By using this website you agree to our Cookie policy

Search

3 articles
Advertisements
Advertisements (front)
04/2020 | 1405 | 162
Pages: i-xii
Subjects
Illustrations
Attributed works:
GIOVANNA GARZONI (1605-70) Portrait of Zaga Christ (c.1608-1638), claimant to the Ethiopian throne, painted in exile in Turin, Italy, 1635 Watercolour and bodycolour on vellum mounted on card Oval 57mm (2   ins) [Philip Mould]
Attributed works:
Glenn Brown Bring on the Dancing Horses (after Greuze/Jordaens) Etching, 2019 [Paragon]  
Attributed works:
Muhammad Ali (series of four), by Andy Warhol (1928–87). 1978. Screen prints, 101.6 by 76.2 cm. [COSKUN FINEART, VERBIER]
Attributed works:
Pieter Coecke van Aelst (1502–1550), Adoration of the Magi, 112 x 75 cm, €400,000 – 600,000 [Dorotheum]
Attributed works:
Portrait of Joos van den Vondel, by Jan Lievens (1607–1674). Etching, 32.4 by 24.6 cm. [Elizabeth Harvey-Lee]
Attributed works:
Raymond Ray-Jones (1886–1942): Portrait of the Artist Original etching, c.1910–1916 [Elizabeth Harvey-Lee]
Attributed works:
Rembrandt van Rijn (1606–1669): A Hurdy-Gurdy Player with a following of Children, at the Door of a House Original etching, 1641 [Elizabeth Harvey-Lee]
Attributed works:
Self portrait in a velvet cap with plume, by Rembrandt (1606–69). 1638. Etching, 13.4 by 10.3 cm. [SARAH SAUVIN, PARIS]
Attributed works:
Splice, by Bridget Riley (b.1931). 1975. Screenprint, 75.3 by 54 cm. [KARSTEN SCHUBERT, LONDON]
Attributed works:
Tess Jaray Untitled (Red Crosses), 2010 Unique inkjet on archival paper 21.4 x 21 cm | 83∕8 x 81∕4 in [Karsten Schubert]
Attributed works:
The cure – Atomic tangerine/cornflower blue/ice blue, by Damien Hirst (b.1965). 2014. Silkscreen, 72 by 51 cm. [PAUL STOLPER, LONDON]
Attributed works:
The Royal Arms of King Henry VIII, with Garter, c. 1525 England. Wood.[Peter Finer]
Non-western art unattributed:
An exceptional Mughal-style pale celadon jade ‘chrysanthemum’ dish Qing dynasty, Qianlong period (1736–1795) Dimensions: 15 cm. (6 in.) diameter Provenance: A private American collection [Littleton and Hennessy]
Advertisements
Advertisements (front)
04/2018 | 1381 | 160
Pages: n.p.
Subjects
advertisements:
Moeller Fine Art Ltd, New York, United States / London Original Print Fair / Andrew Edmunds (dealer), London, Great Britain / Redfern Gallery, London, Great Britain / Print Quarterly, London / Sarah Sauvin. Old Masters and Modern Prints. Paris / Osborne Samuel Gallery, London, Great Britain / Karsten Schubert, London, Great Britain / Paragon Press, London, Great Britain / Elizabeth Harvey-Lee, Oxford, Great Britain / Pratt Contemporary Art, Sevenoaks, Great Britain / Peter Finer (antique arms), London, Great Britain / Sphinx Fine Art, London, Great Britain / Master Drawings (art periodical) / Yale University Press, London, Great Britain / Museo Nacional del Prado, Madrid, Spain / Im Kinsky (auction house), Vienna, Austria / Getty Trust Publications , Great Britain / Dorotheum (auction house), Vienna, Austria / Simon Dickinson, London, Great Britain / Alessandro Cesati, Milan, Italy / Day and Faber, London, Great Britain / Rafael Valls, London, Great Britain / Didier Aaron, Inc, New York, United States / Otto Naumann, New York, United States / Trinity Fine Art Ltd, London, Great Britain / Daniel Katz Ltd (dealers), London, Great Britain / Emanuel Von Baeyer, London, Great Britain / Timothy Newbery (frames), London, Great Britain / The-saleroom.com / Museum of the Order of St John, London, Great Britain / Irish Art Review / Caring for your Collection / The Art Newspaper, London, Great Britain / Hazlitt Holland-Hibbert, London, Great Britain / Chanel, firm / Burlington Magazine
advertisements:
subjects:
Illustrations
Attributed works:
[Andrew Edmunds Prints & Drawings. James Gilray (1756–1815). The Plumb-pudding in danger. 1805. Etching & engraving 258 x 263 mm, with publisher’s watercolour]
Attributed works:
[Dorotheum. Pieter Brueghel II (1564/65-1637/38), The King Drinks (detail), signed, oil on panel, 75 x 105 cm, €700,000 – 900,000, Auction 24 April 2018]
Attributed works:
[Elizabeth Harvey-Lee. Martin de Vos (designer): The Four Seasons. The set of four engravings, c1590 (“Summer” illustrated) First state of two. With Phillips Galle’s address (“Winter” with a Gothic P watermark)]
Attributed works:
[Flowers Gallery. Ken Currie , Head in Profile, 2017]
Attributed works:
[Galerie Sismann. Circle of Leonhard Kern (1588-1622). Andromeda. Germany. First half of the 17th century. H. 45 cm; W. 33 cm; D. 25 cm]
Attributed works:
[Im Kinsky Auction House. Georg Raphael Donner. Venus, Vienna, c. 1738/39 lead-pewter-alloy, h. 40 cm € 50,000–100,000]
Attributed works:
[London Original Print Fair. After Dürer #26, by Ann-Marie James. 2017. Ink on paper, 35 by 27 cm. Karsten Schubert, London]
Attributed works:
[London Original Print Fair. Church and farm at Eragny, by Camille Pissarro (1830–1903). c.1890. Etching, 15.3 by 24.2 cm. Elizabeth Harvey-Lee, Oxfordshire]
Attributed works:
[London Original Print Fair. Cottage in Dorset: Wood End, by Graham Sutherland (1903–1980). 1929. Etching, 13 by 17 cm. Redfern Gallery, London]
Attributed works:
[London Original Print Fair. Eros (3), by Ana Maria Pacheco. 2018. Monotype heightened in mixed media, 28.5 by 35 cm. Pratt Contemporary, Sevenoaks]
Attributed works:
[London Original Print Fair. Free Fall #31, by Carol Robertson. 2018. Monoprint. Flowers Gallery, London and New York]
Attributed works:
[London Original Print Fair. Gin Lane, by William Hogarth (1697–1764). 1751. Etching and engraving, 38.3 by 32.4 cm. Andrew Edmunds, London]
Attributed works:
[London Original Print Fair. I’m Blue, James Nares, 2017 (detail). Screenprint printed and published by Durham Press.]
Attributed works:
[London Original Print Fair. Oxfordshire (on the Oxford canal), by Muirhead Bone (1876–1953). Drypoint, 15.1 by 22.9 cm. Gordon Cook, London]
Attributed works:
[London Original Print Fair. Pisa, by Ben Nicholson (1894–1992). 1951. Etching, 19.5 by 14.75 cm. Osborne Samuel, London]
Attributed works:
[London Original Print Fair. Reclining artist, by Grayson Perry. Etching, 70.3 by 102.7 cm. Paragon Press, London]
Attributed works:
[London Original Print Fair. Seated woman drying her feet, by Théophile Alexandre Steinlen (1859–1923). 1902. Etching and aquatint, 29.8 by 29.7 cm. Sarah Sauvin, Paris]
Attributed works:
[London Original Print Fair. South South-West 2, by Rachel Gracey. 2018. Lithograph, 26 by 26 cm. Zuleika Gallery, London]
Attributed works:
[Moeller Fine Art. Jean-Étienne Liotard 1702–1789. Portrait de Philibert Cramer, c. 1758. Pastel on blue paper mounted on canvas, 25 × 21 3 ⁄16 in. (63.5 × 53.8 cm). Original frame with period glass]
Attributed works:
[Osborne Samuel. Cyril Edward Power (1872– 1951) The Sunshine Roof c1934 Linocut 26 x 33 cm]
Attributed works:
[Paragon Press. Joana Vasconcelos. Ria Formosa. Colour etching with blockprinting 2017]
Attributed works:
[Pratt Contemporary. Ana Maria Pacheco, Study for Sculpture, 2018. Triptych Monotype (detail). Each sheet: 59 x 56 cm.]
Attributed works:
[Redfern Gallery. Rue de Seine, by David Hockney. 1972. Etching and aquatint, 53 by 45 cm.]
Attributed works:
[Sarah Sauvin. Jean-Étienne Liotard, Self-Portrait as a Young Man Etching, ca.1731 (Tilanus 1; Roethlisberger and Loche 18) Counterproof of an unknown 1st state (of 3). Only one other counterproof known (Fondation Custodia) Provenance: Soliman Lieutaud (Lugt 1682)] (p.v) [Osborne Samuel. Cyril Edward Power (1872– 1951) The Sunshine Roof c1934 Linocut 26 x 33 cm]
Attributed works:
[Sphinx Fine Art. Karel Dujardin, A Horseman Holding a Roemer of Wine with an Ostler Tending the Horses (Detail)]
Attributed works:
[Zuleika Gallery. Man posing, by Lucien Freud (1922–2011). 1982. Etching, 70 by 54 cm. Edition of 50 + 15 AP]
Non-western art unattributed:
[Peter Finer. A Saddle. 15th–17th century. Eastern Tibet or Chinese. Iron, gold, silver, wood, leather and textile. 57 cm / 22.75 inches. Provenance: Private Collection UK]
Advertisements
Advertisements April 2016 (front)
04/2017 | 1369 | 159
Pages: s.p.
Subjects
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
artists:
subjects:
Illustrations
Attributed works:
[Advanced Graphic, London. Blue Crayola, by Anthony Frost. 2016. Screenprint with woodblock, 87.5 by 45.5 cm]
Attributed works:
[Andrew Edmunds, London. Enchantments lately seen upon the mountains of Wales, by James Gillray (1756-1815). Etching and engraving, 25.1 by 35.5 cm, with publisher's watercolour.]
Attributed works:
[Andrew Edmunds. London. James Gillray (1756-1815). The Marriage pf Cupid and Psyche 1797. Etching, aquatint and engraving 265 x 317 mm, with publisher's watercolour.]
Attributed works:
[Artchina Limited, Cambridge. Zhu Jianhui, Rope. 2010. Woodblock printed with water-soluble ink on xuan paper.]
Attributed works:
[Artchina, Cambridge. The winter at Lianghe village, by Yu Chengyou, 2011. Woodcut, 100 by 150 cm]
Attributed works:
[Christopher Mendez, London. Architectural ruins with birds, by Lorenz Stoer (c. 1529/1530 - 1599). Woodcut from two blocks, printed in green. Hollstein 5, the only recorded impression. 21 by 15.3 cm]
Attributed works:
[Christopher Mendez. Federico Barocci (c. 1535-1612). Virgin and child in the clouds. Etching and engraving, 154 x 109 mm, circa 1581. Bartsch 2, only state]
Attributed works:
[Dorotheum, Vienna. Paul Bril, Coastal view with a large shipwreck being dismantled, oil on canvas, 128 x 200 cm (detail)]
Attributed works:
[Elizabeth Harvey-Lee, Oxfordshire. The portico with the lantern, by Giovanni Antonio Canaletto (1697-1768). c. 1740 (final state). Etching. 30.1 by 43 cm]
Attributed works:
[Elizabeth Harvey-Lee. Oxon. Jean François Janinet: Venus dur les Eaux. Colour aquatint, c 1777, after a miniature by Charlier.]
Attributed works:
[Fine Art Society, London. Commander looking through a periscope, by Eric Ravilious (1903-42). Lithograph, 28 by 32 cm]
Attributed works:
[Flowers Gallery, London and New York. Terrestrial, by Tom Haddinck. 2017. Woodcut, 118 by 150 cm.]
Attributed works:
[Gilden's Art Gallery, London. May Salon, by René Magritte (1898-1967). Lithograph, 63 by 47 cm]
Attributed works:
[Hargesheimer. Dusseldorf. Moscow, Pavel Ovtschinnikov, 1890]
Attributed works:
[Im Kinsky. Auction House. Severo (Calzetta) da Ravenna. Faun holding a candlestick, Italy 16th century.]
Attributed works:
[Jennings Fine Art. Edward Gordon Craig (1872-1966). Stage Manager, 1909. Woodcut, 15.8 x 4.8 cm]
Attributed works:
[Karsten Schubert, London. United, by Bridget Riley. 1962. Screenprint, 50,8 by 50,8 cm]
Attributed works:
[Paragon. Glenn Brown. Half-life (after Rembrandt) 6. Etching. 2017]
Attributed works:
[Paul Stolper, London. Grapefruit, by Brian Eno. 2016. Etching, 63.5 by 63.5 cm]
Attributed works:
[Peter FIner. 38/39 Duke Street, St. Jemes's, London SW1Y 6DF. A Pair of French Flintlock Pocket Pistols. Made Enterely of Burnished Steel and Chiselled and Gilt After the Engraved Designs of Gilles de Marteau, by Blanc, Cont.Leur Des Armes Pour Le Roy a St. Etienne, c. 1763-5]
Attributed works:
[Pratt Contemporary. Anna Maria Pacheco. Burial, 2014. Drypoint; plate 80.6 x 60.7 cm]
Attributed works:
[Sarah Sauvin, Paris. Ecce Homo, by Martin Schongauer (1445-91). c.1480. Engraving, 16.1 by 11.2 cm]
Attributed works:
[Sarah Sauvin. Paris. Rembrandt Harmenszoon van Rijn (1606-1669). A scholar in his Study - Faust, c.1652. Etching and drypoint, NH 270, 1st state (of 7). Early impression on oatmeal paper with strong burr.]
Attributed works:
[Sphinx Fine Art. 125 Kensington Church Sr. London W8 7 LP. Noel Hallé. The Child of a Savoyard being Entertained by a Pinwheel (detail)]
Attributed works:
[The London Original Print Fair. Piccadilly. London. Brian Eno. Grapefruit. Agate. Eclipse. Sunburnt, 2016. Etchings. 63.5 x 63.5 cm.]
Attributed works:
[The Nationa Gallery. London. Sebastiano del Piombo, after partial designs by Michelangelo. Lamentation over the Dead Christ (Pietà) (detail). About 1512-16. Museo Civico, Viterbo.]
Attributed works:
[Venduehuis The Hague. Alexander Calder (1898 - 1976). From the Series: The Bicentennial Tapestries. The Pear, the Cheese, and the Serpent, 1975. Handwoven wool Aubusson tapestry, 105 x 150 cm]
Attributed works:
[Venduehuis The Hague. Keith Haring (1958-1990). Container for the Channel Surf Club Knobble, 1987. Sea-Container painted in lacquer. 250 x 1250 x 240 cm]
Attributed works:
[Venduehuis The Hague. Pierre Alechinsky (1927), à l'Aveuglette, 1974. Etching and aquatint on paper mounted on canvas, 185 x 275 cm]
Western art unattributed:
[Im Kinsky. Auction House. Foot, Roman. 2nd century AD]
Western art unattributed:
[Im Kinsky. Auction House. Head, Roman. 2nd century AD.]