6. Memorial portrait of Utagawa Kunisada, by Kunisada II (Toyokuni IV).
1865. Colour woodblock print, 37.2 by 25.4 cm. (Carnegie Museum
of Art, Carnegie Institute, Pittsburgh; Bridgeman Images).
Attributed works:
7. Goten’yama, from the series One hundred beautiful women at famous
places in Edo, by Utagawa Kunisada. 1858. Ink and colour
on paper, 37 by 25.1 cm. (Tokyo Metro Library).
Reframing Japonisme: Women and
the Asian Art Market in Nineteenth-
Century France, 1853–1914
By Elizabeth Emery. 280 pp. incl. 13 col. + 61
b. & w. ills. (Bloomsbury Visual Arts, London,
2020), £90. ISBN 978–1–5013–4463–3. |
:
Illustrations
Attributed works:
5. Young woman holding a Japanese vase
(The Japanese vase), by James Tissot.
c.1870. Oil on canvas, 36.5 by 40.5 cm.
(Private collection).
74. Le Boulevard des Capucines, by Claude Monet. 1873. 79.4 by 59 cm. (Nelson-Atkins Museum of Art, Kansas City; Exh. Art Gallery of Western Australia, Perth).
Attributed works:
75. Terrace at Sainte-Adresse, by Claude Monet. 1867. 98.1 by 129.9 cm. (Metropolitan Museum of Art, New York; Exh. Art Gallery of Western Australia, Perth).
Attributed works:
76. Evening View of Saruwaka Street, by Utagawa Hiroshige. 1856. Colour Woodblock Print, 35.6 by 24.4 cm. (National Gallery of Australia, Canberra; Exh. Art Gallery of Western Australia, Perth).
Attributed works:
77. Turban-Shell Hall of the Five Hundred Rakan Temple, by Katsushika Hokusai. c.1834. 25.2 by 37.8 cm. (National Gallery of Australia, Canberra; Exh. Art Gallery of Western Australia, Perth).
Attributed works:
78. Promenade sur la falaise, by Claude Monet. 1882. 66.5 by 82.3 cm. (Art Institute of Chicago; Exh. Art Gallery of Western Australia, Perth).
Attributed works:
79. Yui, Satta Pass, by Utagawa Hiroshige. 1833-34. Woodblock Print, 22.6 by 35.3 cm. (Musée Claude Monet, Giverny; Exh. Art Gallery of Western Australia, Perth).
Book Review
Beardsley, Japonisme, and the Perversion of the Victorian Ideal
65. Schwigen des Abends, by Kolo Moser, from Ver Sacrum 2 (1899), 25 by 25 cm. (Österreichisches Museum für angewandte Kunst, Vienna).
Non-western art unattributed:
63. Meerbrasse. Japanese, Last Quarter of the Nineteenth Century. Coloured Woodcut from the Collection of Gustav Klimt. (Private Collection, Vienna; Exh. Österreichisches Museum für angewandte Kunst, Vienna).
Non-western art unattributed:
64. Comb. Japanese, Nineteenth Century. Gold Lacquered Wood. (Österreichisches Museum für angewandte Kunst, Vienna).