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60 articles
Article
The Cathedral of Notre-Dame-de-la-Conception, Pondicherry
06/2024 | 1455 | 166
Pages: 580–595
related names
Author:
Bailey, Gauvin Alexander (Bailey, Gauvin Alexander)
Subjects
dates:
places:
Illustrations
Attributed works:
1. Dome and lantern, Pondicherry Cathedral (Notre-Damede- la-Conception). 1771–91. (Photograph the author).
Attributed works:
10. The former Capuchin church of Notre-Dame-des-Anges, Pondicherry. 1739 (mostly rebuilt 1770). (Photograph the author).
Attributed works:
11. Plans of the 1763 Jesuit chapel (top) and the Jesuit mission church of Ariyankuppam (bottom), by Jean Perrin. (IRFA Archives, Paris).
Attributed works:
12. Plans of the mission churches at Pinnampoondi (left) and Karivopmundi (right), by Jean Perrin. (IRFA Archives, Paris).
Attributed works:
13. Pondicherry Cathedral. (From M. Adolphe Delessert: Souvenirs d’un voyage dans l’Inde, Paris 1843).
Attributed works:
14. Design for the Madras Gate, Pondicherry, here attributed to François-Anne-Marie Rapine de Saxy. 1788. (Archives Nationales d’Outre-mer, Aix-en-Provence).
Attributed works:
15. Design for the Palace of Justice, Pondicherry, here attributed to François-Anne-Marie Rapine de Saxy. 1788. (Archives Nationales d’Outre-mer, Aix-en-Provence).
Attributed works:
16. Val-de-Grâce, Paris, by François Mansart, Pierre Le Muet and others. 1624, 1644–48 and 1654–69. (From J. Mariette: L’Architecture François, Paris 1727).
Attributed works:
17 Street façade of the Church of the Sorbonne, Paris, by Jacques Le Mercier. 1634–42. (From J. Mariette: L’Architecture françois, Paris 1727).
Attributed works:
18. The Jesuit church of Notre-Dame, Chandernagore. Completed 1698. Watercolour and ink on paper, 40 by 29 cm. (From Usages de Siam, 1696, Bibliothèque nationale de France, Paris).
Attributed works:
19 Trophée of Christ’s Passion. (From P. Ranson: OEuvres contenant un recueil de trophées, attributs, cartouches, vases, fleurs [. . .], Paris 1778, book 12, no.1).
Attributed works:
2. Interior of the nave, looking west, Pondicherry Cathedral. (Photograph the author).
Attributed works:
20. Trophée of the Paschal Lamb. (From P. Ranson: OEuvres contenant un recueil de trophées, attributs, cartouches, vases, fleurs [. . .], Paris 1778, book 12, no.6).
Attributed works:
3. The façade of Pondicherry Cathedral, here attributed to François- Anne-Marie Rapine de Saxy. (Photograph the author).
Attributed works:
4. Plan of Pondicherry Cathedral. (Ecole française d'Extrême-Orient, Pondicherry).
Attributed works:
5. Detail of Fig.1, showing the pediment. (Photograph the author).
Attributed works:
6. Tower and part of the vault of the crossing, Pondicherry Cathedral. (Photograph the author).
Attributed works:
7. View of the crossing from the right transept, Pondicherry Cathedral. (Photograph the author).
Attributed works:
8. Left side aisle looking east, Pondicherry Cathedral. (Photograph the author).
Attributed works:
9. View of the crossing from the right transept extension, looking south, Pondicherry Cathedral. (Photograph the author).
Article
‘The swing’ by Jean-Honoré Fragonard: new hypotheses
05/2024 | 1454 | 166
Pages: 446–469
related names
Author:
Jackall, Yuriko (Jackall, Yuriko)
Subjects
dates:
museums and institutions:
sources:
styles:
Illustrations
Attributed works:
1. Les hazards heureux de l’escarpolette, by Nicolas Delaunay after Jean-Honoré Fragonard. 1782. Etching and engraving. 62.1 by 45.0 cm. (sheet). (Cleveland Museum of Art).
Attributed works:
10. Menacing Cupid, by Étienne-Maurice Falconet. 1757. Marble, height 185 cm. (Rijksmuseum, Amsterdam).
Attributed works:
11. Detail of Fig.2, showing the woman gesturing on the swing.
Attributed works:
12. The Neapolitan gesture, by Jean-Baptiste Greuze. 1757. Oil on canvas, 73 by 94.3 cm. (Worcester Art Museum; Bridgeman Images).
Attributed works:
13. The sale of cupids, by Joseph-Marie Vien. 1763. Oil on canvas, 116 by 141 cm. (Château de Fontainebleau; Bridgeman Images).
Attributed works:
14. Duthé lying down, by Lié-Louis Périn-Salbreux. 1778. Oil on canvas, 65 by 75.8 cm. (Musée des beaux-arts, Reims).
Attributed works:
15. Detail of The well-loved mother, by Jean Massard after Jean- Baptiste Greuze. 1775. Engraving with etching on laid paper. (National Gallery of Art, Washington).
Attributed works:
16. Detail of Fig.2, showing the older man and the dog.
Attributed works:
17. Detail of Portrait of a young woman, by Jean-Honoré Fragonard. 1770s. Oil on canvas. (Metropolitan Museum of Art, New York).
Attributed works:
18. Detail of Woman with a dog, by Jean-Honoré Fragonard. c.1769. Oil on canvas. (Metropolitan Museum of Art, New York).
Attributed works:
19. The drunken Silenus, accompanied by nymphs and satyrs, by Willem Panneels after Peter Paul Rubens. 1632. Etching, 14.7 by 15.3 (trimmed sheet). (Metropolitan Museum of Art, New York).
Attributed works:
2. The swing, by Jean-Honoré Fragonard. 1767. Oil on canvas, 81 by 64.2 cm. (Wallace Collection, London).
Attributed works:
20. Coresus sacrificing himself to save Callirhoe, by Jean-Honoré Fragonard. 1765. Oil on canvas, 309 by 400 cm. (Musée du Louvre, Paris; Bridgeman Images).
Attributed works:
21. Photomicrograph of The swing (taken near area of foliage in lower left). Photograph taken with a Leica M60 stereomicroscope at 20x magnification by painting conservator Martin Wyld.
Attributed works:
22. Detail of The confessional, by Pierre-Étienne Moitte after Pierre- Antoine Baudouin. 1777. Etching and engraving. (Bibliothèque nationale de France, Paris).
Attributed works:
23. Photomicrograph of The swing (taken in lower-left foliage). Photograph taken with a Leica M60 stereomicroscope at 20x magnification by painting conservator Martin Wyld.
Attributed works:
24. The swing, by Jean-Honoré Fragonard. 1775–80. Oil on canvas, 215.9 by 185.5 cm. (National Gallery of Art, Washington).
Attributed works:
25. The good mother, by Jean-Honoré Fragonard. c.1773–79. Oil on canvas, 49 by 39 cm. (Private collection; Bridgeman Images).
Attributed works:
26. Detail of Fig.24, showing the positions of the figural group.
Attributed works:
27. Rest on the flight into Egypt, by Jean-Honoré Fragonard. 1781. Pen, black chalk and brown washes highlighted with watercolour on paper, 42.2 by 34 cm. (Musée du Louvre, Paris).
Attributed works:
28. L’armoire (The wardrobe), by Jean-Honoré Fragonard. 1778. Brown ink over black chalk, 34 by 46.5 cm. (Hamburger Kunsthalle).
Attributed works:
29. Le verrou (The bolt), by Jean-Honoré Fragonard. 1778. Red chalk, brush, brown ink, touches of pen and brown ink, pen and brown ink framing line, 24 by 36.5 cm. (Courtesy Christie’s, New York).
Attributed works:
3. Detail of Fig.2, showing the younger man.
Attributed works:
30. Les hazards heureux de l’escarpolette, by Nicolas Delaunay after Jean-Honoré Fragonard. 1782. Etching and engraving, 38.8 by 30.4 cm. (Artstor).
Attributed works:
31. La bonne mère, by Nicolas Delaunay after Jean-Honoré Fragonard. 1779. Etching, 67.8 by 53.6 cm (sheet). (Metropolitan Museum of Art, New York).
Attributed works:
32. Portrait of François-Marie Ménage de Pressigny. Oil on canvas, 60.5 by 49 cm. (Courtesy Galerie Noblesse des grands siècles, Paris / Valérie Pagé).
Attributed works:
33. La bascule (The see-saw), by Jean-Honoré Fragonard. c.1752. Oil on canvas, 120 by 94.5 cm. (Museo Nacional Thyssen-Bornemisza, Madrid).
Attributed works:
34. Detail of Le billet doux, by Nicolas Delaunay after Nicolas Lavreince. 1778. Etching and engraving. (National Gallery of Art, Washington).
Attributed works:
4. Detail of The swing, showing layers of yellow varnish partially removed.
Attributed works:
5. Blonde odalisque, by François Boucher. 1752. Oil on canvas, 59 by 73 cm. (Alte Pinakothek, Munich).
Attributed works:
6. Woman urinating, by François Boucher. 1760s. Oil on canvas, 51.5 by 40.5 cm. (Private collection).
Attributed works:
7. Le Matin (Morning), by Pierre-Antoine Baudouin. c.1767. Gouache over traces of graphite, paper pasted onto board, 25.9 by 19.1 cm. (Metropolitan Museum of Art, New York).
Attributed works:
8. The rising, by Jean-Honoré Fragonard. 1770. Oil on canvas, 74 by 59 cm. (© Los Angeles County Museum of Art; collection of Lynda & Stewart Resnick, Los Angeles).
Attributed works:
9. Detail of Fig.2, showing the gesture of the sculpture of Cupid.
Article
Girodet’s ‘Coriolanus taking leave of his family’ rediscovered
10/2023 | 1447 | 165
Pages: 1094–1105
related names
Author:
Wile, Aaron (Wile, Aaron)
Subjects
dates:
sources:
Illustrations
Attributed works:
1. Coriolanus taking leave of his family, by Anne-Louis Girodet de Roussy-Trioson. 1786. Oil on canvas, 114 by 146 cm. (National Gallery of Art, Washington).
Attributed works:
10. Horatius killing his sister Camilla, by Anne-Louis Girodet de Roussy- Trioson. 1785. Oil on canvas, 111 by 148 cm. (Musée Girodet, Montargis).
Attributed works:
11. Oath of the Horatii, by Anne-Louis Girodet de Roussy-Trioson Girodet after Jacques-Louis David. 1786. Oil on canvas, 130.2 by 166.7 cm. (Toledo Museum of Art).
Attributed works:
12. Death of Socrates, by Jacques-Louis David. 1787. Oil on canvas, 129.5 by 196.2 cm. (Metropolitan Museum of Art, New York).
Attributed works:
13. Detail of Fig.1, showing the pose of Coriolanus and his eldest son.
Attributed works:
14. Detail of Fig.1, showing the altar to the household gods.
Attributed works:
15. Scene from a deluge, by Anne-Louis Girodet de Roussy-Trioson Girodet. 1806. Oil on canvas, 494 by 341 cm. (Musée du Louvre, Paris; Photo Josse; Bridgeman Images).
Attributed works:
16. Intervention of the Sabine women, by Jacques-Louis David. 1799. Oil on canvas, 385 by 522 cm. (Musée du Louvre, Paris; Bridgeman Images).
Attributed works:
2. Coriolanus leaving his family to fight against his fatherland, by Henri de Favanne. 1725. Oil on canvas, 97.5 by 130 cm. (Musée d’Auxerre; akg-images).
Attributed works:
3. Coriolanus taking leave of his wife to join the Volscians in their attack upon Rome, by Étienne Aubry. c.1780. Oil on canvas, 146.7 by 196.2 cm. (Mount Holyoke College Art Museum, South Hadley).
Attributed works:
4. Coriolanus entreated by his mother, by Nicolas Poussin. c.1650. Oil on canvas, 112 by 198.5 cm. (Musée Poussin, Les Andelys).
Attributed works:
6. Detail from Roman album no.8, by Jacques-Louis David. 1775–80. Pen and black ink, brown and grey wash, black chalk, some red chalk and chalk wash on paper, mounted to album leaves, 48.7 by 33 cm. (Morgan Library and Museum, New York).
Attributed works:
7. Detail of Fig.1, showing the pose of Veturia.
Attributed works:
8. Coriolanus taking leave of his wife. Last quarter of the eighteenth century. Oil on canvas, 125 by 169 cm. (Musée d’Art et d’Histoire, Cholet; RMN-Grand Palais; Gérard Blot).
Attributed works:
9. Horatius killing his sister Camilla, by Jacques-Louis David. 1781. Ink on paper, 27.5 by 38.7 cm. (Albertina, Vienna; akg-images).
Western art unattributed:
5. Detail of Brutus. Roman, 4th century BC. Bronze, height 69 cm. (Capitoline Museums, Rome; photograph Luisa Ricciarini; Bridgeman Images).
Article
The industry and ingenuity of William Ince and John Mayhew
09/2023 | 1446 | 165
Pages: 996-1001
related names
Author:
Wood, Lucy (Wood, Lucy)
Subjects
Illustrations
Attributed works:
1. Bed, by Ince and Mayhew. 1768. Mahogany and other woods, with original blue silk ‘flowered tabby’ in the ‘Large Antique Headboard’, tester and cornice, height 356 cm. (The Burghley House Collection, Stamford).
Attributed works:
2. Commode, by Ince and Mayhew, designed by Robert Adam. 1775. Veneered in harewood, tulipwood, satinwood and other woods, with painted decoration and ormolu mounts, 93 by 137 by 53.5 cm. (The Derby Collection).
Attributed works:
3. Commode (one of a pair and ensuite with a pair of corner cupboards), by Ince and Mayhew. 1767. Reworked seventeenth-century marquetry with ormolu mounts, 98 by 10 by 72 cm. (The Burghley House Collection, Stamford).
Attributed works:
4. Commode, by Ince and Mayhew. 1765. Veneered in yew, holly and marquetry, with ebonised mouldings and ormolu mounts, 82 by 136 by 58 cm. (Private collection; Christie’s Images; Bridgeman Images).
Attributed works:
5. Detail of a commode (one of a pair) by Ince and Mayhew, showing a shaded and engraved husk festoon in ‘yellow wood’ inlaid on a mahogany ground, passing over and under a frieze moulding and a chequered line border. 1767. (The Burghley House Collection, Stamford).
Attributed works:
6. Boulle cabinet, on a table stand by Ince and Mayhew. Cabinet early eighteenth century, attributed to André-Charles Boulle; stand c.1780. Cabinet veneered in tortoiseshell and horn, inlaid with brass, with ormolu mounts; stand giltwood; overall height 209 cm., height of stand 94 cm. (The Buccleuch Collections, Boughton, Northamptonshire; by kind permission of the Duke of Buccleuch and Queensberry, KT).
Attributed works:
7. Two armchairs decorated with profiles of George III and Queen Charlotte, probably part of an original set of ten, supplied by Ince and Mayhew to Warren Hastings. c.1790. Painted wood, approx. 93 by 53.5 by 60 cm. (The Harrowby Collection).
Article
Sicilian silver in Malta: an eighteenth-century ciborium in Mdina
01/2023 | 1438 | 165
Pages: 42-49
related names
Author:
Cruciata, Roberta (Cruciata, Roberta)
Subjects
artists:
dates:
media:
museums and institutions:
places:
subjects:
Illustrations
Attributed works:
1. Ciborium, by Decio Furnò. 1781–82. Silver, gilded silver and velvet, 69 by 66 cm. (Cathedral Museum, Mdina; photograph Mario Mintoff).
Attributed works:
10. Detail of Fig.1, showing the cartouche with the coat of arms of the Arezzo family.
Attributed works:
11. Tombstone of Fra’ Corrado Arezzo e Zacco. Sicilian(?), after 1782. Polychrome marble, 228 by 107 cm. (Co-Cathedral of St John the Baptist, Valletta; © St John’s Co-Cathedral Foundation).
Attributed works:
2. Detail of Fig.1, showing the cherubim’s heads and other decorative elements.
Attributed works:
3. Cartouche nouveau, by Pierre-Edme Babel. Mid-eighteenth century. Engraving, 20.5 by 16 cm. (Biblioteca centrale della Regione siciliana ‘Alberto Bombace’, Palermo, with the kind permission of the Assessorato regionale dei Beni Culturali e dell’Identità Siciliana, Dipartimento Beni Culturali e dell’Identità Siciliana).
Attributed works:
4. Detail of Fig.1, showing the mark of Syracuse (an eagle in profile), the consul’s mark, NSC81, and the maker’s mark, DF.
Attributed works:
5. Detail of Fig.1, showing the consul’s mark, NSC81, and the maker’s mark, DF.
Attributed works:
6. Detail of Fig.1, the mark of Syracuse (an eagle in profile) and the consul’s mark, GACH82.
Attributed works:
7. Detail of Fig.1, showing the consul’s mark, NSC81, and the maker’s mark, DF.
Attributed works:
8. Detail of Fig.1, showing the interior of the ciborium and the later taffeta lining.
Attributed works:
9. Ciborium and throne, by Decio Furnò. 1772–73. Silver, gilded silver, copper and velvet, height 175 by 100 by 55 cm. (S. Marco, Enna; photograph Rocco Lombardo).
Article
Gainsborough in London
05/2022 | 1430 | 164
Pages: 478-485
related names
Author:
Robinson, Duncan (Robinson, Duncan)
Subjects
dates:
places:
Illustrations
Attributed works:
1. The Mall in St James’s Park, by Thomas Gainsborough. c.1783. Oil on canvas, 120.6 by 147 cm. (Frick Collection, New York).
Attributed works:
2. Mrs George Drummond, attributed in the book under review to Thomas Gainsborough and Gainsborough Dupont and dated c.1784. Oil on canvas, 230.1 by 152 cm. (Montreal Museum of Fine Arts).
Attributed works:
3. Mrs Grace Dalrymple Elliott, by Thomas Gainsborough. 1777–78. Oil on canvas, 234.3 by 153.7 (Metropolitan Museum of Art, New York).
Attributed works:
4. Samuel Linley, by Thomas Gainsborough. 1777–78. Oil on canvas, 75.9 by 63.5 cm. (Dulwich Picture Gallery).
Attributed works:
5. Karl Friedrich Abel, by Thomas Gainsborough. c.1765. Oil on canvas, 125 by 100 cm. (National Portrait Gallery, London).
Attributed works:
6. Diana and Actaeon, by Thomas Gainsborough. c.1785–88. Oil on canvas, 158.1 by 188 cm. (Royal Collection Trust; © HM Queen Elizabeth II 2022).
Attributed works:
7. The watering place, by Thomas Gainsborough. Before 1777. Oil on canvas, 147.3 by 180.3 cm. (National Gallery, London).
Attributed works:
8. The Marsham children, by Thomas Gainsborough. 1787. Oil on canvas, 242.9 by 181.9 cm. (Gemäldegalerie der Staatlichen Museen zu Berlin – Preußischer Kulturbesitz; photograph Jörg P. Anders).
Article
An inventory of the art collection of Etienne-Nicolas Dutartre de Bourdonné, 1782
05/2020 | 1406 | 162
Pages: 388-403
related names
Author:
de Quénetain, Christophe (de Quénetain, Christophe)
Author:
Weil-Curiel, Moana (Weil-Curiel, Moana)
Subjects
dates:
places:
Illustrations
Attributed works:
1. St John the Baptist in the wilderness, by Guido Reni. c.1636–37. Oil on canvas, 225 by 162 cm. See no.47. (Dulwich Picture Gallery, London).
Attributed works:
10. St Jerome, by Leonardo. c.1480. Oil on panel, 130 by 75 cm. See no.38. (Vatican Pinacoteca, Rome).
Attributed works:
11. The Holy Family with St Francis, by Bartolomeo Schedoni. c.1610. Oil on canvas, 87 by 69.8 cm. See no.72. (Private collection).
Attributed works:
12. Mignot’s ‘Venus’ at the Salon of 1757, by Gabriel de Saint-Aubin. c.1757. Pen and ink, wash and gouache over pencil on paper, 13.2 by 16 cm. See no.95. (Private collection).
Attributed works:
2. Geneviève Françoise Randon de Malboissière, by Jean-Baptiste Lemoyne. c.1768. Marble, height 80.2 cm. (Metropolitan Museum of Art, New York).
Attributed works:
3. Adoration of the shepherds, by Jean Audran after Adriaan Van der Cabel. Etching on paper, 44.1 by 51.2 . See no.1. (National Library of Brazil, Rio de Janeiro).
Attributed works:
4. St John the Baptist, attributed to Nicolas de Largillière. c.1700. Oil on canvas. See no.12. (Location unknown; photograph c.1960; courtesy Musée du Louvre, Paris).
Attributed works:
5. The parable of the precious pearl, by Domenico Feti. c.1700–25. Oil on panel, 60 by 44.2 cm. See no.13. (Mus e des Beaux-Arts, Caen).
Attributed works:
6. Susanna bathing, by Tintoretto or Andrea Schiavone. Mid-sixteenth century. Photograph c.1966. Oil on canvas, 40.6 by 44.5 cm. See no.18. (Photographic archive, Fondazione Federico Zeri, Bologna).
Attributed works:
7. The Israelites gathering manna, by Francesco Bassano the Younger. c.1569–92. Oil on canvas, 74.9 by 96.5 cm. See no.31. (The National Trust, Ham House, Surrey).
Attributed works:
8. Prosper Jolyot de Crébillon, by Maurice Quentin de La Tour. c.1761. Pastel on paper, 45.9 by 37.6 cm. See no.32. (Private collection).
Attributed works:
9. The adoration of the shepherds, by Sebastiano Conca. c.1720. Oil on canvas, 243.8 by 264.2 cm. See no.34. (J. Paul Getty Museum, Los Angeles).
Article
Maria Cosway’s ‘A Persian going to adore the sun’
04/2020 | 1405 | 162
Pages: 300-305
related names
Author:
Boucher, Diane (Boucher, Diane)
Subjects
dates:
subjects:
Illustrations
Attributed works:
1. A Persian going to adore the sun, by Maria Cosway. 1784. Oil on canvas, 61 by 73.7 cm. (Sir John Soane’s Museum, London).
Attributed works:
2. A woman worshipping the sun, from the Gulshan Album, attributed to Basawan. c.1590–95. Watercolour and gold on paper, 42.6 by 26.7 cm. (page). (Museum of Islamic Art, Doha).
Attributed works:
3. A woman worshipping the sun, attributed to Madhu. c.1595. Gouache with gold on paper, 15.5 by 10.4 cm. (Courtesy Oliver Forge and Brendan Lynch ltd., London).
Attributed works:
4. Hope (Spes), by Georges Reverdy. 1550–60. Engraving, 16.8 by 10.8 cm. (British Museum, London).
Attributed works:
5. Shah Alam, the Mughal Emperor reviewing the Third Brigade of the East India troops at Allahabad, by Tilly Kettle. 1781. Oil on canvas. (Victoria Memorial, Calcutta).
Attributed works:
6. A Persian going to adore the sun, by James Walker after Maria Cosway. 1784. Mezzotint, 35.2 by 40.3 cm. (British Museum, London).
Attributed works:
7. A Persian going to adore the sun, by Emma Smith after Maria Cosway. 1801. Mezzotint, 45 by 30 cm. (British Museum, London).
Attributed works:
8. A British minister worshipping the meridian sun, published by G. Humphrey. 1786. Etching, 22.8 by 26.8 cm. (British Museum, London).
Attributed works:
9. Detail of The Picture Room in the House of John Soane Esq, Lincoln’s Inn Fields, 1st March 1824, by Henry Shaw. (Repr. in J. Britton and A. Pugin: Illustrations of the Public Buildings of London, London 1825–28).
Short Notice
Ornament from China: sources for a garden folly design by Jean-Jacques Lequeu
03/2020 | 1404 | 162
Pages: 216-219
related names
Author:
Choi, Kee Il Jr (Choi, Kee Il Jr)
Subjects
dates:
media:
subjects:
Illustrations
Attributed works:
1. Details of the ‘jeu de bague chinois’ at Monceau, by Jean-Jacques Lequeu. c.1780. Ink on paper, 44.8 by 34.9 cm. (Bibliothèque nationale de France, Paris).
Attributed works:
2. Design for a ring stand for the ‘jeu de bague’ at Chatou, by Jean-Jacques Lequeu. c.1780. Ink, wash and watercolour on paper, 21.9 by 18.2 cm. (Bibliothèque nationale de France, Paris).
Attributed works:
3. Design for the ‘jeu de bague’ at Chatou, by Jean-Jacques Lequeu. c.1780. Pencil on paper, 20.4 by 12.4 cm. (Bibliothèque nationale de France, Paris).
Non-western art unattributed:
4. Design for a ceramic sculpture of the Daoist immortal Lü Dongbin. Chinese, c.1770. Ink and watercolour on paper, 24.8 by 24.9 cm. (From Recueil de Vases Antiques. et Piéces [sic], tirés des Cabinets Chinois de l’Empereur Kien-Long., pl.8; private collection; photograph by Richard P. Goodbody).
Non-western art unattributed:
5. Design for a ceramic sculpture of a Daoist immortal. Chinese, c.1770. Ink and watercolour on paper, 24.8 by 24.9 cm. (From in Recueil de Vases Antiques. et Piéces [sic], tirés des Cabinets Chinois de l’Empereur Kien-Long., pl.12; private collection; photograph Richard P. Goodbody).
Book Review
Pompeo Batoni: A Complete Catalogue of His Paintings. By Edgar Peters Bowron
02/2019 | 1391 | 161
Pages: 164-166
related names
Reviewer:
Loire, Stéphane (Loire, Stéphane)
Subjects
artists:
places:
Illustrations
Attributed works:
1. Genius and the Arts, by the workshop of Pompeo Batoni. c.1744. Canvas, 98.5 by 74 cm. (Location unknown).
Attributed works:
2. Francis Basset, 1st Baron of Dunstanville, by Pompeo Batoni. 1778. Canvas, 221 by 157 cm. (Museo Nacional del Prado, Madrid).
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