52. (Right) The fallen caryatid with stone, by Auguste Rodin; and (left) Three piece sculpture: vertebrae, by Henry Moore (Henry Moore Foundation, Perry Green) as installed for the Moore Rodin exhibition at Perry Green, 2013
Attributed works:
53. Working model for Locking piece, by Henry Moore (Henry Moore Foundation, Perry Green)
Attributed works:
54. The three Shades, by Auguste Rodin. Pen and ink on paper, inside Henry Moore's copy of Dante's Inferno, Paris 1884. (Henry Moore Family Collection: exh. Henry Moore Foundation, Perry Green)
Exhibition Review
Gainsborough’s landscapes. Bath and Compton Verney
67. Wooded landscape with figure and cattle, by Thomas Gainsborough. 1770–75. Watercolour and oil on two sheets of paper laid down on canvas, 43 by 58 cm. (The Hepworth Wakefield; exh. Holburne Museum, Bath).
Attributed works:
68. Wooded landscape with horseman travelling along a country track, by Thomas Gainsborough. 1775–80. Black, white and coloured chalks on blue-grey paper, 25.4 by 31.4 cm. (Tate, London; exh. Holburne Museum, Bath).
Attributed works:
69. Two girls with bundles of sticks, by Thomas Gainsborough. 1785–88. Black and white chalk
with stump, 25.4 by 30.5 cm. (Private collection; exh. Holburne Museum, Bath).
Exhibition Review
Stanley Spencer and the English garden. Compton Verney
67. Interior of a studio, by Octave Tassaert. 1845. Canvas, 46 by 38 cm. (Musée du Louvre, Paris; exh. Sainsbury Centre for Visual Arts, Norwich).
Attributed works:
68. The artist in his studio with his man Gibbs, by George Morland. c.1802. Canvas, 63.5 by 76.2 cm. (Nottingham City Museums and Galleries; exh. Sainsbury Centre for Visual Arts, Norwich).
Attributed works:
69. A studio in Montparnasse, by C.R.W. Nevinson. 1926. Canvas, 127 by 76.2 cm. (Tate, London; exh. Sainsbury Centre for Visual Arts, Norwich).
Attributed works:
70. The shelf: object and shadow in front view, by Rodrigo Moynihan. 1982–83. Canvas, 71.1 by 91.5 cm. (Tate, London; exh. Sainsbury Centre for Visual Arts, Norwich).
54. Portrait of Mary Freer, by John Constable. 1809. Canvas, 76.2 by 63.5 cm. (Yale Center for British Art, New Haven; exh. National Portrait Gallery, London).
Attributed works:
55. Portrait of Mrs James Pulham, by John Constable. 1818. Canvas, 75.6 by 62.9 cm. (Metropolitan Museum of Art, New York; exh. National Portrait Gallery, London).
75. Two crabs, by Vincent van Gogh. Here dated to c.1887–88. Canvas, 47 by 61 cm. (Private collection, on loan to National Gallery, London; exh. Dean Gallery, Edinburgh).
Attributed works:
76. The outskirts of Eindhoven (?), by Vincent van Gogh. c.1885. Canvas, 46 by 55 cm. (Mrs Frank G. Wangeman, California; exh. Dean Gallery, Edinburgh).
Attributed works:
77. A Sunday in Eindhoven, by Vincent van Gogh. 1885. Watercolour, 20.8 by 29.5 cm. (Van Gogh Museum, Amsterdam).
Attributed works:
78. Head of a man, by Vincent van Gogh (?). c.1886–87. Canvas, 33 by 40 cm. (National Gallery of Victoria, Melbourne; exh. Dean Gallery, Edinburgh).
[Charles Ratton & Guy Ladrière. 14 rue de Marignan, 75008 Paris. Jean-Jacques Lagrenee, (le Jeune) (1739-Paris-1821). Adoration of the Magi. Oil on panel, 68x48 cm]
Attributed works:
[Christie’s, 9 Avenue Matignon, 75008 Paris. Jacques-Louis David (Paris 1745-1825 Brussels). Portrait of Jean-Pierre Delahaye. Signed and dated. 'L.David/1815' (lower left). 62 x 49cm. (23 3/4 x 19 1/8 in.)]
Attributed works:
[Compton Verney. Warwickshire CV35 9 HZ. Vincent van Gogh. A Wheatfield, with Cypresses (detail).]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Pietro Ricchi. Lucca, 1606 - Udine, 1675. Saint Peter Delivered from prison by the Angel. Oil on canvas, 216 x 160 cm (85 x 63 in)]
Attributed works:
[Hazlitt Holland-Hibbert. 38 Bury Street. St. James’s, London SW1Y 6BB. 17 East 76th Street, New York. Augustus John. 1878-1961. Portmadoc, circa 1910. Oil on panel. 13 1/2 x 15 inches; 34,4 x 38,2 cm. Signed.]
Attributed works:
[Museo Thyssen-Bornemisz. Fra Angelico. The Virgin of Humility,]
Attributed works:
[Sotheby’s & Co., 1334 York Avenue, 10021. New York. William Blake. The Day of Judgement, Pen and black ink and watercolor. 10 9/16 x 8 3/4 in. 270x222cm.]
Attributed works:
[The Fine Art Society, Ltd. 148 New Bond Street, London, W.1. Walter Richard Sickert 1860-1942. L'Hotel Royal, Dieppe circa 1894. Drawing in pencil, charcoal, gouache and grey wash on blue paper, signed and inscribed To Suzette Lemaire W. Sickert, Lower left. 18 7/8 x 24 1/4 inches (48 x 61.5 cm)]
Attributed works:
[Winterberg Kunst. D-80799 Munich, Barer Strasse 46. Bernhard Hoetger. Female Nude. Pencil and Watercolour 1905. Signed, dated and marked "Paris". 38,9 x 37 cm.]
Attributed works:
[Winterberg Kunst. D-80799 Munich, Barer Strasse 46. Friedrich Overbeck. Entombement od Christ. Brush-and-Indian ink with white gouache and wash in bistre 1814. Signed and dated. 28,3 x 29,9 cm]
Attributed works:
[Winterberg Kunst. D-80799 Munich, Barer Strasse 46. Paul Signac. La Bouée (Saint-Tropez: Le Port). Colour lithograph 1894. Copy 38/60. Signed. 40,3 x 32,7 cm. Ref: Kornfeld-Wick 9, III]