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62 articles
Exhibition Review
Salvo: Arrivare in tempo
04/2025 | 1465 | 167
Pages: 386-389
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related names
Reviewer:
Lloyd, Kathryn (Lloyd, Kathryn)
Subjects
artists:
Salvo (Salvatore Mangione; 1947–2015)
dates:
2020-2030
museums and institutions:
Pinacoteca Agnelli, Turin, Italy
subjects:
Italian painting / Conceptual art / Arte povera
Reviewed Items
subjects:
Salvo: Arrivare in tempo Pinacoteca Agnelli, Turin 1st November 2024–25th May 2025 | :
Illustrations
Attributed works:
1. Autoritratto (come Raffaello), by Salvo. 1970. Black-and-white photograph, 39 by 29 cm. (Private collection; exh. Pinacoteca Agnelli, Turin).
Attributed works:
2. From Simile non identico, by Salvo. 1971. Marble, 45 by 60 by 2 cm. (Private collection; exh. Pinacoteca Agnelli, Turin).
Attributed works:
3. Bar, by Salvo. 1981. Oil on canvas, 189 by 148 cm. (Courtesy Dep Art Gallery, Milan; exh. Pinacoteca Agnelli, Turin).
Attributed works:
4. Installation view of Salvo: Arrivare in tempo at Pinacoteca Agnelli, Turin, 2024–25. (Courtesy Pinacoteca Agnelli, Turin; photograph Sebastiano Pellion di Persano).
Exhibition Review
Sade: Freedom or Evil
10/2023 | 1447 | 165
Pages: 1143–1146
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Reviewer:
Padiyar, Satish (Padiyar, Satish)
Subjects
dates:
2020-2030
media:
Drawings / Prints / Conceptual art / Surrealism / Film (cinema) / Photography
museums and institutions:
Centre de Cultura Contemporània de Barcelona, Barcelona, Spain
subjects:
Sade, Marquis de, Donatien Alphonse François / Cultural history / Eroticism
Reviewed Items
subjects:
Sade: Freedom or Evil Centre de Cultura Contemporània de Barcelona 11th May–15th October | :
Illustrations
Attributed works:
23. Marquis de Sade, by Charles Amédée Philippe van Loo. 1760–62. Black chalk on paper, diameter 29 cm. (Musée d’Arts de Nantes; exh. Centre de Cultura Contemporània de Barcelona).
Attributed works:
24. After the performance o Relâche, by Toyen (Marie Čermínová). 1943. Oil on canvas, 104.5 by 47 cm. (Alšova Jihočeská Galerie / South Bohemian Gallery, Hluboká nad Vltavou; exh. Centre de Cultura Contemporània de Barcelona).
Attributed works:
25. PM 2010, by Teresa Margolles. 2012. 313 front pages of PM, 300 by 1300 cm. (Private collection; photograph Marta Gornicka; exh. Centre de Cultura Contemporània de Barcelona).
Book Review
Strategy: Get Arts. 35 Artists Who Broke the Rules
12/2021 | 1425 | 163
Pages: 1204-1205
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Subjects
museums and institutions:
Edinburgh College of Art, Edinburgh, Great Britain
subjects:
German art / Conceptual art
subjects:
Exhibitions
Reviewed Items
subjects:
Strategy: Get Arts. 35 Artists Who Broke the Rules By Christian Weikop. 232 pp. incl. 15 col. + 165 b. & w. ills. (Edinburgh University Press, 2021), £40. ISBN 978–1–83838–220–9. | :
Illustrations
Attributed works:
1. Klaus Rinke participating in Stefan Wewerka’s bentwood chairs Action on the staircase of Edinburgh College of Arts’s Main Building. 1970. (Photograph George Oliver).
Exhibition Review
Andy Warhol Exhibits: A Glittering Alternative
03/2021 | 1416 | 163
Pages: 270-272
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related names
Reviewer:
Anfam, David (Anfam, David)
Subjects
artists:
Warhol, Andy / Poons, Larry / Oldenburg, Claes
dates:
2020-2030
museums and institutions:
Museum of Modern Art, Ludwig Foundation (MUMOK), Vienna, Austria
styles:
Pop art / Conceptual art / Minimalism
subjects:
American art / Capitalism / Gender / Homosexuality
Reviewed Items
subjects:
Andy Warhol Exhibits: A Glittering Alternative Museum of Modern Art, Ludwig Foundation (MUMOK), Vienna 25th September 2020–30th May 2021 Defrosting the Icebox. Guesting at mumok: The Hidden Treasures of the Collection of Greek and Roman Antiquities of the Kunsthistorisches Museum and Weltmuseum Vienna Museum of Modern Art, Ludwig Foundation (MUMOK), Vienna 25th September 2020–30th May 2021 Misfitting Together: Serial Formations of Pop Art, Minimal Art, and Conceptual Art Museum of Modern Art, Ludwig Foundation (MUMOK), Vienna 1st July 2020–25th April 2021 | :
Illustrations
Attributed works:
1. Installation view of Defrosting the Icebox. Guesting at mumok: The Hidden Treasures of the Collection of Greek and Roman Antiquities of the Kunsthistorisches Museum and Weltmuseum at Museum of Modern Art, Ludwig Foundation (MUMOK), Vienna, 2020–21.
Attributed works:
2. Installation view of Andy Warhol Exhibits: A Glittering Alternative at Museum of Modern Art, Ludwig Foundation (MUMOK), Vienna, 2020–21, showing the Marbled Paper drawings, by Andy Warhol. c.1954. Refabricated by mumok under the supervision of Marianne Dobner. (Museum of Modern Art, Ludwig Foundation (MUMOK), Vienna).
Attributed works:
3. Nixe’s mate, by Larry Poons. 1961. Acrylic on canvas, 178 by 285 by 4 cm. (Ludwig Foundation, Vienna; exh. Museum of Modern Art, Ludwig Foundation (MUMOK), Vienna)
Attributed works:
4. Ladies and gentlemen, by Andy Warhol. 1975. Acrylic, silkscreen on canvas, 120 by 80 cm. (Museum of Modern Art, Ludwig Foundation (MUMOK), Vienna; © The Andy Warhol Foundation for the Visual Arts, New York / Licensed by Bildrecht Vienna).
Book Review
Drawing Degree Zero: The Line from Minimalism to Conceptual Art
12/2020 | 1413 | 162
Pages: 1114-1115
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Reviewer:
Krčma, Ed (Krčma, Ed)
Subjects
artists:
Bochner, Mel / LeWitt, Sol / Castoro, Rosemarie / Rockburne, Dorothea / Tuttle, Richard
subjects:
American art / Minimalism / Conceptual art / Drawings
Reviewed Items
subjects:
Drawing Degree Zero: The Line from Minimalism to Conceptual Art By Anna Lovatt. 240 pp. incl. 39 col. + 58 b. & w. ills. (Pennsylvania State University Press, University Park PA, 2019), $89.95. ISBN 978–0–271–08243–1. | :
Illustrations
Attributed works:
6. Guiness Martin, by Rosemarie Castoro. 1972. Masonite, wood, gesso, graphite and modelling paste, 91.44 by 457.2 cm. (© Estate of Rosemarie Castoro; photograph Roberto Ruiz / MACBA).
Book Review
Gordon Matta-Clark: Physical Poetics
08/2020 | 1409 | 162
Pages: 722
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related names
Reviewer:
Parlett, Jack (Parlett, Jack)
Subjects
artists:
Matta-Clark, Gordon
subjects:
American art / Conceptual art / Language / Installations (visual works) / Architecture
Reviewed Items
subjects:
Gordon Matta-Clark: Physical Poetics By Frances Richard. 560 pp. incl. 32 col. + 20 b. & w. ills. (University of California Press, Oakland, 2019), £37. ISBN 978–0–520–29909–2. | :
Book Review
Photography Performing Humor. Edited by Mieke Bleyen and Liesbeth Decan
03/2020 | 1404 | 162
Pages: 270-271
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related names
Reviewer:
Graham, Seth (Graham, Seth)
Subjects
subjects:
Photography / Photomontages / Humour / Conceptual art / Performance art
Reviewed Items
subjects:
Photography Performing Humor Edited by Mieke Bleyen and Liesbeth Decan. 216 pp. incl. 15 col. + b. & w. ills. (Leuven University Press, Leuven, 2019),  36.95. ISBN 978–94–6270–165–6. | :
Illustrations
Attributed works:
9. Film still from La Défense, The Venturing Gaze, directed by Paulien Oltheten, 2017–18.
Book Review
Models of Integrity: Art and Law in Post-Sixties America. By Joan Kee
12/2019 | 1401 | 161
Pages: 1070-1072
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related names
Reviewer:
van Haaften-Schick, Lauren (van Haaften-Schick, Lauren)
Subjects
dates:
1970-1979 / 1980-1989 / 1990-1999
subjects:
American art / Americans / Law / Art history / Conceptual art / Performance artists / Contracts
Reviewed Items
subjects:
Models of Integrity: Art and Law in Post-Sixties America By Joan Kee. 320 pp. incl. 102 col. ills. (University of California Press, Oakland, 2019), £54. ISBN 978–0–520–29938–2. | :
Illustrations
Attributed works:
7. Performance photograph of One Year Performance 1978–79, by Tehching Hsieh. New York 1978–79. Photograph Cheng Wei Kuong (courtesy the artist).
Book Review
Radicalism in the Wilderness: International Contemporaneity and 1960s Art in Japan. By Reiko Tomii
11/2019 | 1400 | 161
Pages: 979-980
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related names
Reviewer:
Bolwell, Sarah (Bolwell, Sarah)
Subjects
artists:
Matsuzawa, Yutaka / The Play / GUN (Group Ultra Niigata)
subjects:
Japanese art / Conceptual art
Reviewed Items
subjects:
Radicalism in the Wilderness: International Contemporaneity and 1960s Art in Japan By Reiko Tomii. 320 pp. 18 col. + 81 b. & w. ills. (MIT Press, Cambridge and London, 2018), £20. ISBN 978–0–262–53531–1. | :
Illustrations
Attributed works:
9. The Shinano River Plan: 11, by Horikawa Michio. 1969. Stone, wire, mail tags. (Private collection; photograph Reiko Tomii).
Exhibition Review
Jeff Koons at the Ashmolean
04/2019 | 1393 | 161
Pages: 341-343
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related names
Reviewer:
Cahill, James (Cahill, James; Cahill, J.)
Subjects
artists:
Koons, Jeff
dates:
2010-2019
media:
Sculpture
museums and institutions:
Ashmolean Museum, Oxford, Great Britain
subjects:
Contemporary art / Conceptual art
Illustrations
Attributed works:
26. Balloon Venus (magenta), by Jeff Koons. 2008–12. Mirror-polished stainless steel with transparent colour coating, 259.1 by 121.9 by 127 cm. One of five unique versions (Magenta, Red, Violet, Yellow and Orange). (© Jeff Koons; The Broad, Los Angeles; photograph Marc Domage; courtesy Almine Rech Gallery; exh. Ashmolean Museum, Oxford).
Attributed works:
27. Gazing ball (Gericault Raft of the Medusa), by Jeff Koons. 2014–15. Canvas, glass and aluminium, 175.9 by 259 by 37.5 cm. (© Jeff Koons; exh. Ashmolean Museum, Oxford).
Attributed works:
28. Ushering in banality, by Jeff Koons. 1988. Polychromed wood, 96.5 by 157.5 by 76.2 cm. Edition 1 of 3 plus AP. (© Jeff Koons; private Collection; exh. Ashmolean Museum, Oxford).
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