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51 articles
Exhibition Review
Federico Barocci Urbino: L’emozione della pittura moderna
09/2024 | 1458 | 166
Pages: 956-9
related names
Reviewer:
Pierguidi, Stefano (Pierguidi, Stefano)
Subjects
dates:
Reviewed Items
subjects:
Federico Barocci Urbino: L’emozione della pittura moderna Palazzo Ducale, Urbino 20th June–6th October | :
Illustrations
Attributed works:
14. Deposition, by Federico Barocci. 1567–69. Oil on canvas, 412 by 232 cm. (Cathedral of Perugia; exh. Palazzo Ducale, Urbino).
Attributed works:
15. Presentation of the Virgin to the Temple, by Federico Barocci. 1593–1603. Oil on canvas, 381 by 284 cm. (S. Maria in Vallicella, Rome; exh. Palazzo Ducale, Urbino).
Attributed works:
16. Study of a cat, by Federico Barocci. c.1582– 84. Red and black chalk on paper, 11.5 by 14.6 cm. (Gallerie degli Uffizi, Florence; exh. Palazzo Ducale, Urbino).
Article
Richard Vickris Pryor in the art market of Napoleonic Europe
04/2022 | 1429 | 164
Pages: 342-349
related names
Author:
Bonazzi, Lucia (Bonazzi, Lucia)
Subjects
Illustrations
Attributed works:
1. Portrait of a man, by Paolo Veronese. c.1576–78. Oil on canvas, 192.1 by 134 cm. (The J. Paul Getty Museum, Los Angeles).
Attributed works:
2. The flight into Egypt, by Jacopo Bassano. c.1540–45. Oil on canvas, 157.5 by 203.2 cm. (Toledo Museum of Art).
Attributed works:
3. Venus at her mirror, by Paolo Veronese. Mid-1580s. Oil on canvas, 165.1 by 124.5 cm. (Joslyn Art Museum, Omaha).
Attributed works:
4. Portrait of a man, by Girolamo Romanino. c.1515–17. Oil on panel, 58.2 by 47.4 cm (Royal Collection Trust; © HM Queen Elizabeth II, 2022).
Attributed works:
5. Portrait of a man and his son, by Simone Peterzano. Late 16th century. Oil on canvas, 98 by 83 cm. (Milano Maggiore Hospital collection, Fondazione IRCCS Ca’ Granda Ospedale Maggiore Policlinico; photograph Giuseppe Giudici-Lecco).
Attributed works:
6. Andromeda, by Carlo Francesco Nuvolone. Oil on panel, 22.2 by 16.8 cm. (Private collection).
Attributed works:
7. Virgin and Child with St John the Baptist and St Anthony Abbot, by a follower of Paolo Veronese. Oil on canvas, 167.7 by 207 cm. (Art Institute of Chicago).
Advertisements
Advertisements April 2016 (front)
04/2017 | 1369 | 159
Pages: s.p.
Subjects
advertisements:
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advertisements:
advertisements:
advertisements:
artists:
subjects:
Illustrations
Attributed works:
[Advanced Graphic, London. Blue Crayola, by Anthony Frost. 2016. Screenprint with woodblock, 87.5 by 45.5 cm]
Attributed works:
[Andrew Edmunds, London. Enchantments lately seen upon the mountains of Wales, by James Gillray (1756-1815). Etching and engraving, 25.1 by 35.5 cm, with publisher's watercolour.]
Attributed works:
[Andrew Edmunds. London. James Gillray (1756-1815). The Marriage pf Cupid and Psyche 1797. Etching, aquatint and engraving 265 x 317 mm, with publisher's watercolour.]
Attributed works:
[Artchina Limited, Cambridge. Zhu Jianhui, Rope. 2010. Woodblock printed with water-soluble ink on xuan paper.]
Attributed works:
[Artchina, Cambridge. The winter at Lianghe village, by Yu Chengyou, 2011. Woodcut, 100 by 150 cm]
Attributed works:
[Christopher Mendez, London. Architectural ruins with birds, by Lorenz Stoer (c. 1529/1530 - 1599). Woodcut from two blocks, printed in green. Hollstein 5, the only recorded impression. 21 by 15.3 cm]
Attributed works:
[Christopher Mendez. Federico Barocci (c. 1535-1612). Virgin and child in the clouds. Etching and engraving, 154 x 109 mm, circa 1581. Bartsch 2, only state]
Attributed works:
[Dorotheum, Vienna. Paul Bril, Coastal view with a large shipwreck being dismantled, oil on canvas, 128 x 200 cm (detail)]
Attributed works:
[Elizabeth Harvey-Lee, Oxfordshire. The portico with the lantern, by Giovanni Antonio Canaletto (1697-1768). c. 1740 (final state). Etching. 30.1 by 43 cm]
Attributed works:
[Elizabeth Harvey-Lee. Oxon. Jean François Janinet: Venus dur les Eaux. Colour aquatint, c 1777, after a miniature by Charlier.]
Attributed works:
[Fine Art Society, London. Commander looking through a periscope, by Eric Ravilious (1903-42). Lithograph, 28 by 32 cm]
Attributed works:
[Flowers Gallery, London and New York. Terrestrial, by Tom Haddinck. 2017. Woodcut, 118 by 150 cm.]
Attributed works:
[Gilden's Art Gallery, London. May Salon, by René Magritte (1898-1967). Lithograph, 63 by 47 cm]
Attributed works:
[Hargesheimer. Dusseldorf. Moscow, Pavel Ovtschinnikov, 1890]
Attributed works:
[Im Kinsky. Auction House. Severo (Calzetta) da Ravenna. Faun holding a candlestick, Italy 16th century.]
Attributed works:
[Jennings Fine Art. Edward Gordon Craig (1872-1966). Stage Manager, 1909. Woodcut, 15.8 x 4.8 cm]
Attributed works:
[Karsten Schubert, London. United, by Bridget Riley. 1962. Screenprint, 50,8 by 50,8 cm]
Attributed works:
[Paragon. Glenn Brown. Half-life (after Rembrandt) 6. Etching. 2017]
Attributed works:
[Paul Stolper, London. Grapefruit, by Brian Eno. 2016. Etching, 63.5 by 63.5 cm]
Attributed works:
[Peter FIner. 38/39 Duke Street, St. Jemes's, London SW1Y 6DF. A Pair of French Flintlock Pocket Pistols. Made Enterely of Burnished Steel and Chiselled and Gilt After the Engraved Designs of Gilles de Marteau, by Blanc, Cont.Leur Des Armes Pour Le Roy a St. Etienne, c. 1763-5]
Attributed works:
[Pratt Contemporary. Anna Maria Pacheco. Burial, 2014. Drypoint; plate 80.6 x 60.7 cm]
Attributed works:
[Sarah Sauvin, Paris. Ecce Homo, by Martin Schongauer (1445-91). c.1480. Engraving, 16.1 by 11.2 cm]
Attributed works:
[Sarah Sauvin. Paris. Rembrandt Harmenszoon van Rijn (1606-1669). A scholar in his Study - Faust, c.1652. Etching and drypoint, NH 270, 1st state (of 7). Early impression on oatmeal paper with strong burr.]
Attributed works:
[Sphinx Fine Art. 125 Kensington Church Sr. London W8 7 LP. Noel Hallé. The Child of a Savoyard being Entertained by a Pinwheel (detail)]
Attributed works:
[The London Original Print Fair. Piccadilly. London. Brian Eno. Grapefruit. Agate. Eclipse. Sunburnt, 2016. Etchings. 63.5 x 63.5 cm.]
Attributed works:
[The Nationa Gallery. London. Sebastiano del Piombo, after partial designs by Michelangelo. Lamentation over the Dead Christ (Pietà) (detail). About 1512-16. Museo Civico, Viterbo.]
Attributed works:
[Venduehuis The Hague. Alexander Calder (1898 - 1976). From the Series: The Bicentennial Tapestries. The Pear, the Cheese, and the Serpent, 1975. Handwoven wool Aubusson tapestry, 105 x 150 cm]
Attributed works:
[Venduehuis The Hague. Keith Haring (1958-1990). Container for the Channel Surf Club Knobble, 1987. Sea-Container painted in lacquer. 250 x 1250 x 240 cm]
Attributed works:
[Venduehuis The Hague. Pierre Alechinsky (1927), à l'Aveuglette, 1974. Etching and aquatint on paper mounted on canvas, 185 x 275 cm]
Western art unattributed:
[Im Kinsky. Auction House. Foot, Roman. 2nd century AD]
Western art unattributed:
[Im Kinsky. Auction House. Head, Roman. 2nd century AD.]
Article
Federico Zuccari and the chapel of the Dukes of Urbino at Loreto: the design for the altar of the Annunciation
12/2015 | 1353 | 157
Pages: 832-835
related names
Author:
Russo, Antonio (Russo, Antonio)
Subjects
dates:
Illustrations
Attributed works:
13. Design for the vault and side walls of the chapel of the Dukes of Urbino, by Federico Brandani. After 1570. Fol.49 of the Largest Talman Album (Ashmolean Museum, Oxford)
Attributed works:
14. Design for the back wall of the chapel of the Dukes of Urbino, by Federico Brandani. After 1570. Fol.48 of the Largest Talman Album (Ashmolean Museum, Oxford)
Attributed works:
16. Annunciation, by Federico Barocci. 1572-74 (Pinacoteca Vaticana, Vatican City)
Attributed works:
17. Annunciation, by Federico Barocci and workshop. 1596 (S. Maria degli Angeli, Assisi)
Attributed works:
18. Project of the altar for the chapel of the Dukes of Urbino at Loreto, by Federico Zuccari. 1582-83 (Gabinetto Nazionale dei Disegni e delle Stampe degli Uffizi, Florence)
Attributed works:
19. Reconstruction of the chapel of the Dukes of Urbino on the design of Federico Zuccari with Barocci's altarpiece of the Annunciation inserted
Western art unattributed:
15. Chapel of the Dukes of Urbino, or of the Annunciation, basilica of the Holy House of Loreto
Article
Barocci’s cartoon for the ‘Madonna del popolo'
03/2015 | 1344 | 157
Pages: 161-168
related names
Author:
Bambach, Carmen C. (Bambach, Carmen C.)
Subjects
dates:
museums and institutions:
Illustrations
Attributed works:
10. Cartoon for the upper-left quadrant of the Madonna del popolo, by Federico Barocci (Private collection, United States; photograph: Tim Nighswander/IMAGING4ART))
Attributed works:
11. Madonna del popolo, by Federico Barocci (Galleria degli Uffizi, Florence)
Attributed works:
12. Detail in ultraviolet light of Fig.10 (Photograph by Tim Nighswander/IMAGING4ART)
Attributed works:
13. Detail of Fig.10
Attributed works:
14. Structural assembly of the sheets of paper in Barocci's cartoon (Fig.10), by Ronald E. Street
Attributed works:
15. Detail of Fig.10
Attributed works:
16. Detail of Fig.10
Attributed works:
17. Detail in raking light of Fig.10 (Photograph by Tim Nighswander/IMAGING4ART)
Attributed works:
18. Study of a boy for the angel in the Madonna del Popolo, by Federico Barocci (Gabinetto Disegni e Stampe degli Uffizi, Florence)
Attributed works:
19. Study of a boy for the angel in the Madonna del Popolo, by Federico Barocci (Gabinetto Disegni e Stampe degli Uffizi, Florence)
Attributed works:
20. Studies of arms of an infant for the flying putto at the upper left in the Madonna del Popolo, by Federico Barocci (Gabinetto Disegni e Stampe degli Uffizi, Florence)
Attributed works:
21. Modello for the Madonna del popolo, by Federico Barocci (Collection of Ann Searle Bent, Chicago)
Attributed works:
22. Studies of infants for the flying putti at the upper left and upper right in the Madonna del Popolo, by Federico Barocci (Private collection, United States; photograph by Tim Nighswander/IMAGING4ART)
Attributed works:
23. Studies of infants for the flying putti at the upper left in the Madonna del Popolo, by Federico Barocci. Verso of Fig.22
Exhibition Review
Barocci. Saint Louis and London
06/2013 | 1323 | 155
Pages: 424-425
related names
Reviewer:
Scrase, David (Scrase, David)
Subjects
dates:
subjects:
Illustrations
Attributed works:
72. Visitation by Federico Barocci (S. Maria in Vallicella, Rome; exh. National Gallery, London)
Attributed works:
73. Compositional studies for the Visitation, by Federico Barocci (Nationalmuseum, Stockholm; exh. National Gallery, London)
Attributed works:
74. Study for the head of St Joseph in the Visitation, by Federico Barocci (Hester Diamond, New York; exh. National Gallery, London)
Advertisements
Advertisements January 2013 (front)
01/2013 | 1318 | 150
Pages: s.p.
Subjects
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advertisements:
subjects:
Illustrations
Attributed works:
[Christie's, 20 Rockefeller Plaza. The Madonna and Child with the infant St. John the Baptiste, by Alessandro Filipepi, called Sandro Botticelli. (1444/45 - 1510). Tempera on panel, 46.3 by 36.8 cm]
Attributed works:
[Christie’s. New York. 20 Rockefeller Plaza. NY 10020. Jean-Auguste-Dominique Ingres (Montauban 1780 - 1865 Paris). Comtesse Charles d'Agoult, née Marie de Flavigny, and her daughter Claire d'Agoult (detail). Signed and dated 'J. Ingres Del/ 1849'. Pencil, heightened with white, touches of yellow bodycolour. 19 x 15 5/8 in. (48.4 x 39.6 cm)]
Attributed works:
[Christopher Bishop Fine Art. Milford. Connecticut. Federico Barocci (Urbino c.1533-1612). Study for the Head of Saint Dominic. c.1593-7. Black, red, peach, brown, ocre and traces of white chalk on blue paper, 23.7 cm x 24 cm. Watermark: Bunch of grapes.]
Attributed works:
[Christopher Bishop, Exhibited at: Dickinson Fine Art, 19 East 66th Street. Putti frolicking in the clouds, by Giovanni Domenico Tiepolo (1727-1804). Signed 'Dom. Tiepolo f.' lower left and numbered '37' upper right. Pen with brown and grey washes, 19 by 27 cm]
Attributed works:
[Didier Aaron, Inc., 32 East 67th Street. Study for a Scene from 'Regotin', by Jean Baptiste Oudry (1680-1755). Pen and ink and wash, heightened with gouache, on blue paper, 20.7 by 27.7 cm]
Attributed works:
[Francis Maere Fine Arts, Ghent. Girls in the field, by Emile Claus (1849-1924). Signed. Oil on canvas, 73.5 by 114 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Giovanni Battisti Langetti. Genoa, 1635 - Venice, 1676. Apollo and Marsyas. Oil on canvas, 108 x 126 cm (42 1/2 x 49 5/8 in)]
Attributed works:
[Guy Pieters Gallery, Knokke-Heist, Belgium. Shéhérazade, by René Magritte, 1947. Gouache on paper, 18 by 13 cm.]
Attributed works:
[Hélène Bailly Gallery, Paris. Cannes, by Francis Picabia (1879-1953). Oil and gouache on cardboard, 44.7 by 36.7 cm]
Attributed works:
[Margot Gordon Fine Art, Exhibiting at: Shepherd & Derom Galleries, 58 East 79 Street, 26 January - 27 Frabruary. Two Putti supporting a beam or a plaque, by Raffaello Sanzio, called Raphael (1483-1520). Pen and brown ink over black chalk, 11.4 by 6.9 cm]
Attributed works:
[Margot Gordon. Exhibiting at: Shepherd & Derom Galleries. 58 East 79 Street. New York. Pietro da Cortona (1596-1696). Rome. Study for the Sala di Apollo, Palazzo Pitti, (c.1646). Black chalk, traces of white heightening, 191 x 248 mm]
Attributed works:
[Maruani & Noirhomme Gallery, Brussels. Sleepy, by Gilbert & George. 1985. Signed, titled and dated 'SLEEPY Gilbert + George 1985'. Mixed media, 242 by 202 cm]
Attributed works:
[Mia N Weiner, Exhibiting at: L'Antiquaire and The Connoisseur, 36 East 73rd Street. St. Thomas the Apostle, by G.F. Barbieri, Il Guercino (1591-1666). Pen and ink, 20.5 x 26.1 cm]
Attributed works:
[Moeller Fine Art Ltd, 35 East 64th Street. The Academician (The Poet), by Richard Lindner (1901-1978). Signed and dated lower right 'Richard Lindner March 1954'. Oil pastel and ink on paper, 72.4 57.2 cm]
Attributed works:
[Monroe Warshaw, Exhibited at: Kraushaar Galleries, 74 East 79th Street. Maria with the four evangelists, by Jan Boeckhorst (1605-68). c.1659. Preliminary study for the 'Snyders' triptych. Pen and ink with wash, heightened with white, 19.7 by 25.4 cm]
Attributed works:
[Mullany Haute Epoque Fine Art. 16 Carlisle Mansions, Carlisle Place. London. Vierge d'Intercession. Attributed to Jean de la Huerta (active 1431 - 1462). Limestone (pierre d'Asnières-lès-Dijon), with traces of original polychrome France, Burgundy, probably between Dijon and Chalon-sur-Saône, circa 1445 - 1450. H. 112 x W. 43 x D. 26.5 cm]
Attributed works:
[Paolo Antonacci, Exhibiting at GRAHAM, 32 East 67th Street. Portrait of Ulysses, by Joann Heinrich Wilhelm Tischbein (1751-1829). Watercolour on paper, 38 by 49 mm]
Attributed works:
[Paolo Antonacci. Via del Babbuino 141/a. Rome. Giuseppe Cades (1750-1799), Paolo and Francesca surprised by Giangiotto Malatesta. Ink and brown wash on paper, 455 x 590 cm]
Attributed works:
[Robert Simon, Fine Art. Satis House. 53 Tower Hill Road East. Tuxedo Park. New York. 208A East 78th Street. New York. Giovanni Battista Langetti (Genoa 1635 - Venice 1676). Job Cursed by His wife. Oil on canvas, 44 x 34 1/2 in. (111.7 x 87.6 cm]
Attributed works:
[Sigrid Freundorfer Fine Art LLC, 790 Madison Avenue, Suite 602. Portrait of Albert Einstein, by Josef Scharl (1896-1954). 1950. Signed 'Jos. Scharl 1950', lower right and dated 'Princeton Febr. 9, 1950'. Signed by Einstein 'A. Einstein', lower centre. Ink on paper, 36.8 by 29.2 cm]
Attributed works:
[Sperone Westwater in New York. Francesco Calebrano (1729-1814), Colazione in campagna, Oil on canvas, 260 x 175 cm]
Attributed works:
[Sphinx Fine Art. 125 Kensington Church Street. London. Domenico Tintoretto. Portrait of Paolo Tiepolo (1523-1585)]
Attributed works:
[Stephen Ongpin, Exhibiting at: Mark Murray Fine Paintings, 39 East 72nd Street, Fifth Floor. The sleeping child, by Odilon Redon (1840-1916). Signed vertically in grey ink at the lower left. Watercolour, gouache and pencil on card, 17.8 by 25.7 cm]
Non-western art unattributed:
[Galerie Jacques Germain, Montreal, Canada. Punu mask of the Okouyi tribe. Light wood with pigment and kaolin. Gabon, the Ngounié region. Late nineteenth century.]
Non-western art unattributed:
[Joyce Nejad. Front and side. An Assyrian Royal Stele, in black basalt, depicting King Adad-Nerari III Dur-Kaltimmu in Syria, c.805 BC; H: 137.5 cm. W: 75 cm. D: 27 cm. 'The top of this fragment is kept at the British Museum'.]
Western art unattributed:
[De Backker Medieval Art, Hoogstraten, Belgium. Wrought-iron door with remains of polychrome decoration. Spain, Toledo, fifteenth century. Height: 204 cm. Width: 115 cm]
Western art unattributed:
[Klaas Muller, Brussels. Christ crowned with thorns. Austro-Bavarian school. c.1470/75. Oil on panel, 77 by 59.5 cm]
Western art unattributed:
[Mullany Haute Epoque Fine Arts, London. A walnut table, Italy, Bologna, late 16th century. Height: 81.5 cm. Width: 181 cm. Depth: 75 cm]
Article
Two unpublished oil studies by Federico Barocci in the Nationalmuseum, Stockholm
10/2011 | 1303 | 153
Pages: 653-656
related names
Author:
Prytz, Daniel (Prytz, Daniel)
Subjects
dates:
museums and institutions:
Illustrations
Attributed works:
14. The circumcision, by Federico Barocci. 1590. Canvas, 374 by 252 cm. (Musée du Louvre, Paris).
Attributed works:
15. Study for the head of a shepherd (Head of a man seen from behind), by Federico Barocci. Black, red and white chalk on blue paper, 36.7 by 23.5 cm. (Nationalmuseum, Stockholm).
Attributed works:
16. Study for the head of a shepherd, by Federico Barocci. Oil on paper laid down on canvas, 43 by 29 cm. (National­museum, Stockholm).
Attributed works:
17. Study for the head of a priest, by Federico Barocci. Oil on paper laid down on canvas, 42.5 by 29.5 cm. (National­museum, Stockholm).
Attributed works:
18. Nicola Martelli’s label on the verso of Fig.16, with attribution and description by Domenico Corvi and Stefano Tofanelli. c.1798. (Nationalmuseum, Stockholm).
Attributed works:
19. Verso of Fig.17
Advertisements
Advertisements June 2010 (front)
06/2010 | 1287 | 152
Pages: s.p.
Subjects
advertisements:
advertisements:
advertisements:
artists:
collectors and dealers:
collectors and dealers:
subjects:
Illustrations
Attributed works:
[Agnew's, Exhibiting at Tryon Gallery, 7 Bury Street, St. James's. The launch of a galleon, by Teodoro Filippo di Liagno called Filippo Napoletano (1587-1629). Pen and brown ink and brown wash over black chalk, 29.2 by 53.4 cm]
Attributed works:
[Agnew's. Cupid and Psyche, by Benjamin West (1738-1820). Oil on canvas, 137.8 by 142.9 cm]
Attributed works:
[Ben Elwes. 45 Maddox Street. London W1S 2PE. Leon de Troy (French, 1857-1955). Head of an African Man. Circa 1880. 19 1/2 x 15 3/8 inches (49.5 x 39 cm)]
Attributed works:
[Ben Elws Fine Art. Portrait of a young artist, attributed to Anne-Louis Girodet de Roussy-Trioson (1767-1824). Oil on canvas, 33.5 by 21.5 cm]
Attributed works:
[Bonhams. The head of a bearded man, a sketch for 'the visitation', by Federico Barocci (c.1526-1612). Oil on paper, laid down on canvas, 39.5 by 31.25 cm]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. Sir Peter Paul Rubens (Siegen 1577 - 1640 Antwerp). Portrait of a commander, three-quarter-length, being dressed for battle. Oil on panel. 48 1/4 x 38 3/8 in. (122.6 x 98.2 cm)]
Attributed works:
[Deborah Gage. The Holy family in the carpenter's shop, by Bartolomé Estaban Murillo (1618-82). Signed: Bar.me Murillo. Oil on canvas, 214.5 by 166.5 cm]
Attributed works:
[Derek Johns Ltd. Sylvia freed by Amyntas, by Willem van Mieris (1662-1747). Oil on panel, 37 by 44 cm]
Attributed works:
[Dickinson, London and New York. Citrons at verre, by Pablo Picasso (1881-1973). Signed centre left: Picasso and dated on the reverse: 14.1.44. Oil on canvas, 27 by 41 cm]
Attributed works:
[Didier Aaron, Clifford House, 15 Clifford Street. Wall decorations, by François-Joseph Bélanger (1744-1818). c. 1785-89.]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Agostino Tassi. Ponzano Romano near Rome, 1578 - Rome, 1644. A Shipyard. Oil on canvas, 74,5 x 98,5 cm (29 5/16 x 38 3/4 in). One of a pair (with The Capture of Troy)]
Attributed works:
[Galerie d’Art Saint-Honoré. 69, rue du Faubourg Saint-Honoré. Paris. Jan van Os. Middelharnis 1744 - 1808 The Hague. Still Life with Pineapples and Grapes. Oil on wood: 68.4 x 49.2 cm (26.9 x 19.3 inches). Signed and dated at bottom right: J Van Os f. 1776]
Attributed works:
[Hazlitt Holland-Hibbert. 38 Bury Street. St. James’s, London SW1Y 6BB. Barbara Hepworth 1903-1975. Two Forms (Maori), 1965. Carved slate on original black painted wooden base. Height: 13 1/2 inches; 34.3 cm]
Attributed works:
[Hazlitt-Holland Hibbert, London. Writing piece 'Well', by Anthony Caro. b.1924. Steel, 50.8 by 59.1 by 14 cm]
Attributed works:
[James Harvey, London. Equestrian portrait of George Burrows on his grey, by James Seymour (1702-52). Signed with monogram and dated 1746, lower left. Oil on canvas, 101.6 by127 cm]
Attributed works:
[Jean-Luc Baroni, 7-8 Mason's Yard. Studies of acrobats and a satyr, by Marco Marchetti called Marco da Faenza (1528-88). Bears number lower right corner: 52. Pen and brown ink and wash, 25.2 by 16.6 cm]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Jean-Auguste-Dominique Ingres (Montauban 1780-1867 Paris). Study of a Male Nude, Standing, with his Arms Crossed. Signed lower left: Ingres. Black chalk, 446 by 260 mm]
Attributed works:
[Katrin Bellinger at Colnaghi, 15 Old Bond Street. The death of St. Sebastian (?), by Paolo Farinati (1524-1606). Numbered in white chalk, lower right: 16. Black chalk, pen and brown ink, brown wash, heightened with white on yellow-ochre prepared paper, 35 by 46 cm.]
Attributed works:
[London International Fine Art Fair. Ducan Grant - Still Life with Bust of Virginia Woolf.]
Attributed works:
[MacConnal-Mason, London. La conciergerie, by Christopher Richard Wynne Nevinson (1889-1946). Signed. Oil on canvas, 50.8 by 61 cm]
Attributed works:
[N. & I. Franklin, London. A set of four Victorian etched crystal claret jugs with cast silver-gilt mounts. Made by John Figg of London, c.1875.]
Attributed works:
[Offer Waterman, London. Landscape with river and temple, by Ivon Hitchens (1893-1979). c.1943. Oil on canvas, 44.5 by 77.5 cm]
Attributed works:
[Philip Mould Ltd. Self-portrait, by Anthony van Dyck (1599-1641). Oil on canvas, oval, 59.7 by 47.3 cm.]
Attributed works:
[Philip Mould. 29 Dover Street. London. Angelica Kauffmann (1741-1807). Portrait of a Lady, c.1780. Oil on canvas, 24 3/4 x 20 2/2 inches, 62.5 x 52 cm]
Attributed works:
[Sandra Cronan, London. A Tutti Frutti bracelet and pair of dress clips, set throughout with diamonds, carved emeralds, sapphires and rubies. Mounted in platinum. By Henri Picq. Paris, c. 1925.]
Attributed works:
[Stoppenbach & Delestre: 25 Cork Street. Le jongleur, by André Derain (1880-1954). Gouache on paper, 20.5 by 12.5 cm]
Attributed works:
[Trinity Fine Art, 29 Bruton Street. Peasant woman with a young boy, by Francesco de Mura (1696-1782). Oil on paper, laid down on canvas, 37 by 51.2 cm]
Attributed works:
[Trinity Fine Art. 29 Bruton Street. London W1J 6QP. Giovanni Baratta: The Statues from Palazzo Giugni rediscovered.]
Attributed works:
[Trinity Fine Art. 29 Bruton Street. London W1J 6QP. Putto, one of a pair modelled by Carlo Francesco Mellone, cast by the founder Giuseppe Fontana, Milan, 1718. Bronze. Height: 71 cm]
Attributed works:
[Whitfield Fine Art. The rest on the flight into Egypt, by Antonio de Bellis (c.1616.57). Oil on copper, 31 by 22 cm]
Attributed works:
[Winterberg Kunst. D-69115 Heidelberg, Hildastrasse 12. Electress Elisabeth Auguste as Magnanimità. Pen, brownish blank ink, red chalk. 20 x 15.3 cm]
Attributed works:
[Winterberg Kunst. D-69115 Heidelberg, Hildastrasse 12. Glaucus and Scylla. Pen, brown ink, red chalk. 28,1 x 28,3 cm]
Attributed works:
[Winterberg Kunst. D-69115 Heidelberg, Hildastrasse 12. Pallas Athena with the Sculpture. Pen, brownish blank ink, red chalk 32,8 x 19,8 cm]
Non-western art unattributed:
[Russian, Eastern & Oriental Fine Art Fair. London. 'Bishamon' - Edo Period 18th century. Sydney Moss Ltd.]
Western art unattributed:
[Apter-Fredericks Ltd, London.A pair of George II burr walnut armchairs with shaped solid back splat and out-scrolling arms, with contemporary needlework drop-in seats, the legs headed by the Astley family crest of feathers and a ducal coronet, standing on carved hairy paw feet. English, c.1730]
Western art unattributed:
[London International FIne Art Fair. A pair of bronze and ormolu candelabras on marble plinths, M&J Duncan, East Essex.]
Western art unattributed:
[Sotheby’s & Co., 1334 York Avenue, 10021. New York. A Marble Group of Three Satyrs Fighting a Serpent, Roman Imperial, circa 1st Century A.D.]
Western art unattributed:
[Sotheby’s & Co., 34-35 New Bond Street, London, W.1. An Italian engraved ivory inlaid rosewood centre table made for the Duke of Urbino Francesco Maria II della Rovere (1549-1631), circa 1596.97]
Western art unattributed:
[Thomas Coulborn & Sons, Sutton Coldfield. Scarlet japanned secretaire. English, c.1730. Height: 206 cm. Width: 105 cm. Depth: 56 cm]
Western art unattributed:
[Tomasso Brothers, Leeds. Lucius Venus. Rome, 17th century. White marble and breccia africano. Height: 90 cm]
Book Review
Federico Barocci. Allure and Devotion in Late Renaissance Painting
03/2010 | 1284 | 152
Pages: 187-188
related names
Reviewer:
Scrase, David (Scrase, David)
Subjects
dates:
subjects:
Reviewed Items
subjects:
Federico Barocci. Allure and Devotion in Late Renaissance Painting | author: Lingo, Stuart
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