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Advertisements (front)
03/2024 | 1452 | 166
Pages: i-xxxvi
Subjects
Illustrations
Attributed works:
A pair of light-blue baroque console tables with original alabaster fiorito marble tops, after the design of Filippo Juvarra (1678-1736) 163 x 89 x 63 cm, Turin, 1700 circa. Burzio/Tefaf]
Attributed works:
A superb example of Dutch Delft imitation of Wanli Kraak porcelain Delft. De Drie Proceleyne Flessies (the three porcelain bottles) Willem van der Kool 1702 - 1716 [Mazereeuw Antiquair]
Attributed works:
AGOSTINO BRUNIAS (1730–1796) Six Paintings of the People of Dominica and Saint Vincent Recently acquired by The Huntingdon Library and Museum, California [Robilant and Voena]
Attributed works:
ANTONIO NOVELLI ( 1599–1650) The Penitent Saint Mary Magdalene Ca. 1640–1650 Terracotta, h. 41 cm Signed ATO. NL . F. [Trinity Fine Art]
Attributed works:
Cockerel caster. by Michael Wissmar (d.1746). c.1720. Silver, cast, repoussé, pierced, engraved, flat-chased and parcelgilt, height 23.5 cm. [Kunstkammer Georg Laue, Munich/Tefaf]
Attributed works:
Comte de l’Empire Etienne Pierre Graf Méjan (Secretary of the Italian Kingdom), by Luigi Manfredini (1771–1840), after Joseph Chinard (1756–1813). Milan c.1811. Bronze, height 75 cm. [Burzio, London/Tefaf]
Attributed works:
Domenico Andrea Pelliccia, Carrara, 1736–1821, Portrait of Grand Duke Pietro Leopoldo of Tuscany, 117, Marble h. 80 x 65 cm [Walter Padovani]
Attributed works:
Françoise de la Rochefoucauld (c.1549–c.1580), by Prosper d’Épinay (1836–1914). c.1885. Polychrome terracotta, height 60.3 cm. [Stuart Lochhead, London/Tefaf]
Attributed works:
Gustav Klimt, “Portrait of Fräulein Lieser”, Estimate: € 30 Mio - 50 Mio 1917, oil on canvas; framed, 140 x 80 cm [Kinsky]
Attributed works:
Hendrick Avercamp (1585–1634), Winter landscape with skaters on the ice, (detail) oil on panel, 41 x 60.5 cm, €220,000 – 250,000, Auction 24 April 2024 [Dorotheum]
Attributed works:
Honey, from the Liechtenstein Tacuinum Sanitatis. c.1450. Illuminated manuscript on vellum, 160 by 170 cm. Dr Jörn Günther Rare Books/Tefaf]
Attributed works:
Infanta Catalina Micaela, Duchess of Savoy (1567–97), by Alonso Sánchez Coello (1532–88). c.1585. Oil on paper laid on panel, 8.3 by 6.8 cm. [Galeria Caylus, Madrid/Tefaf]
Attributed works:
Jean-Baptiste Carpeaux (1827–1875) Plaster model with original polychrome surface , c. 1868 Petite-Modèle, height 35 cm [Stuart Lockhead/Tefaf]
Attributed works:
Johan Zoffany (1733–1810) Edward Townsend singing the ‘Beggar’s Ballad’, 1796. Recently acquired by Staatliche Kunsthalle Karlsruhe Karlsruhe, Germany [Moretti]
Attributed works:
Johann Joachim Kaendler Harlequin and Columbine (1706–1775) with slapstick Model, 1739–1740 Manufacture and decoration, Meissen, c. 1740 H. 15.5 cm (6.1 in), w. 18.5 cm (7.3 in) [Robbig.Munchen, Wawel Royal Castle/Tefaf]
Attributed works:
LOUIS-CLAUDE VASSÉ (PARIS 1716-1772) Study for the funeral monument of Paul-Esprit Feydeau de Brou Estimate: €15,000-25,000 [Christie's]
Attributed works:
Mary Beale (1633-1699) Portrait of a Young Boy seated in a Landscape, 1680s Oil on canvas 50 x 40 in. (127 x 101.6 cm) [Philip Mould]
Attributed works:
MASTER OF THE CANESSO PEDDLER ACTIVE IN NORTHERN ITALY IN THE LATE 17th CENTURY A Book Peddler Oil on canvas, 67½ × 40¾ in (171.5 × 103.5 cm) 1670/1690 [Galerie Canesso, Paris/Tefaf]
Attributed works:
Meyer de Haan or Melancholy, by Paul Gauguin (1848–1903). c.1889. Ink and pencil on paper, 29.8 by 19.1 cm. [FRANÇOIS DELESTRE FINE ARTS, PARIS/Salon du Dessin]
Attributed works:
Nude woman leaning on her left forearm, by Amedeo Modigliani (1884–1920). c.1910. Pencil on wove paper, 43 by 26.7 cm. [Agnews Works on Paper, Brussels/Tefaf]
Attributed works:
Oblong table, by Martin-Guillaume Biennais (1764– 1843). Moulded, chased and gilded bronze, inlaid French scagliola top, 71 by 72 by 45 cm. [Artur Ramon Art, Madrid/ Tefaf]
Attributed works:
Peace and Justice (also known as Love and Justice), by Rosalba Carriera (1673–1757). Pastel on paper, 63 by 54 cm. [Brun Fine Art, London/Tefaf]
Attributed works:
PIER LEONE GHEZZI (1674–Rome–1755) A waiter with a tray Pen and brown ink, 31.2 x 21.5 cm.[Ratton and Ladrière]
Attributed works:
Pierre, by Mary Cassatt (1844–1926). 1906. Pastel on paper mounted on canvas, 58 by 48 cm. GALERIE ERIC COATALEM, PARIS/Salon du Dessin]
Attributed works:
Potted pansies, by Victoria Dubourg (1840–1926). c.1870s. Oil on canvas, in original frame, 21 by 26.8 cm. [Robilant+Voena/Tefaf]
Attributed works:
Rauch, by Franz West (1947–2012). 2008. Papier-mâché, acrylic paint, metal, wood, artist pedestal, 152 by 104 by 62 cm. [Tim Van Laere Gallery, Antwerp/Tefaf]
Attributed works:
Reclining lion and feline head, by Eugène Delacroix (1798–1863). Pen and brown ink and wash, 18 by 23 cm. [GALERIE DE BAYSER, PARIS/Salon du Dessin]
Attributed works:
Sir Anthony Van Dyck, Portrait of a Carmelite monk, (detail) c.1618. [Simon Dickinson/Tefaf]    
Attributed works:
Sir Horace Mann, by Prince Hoare (1755–1834). c.1749. Terracotta, height 51.5 cm. [Walter Padovani, Milan/Tefaf]
Attributed works:
Snow over Zojoji Temple, by Kawase Hasui (1883–1957). 1953. Woodblock print, 36.4 by 47.3 cm. [Galerie Tanakaya, Paris/Tefaf]
Attributed works:
Studio Talk, book cover project, by Sonia Delaunay (1885–1979). 1938. Gouache on paper, 27 by 21 cm. [GALERIE LAURENTIN, PARIS/Salon du Dessin]
Attributed works:
Study for a lion, by Edwin Landseer (1802– 73). c.1822. Oil on canvas, 92.5 by 72.5 cm. [Dickinson Fine Art, London/Tefaf]
Attributed works:
Study for ‘The Levenson Children’, by George Romney (1734–1802). 1777. Brush and brown wash over black chalk, 26 by 27 cm. [W.M. BRADY & CO., NEW YORK/Salon du Dessin]
Attributed works:
Study of a man’s head, by Pierre- Paul Prud’hon (1758–1823). 1819. Black crayon, stumping, and white chalk, 19 by 24 cm. [GALERIE TERRADES, PARIS/Salon du Dessin]
Attributed works:
Study of two characters, by Giovanni Battista Tiepolo (1696–1770). Pen and brown ink wash with traces of black crayon, 20 by 20.7 cm. [GALERIE TARANTINO, PARIS/Salon du Dessin]
Attributed works:
Terracotta group depicting Hercules with lion. Signed and dated: Bardi fecit 1790 68 x 46 x 37 cm[Brun/Tefaf]
Attributed works:
The fall of the damned and the seven-headed Hydra, by Federico Zuccari (1539–1609). Black chalk, pen, brown ink, red chalk and brown wash, 28.7 by 35 cm. [MAURIZIO NOBILE FINE ART, PARIS/Salon du Dessin]
Attributed works:
The fall of the damned and the seven-headed Hydra, by Federico Zuccari (1539–1609). Black chalk, pen, brown ink, red chalk and brown wash, 28.7 by 35 cm. [MAURIZIO NOBILE FINE ART, PARIS/Salon du Dessin]
Attributed works:
The Saccomazzone Players, after a model by Orazio Mochi (1571– 1625). Florence, 17th century. Bronze, 36.5 by 45 by 30 cm. [Tomasso, London/Tefaf]
Attributed works:
The unicorn passes over the sea, by Le Corbusier (1887–1965). 1962. Wool, 213 by 270 cm. [De Wit Fine Tapestries, Mechelen/Tefaf]
Attributed works:
Untitled, 1973, by Sam Francis (1923–94). 1973. Acrylic on paper, 15.2 by 23.1 cm. [GALERIE BÈRES, PARIS/Salon du Dessin]
Attributed works:
Waterfront. Aisnères, by Paul Signac (1863–1935). c.1900. Graphite and watercolour on paper, 12.5 by 17.5 cm. [GALERIE PAUL PROUTÉ, PARIS/Salon du Dessin]
Attributed works:
Winter landscape with fishermen and skaters on the ice, by Jan van Goyen (1596–1656). 1653. Black chalk and grey wash, 17.1 by 27.4 cm. [ONNO VAN SEGGELEN FINE ARTS, ROTTERDAM/Salon du Dessin]
Non-western art unattributed:
A Sind Indo-Portuguese extraordinary cabinet.       Teak, ebony, ivory, green-dyed bone, gilt copper fittings India, Sind (present-day Pakistan), ca.1580–1630.     Dim.: 182.0  ×  97 .0  ×  61.0  cm Provenance: Casa do Costeado, Portugal [São Roque/Tefaf]
Non-western art unattributed:
A Sinhalese Tabernacle Masterpiece, Ceylon, ca. 1590–1630. Dim. 22.8 x 9.8 x 9.8 cm. [São Roque/Tefaf]
Non-western art unattributed:
Gujarat casket. India, Gujarat, second half of the 16th century. Tortoiseshell with silver mounts, 14 by 29.5 by 18 cm. [São Roque, Lisbon/Tefaf]
Book Review
Paul Signac: Journal 1894–1909
01/2023 | 1438 | 165
Pages: 100-101
related names
Reviewer:
Thomson, Richard (Thomson, Richard)
Subjects
art literature:
artists:
Reviewed Items
subjects:
Paul Signac: Journal 1894–1909 Edited by Charlotte Hellmann. 624 pp. incl. 55 col. ills. (Gallimard and Musée d’Orsay, Paris, 2021), €26. ISBN 978–2–07–017788–2. | :
Illustrations
Attributed works:
7. Le démolisseur, by Paul Signac. 1897–99. Oil on canvas, 251 by 150.5 cm. (RMN-Grand Palais; Musée d’Orsay, Paris; Bridgeman Images).
Exhibition Review
Neo-Impressionism
01/2015 | 1342 | 157
Pages: 61-21
related names
Reviewer:
Whitfield, Sarah (Whitfield, Sarah; Whitfield, Mrs)
Subjects
dates:
Illustrations
Attributed works:
76. Woman singing in a café chantant, by Georges Seurat (Van Gogh Museum, Amsterdam; exh. Phillips Collection, Washington)
Attributed works:
77. Setting sun, sardine fishing. Adagio. Opus 221, by Paul Signac (Museum of Modern Art, New York; exh. Phillips Collection, Washington)
Attributed works:
78. The flock of sheep, Eragny, by Camille Pissarro (Private collection; exh. Phillips Collection, Washington)
Exhibition Review
The Neo-Impressionist portrait
07/2014 | 1336 | 156
Pages: 491-493
related names
Reviewer:
Thomson, Belinda (Thomson, Belinda)
Subjects
dates:
museums and institutions:
Illustrations
Attributed works:
93. Portrait of my mother, opus 235, by Paul Signac (Private collection; exh. Indianapolis Museum of Art)
Attributed works:
94. The boot polisher, by Henri Delavallée (Robert Polo Gallery, Brussels; exh. Indianapolis Museum of Art)
Attributed works:
95. Portrait of Emile Verhaeren in his study, by Théo van Rysselberghe (Bibliothèque royale de Belgique, Brussels; exh. Indianapolis Museum of Art)
Attributed works:
96. Jan Toorop, by Georges Lemmen (Stichting Hannema-de Stuers Fundatie, Heino; exh. Indianapolis Museum of Art)
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Advertisements June 2012 (front)
06/2012 | 1311 | 154
Pages: s.p.
Subjects
advertisements:
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collectors and dealers:
subjects:
Illustrations
Attributed works:
[Adrian Alan Fine Art & Antiques, London. A Florentine Renaissance revival pietre dure and carved giltwood centre table, by Angiolo Barbetti. c.1870. Height: 95 cm. Width: 125 cm. Depth: 68 cm]
Attributed works:
[Adrian Sassoon, London. Bud, by Kate Malone. 2011. Crystalline glazed stoneware. Height: 100 cm]
Attributed works:
[Agnew's, 35 Albemarle Street, W1. In the gardens of the Villa Negroni at Rome, by John Robert Cozens (1752-1790). Watercolour, 26.1 by 37.1 cm]
Attributed works:
[Agnew's, London. Charles I and Henrietta Maria with their two eldest children, Prince Charles and Princess Mary, by Sir Anthony van Dyck (1612-51). Oil on oak panel, 20 by 23.5 cm]
Attributed works:
[August Laube Exhibiting at: Daniel Crouch Rare Books LLP, 4 Bury Street, SW1. Boy looking down, by Ernst Ludwig Kirchner (1880-1938). Chalk on wove paper, 50.5 by 35 cm]
Attributed works:
[Ben Elwes Fine Art, 45 Maddox Street, W1S. A view in Italy, by Jean-Charles-Joseph Rémond (1795-1875). Oil on canvas, 22.5 by 35 cm]
Attributed works:
[Browse & Darby. 19 Cork Street. London. Edgar Degas (1834-1917). Danseuse, Grande Arabesque, premier tamps]
Attributed works:
[C.G. Boerner Exhibiting at: Trinity Fine Art Ltd, 29 Bruton Street, W1. The singer's contest at Warburg Castle, by Anton Romako (1832-1889). Signed lower left: Pencil on wove paper, 39.4 by 52.8 cm]
Attributed works:
[Daguerre. 5 bis, rue du Cirque. Paris. Att. to Jacques du Broeucq (1505 (?) - 1584). Alabaster. XVIth century. H. 31.3 cm]
Attributed works:
[Daguerre. 5 bis, rue du Cirque. Paris. Hercole Procaccini (1596-1676). 37,5 x 25,8 cm]
Attributed works:
[Daguerre. 5 bis, rue du Cirque. Paris. Three chairs stamped G. Jacob. Circa 1775. From Comte d'Artois in Versaille]
Attributed works:
[Darnley Fine Art, London. Portrait of William Warham, after Hans Holbein the Younger (1497-1543). Oil on canvas, 83.8 by 71.1 cm]
Attributed works:
[De Backker Medieval Art, Grote Plaats 31. Hoogstraten, Belgium. Sedes Sapientiae - Enthroned Virgin. Polychromed Wood - Spain/Catalunya, about 1220 - h: 58 cm]
Attributed works:
[Dickson, 58 Jermyn Street, SW1. The tomb of Caecilia Metella on the Via Appia, outside Rome, by Carlo Labruzzi (1748-1817). Watercolour over pencil, 37.8 by 51.7 cm]
Attributed works:
[Didier Aaron, Clifford House, 15 Clifford Street, W1. Study for 'The union of design and colour', by Charles-Joseph Natoire (1700-1777). Inscribed upper left: n° 26. Blacjk chalk heightened with white on blue paper, 28.5 by 35.5 cm]
Attributed works:
[Florian Harb, 5 Dalmeny Cout, 8 Duke Street, SW1. The adoration of the shepherds, by Tommaso Manzuoli, called Maso da San Friano (1536-1571). Pen and brown ink and wash, over black chalk heightened with white on blue paper, 26.5 x 19.5 cm]
Attributed works:
[Florian Härb. 5 Dalmeny Court, 8 Duke Street, St. James’s. London. Giovan Battista Dell'Era (Treviglio 1765-1799 Florence). Giovanni Antonio Santarelli (1758-1826). Signed in pencil, lower right, Batta Dell Era fecit. Black and red chalk, 330 by 240 mm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Bernardino Campi. Reggio Emilia, 1521-1591. Venus, Eros and Anteros. Oil on wood panel, 25 x 20 cm (9 7/8 x 7 7/8 in)]
Attributed works:
[Harry Moore Gwyn, London. Promenaders in the park at Golden Hill, by Ethelbert White, R.W.S. (1891-1972). Signed: Ethelbert White. Oil on panel, 51 by 40 cm]
Attributed works:
[Hazlitt Holland-Hibbert. 38 Bury Street. St. James’s, London SW1Y 6BB. Bridget Riley. Works 1960-1966. Earls Court studio, 1964.]
Attributed works:
[Hazlitt, Holland-Hibbert, London. Two seated figures, by Henry Moore (1898-1986). 1944. Signed and dated. Pencil, wax crayon, chalk, charcoal, watercolour, pen and ink, 49.3 by 49.5 cm]
Attributed works:
[Hill-Stone Exhibiting at: The Fine Art Society, 148 New Bond Street, W1. A study for the figure of Charon, by George Romney (1734-1802). Pen and brown ink over black chalk, 34.6 by 27.2 cm.]
Attributed works:
[Hill-Stone, Inc. Box 273, Gracie Station. New York. Gaetano Gandolfi. San Matteo della Decima 1734 - 1802 Bologna. A Sheet of Head Studies. Drawing in red pen and ink; 1795. Signed with the artist's initials and dated verso in the same red ink in which the drawing was executed. 148 x 209 mm (5 7/8 x 8 1/4 inches)]
Attributed works:
[im Kinsky Kunst Auktionen Gmbh. Palais Kinsky, Freyung 4. Vienna. Giovanni Paolo Panini. Pair of Landscape with Ruins and Figures (detail).]
Attributed works:
[Jane Kahan Gallery, New York. Femme sur l'echelle, by Pablo Picasso. Aubusson tapestry, 202 by 178 cm]
Attributed works:
[Jean-Luc Baroni, 7-8 Mason's Yard, SW1. Self-portrait on a diff top in Howth, by Sir William Orpen. Signed: ORPEN at lower right. CHarcoal with gouache and oil on buff coloured paper, 50 by 36 cm]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Giovanni Francesco Barbieri, called Il Guercino. Cento 1591 - 1666 Bologna. Study of a dragon pierced by a lance. Pen and brown ink, 194 x 186 cm]
Attributed works:
[Johnny Van Haeften Ltd, 13 Duke Street, SW1. The gates of hell, by Cornelis Saftleven (1607-81). Oil on panel, 46 by 58 cm]
Attributed works:
[Katrin Bellinger at Colnaghi, 15 Old Bond Street. La laitière normande, by Jean-François Millet (1814-1875). Stamped with the estate stamp: J.F.M, lower right. Red chalk, 22.5 by 16.3 cm]
Attributed works:
[Lefevre Fine Art, London. A boxwood figure, by Henry Moore (1898-1986). 1912. Height: 43.2 cm]
Attributed works:
[Mark Mitchell, London. Still life with mustard jar, tomatoes, knife and glass on a striped tablecloth, by George Weissbort. 1928. Signed. Oil on canvas laid onto board 38.4 by 61.3 cm]
Attributed works:
[Rafael Valls Ltd, 11 Duke Street, SW1. A trompe l'oeil of a violin and a violin bow hanging from a red silk ribbon on a deal wood panel, by Claes Bellekin (1620-c.1675). Oil on canvas, 90 by 65 cm]
Attributed works:
[Robilant + Voena, 1st Floor, 38 Dover Street, W1. Virgin and Child with a Saint, by Andrea Solario (c. 1465-c.1524). c. 1517. Tempera and oil on panel, 37.5 by 33.5 cm]
Attributed works:
[Rountree Fine Art, London. Study of Mr. J.J. Moubray's Bay Hunter, by Sir Alfred Munnings P.R.A., R.W.S. (1878-1969). Oil on panel, 30.5 by 40.6 cm]
Attributed works:
[Sotheby’s & Co. 76, rue de Faubourg Saint-Honoré. Paris. Ferdinand-Victor-Eugène Delacroix. Arab Chief.]
Attributed works:
[Sphinx Fine Art Exhibiting at: 50 Maddox Street, W1S. Portrait of the Right Honorable William Pitt the Younger (1759-1806), three-quarter length in a black coat, standing before a column and gold brocade drape, by John Hoppner (1758-1810). Oil on canvas, 144.5 by 114.5 cm]
Attributed works:
[Stephanie Hoppen Gallery, London. Hummingbird and tubors, by Orlanda Broom. 2012. Acrylic and resins, 100 by 150 cm.]
Attributed works:
[Stephen Ongpin, London. Design for the cover of Sir magazine (no.4, 1964), by René Gruau (1909-2004). Signed with the artist's initial '*G' in black ink, gouache, and green film, over a pencil underdrawing, on paper, 41 by 28.7 cm]
Attributed works:
[Stoppenbach & Delestre, 25 Cork Street, W1. The estuary at Trieux, Bretagne, by Paul Signac (1863-1935). Signed lower right. Watercolour, pencil and ink, 11.2 by 20 cm]
Attributed works:
[The Silver Fund, London. Tea and coffee set on trey, by Jean Puiforcat. Mexico, c.1934. Signed. Sterling silver with green onyx handles]
Attributed works:
[Tomasso Brothers Fine Art, Leeds. Captive Dacians, by Francesco Righetti (1749-1819), and Luigi Righetti (1780-?1852). Signed and dated: FR. RIGHETTI. ET. FIL. FECIT. ROM / 1811. Bronze, rich brown-green patina. Height: 32.4 cm]
Attributed works:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. Joseph Claus (active between 1754-1783). Bust of Caracalla. Signed J. CLAUS FECIT, dated 1757 and inscribed with the artists monogram I.C. White marble. 74 cm high]
Attributed works:
[Trinity Fine Art Exhibiting at: 29 Bruton Street, W1. The studio of artist Charles Guigon, by Fanny Guigon. Signed lower right: F. Guigon. Oil on cardboard, 25.5 by 33.2 cm]
Attributed works:
[Waterhouse Dodd, London. Le pesage Ombregé à Deauville, by Raoul Dufy. 1929-30. Signed. Watercolour and Gouache on paper, 50 by 65 cm.]
Non-western art unattributed:
[Jorge Welsh, London and Lisbon. 'Kinrade plate'. Ming Dynasty, c.1540-1600. Chinese porcelain in underglaze cobalt blue, overglaze iron red and gilt. Diameter: 19 cm]
Non-western art unattributed:
[Laura Bordignon, Finchingfield, Essex. Japanese okimono group of father and son. Wood and ivory. Signed in a tsuidhu red lacquer reserve. Sadamitsu, late Meiji Period.]
Western art unattributed:
[Cahn. Galleries in Basle and St. Moritz. A black-figure White-ground Lekythos. Attributed to the Athena Painter. With Munzen und Medaillen AG, Basle, ca. 1965.]
Western art unattributed:
[Charles Ede Ltd, London. A Roman marble Bust of the Aphrodite of Epidauros, Aphrodite Armata. c.1st century AD to early 2nd century AD.]
Western art unattributed:
[Daguerre. 5 bis, rue du Cirque. Paris. Languedoc. Circa 1120-1140. H. 31.5 cm]
Western art unattributed:
[De Backker Works of Art, Hoogstraten, Belgium. A stone capital with fir-cones. Italian. Height: 35 cm]
Western art unattributed:
[Galerie Neuse, Kunsthandel GmbH. Contrescarpe 14. D-28203, Bremen, Germany. ,,The Falcon's Bathe". Flanders, 1400-1415. Warp and Weft: wool, height: 333 cm, width: 445 cm]
Western art unattributed:
[Jean-David Cahn, Basel. A head of Medusa from the Traianeum of Pergamon. c.114-29 AD. Grey, middle-grained marble. Height: 37.5 cm]
Western art unattributed:
[Joanna Booth. French, Paris, circa 1350. Ivory diptych wing, The Crucifixion. Height: 10 cm (4 in)]
Western art unattributed:
[Joanna Booth. Spain, Catalonia circa 1300. Bishop or Saint, probably St. Martin of Tours (detail). Limestone with some original colour. Height: 110 cm (43 1/2 in)]
Exhibition Review
Neo-Impressionism
01/2009 | 1270 | 151
Pages: 58-59
related names
Reviewer:
Michaelides, Chris (Michaelides, Chris)
Subjects
dates:
museums and institutions:
places:
Reviewed Items
subjects:
Georges Seurat, Paul Signac e i neoimpressionisti | institution: Palazzo Reale
Illustrations
Attributed works:
72. Woman arranging her hair, Opus 227 (Arabesques for a dressing room), by Paul Signac. 1892. Encaustic on canvas mounted on canvas, 59 by 70 cm. (Private collection; exh. Palazzo Reale, Milan).
Attributed works:
73. The grape harvest (Var), by Henri Edmond Cross. 1892. Canvas, 95 by 140 cm. (Collection of Bruce and Robbi Toll; exh. Palazzo Reale, Milan).
Attributed works:
74. Portrait of Madame Astre, by Achille Laugé. 1892. Canvas, 198 by 133 cm. (Musée des Beaux-Arts de Carcassonne; exh. Palazzo Reale, Milan).
Advertisements
Advertisements March 2007 (front)
03/2007 | 1248 | 149
Pages: s.p.
Subjects
advertisements:
advertisements:
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
[Adriano Ribolzi. Monte-Carlo. A rare XVI commode of rectangular shape à ressaut in Santo Domingo solid mahogany and veneer. It is stamped: Canabas, on the ridge of the bottom on the left-hand side, and the mark of the Jurande: JME. Joseph Canabas called Gegenbach (1712-1797). Paris, Louis XVI period. Height: 82.5 cm. Width: 135 cm]
Attributed works:
[Agnew’s, LTD, 43 Old Bond Street, London, W.1. Studies of five fashionable girls, by George Henry Harlow (1787-1819). Black and red chalks, 28 by 21.5 cm]
Attributed works:
[Arturo Cuellar, Burglistrasse 18, 8002 Zurich. Robert Delaunay (1885-1941). Study for the 'verseuse'/'coffeepot'. 1916. Gouache and watercolour on paper, 65x64 cm]
Attributed works:
[Charles Beddington Limited. 16 Saville Row, London, W1S 3PL. Philip Ferdinand de Hamilton (Brussels 1664-1750 Vienna). Studies of Fungi, including three examples of pinkish-white Bracket fungi (possibly Rigidoperus ulmarius), and edible Mushrooms Russula xerampelina (?), top right, Lactarius Chryssorrheus, lower left, and Russula sanguinea or lepida, lower left. Signed and dated 'P . F . de . Hamilton . S[uae]. C[aesareae]. [et Romanotum] M[aiestatis]. C[urtialis]. P[ictor]. /1736'. Oil on paper laid on canvas, 10 3/8 x 14 1/8 in. (26.3 x 36 cm)]
Attributed works:
[Charles Ratton & Guy Ladrière. 14 rue de Marignan, 75008 Paris. Jean Baptiste Isabey (Nancy 1767-Paris 1855). Portrait of a young woman. Signed lower right. Watercolour on paper, 14 x 10.5 cm]
Attributed works:
[Duke’s Auctioneers. The Dorchester Fine Art Salerooms. Weymouth Avenue, Dorchester, Dorset. The San Marco Panels. Guido di Pietro, called Fra Angelico. Dominican Saints, tempera on a gold ground, 390mmx130mm]
Attributed works:
[Flavia Ormond, Fine Arts. Adelson Galleries. 3 Netherton Grove. London. God the Father and the Holy Spirit with a host of Angels above a townscape, by Cristofano Roncalli, called Il Pomarancio (c. 1553-1626). Oil on paper in grisaille. 38.1 by 29.1 cm]
Attributed works:
[Flavia Ormond, Fine Arts. Adelson Galleries. 3 Netherton Grove. London. Louis-Léopold Boilly, La Bassée 1761 - 1845 Paris. The Favourite or Elder Sister (detail). Charcoal on grey paper with white heightening, signed L. Boilly. at lower right. 354 x 297 mm (13 9/10 x 11 7/10 inches)]
Attributed works:
[Galerie Antoine Laurentin. Paris. Marguerite, by André Lhote (1885-1962). Watercolour and gouache, 23.3 by 30.3 cm. Signed bottom right]
Attributed works:
[Galerie Berès. Paris. Study for the clowns, by Albert Gleizes (1881-1953). Signed and dated below to the right: Alb. Gleizes. Watercolour on paper, 47.9 by 33.2 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Aniello Falcone. Naples, 1607-1656. Calvary Battle between Turks and Christians. Oil on canvas, 76 x 113 cm.]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Battle, Aniello Falcone (1607-1656). Oil on canvas, 76 by 113 cm]
Attributed works:
[Galerie Coatalem. Paris. Lying nude, Gustave Klimt (1862-1918). Red chalk, 55 by 35 cm]
Attributed works:
[Galerie de la Présidence. Paris. Saint Malo, scene of death, by Paul Signac (1863-1935). 1929. Signed lower right. Watercolour, 27.3 by 44.2 cm]
Attributed works:
[Galerie Didier Aaron & Cie. Paris. Sight of the Palace of Concorde in Paris, by Pierre-François-Léonard Fontaine (1762-1853). Probably executed in 1829. Black chalk, pen and grey ink, brown washing and grey, watercolour and lights of white, 26.5 by 145 cm]
Attributed works:
[Giovanni Pratesi, Antiquario. Via Maggio 13, 50125, Firenze. Carlo Francesco Mellone (active in Milan from 1685 to 1743). Saint Pius V. Gilt and patinated terra-cotta. Height: 40 cm]
Attributed works:
[Giovanni Sarti, 137 rue du Faubourg Saint-Honoré. Paris. The mocking of Christ, by Daniel Crespi (circa 1595?-1630). Circa 1624-1625. Oil on canvas, 108 by 91 cm]
Attributed works:
[Heritage, Auction Galleries. 3500 Maple Ave., 17th Floor. Dallas. Harriet W. Frishmuth. Scherzo: A Fountain. Patinated bronze, c. 1929.]
Attributed works:
[Heritage, Auction Galleries. 3500 Maple Ave., 17th Floor. Dallas. Henri Roland Lancelot. Lago de Lugano. Oil on canvas, 12 3/4 x 16 in.]
Attributed works:
[Heritage, Auction Galleries. 3500 Maple Ave., 17th Floor. Dallas. Sir Joshua Reynolds. Portrait of Caroline Cox. Oil on canvas, 29 3/8 x 25 in]
Attributed works:
[Heritage, Auction Galleries. 3500 Maple Ave., 17th Floor. Dallas. Thomas Moran. Moonlight Icebergs in Mid-Atlantic. Oil on unlined canvas, 20 x 30 in]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Amphitrite, by Claude Pautre di Choisy (1744-1794). Red Chalk, 43.5 by 31 cm]
Attributed works:
[Katrin Bellinger. 15 Old Bond Street. London. A young woman spurning a cavalier's advances, another moving backwards to the right, by Antoine Watteau (1684-1721). Black lead and red chalk, touches of white chalk and traces of grey wash on beige paper, 16 by 14.3 cm]
Attributed works:
[Lowell Libson. 3 Clifford Street, New Bond Street, London, W1S 2LF. Sir Peter Lely. 1710-1762. Alice Beale, half-length, standing in a Landscape. Bartholomew Beale, half-length, standing in a landscape, his right hand resting on a bust of Homer. Oil on canvas; 36x30 inches; 91.5 x 76 cm each. The male portrait signed with the artist's PL monogram. In important English rococo frames for the pictures, c. 1750]
Attributed works:
[Pandora Old Masters. Po Box 1761. New York. Six men in a landscape, by Salvatore Rosa Arenella. (1615-1673). Pen and brown ink, brown wash and red chalk, 22.8 by 20 cm]
Attributed works:
[Rafael Valls. 11 Duke Street, St. James’s, London. A portrait of Mrs George Frederick Stratton, by Sir Thomas Lawrence, PRA (1769-1830). Oil on canvas, 76.9 by 64.7 cm]
Attributed works:
[Sotheby’s & Co., 34-35 New Bond Street, London, W.1. J M Turner, R.A. (1775-1851). Fishing Boats off Hastings. Watercolour over pencil with scratching out and stopping out. 7 1/4 by 11 7/8 in., 18.4 by 30.1 cm.]
Attributed works:
[Talabardon & Gautier. Paris. Minerve, by Charles Gleyre (1808-1874). 1865. Signed lower left: C. Gleyre. Three pencils and pastel, 55.5 by 43.5 cm.]
Attributed works:
[The Fine Art Society, Ltd. 148 New Bond Street, London, W.1. Frederick Cayley Robinson 1862-1927. The Call of the Sea, 1925. Oil on canvas 33 x 48 inches (84x122 cm). Signed Caylley Robinson 1925, lower left.]
Attributed works:
[The London Original Print Fair. Royal Academy of Arts. Burlington Gardens. London. Damien Hirst Sceptic 2006. Silkscreen print. 150 x 78.7 cm. Edition of 55. Published by Paul Stolped and Other Criteria.]
Attributed works:
[Trinity Fine Art. 29 Bruton Street. London W1J 6QP. Soldiers surprised by the tomb, the lower half of The Resurrection, by Giuseppe Maria Crespi, il Spagnulo (1665-1747). Two shades of red chalk, strenghtened with pen and black ink, red chalk framing lines, 25.6 by 22 cm]
Attributed works:
[W/S Fine Art, Ltd. 160 New Bond Street, London W1S 2UE. Thomas Jones (1743-1803). View of the Campi Flegrei from the Camaldolise Convent near Naples, 1783. Oil on canvas, 50 x 71 1/2 inches. Painted for Sir William Hamilton; exhibited in 1784 at the Royal Academy]
Attributed works:
[Whitfield Fine Art Ltd. London. Sleeping Cupid, by Giovanni-Battista Caracciolo, called Battistello (1578-1635). Oil on canvas, 75 by 140 cm]
Non-western art unattributed:
[Heritage, Auction Galleries. 3500 Maple Ave., 17th Floor. Dallas. Pavel Akimov Ovchinnikov. Russian Silver Gilt and ENamel Icon: The Annunciation, 1896-08-]
Western art unattributed:
[Rupert Wace Ancient Art. London. Exceptional bronze helmet face mask. Roman, 1st century AD. Height: 16.5 cm]
Advertisements
Advertisements April 2006 (Front)
04/2006 | 1237 | 148
Pages: i-xii
Subjects
advertisements:
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
[Charles Ratton & Guy Ladrière. 14 rue de Marignan, 75008 Paris. Jean-Jacques Lagrenee, (le Jeune) (1739-Paris-1821). Adoration of the Magi. Oil on panel, 68x48 cm]
Attributed works:
[Christie’s, 9 Avenue Matignon, 75008 Paris. Jacques-Louis David (Paris 1745-1825 Brussels). Portrait of Jean-Pierre Delahaye. Signed and dated. 'L.David/1815' (lower left). 62 x 49cm. (23 3/4 x 19 1/8 in.)]
Attributed works:
[Compton Verney. Warwickshire CV35 9 HZ. Vincent van Gogh. A Wheatfield, with Cypresses (detail).]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Pietro Ricchi. Lucca, 1606 - Udine, 1675. Saint Peter Delivered from prison by the Angel. Oil on canvas, 216 x 160 cm (85 x 63 in)]
Attributed works:
[Hazlitt Holland-Hibbert. 38 Bury Street. St. James’s, London SW1Y 6BB. 17 East 76th Street, New York. Augustus John. 1878-1961. Portmadoc, circa 1910. Oil on panel. 13 1/2 x 15 inches; 34,4 x 38,2 cm. Signed.]
Attributed works:
[Museo Thyssen-Bornemisz. Fra Angelico. The Virgin of Humility,]
Attributed works:
[Sotheby’s & Co., 1334 York Avenue, 10021. New York. William Blake. The Day of Judgement, Pen and black ink and watercolor. 10 9/16 x 8 3/4 in. 270x222cm.]
Attributed works:
[The Fine Art Society, Ltd. 148 New Bond Street, London, W.1. Walter Richard Sickert 1860-1942. L'Hotel Royal, Dieppe circa 1894. Drawing in pencil, charcoal, gouache and grey wash on blue paper, signed and inscribed To Suzette Lemaire W. Sickert, Lower left. 18 7/8 x 24 1/4 inches (48 x 61.5 cm)]
Attributed works:
[Winterberg Kunst. D-80799 Munich, Barer Strasse 46. Bernhard Hoetger. Female Nude. Pencil and Watercolour 1905. Signed, dated and marked "Paris". 38,9 x 37 cm.]
Attributed works:
[Winterberg Kunst. D-80799 Munich, Barer Strasse 46. Friedrich Overbeck. Entombement od Christ. Brush-and-Indian ink with white gouache and wash in bistre 1814. Signed and dated. 28,3 x 29,9 cm]
Attributed works:
[Winterberg Kunst. D-80799 Munich, Barer Strasse 46. Paul Signac. La Bouée (Saint-Tropez: Le Port). Colour lithograph 1894. Copy 38/60. Signed. 40,3 x 32,7 cm. Ref: Kornfeld-Wick 9, III]
Publication Received
Paul Signac: a Collection of Watercolours and Drawings
02/2002 | 1187 | 144
Pages: 115
related names
Reviewer:
Shone, Richard (Shone, Richard; S., R.; Shone, Richard)
Subjects
artists:
collectors and dealers:
print:
Reviewed Items
print:
Paul Signac: a Collection of Watercolours and Drawings | author: Bocquillon-Ferretti, Marina , author: Cachin, Charles , author: Signac, Paul
Exhibition Review
Signac. Paris, Amsterdam and New York
07/2001 | 1180 | 143
Pages: 442-445
related names
Reviewer:
Thomson, Richard (Thomson, Richard)
Subjects
artists:
dates:
museums and institutions:
museums and institutions:
subjects:
Illustrations
Attributed works:
37. Un Dimanche, by Paul Signac. 1888-90. 150 by 150 cm. (Private Collection; Exh. Van Gogh Museum, Amsterdam).
Attributed works:
38. Un Nuage, by Roger Jourdain. 1885. Dimensions Unknown (Musée de Louviers).
Attributed works:
39. Concarneau. Calme du soir. Opus 220 (allegro maestoso), by Paul Signac. 1891. 65 by 81 cm. (Metropolitan Museum of Art, New York; Exh. Van Gogh Museum, Amsterdam).
Attributed works:
40. Saint-Tropez. Le sentier côtier, by Paul Signac. 1894. Water-Colour over Pencil and Ink Underdrawing, 19.2 by 29.7 cm. (Private Collection; Exh. Van Gogh Museum, Amsterdam).
Attributed works:
41. Le Pardon des Terre-Neuvas. Saint-Malo, by Paul Signac. 1928. 77 by 96 cm. (Musée d'histoire, Saint-Malo; Exh. Van Gogh Museum, Amsterdam).
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