31. The martyrdom of St Denis, by Léon Bonnat. 1884–85. Canvas, maroufflé to the wall, dimensions unknown. (Panthéon, Paris).
Attributed works:
32. Nous vous donnerons 25 francs pour commencer, by Jean-François Raffaëlli. c.1883–84. Oil on board laid down on panel, 50 by 65 cm. (Private collection).
Attributed works:
33. Vaccination, by Pascal Dagnan-Bouveret. 1882. Canvas, dimensions and whereabouts unknown.
Attributed works:
34. October 1806, by Ernest Meissonier. 1887–90. Canvas, 108.6 by 145.4 cm. (Private collection).
Attributed works:
35. Antonin Proust, by Alfred Roll. 1890. Pastel, dimensions and whereabouts unknown.
Attributed works:
36. Femme en rouge, by Louis Anquetin. 1890. Pastel on paper, 59.5 by 51 cm. (Musée des Beaux-Arts, Tournai).
Attributed works:
37. Calvaire breton, by Paul Gauguin. 1889. Canvas, 92 by 73.5 cm. (Musées Royaux des Beaux-Arts, Brussels).
Attributed works:
38. Le Toussaint, by Emile Friant. 1888. Canvas, 254 by 334 cm. (Musée des Beaux-Arts, Nancy).
Attributed works:
39. Illustration for Alphonse Daudet’s Femmes d’artistes, by Felicien von Myrbach-Rheinfeld. 1889 (English ed. 1890). Wood engraving, 12.5 by 9 cm. (Private collection).
Attributed works:
40. Illustration for Paul Verlaine’s Sagesse, by Maurice Denis. 1889. Lithograph, 5.2 by 11.8 cm. (Bibliothèque nationale, Paris).
Short Notice
‘When the girls come out to play’: Edouard Vuillard and Charles Hodge Mackie, a reattribution
39. Ouvrières dans l’atelier de couture (Two seamstresses in the workroom), by Edouard Vuillard. 1893. Millboard, 13.3 by 19.4 cm. (Scottish National Gallery of Modern Art, Edinburgh).
Attributed works:
40. When the girls come out to play, by Charles Hodge Mackie. c.1892. Paper, 21.5 by 35.5 cm. Formerly known as La Poursuite and attributed to Edouard Vuillard. (Whereabouts unknown).
Attributed works:
41. When the girls come out to play, by Charles Hodge Mackie, engraved by Hare.
Woodcut on paper, 17.6 by 23.5 cm. (sheet size), 8 by 15.2 cm. (image). Published in The Evergreen: Spring, 1895, p.67 (Private collection).
Attributed works:
42. Banks o’ Fordie, by Charles Hodge Mackie. c.1894. Oil on card, 14.9 by 24 cm. (Hunterian Museum and Art Gallery, Glasgow).
Article
Camille Pissarro and Symbolism: Some Thoughts Prompted by the Recent Discovery of an Annotated Article
17. Camille Pissarro's Annotations to G.-A. Aurier's Article 'Le Symbolisme en Peinture - Paul Gauguin' (Ashmolean Museum, Oxford).
Attributed works:
18. La Récolte de Pommes de Terre, by Camille Pissarro. 1886. Etching, Seventh and Last State (Bibliothèque Nationale, Paris).
Attributed works:
19. Programme for the 'Théâtre Libre', by Edouard Vuillard. 1889. Lithograph. (Private Collection, Paris).
Attributed works:
20. Manuscript Letter from Camille Pissarro to His Son Lucien. Dated 20th April 1891. (Ashmolean Museum, Oxford).
Attributed works:
21. Les Faneuses, by Camille Pissarro. 1889. 73 by 60 cm. (Private Collection, West Germany).
Attributed works:
22. Joies de Bretagne, by Paul Gauguin. 1889. Lithograph Drawn on Zinc; One of a Series of Ten Prints on View at the Exhibition of the Groupe Impressionniste et Synthétiste at the Café Volpini, 1889. (Whitworth Art Gallery, Manchester).
Attributed works:
23. Trois femmes étendant du linge, by Emile Bernard. 1889. Lithograph Drawn on Zinc; One of a Series of Six Bretonneries Exhibited at the Café Volpini, 1889. (Musée des Beaux-Arts, Quimper).