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03/2020 | 1404 | 162
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Subjects
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Brun Fine Art, London / Robilant and Voena, London, Great Britain / TEFAF (Maastricht) / Tomasso Brothers Fine Art, Leeds, Great Britain / Lullo Pampoulides (dealer), London, Great Britain / Kunstkammer Georg Laue, Munich, Germany / Walter Padovani (dealer), Milan, Italy / São Roque-antiguidades E Galeria De Arte, Lisbon, Portugal / Sydney L. Moss Ltd., London, Great Britain / Trinity Fine Art Ltd, London, Great Britain / Aguttes (auction house), Neuilly-sur-Seine, France / Burzio, London, Great Britain / London Original Print Fair / Kunsthaus Zürich, Zürich, Switzerland / Venator & Hanstein KG (auction house), Cologne, Germany / Artcurial, Paris, France / Galleria Stanza del Borgo, Milan, Italy / Arnoldi-Livie (dealer), Munich, Germany / Master Drawings London / Paul Prouté S.A. (gallery), Paris, France / Salon du dessin, Paris, France / Charles Ratton & Guy Ladrière, Paris, France / Marty de Cambiaire, Paris / Jean-Luc Baroni, London, Great Britain / Galerie Alexis Bordes, Paris, France / Minerva Magazine / Tate Britain, London, Great Britain / Peter Finer (antique arms), London, Great Britain / Irish Arts Review / Daguerre (auction house), Paris, France / Galerie Koller (auctioneers), Zurich, Switzerland / Simon Dickinson, London, Great Britain / Daniel Katz Ltd (dealers), London, Great Britain / Didier Aaron, Inc, New York, United States / Day and Faber, London, Great Britain / Rafael Valls, London, Great Britain / The-saleroom.com / Dorotheum (auction house), Vienna, Austria / Frits Lugt Collection, Fondation Custodia, Paris, France / Andrew Clayton-Payne, London, Great Britain / Hazlitt Gallery, London, Great Britain
Illustrations
Attributed works:
A Greek horseman fighting a lion, by Antoine-Charles- Horace Vernet, called Carle Vernet (1758–1836). 1789. Black pencil, grey wash with stumping and chalk highlights on prepared paper, 38 by 33 cm. [DIDIER AARON & CIE, PARIS]
Attributed works:
Allegory of touch, by Michiel Sweerts (1618–64). Oil on canvas, 75 by 60 cm. [ROBILANT + VOENA, LONDON]
Attributed works:
An artichoke, by Jacques le Moyne de Morgues (1533–88). Watercolour and gouache on paper, 14 by 10.1 cm. [STEPHEN ONGPIN FINE ART, LONDON]
Attributed works:
An exceptional Mughal-style pale celadon jade ‘chrysanthemum’ dish Qing dynasty, Qianlong period (1736–1795) Dimensions: 15 cm. (6 in.) diameter Provenance: A private American collection. [Littleton and Hennessy Asian Art]
Attributed works:
Antoine Coypel (1661-1722) Study for an Allegory to the Glory of Louis XIV Black chalk, red chalk and white chalk 11,8 x 16,7 in.[Aguttes]
Attributed works:
Anton Raphaël MENGS The Judgment of Paris Pen and brown ink, brown wash and white highlights Estimate: 40 000 – 60 000 € [Artcurial]
Attributed works:
Antonio Gai (Venice 1686- c. 1769) Bust of A Bailo (Giovanni Emo), c. 1730. White Carrara Marble, 96 x 65 x 32 cm. (Brun Fine Art]
Attributed works:
Antonio Verrio The Sea Triumph of Charles II c.1674 (detail) Royal Collection Trust /   Her Majesty Queen Elizabeth II 2019. [Tate Britain British Baroque exhibition]
Attributed works:
Bust of Georges-Louis Leclerc, Comte de Buffon and Bust of Jean-Jacques Rousseau, by Jean Antoine Houdon (1741–1828). 1789 and 1788 respectively. Marble, height 29 cm and 26.7 cm. [DANIEL KATZ GALLERY, LONDON]
Attributed works:
Christ resurrected, by Alessandro Algardi (1598–1654). Terracotta, height 52 cm. [WALTER PADOVANI, MILAN]
Attributed works:
CLAUDE GELLÉE called LE LORRAIN Chamagne 1600 or 164/1605 – Rome 1682 Moses and the Burning Bush Black chalk and brown wash. Framing lines in brown ink. Autograph inscription on the verso: ‘Claudio Gillee Dito il lorenses 1663 fecit’ and by a later hand at the bottom under the framing line ‘F. PRODIGO’. 195 x 255 mm (711 ̸16 x 10 in.) [Jean-Luc Baroni & Marty de Cambiaire]
Attributed works:
Composition with two women, by Charles Edouard Jeanneret, called Le Corbusier (1887–1955). 1937. Ink and gouache on paper, 20.5 by 30.5 cm. [BRAME & LORENCEAU, PARIS]
Attributed works:
Domenico Cresti, known as il Passignano (1556–1638) Jesus among the Doctors, Black chalk 290 x 216 mm. Provenance: ignazio Hugford (Florence 1703–1778), his mount in green and grey [Stanza del Borgo]
Attributed works:
DOMENICO PIERATTI (Florence 1600 – Rome 1656) Bust of Young Marcus Aurelius Marble; overall height 90 cm [WALTER PADOVANI]
Attributed works:
DOMENICO PULIGO Florence 1492–1527 Portrait of Agnolo di Taddeo di Agnolo Gaddi Oil on panel Inscribed (on the upper edge): ‘GNOLO DI TADDEO DI AGN: GADDI’ (the family seal in red wax on the back of the panel) 37.6 x 48 cm (143 ̸4 x 187 ̸8 in.) [Jean-Luc Baroni & Marty de Cambiaire]
Attributed works:
Edgar Degas (Paris 1834 – 1917 Paris) Buste de danseuse, c. 1896 Black chalk, 40 x 59 cm Atelier stamp, lower left: ‘Degas’ (Lugt 658) Study for Lemoisne 1246 [Galerie Arnoldi-Livie]
Attributed works:
Edificio universal, by Joaqu n Torres-Garc a (1874–1949). 1931. Oil on canvas, 72 by 65 cm. [GALERIA SUR, LA BARRA, PUNTA DEL ESTE]
Attributed works:
Federico Barocci (1528–1612) Tête d’un homme barbu, le regard tourné  vers le bas, et  étude de main Pierre noire, sanguine et craie blanche sur papier beige. – 407 x 269 mm [Fondation Custodia, Collection Frits Lugt, Paris]
Attributed works:
Fernand Léger / Blaise Cendrars La fin du monde filmée par l’Ange N.-D. Paris 1919 [Venator and Hanstein]
Attributed works:
Francesco FURINI (1603 - 1646) Study of a nude man holding a stick black and red chalk, 210 x 136 mm [Galerie Paul Prouté]
Attributed works:
Giuseppe Cesari, called Cavaliere d’Arpino, A Sabine woman defends herself against an attacking Roman, 1635/36 [Kunsthaus Zürich]
Attributed works:
Giuseppe Cesari, called the Cavaliere d’Arpino (Arpino 1558 –Rome 1640) [Hazlitt]
Attributed works:
HANNS ULRICH FRANCK (Kaufbeuren 1603 –1680 Augsburg) Hercules, Nessus and Deianira Black and white chalk on beige paper; 212 mm (diam.) [Martin Grässle and Florian Härb]
Attributed works:
Ignaz Stern. The Nativity with the Adoration of the Shepherds. Oil on canvas. 102.2   141.5 cm [Koller]
Attributed works:
Jan Brueghel II, An Allegory of Tulipmania, (detail) 25.5 x 35.5 cm, €250,000 – 350,000. [Dorotheum]
Attributed works:
Jean-Antoine WATTEAU Studies of women seated (recto) Red chalk Estimate: 40 000 – 60 000 € [Artcurial]
Attributed works:
Joseph Vivien (1657-1734) Portrait of Madeleine-Geneviève Guillieaumon, n e Dupuis c. 1722 Pastel on paper laid down on canvas 79 x 64 cm. (31 1/8 x 25 3/16 in.)[Galerie Alexis Bordes]
Attributed works:
Judith and Holofernes, by Francesco Furini (1604–46). c.1642. Oil on canvas, 129 by 93 cm. [ROB SMEETS OLD MASTER PAINTINGS, GENEVA]
Attributed works:
Jusepe de RIBERA (J tiva 1591 - Naples 1652) The Mathematician Canvas. 100   75,5 cm. Estimate: 200 000 / 300 000 €. [Daguerre]
Attributed works:
Memento mori relief, by Christoph Daniel Schenck (1633–91). c.1685. Ivory, height 6 cm. [KUNSTKAMMER GEORG LAUE, MUNICH AND LONDON]
Attributed works:
MICHELANGELO ANSELMI (Lucca 1491 – Parma 1554) The coronation of the Virgin black and white chalks on blue paper, 22.5 x 28.3 cm. [CHARLES RATTON & GUY LADRIÈRE]
Attributed works:
Peasant woman in front of a farmhouse, by Vincent van Gogh (1853–90). 1885. Oil on canvas, 62.9 by 112.4 cm. [DICKINSON GALLERY, LONDON AND NEW YORK]
Attributed works:
Pyramids, by Victor Hugo (1802–85). Pen and brush with brown ink and wash, 23 by 37.5 cm. [ARNOLDI-LIVIE, MUNICH]
Attributed works:
Rain, by Georges Seurat (1859–91). Conté pencil on Ingres paper, 23.8 by 30.2 cm. [W.M. BRADY, NEW YORK]
Attributed works:
Reclining male nude, by Egon Schiele (1890–1918). 1910. Watercolour and pencil on paper, 31 by 43 cm. [W&K-WIENERROITHER & KOHLBACHER, VIENNA]
Attributed works:
Rest on the flight into Egypt, by Pompeo Batoni (1708–87). Oil on canvas, 63 by 48 cm. [TRINITY FINE ART, LONDON]
Attributed works:
Saddled horse, seen in profile, by Bénigne Gagneraux (1756–95). Oil on canvas, 62 by 75 cm. [JEAN-LUCBARONI, LONDON AND MARTY DE CAMBIAIRE, PARIS]
Attributed works:
Sebastiano Ricci The battle of the Lapiths and the Centaurs (detail)[Trinity Fine Art]
Attributed works:
Shepherd and his sheep, by Charles-Emile Jacque (1813–94). Charcoal and white chalk, 43.9 by 36.3 cm. [GALERIE PAUL PROUTÉ, PARIS]
Attributed works:
St Sebastian, by Claude Dejoux Vadans (1732–1816). c.1778–79. Terracotta, height 35.2 cm. [LULLO PAMPOULIDES, LONDON]
Attributed works:
Study of a male nude seated on a plinth, by Taddeo Zuccari (1529–66). Red chalk on ivory laid paper, 39.6 by 26.5 cm. [ROMANO FINE ART, FLORENCE]
Attributed works:
The Alessandri pietre dure table, attributed to Dernadino Buontalenti (1531–1608), Grand Ducal workshops, Florence. c.1600. Hard stones and giltwood (base), length 107 cm. [BURZIO, LONDON]
Attributed works:
The Bonzanigo self-portrait, G.M Bonzanigo, 'Microscultura' relief in carved lime wood, walnut, tulipwood, ebony and fruitwood, Turin, 1786-7. The Alessandrini Table. Another Florentine 'pietre dure and pietre tenere inlaid marble table top, probably to a design of Bernardino Buontalenti, Florence, c. 1600.[Burzio]
Attributed works:
The fallen roofer, François Bonvin (1817–87). 1876. Black and red chalk on paper, 36.5 by 17.5 cm. [MARTIN GRÄSSLE & FLORIAN HÄRB, MUNICH]
Attributed works:
The glutton, by Henri de Toulouse-Lautrec (1864– 1901). 1892. Graphite on paper with artist’s stamp, 16.3 by 10 cm. [GALERIE AB, PARIS]
Attributed works:
Théodore GÉRICAULT Double sided sheet of male nude studies Pen and brown ink Estimate: 25 000 – 35 000 € [Artcurial]
Attributed works:
Weapon handling: ‘drop the pike against your right foot and draw the sword’ , by Jacques de Gheyn II (1565–1629). Black pencil, pen and black ink and gray wash. Incised for transfer. [HABOLDT PICTURA, PARIS]
Attributed works:
Woman combing her hair, the letter, by Edgar Degas (1834–1917). Charcoal on paper, laid down on board, 56.3 by 62.2 cm. [JEAN-LUC BARONI, LONDON AND MARTY DE CAMBIAIRE, PARIS]
Non-western art unattributed:
Head of a smiling immortal. China, late Ming dynasty (16th– 17th century). Red sandstone, height 25 cm. [SYDNEY L. MOSS LTD, LONDON]
Non-western art unattributed:
J B Ceylon (Sri Lanka), 17th century – first half Prov.: S.P. collection, Oporto [Sao Roque]
Non-western art unattributed:
Namban Into Nippo-Portuguese, Momoyama period (1573 – 1603) Height: 10.0 cm [Sao Roque]
Non-western art unattributed:
Reliquary figure. Kota people, Obamba group, Gabon (19th century). Wood, copper, brass and iron, height 56.5 cm. [GALERIE BERNARD DULON]
Non-western art unattributed:
Shawabti of Tchahorpate, son of Tefnout. Egypt, late period, Dynasty XXX, reign of Nectanebo II (360–342 BC). Faience, height 26 cm. [THE MERRIN GALLERY, INC., NEW YORK]
Non-western art unattributed:
Yakushi Norai, 11th to 12th century, Heian period (794-1185). Height (figure): 141 cm. [Sidney L. Moss Ltd]
Western art unattributed:
An Exceptionally Fine, Important, and Unusually Large German Three-Quarter Field Armour Probably Made for Heinrich I Duke of Brunswick-Wolfenbüttel, Brunswick, c. 1560. [Peter Finer]
Western art unattributed:
Crucifixion with the Virgin and Saint John the Evangelist Late 16th/ early 17th century, bronze, on an ebonized wood and pietre dure base, 123 x 51 x 21 cm.[Robilant and Voena]
Western art unattributed:
Head of the young Lucius Verus (after the antique). North Italian, first quarter of the 16th century. Bronze, height (including socle) 64 cm. [TOMASSO FINE ART, LONDON AND LEEDS]
Western art unattributed:
Renaissance cutlery in its case in the form of a trout, Italian, c. 1570. Length 34 cm [Kunstkammer Georg Laue]
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06/2012 | 1311 | 154
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Subjects
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collectors and dealers:
subjects:
Illustrations
Attributed works:
[Adrian Alan Fine Art & Antiques, London. A Florentine Renaissance revival pietre dure and carved giltwood centre table, by Angiolo Barbetti. c.1870. Height: 95 cm. Width: 125 cm. Depth: 68 cm]
Attributed works:
[Adrian Sassoon, London. Bud, by Kate Malone. 2011. Crystalline glazed stoneware. Height: 100 cm]
Attributed works:
[Agnew's, 35 Albemarle Street, W1. In the gardens of the Villa Negroni at Rome, by John Robert Cozens (1752-1790). Watercolour, 26.1 by 37.1 cm]
Attributed works:
[Agnew's, London. Charles I and Henrietta Maria with their two eldest children, Prince Charles and Princess Mary, by Sir Anthony van Dyck (1612-51). Oil on oak panel, 20 by 23.5 cm]
Attributed works:
[August Laube Exhibiting at: Daniel Crouch Rare Books LLP, 4 Bury Street, SW1. Boy looking down, by Ernst Ludwig Kirchner (1880-1938). Chalk on wove paper, 50.5 by 35 cm]
Attributed works:
[Ben Elwes Fine Art, 45 Maddox Street, W1S. A view in Italy, by Jean-Charles-Joseph Rémond (1795-1875). Oil on canvas, 22.5 by 35 cm]
Attributed works:
[Browse & Darby. 19 Cork Street. London. Edgar Degas (1834-1917). Danseuse, Grande Arabesque, premier tamps]
Attributed works:
[C.G. Boerner Exhibiting at: Trinity Fine Art Ltd, 29 Bruton Street, W1. The singer's contest at Warburg Castle, by Anton Romako (1832-1889). Signed lower left: Pencil on wove paper, 39.4 by 52.8 cm]
Attributed works:
[Daguerre. 5 bis, rue du Cirque. Paris. Att. to Jacques du Broeucq (1505 (?) - 1584). Alabaster. XVIth century. H. 31.3 cm]
Attributed works:
[Daguerre. 5 bis, rue du Cirque. Paris. Hercole Procaccini (1596-1676). 37,5 x 25,8 cm]
Attributed works:
[Daguerre. 5 bis, rue du Cirque. Paris. Three chairs stamped G. Jacob. Circa 1775. From Comte d'Artois in Versaille]
Attributed works:
[Darnley Fine Art, London. Portrait of William Warham, after Hans Holbein the Younger (1497-1543). Oil on canvas, 83.8 by 71.1 cm]
Attributed works:
[De Backker Medieval Art, Grote Plaats 31. Hoogstraten, Belgium. Sedes Sapientiae - Enthroned Virgin. Polychromed Wood - Spain/Catalunya, about 1220 - h: 58 cm]
Attributed works:
[Dickson, 58 Jermyn Street, SW1. The tomb of Caecilia Metella on the Via Appia, outside Rome, by Carlo Labruzzi (1748-1817). Watercolour over pencil, 37.8 by 51.7 cm]
Attributed works:
[Didier Aaron, Clifford House, 15 Clifford Street, W1. Study for 'The union of design and colour', by Charles-Joseph Natoire (1700-1777). Inscribed upper left: n° 26. Blacjk chalk heightened with white on blue paper, 28.5 by 35.5 cm]
Attributed works:
[Florian Harb, 5 Dalmeny Cout, 8 Duke Street, SW1. The adoration of the shepherds, by Tommaso Manzuoli, called Maso da San Friano (1536-1571). Pen and brown ink and wash, over black chalk heightened with white on blue paper, 26.5 x 19.5 cm]
Attributed works:
[Florian Härb. 5 Dalmeny Court, 8 Duke Street, St. James’s. London. Giovan Battista Dell'Era (Treviglio 1765-1799 Florence). Giovanni Antonio Santarelli (1758-1826). Signed in pencil, lower right, Batta Dell Era fecit. Black and red chalk, 330 by 240 mm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Bernardino Campi. Reggio Emilia, 1521-1591. Venus, Eros and Anteros. Oil on wood panel, 25 x 20 cm (9 7/8 x 7 7/8 in)]
Attributed works:
[Harry Moore Gwyn, London. Promenaders in the park at Golden Hill, by Ethelbert White, R.W.S. (1891-1972). Signed: Ethelbert White. Oil on panel, 51 by 40 cm]
Attributed works:
[Hazlitt Holland-Hibbert. 38 Bury Street. St. James’s, London SW1Y 6BB. Bridget Riley. Works 1960-1966. Earls Court studio, 1964.]
Attributed works:
[Hazlitt, Holland-Hibbert, London. Two seated figures, by Henry Moore (1898-1986). 1944. Signed and dated. Pencil, wax crayon, chalk, charcoal, watercolour, pen and ink, 49.3 by 49.5 cm]
Attributed works:
[Hill-Stone Exhibiting at: The Fine Art Society, 148 New Bond Street, W1. A study for the figure of Charon, by George Romney (1734-1802). Pen and brown ink over black chalk, 34.6 by 27.2 cm.]
Attributed works:
[Hill-Stone, Inc. Box 273, Gracie Station. New York. Gaetano Gandolfi. San Matteo della Decima 1734 - 1802 Bologna. A Sheet of Head Studies. Drawing in red pen and ink; 1795. Signed with the artist's initials and dated verso in the same red ink in which the drawing was executed. 148 x 209 mm (5 7/8 x 8 1/4 inches)]
Attributed works:
[im Kinsky Kunst Auktionen Gmbh. Palais Kinsky, Freyung 4. Vienna. Giovanni Paolo Panini. Pair of Landscape with Ruins and Figures (detail).]
Attributed works:
[Jane Kahan Gallery, New York. Femme sur l'echelle, by Pablo Picasso. Aubusson tapestry, 202 by 178 cm]
Attributed works:
[Jean-Luc Baroni, 7-8 Mason's Yard, SW1. Self-portrait on a diff top in Howth, by Sir William Orpen. Signed: ORPEN at lower right. CHarcoal with gouache and oil on buff coloured paper, 50 by 36 cm]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Giovanni Francesco Barbieri, called Il Guercino. Cento 1591 - 1666 Bologna. Study of a dragon pierced by a lance. Pen and brown ink, 194 x 186 cm]
Attributed works:
[Johnny Van Haeften Ltd, 13 Duke Street, SW1. The gates of hell, by Cornelis Saftleven (1607-81). Oil on panel, 46 by 58 cm]
Attributed works:
[Katrin Bellinger at Colnaghi, 15 Old Bond Street. La laitière normande, by Jean-François Millet (1814-1875). Stamped with the estate stamp: J.F.M, lower right. Red chalk, 22.5 by 16.3 cm]
Attributed works:
[Lefevre Fine Art, London. A boxwood figure, by Henry Moore (1898-1986). 1912. Height: 43.2 cm]
Attributed works:
[Mark Mitchell, London. Still life with mustard jar, tomatoes, knife and glass on a striped tablecloth, by George Weissbort. 1928. Signed. Oil on canvas laid onto board 38.4 by 61.3 cm]
Attributed works:
[Rafael Valls Ltd, 11 Duke Street, SW1. A trompe l'oeil of a violin and a violin bow hanging from a red silk ribbon on a deal wood panel, by Claes Bellekin (1620-c.1675). Oil on canvas, 90 by 65 cm]
Attributed works:
[Robilant + Voena, 1st Floor, 38 Dover Street, W1. Virgin and Child with a Saint, by Andrea Solario (c. 1465-c.1524). c. 1517. Tempera and oil on panel, 37.5 by 33.5 cm]
Attributed works:
[Rountree Fine Art, London. Study of Mr. J.J. Moubray's Bay Hunter, by Sir Alfred Munnings P.R.A., R.W.S. (1878-1969). Oil on panel, 30.5 by 40.6 cm]
Attributed works:
[Sotheby’s & Co. 76, rue de Faubourg Saint-Honoré. Paris. Ferdinand-Victor-Eugène Delacroix. Arab Chief.]
Attributed works:
[Sphinx Fine Art Exhibiting at: 50 Maddox Street, W1S. Portrait of the Right Honorable William Pitt the Younger (1759-1806), three-quarter length in a black coat, standing before a column and gold brocade drape, by John Hoppner (1758-1810). Oil on canvas, 144.5 by 114.5 cm]
Attributed works:
[Stephanie Hoppen Gallery, London. Hummingbird and tubors, by Orlanda Broom. 2012. Acrylic and resins, 100 by 150 cm.]
Attributed works:
[Stephen Ongpin, London. Design for the cover of Sir magazine (no.4, 1964), by René Gruau (1909-2004). Signed with the artist's initial '*G' in black ink, gouache, and green film, over a pencil underdrawing, on paper, 41 by 28.7 cm]
Attributed works:
[Stoppenbach & Delestre, 25 Cork Street, W1. The estuary at Trieux, Bretagne, by Paul Signac (1863-1935). Signed lower right. Watercolour, pencil and ink, 11.2 by 20 cm]
Attributed works:
[The Silver Fund, London. Tea and coffee set on trey, by Jean Puiforcat. Mexico, c.1934. Signed. Sterling silver with green onyx handles]
Attributed works:
[Tomasso Brothers Fine Art, Leeds. Captive Dacians, by Francesco Righetti (1749-1819), and Luigi Righetti (1780-?1852). Signed and dated: FR. RIGHETTI. ET. FIL. FECIT. ROM / 1811. Bronze, rich brown-green patina. Height: 32.4 cm]
Attributed works:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. Joseph Claus (active between 1754-1783). Bust of Caracalla. Signed J. CLAUS FECIT, dated 1757 and inscribed with the artists monogram I.C. White marble. 74 cm high]
Attributed works:
[Trinity Fine Art Exhibiting at: 29 Bruton Street, W1. The studio of artist Charles Guigon, by Fanny Guigon. Signed lower right: F. Guigon. Oil on cardboard, 25.5 by 33.2 cm]
Attributed works:
[Waterhouse Dodd, London. Le pesage Ombregé à Deauville, by Raoul Dufy. 1929-30. Signed. Watercolour and Gouache on paper, 50 by 65 cm.]
Non-western art unattributed:
[Jorge Welsh, London and Lisbon. 'Kinrade plate'. Ming Dynasty, c.1540-1600. Chinese porcelain in underglaze cobalt blue, overglaze iron red and gilt. Diameter: 19 cm]
Non-western art unattributed:
[Laura Bordignon, Finchingfield, Essex. Japanese okimono group of father and son. Wood and ivory. Signed in a tsuidhu red lacquer reserve. Sadamitsu, late Meiji Period.]
Western art unattributed:
[Cahn. Galleries in Basle and St. Moritz. A black-figure White-ground Lekythos. Attributed to the Athena Painter. With Munzen und Medaillen AG, Basle, ca. 1965.]
Western art unattributed:
[Charles Ede Ltd, London. A Roman marble Bust of the Aphrodite of Epidauros, Aphrodite Armata. c.1st century AD to early 2nd century AD.]
Western art unattributed:
[Daguerre. 5 bis, rue du Cirque. Paris. Languedoc. Circa 1120-1140. H. 31.5 cm]
Western art unattributed:
[De Backker Works of Art, Hoogstraten, Belgium. A stone capital with fir-cones. Italian. Height: 35 cm]
Western art unattributed:
[Galerie Neuse, Kunsthandel GmbH. Contrescarpe 14. D-28203, Bremen, Germany. ,,The Falcon's Bathe". Flanders, 1400-1415. Warp and Weft: wool, height: 333 cm, width: 445 cm]
Western art unattributed:
[Jean-David Cahn, Basel. A head of Medusa from the Traianeum of Pergamon. c.114-29 AD. Grey, middle-grained marble. Height: 37.5 cm]
Western art unattributed:
[Joanna Booth. French, Paris, circa 1350. Ivory diptych wing, The Crucifixion. Height: 10 cm (4 in)]
Western art unattributed:
[Joanna Booth. Spain, Catalonia circa 1300. Bishop or Saint, probably St. Martin of Tours (detail). Limestone with some original colour. Height: 110 cm (43 1/2 in)]
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Subjects
artists:
collectors and dealers:
museums and institutions:
subjects:
Illustrations
Attributed works:
[Art Mentor Foundation, Lucerne. Morris and Company (Design Edward Burne-Jones): Tapestry: The Heart of the Rose (detail), 1901.]
Attributed works:
[Bonhams. 101 New Bond Street. London. Illustrated: Sir George James Frampton, English (1860-1928). A Bronze Figure of Peter Pan. Dated 1920, 48 cm high (18.5 in high)]
Attributed works:
[Charles Ratton & Guy Ladrière. 14 rue de Marignan, 75008, Paris. Jean-Joseph Foucou (1739-1815). Portrait of a lady. White marble. Height: 79 cm. Width: 48 cm. Signed and dated "J J Foucou 1771" at the rear.]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. Rembrandt Harmensz. van Rijn. Portrait of a man with arms akimbo. Signed and dated 'Rembrandt f. 1658' (lower left). Oil on canvas, 42 1/4 x 34 1/4 in. (107.4 x 87 cm)]
Attributed works:
[Daguerre. 5 bis, rue du Cirque. Paris. Pablo Gargallo - Bacchante, 1926 - Copper - h - 11 in]
Attributed works:
[Dorotheum. Dorotheergasse 17. Vienna. Lynn Chadwick (1914-2003). Maquette III, Jubilee III, 1984, bronze, 77 x 33 x 68 cm and 76 x 33 x 63 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Paris Bordon. Treviso, 1500 - Venice, 1571. Portrait of a young woman. Oil on canvas, 106,8 x 82,5 cm (42 x 32 1/2 cm. Signed at lower right: ".O.Paris.B"]
Attributed works:
[Galerie Eric Coatalem. 93, rue de Faubourg Saint-Honoré. Paris. 10 Masterpieces by Louyse Moillon (1610-1696). "La Nature Morte au Grand Siècle"]
Attributed works:
[Galerie Neuse, Kunsthandel GmbH. Contrescarpe 14. D-28203, Bremen, Germany. Jacob Dobbermann (Danzing 1682-1745 Cassel). Oliver Cromwell (1599-1658). Ivory, monogrammed: JD/fe. Heigh excl. socle: 14.6 cm]
Attributed works:
[Hazlitt Holland-Hibbert. 38 Bury Street. St. James’s, London SW1Y 6BB. Lucian Freud. Born 1922. Strawberries, circa 1950. Oil on copper. 4 x 4 3/4 inches; 10.2 x 12 cm]
Attributed works:
[Johnny van Haeften Ltd. 13 Duke Street, St. James’s, London SW1Y 6DB. Maerten van Heemskerck. Portrait of Lady. On panel. 18 1/4 x 14 in. (46.5 x 35.5 cm)]
Attributed works:
[Kunstaus Lempertz, 3 Neumarkt. Cologne. Giovanni Battista Tiepolo (1696-1770). Presentation of the Rosary. Oil on cardboard, 72 x 34 cm. Modelletto for the ceiling of the Gesuati church in Venice]
Attributed works:
[Pace Wildestein. Still Standing, 2009, oil on canvas. 60 x 48"]
Attributed works:
[Palazzo della Guardia. Verona. Camille Corot, Mantes (le Matin).]
Attributed works:
[Patricia Wengraf, Ltd. PO Box 31067, London SW1W 9FJ. Michael Rysbrack, Antwerp, 1693 - 1770, London. Fortitude: Signed and dated: Mich Rysbrack 174[?]. Terracotta modello for the monument to John Campbell, 2nd Duke of Argyll and Greenwich (1680-1743)]
Attributed works:
[Sotheby’s & Co., 34-35 New Bond Street, London, W.1. A gilded and silvered bronze figure of a seated Nymph by Pier Jacopo Alari-Bonacolsi, called Antico.]
Attributed works:
[The Fine Art Society. London. Sir George Frampton RA 1860-1928. Peter Pan 1918. Bronze - Height 20 3/4 in - 52.6 cm]
Attributed works:
[The TATE Britain, London. JMW Turner, Snow Storm - Steam-Boat off a Harbour's Mouth, exh 1842.]
Western art unattributed:
[Benjamin Proust. Rue des Minimes, 19. Bruxelles. An early gothic limestone relief of an apostle. French - ile de France. 13th century. Height: 124 cm - 48 3/4 in]
Western art unattributed:
[Brimo de Laroussilhe. 7, Quai Voltaire. Paris. Reliquary Casket: The Martyrdom of Saint Thomas Becket. Limoges, ca. 1180-1190. Champlevé enamel on copper, chased and gilt. Height: 17.5 cm; Width: 18.3 cm; Depth: 8 cm]
Western art unattributed:
[Joanna Booth. PO Box 50886. London. St. Martin, seen in the act of dividing his military cloak to share with a lame beggar. Carved oak, French, circa 1500. Width: 44 cm (17 1/4 in). Height: 83 cm (32 3/4 in)]
Western art unattributed:
[Marc Antoine du Ry. 13 New Burlington Street. London. Saint Peter. Nottigham 15th century. Alabaster with gilding and polychromy. Height: 40 cm]
Western art unattributed:
[Richard Philp. 7 Ravenscourt Square, London. Florentine Altar Angels, a pair, c. 1450-60. Gilded and polychromed wood with red bole base, 12.5 inches (32 cm) high]
Western art unattributed:
[Sam Fogg, Ltd. 15d Clifford Street, London. Belial consumed by snakes. A supporting figure from the pulpit of the Cathedral of Calvi Vecchia. Italy, Campania. Late 12th century. White marble: 78.3 x 13.5 x 14 cm]
Western art unattributed:
[Sotheby’s & Co., 34-35 New Bond Street, London, W.1. A gilt-bronze-mounted Chinese blue porcelain vase, Louis Xv, circa 1755-1760]
Western art unattributed:
[Sotheby’s & Co., 34-35 New Bond Street, London, W.1. A pair of gilt-bronze-mounted granite athéniennes, Louis XVI, circa 1770]
Western art unattributed:
[Steinitz. 9, Rue du Cirque – 77, Rue du Faubourg Saint-Honoré. Paris. Pair of Vases Decorated with Draped Male Heads "à l'Antique". Aubergine-glazed porcelain: China, 18th Century. Gilded and chased bronze mounts: Paris, circa 1765. Height: 38.5 cm (15 1/4 in). Width: 16.5 cm (6 1/2 in). Depth: 11c cm (4 1/2 in)]