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75 articles
Article
Unclogging the eye: Matisse, the ‘Joy of life’ and ‘Japonisme’
12/2024 | 1461 | 166
Pages: 1222–1229
related names
Author:
Holland, Nicole M. (Holland, Nicole M.)
Subjects
collectors and dealers:
dates:
styles:
Illustrations
Attributed works:
1. La Japonaise: woman beside the water, Collioure, by Henri Matisse. 1905. Oil and pencil on canvas, 35 by 28 cm. (© Succession H. Matisse; DACS, London; Photo Scala Florence; Museum of Modern Art, New York).
Attributed works:
2. Joy of life, by Henri Matisse. 1905–06. Oil on canvas, 176.5 by 240.7 cm. (© Succession H. Matisse; DACS, London; Bridgeman Images; Barnes Foundation, Philadelphia).
Attributed works:
3. French painter Henri Matisse at his home, villa ‘Le Rêve’, by Henri Cartier-Bresson. February 1944. Photograph. (© Henri Cartier-Bresson; Magnum Photos).
Attributed works:
4. Paris: les bouquinistes, le long des quais, by Yvon. c.1945. Photograph, 22.2 by 27.3 cm. (Private collection; Bridgeman Images).
Attributed works:
5. Luxe, calme et volupté, by Henri Matisse. 1904. Oil on canvas, 98 by 112 cm. (© Succession H. Matisse; DACS, London; RMN-Grand Palais; Musée d’Orsay, Paris, France).
Attributed works:
6. Memorial portrait of Utagawa Kunisada, by Kunisada II (Toyokuni IV). 1865. Colour woodblock print, 37.2 by 25.4 cm. (Carnegie Museum of Art, Carnegie Institute, Pittsburgh; Bridgeman Images).
Attributed works:
7. Goten’yama, from the series One hundred beautiful women at famous places in Edo, by Utagawa Kunisada. 1858. Ink and colour on paper, 37 by 25.1 cm. (Tokyo Metro Library).
Attributed works:
8. The dessert: harmony in red (the red room), by Henri Matisse. 1908. Oil on canvas, 180 by 220 cm. (© Succession H. Matisse; DACS London; State Hermitage Museum, St Petersburg).
Exhibition Review
Hokusai: The Great Picture Book of Everything
01/2022 | 1426 | 164
Pages: 67-69
related names
Reviewer:
Tinios, Ellis (Tinios, Ellis)
Subjects
dates:
Reviewed Items
subjects:
Hokusai: The Great Picture Book of Everything British Museum, London 30th September 2021– 30th January 2022 | :
Illustrations
Attributed works:
14. Phoenix and peacock, from the series Banmotsu ehon daizen zu (Illustrations for the Great Picture Book of Everything), by Hokusai. 1820s–1840s. Ink on paper mounted on card, 10.5 by 15.2 cm. (British Museum, London).
Attributed works:
15. Frontispiece: ‘India, China’, from the series Banmotsu ehon daizen zu (Illustrations for the Great Picture Book of Everything), by Hokusai. 1820s–1840s. Ink on paper mounted on card, 10.5 by 15.2 cm. (British Museum, London).
Attributed works:
16. Inhabitants of the Land of Tall People, Land of Short People and Land of Longarmed People, from the series Banmotsu ehon daizen zu (Illustrations for the Great Picture Book of Everything), by Hokusai. 1820s–1840s. Ink on paper mounted on card, 10.5 by 15.2 cm. (British Museum, London).
Exhibition Review
Van Gogh and Japan. Van Gogh Museum, Amsterdam
06/2018 | 1383 | 160
Pages: 490-492
related names
Reviewer:
Adler, Kathleen (Adler, Kathleen)
Subjects
dates:
media:
places:
Illustrations
Attributed works:
1. Undergrowth with two figures, by Vincent van Gogh. 1890. Canvas, 49.5 by 99.7 cm. (Cincinnati Art Museum; exh. Van Gogh Museum, Amsterdam).
Attributed works:
2. Bridge in the rain (after Hiroshige), by Vincent van Gogh. 1887. Canvas, 73.3 by 53.8 cm. (Van Gogh Museum, Amsterdam).
Attributed works:
3. Courtesan (after Eisen), by Vincent van Gogh. 1887. Canvas, 100.7 by 60.7 cm. (Van Gogh Museum, Amsterdam).
Attributed works:
4. Self-portrait, by Vincent van Gogh. 1888. Canvas, 61.5 by 50.3 cm. (Harvard Art Museums, Cambridge MA; exh. Van Gogh Museum, Amsterdam).
Exhibition Review
Shunga
01/2014 | 1330 | 156
Pages: 41-42
related names
Reviewer:
Forrer, Matthi (Forrer, Matthi)
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dates:
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Illustrations
Attributed works:
45. Mountains of dyed colours: patterns for the bedroom, by Okumura Masanobu. c. 1740. Woodblock print on paper with hand-colouring, 24.1 by 37.6 cm. (Matsuba Foundation, London; exh. British Museum, London).
Attributed works:
46. Handscroll for the sleeve, by Torii Kiyonaga. 1785. Woodblock print on paper, 12.7 by 66.6 cm. (British Museum, London).
Attributed works:
47. Lovers in the upstairs room of a teahouse, from Utamakura (Poem of the pillow), by Kitagawa Utamaro. 1788. Woodblock print on paper, 27.1 by 37.8 cm. (Uragami Mitsuru collection, Tokyo; exh. British Museum, London).
Book Review
Utamaro and the Spectacle of Beauty
01/2009 | 1270 | 151
Pages: 39-40
related names
Reviewer:
Haft, Alfred (Haft, Alfred)
Subjects
artists:
subjects:
Reviewed Items
subjects:
Utamaro and the Spectacle of Beauty | author: Davis, Julie Nelson
Illustrations
Attributed works:
39. Girls on the seashore at Ise, by Kitagawa Utamaro. Late eighteenth century.Woodblock nishiki-e print on paper, 21 by 17.8 cm. (British Museum, London)
Short Notice
Gustave Caillebotte's Oblique Perspective: A New Source for 'Le Pont de l'Europe'
11/1994 | 1100 | 136
Pages: 759-762
related names
Author:
Lightstone, Rosanne H. (Lightstone, Rosanne H.)
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dates:
places:
subjects:
Illustrations
Attributed works:
29. Le Pont de l'Europe, by Gustave Caillebotte. 1876. 125 by 180 cm. (Musée du Petit Palais, Geneva).
Attributed works:
30. Cotton Goods Lane, Odemma-Cho, by Utagawa Hiroshige. 1958. Woodblock Print, 34 by 23 cm. (The Brooklyn Museum, New York).
Attributed works:
31. Sketch for Le Pont de l'Europe, by Gustave Caillebotte. 1876. 54 by 73 cm. (Private Collection, Paris). Courtesy of Brame & Lorenceau.
Attributed works:
32. Architectural and Perspectival Study for Le Pont de l'Europe, by Gustave Caillebotte. c.1876. Pencil and Ink on Tracing Paper, 12.4 by 16.4 cm. (Private Collection, Paris). Courtesy of Brame & Lorenceau.
Attributed works:
33. Architectural and Perspectival Study for Le Pont de l'Europe, by Gustave Caillebotte. c.1876. Pencil and Ink on Wrapping Paper, 16 by 19 cm. (Private Collection, Paris). Courtesy of Brame & Lorenceau.
Attributed works:
34. Man in a Top Hat, by Martial Caillebotte. c.1876. Photograph. (Private Collection, Paris). Courtesy of Brame & Lorenceau.
Attributed works:
35. Striding Man in a Top Hat, by Gustave Caillebotte. c.1876. Pencil, 53.7 by 19.7 cm. (Private Collection, Paris). Courtesy of Brame & Lorenceau.
Book Review
Hokusai: One Hundred Poets
06/1991 | 1059 | 133
Pages: 393-394
related names
Reviewer:
Screech, Timon (Screech, Timon; Screech, T. B. M.)
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dates:
places:
subjects:
Reviewed Items
subjects:
Hokusai: One Hundred Poets | author: Morse, Peter
Article
Eishi Prints in Whistler's Studio? Eighteenth-Century Japanese Prints in the West before 1870
12/1986 | 1005 | 128
Pages: 873-880
related names
Author:
Watanabe, Toshio (Watanabe, Toshio)
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dates:
dates:
places:
subjects:
Illustrations
Attributed works:
12. Purple and Rose: The Lange Leizen of the Six Marks, by James McNeill Whistler. Signed and Dated 1864. 91.5 by 61.5 cm. (Philadelphia Museum of Art, John G. Johnson Collection, Philadelphia).
Attributed works:
13. Ōgiya Hanaōgi from the Series Seirō bijin rokkasen (Six Select Beauties from the Green House), by Eishi. 1794. Colour Woodcut. Ōban Size.
Attributed works:
14. Harmony in Green and Rose: The Music Room, by James McNeill Whistler. 1860-61. 95.5 by 70.8 cm. (Freer Gallery of Art, Smithsonian Institution, Washington, D. C. (Acc. no.17.234)).
Attributed works:
15. Itsuhana from the Series Seirō geisha sen (Select Geishas from the Green House), by Eishi. c. 1794-95. Colour Woodcut. Ōban Size.
Attributed works:
16. Sumidagawa Ōgiya no zashiki (Ōgiya at the Sumida River) Right-Hand Panel, by Eishi. c. 1790-92. Triptych. Colour Woodcut. Ōban Size.
Attributed works:
17. La princesse du pays de la porcelaine, by James McNeill Whistler. 1863-64. 199.9 by 116.1 cm. (Freer Gallery of Art, Smithsonian Institution, Washington, D. C. (Acc. no. 03.91)).
Attributed works:
18. Sumidagawa Ōgiya no zashiki (Ōgiya at the Sumida River) Centre Panel, by Eishi. c. 1790-92. Triptych. Colour Woodcut. Ōban Size.
Attributed works:
19. Variations in Flesh Colour and Green: The Balcony, by James McNeill Whistler. 1863/4. 61.4 by 48.8 cm. (Freer Gallery of Art, Smithsonian Institution, Washington, D. C. (Acc. no.92.23)).
Attributed works:
20. Chi (Wisdom) from the Series Fūryū jin gi rei chi shin (Five Refined Beauties in the Guise of Benevolence, Righteousness, Propriety, Wisdom and Sincerity), by Toyokuni. c. 1794-95. Colour Woodcut. Ōban Size. (City Art Gallery, Bristol).
Attributed works:
21. Symphony in White and Red, by James McNeill Whistler. 1868. 46.8 by 61.9 cm. (Freer Gallery of Art, Smithsonian Institution, Washington, D. C. (Acc. no. 03.177)).
Attributed works:
22. Niwa no yukimi (Admiring the Snowbound Garden), by Kiyonaga. c. 1790. Diptych. Colour Woodcut. Ōban Size. (Hunterian Art Gallery, University of Glasgow, Birnie Philip Bequest).
Book Review
The Art of Surimono: Privately Published Japanese Woodblock Prints and Books in the Chester Beatty Library, Dublin
06/1986 | 999 | 128
Pages: 442
related names
Reviewer:
Robinson, B. W. (Robinson, B. W.; Robinson, Basil William; R., B. W.)
Subjects
collectors and dealers:
dates:
museums and institutions:
places:
Reviewed Items
subjects:
The Art of Surimono: Privately Published Japanese Woodblock Prints and Books in the Chester Beatty Library, Dublin | author: Keyes, Roger
Book Review
Kuniyoshi: The Warrior Prints
05/1984 | 974 | 126
Pages: 302-303
related names
Reviewer:
Hillier, Jack (Hillier, Jack; Hillier, J.)
Subjects
artists:
dates:
places:
Reviewed Items
subjects:
Kuniyoshi: The Warrior Prints | author: Robinson, B. W.
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