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Exhibition Review
Salvo: Arrivare in tempo
04/2025 | 1465 | 167
Pages: 386-389
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Reviewer:
Lloyd, Kathryn (Lloyd, Kathryn)
Subjects
artists:
Salvo (Salvatore Mangione; 1947–2015)
dates:
2020-2030
museums and institutions:
Pinacoteca Agnelli, Turin, Italy
subjects:
Italian painting / Conceptual art / Arte povera
Reviewed Items
subjects:
Salvo: Arrivare in tempo Pinacoteca Agnelli, Turin 1st November 2024–25th May 2025 | :
Illustrations
Attributed works:
1. Autoritratto (come Raffaello), by Salvo. 1970. Black-and-white photograph, 39 by 29 cm. (Private collection; exh. Pinacoteca Agnelli, Turin).
Attributed works:
2. From Simile non identico, by Salvo. 1971. Marble, 45 by 60 by 2 cm. (Private collection; exh. Pinacoteca Agnelli, Turin).
Attributed works:
3. Bar, by Salvo. 1981. Oil on canvas, 189 by 148 cm. (Courtesy Dep Art Gallery, Milan; exh. Pinacoteca Agnelli, Turin).
Attributed works:
4. Installation view of Salvo: Arrivare in tempo at Pinacoteca Agnelli, Turin, 2024–25. (Courtesy Pinacoteca Agnelli, Turin; photograph Sebastiano Pellion di Persano).
Exhibition Review
Dans l’atelier de Guido Reni
03/2025 | 1464 | 167
Pages: 276–9
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Reviewer:
Puglisi, Catherine R. (Puglisi, Catherine R.; Puglisi, Catherine)
Subjects
artists:
Reni, Guido
dates:
2020-2030
museums and institutions:
Musée des Beaux-Arts, Orléans, France
subjects:
Italian art / Italian painting / Studios (organisations) / Workshops (Organisations)
Reviewed Items
subjects:
Dans l’atelier de Guido Reni Musée des Beaux-Arts, Orléans 30th November 2024–25th March 2025 | :
Illustrations
Attributed works:
13. David with the head of Goliath, by Guido Reni. c.1610–12. Oil on canvas, 228 by 163 cm. (Musée des Beaux-Arts, Orléans).
Attributed works:
14. David with the head of Goliath, by Guido Reni. c.1610–12. Pen and ink on paper, 14.6 by 11 cm. (Harris Museum and Art Gallery, Preston; exh. Musée des Beaux-Arts, Orléans).
Attributed works:
15. Crucified Christ with St Catherine of Alexandria and St Julius, by Guido Reni and studio(?). 1623. Oil on canvas, 245 by 172 cm. (Museo nazionale di Villa Guinigi, Lucca; exh. Musée des Beaux-Arts, Orléans).
Exhibition Review
Carpaccio, Bellini and the Early Renaissance in Venice
03/2025 | 1464 | 167
Pages: 273–5
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Reviewer:
Brooke, Irene (Brooke, Irene)
Subjects
artists:
Carpaccio, Vittore / Bellini, Gentile / Bellini, Giovanni
dates:
2020-2030
museums and institutions:
Staatsgalerie, Stuttgart, Germany
subjects:
Venetian art / Italian painting
Reviewed Items
subjects:
11. Martyrdom of St Stephen, by Vittore Carpaccio. 1520. Oil on canvas, 189 by 206 cm. (Staatsgalerie, Stuttgart). | :
subjects:
12. Virgin and Child with the Infant St John and Peter Martyr, by Lorenzo Lotto. 1503. Oil on panel, 55.5 by 87 cm. (Museo e Real Bosco di Capodimonte, Naples). | :
subjects:
Carpaccio, Bellini and the Early Renaissance in Venice Staatsgalerie, Stuttgart 15th November 2024–2nd March 2025 | :
Exhibition Review
Guercino: L’era Ludovisi a Roma
01/2025 | 1462 | 167
Pages: 43-6
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Reviewer:
Stone, David M. (Stone, David M.)
Subjects
artists:
Barbieri, Giovanni Francesco, called Il Guercino
museums and institutions:
Scuderie Papali al Quirinale, Rome, Italy
patrons:
Gregory XV, Pope, 1554-1623 / Ludovisi, Ludovico, Cardinal, 1595-1632
places:
Rome
subjects:
Italian art / Italian painting / Drawings / Papacy / Commissions
Reviewed Items
subjects:
Guercino: L’era Ludovisi a Roma Scuderie del Quirinale, Rome 31st October 2024–26th January 2025 | :
Illustrations
Attributed works:
13. Erminia finding the wounded Tancred, by Guercino. 1618– 19. Oil on canvas, 185 by 145 cm. (Galleria Doria Pamphilj, Rome; exh. Scuderie del Quirinale, Rome).
Attributed works:
14. Installation view of Guercino: L’era Ludovisi a Roma at the Scuderie del Quirinale, Rome, 2024, showing the Ludovisi Ares. Roman, 2nd century CE. Marble, height 156 cm. (Museo Nazionale Romano, Palazzo Altemps, Rome; exh. Scuderie del Quirinale, Rome); and Chariot of Venus, by Pietro da Cortona. 1622–23. Tempera on canvas, 106 by 203 cm. (Capitoline Museums, Rome; exh. Scuderie del Quirinale, Rome).
Attributed works:
15. Installation view of Guercino: L’era Ludovisi a Roma at the Scuderie del Quirinale, Rome, 2024, showing a facsimile of Guercino’s St Chrysogonus in Glory, printed by Factum Arte, Madrid. Height 4.8 metres.
Article
Annibale Carracci and the forgotten Magdalene
10/2024 | 1459 | 166
Pages: 1028–35
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Author:
Willer, Jacob (Willer, Jacob)
Subjects
artists:
Carracci family / Carracci, Annibale / Carracci, Agostino / Carracci, Lodovico / Albani, Francesco / Badalocchio, Sisto / Lanfranco, Giovanni / Domenichino / Viola, Giovanni Battista / Faucci, Carlo / Nocchi, Giovanni Battista
dates:
1590-1609
museums and institutions:
Kedleston Hall, nr. Quarndon, Derbyshire, Great Britain / Galleria Doria Pamphili, Rome, Italy / Fitzwilliam Museum, Cambridge, Great Britain
subjects:
Italian painting / Attributions / Dating / Mary Magdalene, Saint
Illustrations
Attributed works:
1. Penitent Mary Magdalene in a landscape, here attributed to Annibale Carracci. c.1601-03. Oil on copper, 37.4 by 29.2 cm. (National Trust; Kedleston Hall, Derbyshire).
Attributed works:
10. Detail of Fig.9.
Attributed works:
11. Detail of Fig.1.
Attributed works:
12. Detail of Fig.1, showing the face of the Magdalen.
Attributed works:
13. Detail of Fig.14, showing the face of the Virgin.
Attributed works:
14. Pietà with two angels, by Annibale Carracci. c.1603. Oil on copper, 41.3 by 60.7 cm. (Kunsthistorisches Museum, Vienna).
Attributed works:
2. Penitent Mary Magdalene, by Carlo Faucci. c.1758. Engraving, 39 by 30 cm. (Wellcome Collection, London).
Attributed works:
3. Penitent Mary Magdalene, here attributed to the studio of Annibale Carracci. c.1603. Oil on copper, 32.4 by 43 cm. (Fitzwilliam Museum, Cambridge).
Attributed works:
4. Penitent Mary Magdalene, here attributed to the studio of Annibale Carracci. c.1603. Oil on canvas, 51.5 by 67 cm. (Palazzo Doria Pamphilj, Rome).
Attributed works:
5. Penitent Mary Magdalene, copy after Annibale Carracci. 18th century? Oil on canvas, 41.9 by 32 cm. (Thorvaldsens Museum, Copenhagen).
Attributed works:
6. Detail of Fig.3, showing the pentimento around the Magdalene’s toes.
Attributed works:
7. Sleeping Ariadne. Roman, 1st century CE. Marble. (Vatican Museums, Vatican City; Photo Scala, Florence).
Attributed works:
8. The sleep of Venus, here attributed to the studio of Annibale (and Agostino?) Carracci. c.1600–02. Oil on canvas, 190 by 328 cm. (Musée Condé, Chantilly; Bridgeman Images).
Attributed works:
9. Christ appearing to St Peter on the Appian Way, by Annibale Carracci. 1601–02. oil on wood, 77.4 by 56.3 cm. (National Gallery, London; Bridgeman Images).
Exhibition Review
Federico Barocci Urbino: L’emozione della pittura moderna
09/2024 | 1458 | 166
Pages: 956-9
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Reviewer:
Pierguidi, Stefano (Pierguidi, Stefano)
Subjects
artists:
Barocci, Federico
dates:
2020-2030
museums and institutions:
Galleria Nazionale delle Marche, Palazzo Ducale, Urbino, Italy
subjects:
Italian art / Italian drawings / Italian painting
Reviewed Items
subjects:
Federico Barocci Urbino: L’emozione della pittura moderna Palazzo Ducale, Urbino 20th June–6th October | :
Illustrations
Attributed works:
14. Deposition, by Federico Barocci. 1567–69. Oil on canvas, 412 by 232 cm. (Cathedral of Perugia; exh. Palazzo Ducale, Urbino).
Attributed works:
15. Presentation of the Virgin to the Temple, by Federico Barocci. 1593–1603. Oil on canvas, 381 by 284 cm. (S. Maria in Vallicella, Rome; exh. Palazzo Ducale, Urbino).
Attributed works:
16. Study of a cat, by Federico Barocci. c.1582– 84. Red and black chalk on paper, 11.5 by 14.6 cm. (Gallerie degli Uffizi, Florence; exh. Palazzo Ducale, Urbino).
Short Notice
Parmigianino, Damiano Pieti and the beauty of architecture in the ‘Madonna of the long neck’
09/2024 | 1458 | 166
Pages: 932-37
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Shorter Notice by:
Vaccaro, Mary (Vaccaro, Mary)
Subjects
artists:
Parmigianino
dates:
1500-1549
museums and institutions:
Galleria degli Uffizi, Florence, Italy
sources:
Alberti, Leon Battista / Vitruvius / Pieti, Damiano
subjects:
Italian painting / Altarpieces / Architecture / Columns (architectural components)
Illustrations
Attributed works:
1. Detail of Fig.2, showing the unfinished colonnade.
Attributed works:
2. Madonna of the long neck, by Parmigianino. c.1534–40. Oil on panel, 216.5 by 132.5 cm. (Galleria degli Uffizi, Florence; Bridgeman Images).
Attributed works:
3. Leo Baptista de Albertis Florentinus de Architectura, by Damiano Pieti. 1538. (Biblioteca Panizzi, Reggio Emilia, MSS Rari G3, fol.240r)
Attributed works:
4. Study for Madonna of the long neck, by Parmigianino. 1530s. Red chalk heightened with white on paper, 20 by 12 cm. (Musée du Louvre, Paris).
Book Review
Musées d’Orléans: Peintures françaises et italiennes. XVe–XVIIe siècles
08/2024 | 1457 | 166
Pages: 882–3
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Reviewer:
Marandet, François (Marandet, François)
Subjects
art literature:
Catalogues
museums and institutions:
Musée des Beaux-Arts, Orléans, France
subjects:
French painting / Italian painting
Reviewed Items
subjects:
Musées d’Orléans: Peintures françaises et italiennes. XVe–XVIIe siècles Edited by Corentin Dury. 511 pp. incl. 470 col. and 42 b. & w. ills. (Snoeck, Ghent, 2023), €45. ISBN 978–94–6161–659–3. | :
Exhibition Review
Guercino: Il mestiere del pittore
07/2024 | 1456 | 166
Pages: 729–31
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Reviewer:
Bohn, Babette (Bohn, Babette)
Subjects
artists:
Barbieri, Giovanni Francesco, called Il Guercino
dates:
2020-2030
museums and institutions:
Musei Reali Turin, Turin, Italy
subjects:
Italian art / Italian drawing / Italian painting / Prints
Reviewed Items
subjects:
Guercino: Il mestiere del pittore Musei Reali, Turin 23rd March–28th July | :
Illustrations
Attributed works:
6. Madonna of the Rosary with St Dominic and St Catherine of Siena, by Guercino. 1637. Oil on canvas, 378 by 255 cm. (S. Domenico, Turin; exh. Musei Reali, Turin).
Attributed works:
7. Diana, by Guercino. 1646. Oil on canvas, 102 by 84 cm. (Fondazione Marini Clarelli Santi, Perugia; exh. Musei Reali, Turin).
Attributed works:
8. Study for St William kneeling and dressed in armour, by Guercino. 1620. Charcoal on paper, 62 by 41.3 cm. (Musei di Strada Nuova, Genoa; exh. Musei Reali, Turin).
Book Review
Aiutando l’arte: Les inscriptions dans les décors post-tridentins d’Italie / Le iscrizioni nella pittura posttridentina italiana
03/2024 | 1452 | 166
Pages: 327–328
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Reviewer:
Fontana, Mauro Vincenzo (Fontana, Mauro Vincenzo)
Subjects
dates:
1550-1599
places:
Rome
subjects:
Italian art / Counter-Reformation / Inscriptions / Council of Trent (1545-1563) / Italian painting
Reviewed Items
subjects:
Aiutando l’arte: Les inscriptions dans les décors post-tridentins d’Italie / Le iscrizioni nella pittura posttridentina italiana Edited by Gwladys Le Cuff and Anne Lepoittevin. 323 pp. incl. 45 col. + 21 b. & w. ills. (Peter Lang, Brussels, 2022), £40. ISBN 978–2–8076–1780–3. | :
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