Attributed works:
1. Her Imperial Majesty, the Empress Dowager of China, by Yu Xunling.
1903. Photograph, hand-coloured gelatin silver print, 23.1 by 17.2 cm.
(Museum of Fine Arts, Boston).
Attributed works:
10. Folding screen depicting peacocks among azalea bushes, by Iida
& Co. (Takashimaya). Japan, c.1903. Silk embroidery, 152.4 by
304.8 cm. (From The Principal Exhibits to the Louisiana Purchase
Exposition, St Louis, U.S.A., 1904 by S. Iida, “Takashimaya” Kyoto
Japan; Takashimaya Historical Museum, Osaka).
Attributed works:
12. Folding screen depicting a white phoenix, pine tree and
chrysanthemums. Japan, c.1895–1905. Embroidered silk,
230 by 552 cm., each panel 230 by 69 cm. (Palace Museum, Beijing).
Attributed works:
16. Woman’s coat, made by Iida & Co. (Takashimaya). Japan, c.1900–09.
Silk embroidery on silk crêpe (Metropolitan Museum of Art).
Attributed works:
18. The Meiji Empress, Haruko, by Suziki Shin’ichi I and Maruki Riyō.
1889. Photograph, gelatin silver print signed by Empress Haruko,
27.5 by 20.5 cm. (Freer Gallery of Art and Arthur M. Sackler Gallery
Archives, Washington)
Attributed works:
2. The Empress Dowager Cixi, by Yu Xunling. c.1903. Photograph,
hand-coloured gelatin silver print. (Palace Museum, Beijing).
Attributed works:
3. The Empress Dowager Cixi, by Yu Xunling. c.1903. Photograph
from a glass plate negative, 24.1 by 17.8 cm. (Freer Gallery of Art
and Arthur M. Sackler Gallery Archives, Washington).
Attributed works:
4. The Kangxi Emperor in informal dress at his writing table. Late
seventeenth century. Hanging scroll, ink and colour on silk, image
50.7 by 32 cm. (Palace Museum, Beijing).
Attributed works:
5. The Empress Dowager Tze His [Cixi], of China, by Katharine Carl.
1903. Oil on canvas with original camphor wood frame, canvas 297.2
by 173.4 cm. (Arthur M. Sackler Gallery, Smithsonian National Museum
of Asian Art, Washington).
Attributed works:
6. Folding screen depicting peacocks among peonies, made by
Iida & Co. (Takashimaya). Japan, c.1903. Silk embroidery and later
ink and colour on paper, 268 by 456 cm. (Palace Museum, Beijing).
Attributed works:
7. Detail of Fig.6, showing the padded embroidery of the peonies’
petals. (Photograph the author).
Attributed works:
8. Detail of Fig.6, showing the subtle colour gradations and sheen
of the peacock’s feathers. (Photograph the author).
Attributed works:
9. Detail of Fig.6, showing the Japanese inscription on the back
of the frame. (Photograph the author).
Non-western art unattributed:
11. Wall hanging depicting a landscape. Japan, c.1895–1905.
Yūzen-dyed velvet, image 176 by 116 cm. (Palace Museum, Beijing).
Non-western art unattributed:
13 and 14. Front and back of a woman’s informal court robe
(chenyi). China, c.1905. Silk tapestry (kesi) with embroidery
highlights. (Metropolitan Museum of Art, New York).
Non-western art unattributed:
15. Back of woman’s informal court robe (chenyi). China, c.1905.
Silk tapestry (kesi), lined with squirrel and silver rat fur. (Palace
Museum, Beijing).
Non-western art unattributed:
17. Vase (one of a pair). Japan, c.1895–1905. Cloisonné enamel
(shippō), height 150 cm. (Palace Museum, Beijing).
