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5 articles
Article
‘The swing’ by Jean-Honoré Fragonard: new hypotheses
05/2024 | 1454 | 166
Pages: 446–469
related names
Author:
Jackall, Yuriko (Jackall, Yuriko)
Subjects
dates:
museums and institutions:
sources:
styles:
Illustrations
Attributed works:
1. Les hazards heureux de l’escarpolette, by Nicolas Delaunay after Jean-Honoré Fragonard. 1782. Etching and engraving. 62.1 by 45.0 cm. (sheet). (Cleveland Museum of Art).
Attributed works:
10. Menacing Cupid, by Étienne-Maurice Falconet. 1757. Marble, height 185 cm. (Rijksmuseum, Amsterdam).
Attributed works:
11. Detail of Fig.2, showing the woman gesturing on the swing.
Attributed works:
12. The Neapolitan gesture, by Jean-Baptiste Greuze. 1757. Oil on canvas, 73 by 94.3 cm. (Worcester Art Museum; Bridgeman Images).
Attributed works:
13. The sale of cupids, by Joseph-Marie Vien. 1763. Oil on canvas, 116 by 141 cm. (Château de Fontainebleau; Bridgeman Images).
Attributed works:
14. Duthé lying down, by Lié-Louis Périn-Salbreux. 1778. Oil on canvas, 65 by 75.8 cm. (Musée des beaux-arts, Reims).
Attributed works:
15. Detail of The well-loved mother, by Jean Massard after Jean- Baptiste Greuze. 1775. Engraving with etching on laid paper. (National Gallery of Art, Washington).
Attributed works:
16. Detail of Fig.2, showing the older man and the dog.
Attributed works:
17. Detail of Portrait of a young woman, by Jean-Honoré Fragonard. 1770s. Oil on canvas. (Metropolitan Museum of Art, New York).
Attributed works:
18. Detail of Woman with a dog, by Jean-Honoré Fragonard. c.1769. Oil on canvas. (Metropolitan Museum of Art, New York).
Attributed works:
19. The drunken Silenus, accompanied by nymphs and satyrs, by Willem Panneels after Peter Paul Rubens. 1632. Etching, 14.7 by 15.3 (trimmed sheet). (Metropolitan Museum of Art, New York).
Attributed works:
2. The swing, by Jean-Honoré Fragonard. 1767. Oil on canvas, 81 by 64.2 cm. (Wallace Collection, London).
Attributed works:
20. Coresus sacrificing himself to save Callirhoe, by Jean-Honoré Fragonard. 1765. Oil on canvas, 309 by 400 cm. (Musée du Louvre, Paris; Bridgeman Images).
Attributed works:
21. Photomicrograph of The swing (taken near area of foliage in lower left). Photograph taken with a Leica M60 stereomicroscope at 20x magnification by painting conservator Martin Wyld.
Attributed works:
22. Detail of The confessional, by Pierre-Étienne Moitte after Pierre- Antoine Baudouin. 1777. Etching and engraving. (Bibliothèque nationale de France, Paris).
Attributed works:
23. Photomicrograph of The swing (taken in lower-left foliage). Photograph taken with a Leica M60 stereomicroscope at 20x magnification by painting conservator Martin Wyld.
Attributed works:
24. The swing, by Jean-Honoré Fragonard. 1775–80. Oil on canvas, 215.9 by 185.5 cm. (National Gallery of Art, Washington).
Attributed works:
25. The good mother, by Jean-Honoré Fragonard. c.1773–79. Oil on canvas, 49 by 39 cm. (Private collection; Bridgeman Images).
Attributed works:
26. Detail of Fig.24, showing the positions of the figural group.
Attributed works:
27. Rest on the flight into Egypt, by Jean-Honoré Fragonard. 1781. Pen, black chalk and brown washes highlighted with watercolour on paper, 42.2 by 34 cm. (Musée du Louvre, Paris).
Attributed works:
28. L’armoire (The wardrobe), by Jean-Honoré Fragonard. 1778. Brown ink over black chalk, 34 by 46.5 cm. (Hamburger Kunsthalle).
Attributed works:
29. Le verrou (The bolt), by Jean-Honoré Fragonard. 1778. Red chalk, brush, brown ink, touches of pen and brown ink, pen and brown ink framing line, 24 by 36.5 cm. (Courtesy Christie’s, New York).
Attributed works:
3. Detail of Fig.2, showing the younger man.
Attributed works:
30. Les hazards heureux de l’escarpolette, by Nicolas Delaunay after Jean-Honoré Fragonard. 1782. Etching and engraving, 38.8 by 30.4 cm. (Artstor).
Attributed works:
31. La bonne mère, by Nicolas Delaunay after Jean-Honoré Fragonard. 1779. Etching, 67.8 by 53.6 cm (sheet). (Metropolitan Museum of Art, New York).
Attributed works:
32. Portrait of François-Marie Ménage de Pressigny. Oil on canvas, 60.5 by 49 cm. (Courtesy Galerie Noblesse des grands siècles, Paris / Valérie Pagé).
Attributed works:
33. La bascule (The see-saw), by Jean-Honoré Fragonard. c.1752. Oil on canvas, 120 by 94.5 cm. (Museo Nacional Thyssen-Bornemisza, Madrid).
Attributed works:
34. Detail of Le billet doux, by Nicolas Delaunay after Nicolas Lavreince. 1778. Etching and engraving. (National Gallery of Art, Washington).
Attributed works:
4. Detail of The swing, showing layers of yellow varnish partially removed.
Attributed works:
5. Blonde odalisque, by François Boucher. 1752. Oil on canvas, 59 by 73 cm. (Alte Pinakothek, Munich).
Attributed works:
6. Woman urinating, by François Boucher. 1760s. Oil on canvas, 51.5 by 40.5 cm. (Private collection).
Attributed works:
7. Le Matin (Morning), by Pierre-Antoine Baudouin. c.1767. Gouache over traces of graphite, paper pasted onto board, 25.9 by 19.1 cm. (Metropolitan Museum of Art, New York).
Attributed works:
8. The rising, by Jean-Honoré Fragonard. 1770. Oil on canvas, 74 by 59 cm. (© Los Angeles County Museum of Art; collection of Lynda & Stewart Resnick, Los Angeles).
Attributed works:
9. Detail of Fig.2, showing the gesture of the sculpture of Cupid.
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Advertisements March 2017 (front)
03/2017 | 1368 | 159
Pages: s.p.
Subjects
advertisements:
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advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
[Agnews, London. Venus, Cupid and Ceres, by Cornelis Cornelisz van Haarlem (1562-1638). Oil on canvas, 96.7 by 109.2 cm]
Attributed works:
[Agnew’s. 6 St. James Place. London. Matthias Stomer, The Martyrdom of Saint Bartholomew (a detail)]
Attributed works:
[Aktis Gallery, London. Still life with guitar, plates, book, pipes bottles and glasses, by Le Courbusier (1887-1965). Collage, gouache and ink on paper, 74 by 81 cm]
Attributed works:
[Arnoldi-Livie. Galleriest. 2b. Munich. Wilhelm von Kobell (1766-1853). Fox Hunting in Upper Bavaria, 1834 (detail). Watercolor, 19.3 x 24.2 cm. Signed and dated lower right: "W Kobell 1834"]
Attributed works:
[Bijl-Van Urk BV, Alkmaar. A river landscape with angler beyond the Grote Kerk of Naarden, by Jacob van Ruisdael (1628-1682). c. 1649. Oil on canvas, 26.5 by 38 cm]
Attributed works:
[Bonhams. New Bond Street. London. A set of four George III silver candlesticks by Paul Storr. London 1815]
Attributed works:
[Bonhams. New Bond Street. London. Demetre Chiparus (Romanian, 1886-1947). An Art Deco bronze and ivory figure of The Starfish Dancer.]
Attributed works:
[Bonhams. New Bond Street. London. Lord Frederic Leighton (British, 1830-1896). A bronze figure of an Athlete struggling with a Pyton]
Attributed works:
[Brame & Lorenceau, Paris. Coloured Rhytm (project for a large panel exhibited in the Tuileries), by Sonia Delaunay (1885-1979). Gouache and pencil on paper, 39 by 46.5 cm]
Attributed works:
[Burzio, London and Farnham. A royal neoclassical table en commode for King Vittorio Amodeo III, by Giovanni Galletti (1735-1810). Marquetry in precious woods and ivory.]
Attributed works:
[Carlo Orsi, Milan. Christ as the suffering redeemer, by Giovanni Battiste Benvenuti, called L'Ortolano (1485-1527). Oil on panel, 19.5 by 39.2 cm]
Attributed works:
[Charles Ratton & Guy Ladrière. 11, quai Voltaire. Paris. François Boucher (1703 - Paris - 1770). Jephté se lamentant à la vue de sa fille. Red chalk, 44 x 57 cm]
Attributed works:
[Christie’s. Paris. 9. Avenue Matignon. Francesco GUardi (1712-1793). Piazza San Marco, with the Basilica and the Campanile. oil on canvas. 69.8 x 101.9 cm. (27 1/2 x 40 1/8 in.)]
Attributed works:
[Didier Aaron & Cie, Paris, New York, London. A Bishop destroying idols, by Gabriel-François Doyen (1726-1806). Pen and brown ink and wash, 21.9 by 16 cm]
Attributed works:
[Didier Aaron. Antoine-François Callet. Portrait of Louis XVI]
Attributed works:
[Dorotheum. Palais Dorotheum, Vienna. Paul Bril, Coastal view with a large shipwreck being dismantled, oil on canvas, 128x200 cm (detail).]
Attributed works:
[Dr. Jorn Gunther Rare Books AG, Basel. Compleints de la Foy, by the Master of the Entry of François I. Lyon, c. 1504-1506. Vellum, 28.1 by 18.5 cm]
Attributed works:
[Eric Gillis Fine Art, Brussels. Bretons resting, by Charles Laval (1862-1894). 1889. Gouache, watercolour, chalk and pencil on board, 49 by 63 cm]
Attributed works:
[Galerie Arnoldi-Livie, Munich. Male figures and horses and riders in movement, by Théodore Géricault (1791-1824). c.1817. Pen and brown ink, 18.4 by 25.5 cm]
Attributed works:
[Galerie Berés, Paris. Composition 1948, by Nicolas de Stael (1914-55). Pen, brush and India ink on paper, 28.5 38 cm.]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Wallerant Vaillant (Lille, 1623 - Amsterdam, 1677). Self-Portrait with a Turban. Oil on canvas, 74 x 59,5 cm (29 1/8 x 23 7 /16)]
Attributed works:
[Galerie Eric Coatalem, Paris. People in a forest, or A mysterious conversation, by Odilon Redon (1840-1916). Charcoal on paper, 47.7 by 33.5 cm]
Attributed works:
[Galerie Eric Coatalem. 136 Fbg St. Honoré. Paris. Hyacinthe Rigaud (Perpignan 1659 - Paris 1743). Preparatory sketch for Louis XIV, King of France. Oil on its original canvas, 55 cm x 46 cm]
Attributed works:
[Galerie Karsten Greve AG, St. Moritz. Pregnant woman II, by Louise Bourgeois (1911-2010). 1947-1949. Bronze with polished patina. Height: 40.6 cm]
Attributed works:
[Galerie Michel Descours, Lyon. Study for the triumphal march of Napoleon towards the Temple of Immortality, by Jean-Baptiste Regnault (1754-1829). Black crayon and white chalk on paper, 54.5 by 41 cm]
Attributed works:
[Galerie Nathalie Motte Masselink. 12 rue Jacob. Paris. Charles Eisen (1720-1778). Allégorie de la Créativité Artistique. Plume, encre grise, lavis brun, gouache blanche. 372 x 275 mm]
Attributed works:
[Galerie Paul Prouté, Paris. A country scene with horses and paesants with a large building in the background, by Jean-Jacques de Boissieu (1736-1810). 1783. Pen and ink with grey wash, 14.5 by 22.5 cm]
Attributed works:
[Galerie Zlotowski, Paris. Study for the 1924 'Bal-musette', by Georges Valmier. Gouache on paper, 175 by 20.5 cm]
Attributed works:
[Hammer Galleries, New York. Loses im rot (loosely in red), by Wassily Kandinsky (1866-1944). 1925. Oil on cardboard, 69.2 by 49.5 cm]
Attributed works:
[Helene Bailly Gallery, Paris. Young woman wearing a corset with a blue ribbon, by Marcel Duchamp (1887-1968). India ink, pencil and goauche on paper, 29.5 by 20.5 cm]
Attributed works:
[Irish Arts Review. Sir William Orpen. Self Portrait.]
Attributed works:
[Kungstgaleij Albricht BV, Oosterbeek and London. The Nieuve Kerk and old houses in The Hague, by Vincent van Gogh (1853-1890). 1883. Oil on canvas laid down on panel, 35 by 25 cm]
Attributed works:
[Lowell Libson Ltd, London. The city of God and the waters of life, by John Martin (1789-1854). Oil on canvas, 46 by 66 cm]
Attributed works:
[Marty de Cambiaire, Paris. A faun and a nymph, by Jean-Baptiste-Marie Pierre (1714-89). Black and white chalk, with stumping on buff paper, 40 by 46.5 cm]
Attributed works:
[Marty de Cambiaire. 16 Place Vendôme. Paris Frans Pourbus called the Elder. Bruges 1545 - Antwerp 1581. Self portrait. Oil on canvas. Signed and dated: F. POURBUS 1570 on the palette. 80,5 x 64 cm (31 3/4 x 25 1/4 in.)]
Attributed works:
[Marty de Cambiaire. 16 Place Vendôme. Paris. Giuseppe Cesari, also called the Cavaliere d'Arpino. 1568 Rome or Arpino - Rome 1640. A seated man, seen from behind. Inscribed Caval, Arpino at the lower left. Black chalk, red chalk, 402 x 272 mm (15 7/8 x 10 3/4 in.)]
Attributed works:
[Maurizio Nobile, Bologna, Paris. The Holy Family, by Mauro Gandolfi (1764-1834). Pen , brush, black ink and grey wash on vellum. Diameter 22.5 cm]
Attributed works:
[Maurizio Nobile. 45, Rue de Pethièvre. Paris. Via Santo Stefano, 19/a. Bologna. Théodore Géricault (Rouen, 1791 - Paris, 1824). Studies of hands, horse head and two figures fighting (detail). Pen, brown ink on laid paper. Laid down on white paper, 205 x 272 mm (221 x 290 mm)]
Attributed works:
[Mullany Haute Epoque Fine Art. 16 Carlisle Mansions, Carlisle Place. London. After Nino Pisano (1315 - Pisa - 1368) Madonna and Child. Alabaster, with traces of original polychrome and gilding. Italy, Sicily, c. 1450. H. 59.5 x W. 19.5 x D 15 cm]
Attributed works:
[Nathalie Motte Masselink, Paris. A scene from 'The Marriage of Figaro', by Alexandre-Evariste Fragonard (1780-1850). Pen and brown ink, brown wash, white gouache and pencil, 21.9 by 17.8 cm]
Attributed works:
[Pandora Old Masters, New York. Self-portrait, by Vincenzo Gemito (1852-1939). 1917. Pencil and lithographic pencil on paper, 46.5 by 36.7 cm]
Attributed works:
[Pandora Old Masters. Giacomo Balla]
Attributed works:
[Paul Prouté S.A. 74, rue de Seine, Paris. Louis-Maurice Boutet de Monvel (Orléans 1850 - Paris 1913), Faust and Mephistopheles. Pen and watercolor heightened with gouache, 217 x 350 mm. Signed and dated MB. de Monvel. 1878.]
Attributed works:
[Reginart Collections, Geneva. Woman with flowers, by Pablo Picasso (1881-1973). Pen and pencil on paper, 36.5 by 31.5 cm]
Attributed works:
[Rob Smeets Old Master Paintings, Geneva. The Israelits attacking the Amalekites, by Antonio Tempesta (1555-1630). Oil on marble, 42 by 66.5 cm]
Attributed works:
[Robilant + Voena. Louise Boutellier (Paris 1783-1828). Portrait of Césarine de Houdetot, Baronne de Barante: Les Pamplemousses. oli on convas, 193.5 x 143 cm]
Attributed works:
[Sam Fogg, London. John the Baptist, by Jan Crocq (c. 1450 - 60 - 1510). c. 1500 - 1510. Tonnerre limestone, 16.3 by 59 by 40 cm]
Attributed works:
[Sphinx Fine Art. 125 Kensington Church St. London. Gerard Hoet. The Head of Cyrus being Presented to Tomyrus (detail)]
Attributed works:
[Stephen Ongpin Fine Art. River Wide House, 6 Mason’s Yard, Duke Street st. James’s, London. Hendrick Sonnius (c. 1615 - c. 1688). An Italianate Landscape with travellers and a Donkey. Pen and brown ink and brown wash on vellum. Inscribed A. v. d. Velde near the lower left. Signed henritio zonius fl. 60 / Roma 1647. on the verso. 346 x 485 mm. ( 13 5/8 x 19 1/8 in.)]
Attributed works:
[Talabardon & Gautier, Paris. Almanacks nouveaux and Argens des glans, from 'Les Cris de Paris', by Pierre Barbiette (1598-1642). Red and black chalk on paper, 24.1 by 22.8 cm]
Attributed works:
[Talabardon & Gautier. 134, rue du Faubourg Saint-Honorè. Paris. Johann Konig (Nuremberg, 1586-1642), Saint Christopher carrying the Infant Christ, oil on copper. 15.3 x 21.2 cm. Signed lower right: Jo: Konig. Fec.]
Attributed works:
[The London Original Print Fair. London. Brian Eno. Grapefruit, Agate, Eclipse, Sunburnt, 2016. Etchings. 63.5 x 63.5 cm. Each in an edition of 25.]
Attributed works:
[Tomasso Brothers Fine Art, London and Leeds. Portrait of an African woman holding a clock, by Annibale Carracci (1560-1609). Oil on canvas, 60 by 39.5 cm]
Attributed works:
[Tomasso Brothers Fine Arts. Paul Heermann (1673-1732). Saturn and Ops. White marble. 139.5 cm (55in.) high]
Attributed works:
[Van der Meij Fine Arts. Herengracht 372. Amsterdam. Albert Anker (1831-1910). Green tiled stove. Dated 1894. Oil on canvas, 23 x 31.5 cm]
Attributed works:
[Venator & Hanstein. Cacilienstrasse 48. 50667 Cologne. Germany. H. Toulouse-Lautrec in: Pan. Complete series of the magazine. 1895-99]
Attributed works:
[W. Agnew & Company Ltd. An Eighteenth-century bronze bust of the English philosopher John Locke (1632-1704), by John Cheere (1709-87). 22 1/2 ins high, 20 1/2 ins. wide]
Attributed works:
[[Galerie Michel Descours. 44 rue Auguste-Comte. Lyon. Pierre Puvis de Chavannes (1824-1898), Man standing, back view, study for "Ludus pro Patria", c. 1880-1883. Black chalk, squared, 67.5 x 25.2 cm]
Non-western art unattributed:
[Daniel Katz Ltd, London. Head of Pharaoh Amenhotep II. Royal workshop, Thebes, c. 1427-1401 BC. Grandiorite. Height: 14.5 cm]
Western art unattributed:
[Bonhams. New Bond Street. London. A George III mahogany serpentine display cabinet. circa 1760]
Western art unattributed:
[Hargesheimer. Friederich-Ebert-Str. 11+12. Dusseldorf. Antwerp School, ca. 1550/1600. Adoration of the Magi.]
Western art unattributed:
[Merrin Gallery, New York. Mask of Silenus. Hellenistic-early Roman, 1st century BC - 1st century AD. Bronze. Height: 19.3 cm]
Western art unattributed:
[Mullanny Haute Epoque FIne Art, London. Virgin and Child Enthroned. Mosan, first half 14th century. Boxwood. Height: 32.5 cm. Width: 15.5 cm. Depth: 9 cm.]
Western art unattributed:
[Peter Finer. 38 & 39 Duke Street. London. A Lloyd's Patriotic FUnd Sword of £50 Value, Presented to R. Torin Esquire, Commander of the Honourable East India Company's Ship Coutts, dated 15th February 1804.]
Western art unattributed:
[Rupert Wace Ancient Art, London. The Gustiniani Aphrodite. Roman, 2nd century AD. Height 107. 5 cm]
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Advertisements May 1992 (front)
05/1992 | 1070 | 134
Pages: i-xxxii
Subjects
artists:
artists:
subjects:
Illustrations
Attributed works:
[ Silverio Salamon, 9 Via A. Volta, Turin ] Albrecht Dürer, Nuremburg 1471-1528 The Four Horsemen of the Apocalypse, 1497 c.a Woodcut, Meder 167 (mm. 392×167)
Attributed works:
[Buch - und Grafik - Antiquariat Falk + Falk, Kirchgasse 38, Zurich] Chapron, Nicolaus (Caperon). Sacrae historiae Acta a Rhapaele Urbin in Vaticanis xystis...Romae, 1649. Oblong-Imp. Folio. With 54 Engraved Plates. - Nagler II, p. 493/94. A Very Rare Complete Edition in Fine Condition.
Attributed works:
[Carre Rive Gauche / Galerie Charles et Andre Bailly, 25 Quai Voltaire, Paris] Clerc
Attributed works:
[Carre Rive Gauche/ Charles Ratton & Guy Ladriere, 11 Quai Voltaire, Paris] Statuette of Tormented Figure, Ivory, South German or Austrian, Circa 1650, Attributed to the Master of the Furies. L: 16 cm.
Attributed works:
[Caylus Anticuario S.A., Lagasca 28, Madrid] Felix Castelo (Circa 1600-1652). The Liberation of Saint Peter. Oil on Canvas 168.8 × 125.5 cm.
Attributed works:
[Christie's, 8 King Street, London] Alonso Sánchez Coello (1531/2-1588): Portrait of Hernán Cortés, Oil on Panel, 48¼ × 41 in. (122.7 × 104 cm.)
Attributed works:
[Concha Barrios, C/ Claudio Coello 14 and 17, Madrid] Juan Bautista de Espinosa. Oil on Canvas 59 × 82 cms.
Attributed works:
[cover] Detail of Man in Armour, by Rembrandt. (Art Gallery and Museum, Glasgow; Exh. National Gallery, London).
Attributed works:
[Edmund Peel and Asociados, Plaza de la Indpendenzia 8, Madrid and Pasaje Domingo 2, Barcelona] Francisco José de Goya y Lucientes (1746-1828), Portrait of the Embroiderer Juan López de Robredo, Oil on Canvas, 107×81 cm. Estimate on Request. This Painting May Be Dated to c. 1798. It Is Undoubtedly One of the Most Important Works by Goya Remaining in Private Hands.
Attributed works:
[Galerie Kornfeld, Laupenstrasse 41, Bern] Giulio Campagnola. Shepherds in a Landscape. Engraving. Hind V, 196, 6. 1515-1518.
Attributed works:
[Hilmar M. Klemke oHG, Burchard Strasse 26, Munster] Pieter Molyn (London 1595-1661 Haarlem). Hilly Landscape, in the Centre Peasants Resting in Front of a Group of Trees. Signed and Dated 'PMolyn 1654' with Black Chalk at Top Right, the P and the M in a Ligature. Black Chalk, Grey Wash, Framing Lines in Brown Ink, 147 × 194 mm. Watermark: Non-Existent
Attributed works:
[Marlborough, 6 Albemarle Street, London] Therese Oulton, Close-Up, 1992. Oil on Canvas. $83frac{7}{8}times 91frac{7}{8}$ in./213 × 233.3 cm. Titled, Signed and Dated on Reverse
Attributed works:
[Paul Proute S.A., 74, rue de Seine, Paris] Gabriel-François Doyen (Paris 1726 - St. Petersburg 1806). Brutus and His Sons. Black Chalk, Stumping and Grey Wash with White Heightening on Grey Paper. 42.4 by 53.4 cm.
Attributed works:
[Richard L. Feigen & Company, 6 Ryder Street St James, London/ 49 East 68th Street, New York] Anne-Louis Girodet-Trioson, Portrait of Queen Hortense, Circa 1805. Oil on Canvas, 24 by $19frac{11}{16}$ Inches (61 by 50 cm.)
Attributed works:
[Spink & Son Ltd, 5, 6 & 7 King Street, St. James, London] Percy Wyndham Lewis, 1882-1957. Protraction, 1913
Attributed works:
[Stanza del Borgo, Via G. Puccini 5, Milan] Salvator Rosa Naples 1615 Rome 1673. Soldier with a Turban. Pen, Ink and Brown Wash. 17 by 9 cm.
Attributed works:
[The Grosvenor House Antiques Fair/ Acanthus Art Ltd] The Submersion of Pharoah's Army in The Red Sea by Titian (1477/89-1575) and an Anonymous Woodcutter. Woodcut Designed Circa 1515 from the Edition Published by Domenico delle Grecche, 1549. Dimensions 123 × 219 cm (48 × 85 in). Printed on Twelve Sheets of Matching Paper, Each Bearing a Watermark of a Pilgrim with Staff in a Circle.
Attributed works:
[The Grosvenor House Antiques Fair/ Ackermann & Johnson, 27 Lowndes Street, London] The Timber Waggon by George Barret (1732-1784). Gouache; Sight 18 × 23.5 Inches
Attributed works:
[The Grosvenor House Antiques Fair/ Alex Wengraf Limited, The Old Knoll, Eliot Hill, London] Alessandro Magnasco Called Alessandrino (Or Il Lissandrino) (1667-Genoa-1749). Landscape with Hunters. Oil Painting on Canvas, 27½ × 36½ Inches (70 × 92.8 cm)
Attributed works:
[The Grosvenor House Antiques Fair/ Galerie Bruno Meissner, 32 St George Street, Mayfair, London] Le Braconnier by Gustave Courbet (Ornans 1819-77 La Tour de Peilz). Signed, Inscribed and Dated Lower Right 'G. Courbet St. Cloud 67'. Oil on Canvas, 33 × 40.6 cm (13 × 16 in).
Attributed works:
[The Grosvenor House Antiques Fair/ Johnny van Haeften, 13 Duke Street St James, London] A Brazilian Landscape with a Procession Emerging from the Ruined Cathedral of the See of Olinda, Exotic Animals in the Foreground by Frans Post (Leiden 1612-80 Haarlem). Signed. Oil on Canvas, 61 × 83.3 cm (24 × 33 in).
Attributed works:
[The Grosvenor House Antiques Fair/ Rafael Valls Limited, 11 Duke Street, London] A View of the Thames at Westminster Bridge, with Westminster Abbey, the Palace of Westminster and St. John's, Smith Square. by Joseph Nicholls (fl.1730-1760). Oil on canvas, 78.8 × 134.6 cm (31 × 53 in). Very little is known about the life of Joseph Nicholls, apart from the fact that some of his topographical views of London were engraved in 1738 and that there is a signed view of Twickenham painted in 1755. Nicholls's style comes closest to that of Samuel Scott, and many of his works have probably passed under Scott's name over the decades. Both artists painted many views of the Thames, and both were influenced by the arrival of Canaletto in London in 1746. There are two paintings by Nicholls in the Mellon University Collection at Yale and one in the Tate Gallery, London.
Attributed works:
[The Grosvenor House Antiques Fair/ Ronald A. Lee, 1-9 Bruton Place, London] A Late 15th Century Limewood Carving of Saint Stephen, Circa 1490-1500. Attributed to the Workshops of Tilman Riemenschneider (1460-1531). Height: 31 Inches. Compare with Two Female Saints in the Museum in Frankfurt-am-Main and the Figures of St Lawrence and St Stephen in the Cleveland Museum, Ohio.
Attributed works:
[The Grosvenor House Antiques Fair/ William Drummond, Covent Garden Gallery Ltd] Johan Christian-Clausen-Dahl 1788-1857. Clouds and Landscape by Moonlight. Oil-Paint on Paper Laid-down 6¼ × $7frac{3}{8}$ Inches 15.8 × 18.6 cms. Inscribed and Dated "27 Novbr 1822". Painted after Joining Caspar-David Friedrich at Dresden
Attributed works:
[The Grosvenor House Antiques Fair]/ D. S. Lavender (antiques) Ltd, 16b Grafton Street, London] An Important Louis XV Gold Mounted Piqué Snuffbox Set with a Portrait Miniature of the Empress Maria Theresa of Austria by Jean Etienne Liotard. Circa 1760.
Attributed works:
[W. M. Brady & Co., 3 East 76th Street, New York] Eugene Delacroix (1789-1863). Study of Horses. Pen and Brown Ink 205 × 260 mm. Ex-Coll. Georges Aubry
Western art unattributed:
[Bruno Scardeoni, 54 Via Nassa, Lugano] Crucifixion, by an Umbrian Master, c.1370. Tempera on Gold-Ground Panel. 24.5 by 12 cms.
Western art unattributed:
[C. John, 70 South Audley Street, Mayfair, London] A Rare Caucasian Rug from the Town of Lenkoran in the Talish District. Circa 1880. Size: 9′ 1″ × 3′ 9″ (277 × 114)
Western art unattributed:
[Sotheby's, 34-35 New Bond Street, London] A Fine Walnut Bureau Cabinet, George II, Circa 1730, 238cm High, 109cm Wide. From the Sale of Important English Furniture, London, 22nd May. Estimate: £25,000-30,000.
Western art unattributed:
[The Grosvenor House Antiques Fair/ Sheppard and Cooper Ltd, 11 George Street, London ] , A Rare German Footed Reichsadlerhumpen (Or Imperial Eagle Beaker) Dated 1632, Enamelled with the Black Double-Headed Eagle of the Holy Roman Empire with Its Wings Outspread and Hung with Fifty-Six Shields Representing the Constituent Parts of the Empire. Height 26 cm (10¼ in).
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Advertisements November 1988 (Front)
11/1988 | 1028 | 130
Pages: i-lx
Subjects
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artists:
Illustrations
Attributed works:
[Agnew, 43 Old Bond Street, London] Harold Gilman. London Street Scene in Snow, 1917-1918. 19½ × 15¼ Inches (49.5 × 38.7 cms.). Oil on Canvas
Attributed works:
[Akademie der Bildenden Kunste, 32 Schillerplatz, Vienna] 1. Pieter Bruegel the older, Rocky landscape with castle and river valley. Inv.4595 Pen and brown and yellow ink, on white paper, 136 × 210mm. Signed and dated lower left corner "P Brvegel 1559". This drawing is the earliest of Bruegel's small landscapes.
Attributed works:
[Akademie der Bildenden Kunste, 32 Schillerplatz, Vienna] 2. Isack van Ostade, A Female Peasant Walking with a Boy, Inv.17.119 Pen and Brown Ink and Brown Wash over Graphite, on White Paper, 93 × 66mm.
Attributed works:
[Austin/Desmond, 15A Bloomsbury Square, London] Bryan Wynter (1905-1975). 'Cock in Landscape' 1949 Lithograph
Attributed works:
[Berggruen & Cie, 70 rue de l'Université, Paris] Picasso. Study for the Sculpture. "Ape and Baby" Green Crayon 21 × 13,5
Attributed works:
[Brand Inglis Limited, 9 Halkin Arcade, Motcomb Street, London] An Early 17th Century Parcel-Gilt Tazza. The Shallow Bowl Lightly Flat-Chased with Interlaced Strapwork Rests on an Elegant Baluster Stem and Circular Foot, all Similarly Flat-Chased. Maker's Mark: Two Bells. Perhaps N. Italian, Circa 1610. Height: 5½ Inches. Diameter: 6½ Inches.
Attributed works:
[C. & J. Goodfriend, 61 East 77th Street, New York] Baldassare Peruzzi (1481-1536), An Allegory of Liberality. Pen and Brown Ink and Wash with White Heightening on Pink Prepared Paper, Lightly Squared for Transfer, 335 × 185 mm. Strong No. 59; Frommel No. 66c, Plate XLIId. Ex Collection Sir Peter Lely (Lugt 2092); Earl of Pembroke; Irma N. Straus.
Attributed works:
[C. John (Rare Rugs) Ltd, 70 South Audley Street, London] An Aubusson tapestry, part of the series, Pastoral Scenes. The scenes in oval picture frame borders, on a foundation of Jaune damassé, are enhanced by festoons, swags of flowers and pendant trophies. Second half of the Eighteenth Century. 12′7″ × 8′2″
Attributed works:
[C.G. Boerner, 13 Kasernenstraße, Dusseldorf] Master Na Dat with the Mousetrap. The Two Armies at the Battle of Ravenna. Engraving. (c.1512/13). 151 × 221 mm Sheet Size. Bartsch XIII, 2. Hind V, 267,2, pl.850.
Attributed works:
[Christie's, Cornelis Schuytstraat 57, Amsterdam] Pieter Stevens, c. 1567 - After 1624: A Wooded Landscape with a Ruined Castle, Dated [15]97, Pen and Brown Ink and Watercolour, 213 × 333 mm. Estimate: £15,000 - £20,000; f150,000 - f170,000
Attributed works:
[Christopher Mendez, 58 Jermyn Street, London] Albrecht Dürer (1471-1528). Engraving. Lady on Horseback and a Lansquenet. Meder 84, State 'b', of 'd'
Attributed works:
[Colnaghi, 14 Old Bond Street, London] Andrea di Vanni d'Andrea (1332-Siena-1413). Crucifixion. Tempera on Panel: 59 × 26 cm
Attributed works:
[Colnaghi, 14 Old Bond Street, London] Bartolomeo Coriolano (Bologna Mid-17th Century). Buste d'Amor after Guido Reni. Chiaroscuro Woodcut. B.2. Size 297 × 374 mm
Attributed works:
[Daniel B. Grossman Galleries, 1100 Madison Avenue, New York] John Gibson (English, 1790-1866). The Sleeping Shepherd. White Carrara marble. 44½″h. × 40½″w. × 22½″ deep. (113.0 × 102.9 × 57.2 cm). Inscribed on the base: Johannis. Gibson Me fecit Roma. Executed Circa 1824
Attributed works:
[David Koetser Gallery, 37 Talstrasse, Zurich] Rachel Ruysch (1664-Amsterdam-1750). Canvas, 32 × 25.8 cm. Signed and Dated 1695.
Attributed works:
[Editions Graphiques Gallery, 3 Clifford Street, London] Edgar Chahine: La Promenade 1902
Attributed works:
[Elisabeth Royer, 6 rue de Commaille, Paris] Jean-Léon Gérôme: Portrait d'Homme. Oil on Canvas 57 × 46,5 cm. Signed and Dated 1853.
Attributed works:
[Frederick Cummings, 146 West 57th Street, New York] James Jacques Joseph Tissot (1836-1902). Out Post Duty (Grand'garde, souvenir du siege de Paris) Black Chalk on White Paper. 6¾ × 5 Inches (17.1 × 12.7 cm.)
Attributed works:
[Galerie Charles & André Bailly, 25 quai Voltaire, Paris] B. E. Murillo. Le Christ au Jardin des Oliviers. 53,5 × 38,8 cm
Attributed works:
[Galerie de la Scala, 68 rue de la Boétie, Paris] Pieter Molyn (1595-1661). Landscape. 15 × 20 cm. Signed and Dated (1657) Lower Centre.
Attributed works:
[Galerie du Fleuve, 6 rue de Seine, Paris] Gligor Tchemersky. 'Les Insectes Viennent'
Attributed works:
[Galerie Gerda Bassenge, 5A Erdener Strasse, Berlin] Käthe Kollwitz (1867 Königsberg - 1945 Moritzburg). Die Klage (Zum Gedenken von Ernst Barlach). Bronze. 1940.
Attributed works:
[Galerie Perrin, 98 Faubourg Saint Honore, Paris] Jean-Baptiste Greuze 1725-1805. French School. Study of the Head of a Child for Une jeune enfant qui joue avec son chien (Salon of 1769, Representing the Third Daughter of the Artist). Edgar Munhall Has Kindly Confirmed This Identification. H. 31.5 cm; L. 24.9 cm. Charcoal and White Chalk on Brown Paper.
Attributed works:
[Galerie Pierre-Yves Gabus Gallery, 2022 Bevaix, Switzerland] Foujita « Le Colin-Maillard ». Tempera on Gold, 42×32 cm, Signed and Dated 1918 - Estimated 340 000 / 380 000 S. Ref. « La vie et l'œuvre de Foujita », by S. and D. Buisson.
Attributed works:
[Gallery Lingard, 50 Pall Mall, London] E W Godwin 1833-1866. A Design for Northampton Town Hall, 1861. Brown Pen & Washes. 17¾ × 23 Inches
Attributed works:
[Groupe Gersaint, 20 rue Danielle Casanova, Paris] Adriaen de Gryef (1670-1715). 'Hunting Trophies'. Two Pendant Panels, Signed. 32 by 39 cm
Attributed works:
[Groupe Gersaint, 20 rue Danielle Casanova, Paris] Bartolomé Esteban Murillo. Seville 1618-1682. Virgin of the Flowers. Oval, 81 by 65 cm
Attributed works:
[Groupe Gersaint, 20 rue Danielle Casanova, Paris] Christian George Schutz I, 1754. Landscape on the Banks of the Rhine. 50 by 119 cm.
Attributed works:
[Groupe Gersaint, 20 rue Danielle Casanova, Paris] Giovanni Battista Salvi, Called Il Sassuferrato (1609-85). Copy of the Predella of Raphael's Vatican Coronation of the Virgin. Each Panel 27 by 51 cm.
Attributed works:
[Hazlitt, Gooden & Fox, 38 Bury Street, London] Circle of Cristoforo Orimina. Naples c. 1350
Attributed works:
[Hazlitt, Gooden & Fox, 38 Bury Street, London] Marten-Jacobsz van Veen Heemskerk 1498-1574
Attributed works:
[Heim Gallery Limited, 59 Jermyn Street, London] Louis Michel van Loo (Toulon 1707-Paris 1771). Portrait of the Président Jacques Julien, Comte Devin, His Wife Comtesse Devin and Their Son Jean Jacques Devin, Marquis de Fontenay. Signed and Dated 1767. Oil on Canvas 160 by 150 cms.
Attributed works:
[Henry Sotheran Limited, 80 Pimlico Road, London] Veduta del Sotterraneo. Etching. 715 × 455 mm. Fondamento del manusoleo. Etching for Le Antichità Romane. Rome. 1756. 1st Paris Edition 1800-1807.
Attributed works:
[Herbert Roman Inc., 17 East 77th Street, New York] John Rollin Tilton (1828-1888). The Ruins of Kom Ombos, Upper Nile, Egypt. Oil on Canvas, 30 × 48 Inches. Signed with Hieroglyphic Monogram Lower Right
Attributed works:
[Jacques Fischer - Chantal Kiener, 46 rue de Verneuil, Paris] Henry-Joseph Boichard. Né à Versailles en 1783. 'La générosité de Bayard'. Huile sur toile; signée et datéc: "Boichard 1827"; 90 × 117 cm.
Attributed works:
[Kate de Rothschild & Didier Aaron Inc., 32 East 67th Street, New York] Charles-Joseph Natoire (1700-1777). Christ on the Cross
Attributed works:
[Kate Ganz Ltd, 49 Maddox Street, London] Guido Reni (1575-1642) Study for The Nativity, 1642, Red and Black Chalk on Blue Grey Paper 28.4 × 17.2 cms.
Attributed works:
[Katrin Bellinger, exhibiting at Harari & Jones Ltd, 12 Duke Street, London] Rosalba Carriera Venice 1675-1757 Venice. Diana, Pastel on Paper 450 × 340 mm
Attributed works:
[Laurance D. Strapelias, Galerie del Borgo, 5 rue de l'Université, Paris] Louis Galloche 1670-1761. 522 × 415mm
Attributed works:
[Marc Villette, 12 rue de l'Abbaye, Paris] Jean-Charles Delafosse (Paris 1734-1791). Prison Gate. Pen and Grey and Brown Wash, Signed Bottom Left. On the Back of the Old Mount Is the Left-Hand Part of an Elevation by the Same Artist.
Attributed works:
[Marcello Aldega-Margot Gordon] Giovanni Francesco Barbieri detto il Guercino. Cento 1591 - Bologna 1666. Red Chalk, Buff Paper. 298 × 217 mm
Attributed works:
[Marlbourgh Fine Art (London) Ltd, 6 Albemarle Street, London] The Space Beyond 1988 Paint on Canvas and Board. 48 × 79in./122 × 200.7cm. Signed with Initials Lower Centre
Attributed works:
[Mathias F. Hans, Jungfernstieg 34, Hamburg] Francesco Ubertini. Bacciacca. Florenz 1494 - 1575. Portrait of Vittoria Colonna. Oil on Panel, 72 × 52 cm
Attributed works:
[Mia N. Werner, 36 East 44th Street, New York] P. F. Mola Caricature. Pen & Brown Ink & Wash. 13⅜ x 10⅜.
Attributed works:
[Michael Simpson Ltd, 11 Savile Row, London] Orazio Sammachini (1532-1577). 'The Flagellation of Christ'. Oil on Canvas, 18½ × 13½ ins.
Attributed works:
[Pamela Gordon, 25 rue de Lille, Paris] Jean-Louis Lemoyne (Paris 1665-1755). A Companion of Diana. Black and White Chalk. 368 × 157 mm.
Attributed works:
[Paul McCarron, 1014 Madison Avenue, Graham Gallery Building, New York] Kathe Kollwitz 1867-1945 Besuch im Krankenhaus. Woodcut, 277 × 359 mm., 1929 Klipstein 236, V/VIb. A Proof before the Final Edition of 130. A Brilliant Impression on Japan Paper.
Attributed works:
[Paul Prouté S.A., 74 rue de Seine, Paris] Baldassare Franceschini dit Il Volterrano. Volterra 1611 + Florence 1689. Study for an Altar, Possibly Made for the Canonization of Santa Maria Maddalena de'Pazzi Which Was Celebrated in Florence in 1669. Red Chalk, Pen and Brown Ink. 383 × 250
Attributed works:
[Phillips, 7 Blenheim Street, New Bond Street, London] Aert Schouman, (1710-1792), "A Shoveler Duck on a River Bank," Signed Verso, with Initials, Dated 1755 and Inscribed. "Een Berg Eerd Nag Nict Half Levers Groot," Watercolour, 325mm × 245mm.
Attributed works:
[Phillips, 7 Blenheim Street, New Bond Street, London] Giovanni Bernardo Carbone, (1614-1683), "Portrait of a Young Nobleman Standing before a Red Curtain" Oil on Canvas 143cm × 117cm.
Attributed works:
[Phillips, 7 Blenheim Street, New Bond Street, London] Henri Martin, "Le Berger", Oil on Canvas, Signed, 65 cm × 100 cm. Estimate: £30,000-£40,000
Attributed works:
[Phillips, Hayes Place, Lisson Grove, London] Attributed to Abraham Bisschop, (1670-1731), "Still Life of Exotic and Domestic Fowl in a Landscape," Oil on Canvas, 99.8cm × 133cm.
Attributed works:
[Richard L. Feigen & Company, 113 East 79th Street, New York] Jan van der Straet (Called Stradanus). The Charity of St. Nicholas. Black Chalk and Brown Wash Heightened with White on Paper Washed Light-Brown. 283 by 426mm
Attributed works:
[Société Labatut, 199 bis Boulevard Saint-Germain, Paris] Gabriel-François Doyen. The Death of Virginia. Canvas 77 × 129 cms
Attributed works:
[Sotheby's, 34-35 New Bond Street, London] A Florentine Marble Bust of Christ by Giovanni Battista Caccini (Circa 1598), 72.5 cm High (28½ in). Estimate: £40,000-60,000
Attributed works:
[Sotheby's, 34-35 New Bond Street, London] Jean-François Millet, La Provende des Oisons, Signed, Black Chalk and Pastel, 57 by 40cm (22½ by 15¾ in). Estimate: £300,000-400,000
Attributed works:
[Sotheby's, 34-35 New Bond Street, London] Sebastiano Mazzoni (Circa 1611-1678), Portrait of Two Small Girls, Oil on Canvas, 112 by 95cm (44 by 37½ in). Estimate: £80,000-120,000
Attributed works:
[Sotheby's, Monaco] Marinus van Reymerswael, The Two Tax Gatherers, Oil on Panel, 94 by 78cm (37 by 30¾ in). Estimate: FF2,400,000-2,800,000 (£240,000-280,000)
Attributed works:
[Sotheby's, Sporting d'Hiver, Place du Casino, Monte Carlo] Guillaume de Groot, A Mediaeval Soldier, Bronze, Signed, 165cm (65 in) High.
Attributed works:
[Sotheby's, Sporting d'Hiver, Place du Casino, Monte Carlo] Théodore Géricault, Mameluck Ramassant sa Lance, on the Reverse, Composition Classique (Circa 1810), Pen and Brown Ink Heightened with Charcoal, 17.3 by 22.1cm (7 by 9 in). Estimate: FF200,000-300,000 (£20,000-30,000)
Attributed works:
[Stair Sainty Matthiesen, 42 East 74 Street, London] Philip James De Loutherbourg (Strasbourg 1740-1812 London). Skating in Hyde Park. Signed and Dated 1776 Lower Left. Oil on Canvas. 36 1/16 x 48¾ Inches (89 × 124cms).
Attributed works:
[Stanza del Borgo, via G. Puccini 5, Milan] Domenico Campagnola, St. Sebastian, Pen and Ink, 318 by 217 mm, Dateable 1530.
Attributed works:
[Stephen Mazoh & Co. Inc., 43 East 75th Street, New York] Paul Cezanne Studies. Black Crayon and Pencil on Blue Paper 6 11/16 x 9⅞ Inches (17 × 25.1 cm.) 1867-69
Attributed works:
[The Leger Galleries, 13 Old Bond Street, London] Francis Towne. Naples, 1781
Attributed works:
[Thomas Le Clair, 156 Elbchausse, Hamburg] Giulio Campi (Cremona c.1505-1572). Danae, Pen and Brown Ink, Yellow and Grey Washes, White Heightening. 145 × 247mm.
Attributed works:
[W.M. Brady & Co., 3 East 76th Street, New York] John Hamilton Mortimer A. R. A. (1741-1779). Salvator Rosa. Signed and Dated 1776. Pen and Black Ink, 11 × 8¼ Inches (280 × 210 mm)
Attributed works:
[Wildenstein & Co. Inc., 19 East 64th Street, New York] H. Robert (1733-1808) 'Cascade in Tivoli'. Oil on Canvas: 24⅞ x 20 1/16 Inches
Attributed works:
[William Drummond at the Chinese Porcelain Company, 822 Madison Avenue, New York] James Seymour 1702-1752. Haute Ecole. Red Chalk 6½ × 7 Inches.
Attributed works:
[William Weston Gallery, 7 Royal Arcade, Albemarle Street, London] Toulouse-Lautrec: Un Monsieur et une Dame. Colour Lithograph. 1895. 12½" x 9⅜"
Attributed works:
[Yale University Press, 13 Bedford Square/Thos. Agnew & Sons Ltd, 43 Old Bond Street, London] Claude Lorraine, Scène de Brigands, 1633
Non-western art unattributed:
[Eskenazi, Foxglove House, 166 Piccadilly, London] Large Chinese Seated Wood Figure of a Bodhisattva. Song Dynasty 960-1279. Height: 172cm
Non-western art unattributed:
[Eskenazi, Foxglove House, 166 Piccadilly, London] Two Chinese Standing Wood Figures of Bodhisattvas. Late Tang Period 9-10th Century. Height: 142.3 and 144cm
Non-western art unattributed:
[Ming Furniture, 4400 N. Federal Hwy, Boca Raton, Florida] Ming Dynasty chi-ch'ih-mu Side or Altar Table - Circa 16th Century. Length: 71 ins (177 cm)
Western art unattributed:
[Christie's, 8 King Street, London] A late 11th or early 12th century Byzantine bronze incense burner, cast with scenes from the life of Christ, 4⅔ in. high. Estimate: £40,000-£60,000. A rare late 12th century Limoges copper gilt and enamel plaque of a bearded apostle, 7 × 3½ in. Estimate: £15,000-£20,000. An early 16th century Malines polychrome and gilt-wood group of the Virgin and Child, 15 in. high. Estimate: £8,000-£12,000.
Western art unattributed:
[Groupe Gersaint, 20 rue Danielle Casanova, Paris] Dutch school, 18th Century. Trompe l'œil, with Three Engravings. Superimposed over French Landscape Subjects. Oil on Canvas, Inscribed at Top. 73 by 54.5 cm
Western art unattributed:
[Trinity Fine Art Ltd, 23 Ellington Street, London] The Visconti/Annoni Marriage Bowl. Bronze. Lombard, c. 1580. Width 37.5cm.
Book Review
Gabriel Francois Doyen 1726-1806 [and: Fragonard]
07/1977 | 892 | 119
Pages: 511-512
related names
Reviewer:
Conisbee, Philip (Conisbee, Philip)
Subjects
dates:
places:
subjects:
Reviewed Items
subjects:
Gabriel Francois Doyen 1726-1806; Fragonard | author: Sandoz, Marc , author: Wakefield, David