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11 articles
Exhibition Review
Dans l’atelier de Guido Reni
03/2025 | 1464 | 167
Pages: 276–9
related names
Reviewer:
Puglisi, Catherine R. (Puglisi, Catherine R.; Puglisi, Catherine)
Subjects
artists:
dates:
museums and institutions:
Reviewed Items
subjects:
Dans l’atelier de Guido Reni Musée des Beaux-Arts, Orléans 30th November 2024–25th March 2025 | :
Illustrations
Attributed works:
13. David with the head of Goliath, by Guido Reni. c.1610–12. Oil on canvas, 228 by 163 cm. (Musée des Beaux-Arts, Orléans).
Attributed works:
14. David with the head of Goliath, by Guido Reni. c.1610–12. Pen and ink on paper, 14.6 by 11 cm. (Harris Museum and Art Gallery, Preston; exh. Musée des Beaux-Arts, Orléans).
Attributed works:
15. Crucified Christ with St Catherine of Alexandria and St Julius, by Guido Reni and studio(?). 1623. Oil on canvas, 245 by 172 cm. (Museo nazionale di Villa Guinigi, Lucca; exh. Musée des Beaux-Arts, Orléans).
Book Review
Musées d’Orléans: Peintures françaises et italiennes. XVe–XVIIe siècles
08/2024 | 1457 | 166
Pages: 882–3
related names
Reviewer:
Marandet, François (Marandet, François)
Subjects
art literature:
museums and institutions:
Reviewed Items
subjects:
Musées d’Orléans: Peintures françaises et italiennes. XVe–XVIIe siècles Edited by Corentin Dury. 511 pp. incl. 470 col. and 42 b. & w. ills. (Snoeck, Ghent, 2023), €45. ISBN 978–94–6161–659–3. | :
Exhibition Review
Ingres avant Ingres: Dessiner pour peindre
01/2022 | 1426 | 164
Pages: 69-72
related names
Reviewer:
Bordes, Philippe (Bordes, Philippe; Bordes, Phillipe)
Subjects
dates:
museums and institutions:
subjects:
Reviewed Items
subjects:
Ingres avant Ingres: Dessiner pour peindre Musée des Beaux-Arts, Orléans 18th September 2021– 9th January 2022 | :
Illustrations
Attributed works:
17. Aglaé Adanson, by Jean-Auguste- Dominique Ingres. c.1802–03. Black crayon, stumping and white chalk highlights, diameter 15.5 cm. (Private collection; exh. Musée des Beaux- Arts, Orléans).
Attributed works:
18. Aphrodite wounded by Diomedes, by Jean-Auguste- Dominique Ingres. c.1805. Oil on panel, 26.6 by 32.6 cm. (Kunstmuseum, Basel; exh. Musée des Beaux-Arts, Orléans).
Attributed works:
19. Danae, by Jean-Auguste- Dominique Ingres. c.1802– 05. Graphite, 10.6 by 9.5 cm. (Musée Ingres Bourdelle, Montauban; exh. Musée des Beaux-Arts, Orléans).
Exhibition Review
Jean-Marie Delaperche: An Artist Facing the Torments of History
06/2020 | 1407 | 162
Pages: 534-536
related names
Reviewer:
Mayer-Michalon, Isabelle (Mayer-Michalon, Isabelle)
Subjects
dates:
media:
museums and institutions:
places:
Reviewed Items
subjects:
Jean-Marie Delaperche: An Artist Facing the Torments of History Musée des Beaux-Arts, Orléans 1st February–18th October | :
Illustrations
Attributed works:
17. The wise man, leaning on Virtue, goes down to the grave with resignation, by Jean-Marie Delaperche. c.1817. Graphite pencil, black ink and white gouache on paper, 33.4 by 20.8 cm. (Musée des Beaux-Arts, Orléans).
Attributed works:
18. 20th March 1815, by Jean- Marie Delaperche. 1815. Graphite pencil, grey and black ink washes and white gouache on paper, 33.6 by 41.7 cm. (Musée des Beaux-Arts, Orléans).
Attributed works:
19. Aeneas sees in his dream the ghost of Hector, by Jean-Marie Delaperche. c.1813–15(?). Graphite pencil, ink, black ink washes and white gouache on paper, 20.2 by 33.4 cm. (Musée des Beaux-Arts, Orléans).
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Advertisements (front)
03/2020 | 1404 | 162
Pages: i-xl
Subjects
advertisements:
Brun Fine Art, London / Robilant and Voena, London, Great Britain / TEFAF (Maastricht) / Tomasso Brothers Fine Art, Leeds, Great Britain / Lullo Pampoulides (dealer), London, Great Britain / Kunstkammer Georg Laue, Munich, Germany / Walter Padovani (dealer), Milan, Italy / São Roque-antiguidades E Galeria De Arte, Lisbon, Portugal / Sydney L. Moss Ltd., London, Great Britain / Trinity Fine Art Ltd, London, Great Britain / Aguttes (auction house), Neuilly-sur-Seine, France / Burzio, London, Great Britain / London Original Print Fair / Kunsthaus Zürich, Zürich, Switzerland / Venator & Hanstein KG (auction house), Cologne, Germany / Artcurial, Paris, France / Galleria Stanza del Borgo, Milan, Italy / Arnoldi-Livie (dealer), Munich, Germany / Master Drawings London / Paul Prouté S.A. (gallery), Paris, France / Salon du dessin, Paris, France / Charles Ratton & Guy Ladrière, Paris, France / Marty de Cambiaire, Paris / Jean-Luc Baroni, London, Great Britain / Galerie Alexis Bordes, Paris, France / Minerva Magazine / Tate Britain, London, Great Britain / Peter Finer (antique arms), London, Great Britain / Irish Arts Review / Daguerre (auction house), Paris, France / Galerie Koller (auctioneers), Zurich, Switzerland / Simon Dickinson, London, Great Britain / Daniel Katz Ltd (dealers), London, Great Britain / Didier Aaron, Inc, New York, United States / Day and Faber, London, Great Britain / Rafael Valls, London, Great Britain / The-saleroom.com / Dorotheum (auction house), Vienna, Austria / Frits Lugt Collection, Fondation Custodia, Paris, France / Andrew Clayton-Payne, London, Great Britain / Hazlitt Gallery, London, Great Britain
Illustrations
Attributed works:
A Greek horseman fighting a lion, by Antoine-Charles- Horace Vernet, called Carle Vernet (1758–1836). 1789. Black pencil, grey wash with stumping and chalk highlights on prepared paper, 38 by 33 cm. [DIDIER AARON & CIE, PARIS]
Attributed works:
Allegory of touch, by Michiel Sweerts (1618–64). Oil on canvas, 75 by 60 cm. [ROBILANT + VOENA, LONDON]
Attributed works:
An artichoke, by Jacques le Moyne de Morgues (1533–88). Watercolour and gouache on paper, 14 by 10.1 cm. [STEPHEN ONGPIN FINE ART, LONDON]
Attributed works:
An exceptional Mughal-style pale celadon jade ‘chrysanthemum’ dish Qing dynasty, Qianlong period (1736–1795) Dimensions: 15 cm. (6 in.) diameter Provenance: A private American collection. [Littleton and Hennessy Asian Art]
Attributed works:
Antoine Coypel (1661-1722) Study for an Allegory to the Glory of Louis XIV Black chalk, red chalk and white chalk 11,8 x 16,7 in.[Aguttes]
Attributed works:
Anton Raphaël MENGS The Judgment of Paris Pen and brown ink, brown wash and white highlights Estimate: 40 000 – 60 000 € [Artcurial]
Attributed works:
Antonio Gai (Venice 1686- c. 1769) Bust of A Bailo (Giovanni Emo), c. 1730. White Carrara Marble, 96 x 65 x 32 cm. (Brun Fine Art]
Attributed works:
Antonio Verrio The Sea Triumph of Charles II c.1674 (detail) Royal Collection Trust /   Her Majesty Queen Elizabeth II 2019. [Tate Britain British Baroque exhibition]
Attributed works:
Bust of Georges-Louis Leclerc, Comte de Buffon and Bust of Jean-Jacques Rousseau, by Jean Antoine Houdon (1741–1828). 1789 and 1788 respectively. Marble, height 29 cm and 26.7 cm. [DANIEL KATZ GALLERY, LONDON]
Attributed works:
Christ resurrected, by Alessandro Algardi (1598–1654). Terracotta, height 52 cm. [WALTER PADOVANI, MILAN]
Attributed works:
CLAUDE GELLÉE called LE LORRAIN Chamagne 1600 or 164/1605 – Rome 1682 Moses and the Burning Bush Black chalk and brown wash. Framing lines in brown ink. Autograph inscription on the verso: ‘Claudio Gillee Dito il lorenses 1663 fecit’ and by a later hand at the bottom under the framing line ‘F. PRODIGO’. 195 x 255 mm (711 ̸16 x 10 in.) [Jean-Luc Baroni & Marty de Cambiaire]
Attributed works:
Composition with two women, by Charles Edouard Jeanneret, called Le Corbusier (1887–1955). 1937. Ink and gouache on paper, 20.5 by 30.5 cm. [BRAME & LORENCEAU, PARIS]
Attributed works:
Domenico Cresti, known as il Passignano (1556–1638) Jesus among the Doctors, Black chalk 290 x 216 mm. Provenance: ignazio Hugford (Florence 1703–1778), his mount in green and grey [Stanza del Borgo]
Attributed works:
DOMENICO PIERATTI (Florence 1600 – Rome 1656) Bust of Young Marcus Aurelius Marble; overall height 90 cm [WALTER PADOVANI]
Attributed works:
DOMENICO PULIGO Florence 1492–1527 Portrait of Agnolo di Taddeo di Agnolo Gaddi Oil on panel Inscribed (on the upper edge): ‘GNOLO DI TADDEO DI AGN: GADDI’ (the family seal in red wax on the back of the panel) 37.6 x 48 cm (143 ̸4 x 187 ̸8 in.) [Jean-Luc Baroni & Marty de Cambiaire]
Attributed works:
Edgar Degas (Paris 1834 – 1917 Paris) Buste de danseuse, c. 1896 Black chalk, 40 x 59 cm Atelier stamp, lower left: ‘Degas’ (Lugt 658) Study for Lemoisne 1246 [Galerie Arnoldi-Livie]
Attributed works:
Edificio universal, by Joaqu n Torres-Garc a (1874–1949). 1931. Oil on canvas, 72 by 65 cm. [GALERIA SUR, LA BARRA, PUNTA DEL ESTE]
Attributed works:
Federico Barocci (1528–1612) Tête d’un homme barbu, le regard tourné  vers le bas, et  étude de main Pierre noire, sanguine et craie blanche sur papier beige. – 407 x 269 mm [Fondation Custodia, Collection Frits Lugt, Paris]
Attributed works:
Fernand Léger / Blaise Cendrars La fin du monde filmée par l’Ange N.-D. Paris 1919 [Venator and Hanstein]
Attributed works:
Francesco FURINI (1603 - 1646) Study of a nude man holding a stick black and red chalk, 210 x 136 mm [Galerie Paul Prouté]
Attributed works:
Giuseppe Cesari, called Cavaliere d’Arpino, A Sabine woman defends herself against an attacking Roman, 1635/36 [Kunsthaus Zürich]
Attributed works:
Giuseppe Cesari, called the Cavaliere d’Arpino (Arpino 1558 –Rome 1640) [Hazlitt]
Attributed works:
HANNS ULRICH FRANCK (Kaufbeuren 1603 –1680 Augsburg) Hercules, Nessus and Deianira Black and white chalk on beige paper; 212 mm (diam.) [Martin Grässle and Florian Härb]
Attributed works:
Ignaz Stern. The Nativity with the Adoration of the Shepherds. Oil on canvas. 102.2   141.5 cm [Koller]
Attributed works:
Jan Brueghel II, An Allegory of Tulipmania, (detail) 25.5 x 35.5 cm, €250,000 – 350,000. [Dorotheum]
Attributed works:
Jean-Antoine WATTEAU Studies of women seated (recto) Red chalk Estimate: 40 000 – 60 000 € [Artcurial]
Attributed works:
Joseph Vivien (1657-1734) Portrait of Madeleine-Geneviève Guillieaumon, n e Dupuis c. 1722 Pastel on paper laid down on canvas 79 x 64 cm. (31 1/8 x 25 3/16 in.)[Galerie Alexis Bordes]
Attributed works:
Judith and Holofernes, by Francesco Furini (1604–46). c.1642. Oil on canvas, 129 by 93 cm. [ROB SMEETS OLD MASTER PAINTINGS, GENEVA]
Attributed works:
Jusepe de RIBERA (J tiva 1591 - Naples 1652) The Mathematician Canvas. 100   75,5 cm. Estimate: 200 000 / 300 000 €. [Daguerre]
Attributed works:
Memento mori relief, by Christoph Daniel Schenck (1633–91). c.1685. Ivory, height 6 cm. [KUNSTKAMMER GEORG LAUE, MUNICH AND LONDON]
Attributed works:
MICHELANGELO ANSELMI (Lucca 1491 – Parma 1554) The coronation of the Virgin black and white chalks on blue paper, 22.5 x 28.3 cm. [CHARLES RATTON & GUY LADRIÈRE]
Attributed works:
Peasant woman in front of a farmhouse, by Vincent van Gogh (1853–90). 1885. Oil on canvas, 62.9 by 112.4 cm. [DICKINSON GALLERY, LONDON AND NEW YORK]
Attributed works:
Pyramids, by Victor Hugo (1802–85). Pen and brush with brown ink and wash, 23 by 37.5 cm. [ARNOLDI-LIVIE, MUNICH]
Attributed works:
Rain, by Georges Seurat (1859–91). Conté pencil on Ingres paper, 23.8 by 30.2 cm. [W.M. BRADY, NEW YORK]
Attributed works:
Reclining male nude, by Egon Schiele (1890–1918). 1910. Watercolour and pencil on paper, 31 by 43 cm. [W&K-WIENERROITHER & KOHLBACHER, VIENNA]
Attributed works:
Rest on the flight into Egypt, by Pompeo Batoni (1708–87). Oil on canvas, 63 by 48 cm. [TRINITY FINE ART, LONDON]
Attributed works:
Saddled horse, seen in profile, by Bénigne Gagneraux (1756–95). Oil on canvas, 62 by 75 cm. [JEAN-LUCBARONI, LONDON AND MARTY DE CAMBIAIRE, PARIS]
Attributed works:
Sebastiano Ricci The battle of the Lapiths and the Centaurs (detail)[Trinity Fine Art]
Attributed works:
Shepherd and his sheep, by Charles-Emile Jacque (1813–94). Charcoal and white chalk, 43.9 by 36.3 cm. [GALERIE PAUL PROUTÉ, PARIS]
Attributed works:
St Sebastian, by Claude Dejoux Vadans (1732–1816). c.1778–79. Terracotta, height 35.2 cm. [LULLO PAMPOULIDES, LONDON]
Attributed works:
Study of a male nude seated on a plinth, by Taddeo Zuccari (1529–66). Red chalk on ivory laid paper, 39.6 by 26.5 cm. [ROMANO FINE ART, FLORENCE]
Attributed works:
The Alessandri pietre dure table, attributed to Dernadino Buontalenti (1531–1608), Grand Ducal workshops, Florence. c.1600. Hard stones and giltwood (base), length 107 cm. [BURZIO, LONDON]
Attributed works:
The Bonzanigo self-portrait, G.M Bonzanigo, 'Microscultura' relief in carved lime wood, walnut, tulipwood, ebony and fruitwood, Turin, 1786-7. The Alessandrini Table. Another Florentine 'pietre dure and pietre tenere inlaid marble table top, probably to a design of Bernardino Buontalenti, Florence, c. 1600.[Burzio]
Attributed works:
The fallen roofer, François Bonvin (1817–87). 1876. Black and red chalk on paper, 36.5 by 17.5 cm. [MARTIN GRÄSSLE & FLORIAN HÄRB, MUNICH]
Attributed works:
The glutton, by Henri de Toulouse-Lautrec (1864– 1901). 1892. Graphite on paper with artist’s stamp, 16.3 by 10 cm. [GALERIE AB, PARIS]
Attributed works:
Théodore GÉRICAULT Double sided sheet of male nude studies Pen and brown ink Estimate: 25 000 – 35 000 € [Artcurial]
Attributed works:
Weapon handling: ‘drop the pike against your right foot and draw the sword’ , by Jacques de Gheyn II (1565–1629). Black pencil, pen and black ink and gray wash. Incised for transfer. [HABOLDT PICTURA, PARIS]
Attributed works:
Woman combing her hair, the letter, by Edgar Degas (1834–1917). Charcoal on paper, laid down on board, 56.3 by 62.2 cm. [JEAN-LUC BARONI, LONDON AND MARTY DE CAMBIAIRE, PARIS]
Non-western art unattributed:
Head of a smiling immortal. China, late Ming dynasty (16th– 17th century). Red sandstone, height 25 cm. [SYDNEY L. MOSS LTD, LONDON]
Non-western art unattributed:
J B Ceylon (Sri Lanka), 17th century – first half Prov.: S.P. collection, Oporto [Sao Roque]
Non-western art unattributed:
Namban Into Nippo-Portuguese, Momoyama period (1573 – 1603) Height: 10.0 cm [Sao Roque]
Non-western art unattributed:
Reliquary figure. Kota people, Obamba group, Gabon (19th century). Wood, copper, brass and iron, height 56.5 cm. [GALERIE BERNARD DULON]
Non-western art unattributed:
Shawabti of Tchahorpate, son of Tefnout. Egypt, late period, Dynasty XXX, reign of Nectanebo II (360–342 BC). Faience, height 26 cm. [THE MERRIN GALLERY, INC., NEW YORK]
Non-western art unattributed:
Yakushi Norai, 11th to 12th century, Heian period (794-1185). Height (figure): 141 cm. [Sidney L. Moss Ltd]
Western art unattributed:
An Exceptionally Fine, Important, and Unusually Large German Three-Quarter Field Armour Probably Made for Heinrich I Duke of Brunswick-Wolfenbüttel, Brunswick, c. 1560. [Peter Finer]
Western art unattributed:
Crucifixion with the Virgin and Saint John the Evangelist Late 16th/ early 17th century, bronze, on an ebonized wood and pietre dure base, 123 x 51 x 21 cm.[Robilant and Voena]
Western art unattributed:
Head of the young Lucius Verus (after the antique). North Italian, first quarter of the 16th century. Bronze, height (including socle) 64 cm. [TOMASSO FINE ART, LONDON AND LEEDS]
Western art unattributed:
Renaissance cutlery in its case in the form of a trout, Italian, c. 1570. Length 34 cm [Kunstkammer Georg Laue]
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Advertisements (front)
02/2020 | 1403 | 162
Pages: i-xvi
Subjects
Illustrations
Attributed works:
Berthe Morisot (French, 1841 - 1895), Apollon Révélant sa Divinité à la Bergère Issé, after Francois Boucher. oil on canvas, 251/4 x 31 1/8 in. $150,000-250,000. [European and Old Master Auction February 18, 2020. Freeman's].
Attributed works:
A mountainous landscape with a herdsman and cattle, by Thomas Gainsborough (1727–88). Black and white chalk on paper, 28 by 36.8 cm. [TEFAF. LOWELL LIBSON & JOHNNY YARKER LTD, LONDON]
Attributed works:
A pair of Delftware vases, by Adrianus Kocx. 1687–1801. Tinglazed earthenware, height 47 cm. [TEFAF. ARONSON, AMSTERDAM]
Attributed works:
A still life of flowers on a table with a landscape in the background, by Ambrosius Bosschaert the Elder (1573–1621). Oil on panel, 29.2 by 19.4 cm. [TEFAF. DE JONCKHEERE, GENEVA AND PARIS]
Attributed works:
A study of three heads, by Adolph Menzel (1815–1905). 1898. Pencil with stumping, 31 by 23 cm. [TEFAF. STEPHEN ONGPIN FINE ART, LONDON]
Attributed works:
Antonio Verrio The Sea Triumph of Charles II c.1674 (detail) Royal Collection Trust / © Her Majesty Queen Elizabeth II 2019. [Tate Britain: Baroque Power and Illusion exhibition]
Attributed works:
Federico Barocci (1528–1612) Tête d’un homme barbu, le regard tourné vers le bas, et étude de main Pierre noire, sanguine et craie blanche sur papier beige. – 407 x 269 mm [Fondation Custodia, Collection Frits Lugt, Paris]
Attributed works:
Joseph Colla, Étude d’arbre. Marseille, musée des Beaux-Arts © Ville de Marseille, Dist. RMN-Grand Palais / image des musées de Marseille. [Salon du Dessin]
Attributed works:
Kate Elizabeth Bunce, Musica (detail) c. 1895-7. Oil on canvas. Birmingham Museums Trust. [Yale Center for British Art, Victorian Radicals exhibition]
Attributed works:
PIETER BRUEGEL THE ELDER, MAD MEG (DETAIL), 1563, MUSEUM MAYER VAN DEN BERGH, PHOTO KIK IRPA BRUSSEL I 16489638. [Museum van den Bergh, Antwerp. Madonna meets Mad Meg exhibition]
Attributed works:
Rythme couleur no. F1248, by Sonia Delaunay (1855–1979). Gouache on paper, 58 by 78 cm. [TEFAF. GALERIE DE LA PRÉSIDENCE, PARIS]
Attributed works:
The Cornelis Wittert Cup, by Johannes du Vignon III (1660–1746). 1707. Silver, height 34 cm. [TEFAF, A. AARDEWERK, THE HAGUE]
Attributed works:
The makeup, by Louis-Léopold Boilly (1761–1845). Oil on canvas, 57 by 46 cm. [TEFAF. GALERIE ERIC COATALEM, PARIS]
Attributed works:
The mocking of Christ, by Matthias Stom (1600–50). Oil on canvas, 42, 72 cm. [TEFAF. ALTOMANI & SONS, MILAN]
Attributed works:
The school boy, by François Bonvin (1817–87). 1874. Oil on panel, 35.5 by 26.3 cm. [TEFAF. WILDENSTEIN, NEW YORK]
Attributed works:
The two majesties, by Jean-Léon Gérôme (1824–1904). Oil on canvas, 25 by 44 cm. [TEFAF. TRINITY FINE ART, LONDON]
Attributed works:
The wave, by Gustave Courbet (1819–1877). Oil on canvas, 64.5 by 81.5 cm. [TEFAF. GALLERY 19C, BEVERLY HILLS]
Attributed works:
Vanvitelli, Rome, View of the Tiber at Ripa Grande, c. 1690, oil on canvas, 97 x 171 cm. [Robilant and Voena]
Non-western art unattributed:
A Blue Laced Samurai Armour (Kiritsuke-Kozane Nimai-Do Gusoku) with a Fine and Rare 120 Plate Helmet (Suji-Bachi Kabuto) Edo period, 1615-1868. [Peter Finer]
Publication Received
De Dürer à Mantegna: Gravures renaissance de la collection Leber
03/2011 | 1296 | 153
Pages: 189
related names
Reviewer:
Cornelis, Bart (Cornelis, Bart; C., B.)
Subjects
collectors and dealers:
museums and institutions:
print:
Reviewed Items
subjects:
De Dürer à Mantegna: Gravures renaissance de la collection Leber | author: Donker, Bénédicte De , author: Tétart-Vittu, Françoise
Exhibition Review
Henry de Triqueti. Orléans and Montargis
12/2007 | 1257 | 149
Pages: 877-878
related names
Reviewer:
Ward-Jackson, Philip (Ward-Jackson, Philip; Ward-Jackson, Phillip; Jackson, Philip Ward; Ward-Jackon, Philip)
Subjects
dates:
places:
subjects:
Reviewed Items
subjects:
Henry de Triqueti, 1803-1874. \'Le sculpteur des princes\' | institution: Musée des Beaux-Arts , institution: Musée Girodet
Illustrations
Attributed works:
84. Preparatory drawing for the decorations of the choir of St Paul’s Cathedral, London, by Henry de Triqueti. 1861–62. Black ink and white chalk on beige paper, 19 by 43 cm. (Musée Girodet, Montargis).
Attributed works:
85. Sketch model for Edward VI reading Holy Scripture, by Henry de Triqueti. 1856. Terracotta, 43 by 13 by 14 cm. (Musée des Beaux-Arts, Orléans).
Attributed works:
86. Divine Mercy welcoming Repentance, by Henry de Triqueti. 1869. Ivory, 34 by 13 by 18 cm. (Private collection; exh. Musée Girodet, Montargis).
Exhibition Review
Michel Corneille. Orléans
08/2006 | 1241 | 148
Pages: 563-565
related names
Reviewer:
Brejon de Lavergnée, Barbara (Brejon de Lavergnée, Barbara; Lavergnée, Barbara Brejon de)
Subjects
dates:
museums and institutions:
places:
subjects:
Reviewed Items
subjects:
Michel Corneille (vers 1603–1664), un peintre du roi au temps de Mazarin | institution: Musée des Beaux-Arts
Illustrations
Attributed works:
53. Saint François-Xavier in adoration of the Virgin and Child, by Michel Corneille. Canvas, 220 by 165 cm. (Musée des Beaux-Arts, Orléans).
Attributed works:
54. Study of a flying angel, by Michel Corneille. Black pencil, heightened in white chalk, 31 by 27.5 cm. (Museo de Bellas Artes, Valencia).
Attributed works:
55. Study of an angel holding a pennant, by Michel Corneille. Black pencil, heightened in white chalk, 26.4 by 28 cm. (Museo de Bellas Artes, Valencia).
Book Review
Dessins italiens de Venise à Palerme du musée des Beaux-Arts d'Orléans XVe-XVIIIe siècle.
09/2004 | 1218 | 146
Pages: 624-625
related names
Reviewer:
Scrase, David (Scrase, David)
Subjects
museums and institutions:
print:
Reviewed Items
subjects:
Dessins italiens de Venise à Palerme du musée des Beaux-Arts d'Orléans XVe-XVIIIe siècle. | author: Pagliano, Eric
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