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Advertisements March 2007 (front)
03/2007 | 1248 | 149
Pages: s.p.
Subjects
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Illustrations
Attributed works:
[Adriano Ribolzi. Monte-Carlo. A rare XVI commode of rectangular shape à ressaut in Santo Domingo solid mahogany and veneer. It is stamped: Canabas, on the ridge of the bottom on the left-hand side, and the mark of the Jurande: JME. Joseph Canabas called Gegenbach (1712-1797). Paris, Louis XVI period. Height: 82.5 cm. Width: 135 cm]
Attributed works:
[Agnew’s, LTD, 43 Old Bond Street, London, W.1. Studies of five fashionable girls, by George Henry Harlow (1787-1819). Black and red chalks, 28 by 21.5 cm]
Attributed works:
[Arturo Cuellar, Burglistrasse 18, 8002 Zurich. Robert Delaunay (1885-1941). Study for the 'verseuse'/'coffeepot'. 1916. Gouache and watercolour on paper, 65x64 cm]
Attributed works:
[Charles Beddington Limited. 16 Saville Row, London, W1S 3PL. Philip Ferdinand de Hamilton (Brussels 1664-1750 Vienna). Studies of Fungi, including three examples of pinkish-white Bracket fungi (possibly Rigidoperus ulmarius), and edible Mushrooms Russula xerampelina (?), top right, Lactarius Chryssorrheus, lower left, and Russula sanguinea or lepida, lower left. Signed and dated 'P . F . de . Hamilton . S[uae]. C[aesareae]. [et Romanotum] M[aiestatis]. C[urtialis]. P[ictor]. /1736'. Oil on paper laid on canvas, 10 3/8 x 14 1/8 in. (26.3 x 36 cm)]
Attributed works:
[Charles Ratton & Guy Ladrière. 14 rue de Marignan, 75008 Paris. Jean Baptiste Isabey (Nancy 1767-Paris 1855). Portrait of a young woman. Signed lower right. Watercolour on paper, 14 x 10.5 cm]
Attributed works:
[Duke’s Auctioneers. The Dorchester Fine Art Salerooms. Weymouth Avenue, Dorchester, Dorset. The San Marco Panels. Guido di Pietro, called Fra Angelico. Dominican Saints, tempera on a gold ground, 390mmx130mm]
Attributed works:
[Flavia Ormond, Fine Arts. Adelson Galleries. 3 Netherton Grove. London. God the Father and the Holy Spirit with a host of Angels above a townscape, by Cristofano Roncalli, called Il Pomarancio (c. 1553-1626). Oil on paper in grisaille. 38.1 by 29.1 cm]
Attributed works:
[Flavia Ormond, Fine Arts. Adelson Galleries. 3 Netherton Grove. London. Louis-Léopold Boilly, La Bassée 1761 - 1845 Paris. The Favourite or Elder Sister (detail). Charcoal on grey paper with white heightening, signed L. Boilly. at lower right. 354 x 297 mm (13 9/10 x 11 7/10 inches)]
Attributed works:
[Galerie Antoine Laurentin. Paris. Marguerite, by André Lhote (1885-1962). Watercolour and gouache, 23.3 by 30.3 cm. Signed bottom right]
Attributed works:
[Galerie Berès. Paris. Study for the clowns, by Albert Gleizes (1881-1953). Signed and dated below to the right: Alb. Gleizes. Watercolour on paper, 47.9 by 33.2 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Aniello Falcone. Naples, 1607-1656. Calvary Battle between Turks and Christians. Oil on canvas, 76 x 113 cm.]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Battle, Aniello Falcone (1607-1656). Oil on canvas, 76 by 113 cm]
Attributed works:
[Galerie Coatalem. Paris. Lying nude, Gustave Klimt (1862-1918). Red chalk, 55 by 35 cm]
Attributed works:
[Galerie de la Présidence. Paris. Saint Malo, scene of death, by Paul Signac (1863-1935). 1929. Signed lower right. Watercolour, 27.3 by 44.2 cm]
Attributed works:
[Galerie Didier Aaron & Cie. Paris. Sight of the Palace of Concorde in Paris, by Pierre-François-Léonard Fontaine (1762-1853). Probably executed in 1829. Black chalk, pen and grey ink, brown washing and grey, watercolour and lights of white, 26.5 by 145 cm]
Attributed works:
[Giovanni Pratesi, Antiquario. Via Maggio 13, 50125, Firenze. Carlo Francesco Mellone (active in Milan from 1685 to 1743). Saint Pius V. Gilt and patinated terra-cotta. Height: 40 cm]
Attributed works:
[Giovanni Sarti, 137 rue du Faubourg Saint-Honoré. Paris. The mocking of Christ, by Daniel Crespi (circa 1595?-1630). Circa 1624-1625. Oil on canvas, 108 by 91 cm]
Attributed works:
[Heritage, Auction Galleries. 3500 Maple Ave., 17th Floor. Dallas. Harriet W. Frishmuth. Scherzo: A Fountain. Patinated bronze, c. 1929.]
Attributed works:
[Heritage, Auction Galleries. 3500 Maple Ave., 17th Floor. Dallas. Henri Roland Lancelot. Lago de Lugano. Oil on canvas, 12 3/4 x 16 in.]
Attributed works:
[Heritage, Auction Galleries. 3500 Maple Ave., 17th Floor. Dallas. Sir Joshua Reynolds. Portrait of Caroline Cox. Oil on canvas, 29 3/8 x 25 in]
Attributed works:
[Heritage, Auction Galleries. 3500 Maple Ave., 17th Floor. Dallas. Thomas Moran. Moonlight Icebergs in Mid-Atlantic. Oil on unlined canvas, 20 x 30 in]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Amphitrite, by Claude Pautre di Choisy (1744-1794). Red Chalk, 43.5 by 31 cm]
Attributed works:
[Katrin Bellinger. 15 Old Bond Street. London. A young woman spurning a cavalier's advances, another moving backwards to the right, by Antoine Watteau (1684-1721). Black lead and red chalk, touches of white chalk and traces of grey wash on beige paper, 16 by 14.3 cm]
Attributed works:
[Lowell Libson. 3 Clifford Street, New Bond Street, London, W1S 2LF. Sir Peter Lely. 1710-1762. Alice Beale, half-length, standing in a Landscape. Bartholomew Beale, half-length, standing in a landscape, his right hand resting on a bust of Homer. Oil on canvas; 36x30 inches; 91.5 x 76 cm each. The male portrait signed with the artist's PL monogram. In important English rococo frames for the pictures, c. 1750]
Attributed works:
[Pandora Old Masters. Po Box 1761. New York. Six men in a landscape, by Salvatore Rosa Arenella. (1615-1673). Pen and brown ink, brown wash and red chalk, 22.8 by 20 cm]
Attributed works:
[Rafael Valls. 11 Duke Street, St. James’s, London. A portrait of Mrs George Frederick Stratton, by Sir Thomas Lawrence, PRA (1769-1830). Oil on canvas, 76.9 by 64.7 cm]
Attributed works:
[Sotheby’s & Co., 34-35 New Bond Street, London, W.1. J M Turner, R.A. (1775-1851). Fishing Boats off Hastings. Watercolour over pencil with scratching out and stopping out. 7 1/4 by 11 7/8 in., 18.4 by 30.1 cm.]
Attributed works:
[Talabardon & Gautier. Paris. Minerve, by Charles Gleyre (1808-1874). 1865. Signed lower left: C. Gleyre. Three pencils and pastel, 55.5 by 43.5 cm.]
Attributed works:
[The Fine Art Society, Ltd. 148 New Bond Street, London, W.1. Frederick Cayley Robinson 1862-1927. The Call of the Sea, 1925. Oil on canvas 33 x 48 inches (84x122 cm). Signed Caylley Robinson 1925, lower left.]
Attributed works:
[The London Original Print Fair. Royal Academy of Arts. Burlington Gardens. London. Damien Hirst Sceptic 2006. Silkscreen print. 150 x 78.7 cm. Edition of 55. Published by Paul Stolped and Other Criteria.]
Attributed works:
[Trinity Fine Art. 29 Bruton Street. London W1J 6QP. Soldiers surprised by the tomb, the lower half of The Resurrection, by Giuseppe Maria Crespi, il Spagnulo (1665-1747). Two shades of red chalk, strenghtened with pen and black ink, red chalk framing lines, 25.6 by 22 cm]
Attributed works:
[W/S Fine Art, Ltd. 160 New Bond Street, London W1S 2UE. Thomas Jones (1743-1803). View of the Campi Flegrei from the Camaldolise Convent near Naples, 1783. Oil on canvas, 50 x 71 1/2 inches. Painted for Sir William Hamilton; exhibited in 1784 at the Royal Academy]
Attributed works:
[Whitfield Fine Art Ltd. London. Sleeping Cupid, by Giovanni-Battista Caracciolo, called Battistello (1578-1635). Oil on canvas, 75 by 140 cm]
Non-western art unattributed:
[Heritage, Auction Galleries. 3500 Maple Ave., 17th Floor. Dallas. Pavel Akimov Ovchinnikov. Russian Silver Gilt and ENamel Icon: The Annunciation, 1896-08-]
Western art unattributed:
[Rupert Wace Ancient Art. London. Exceptional bronze helmet face mask. Roman, 1st century AD. Height: 16.5 cm]
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Advertisements January 2005 (Front)
01/2005 | 1222 | 147
Pages: i-xiv
Subjects
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subjects:
Illustrations
Attributed works:
[Artemis, Fine Arts. C. G. Boerner, Dusseldorf. 13 Kasernenstr 13. USA 23 East 73rd Street, New York. England. 15 Duke Street, St. James’s London, SW1Y 6DB. August Lucas (1803-1863). Washwomen in Subiaco 1850. Watercolour over pencil, 32 x 47 cm, annotated, dated and signed with the artist's monogram at lower right.]
Attributed works:
[Artemis, Fine Arts. C. G. Boerner, Dusseldorf. 13 Kasernenstr 13. USA 23 East 73rd Street, New York. England. 15 Duke Street, St. James’s London, SW1Y 6DB. Landscape near Plauen, c. 1830, by Ernst Ferdinand Oehme (Dresden 1797-1855). Watercolour, 130 x 215 mm.]
Attributed works:
[Artemis, Fine Arts. C. G. Boerner, Dusseldorf. 13 Kasernenstr 13. USA 23 East 73rd Street, New York. England. 15 Duke Street, St. James’s London, SW1Y 6DB. The Abandoning of Moses, by Giovanni Benedetto Castiglione, Il Grechetto (1609/16-1664/79). Quill pen, brush and brown oily wash, the corners up, 256 x 387 mm.]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. Pensionate di Saraceni. Flourished in Rome, 1610-1620's St. Jerome in an interior (detail) oil on canvas. 67 3/4 x 48 3/8 in. (172 x 123 cm.)]
Attributed works:
[Christie’s. New York. 20 Rockfeller Plaza. NY 10020. Filippino Lippi (Prato c. 1457-1504 Florence) The Penitent Magdalen (detail). Tempera grassa on panel, arched top. 28 x 15 in. (71 x 38 cm.) Estimate: $800,000-1,200,000.]
Attributed works:
[Christie’s. New York. 20 Rockfeller Plaza. NY 10020. Giovanni Francesco Barbieri, il Guercino. A picture of the Nativity supported by two angels holding a crown. Pen and brown ink. 9 3/4 x 7 3/4 in. (248 x 197 mm.) Estimate: $60,000-80,000.]
Attributed works:
[Christie’s. New York. 20 Rockfeller Plaza. NY 10020. The Judgement of Paris, by Alessandro Turchi, called l'Orbetto (Verona 1578-1649 Rome). Oil on canvas, 968 x 1346 mm. The property of a Family Trust. Sale: Old Master Painting.]
Attributed works:
[Christie’s. New York. 20 Rockfeller Plaza. NY 10020. The Temptetion of Adam, by Batholomaus Spranger (Antwerp 1546-1611 Prague). Black chalk, pen and brown ink, brown and grey wash heightened with white, 240 x 178 mm. Sale: Old Master and 19th Century Drawing.]
Attributed works:
[Di Robilant – Voena. 38 Dover Street, London W1S 4LN. Gaspar van Wittel, called Vanvitelli (Amersfoort ca. 1652 - 1736 Rome). Dell'Aniene Cascade, Tivoli and Porta Galliera, Bologna. Both Oil on Canvas, 50 x 100 cm.]
Attributed works:
[Didier Aaron, Inc., New York. Seascape in Normandy, c 1880, by Ernest-Ange Duez (1843-1896). Signed and dedicated lower right, à Dagnan/E Duez. Pastel, 490 x 605 mm. Exhibition: Works on Paper Recent, on view through 4th February 2005.]
Attributed works:
[Flavia Ormond, Fine Arts. Adelson Galleries. The Mark Hotel, 25 East 77th Street (3rd Floor), New York. ADOLF von MENZEL. View of Verona. 1881. Black chalk. 207 x 126 mm (8 1/8 x 5 inches).]
Attributed works:
[Hazlitt Holland-Hibbert. 38 Bury Street. St. James’s, London SW1Y 6BB. 17 East 76th Street, New York. Ducan Grant. 1885-1978. The Modeling Stand, circa 1914. Oil and collage on board. 29 3/4 x 24 3/4 inches; 75,6 x 61 cm.]
Attributed works:
[Kate Ganz, USA, Ltd. 25 East 73rd Street, New York, NY 10021. Annibale Carracci. Studies for the Hand of an Angel Holding a Violin Bow, a study for the painting The Baptism of Christ (detail), 1585.]
Attributed works:
[Marcello Aldega/Margot Gordon. New York. Flying Angel, by Cristofano Roncalli, called Il Pomarancio (1551/52-1626). Red Chalk, 213 x 251 mm. Exhibition: Disegni Italiani, 1493-1930.]
Attributed works:
[Moretti. 43 New Bond Street, London W1S 2SA. Piazza Ottaviani 17/r, 50123 Florence. Jacopo del Sellaio (Florence, 1442-1493) The Madonna and Child with St. John. Tempera, d. 92 cm.]
Attributed works:
[Otto Naumann, Ltd. New York. A night scene with an old lady holding a basket and candle, a young boy at her side about to light his candle from hers, 1615-1618, by Peter Paul Rubens (Siegen 1577-Antwerp 1640). Oil on panel, 790 x 641 mm. Exhibition: Kunst-und Wunderkammer.]
Attributed works:
[Robert Simon, Fine Art, New York. Minerva with a Putto, by Giovanni Antonio Pellegrini. (Vence 1675-1741) Oil on canvas, 699 by 460 mm.]
Attributed works:
[Robert Simon, Fine Art. 355 East 72nd Street. New York. Jacopo Palma, Called Palma Giovane (Venetian, 1544-c. 1628). Susanna before Daniel. Oil on canvas, 57 1/2 x 77 3/8 inches (146,1 x 196,5 cm.)]
Attributed works:
[Shepherd & Derom Galleries. 58 East 79 Street, New York City. ANDREA APPIANI. Milan, 1754-1817. Elias and the Angel. Pen and Grey ink, over preliminary study in black chalk. 15 1/16 x 14 7/8 inches (637 x 378 mm)]
Attributed works:
[Sotheby’s & Co., 1334 York Avenue, 10021. New York. Portrait of a young man, circle of Bellini, Bears inscription in pen and brown ink, lower right: Palma. Black chalk, 291 by 272 mm. Sale: Old Master Drawings.]
Attributed works:
[Stiebel. New York, Upper Eastside. Francesco Solimena. "Judith with the Head of Holofernes."]
Attributed works:
[W. M. Brady & Co. 22 East 80th Street. New York. Jean-Antoine Houdon. Versailles 1741-1828 Paris. Jean-Jacuqes Rousseau (Geneva 1712-1778 Ermenonville), 1780. Signed and dated on the edge of the right shoulder, houdon 1780. Patinated bronze on a grey Sainte-Anne marble socle, height 22 13/16 inches (58 inches). Provenance: Julien Potin, France; Edmond Courty, Chatillon-sous-Bagneux, Seine, France.]
Attributed works:
[W. M. Brady & Co. New York. Bust-lenght study of a man with outstretched arms, circa 1736, by Michel-François Dandré-Bardon (Aix-en-Provence 1700-1783 Paris.). Inscribed, lower left, Dandré-Bardon. Red chalk on beige on beige paper, 145 x 250 mm. Exhibition: Master Drawings, Oil Sketches and Sculpture, 1740-1900, 25th January-18th February, 2005.]
Attributed works:
[W. M. Brady & Co. New York. Reposo, by John Hamilton Mortimer. (Eastbourne 1741-1779 London). Inscribed on the mount, lower left, J. Mortimer Delt. Pen and black ink, 280 x 210 mm. Exhibition: Master Drawings, Oil Sketches and Sculpture, 1740-1900, 25th January-18th February, 2005.]
Western art unattributed:
[Dirk Kennis. Lange Gasthuisstraat 13, Antwerp. Strap-End, 9th century AD, English.]
Western art unattributed:
[Stiebel. New York, Upper Eastside. Since Rosemberg & Stiebel moved from a 57th Street gallery to an East Side Townhouse as Stiebel, Ltd. we have been able to present Old Master paintings, drawings, sculpture, and decorative arts in a home setting. The atmosphere is far more conductive to private appreciation and informal discussion of works of art.]
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Advertisements May 2000
05/2000 | 1166 | 142
Pages: i-xx
Subjects
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Illustrations
Attributed works:
Comte Henri-Amédé-Mercure de Turenne, by Jacques-Louis David. 1816. 70 by 53 cm. (Sterling and Francine Clark Art Institute, Williamstown)
Attributed works:
[Aldega-Gordon, New York, New York] Cristofano Roncalli, Called Il Pomarancio, 1552-1626. Red Chalk, 212 × 249 mm.
Attributed works:
[Artemis Group, 23 East 73rd Street, New York, New York] Johan Christian Clausen Dahl (1788-1857). The Coast of Capri by Moonlight. Oil on Canvas, Signed and Dated 1822, 24 16/18 × 38 5/8 Inches
Attributed works:
[B. A. Wright, P.O. Box 1659, Bath, UK] 1887 Marc Chagall 1985. Gouache and Watercolour on Paper: 17 3/4 times 13 3/4 inches
Attributed works:
[Carlton Hobbs, 8 Little College Street, London, UK] A Greek Boxer Waiting His Turn. Signed J. Gott. English. 1836-38. Of Marble. Commissioned by Benjamin Gott in 1836. Literature: Walker Art Gallery, Joseph Gott, Sculptor, 1786-1860, Liverpool, 1972, p21.
Attributed works:
[Colnaghi, 15 Old Bond Street, London, UK] Theo van Rysselberghe (1862-1926). Coastal Scene. Oil on Canvas, Monogrammed Lower Right: 51 × 61 cms. (20 1/8 × 24 in.)
Attributed works:
[David & Constance Yates, Lenox Hill Station, New York, New York] Roger-Noël-François de la Fresnaye. (Mans 1885-1925 Grasse). Eve à la pomme. Original Plaster, Circa 1910. Height: 12 3/4 Inches (320 mm.). Width of Base: 17½ Inches (445 mm.). Depth of Base: 8 Inches (203 mm.) Signature Inscribed on the Left of the Terrace: R. Delafresnaye
Attributed works:
[Exh. International Fine Art Fair, New York] Aegidius Sadeler: Portrait of the Emperor Matthias. Engraving; 1614. Hollstein 310. Hill-Stone, New York
Attributed works:
[Exh. International Fine Art Fair, New York] Andrea Appiani: Portrait of Don Pascual, Falco de Belaochaga y Pujades. Oil on Canvas, 74.5 × 59 cm. Rafael Valls, London
Attributed works:
[Exh. International Fine Art Fair, New York] Claude Vignon: The Adoration of the Magi. Oil on Copper, 32.1 × 24.4 cm. Whitfield Fine Art, London
Attributed works:
[Exh. International Fine Art Fair, New York] Etienne Moreau-Nélaton: Le Jardinier dans l'atelier, 1885. Pastel, 62.5 × 47 cm. William Brady, New York
Attributed works:
[Exh. International Fine Art Fair, New York] Francesco Pozzi: Susanna Surprised. Signed and Dated 1837. 140 cm. High Paricia Wengraf, London
Attributed works:
[Exh. International Fine Art Fair, New York] Jacques de Claeuw: Flower Still Life. Signed and Dated 1651. Jack Kilgore, New York
Attributed works:
[Exh. International Fine Art Fair, New York] Jean-Baptiste-Camille Corot: Environs de Coubran, bord de la Marne. Oil on Canvas 21.5 × 37.5 cm. Spink-Leger, London
Attributed works:
[Exh. International Fine Art Fair, New York] Nicolas Bertin: The Gathering of Manna. c. 1690. Oil on Canvas, 85.7 × 91.6 cm. Agnew's, London
Attributed works:
[Exh. International Fine Art Fair, New York] Paul Gauguin: A Tahitian Woman. c. 1896. Black Chalk and Pencil. 26.8 × 17 cm. Colnaghi, London
Attributed works:
[Galerie Canesso, 8 rue Rossini, Paris, France] Guido Reni (Bologna, 1575-1642). Christ Crowned with Thorns. Oil on Canvas, 66.5 by 55.5 cm.
Attributed works:
[Galerie Siegfried Billesberger, Billesberger-Hof, 85452 Moosinning (Munich), Germany] Jean-Baptiste Greuze. 1725 Tournus - 1805 Paris, Portrait of a Lady. Oil on Canvas, 610 × 505 mm
Attributed works:
[Gallerie D'Arte Armondi, C. SO Palestro, 37/B - 25121, Brescia, Italy] Lopez Gaspare detto "Gaspare dei Fiori" (Napoli? - Firenze o Venezia 1732 ca.) Solimena Francesco (Canale di Serino 1657 - Barra di Napoli 1747) "Allegoria delle Arti e dei Mestieri" - Olio su tela di cm. 96 × 76
Attributed works:
[Hazlitt, Gooden & Fox, 38 Bury Street, London, UK] Edgar Degas (1834-1917). Vue de Capodimonte, Naples. Oil on Paper, Laid down on Canvas, 20 × 27 cm
Attributed works:
[Hill-Stone Incorporated, Park Avenue, New York, New York] Caspar David Friedrich. Creifswald 1774 - 1840 Dresden. Landscape with a Thatched Hut. Etching; 1799. Boersch-Supan 24, Only State. In This Impression the Unworked Area at the Top Edge Has Been Lightly Worked in Grey Pen, Possibly by the Artist.
Attributed works:
[Jack Kilgore & Co., Inc. 154 East 71st Street, New York] Gerbrand van den Eeckhout (1621 - Amsterdam - 1674) Portrait of Willem Woutersz. Oorthoorn on a Goat-Cart. Signed & Dated 'G. V. Eeckhout fc. Ao 1662' Oil on Canvas, 38½ by $48frac{5}{8}$ Inches (96 by 121 cm.)
Attributed works:
[Ketterer Kunst, Hamburg, vorm., F. Dorling, Germany] Mario Nuzzi, Named Mario de' Fiori. Attributed. Stillife with Flowers. Oil on Canvas. Estimate: DM 35.000 - 40.000. A. Ortelius. Theatrum orbis terrarum. Atlas. Antwerpen 1603. Estimate: DM 75.000
Attributed works:
[Pandora Old Masters, 8 East 77th Street, New York, New York] Giulio Cesare Procaccini, A Head of a Woman. Oil on Paper, Laid Down on Canvas, 440 × 303 mm.
Attributed works:
[Phillips International, 101 New Bond Street, London, UK] Stanhope Alexander Forbes R. A., The Seine Boat, Oil on Canvas, 114cm × 158cm.
Attributed works:
[Piero Corsini Inc., 162 East 63rd Street, New York, New York] Alessandro Varotari, Called IL Padovanino (Padua - 1588 - Venice, 1649) Venus and Mars Surprised by Vulcan - Circa 1631 Oil on Canvas 176 × 208 cm.
Attributed works:
[The Olympia Fine Art and Antiques Fair, London, UK] Archibald Skirving (1749-1819), Mrs Johnston of Hutton Hall, Circa 1796-1800, Pastel, National Gallery of Scotland
Western art unattributed:
[Abegg-Stiftung, Riggisberg, Switzerland] Book cover: Bizarre Silks - An Exoticism from around 1700
Western art unattributed:
[Bassenge, Erdener Str. 5A, Berlin, Germany] School of Fontainebleau. Atlas Carrying a Globe with the Signs of the Zodiac. Etching after Francesco Primaticcio. Undescribed.
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Advertisements April 1997 (front)
04/1997 | 1129 | 139
Pages: i-xxiv
Subjects
advertisements:
subjects:
Illustrations
Attributed works:
[ Arturo Cuellar, Bürglistrasse 18, Zurich ] Giovanni Battista Tiepolo (Venice 1696 - 1770 Madrid). Studies of the Head of a Man, Seen from below and in Profile to the Right. Red and White Chalk. 28.5 × 21 cm
Attributed works:
[ Cailleux, 136 Faubourg Saint-Honoré, Paris ] Jacques Rousseau (Paris, 1630 - London, 1693) Landscape with a River. Red Chalk. H.138mm; W.189mm. Signed on the Margin: Rousseau del.
Attributed works:
[ Charles Ratton & Guy Ladrière, 14 rue de Marignan and 11 quai Voltaire ] Head of a Dog. By Joseph Charles Marin (1759-1834). Terracotta, Signed Marin on the Collar. Height: 18 cm. Width: 15 cm. Depth: 20 cm.
Attributed works:
[ Colnaghi, 15 Old Bond Street, London ] Giovanni Battista Tiepolo Venice 1696 - 1770 Madrid. Christ on the Cross. Black Chalk, with Touches of White Chalk, on Blue Paper. 467 × 322 mm. ($18frac{3}{8}$ × $12frac{3}{4}$ in.). One of Only Three Early Drawings by Tiepolo Which are Preparatory Studies for Prints.
Attributed works:
[ Cover ] Fête champêtre, by Jean-Antoine Watteau. c.1718-21. Panel, 48.4 by 64.5 cm. (Art Institute of Chicago)
Attributed works:
[ Emmanuel Moatti, 134 Rue du Faubourg Saint Honoré, Paris ] Pierre-Paul Prud'hon Cluny, 1758 - Paris, 1823. Study for 'The Dream of Happiness', Black Pencil, with White Highlights on Blue Paper 29.5 cm × 45.5 cm. Circa 1819
Attributed works:
[ Galerie Berès, 25 Quai Voltaire, Paris ] Théodore Géricault (1791-1824) Scène Antique 1816. India Ink and Pencil Heightened with Gouache on Paper, 20 × 25.5 cm
Attributed works:
[ Galerie Siegfried Billesberger, Billesberger - Hof, Moosinning (Munich) ] Johann Wolfgang Baumgartner (Kufstein 1709 - 1761 Augsburg). Saint Ignatius from Loyola Preaching. Pen and Black and Grey Ink, Point of Brush in Grey, Grey Wash, Heightened with White, on Blue Paper. 11¼ × $13frac{3}{4}$ Inches (284 × 348 mm)
Attributed works:
[ Hazlitt, Gooden & Fox, 38 Bury Street, St. James, London ] Annibale Carracci (1560-1609) A Semi-Nude Boy Red Chalk Heightened with White on Buff Paper 277 × 192 mm. The Visitors of the Ashmolean Museum
Attributed works:
[ Hill Stone, Park Avenue, New York ] Jan Saenredam. 1565 - 1607. Allegory of the Triumph of the Netherlands over Spain. Engraving, 1600. Hollstein 120, the Rare First of Five States. Trimmed 3 to 4 mm at Right Otherwise in Fine Condition.
Attributed works:
[ Katrin Bellinger, Rauchstrasse 2, Munich ] Giovanni Francesco Barbieri, Called il Guercino (Cento 1591 - 1666 Bologna). The Triumph of Galatea. Pen and Brown Ink, Brown Wash, Squared in Black Chalk; 205 × 261 mm.
Attributed works:
[ Macmillan publishers, London ] Antonio Canova, The Three Graces, Marble, h.1.67m. 1815-17. © The Conway Library, Courtauld Institute of Art. From the Article Canova
Attributed works:
[ Patrick Derom Gallery, 1 Rue aux Laines, Brussels ] Xavier Mellery (1845-1921) La Renaissance italienne. Ink and Watercolour on Gold, 77 × 47 cm, Signed Lower Right,
Attributed works:
[ Paul Prouté S. A., 74 rue de Seine, Paris ] Lorenzo de Ferrari (Genoa 1680 - 1744). Angel Standing Holding a Decorative Object in the Shape of a Tassel. Black Chalk with White Highlights on Slightly Prepared Paper, 555 × 405 mm.
Attributed works:
[ Talabardon, 44 Rue Sainte - Anne, Paris ] Annibale Carracci (1560-1609). Hercules Resting, 1595. Black Chalk Heightened with White, 34.4 × 52 cm. First Thought for the Fresco in the Camerino at Palazzo Farnese
Attributed works:
[ The International Fine Art Fair, New York ] Antonio Manno The Prophet Daniel. Pen and Ink with Grey Wash and White Heightening. Squared for Transfer 33.5 by 44.5 cm.
Attributed works:
[ The International Fine Art Fair, New York ] Cristofano Roncalli. Called Pomarancio A study of Two Heads Black and Red Chalk on Blue Paper 22 by 34.6 cm.
Attributed works:
[ The International Fine Art Fair, New York ] Dante Gabriel Rossetti Study of Mrs Morris for Pandora. Pen over Traces of Pencil 17.8 by 11.4 cm.
Attributed works:
[ The International Fine Art Fair, New York ] Francesco Fanelli Diana Bronze 40.5 cm.
Attributed works:
[ The International Fine Art Fair, New York ] Frans Hals Portrait of a Woman Aged 36, 1637. 93 by 67 cm.
Attributed works:
[ The International Fine Art Fair, New York ] Frans Hals, Portrait of a Man Aged 37, 1637 93 by 67 cm.
Attributed works:
[ The International Fine Art Fair, New York ] Giorgio de Chirico Portrait of Carlo Cirelli, Signed and Dated 1915 76 by 64 cm.
Attributed works:
[ The International Fine Art Fair, New York ] Hendrick van Steenwijck the Younger, An Imaginary City Square Animated with Figures, Signed and Dated Lower Left 'Henn.V Steen/ 160[?8]'. Oil on Copper 25 × 36 cm.
Attributed works:
[ The International Fine Art Fair, New York ] John Constable Portrait of Ann or Jane Gubbins. Pencil 10.6 by 17 cm.
Attributed works:
[ The International Fine Art Fair, New York ] John Flaxman A Study of Two Women. Pen and Ink with Grey Wash.
Attributed works:
[ The International Fine Art Fair, New York ] John Singer Sargent Portrait of Sylvia Harrison. 147.2 by 83.8 cm.
Attributed works:
[ The International Fine Art Fair, New York ] Pierre Bonnard, Still Life with Faïence Plate 38 by 46.5 cm.
Attributed works:
[ The International Fine Art Fair, New York ] Pieter Brueghel the Younger (1564/5 - 1637/8). The Return from the Kermis. Signed. Panel: $22frac{7}{8}$ × 33¼ in / 58 × 84.5 cm
Attributed works:
[ The International Fine Art Fair, New York ] Renè Magritte L'Invention de la Vie, 1928 81 by 116 cm.
Attributed works:
[ The International Fine Art Fair, New York ] William Hogarth Portrait of Mrs Elizabeth Hoadly, Signed and Dated 1741 76 by 63.5 cm.
Attributed works:
[ The Salon du Dessin, Paris ] Pierre Bonnard Nu à sa toilette. Red Chalk 34.5 by 21.5 cm.
Attributed works:
[ The Salon du Dessin, Paris ] Alfonso Parigi Stage Design for 'Le Nozze degli Dei', 1637. Pen and Brown Ink with Grey Wash 27.6 × 39.9 cm.
Attributed works:
[ The Salon du Dessin, Paris ] Charles-Joseph Natoire Young Man Kneeling. Black Chalk with White Heightening 25.5 by 20.9 cm.
Attributed works:
[ The Salon du Dessin, Paris ] Claude Gellée Shepherds in a Landscape. Black Chalk, Pen and Brown and Grey Wash Heightened with White 24.4 by 40.5 cm.
Attributed works:
[ The Salon du Dessin, Paris ] Eugène Delacroix Jewish Woman of Tangier. Watercolour over Graphite 22 by 14.5 cm.
Attributed works:
[ The Salon du Dessin, Paris ] Hans Bol: Landscape. Pen and Brown Ink with Wash 14.3 by 21.2 cm.
Attributed works:
[ The Salon du Dessin, Paris ] Hubert Robert The Cupola of St Peter's, Rome. Red Chalk over Traces of Black Chalk 41.4 by 53.4 cm.
Attributed works:
[ The Salon du Dessin, Paris ] Jacopo Zanguidi, Called Bertoia Jacob's Dream. Pen and Brown Ink with Wash Heightened with White on Blue Paper, Squared in Red Chalk 29.8 by 25.9 cm.
Attributed works:
[ The Salon du Dessin, Paris ] Jean-Baptiste Greuze La marchande de marrons. Pen and Black Ink with Grey and Bistre Wash 42 by 31.5 cm.
Attributed works:
[ The Salon du Dessin, Paris ] John 'Warwick' Smith Distant View of St Peter's and the Vatican, 1799. Watercolour 30.8 by 40.7 cm.
Attributed works:
[ The Salon du Dessin, Paris ] Millet, Peasants Loading Barley into a Cart. 1854-58 31.1 by 47 cm.
Attributed works:
[ The Salon du Dessin, Paris ] Simon Vouet Armand-Jean du Plessis, Cardinal de Richelieu. Black and Red Chalk, Heightened with White. 27.4 × 21.1 cm.
Attributed works:
[ Thomas Le Claire, Elbchaussee 156, Hamburg ] Martinus Ro̵rbye 1803 Drammen (Norway) - Copenhagen 1848. View of Copenhagen Seen from the Stairs of the Slotskirken. Signed and Dated M. Ro̵rbye 1826, Pen and Watercolour, 210 × 260 mm.
Attributed works:
[ Whitefied Fine Art, 180 New Bond Street, London ] Detail from Allegory of Water by Paolo Fiammingo. Antwerp, Circa 1540-1596.
Western art unattributed:
[ H. W. Keil Ltd, Tudor House Broadway, Worcestershire ] A Rare 17th-Century Jacobean Oak Moulded Fronted Spice Cabinet Fitted with Small Drawers inside. Of fine Rich Colour. Height 2′8¼″ Width 2′6″ Depth 11½″
Advertisements
Advertisements May 1995 (front)
05/1995 | 1106 | 137
Pages: i-xxviii
Subjects
advertisements:
advertisements:
artists:
subjects:
Illustrations
Attributed works:
[ Artemis Group, David Garritt Limited, 15 Duke Street St. James, London ] Rembrandt Harmensz van Rijn 1606-1669. Portrait of Jan Lutma, Goldsmith. Etching and Drypoint, Size: 198 × 149 mm.
Attributed works:
[ Arturo Cuellar, Bürglistrasse 18, Zurich ] Claude Gellée dit Le Lorrain (1600 - 1682). "View of an Imaginary Port". France, Circa 1640 - 1645. Pen and Sepia Ink with Sepia Wash over Traces of Black Chalk 5¼ × $7frac{3}{4}$ Inches (13.4 × 19.8 cm)
Attributed works:
[ Bassenge, Erdener Strasse 5A, Berlin - Grünewald ] Nicolò della Casa (Active in Rome, ca. 1543-47). Baccio Bandinelli in His Studio. Engraving. 1548. Le Blanc (Salamanca) 1.
Attributed works:
[ C. G. Boerner, Kasernenstrasse 13, Düsseldorf / 61 East 77th Street, New York ] Albrecht Dürer. The Cannon. Etching on Iron. 1518. 220 × 325 mm Sheet Size. Bartsch 99. Meder 96 with Rust Marks a (Of g).
Attributed works:
[ Carlo Orsi, Via Bagutta 14, Milan ] Fra Galgario, Portrait of a man with oriental costume.
Attributed works:
[ Charles Ratton & Guy Ladrière, 14 rue de Marignan and 11 quai Voltaire, Paris ] French Circular Silver Cup by Floch. Brittany Early 16th Century. Diameter 21,5 cm - Weight 223g
Attributed works:
[ Colnaghi, 14 Old Bond Street, London / 21 East 67th Street, New York ] Yuri Ivanchenko. A Still Life with a Self Portrait, Butterflies and Mechanical Objects. Signed and Dated 1993, 569 × 422 mm
Attributed works:
[ Cover ] Thomas Howard, Second Earl of Arundel, by Peter Paul Rubens. Pen and Brush in Brown Ink over Red and Black Chalk, Heightened with White, 28 by 19 cm. (Ashmolean Museum, Oxford).
Attributed works:
[ Didier Aaron, Inc., 32 East 67th Street, New York / Didier Aaron & Cie, 118 Faubourg St. Honoré, Paris / Didier Aaron, Ltd., 21 Ryder Street, London ] François Perrier French: 1594 - 1649. Hercules and Omphale. Oil on Canvas: 98 × 135 cm. Executed ca. 1645-47
Attributed works:
[ Fischer Galleries, Haldenstrasse 19, Lucerne ] Giandomenico Tiepolo (Venice 1727-1804). Ecce Homo. Pen and Brown Ink over Pencil Sketch; 461×363 mm (Drawing); Signed Domo Tiepolo f.
Attributed works:
[ Flavia Ormond Fine Arts Ltd., 24 Brechin Place, London ] Giovanni Battista Pittoni. Venice 1687 - 1767. San Francesco di Paola. Red and Black Chalk. 225 × 187mm.
Attributed works:
[ Galerie Koller, Hardturmstrasse 102, Zurich ] Albrecht Dürer, Underweysung der Messung. Nuremberg 1525. Supplement: Underricht zu befestigung der Stett... Nuremberg 1527.
Attributed works:
[ Galerie Kornfeld, Laupenstrasse 41, Bern ] Ferdinand Hodler. Lake Geneva from Chexbres; Sunday Morning. Oil on Canvas. 1895-1899. 101: 130 cm.
Attributed works:
[ Galerie Sanct Lucas, Palais Pallavicini, Josefsplatz 5, Vienna ] Ferdinand Georg Waldmüller. Canvas, 66,3 × 52,8 cms. Brünn 1793 - Vienna 1865. Signed and Dated 1833
Attributed works:
[ Galerie Siegfried Billesberger, Billesberger Hof, Moosinning, Munich ] Francis Hayman (1708 Exeter - 1776 London). A Scene from 'The Tempest'. Oil on Canvas Mounted on Cardboard. 49.8 × 88.5 cm
Attributed works:
[ Jack Kilgore & Co, 154 East 71st Street, New York ] Pieter Lastman (1583-1633). The Crucifixion. Signed with Monogram "PL". Oil on Shaped Panel, 43 by 25 3/8 Inches (109 by 64.3 cm)
Attributed works:
[ Katrin Bellinger Kunsthandel, Rauchstrasse 2, Munich ] Cornelis van Poelenburch (1594/95 - 1667). Landscape with Trees. Brush in Brown and Grey Ink, Grey Wash, over Black Chalk; 204 × 248 mm
Attributed works:
[ M. Roy Fisher, 170 Mercer St., New York City ] Francesco Zuccarelli. Pitigliano (Tuscany) 1702-1788 Florence. Landscape with Milkmaid and a Troop of Animals. Oil on Canvas: 32 × 51½ Inches, 81 × 131 cm.
Attributed works:
[ Michael Miller Lucy Vivante Fine Arts Inc., 115 East 89th Street, New York ] Giulio Cesare Procaccini (Bologna 1574-Milan 1625). Mythological Scene. Red Chalk; 166 × 316 mm., 6½ × $12frac{3}{8}$ in.
Attributed works:
[ Paul Prouté, 74 rue de Seine, Paris ] Jean-Baptiste Oudry (Paris 1680 + Beauvais 1755). The Fish and the Cormorant, Illustration to the Fable 192 by Jean de la Fontaine. Brush Drawing in China Ink, with Ink Washes and White Gouache Heightening, on Blue Paper with a Cobalt Blue Border, 310 × 266mm, Signed and Dated at Lower Right.
Attributed works:
[ Richard L. Feigen & Company, 49 East 68th Street, New York ] Cristofano Roncalli, Called il Pomerancio, The Death of Ananias and Saphira, 1599-1603, Oil on Canvas, en grisaille 49 by 33½ Inches (124.5 by 85 cm.)
Attributed works:
[ Talabardon, 44 Rue Sainte Anne, Paris ] Léon Bonvin (1834-1866). Pen, Watercolour Heightened with Gouache. The Family Inn at Vaugirard, 1862 - Signed and Dated Lower Left 18,5 cm × 25,5 cm
Attributed works:
[ Thomas Gibson Fine Arts Ltd, 44 Old Bond Street, London ] Federico Barocci c. 1535-1612. The Circumcision of Christ, c. 1585-1590. Oil on Canvas 32 × 25 Inches/81 × 64 cm
Attributed works:
[ Thomas Le Claire, Elbchaussee 156, Hamburg ] Pierre Puget. 1620 Marseille 1694. Ships at Anchor near a Broken Obelisk. Pen and Black Ink on Vellum. Signed in the Lower Left Corner: P. Puget a Tollon. 252 × 352 mm
Attributed works:
[ Trinity Fine Art Ltd, 29 Bruton street, London ] A Gilt Bronze Group of Saint Martin Dividing his Cloak with the Beggar, by Jan-Baptist van Helderberghe, circa 1700, Signed with Initials, 32.8 cm. High.
Attributed works:
[ Villa Grisebach, Fasanenstrasse 25, Berlin ] Hermann Max Pechstein. "Abends". 1911. Oil on Canvas. 98 × 75 cm. Signed and Dated.
Attributed works:
[ W. M. Brady & Co., Inc., 3 East 76th Street, New York ] Jacques-François-Joseph Saly, Valenciennes 1717-1776 Paris. Portrait of a Man in Profile, Red Chalk, 13¼ × $12frac{5}{8}$ Inches (337 × 320 cm.)
Non-western art unattributed:
[ Giuseppe Cerutti, Corso Roma 71, Beregazzo ] China - Han Dynasty (200 - 210 A. D.). Horse Terracotta. Height 52cm
Western art unattributed:
[ Galerie Koller, Hardturmstrasse 102, Zurich ] Book of Hours for Use by Rome. Paris, Kerver, 1 December 1502. 96 pp. With 18 Full-Page Engravings on Vellum.
Western art unattributed:
[ Galerie Koller, Hardturmstrasse 102, Zurich ] Book of Hours. Northern France, Last Third of the 15th c. Illuminated Latin Manuscript on Vellum, 10 Full-Page Miniatures and Numerous Initials.
Western art unattributed:
[ Galerie Koller, Hardturmstrasse 102, Zurich ] Book of Hours. Northern France, Mid-15th c. Illuminated Latin Manuscript on Vellum, 12 Full-Page Miniatures and Numerous Initials.
Short Notice
Bartolomeo Manfredi and Pomarancio: Some New Documents
10/1987 | 1015 | 129
Pages: 666-668
related names
Author:
Morselli, Raffaella (Morselli, Raffaella)
Subjects
dates:
places:
Illustrations
Attributed works:
15. Letter from Manfredi from Rome, 20th August 1622. (Archivio di Stato di Mantova, Gonzaga Archive).
Attributed works:
16. Postscript to Letter in Fig.15. [Letter from Manfredi from Rome, 20th August 1622. (Archivio di Stato di Mantova, Gonzaga Archive).]
Short Notice
Cristofano Roncalli in the Sala della Meridiana
10/1981 | 943 | 123
Pages: 614-615+617
related names
Author:
Turcic, Lawrence (Turcic, Lawrence)
Subjects
dates:
places:
subjects:
Illustrations
Attributed works:
40. Personifications of the Winds. Ceiling Fresco, Sala della Meridiana, Torre dei Venti, Vatican Palace, Rome. [here attributed to Cristoforo Roncalli]
Attributed works:
41. Two Male Nudes Seen from below, by Cristofano Roncalli. Red Chalk, 29.8 by 21.3 cm. (Metropolitan Museum of Art, New York).
Short Notice
Saleroom discoveries: A 'Bozzetto' by Roncalli for His Altar-Piece in St Peter's
03/1977 | 888 | 119
Pages: 223-225
related names
Author:
Pouncey, Philip (Pouncey, Philip; Pouncey, P. M. R.)
Subjects
artists:
dates:
places:
subjects:
Illustrations
Attributed works:
106. The Death of Ananias and Saphira, Here Attributed to Avanzino Nucci. Red Chalk and Red and Brown Wash, 42.3 by 27.5 cm. (Witt Collection, Courtauld Institute, London).
Attributed works:
107. The Death of Ananias and Saphira, by Cristofano Roncalli. Mosaic. (S. Pietro in Vaticano, Rome).
Attributed works:
108. The Death of Ananias and Saphira, by Cristofano Roncalli. Canvas, 124.5 by 84 cm. (Sale, Sotheby Parke Bernet, New York, December 1976).
Attributed works:
109. Study for The Death of Ananias and Saphira, Here Attributed to Cristofano Roncalli. Red Chalk on Blue Paper, 24 by 25.5 cm. (Private Collection).
Attributed works:
110. Scene of Martyrdom, by Avanzino Nucci. Black chalk, pen and wash with white heightening, on blue paper, 38.7 by 26.5 cm. (Gabinetto dei Disegni, Galleria degli Uffizi).
Article
Documents concerning the Artistic Associates of Santa Maria della Scala in Rome
09/1954 | 618 | 96
Pages: 270-273+275
related names
Author:
Borsook, Eve (Borsook, Eve; Borsook, Miss)
Subjects
artists:
dates:
places:
subjects:
Illustrations
Attributed works:
2. Decollation of the Baptist, by Gerard Honthorst. 1617-18. Canvas. (Santa Maria della Scala, Rome.)
Attributed works:
3. Madonna Giving Her Cloak to St Simon Stock in the Presence of Elijah, by Cristoforo Roncalli. 1604-5. Canvas. (Santa Maria della Scala, Rome.)
Letter
Two Drawings by Cristofano Roncalli
03/1953 | 600 | 95
Pages: 100
related names
Author:
Burchard, Ludwig (Burchard, Ludwig; Burchard, L.)
Subjects
dates:
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