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03/2024 | 1452 | 166
Pages: i-xxxvi
Subjects
Illustrations
Attributed works:
A pair of light-blue baroque console tables with original alabaster fiorito marble tops, after the design of Filippo Juvarra (1678-1736) 163 x 89 x 63 cm, Turin, 1700 circa. Burzio/Tefaf]
Attributed works:
A superb example of Dutch Delft imitation of Wanli Kraak porcelain Delft. De Drie Proceleyne Flessies (the three porcelain bottles) Willem van der Kool 1702 - 1716 [Mazereeuw Antiquair]
Attributed works:
AGOSTINO BRUNIAS (1730–1796) Six Paintings of the People of Dominica and Saint Vincent Recently acquired by The Huntingdon Library and Museum, California [Robilant and Voena]
Attributed works:
ANTONIO NOVELLI ( 1599–1650) The Penitent Saint Mary Magdalene Ca. 1640–1650 Terracotta, h. 41 cm Signed ATO. NL . F. [Trinity Fine Art]
Attributed works:
Cockerel caster. by Michael Wissmar (d.1746). c.1720. Silver, cast, repoussé, pierced, engraved, flat-chased and parcelgilt, height 23.5 cm. [Kunstkammer Georg Laue, Munich/Tefaf]
Attributed works:
Comte de l’Empire Etienne Pierre Graf Méjan (Secretary of the Italian Kingdom), by Luigi Manfredini (1771–1840), after Joseph Chinard (1756–1813). Milan c.1811. Bronze, height 75 cm. [Burzio, London/Tefaf]
Attributed works:
Domenico Andrea Pelliccia, Carrara, 1736–1821, Portrait of Grand Duke Pietro Leopoldo of Tuscany, 117, Marble h. 80 x 65 cm [Walter Padovani]
Attributed works:
Françoise de la Rochefoucauld (c.1549–c.1580), by Prosper d’Épinay (1836–1914). c.1885. Polychrome terracotta, height 60.3 cm. [Stuart Lochhead, London/Tefaf]
Attributed works:
Gustav Klimt, “Portrait of Fräulein Lieser”, Estimate: € 30 Mio - 50 Mio 1917, oil on canvas; framed, 140 x 80 cm [Kinsky]
Attributed works:
Hendrick Avercamp (1585–1634), Winter landscape with skaters on the ice, (detail) oil on panel, 41 x 60.5 cm, €220,000 – 250,000, Auction 24 April 2024 [Dorotheum]
Attributed works:
Honey, from the Liechtenstein Tacuinum Sanitatis. c.1450. Illuminated manuscript on vellum, 160 by 170 cm. Dr Jörn Günther Rare Books/Tefaf]
Attributed works:
Infanta Catalina Micaela, Duchess of Savoy (1567–97), by Alonso Sánchez Coello (1532–88). c.1585. Oil on paper laid on panel, 8.3 by 6.8 cm. [Galeria Caylus, Madrid/Tefaf]
Attributed works:
Jean-Baptiste Carpeaux (1827–1875) Plaster model with original polychrome surface , c. 1868 Petite-Modèle, height 35 cm [Stuart Lockhead/Tefaf]
Attributed works:
Johan Zoffany (1733–1810) Edward Townsend singing the ‘Beggar’s Ballad’, 1796. Recently acquired by Staatliche Kunsthalle Karlsruhe Karlsruhe, Germany [Moretti]
Attributed works:
Johann Joachim Kaendler Harlequin and Columbine (1706–1775) with slapstick Model, 1739–1740 Manufacture and decoration, Meissen, c. 1740 H. 15.5 cm (6.1 in), w. 18.5 cm (7.3 in) [Robbig.Munchen, Wawel Royal Castle/Tefaf]
Attributed works:
LOUIS-CLAUDE VASSÉ (PARIS 1716-1772) Study for the funeral monument of Paul-Esprit Feydeau de Brou Estimate: €15,000-25,000 [Christie's]
Attributed works:
Mary Beale (1633-1699) Portrait of a Young Boy seated in a Landscape, 1680s Oil on canvas 50 x 40 in. (127 x 101.6 cm) [Philip Mould]
Attributed works:
MASTER OF THE CANESSO PEDDLER ACTIVE IN NORTHERN ITALY IN THE LATE 17th CENTURY A Book Peddler Oil on canvas, 67½ × 40¾ in (171.5 × 103.5 cm) 1670/1690 [Galerie Canesso, Paris/Tefaf]
Attributed works:
Meyer de Haan or Melancholy, by Paul Gauguin (1848–1903). c.1889. Ink and pencil on paper, 29.8 by 19.1 cm. [FRANÇOIS DELESTRE FINE ARTS, PARIS/Salon du Dessin]
Attributed works:
Nude woman leaning on her left forearm, by Amedeo Modigliani (1884–1920). c.1910. Pencil on wove paper, 43 by 26.7 cm. [Agnews Works on Paper, Brussels/Tefaf]
Attributed works:
Oblong table, by Martin-Guillaume Biennais (1764– 1843). Moulded, chased and gilded bronze, inlaid French scagliola top, 71 by 72 by 45 cm. [Artur Ramon Art, Madrid/ Tefaf]
Attributed works:
Peace and Justice (also known as Love and Justice), by Rosalba Carriera (1673–1757). Pastel on paper, 63 by 54 cm. [Brun Fine Art, London/Tefaf]
Attributed works:
PIER LEONE GHEZZI (1674–Rome–1755) A waiter with a tray Pen and brown ink, 31.2 x 21.5 cm.[Ratton and Ladrière]
Attributed works:
Pierre, by Mary Cassatt (1844–1926). 1906. Pastel on paper mounted on canvas, 58 by 48 cm. GALERIE ERIC COATALEM, PARIS/Salon du Dessin]
Attributed works:
Potted pansies, by Victoria Dubourg (1840–1926). c.1870s. Oil on canvas, in original frame, 21 by 26.8 cm. [Robilant+Voena/Tefaf]
Attributed works:
Rauch, by Franz West (1947–2012). 2008. Papier-mâché, acrylic paint, metal, wood, artist pedestal, 152 by 104 by 62 cm. [Tim Van Laere Gallery, Antwerp/Tefaf]
Attributed works:
Reclining lion and feline head, by Eugène Delacroix (1798–1863). Pen and brown ink and wash, 18 by 23 cm. [GALERIE DE BAYSER, PARIS/Salon du Dessin]
Attributed works:
Sir Anthony Van Dyck, Portrait of a Carmelite monk, (detail) c.1618. [Simon Dickinson/Tefaf]    
Attributed works:
Sir Horace Mann, by Prince Hoare (1755–1834). c.1749. Terracotta, height 51.5 cm. [Walter Padovani, Milan/Tefaf]
Attributed works:
Snow over Zojoji Temple, by Kawase Hasui (1883–1957). 1953. Woodblock print, 36.4 by 47.3 cm. [Galerie Tanakaya, Paris/Tefaf]
Attributed works:
Studio Talk, book cover project, by Sonia Delaunay (1885–1979). 1938. Gouache on paper, 27 by 21 cm. [GALERIE LAURENTIN, PARIS/Salon du Dessin]
Attributed works:
Study for a lion, by Edwin Landseer (1802– 73). c.1822. Oil on canvas, 92.5 by 72.5 cm. [Dickinson Fine Art, London/Tefaf]
Attributed works:
Study for ‘The Levenson Children’, by George Romney (1734–1802). 1777. Brush and brown wash over black chalk, 26 by 27 cm. [W.M. BRADY & CO., NEW YORK/Salon du Dessin]
Attributed works:
Study of a man’s head, by Pierre- Paul Prud’hon (1758–1823). 1819. Black crayon, stumping, and white chalk, 19 by 24 cm. [GALERIE TERRADES, PARIS/Salon du Dessin]
Attributed works:
Study of two characters, by Giovanni Battista Tiepolo (1696–1770). Pen and brown ink wash with traces of black crayon, 20 by 20.7 cm. [GALERIE TARANTINO, PARIS/Salon du Dessin]
Attributed works:
Terracotta group depicting Hercules with lion. Signed and dated: Bardi fecit 1790 68 x 46 x 37 cm[Brun/Tefaf]
Attributed works:
The fall of the damned and the seven-headed Hydra, by Federico Zuccari (1539–1609). Black chalk, pen, brown ink, red chalk and brown wash, 28.7 by 35 cm. [MAURIZIO NOBILE FINE ART, PARIS/Salon du Dessin]
Attributed works:
The fall of the damned and the seven-headed Hydra, by Federico Zuccari (1539–1609). Black chalk, pen, brown ink, red chalk and brown wash, 28.7 by 35 cm. [MAURIZIO NOBILE FINE ART, PARIS/Salon du Dessin]
Attributed works:
The Saccomazzone Players, after a model by Orazio Mochi (1571– 1625). Florence, 17th century. Bronze, 36.5 by 45 by 30 cm. [Tomasso, London/Tefaf]
Attributed works:
The unicorn passes over the sea, by Le Corbusier (1887–1965). 1962. Wool, 213 by 270 cm. [De Wit Fine Tapestries, Mechelen/Tefaf]
Attributed works:
Untitled, 1973, by Sam Francis (1923–94). 1973. Acrylic on paper, 15.2 by 23.1 cm. [GALERIE BÈRES, PARIS/Salon du Dessin]
Attributed works:
Waterfront. Aisnères, by Paul Signac (1863–1935). c.1900. Graphite and watercolour on paper, 12.5 by 17.5 cm. [GALERIE PAUL PROUTÉ, PARIS/Salon du Dessin]
Attributed works:
Winter landscape with fishermen and skaters on the ice, by Jan van Goyen (1596–1656). 1653. Black chalk and grey wash, 17.1 by 27.4 cm. [ONNO VAN SEGGELEN FINE ARTS, ROTTERDAM/Salon du Dessin]
Non-western art unattributed:
A Sind Indo-Portuguese extraordinary cabinet.       Teak, ebony, ivory, green-dyed bone, gilt copper fittings India, Sind (present-day Pakistan), ca.1580–1630.     Dim.: 182.0  ×  97 .0  ×  61.0  cm Provenance: Casa do Costeado, Portugal [São Roque/Tefaf]
Non-western art unattributed:
A Sinhalese Tabernacle Masterpiece, Ceylon, ca. 1590–1630. Dim. 22.8 x 9.8 x 9.8 cm. [São Roque/Tefaf]
Non-western art unattributed:
Gujarat casket. India, Gujarat, second half of the 16th century. Tortoiseshell with silver mounts, 14 by 29.5 by 18 cm. [São Roque, Lisbon/Tefaf]
Exhibition Review
Identidades Partilhadas: Pintura Espanhola em Portugal
03/2024 | 1452 | 166
Pages: 300–303
related names
Reviewer:
Kientz, Guillaume (Kientz, Guillaume)
Subjects
dates:
Reviewed Items
subjects:
Identidades Partilhadas: Pintura Espanhola em Portugal Museu Nacional de Arte Antiga, Lisbon 1st December 2023–30th March 2024 | :
Illustrations
Attributed works:
7. St Helen and Emperor Constantine, by Pedro de Aponte. c.1506–13. Oil and tempera on panel, 176.5 by 96.5 cm. (Fundação Gaudium Magnum, Lisbon; exh. Museu Nacional de Arte Antiga, Lisbon).
Attributed works:
8. Death of St Francis, by Bartolomé Carducho. 1593. Oil on linen, 115 by 154 cm. (Museu Nacional de Arte Antiga, Lisbon).
Attributed works:
9. St Sebastian. c.1634–36. Oil on linen, 235 by 103 cm. (Museu Nacional de Arte Antiga, Lisbon).
Supplement
Recent acquisitions at The Spanish Gallery, Bishop Auckland
04/2022 | 1429 | 164
Pages: 429-440
related names
Author:
Ruffer, Jonathan (Ruffer, Jonathan)
Subjects
subjects:
Illustrations
Attributed works:
1. Corpus Christi. Catalan, 12th–13th century. Walnut with traces of polychrome and gilding, 202.5 by 138 by 310 cm.
Attributed works:
10. St Philip, by Diego Velázquez (1599–1660) and studio. 1617–23. Oil on canvas, 96 by 76 cm. Inscribed upper left and upper centre right: S. PHILIPP VS
Attributed works:
11. St Ferdinand, by Bartolomé Esteban Murillo (1617–82). c.1671. Oil on canvas, 170 by 114 cm.
Attributed works:
12. Descent from the Cross, by Juan de Valdés Leal (1622–90). 1657–60. Oil on canvas, 208 by 144 cm.
Attributed works:
13. Portrait of a royal page, by Juan van der Hamen y León (1596–1631). c.1625. Oil on canvas, 136 by 93 cm. (Purchased with support from the Art Fund).
Attributed works:
14. Christ on the Cross, by El Greco (1541–1614). 1600–10. Oil on canvas, 179.4 by 103.5 cm. (Purchased with support from Art Fund, with a contribution from the Wolfson Foundation).
Attributed works:
15. Ecce Homo, by Mateo Cerezo (1636–66). 1660–64. Oil on canvas, 76.5 by 64 cm.
Attributed works:
16. Copatronazgo, by Juan Bautista Maíno (1581–1649). c.1627. Oil on canvas, 145 by 103 cm.
Attributed works:
17. St Anthony of Padua with the Christ Child, by Juan Bautista Maíno (1581–1649). c.1608. Oil on canvas, 184 by 147 cm.
Attributed works:
18. The Penitent Magdalene, Juan Bautista Maíno (1581–1649). c.1609. Oil on canvas, 117.5 by 89.2 cm.
Attributed works:
19. Mary Magdalene and her pot of ointment, by Juan Martín Cabezalero (c.1634–73). Late 1660s. Oil on canvas, 66.5 by 52.5 cm.
Attributed works:
2. The Lamentation, by Arnao de Bruselas (active 1536–64). 1536–64. Polychrome and gilded oak, 800 by 810 by 220 cm.
Attributed works:
20. St Ildephonsus receiving the chasuble from the Virgin Mary, Juan Martín Cabezalero (c.1633–73). c.1667. Oil on canvas, 191 by 135 cm.
Attributed works:
21. The Virgin of the Immaculate Conception, by Juan Martín Cabezalero (c.1634–73). Late 1660s. Oil on canvas, 191 by 135 cm.
Attributed works:
21. The Virgin of the Immaculate Conception, by Juan Martín Cabezalero (c.1634–73). Late 1660s. Oil on canvas, 191 by 135 cm.
Attributed works:
22. Still life with a basket of fruit, by Mateo Cerezo (1637–66). 1660–64. Oil on canvas, 46.5 by 113 cm. Inscribed with inventory number 157.
Attributed works:
23. Still life with a basket of fruit, artichokes and a bunch of asparagus, by Mateo Cerezo (1637–66). 1660–64. Oil on canvas, 46.4 by 113.7 cm. Inscribed with inventory number 163.
Attributed works:
24. Still life with vegetables and a copper vessel, by Mateo Cerezo (1637–66). 1660–64. Oil on canvas, 63.5 by 117 cm.
Attributed works:
25. Still life with game and other foodstuffs, by Mateo Cerezo (1637–66). 1660–64. Oil on canvas, 48.1 by 103.7 cm. Inscribed with inventory number 143.
Attributed works:
26. Still life with a large array of flowers in a glass vase on a stone pedestal, by Juan de Arellano (1614–67). 1665–70. Oil on canvas, unlined, 82.5 by 62.8 cm. Signed lower right: Juan de Arellano.
Attributed works:
27. Still life with apples, grapes and acorns, attributed to Antonio de Pereda (1611–78). c.1647. Oil on canvas, 58.3 by 45 cm.
Attributed works:
28. Still life with song birds and a chocolate service, by Francisco Barranco (active Seville, mid-17th century). 1647. Oil on oak panel, 30.5 by 50.8 cm. Signed and dated lower right: Fco Barranco fac/1647 .
Attributed works:
29. Portrait of a Spanish officer, circle of Diego Velázquez. c.1629. Oil on canvas, 84.5 by 78 cm. Inscribed lower left with inventory number: 2.
Attributed works:
3. The Holy Family, by Juan de Juanes (c.1503–79). c.1545. Oil on panel, 74.5 by 57 cm.
Attributed works:
30. La Perra de Graus, by Francisco Bayeu y Subías (1734–95). c.1788. Oil on canvas, 43.3 by 72.7 cm. Signed lower left: Franco Bayeu.
Attributed works:
4. Jesus is stripped of his garments, by Juan de Correa de Vivar (c.1510–66). Mid-1540s. Oil on panel, 154.5 by 125 cm.
Attributed works:
5. The Crucifixion, by Juan de Juanes (c.1503–79). 1578. Oil on panel, 129 by 80 cm.
Attributed works:
6. The return of the Holy Family with a view of Segovia, by Juan Fernández de Navarrete (c.1538–79). c.1570–77. Oil on panel, 57.5 by 43 cm.
Attributed works:
7. Crucifixion, by Pedro de Campaña, also known as Pieter de Kempeneer (1503–c.1580). 1570–80. Oil on oak panel, 28.3 by 23.6 cm.
Attributed works:
8. Philip II of Spain (1527–98), by the workshop of Anthonis Mor (1516/20–1576?). 1558–70. Oil on canvas, 185 by 102 cm.
Attributed works:
9. Prince Don Carlos, by the workshop of Alonso Sánchez Coello (c.1531–88), after Sofonisba Anguissola (c.1532–1625). 1567. Oil on canvas, 112.5 by 88.2 cm.
Attributed works:
Entrance to the Seville Gallery. (Photograph House of Hues).
Article
The Spanish Gallery, Bishop Auckland
03/2022 | 1428 | 164
Pages: 276-283
related names
Author:
Kent, Isabelle (Kent, Isabelle )
Subjects
patrons:
Illustrations
Attributed works:
1. The Copatronazgo, by Juan Bautista Maíno. c.1627. Oil on canvas, 145 by 103 cm. (Courtesy Jonathan Ruffer).
Attributed works:
10. The Cardinal Tavera Room, The Spanish Gallery, Bishop Auckland. (Photograph © James Morris for Factum Foundation).
Attributed works:
2. The Long Dining Room at Auckland Castle, Bishop Auckland, with Jacob and his twelve sons, by Francisco de Zurbarán. (Photograph House of Hues).
Attributed works:
3. The ‘Cabbages and Kings’ Room, The Spanish Gallery, Bishop Auckland. (Photograph House of Hues).
Attributed works:
4. Benjamin, by Francisco de Zurbarán. Oil on canvas, 199.2 by 103 cm. (The Grimsthorpe and Drummond Castle Trust; © Grimsthorpe and Drummond Castle Trust; photograph Robert LaPrelle).
Attributed works:
5. The ‘Eternal Devotion’ Room, The Spanish Gallery, Bishop Auckland. (Photograph House of Hues).
Attributed works:
6. Cardinal Astalli Pamphili, by Diego Velázquez. 1650–51. Oil on canvas, 61 by 48.5 cm. (Hispanic Society of America, New York).
Attributed works:
7. St Ferdinand, by Bartolomé Esteban Murillo. c.1671. Oil on canvas, 170 by 114 cm. (The Zurbarán Trust).
Attributed works:
8. Christ on the Cross, by Doménikos Theotokópoulos, known as El Greco. c.1600–10. Oil on canvas, 179.4 by 103.5 cm. (The Zurbarán Trust).
Attributed works:
9. The Casa de Pilatos Room, The Spanish Gallery, Bishop Auckland. (Photograph © James Morris for Factum Foundation).
Article
Interpreting Arcimboldo: grotesque parodies or serious jokes?
05/2018 | 1382 | 160
Pages: 368-375
related names
Author:
Kaufmann, Thomas Dacosta (Kaufmann, Thomas Dacosta)
Subjects
art literature:
dates:
media:
Illustrations
Attributed works:
1. Spring, by Giuseppe Arcimboldo. After 1563. Canvas, 66 by 50 cm. (Museo de Real Academia de Bellas Artes de San Fernando, Madrid; exh. Museo de Bellas Artes, Bilbao).
Attributed works:
10. A reindeer, by Giuseppe Arcimboldo. 1562. 25.8 by 22.2 cm. (Staatliche Kunstsammlungen, Dresden; BPK).
Attributed works:
2. Flora, by Giuseppe Arcimboldo. c.1589. Panel, 74.5 by 57.5 cm. (Private collection, Madrid; courtesy Fundación March; exh. Museo de Bellas Artes, Bilbao).
Attributed works:
3. Flora Meretrix, by Giuseppe Arcimboldo. c.1590. Panel, 80.5 by 61 cm. (Private collection, Madrid; courtesy Fundación March; exh. Museo de Bellas Artes, Bilbao).
Attributed works:
4. Winter, by Giuseppe Arcimboldo. 1563. Canvas, 66.6 cm by 50.5 cm. (Kunsthistorisches Museum, Vienna).
Attributed works:
5. Winter, here attributed to an imitator of Arcimboldo. c.1590. Panel, 67.8 by 56.2 cm. (Bavarian State Collections, Munich; exh. Gallerie Nazionale di Arte Antica di Roma, Palazzo Barberini, Rome).
Attributed works:
6. Summer, by Giuseppe Arcimboldo. 1563. Canvas, 67 by 50.8 cm. (Kunsthistorisches Museum, Vienna).
Attributed works:
7. Archduchess Magdalena, here attributed to a contemporary of Arcimboldo. c.1563. Canvas, 43.7 by 32.8 cm. (Kunsthistorisches Museum, Vienna; exh. National Museum of Western Art, Tokyo, and Palazzo Barberini, Rome).
Attributed works:
8. Tree of Jesse, by Giuseppe Meda and Giuseppe Arcimboldo. 1556. Fresco (Monza Cathedral).
Attributed works:
9. Nature studies, by Giuseppe Arcimboldo and others. Inscribed with dates 1553 and 1572. 36.1 by 48.7 cm. (Österreichische Nationalbibliothek, Handschriftensammlung, Vienna).
Advertisements
Advertisements March 2013 (front)
03/2013 | 1320 | 155
Pages: s.p.
Subjects
advertisements:
advertisements:
advertisements:
collectors and dealers:
museums and institutions:
subjects:
Illustrations
Attributed works:
[Anthony Woodburn Ltd, Lewes, East Sussex. A fine small Charles II spring table clock by Johannes Knibb of Oxford. c.1685. Height: 30cm]
Attributed works:
[Arturo & Corinne Cuéllar, Zurich. View of the Sciora, Bregaglia valley, by Giovanni Giacometti (1868-1933). Watercolour and pencil, 33 by 42 cm]
Attributed works:
[Arturo Cuellar, Burglistrasse 18, 8002 Zurich. Jean François Millet (Gruchy 1814 - 1875 Barbizon). Le Vigneron, ca. 1851. Signed bottom right. Charcoal heightened with white, 36.5 x 28 cm]
Attributed works:
[Charles Ratton & Guy Ladrière. 11, quai Voltaire. Paris. Jacques-Louis David (Paris 1748 - Brussels 1825). Portrait of a man with hat, in profile. Graphite on paper, signed 'L.David' lower right. Diameter: 7 cm (including frame)]
Attributed works:
[Christie’s, 9 Avenue Matignon, 75008 Paris. Charles Le Brun (1619-1690). The sacrifice of Polyxena, 1617 (detail), oil on canvas, 179 x 131 cm. (70 1/2 x 51 1/2 in). Monogrammed and dated lower left, on the edge: C.L.B.F./ 1647]
Attributed works:
[Christopher Bishop Fine Art. Milford. Connecticut. Paolo Farinati (Verona 1524-1606). Saint Anthony of Padua. Brown ink over traces of black chalk, highlighted with white feather work and white washes. 41.5 cm x 27 cm]
Attributed works:
[David Lévy & Associates, Brussels. Gouache Drwing, by Joan Mirò (1893-1983). 1914. Gouache and pencil, 69.9 by 104.8 cm]
Attributed works:
[Day & Faber, London. St. Augustin, St. Jerome (possibly St. Mark), St. Bartholomew and an unidentified saint, by Ciro Ferri (1634-89). Quill and brown wash on black chalk, 38 by 43.4 cm]
Attributed works:
[Dickinson, London and New York. Annette, Venice, by Alberto Giacometti (1901-66). c.1960. Signed and numbered: 'Alberto Giacometti 6/6', inscribed with the foundry mark: 'Susse Fondr Paris'. Bronze with brown patina, 47.5 by 26.5 by 12.7 cm]
Attributed works:
[Didier Aaron & Cie, Paris. Study of a dog, by Jean-Baptiste Oudry (1686-1755). Black chalk with white chalk highlights on blue paper, 23.3 by 35.2 cm]
Attributed works:
[Dorotheum. Dorotheergasse 17. Vienna. Jusepe de Ribera (1591-1652), The Mocking of Christ, oil on canvas (detail), 106 x 87 cm]
Attributed works:
[Duncan R. Miller Fine Arts, London. Romantic village, by William Lee-Hankey. Signed. British. Oil on canvas, 51 by 61 cm]
Attributed works:
[Francesca Antonacci and Damiano Lapiccirella. Borgo Ognisanti, 56r. Florence. Via Margutta 54. Rome. Sir Edward Burne-Jones. Study for the central head in the painting The Car of Love. Black chalk, 365 x 550 mm]
Attributed works:
[Francesca Antonacci Damiano Lapicella Fine Art, Rome and Florence. Head of Minos after Michelangelo, by Vincenzo Camuccini (1771-1844). Red chalk on ivory card, 47.8 by 33.2 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Carlo Ceresa. San Giovanni Bianco, 1609 - Bergamo, 1679. Portrait of a gentleman with a Wig. Oil on canvas, 196.5 x 115.3 cm (77 3/8 x 45 3/8 in)]
Attributed works:
[Galerie Cenesso, Paris. Allegory of Peace, by Francesco Furini (1603-46). Inscribed on the shield: 'optima rerum'. Oil on canvas, 84 by 70 cm]
Attributed works:
[Galerie Eric Coatelem, Paris. Studies of young oriental with sword for the 'Revolt of Cairo', by Anne Louis Girodet de Roucy-Trioson (1767-1824). Pencil, stump, white chalk highlights, 28.4 by 36.8 cm]
Attributed works:
[Galerie Paul Prouté, Paris. Landscape with herders (verso: study of a tree), by Giovanni Benedetto Castiglione, called Il Grechetto (1609-64). Pen and brown ink, over black chalk, 10.5 by 15.4 cm]
Attributed works:
[im Kinsky Kunst Auktionen Gmbh. Palais Kinsky, Freyung 4. Vienna. Johann Georg Platzer. Adoration of the Shepherds & Deposition from the Cross (Pendants)]
Attributed works:
[Jean-Luc Baroni, London. The earthly paradise, by André Derain (1880-1954). Signed at bottom right: 'A. Derain'. Watercolour, 50 by 65 cm]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Alonso Sanchez Coello. Valencia 1531-1588 Madrid. Portrait of a Young Noblewoman wearing Fine Jewels and a Black Dress with Gold Embroidery in the form of Wheatsheaves and a High White Ruff Collar. Oil on canvas: 35.2 x 25.3 cm]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Attributed to Gaspare Diziani. Belluno 1689-1767 Venice. Venetian Acrobats forming a Pyramid known as the 'Forze d'Ercole'. Oil on canvas: 72.3 x 88 cm]
Attributed works:
[Katrin Beelnger, Munich. View of the Bay of Posillipo, by Claude-Joseph Vernet (1714-1789). Inscribed in pen and brown ink: 'vue de pousilipo'. Pen and grey ink and grey wash over black chalk on two joined sheets of paper, 45 by 70.7 cm]
Attributed works:
[Katrin Bellinger. 15 Old Bond Street. London. Luigi Sabatelli (Florence 1772 - 1850 Milan). Portrait of Luigi Ricasoli (b.1801), at the Age of Seven. Signed and dated, lower right: Luigi Sabatelli / fece 1808; inscribed, lower left: Luigi Ricasoli. Pen and brown ink, 298 x 208 mm]
Attributed works:
[Koller. Hardturmstrasse 102. CH-8031, Zurich. Eglon Hendrik Van der Neer. Noble lady at a table with a lute and sheet music. Around 1667. Oil on panel. 31.6 x 22.8 cm (detail)]
Attributed works:
[Lempertz, 3 Neumarkt. Cologne. Willem van Aelst (1627 - after 1683). Still life with Fish, Bread and a Nautilus Cup. Oil on canvas, 67.8 x 54.6 cm. Signed and dated 1678]
Attributed works:
[Mia N. Weiner. Mountain Road. Norfolk. CT. Attrib. to Anne-Louis Girodet de Roussy- Trioson. Montargis 1767-1824 Paris. Pyrrhus Before Glaucius, ca. 1790. Graphite underdrawing, brush & grey wash, white gouache heightening on brown prepared laid paper. 225 x 302 mm]
Attributed works:
[Paul Proute. 74 Rue de Seine, 75006. Paris. John Martin. Haydon Bridge 1789 - Douglas 1854. A stream flowing into a pool in a forest, June 1841. Signed and dated (with pen and brown ink lower left): 'J. Martin. June. //1841'. Watercolour, bodycolour heightenings, 9 3/4 x 13 1/2 in. (24. x 34.2 cm)]
Attributed works:
[Rafael Valls, Ltd, London. A view of Frankfort, by Christian Schutz I. Signed and dated 'SCHÜZ. F/1754'. Oil on canvas, 51 by 119.5 cm]
Attributed works:
[Rountree Fine Arts Ltd, London. The racehorse Belfonds with H. Semblat up, at Chantilly by Sir Alfred James Munnings KCVO, PRA (1878-1959). Signed 'A.J. Munnings' (lower right). Oil on canvas, 78.7 by 96.5 cm]
Attributed works:
[Sanda Lipton, London. A George II circular silver counter dish by Joseph Sanders. London 1733. The centre is engraved with a widow's lozenge surrounded by engraved decoration. The arms on the lozenge are those for a woman whose maiden name was probably Carey. Diameter: 12 cm]
Attributed works:
[Schlichte Bergen Old Master Painting & Drawings, Amsterdam. Landscape with figures with the Ponte Reale over the Volturno, by Luigi Fergola (1768-1834). Signed and dated 1801. Gouache on paper, 67 by 96 cm]
Attributed works:
[Sperone Westwater, New York. Rosso scuro, by Carla Accardi (born 1924). 1974. Enamel on sicofoil, 115 by 180 cm]
Attributed works:
[Sphinx Fine Art. 125 Kensington Church Street. London. Willem van Mieris. The Penitent Mary Magdalene]
Attributed works:
[Talabardon & Gautier, Paris. Portrait of the founder Ferdinard Barbedianne, by Thomas Couture (1815-70). Monogrammed at bottom right: 'TC'. Charcoal, pencil and white chalk, 53 by 40.5 cm]
Attributed works:
[The London Original Print Fair. Royal Academy of Arts. Burlington House. Piccadilly. London. Cyril Power. The Tube Station. c.1923. Linocut. Osborne Samuel Ltd]
Attributed works:
[Tomasso Brothers Fine Art, Leeds, England. Michel de Montaigne, by Gilles-Lambert Godecharle (1750-1835). Terracotta. Height: 60 cm]
Attributed works:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. Bartolomeo Cavaceppi (c. 1716-1799) (attributed to) Monumental Marble Bust of Alexander the Great. White marble, 80 cm high.]
Attributed works:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. Giuseppe Piamontini (1664-1742). Milo of Croton. Bronze, 43.5 cm high]
Attributed works:
[Venator & Hanstein. Cacilienstrasse 48. 50667 Cologne. Germany. Albrecht Durer, Das Wappen mit dem Totenkopf. 1503. Copper engraving. Meder 98. I a. Ex coll. H. A. Cornill d'Orville and Sir Henry Studdy Theobald.]
Western art unattributed:
[Cesati, Milan. St. John the Evangelist, by Silvestro dell'Aquila (c.1450 - 1504). Central Italy. Late 15th century.]
Western art unattributed:
[Lennox Cato Antiques, Edenbridge, Kent. An eighteenth-century mahogany bureau bookcase of the Chippendale period. c.1765-70. Height: 214 cm. Width: 106 cm. Depth: 58 cm.]
Western art unattributed:
[Mark Gallery, London. Birth of the Virgin, showing St. Anne attended by a midwife with St. Joachim and below the infant Virgin in the arms of a Nursemaid. Northern Russian icon, early seventeenth century. 62.5 by 53 cm]
Western art unattributed:
[Mullany Haute Epoque Fine Art. 16 Carlisle Mansions, Carlisle Place. London. Angel with Tambourine. Walnut, with original polychrome and gilding. Italy, Lombardy, mid 15th century. H. 69.5 x W. 17 x D. 15 cm]
Short Notice
Gonzalo Argote de Molina and his museum in Seville
10/2006 | 1243 | 148
Pages: 689-693
related names
Author:
Cacho Casal, Marta (Cacho Casal, Marta)
Subjects
collectors and dealers:
dates:
places:
print:
Illustrations
Attributed works:
30. Portrait of Gonzalo Argote de Molina, by Francisco Pacheco. c.1599. Black and red chalk on paper, 18.9 by 14.9 cm. Libro de descripción de verdareros retratos de ilustres y memorables varones, fol.72r. (Fundación Lázaro Galdiano, Madrid).
Attributed works:
33. Portrait of Philip II, by Alonso Sánchez Coello. 1570–71. Canvas, 109.5 by 92.5 cm. (Pollok House, Glasgow).
Attributed works:
34. Portrait of Süleyman I, the Magnificent, by Theodor de Bry. c.1596. 15.3 by 13 cm. From Vitae et Icones Sultanorum Turcicorum, Frankfurt 1596, fol.172. (British Museum, London).
Attributed works:
35. Portrait of Carlos de Negrón, by Francisco Pacheco. c.1599. Black and red chalk on paper, 18.9 by 14.9 cm. From Libro de descripción de retratos de ilustres y memorables varones, fol.74r. (Fundación Lázaro Galdiano, Madrid).
Western art unattributed:
31. Impresa of Gonzalo Argote de Molina. c.1572. Engraving, 18.3 by 15 cm. From Geronimo Ruscelli: Le imprese illustri con esposizioni e discorsi, Venice 1572, fol.253v. (By permission of the Syndics of Cambridge University Library).
Western art unattributed:
32. Armadillo, by an anonymous Italian artist. c.1574. Woodcut, 10.8 by 6.1 cm. From Geronimo Ruscelli: Le imprese illustri con esposizioni e discorsi, Venice 1572, fol.254r. (By permission of the Syndics of Cambridge University Library).
Short Notice
Alonso Sánchez Coello and Grand Duke Ferdinando I de' Medici
08/1996 | 1121 | 138
Pages: 517-521
related names
Author:
Mulcahy, Rosemarie (Mulcahy, Rosemarie)
Subjects
dates:
places:
Illustrations
Attributed works:
24. Philip II in Black, by Alonso Sánchez Coello. 1587. 178 by 104 cm. (Galleria Palatina, Palazzo Pitti, Florence).
Attributed works:
25. Detail of Fig.24. [Philip II in Black, by Alonso Sánchez Coello. 1587. 178 by 104 cm. (Galleria Palatina, Palazzo Pitti, Florence).]
Attributed works:
26. Detail of Fig.24. [Philip II in Black, by Alonso Sánchez Coello. 1587. 178 by 104 cm. (Galleria Palatina, Palazzo Pitti, Florence).]
Attributed works:
27. Philip IV in Black, by Diego Velázquez. 1623-26. 201 by 102 cm. (Prado, Madrid).
Attributed works:
28. X-Radiograph of Fig.27. [Philip IV in Black, by Diego Velázquez. 1623-26. 201 by 102 cm. (Prado, Madrid).]
Short Notice
Alonso Sánchez Coello and Cardinal Alessandro Farnese
05/1992 | 1070 | 134
Pages: 305-308
related names
Author:
Mulcahy, Rosemarie (Mulcahy, Rosemarie)
Subjects
dates:
places:
Illustrations
Attributed works:
30. Letter from Alonso Sánchez Coello to Cardinal Alessandro Farnese, Madrid, 28th April 1579. (Archivio di Stato, Florence).
Attributed works:
31. Infantes Don Diego and Don Felipe, by Alonso Sánchez Coello. 1579. 172 by 102 cm. (Convent of the Descalzas Reales, Madrid).
Advertisements
Advertisements May 1992 (front)
05/1992 | 1070 | 134
Pages: i-xxxii
Subjects
artists:
artists:
subjects:
Illustrations
Attributed works:
[ Silverio Salamon, 9 Via A. Volta, Turin ] Albrecht Dürer, Nuremburg 1471-1528 The Four Horsemen of the Apocalypse, 1497 c.a Woodcut, Meder 167 (mm. 392×167)
Attributed works:
[Buch - und Grafik - Antiquariat Falk + Falk, Kirchgasse 38, Zurich] Chapron, Nicolaus (Caperon). Sacrae historiae Acta a Rhapaele Urbin in Vaticanis xystis...Romae, 1649. Oblong-Imp. Folio. With 54 Engraved Plates. - Nagler II, p. 493/94. A Very Rare Complete Edition in Fine Condition.
Attributed works:
[Carre Rive Gauche / Galerie Charles et Andre Bailly, 25 Quai Voltaire, Paris] Clerc
Attributed works:
[Carre Rive Gauche/ Charles Ratton & Guy Ladriere, 11 Quai Voltaire, Paris] Statuette of Tormented Figure, Ivory, South German or Austrian, Circa 1650, Attributed to the Master of the Furies. L: 16 cm.
Attributed works:
[Caylus Anticuario S.A., Lagasca 28, Madrid] Felix Castelo (Circa 1600-1652). The Liberation of Saint Peter. Oil on Canvas 168.8 × 125.5 cm.
Attributed works:
[Christie's, 8 King Street, London] Alonso Sánchez Coello (1531/2-1588): Portrait of Hernán Cortés, Oil on Panel, 48¼ × 41 in. (122.7 × 104 cm.)
Attributed works:
[Concha Barrios, C/ Claudio Coello 14 and 17, Madrid] Juan Bautista de Espinosa. Oil on Canvas 59 × 82 cms.
Attributed works:
[cover] Detail of Man in Armour, by Rembrandt. (Art Gallery and Museum, Glasgow; Exh. National Gallery, London).
Attributed works:
[Edmund Peel and Asociados, Plaza de la Indpendenzia 8, Madrid and Pasaje Domingo 2, Barcelona] Francisco José de Goya y Lucientes (1746-1828), Portrait of the Embroiderer Juan López de Robredo, Oil on Canvas, 107×81 cm. Estimate on Request. This Painting May Be Dated to c. 1798. It Is Undoubtedly One of the Most Important Works by Goya Remaining in Private Hands.
Attributed works:
[Galerie Kornfeld, Laupenstrasse 41, Bern] Giulio Campagnola. Shepherds in a Landscape. Engraving. Hind V, 196, 6. 1515-1518.
Attributed works:
[Hilmar M. Klemke oHG, Burchard Strasse 26, Munster] Pieter Molyn (London 1595-1661 Haarlem). Hilly Landscape, in the Centre Peasants Resting in Front of a Group of Trees. Signed and Dated 'PMolyn 1654' with Black Chalk at Top Right, the P and the M in a Ligature. Black Chalk, Grey Wash, Framing Lines in Brown Ink, 147 × 194 mm. Watermark: Non-Existent
Attributed works:
[Marlborough, 6 Albemarle Street, London] Therese Oulton, Close-Up, 1992. Oil on Canvas. $83frac{7}{8}times 91frac{7}{8}$ in./213 × 233.3 cm. Titled, Signed and Dated on Reverse
Attributed works:
[Paul Proute S.A., 74, rue de Seine, Paris] Gabriel-François Doyen (Paris 1726 - St. Petersburg 1806). Brutus and His Sons. Black Chalk, Stumping and Grey Wash with White Heightening on Grey Paper. 42.4 by 53.4 cm.
Attributed works:
[Richard L. Feigen & Company, 6 Ryder Street St James, London/ 49 East 68th Street, New York] Anne-Louis Girodet-Trioson, Portrait of Queen Hortense, Circa 1805. Oil on Canvas, 24 by $19frac{11}{16}$ Inches (61 by 50 cm.)
Attributed works:
[Spink & Son Ltd, 5, 6 & 7 King Street, St. James, London] Percy Wyndham Lewis, 1882-1957. Protraction, 1913
Attributed works:
[Stanza del Borgo, Via G. Puccini 5, Milan] Salvator Rosa Naples 1615 Rome 1673. Soldier with a Turban. Pen, Ink and Brown Wash. 17 by 9 cm.
Attributed works:
[The Grosvenor House Antiques Fair/ Acanthus Art Ltd] The Submersion of Pharoah's Army in The Red Sea by Titian (1477/89-1575) and an Anonymous Woodcutter. Woodcut Designed Circa 1515 from the Edition Published by Domenico delle Grecche, 1549. Dimensions 123 × 219 cm (48 × 85 in). Printed on Twelve Sheets of Matching Paper, Each Bearing a Watermark of a Pilgrim with Staff in a Circle.
Attributed works:
[The Grosvenor House Antiques Fair/ Ackermann & Johnson, 27 Lowndes Street, London] The Timber Waggon by George Barret (1732-1784). Gouache; Sight 18 × 23.5 Inches
Attributed works:
[The Grosvenor House Antiques Fair/ Alex Wengraf Limited, The Old Knoll, Eliot Hill, London] Alessandro Magnasco Called Alessandrino (Or Il Lissandrino) (1667-Genoa-1749). Landscape with Hunters. Oil Painting on Canvas, 27½ × 36½ Inches (70 × 92.8 cm)
Attributed works:
[The Grosvenor House Antiques Fair/ Galerie Bruno Meissner, 32 St George Street, Mayfair, London] Le Braconnier by Gustave Courbet (Ornans 1819-77 La Tour de Peilz). Signed, Inscribed and Dated Lower Right 'G. Courbet St. Cloud 67'. Oil on Canvas, 33 × 40.6 cm (13 × 16 in).
Attributed works:
[The Grosvenor House Antiques Fair/ Johnny van Haeften, 13 Duke Street St James, London] A Brazilian Landscape with a Procession Emerging from the Ruined Cathedral of the See of Olinda, Exotic Animals in the Foreground by Frans Post (Leiden 1612-80 Haarlem). Signed. Oil on Canvas, 61 × 83.3 cm (24 × 33 in).
Attributed works:
[The Grosvenor House Antiques Fair/ Rafael Valls Limited, 11 Duke Street, London] A View of the Thames at Westminster Bridge, with Westminster Abbey, the Palace of Westminster and St. John's, Smith Square. by Joseph Nicholls (fl.1730-1760). Oil on canvas, 78.8 × 134.6 cm (31 × 53 in). Very little is known about the life of Joseph Nicholls, apart from the fact that some of his topographical views of London were engraved in 1738 and that there is a signed view of Twickenham painted in 1755. Nicholls's style comes closest to that of Samuel Scott, and many of his works have probably passed under Scott's name over the decades. Both artists painted many views of the Thames, and both were influenced by the arrival of Canaletto in London in 1746. There are two paintings by Nicholls in the Mellon University Collection at Yale and one in the Tate Gallery, London.
Attributed works:
[The Grosvenor House Antiques Fair/ Ronald A. Lee, 1-9 Bruton Place, London] A Late 15th Century Limewood Carving of Saint Stephen, Circa 1490-1500. Attributed to the Workshops of Tilman Riemenschneider (1460-1531). Height: 31 Inches. Compare with Two Female Saints in the Museum in Frankfurt-am-Main and the Figures of St Lawrence and St Stephen in the Cleveland Museum, Ohio.
Attributed works:
[The Grosvenor House Antiques Fair/ William Drummond, Covent Garden Gallery Ltd] Johan Christian-Clausen-Dahl 1788-1857. Clouds and Landscape by Moonlight. Oil-Paint on Paper Laid-down 6¼ × $7frac{3}{8}$ Inches 15.8 × 18.6 cms. Inscribed and Dated "27 Novbr 1822". Painted after Joining Caspar-David Friedrich at Dresden
Attributed works:
[The Grosvenor House Antiques Fair]/ D. S. Lavender (antiques) Ltd, 16b Grafton Street, London] An Important Louis XV Gold Mounted Piqué Snuffbox Set with a Portrait Miniature of the Empress Maria Theresa of Austria by Jean Etienne Liotard. Circa 1760.
Attributed works:
[W. M. Brady & Co., 3 East 76th Street, New York] Eugene Delacroix (1789-1863). Study of Horses. Pen and Brown Ink 205 × 260 mm. Ex-Coll. Georges Aubry
Western art unattributed:
[Bruno Scardeoni, 54 Via Nassa, Lugano] Crucifixion, by an Umbrian Master, c.1370. Tempera on Gold-Ground Panel. 24.5 by 12 cms.
Western art unattributed:
[C. John, 70 South Audley Street, Mayfair, London] A Rare Caucasian Rug from the Town of Lenkoran in the Talish District. Circa 1880. Size: 9′ 1″ × 3′ 9″ (277 × 114)
Western art unattributed:
[Sotheby's, 34-35 New Bond Street, London] A Fine Walnut Bureau Cabinet, George II, Circa 1730, 238cm High, 109cm Wide. From the Sale of Important English Furniture, London, 22nd May. Estimate: £25,000-30,000.
Western art unattributed:
[The Grosvenor House Antiques Fair/ Sheppard and Cooper Ltd, 11 George Street, London ] , A Rare German Footed Reichsadlerhumpen (Or Imperial Eagle Beaker) Dated 1632, Enamelled with the Black Double-Headed Eagle of the Holy Roman Empire with Its Wings Outspread and Hung with Fifty-Six Shields Representing the Constituent Parts of the Empire. Height 26 cm (10¼ in).
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