 - Venice, 1571. Portrait of a young woman. Oil on canvas, 106,8 x 82,5 cm (42 x 32 1/2 cm. Signed at lower right: ".O.Paris.B"]
Attributed works:
[Galerie Eric Coatalem. 93, rue de Faubourg Saint-Honoré. Paris. 10 Masterpieces by Louyse Moillon (1610-1696). "La Nature Morte au Grand Siècle"]
Attributed works:
[Galerie Neuse, Kunsthandel GmbH. Contrescarpe 14. D-28203, Bremen, Germany. Jacob Dobbermann (Danzing 1682-1745 Cassel). Oliver Cromwell (1599-1658). Ivory, monogrammed: JD/fe. Heigh excl. socle: 14.6 cm]
Attributed works:
[Hazlitt Holland-Hibbert. 38 Bury Street. St. James’s, London SW1Y 6BB. Lucian Freud. Born 1922. Strawberries, circa 1950. Oil on copper. 4 x 4 3/4 inches; 10.2 x 12 cm]
Attributed works:
[Johnny van Haeften Ltd. 13 Duke Street, St. James’s, London SW1Y 6DB. Maerten van Heemskerck. Portrait of Lady. On panel. 18 1/4 x 14 in. (46.5 x 35.5 cm)]
Attributed works:
[Kunstaus Lempertz, 3 Neumarkt. Cologne. Giovanni Battista Tiepolo (1696-1770). Presentation of the Rosary. Oil on cardboard, 72 x 34 cm. Modelletto for the ceiling of the Gesuati church in Venice]
Attributed works:
[Pace Wildestein. Still Standing, 2009, oil on canvas. 60 x 48"]
Attributed works:
[Palazzo della Guardia. Verona. Camille Corot, Mantes (le Matin).]
Attributed works:
[Patricia Wengraf, Ltd. PO Box 31067, London SW1W 9FJ. Michael Rysbrack, Antwerp, 1693 - 1770, London. Fortitude: Signed and dated: Mich Rysbrack 174[?]. Terracotta modello for the monument to John Campbell, 2nd Duke of Argyll and Greenwich (1680-1743)]
Attributed works:
[Sotheby’s & Co., 34-35 New Bond Street, London, W.1. A gilded and silvered bronze figure of a seated Nymph by Pier Jacopo Alari-Bonacolsi, called Antico.]
Attributed works:
[The Fine Art Society. London. Sir George Frampton RA 1860-1928. Peter Pan 1918. Bronze - Height 20 3/4 in - 52.6 cm]
Attributed works:
[The TATE Britain, London. JMW Turner, Snow Storm - Steam-Boat off a Harbour's Mouth, exh 1842.]
Western art unattributed:
[Benjamin Proust. Rue des Minimes, 19. Bruxelles. An early gothic limestone relief of an apostle. French - ile de France. 13th century. Height: 124 cm - 48 3/4 in]
Western art unattributed:
[Brimo de Laroussilhe. 7, Quai Voltaire. Paris. Reliquary Casket: The Martyrdom of Saint Thomas Becket. Limoges, ca. 1180-1190. Champlevé enamel on copper, chased and gilt. Height: 17.5 cm; Width: 18.3 cm; Depth: 8 cm]
Western art unattributed:
[Joanna Booth. PO Box 50886. London. St. Martin, seen in the act of dividing his military cloak to share with a lame beggar. Carved oak, French, circa 1500. Width: 44 cm (17 1/4 in). Height: 83 cm (32 3/4 in)]
Western art unattributed:
[Marc Antoine du Ry. 13 New Burlington Street. London. Saint Peter. Nottigham 15th century. Alabaster with gilding and polychromy. Height: 40 cm]
Western art unattributed:
[Richard Philp. 7 Ravenscourt Square, London. Florentine Altar Angels, a pair, c. 1450-60. Gilded and polychromed wood with red bole base, 12.5 inches (32 cm) high]
Western art unattributed:
[Sam Fogg, Ltd. 15d Clifford Street, London. Belial consumed by snakes. A supporting figure from the pulpit of the Cathedral of Calvi Vecchia. Italy, Campania. Late 12th century. White marble: 78.3 x 13.5 x 14 cm]
Western art unattributed:
[Sotheby’s & Co., 34-35 New Bond Street, London, W.1. A gilt-bronze-mounted Chinese blue porcelain vase, Louis Xv, circa 1755-1760]
Western art unattributed:
[Sotheby’s & Co., 34-35 New Bond Street, London, W.1. A pair of gilt-bronze-mounted granite athéniennes, Louis XVI, circa 1770]
Western art unattributed:
[Steinitz. 9, Rue du Cirque – 77, Rue du Faubourg Saint-Honoré. Paris. Pair of Vases Decorated with Draped Male Heads "à l'Antique". Aubergine-glazed porcelain: China, 18th Century. Gilded and chased bronze mounts: Paris, circa 1765. Height: 38.5 cm (15 1/4 in). Width: 16.5 cm (6 1/2 in). Depth: 11c cm (4 1/2 in)]
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Advertisements June 1998 (front)
06/1998 | 1143 | 140
Pages: i-xxxii
Subjects
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
Antoni Gaudi, Tempia Explatorio de la Sagrada Familia, Barcelona, under Construction Since 1881.
Attributed works:
Unexecuted Design for the Decoration of a Wall of the Egyptian Room in the Villa Borghese, Rome, Attributed to Tomaso Conca, c.1778-79. Water-Colour over Graphite, 34 by 49.8 cm.;
Attributed works:
Vincent van Gogh, Self Portrait with Bandaged Ear, 1889. (The Courtauld Gallery, London)
Attributed works:
[Anthony Mould Ltd, 173 New Bond Street, London, UK] Thomas Gainsborough RA (1727-1788). Two Children in a Landscape. Oil on Canvas, 60 × 48 Inches
Attributed works:
[Blairman & Sons Ltd, London. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] China Cabinet, Designed by Ernest Gimson, c.1901. Mahogany with Chequered Mouldings. 213.3 × 119.6 × 57 cm.
Attributed works:
[Christie's, 8 King Street, London, UK] Joseph Vernet (1714-1789) A Mediterranean Harbour with the Artist, His Daughter. Emilie Chalgrin, His Son, Carle Vernet, and His Daughter-in-Law. Fanny Moreau on a Stone Pier Signed and Dated 'j. Vernet./F.1788' Oil on Canvas, 34¼ × $44frac{7}{8}$ in. (87 × 114 cm.) Estimate: £150,000-250,000
Attributed works:
[Christie's, 8 King Street, London, UK] Sir Anthony van Dyck (1599-1641). Portrait of Lady Lucy Percy, Countess of Carlisle (1599-1660). Oil on Canvas, 85 3/4 × 55¼ in. (217.9 × 140.3 cm.)
Attributed works:
[Christopher Wood, London. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Cabinet in the Gothic Style, Designed by Benjamin Green, Made by Jobson, Stephenson and Smith, 1834.
Attributed works:
[Colnaghi, 15 Old Bond Street, London, UK] Bartholomeus Breenbergh Deventer 1598. Amsterdam 1657 Portrait of a Young Man with a Letter. Oil on copper: 24.1 × 19.4 cm Monogrammed and dated at centre: BB. f Ao 1641. Inscribed at centre right: AT 20
Attributed works:
[Douwes Fine Art, London. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] A Wooded Landscape with Diana and her Attendants, by Alexander Keirincx, Signed and Dated 1636, with Figures by Cornelis van Poelenburgh.
Attributed works:
[Grosvenor Antiques, London. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Nymph and Zephyr, by W. F. Woodington after Richard Westmacott, 1843. Bronze, 41 × 13.5 cm.
Attributed works:
[H. Blairman & Sons, Ltd., 119 Mount Street, London, UK] Writing Cabinet Designed by Ernest Gimson (1864-1919). Bordered with Ebony and Veneered with Burr Elm. English (Sapperton), Circa 1904. Height: 49 in. Width: 31½ in. Depth: 17¼ in. (Maximum).
Attributed works:
[Hazlitt, Gooden & Fox, 38 Bury Street, London, UK] Eugene Isabey (1803-1886). La Tempête Watercolour and Gouache, 28.4 × 39.3 cm With the Atelier Stamp (Lugt Suppl. 1401b)
Attributed works:
[Hill-Stone Incorporated, Park Avenue, New York, New York] Hendrick Goltzius. Muhlbrecht 1558 - 1617 Haarlem. Judith with the Head of Holofernes. Engraving, after Spranger; c.1585. Bartsch 272, Hollstein 317, the First State of Two.
Attributed works:
[Johnny Van Haeften, London. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] A Shepherd, by Jan van Bijlert. Signed. 83 × 64.5 cm.
Attributed works:
[Kate de Rothschild, Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Charles-Joseph Natoire. 1700 Nimes - Castel Gandolfo 1777. Cattle near the Colosseum 235 by 340 mm
Attributed works:
[Kate De Rothschild, London. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] The Resurrection, by Luca Cambiaso. Pen and Black ink with Brown Wash, 31 × 21.1 cm.
Attributed works:
[Kate Ganz Ltd., New York and London] Jean-François Raffaëlli (1850-1924). Portrait of Albert Clémenceau, 1884. (A Preparatory Sketch for Clémenceau dans une réunion electorale, Exhibited in the Salon of 1885) Oil with Watercolour and Charcoal on Paper Applied to a Wood Board Signed in Oil, Upper Right: J. F. Raffaëlli. 27.0 × 21.5 cms
Attributed works:
[R.S. Johnson Fine Art, 645 North Michigan Avenue, Chicago, USA] Fernand Léger Study for "La Ville". 1919 Gouache 383 × 280 mm.; Initialed "F. L.". Dated "19" and Annotated "Étude Pour la Ville". Lower Right
Attributed works:
[Rafael Valls Limited, 11 Duke Street and 6 Ryder Street, London, UK] Christian Wilhelm Ernst Dietricy (1712-1774) German School. A Portrait of a Lady, Small Three-Quarter Length, Wearing a Red Dress with White Sleeves and Holding a Basket of Flowers. Oil on Panel. 17 5/8 x 12 7/8 Inches (44.7 × 32.7 cms)
Attributed works:
[Rafael Valls Limited, 11 Duke Street and 6 Ryder Street, London, UK] Jean-Baptiste de Saive - (1540-1624) Flemish School. A Market Scene with a Boy Offering Strawberries to a Girl Seated and Surrounded by Flowers. (An Allegory of Spring). Oil on Canvas $40frac{3}{4}$ × 58½ Inches (103.3 × 148.5 cms)
Attributed works:
[Rafael Valls Limited, 11 Duke Street and 6 Ryder Street, London, UK] Tobias Stranover (Active 1684-1731) Hungarian School. A Peacock, Hen and Cock Pheasant in a Landscape. Oil on Canvas. 49½ × 38 3/4 (126 × 98.5 cms)
Attributed works:
[Rafael Valls Limited, 11 Duke Street and 6 Ryder Street, London, UK] Vicente Victoria (1650-1713) Spanish School. An Exceptional Trompe l'oeil with a Standard, Pikes, a Sword, a Musket, Miquelet Pistols and a Drum All Set against a White Wall Background. Oil on Canvas. 64 3/4 × 82½ Inches (164.5 × 209.5 cms)
Attributed works:
[Rafael Valls, London. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] A Hunting Party in the Grounds of a Country House, by Jan van Huchtenberg. Signed and Dated 1674. 68 × 32 cm.
Attributed works:
[S.J. Phillips, London. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] A Pair of Silver-Gilt Candlesticks, by Wenzel Jamnitzer, Nuremberg, c.1540. 15.2 cm. High
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] A Highly Important Documented White Marble Bust of Daniel Finch, 2nd Earl of Nottingham Aged about 76 (1647-1730) by Michael Rysbrack (1694-1770) circa 1723, Height., 65cm. Estimate: £400,000-600,000 The Property of G. S. Finch Esq.
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Caspar David Friedrich, German (1774-1840). Küstenlandschaft im Mondschein (Coastal Scene by Moonlight). Oil on Canvas 22 by 31cm. 8½ by 2¼in. Estimate: £700,000-900,000 ($1,150,000-1,400,000)
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] The Property of a Lady. A Terracotta Bust of Edward Salter (1742-1812), Aged Six by Michael Rysbrack (1694-1770). Signed and Dated Edward Salter Ae(ta)tis 6. 1748, Ml Rysbrack. Fec:t. Height 41.5cm. Estimate: £100,000-150,000
Attributed works:
[Stoppenbach & Delestre, London. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Danseuse Saluant, un Genou à terre, by Edgar Degas. Signed Lower Right. Pastel and Charcoal, 29 × 23 cm.
Attributed works:
[The Weiss Gallery, 18 Albemarle Street, London, UK] Adriaen Hanneman c.1604-1671. James Stuart, 1st Duke of Richmond and 4th Duke of Lennox (1612-1655)' Oil on Panel: 29¼ × 23¼ ins. (74.3 × 59.1 cm.). Inscribed Upper Left.: Stuart Duke of Richmond Painted Circa 1642/3
Attributed works:
[William Drummond, 8 St. James's Chambers, 2 Ryder Street, London, UK] Self Portrait of the Artist. Daniel Maclise 1806-1870. Irish. Royal Academician Signed with Monogram and Inscribed: "Pictor Hibernicus" Pencil, 7½ × $7 7/8 Inches (19 × 12.5 cms).
Non-western art unattributed:
[C. John, 70 South Audley Street, London, UK] A Fine Persian Sultanabad 'Ziegler' Carpet, Circa 1880 Dimensions: 19′ 8″ × 12′ 2″ (598 cm × 371 cm)
Non-western art unattributed:
[Grace Wu Bruce, 701 Universal Trade Centre, 3 Arbuthnot Road, Hong Kong, China] A Very Fine Pair of Huanghuali Horseshoe Armchairs Chinese, Ming Dynasty, Late 16th to Early 17th Century Height 99.6 cm. (39 3/16 in.). Width 59.2 cm (23 5/16 in.). Depth 45.8 cm (18 in.)
Non-western art unattributed:
[Grace Wu Bruce, Hong Kong. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Small Painting Table, Late 16th-Early 17th Century. Huanghuali Wood, 85.3 × 122 × 73.8 cm.
Western art unattributed:
Ephesos, Marble Replacement Head, 5th Century AD (Selçuk, Ephesos Archaelogical Museum)
Western art unattributed:
Free Case of the Finest Claret with Orders Placed before August 98
Western art unattributed:
Photographed in Coco Chanel's Legendary Apartment in Paris.
Western art unattributed:
Photographed in Coco Chanel's Legendary Apartment in Paris.
Western art unattributed:
[Asprey, London. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] A Commonwealth Porringer Bearing the Arms of the Burton Family of Derbyshire, 1658. 11.5 × 23 cm. Silver, Marked 'WH' Star above, Pellet in Annulet below.
Western art unattributed:
[Christie's, 8 King Street, London, UK] A Gilt-Bronze Figure of Saint John the Evangelist English or North French, Circa 1180 3$frac{5}{8}$ in. (9.2 cm.) High. Estimate: £200,000-£300,000
Western art unattributed:
[Christie's, 8 King Street, London, UK] A Pair of George II Walnut and Parcel-Gilt Library Open Armchairs, in the Manner of Paul Saunders. Estimate: £100,000-£150,000
Western art unattributed:
[Jeremy, London. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Regency Ormolu and Ebonised Inkstand, c.1810, Given by George III to His Physician in 1814. 20 by 32.5 × 26 cm.
Western art unattributed:
[Mallett, London. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] A Mahogany Settee after a Design by William Kent and ?John Linnell, c.1770. 104 × 124 × 51 cm.
Western art unattributed:
[Neumeister Fine Art Auctioneers, Barer Str. 37, D-80799, Muchen, Germany] Five (From a Group of Fifteen) Very Rare Ibex-Hom Carvings. Salzburg, Circa 1700/50. Exhibited, 1990, at the Dommuseum, Salzburg: Geschnitztes Steinbockhorn, Cat. Nos. 156, 33, 86, 136 and 104 (Illustrated above, Clockwise from Upper Left).
Western art unattributed:
[Norman Adams, 8-10 Hans Road, London, UK]A Very Fine George III Purpleheart Pembroke Table. Circa 1775.
Western art unattributed:
[Sam Fogg, 35 St. George Street, London, UK] A Knight from a Manuscript on Chess. Northern Italy. Dated 1409. From the Ludwig and J. Paul Getty Museum Collections
Western art unattributed:
[Sam Fogg, London. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] A Bishop with Acolytes from a Manuscript of Gratian, England, Possibly London, Circa 1320-30.
Western art unattributed:
[Seago, 22 Pimlico Road, London, UK] An important early nineteenth century Coade Stone statue of "A Nymph unclasping her zone" otherwise known as "Venus attiring herself after her bath" after a carved marble sculpture by Sir Richard Westmacott (1775-1856) exhibited at the Royal Academy in 1828, and thereafter at Castle Howard, Yorkshire. (Destroyed by fire, 1940). A plaster version of the same sculpture may be seen at Sir John Soane's Museum, Lincoln's Inn Fields, in the Picture Room where it has been since the room's construction (1824-5). The present sculpture is interesting not least because the original marble no longer exists but because it demonstrates a hitherto unknown connection between Westmacott and the Coade Manufactory. English, circa 1825. Height: 4ft 6in Photo: Don Wood
Article
Robert Adam, Charles-Louis Clérisseau, Michael Rysbrack and the Hopetoun Chimneypiece
11/1997 | 1136 | 139
Pages: 743-752
related names
Author:
Eustace, Katharine (Eustace, Katharine; E., K.; Eustace, Katherine)
Subjects
dates:
places:
subjects:
Illustrations
Attributed works:
21. Chimneypiece, Designed by Robert Adam and Charles-Louis Clérisseau, Carved by Michael Rysbrack. 1756. Marble, 206 by 296 cm. (Red Drawing Room, Hopetoun House, West Lothian).
Attributed works:
22. Design for Ornament, by Charles-Louis Clérisseau. Signed. Pen and Ink and Grey Wash, 13.1 by 28.5 cm. (RIBA, London, Hardwick Collection, III, fol.22).
Attributed works:
23. 'Chimney Piece at S Mattw Deaker's, Richmond', from Isaac Ware: Designs of Inigo Jones and Others, London [1731], Plate 36.
Attributed works:
24. Design for the Chimneypiece in the Red Drawing Room, Hopetoun House, ?By Charles-Louis Clérisseau and Robert Adam; The Measurements Probably by Michael Rysbrack. 1755. Pen and Ink and Wash, 31.8 by 40 cm. (Trustees of the Hopetoun Preservation Trust/The Marquis of Linlithgow.).
Attributed works:
25. Design for Ornament, by Charles-Louis Clérisseau. Sepia Wash Heightened with White Bodycolour, 13.5 by 44 cm. (RIBA, London, Hardwick Collection, III, fol.7).
Attributed works:
26. Model for a Female Herm, by Michael Rysbrack. Terracotta, 34.3 cm. High (Manchester City Art Galleries).
Attributed works:
27. Mausoleum or Sepulchural Chamber, by Robert Adam. Pencil, Pen with Brown and Black Ink, Water-Colour Washes, 30 by 37.5 cm. (Sir John Soane's Museum, London, Adam, LVI: 138).
Attributed works:
28. Mausoleum or Sepulchral Chamber, by Charles-Louis Clérisseau. Pen and Ink, Body-Colour and Chinese White, 47.5 by 61.1 cm. (Sir John Soane's Museum, London).
Attributed works:
29. Design for a Chimneypiece, by Michael Rysbrack. Pen and Ink and Wash, 22.5 by 25.7 cm. (Victoria and Albert Museum, London).
Attributed works:
30. Design for a Chimneypiece, by Michael Rysbrack. Pen and Ink with Wash, 24.3 by 28.2 cm. (Victoria and Albert Museum, London).
Attributed works:
31. Design for a Chimneypiece, by Michael Rysbrack. Pen and Ink, 15.3 by 188 cm. (Victoria and Albert Museum, London).
Western art unattributed:
32. The Hall, Hopetoun House, West Lothian, Showing the Chimneypiece of c.1756, Originally in the Great Bedchamber.
Article
Roubiliac's Argyll Monument and the Interpretation of Eighteenth-Century Sculptors' Designs
12/1992 | 1077 | 134
Pages: 785-797
related names
Author:
Baker, Malcolm (Baker, Malcolm)
Subjects
dates:
patrons:
subjects:
subjects:
Illustrations
Attributed works:
20. Monument to John, 2nd Duke of Argyll and Greenwich, by Louis François Roubiliac. 1749. (Westminster Abbey, London).
Attributed works:
21. Frontispiece to the Universal Magazine, 1749.
Attributed works:
22. Drawing for the Monument to the 2nd Duke of Argyll, by John Michael Rysbrack. c.1745. Pencil, Pen and Ink, Wash and Water-Colour on Paper, 37 by 27 cm. (National Galleries of Scotland, Edinburgh).
Attributed works:
23. Drawing for the Monument to the 2nd Duke of Argyll, after Hubert Gravelot and Louis François Roubiliac. 1745. Pencil, Pen and Ink on Paper, 47 by 33 cm. (Collection of the Duke of Buccleuch).
Attributed works:
24. Drawing for the Monument to the 2nd Duke of Argyll, Here Attributed to Hubert Gravelot after Louis François Roubiliac. 1745. Pen and Ink, Red, Black and White Chalk on Blue Paper, 72.5 by 43 cm. (Victoria and Albert Museum, London).
Attributed works:
25. Drawing for the Mansion House Pediment, Here Attributed to Hubert Gravelot after Louis François Roubiliac. 1744. Red Chalk, Pen and Ink with Wash on Paper, 34 by 64.5 cm. (Sir John Soane's Museum. London).
Attributed works:
26. Model for the Monument to the 2nd Duke of Argyll, by Louis François Roubiliac. 1745. Terracotta, 89.5 by 50.2 cm. (Victoria and Albert Museum, London).
Attributed works:
27. Detail of Fig.20.
Short Notice
Two Portrait Medallions by Michael Rysbrack
12/1990 | 1053 | 132
Pages: 870-873
related names
Author:
Liversidge, M. J. H. (Liversidge, M. J. H.; Liversidge, Michael)
Subjects
dates:
places:
Illustrations
Attributed works:
65. Ben Johnson, by John Michael Rysbrack. Marble, 52 by 48 cm. (Broughton Castle, Oxfordshire).
Attributed works:
66. Inigo Jones, by John Michael Rysbrack. Marble, 50.8 by 48 cm. (Broughton Castle, Oxfordshire).
Attributed works:
67. Monument to Ben Jonson, by John Michael Rysbrack. 1723. (Westminster Abbey, London).
Attributed works:
68. Design for the Monument to Ben Jonson, Westminster Abbey, by James Gibbs. Ink and Grey Wash on Paper, 35.8 by 26 cm. (Ashmolean Museum, Oxford).
Attributed works:
69. Ben Jonson, after Abraham Blyenberch. 47 by 41.9 cm. (National Portrait Gallery, London).
Attributed works:
70. Inigo Jones, by Anthony van Dyck. Black Chalk on Paper, 24.5 by 20 cm. (Chatsworth, Derbyshire).
Short Notice
J. M. Rysbrack and a Group of East Midlands Commissions
12/1990 | 1053 | 132
Pages: 866-870
related names
Author:
Lord, John (Lord, John)
Subjects
dates:
places:
Illustrations
Attributed works:
54. Bust of Daniel Finch, Earl of Nottingham and Winchelsea, by John Michael Rysbrack. 1723. Marble. (Private Collection).
Attributed works:
55. Bust of John Cecil, 5th Earl of Exeter, by Pierre Etienne Monnot. 1701. Marble. (Burghley House, Stamford).
Attributed works:
56. Monument to Sir John Newton, d. 1733/34, by John Michael Rysbrack. (Heydour, Lincolnshire).
Attributed works:
57. Monument of John Welby, d. 1736, Attributed to John Michael Rysbrack. (Denton, Lincolnshire).
Attributed works:
58. Monument to Arabella Oxenden, d. 1734, by John Michael Rysbrack. (Rockingham, Northamptonshire).
Attributed works:
59. Study for Monument to Arabella Oxenden, by John Michael Rysbrack. Pen and Ink and Wash on Paper, Whole Sheet, 24.1 by 19 cm. (Victoria and Albert Museum, London).
Attributed works:
60. Farnese Flora, by François Perrier. 1633. Engraving, (Eton College Library, Windsor).
Attributed works:
61. Monument to Sir Gilbert Heathcote, c. 1732-33, by John Michael Rysbrack. (Edith Weston, Rutland).
Attributed works:
62. Monument to John Gay, by John Michael Rysbrack. 1736. (Westminster Abbey, London).
Attributed works:
63. Monument to Sigismund Trafford, d. 1740/41, by John Michael Rysbrack. (Tydd St Mary, Lincolnshire).
Attributed works:
64. Monument to Margaret, Countess of Coningsby, d. 1761, by John Michael Rysbrack. (Heydour, Lincolnshire).
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