By using this website you agree to our Cookie policy

Search

7 articles
Advertisements
Advertisements (front)
04/2019 | 1393 | 161
Pages: i-xvi
Subjects
advertisements:
Illustrations
Attributed works:
[Alan Cristea. The stones of Venice, ca’ foscari 2, by Joe Tilson. 2017. Inkjet print with screenprint and hand colouring, 135.8 by 100 cm.]
Attributed works:
[Andrew Edmunds, London. Anti-saccharites, or, John Bull and his family leaving off the use of sugar, by James Gillray (1756–1815). 1792. Etching with watercolour, 31.5 by 40.6 cm.]
Attributed works:
[Boerner. A Stag at sharkey’s, by George Bellows (1882–1925). 1917. Lithograph on Japan paper, 47.5 by 60.5 cm.]
Attributed works:
[Dorotheum. Guido Cagnacci, The Penitent Magdalene, oil on canvas, 96 x 75.5 cm]
Attributed works:
[Elizabeth Harvey-Lee. Albrecht Dürer (1471–1528): The little Fortune Original engraving, c.1495–96]
Attributed works:
[Elizabeth Harvey-Lee. George Pencz (c.1500–1550): Medea Original engraving, 1539]
Attributed works:
[Elizabeth Harvey-Lee. The two ships, James Abbott McNeill Whistler (1834–1903). 1875. Etching, 20.8 by 13.2 cm.]
Attributed works:
[Gilden's Art Gallery, London. The Gourd, by Joan Miró (1893–1983). 1969. Etching and aquatint with carborundum, 101.5 by 70 cm.]
Attributed works:
[Gwen Hughes. Lill Tschudi: Musizierende (Coppel LT 82) Linocut, 1949, edition 21/50]
Attributed works:
[Gwen Hughes. Sortie d’usine no.4, by Anthony Gross (1905–1984). 1931. Etching, 32 by 23.8 cm.]
Attributed works:
[Karsten Schubert. Untitled (fragment 6), by Bridget Riley. 1965. Screenprint on Plexiglas, 74.5 by 73.8 cm.]
Attributed works:
[London Original Print Fair. Kelly Reemtsen, Splitting Hairs,  (detail) Woodcut printed in colours Published by the artist Image courtesy of Lyndsey Ingram]
Attributed works:
[Osborne Samuel. CRW Nevinson, Returning to the Trenches, 1916, Drypoint 15.1 x 20.2 cm]
Attributed works:
[Osborne Samuel. The merry-go-round, by Cyril Power (1872–1951). c.1930. Linocut, 30.5 by 30.4 cm.]
Attributed works:
[Paragon Press. Sarah Morris Vertical Power Screenprint, 2018]
Attributed works:
[Paragon Press.Odysseus factor, (one of a series of six in an edition of sixty-eight), by Sarah Morris. 2018. Screenprint, 90 by 90 cm.]
Attributed works:
[Pratt Contemporary, Sevenoaks. Untitled (2), by Frederic Morris. 2019. Etching and aquatint, 34 by 24 cm.]
Attributed works:
[Pratt Contemporary. Alison Lambert, Wrestlers, 2019. Monotype. Plate: 25 x 20 cm]
Attributed works:
[Redfern Gallery, London, Identical shapes: 16 orientations, by John Carter. 2016. Screenprint, 71 by 52 cm.]
Attributed works:
[The Redfern Gallery. The Skaters by Cyril Power, 1932. Linocut, 20 x 32 cm]
Attributed works:
[Throckmorton Fine Art. Nickolas Muray, Frida on the White Bench, 1939]
Western art unattributed:
[Bonhams. A Roman marble satyr, c. 1st-2nd century AD, Estimate £50,000-£70,000]
Western art unattributed:
[Galerie Chenel. Head of Hermes, Roman, late 1st century AD, marble, 28 x 21 cm]
Western art unattributed:
[Karsten Schubert. Untitled [Fragment 1], 1965 screenprint on plexiglas (on reverse of sheet) 255/8 x 321/8 in, 65.2 x 81.6 cm (image) 261/2 x 33 in, 67.4 x 83.9 cm (plexiglas)]
Advertisements
Advertisements (front)
04/2018 | 1381 | 160
Pages: n.p.
Subjects
advertisements:
Moeller Fine Art Ltd, New York, United States / London Original Print Fair / Andrew Edmunds (dealer), London, Great Britain / Redfern Gallery, London, Great Britain / Print Quarterly, London / Sarah Sauvin. Old Masters and Modern Prints. Paris / Osborne Samuel Gallery, London, Great Britain / Karsten Schubert, London, Great Britain / Paragon Press, London, Great Britain / Elizabeth Harvey-Lee, Oxford, Great Britain / Pratt Contemporary Art, Sevenoaks, Great Britain / Peter Finer (antique arms), London, Great Britain / Sphinx Fine Art, London, Great Britain / Master Drawings (art periodical) / Yale University Press, London, Great Britain / Museo Nacional del Prado, Madrid, Spain / Im Kinsky (auction house), Vienna, Austria / Getty Trust Publications , Great Britain / Dorotheum (auction house), Vienna, Austria / Simon Dickinson, London, Great Britain / Alessandro Cesati, Milan, Italy / Day and Faber, London, Great Britain / Rafael Valls, London, Great Britain / Didier Aaron, Inc, New York, United States / Otto Naumann, New York, United States / Trinity Fine Art Ltd, London, Great Britain / Daniel Katz Ltd (dealers), London, Great Britain / Emanuel Von Baeyer, London, Great Britain / Timothy Newbery (frames), London, Great Britain / The-saleroom.com / Museum of the Order of St John, London, Great Britain / Irish Art Review / Caring for your Collection / The Art Newspaper, London, Great Britain / Hazlitt Holland-Hibbert, London, Great Britain / Chanel, firm / Burlington Magazine
advertisements:
subjects:
Illustrations
Attributed works:
[Andrew Edmunds Prints & Drawings. James Gilray (1756–1815). The Plumb-pudding in danger. 1805. Etching & engraving 258 x 263 mm, with publisher’s watercolour]
Attributed works:
[Dorotheum. Pieter Brueghel II (1564/65-1637/38), The King Drinks (detail), signed, oil on panel, 75 x 105 cm, €700,000 – 900,000, Auction 24 April 2018]
Attributed works:
[Elizabeth Harvey-Lee. Martin de Vos (designer): The Four Seasons. The set of four engravings, c1590 (“Summer” illustrated) First state of two. With Phillips Galle’s address (“Winter” with a Gothic P watermark)]
Attributed works:
[Flowers Gallery. Ken Currie , Head in Profile, 2017]
Attributed works:
[Galerie Sismann. Circle of Leonhard Kern (1588-1622). Andromeda. Germany. First half of the 17th century. H. 45 cm; W. 33 cm; D. 25 cm]
Attributed works:
[Im Kinsky Auction House. Georg Raphael Donner. Venus, Vienna, c. 1738/39 lead-pewter-alloy, h. 40 cm € 50,000–100,000]
Attributed works:
[London Original Print Fair. After Dürer #26, by Ann-Marie James. 2017. Ink on paper, 35 by 27 cm. Karsten Schubert, London]
Attributed works:
[London Original Print Fair. Church and farm at Eragny, by Camille Pissarro (1830–1903). c.1890. Etching, 15.3 by 24.2 cm. Elizabeth Harvey-Lee, Oxfordshire]
Attributed works:
[London Original Print Fair. Cottage in Dorset: Wood End, by Graham Sutherland (1903–1980). 1929. Etching, 13 by 17 cm. Redfern Gallery, London]
Attributed works:
[London Original Print Fair. Eros (3), by Ana Maria Pacheco. 2018. Monotype heightened in mixed media, 28.5 by 35 cm. Pratt Contemporary, Sevenoaks]
Attributed works:
[London Original Print Fair. Free Fall #31, by Carol Robertson. 2018. Monoprint. Flowers Gallery, London and New York]
Attributed works:
[London Original Print Fair. Gin Lane, by William Hogarth (1697–1764). 1751. Etching and engraving, 38.3 by 32.4 cm. Andrew Edmunds, London]
Attributed works:
[London Original Print Fair. I’m Blue, James Nares, 2017 (detail). Screenprint printed and published by Durham Press.]
Attributed works:
[London Original Print Fair. Oxfordshire (on the Oxford canal), by Muirhead Bone (1876–1953). Drypoint, 15.1 by 22.9 cm. Gordon Cook, London]
Attributed works:
[London Original Print Fair. Pisa, by Ben Nicholson (1894–1992). 1951. Etching, 19.5 by 14.75 cm. Osborne Samuel, London]
Attributed works:
[London Original Print Fair. Reclining artist, by Grayson Perry. Etching, 70.3 by 102.7 cm. Paragon Press, London]
Attributed works:
[London Original Print Fair. Seated woman drying her feet, by Théophile Alexandre Steinlen (1859–1923). 1902. Etching and aquatint, 29.8 by 29.7 cm. Sarah Sauvin, Paris]
Attributed works:
[London Original Print Fair. South South-West 2, by Rachel Gracey. 2018. Lithograph, 26 by 26 cm. Zuleika Gallery, London]
Attributed works:
[Moeller Fine Art. Jean-Étienne Liotard 1702–1789. Portrait de Philibert Cramer, c. 1758. Pastel on blue paper mounted on canvas, 25 × 21 3 ⁄16 in. (63.5 × 53.8 cm). Original frame with period glass]
Attributed works:
[Osborne Samuel. Cyril Edward Power (1872– 1951) The Sunshine Roof c1934 Linocut 26 x 33 cm]
Attributed works:
[Paragon Press. Joana Vasconcelos. Ria Formosa. Colour etching with blockprinting 2017]
Attributed works:
[Pratt Contemporary. Ana Maria Pacheco, Study for Sculpture, 2018. Triptych Monotype (detail). Each sheet: 59 x 56 cm.]
Attributed works:
[Redfern Gallery. Rue de Seine, by David Hockney. 1972. Etching and aquatint, 53 by 45 cm.]
Attributed works:
[Sarah Sauvin. Jean-Étienne Liotard, Self-Portrait as a Young Man Etching, ca.1731 (Tilanus 1; Roethlisberger and Loche 18) Counterproof of an unknown 1st state (of 3). Only one other counterproof known (Fondation Custodia) Provenance: Soliman Lieutaud (Lugt 1682)] (p.v) [Osborne Samuel. Cyril Edward Power (1872– 1951) The Sunshine Roof c1934 Linocut 26 x 33 cm]
Attributed works:
[Sphinx Fine Art. Karel Dujardin, A Horseman Holding a Roemer of Wine with an Ostler Tending the Horses (Detail)]
Attributed works:
[Zuleika Gallery. Man posing, by Lucien Freud (1922–2011). 1982. Etching, 70 by 54 cm. Edition of 50 + 15 AP]
Non-western art unattributed:
[Peter Finer. A Saddle. 15th–17th century. Eastern Tibet or Chinese. Iron, gold, silver, wood, leather and textile. 57 cm / 22.75 inches. Provenance: Private Collection UK]
Advertisements
Advertisements November 2016 (front)
11/2016 | 1364 | 158
Pages: s.p.
Subjects
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
[August Laube. Zurich. Jacques Villon (Gaston Duchamp-Villon). Portrait d'acteur (Félix Barré). Dry-point etching. 1913. Numbered and signed. 48.2 x 35.6 cm. Edition of 32]
Attributed works:
[Bacarelli & Botticelli. Firenze. Three Angels from Saint Paul's Cathedral, London. Attilio Piccirilli (Massa Carrare 1866 - New York 1945), and Furio Piccirilli (Massa Carrara 1869 - Rome 1949).]
Attributed works:
[Cambi. Georg Petel (1601/02 - 1634). Corpus Christi in ivory. Genova 1622/24. 53 x 54 cm]
Attributed works:
[Christie’s, 9 Avenue Matignon, 75008 Paris. A bronze group of King Henry IV astride a rearing horse. Barthelemy Prieur (1536-1611), French, circa 1595-1610.]
Attributed works:
[Coll&Cortés. Justiniano 3, Madrid, Spain. Lorenzo Mercadante de Bretaña (1454-1467). Virgen del Buen Fin. Terracotta with traces of polychromy. 65.2 x 24 x 18.3 in]
Attributed works:
[Daniel Katz Gallery. 6 Hill Street. London. Auguste Rodin. Nude woman standing. Watercolour, pencil and ink on paper. 31.2 x 24.5 cm. Circa 1898-1900]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Louis Dorigny, Paris, 1654 - Verone, 1742. Two Allegories of Comedy. Oil on canvas, a pair, 48.5 x 65 cm (19 1/8 x 25 9/16 in) each]
Attributed works:
[Galerie Lowet de Wotrenge. Artus II Quellinus (Sint-Truiden 1625 - 1700 Antwerp). An Allegory of Earth. Terracotta, height 54 cm]
Attributed works:
[Grisebach. Villa Grisebach Auktionen. Fasanenstasse 25. Berlin. Ben Nicholson, Western landscape, 1960. 64,5 x 75,5 cm]
Attributed works:
[Hazlitt Holland-Hibbert. 38 Bury Street. St. James’s, London SW1Y 6BB. Howard Hodgkin. Born 1932. Leaves 1987-88. Oil on wood. 19 3/4 x 25 3/4 inches; 50.2 x 65.4 cm]
Attributed works:
[Jan Johnson. 189, rue St-Pierre, Chambly, Québec. St. Matthew. Antonio Maria Zanetti (1680-1767)]
Attributed works:
[Museo Nacional del Prado, Madrid. Pere Borrell del Caso. Scaping criticism, (detail), 1874. Madrid, Banco de Espana Collection]
Attributed works:
[Nagel Auktionen Gmbh & Co. KG. Neckarstaße 189-191. Stuttgart. Tino di Camaino (attr.). Probably c.1315, limewood, h. 36 cm]
Attributed works:
[Osborne Samuel. 23a Bruton Street. London. CRW Nevinson. Returning to the Trenches, 1916. Drypoint, 6 x 8 inches]
Attributed works:
[Paul Prouté. 74 Rue de Seine, 75006. Paris. Mary Cassatt. The Picture Book (No.2), ca. 1910. Drypoint, signed]
Attributed works:
[Redfern Gallery. 20 Cork Street. London. Cyril Edward Power (1872-1951). The Concerto, c.1935. Linocut 32 x 30 cm]
Attributed works:
[Robilant + Voena. 38 Dover Street, London W1S 4LN. Bartolomeo Manfredi: St. John the Baptist, circa 1610, oil on canvas, 137 x 96.5 cm]
Attributed works:
[Trinity Fine Art. 29 Bruton Street. London W1J 6QP. The Master of the Unruly Children probably Sandro di Lorenzo di Smeraldo (Florence 1483-circa 1554). Bacchus. Terracotta. 25 x 29 x 20 cm (9 7/8 x 11 3/4 x 7 7/8 in)]
Attributed works:
[V&A. London. Lectures. Donatello (about 1386-1466). The Lamentation Over the Death Christ. About 1453-66. Bronze, Italy, possibly Siena.]
Attributed works:
[Venduehuis. Nobelstraat 5, The Hague, The Netherland. A large silver water kettle with burner on stand. Maker Storr and Mortimer, 1824-1825. 925/1000]
Attributed works:
[Venduehuis. Nobelstraat 5, The Hague, The Netherland. An antique enamel sautoir, by Giuliano 19th Century]
Attributed works:
[Venduehuis. Nobelstraat 5, The Hague, The Netherland. Johan Barthold Jongkind (1819-1891). View on the Oude Schans with the Montelbaans Tower in Amsterdam. Signed lower right and dated 1885. oil on canvas, 26,5 x 43,5 cm]
Attributed works:
[Venduehuis. Nobelstraat 5, The Hague, The Netherland. Studio Willem van de Velde (1633-1707). 'A small English merchant ship at anchor firing a gun'. Signed lower center, oil on canvas. 62x74 cm]
Attributed works:
[W. Agnew & Company Ltd. The famous Whig politician, the Hon. Charles James FOx (1749-1806), by Joseph Nollekens RA (1737-1828), commissioned by Fox's closest friend, the 4th Earl Fitzwilliam, as a gift to Fox's 'secret' wife, the courtesan Elizabeth Armitstead, and inscribed, verso, 'This bust given to Mrs Armistead by Earl Fitzwilliam the First of March 1796. Nollekens Ft.' Marble, height: 28" (71 cm).]
Non-western art unattributed:
[Peter Finer. 38&39 Duke Street. St. James’s. London. An important cased pair of indian flintlock pistols with silver barrels and lockplates, signed 'L. Col. Claude Martins, Locknow Arsenal,' circa 1785 and presented in 1786 by Martin to Lieutenant Colonel Alexander Ross]
Western art unattributed:
[Nagel Auktionen Gmbh & Co. KG. Neckarstaße 189-191. Stuttgart. An expressive Renaissance horse head. Italy, c. 1600, bronze, h. 17/30 cm.]
Western art unattributed:
[Nagel Auktionen Gmbh & Co. KG. Neckarstraße 189-191. Stuttgart. The virgin and child enthroned. Lower Bavaria/Landshut, c. 1490/1500, h. 96cm.]
Western art unattributed:
[Piasa. 118 rue du Faubourg Saint Honoré. Paris. Alabaster relief represent Adam and Eve. South Netherlands, around 1530]
Western art unattributed:
[Sotheby’s & Co. 76, rue de Faubourg Saint-Honoré. Paris. A tortoiseshell, mother-of-pearl and gold piqué rosewater ewer and basin. Naples, first half of the 18th century]
Western art unattributed:
[Sphinx Fine Art. 125 Kensington Church St. London. Antwerp School. c.1635. A gold-Metal mounted Ebony, ebonized, rosewood. tortoiseshell and ivory cabinet on a stand. Decorated with scenes from Ovid's Methaphories]
Western art unattributed:
[Venduehuis. Nobelstraat 5, The Hague, The Netherland. A series of four blue and white 'Burglhey House' plates. Qianlong, ca. 1745. Decorated in the center with the Elizabethan 'Burghley House', in a garden with trees and birds, surrounded by ornamental bands]
Advertisements
Advertisements October 2016 (front)
10/2016 | 1363 | 158
Pages: s.p.
Subjects
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
[Agnews, London. Lamia, by John William Waterhouse (1849-1917). Oil on canvas, 91.5 by 57 cm]
Attributed works:
[August Laube Buch, Zurich. St. George on horseback slaying the dragon, by Lucas Cranach the Elder (1472-1553). Woodcut, 16.1 by 12.8 cm]
Attributed works:
[Bazaart. Justin Raccanello & Camille Leprince. 7-10 Chandos Street, London. A documented charger depicting a battle between mystical sea creatures. Inscribed 'cremona fecit fare a di 29 agosto 1540 a de Mo Steveno bocaler'. 40.3 cm. Attributed to Giulio da Urbino, working in a workshop in the Veneto]
Attributed works:
[Bottegantica XIX century paintings. Via A. Manzoni 45. Milano. Antonio Mancini. Genio Ribelle]
Attributed works:
[C. G. Boerner, New York and Dusseldorf. The execution of Maximilian, by Edouard Manet. 1832-82. Lithograph on buff-coloured paper, 33.5 by 43.3 cm]
Attributed works:
[Carlo Orsi - Trinity Fine Art, Milan - London. Allegory of Patience, by Carlo Dolci (1616-87). Oil on canvas, 71 by 54 cm]
Attributed works:
[Daniel Katz Ltd, London. St. Michael overcoming the devil. Cast from a model by Alessandro Algardi (1598-1654). Bronze. Height: 53.5 cm]
Attributed works:
[Daniela Laube Fine Art, Jackson Wyoming. Jacques Villon (Gaston Duchamp-Villon). Portrait d'acteur (Félix Barré), Dry-point etching. 1913. Numbered and signed. 48.2 x 35.6 cm. Edition of 32]
Attributed works:
[Daniela Laube, Jackson, Wyoming. Salome presenting Herod with the head of St. John the Baptist, by Lucas van Leyden (1494-1533). Woodcut, 40.6 by 28.9 cm]
Attributed works:
[Daxer & Marschall, Munich. Planegg I - Landscape near Munich, by Wassily Kandinsky (1866-1944). c. 1901. Oil on canvas, laid down on cardboard, 23.5 by 32.8 cm]
Attributed works:
[Daxer & Marschall, Munich. The Bay of Naples with Mount Vesuvius, by Johan Christian Clausen Dahl (1788-1857). 1520. Oil on canvas, 44.5 by 67 cm]
Attributed works:
[De Jonckheere, 7 rue de L’Hôtel-de-Ville, Geneve Marten van Cleve. Antwerp circa 1527 - before 24 November 1581. An Outdoor Wedding Dance. Circa 1570. Panel: 94.3 x 122.3 cm]
Attributed works:
[De Jonckheere, Paris and Geneva. The Holy Family with St. Elizabeth and St. John the Baptist, by The Master of the Half-Leghts, (Antwerp c. 1490 - c.1540). Oil on panel, 87 by 63.5 cm]
Attributed works:
[Dickinson. London. Volliers sur le Seine à Argenteuil, by Gustave Caillebotte (1848-94). Oil on canvas, 65 by 54 cm]
Attributed works:
[Didier Aaron, Inc., New York, Paris, London. Allegory of eternity (Study for the main fresco at Montoliveto, Naples), by Giorgio Vasari (1511-1574). Pen and brown ink and wash over black chalk, heightened with white, on blue paper, squared for transfer in red chalk. 28.5 by 22.3 cm]
Attributed works:
[Dorotheum. Dorotheergasse 17. Vienna. Nicolas de Largilliere (1656-1746), Portrait of Prince James Francis Edward Stuart, Prince of Wales, with a courtier. Oil on canvas, 180 x 137.5 cm.]
Attributed works:
[Dulwich Picture Gallery. Dulwich, London. The Beach at Scheveningen, 1658, (detail). Oil on canvas]
Attributed works:
[Emanuel von Baeyer, London. Adoration of the Magi, by Wolf Huber (1485-1553). Woodcut, sheet: 12.2 by 9.7 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Gregorio Lazzarini, attributed to. Venice, 1655 - Villabona di ROoigo, 1730. The Mocking of Christ. Oil on canvas, 107 x 97 cm (42 1/8 x 38 1/4 in)]
Attributed works:
[Galerie Eric Coatalem, Paris. Peach tray with jar, by Jean-Baptiste-Siméon Chardin (1699-1779). Oil on canvas, 68 by 57.5 cm]
Attributed works:
[Galerie Eric Coatalem. 136, Fbg St. Honoré. Paris. Hubert Robert (1733-1808). Figures walking up a monumental stair case (detail). Oil on canvas. Height: 66 1/4 in. (173.4 cm); Width: 63 1/2 in. (161.3 cm)]
Attributed works:
[Galerie Neuse, Kunsthandel GmbH. Contrescarpe 14. D-28203, Bremen, Germany. Bacchus with Venus and Ceres. Tapestry from a series "Inclinations of Man" after a design by Lancelot Lefebure (active ca. 1585-1650). Brussels, ca. 1670-80. Weavers mark IFVH for Jan Frans van der Hecke (active 1662-1710)]
Attributed works:
[Galleria Stanza del Borgo, Milan. Samuki no in Kenzoku o shite Tametomo o sukuu zu (Retired emperor Samuki sends to rescue Tametomo), by Utagawa Kuniyoshi (1797-1861). 1851. Woodblock prints. Each sheet: 36 by 25 cm]
Attributed works:
[Haboldt Pictura, New York, Paris, Amsterdam. A vanitas still with a skull, candleholder and coins, by Johann Stumm (active 1640-50). Oil on panel, 22.3 by 31 cm]
Attributed works:
[Hazlitt Holland-Hibbert, London. Eyeli, by Anthony Caro (1924-2013). 1965. Steel painted blue. Height: 286 cm]
Attributed works:
[Hazlitt Holland-Hibbert. 38 Bury Street. St. James’s, London SW1Y 6BB. Bridget Riley. Born 1931. Sweet Summer. 1983. Oil on canvas. 92 1/2 x 77 1/2 inches, 234.9 x 196.8 cm]
Attributed works:
[im Kinsky Kunst Auktionen Gmbh. Palais Kinsky, Freyung 4. Vienna. Otto Marseus van Schrieck. Bouquet of Flowers and Butterflies in front of a stone niche. 1670es. Oil on canvas. 70 x 54 cm]
Attributed works:
[Irish Arts. Richard Gorman at Castletown]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Théodore Géricault (1791-1824). Portrait of Eugène Delacroix, from the collection of the Duke de Trévise. Oil on canvas 54 x 45cm]
Attributed works:
[Karl & Faber. Amiraplatz 3. Munich. Franz von Stuck. Portrait Mary Stuck, Oil on panel, 30x30 cm]
Attributed works:
[Lampronti Gallery, London and Milan. Study of the head of Bearded old man, by Annibale Carracci (1560-1609). Oil on paper laid down on canvas, 41 by 28.5 cm]
Attributed works:
[National Gallery. London. Michelangelo Merisi da Caravaggio, The Tacking of Christ (detail). 1602.]
Attributed works:
[Osborne Samuel Gallery, London. The Eight, by Cyril Edward Power (1872-1951). Linocut, 32.3 by 3.4 cm]
Attributed works:
[Osborne Samuel. 23a Bruton Street. London. CRW Nevinson, Returning to the Trenches, 1916. Drypoint, 6 x 8 inches]
Attributed works:
[Otto Naumann Ltd, New York. Portrait of boy, probably a self-portrait, by Edmond Dehodencq (1860-87). Oil on canvas, 47 by 34 cm]
Attributed works:
[Paragon Contemporary Editions Ltd, London. Red shadow, by Anish Kapoor. Colour etching, 72.5 by 96.5 cm]
Attributed works:
[Paul Prouté, Paris. The Virgin and Child with candle, by Jacques Bellange (1575-1616). Drypoint and engraving, 14.6 by 21.8 cm]
Attributed works:
[Paul Prouté. 74 Rue de Seine, 75006. Paris. Mary Cassatt. The picture Book (No. 2) ca. 1910. Drypoint, signed]
Attributed works:
[Peter Finer. 38&39 Duke Street. St. James’s. London. A gif of King George III: a pair of Spanish bronze cannon cast by Matthias Solano. The Royal Gunfoundry, Seville, to Major-General John Graves Sincoe in 1798, in recognition of his services in French San Domingo. Hispaniola (Haiti), dated 1747]
Attributed works:
[Pratt Contemporary, Sevenoaks, Kent. Comedia 1, by Ana Maria Pacheco. Chiaroscuro woodcut, 29.4 by 38.5 cm]
Attributed works:
[Print Fair. Park Avenue Armory. New York. Francisco De Goya Y Lucientes (Fuendetodos 1746 - Bordeaux 1828). Volaverunt (The Have Flown). Etching, aquatint and drypoint; Harris 96 III.1/III.12; 214 x 150 mm; sheet 315 x 225 mm]
Attributed works:
[Raccanello Leprice, London. The battle of Korakesion. Tondo. Fontana workshop, Urbino. c.1560-70. Tin-glazed earthenware. Diameter: 26.4 cm]
Attributed works:
[Redfern Gallery. 20 Cork Street. London. Cyril Edward Power (1872 - 1951). The Concerto. c. 1935. Linocut 32 x 30 cm]
Attributed works:
[Rob Smeets Old Master Paintings, Geneva. Portrait of a mathematician, by Luca Giordano (1632-1705). Oil on canvas, 127 by 100 cm]
Attributed works:
[Robilant + Voena, London. Crucifix, by Lucio Fontana (1899-1968). Ceramic. Height: 81.5 cm]
Attributed works:
[Royal Academy of Arts. London. Cornelia Parker RA. Beautiful Glass (broken), 2015. Polymeric Photogravure etching. 265 x 29 cm. Edition of 70]
Attributed works:
[Royal Academy of Arts. London. Gary Hume RA. Bikini Print, 2010. Screenprint. Image size: 61 x 39 cm, paper size:76 x 56 cm. RA Edition of 30.]
Attributed works:
[Simon Theobald, London. Standing child, by Erich Heckel (1883-1970). 1910. Woodcut, 37 by 27.6 cm]
Attributed works:
[Sphinx Fine Art. 125 Kensington Church St. London. David Taniers II. A Cobbler in the Workshop (detail)]
Attributed works:
[Stephen Ongpin Fine Art, London. A standing lion, by Giovanni Domenico Tiepolo (1727-1804). Pen and grey ink and wash over black chalk, 21.7 by 15.2 cm]
Attributed works:
[The Redfern Gallery, London. The concerto, by Cyril Edward Power (1872-1951). c. 1935. Linocut, 32 by 30 cm]
Attributed works:
[Trinity Fine Art with Carlo Orsi. 29 Bruton Street. London W1J 6QP. Via Bagutta 14. Milano. Ludovico Corracci (Bologna 1555 - 1619) St. Sebastian at the Column. Oil on canvas. 151.5 x 112.7 cm (59 5/8 x 44 3/8 in.)]
Attributed works:
[Van der Meij Fine Arts. Herengracht 372. Amsterdam. Abraham Teerlink (1776-1857). Waterfall near Tivoli. Painted around 1824. Signed. Oil on canvas, 61.5 x 76.5 cm]
Western art unattributed:
[Hansord. Antique Furniture and Works of Art. 6 & 7 Castle Hill, Lincoln Lincolnshire. Great Britain. A fine 17th century Italian ebony and ivory inlaid table cabinet the two doors open to reveal an architectural interior with hard stones and lapis lazuli columns mounted with ormolu. Circa 1650. Provenance a titled European family. Height 56 cm. Width 60 cm. Depth 36 cm]
Western art unattributed:
[Kallos Gallery, London. Early Archaic Cretan Helmet. c.660 - 625 BC. Bronze. Height: 43.1 cm]
Western art unattributed:
[Rupert Wace Ancient Art, London. Flint dagger found in Denmark. Neolithic. c.2000-1800 BC. Length: 21,3 cm]
Western art unattributed:
[Sam Fogg, London. Angel of the Annunciation (detail). 12th century. Softwood. Height: 80 cm]
Western art unattributed:
[Sam Fogg, Ltd. 15d Clifford Street, London. The Adoration of the Kings, Upper Rhine, Strasbourg. Last quarter 15th century]
Western art unattributed:
[Tomasso Brothers Fine Art, London and Leeds. Profile head of Alexander the Great. Florentine, c.1530. White marble, 57 by 42 cm]
Western art unattributed:
[Tomasso Brothers FIne Art. Exhibiting at: TEFAF New York. Fall 2016. German, 18th century. A son of Laocoon (1730-1806). After the antique. Limewood. 53.5 cm (21 in.) high. 18.5 cm (7 1/4 in.) wide]
Advertisements
Advertisements April 2012 (front)
04/2012 | 1309 | 154
Pages: s.p.
Subjects
advertisements:
advertisements:
collectors and dealers:
collectors and dealers:
subjects:
Illustrations
Attributed works:
[Brimo de Laroussilhe. 7 Quai Voltaire. Paris. Agnolo Gaddi. Florentine (1356-1396). Virgin of Humility with six Angels. Circa 1380-1390. Tempera on panel, gold ground, 93.2 x 58.5 cm.]
Attributed works:
[Andrew Edmunds Gallery, London. The Royal Academy of Arts, by Richard Earlom after Zoffany. 1773. Mezzotint, 50 by 71 cm]
Attributed works:
[Austin/Desmond Fine Art, London. Flags, by Denis Mitchell. 1951. Signed and dated in pencil. Woodcut, 27 by 25 cm]
Attributed works:
[Austin/Desmond Fine Arts, London. Topsail, by John Wells, 1950. Signed and dated lower right, inscribed: Trial proof /25 lower left: Engraving, 14 by 12 cm]
Attributed works:
[Benjamin Proust. 5th Floor. 43-44 New Bond Street. London Jean del Cour. 1631 - Liège - 1707. Saint James Minor. Circa 1690. Terracotta. Height: 43 cm]
Attributed works:
[Browse & Darby. 19 Cork Street. London. Edgar Degas (1834-1917). Danseuse, grande arabesque, premier temps]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. Albrecht Durer (1471-1528). Adam and Eve (B., M., Holl. 1). Engraving, 1504. A fine Meder II a impression, 251 x 194 mm]
Attributed works:
[Christopher Mendez, London. St. Jerome in his cell, by Albrecht Durer (1471-1528). 1514. Engraving, 24.6 by 18.5 cm]
Attributed works:
[Frederick Mulder Limited, London. Visage, by Pablo Picasso. 1928. Signed and numbered in pencil. From the edition of 200 printed on Japan paper. Lithograph, 20.3 by 14.3 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Denys Calvaert. Antwerp ?, c. 1540 - Bologna, 1619. Cleopatra, Oil on panel, 145 x 109 cm (19 1/16 x 16 15/16 in)]
Attributed works:
[Hart Gallery, London. Cell 16, by Jo Ganter, Digital Photograph and etching, 93.5 by 98 cm]
Attributed works:
[Hill-Stone, Inc. Box 273, Gracie Station. New York. Esaias van de Velde. Amsterdam 1587 - 1630 The Hague. Farms to left of a path. Etching and engraving, 1614. Hollstein 41, Almost surely the second state of two. An extremely fine impression in excellent, fresh condition, trimmed to the borderline all around.]
Attributed works:
[Hill-Stone, New York. War, by Henri Rousseau, called Le Douanier (1855-1910). Pen Lithograph on dark orange paper, 22.2 by 33.1 cm]
Attributed works:
[im Kinsky Kunst Auktionen Gmbh. Palais Kinsky, Freyung 4. Vienna. Egon Schiele (Tullin 1890-1918 Vienna). Seated Girl with Head Thrown Back. Black crayon, 46 x 29.5 cm. Signed & dated at the lower right. "Egon Schiele 1918".]
Attributed works:
[Mark Murray Fine Paintings. 39 East 72nd Street. New York. Sir Lawrence Alma-Tadema, OM, RA (1836-1912). The Roman Architect. Signed and inscribed L. Alma Tadema OP CXLII. Oil on panel, 11 1/2 x 8 3/4 inches (29.2 x 22.3 cm)]
Attributed works:
[Osborne Samuel Gallery, London. The eight, by Cyril Power. 1930. Edition of 50. Signed, titled and numbered within the image. Linocut, 32.3 by 23.4 cm]
Attributed works:
[Paul Stolper Gallery, London. Union Jack, by Peter Blake, 2011. Signed and numbered. Edition of 50. Inkjet on paper, 46.7 by 63.5 cm]
Attributed works:
[Peter Findlay Gallery. 131 East 66th Street. New York. Edgar Degas. "The False Start," Collection Yale University Museum]
Attributed works:
[Peter Findlay Gallery. 131 East 66th Street. New York. Edgar Degas. The False Start. c. 1875. (Cheval au Galop Tournant la Tete à droite). 11.4 Inches High. Numbered 32 / J. stamped cire Perdue A.A. Herbrard.]
Attributed works:
[Rogallery. 47-15 36th Street. Lic NY. Mel Ramos. Y from the Hollywood Suite. Oil on canvas.]
Attributed works:
[Schiller & Bodo. 120 East 65th Street. New York. Henri Le Sidaner, French. 1862-1939. L'Ecluse, Montreuil-Bellay, 1909. Signed lower right. Oil on canvas, 32 x 39 1/2 inches (81 x 100 cm)]
Attributed works:
[The London Original Print Fair. Andy Warhol. Queen Elizabeth II, 1985. Silkscreen - edition of 40. Sims Reed Gallery.]
Attributed works:
[The Old Print Shop, Inc., New York. American pattern - barn, by Benton Murdoch Spruance. 1940. Edition of 45. Lithograph printed in two colours, 19.2 by 35.2 cm.]
Attributed works:
[The Old Prints Shop, New York. The red scow, by Blanche Lazzell. 1931. Signed, dated and titled in ink. White-line colour woodcut, 30.7 by 35.4 cm]
Advertisements
Advertisements October 2011 (front)
10/2011 | 1303 | 153
Pages: s.p.
Subjects
advertisements:
advertisements:
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
[August Laube, Zurich. Martincho makes a bull turn in the Madrid ring, by Francisco de Goya (1746-1828). Delteil 239. Harris 219 III. I. Etching and Aquatint, 20.3 by 31.3 cm]
Attributed works:
[C.G. Boerner, New York. The Palais de Justice in Paris, seen from the Pont Notre-Dame, by Auguste Lepère. 1889. Colour woodcut on thin Japan paper, 19.2 x 30.2 cm]
Attributed works:
[Charles Beddington Limited. 16 Saville Row, London, W1S 3PL. Massimo Stanzione (Orta di Atella, Campania c.1585 - 1656 Naples). The Madonna and Child. Oil on canvas, 50 1/5 x 39 2/3 (127.4 x 100.8 cm)]
Attributed works:
[Charles Beddington, London. An inlet near Naples with a castle and fisherfolk, by Charles-Joseph Vernet (1714-89). Oil on canvas, 63.3 by 98.8 cm]
Attributed works:
[David Koetser, Zurich and Amsterdam. An extensive landscape with travellers on a road, by Jan Brueghel the Elder (1568-1625). Signed and dated 1608. Oil on copper, 17.8 by 27.2 cm]
Attributed works:
[Didier Aaron & Cie, Paris, New York, London. Portrait of a young hunter, by Henri-Pierre Danloux (1753-1809). Signed and dated 1802. Oil on canvas, 75.5 by 63 cm]
Attributed works:
[Frederick Baker. 1230 W. Jackson Blvd. Chicago. Stow Wengenroth Manhattan Gateway]
Attributed works:
[Galerie Canesso, Paris. Vulcan in his forge, by Pompeo Batoni (1708-87). Monogrammed and dated 1750. Oil on canvas, 94.2 by 73.7 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Jacopo dal Ponte, called Bassano. Bassano del Grappa, c. 1510 - 1592. Jacob'd Journey. Oil on canvas, 62.5 by 96 cm (24 5/8 x 37 13/16 in)]
Attributed works:
[Galerie Giovanni Sarti, Paris. Virgin and Child, by Andrea Di Nerio (c.1331-87). Tempera, gold and silver on panel, 80 by 62 cm]
Attributed works:
[Galerie Terrades. 8, rue d’Alger. Paris. Vicente Lopez Portana (1772-1850). Apollo and the Muses, Oil on canvas (detail)]
Attributed works:
[Haboldt & Co., Amsterdam, Paris, New York. Flora, by Vincenzo Mannozzi (1600-58). Oil on marble, 81.5 by 66.5 cm]
Attributed works:
[Harris Schrank FIne Prints, New York. Bullfighting, by Francisco de Goya (1746-1828). 1814-16. First edition. The complete set of 33 etchings with aquatint, drypoint and engraving.]
Attributed works:
[Hazlitt Holland-Hibbert. 38 Bury Street. St. James’s, London SW1Y 6BB. William Nicholson. The Silver Casket, 1919]
Attributed works:
[Jean-François Heim, Paris. The Velino above the Cascade of Terni, by Jean-Baptste- Camille Corot (1796-1875). 1826. Oil on paper laid down on canvas, 32.5 by 39 cm]
Attributed works:
[Osborne Samuel, London. The Eight, by Cyril Power. 1930. Signed, titled and numbered within the image. From an edition of 50. Linocut, 32.3 by 23.4 cm]
Attributed works:
[Osborne Samuel. 23a Bruton Street. London. Cyril Power. Hockey, 1931. Linocut. From the edition of 50. 16.8 x 28.9 cm]
Attributed works:
[Pagliari Fine Arts at Galerie Charles Ratton & Guy Ladrière. 11, quai Voltaire. Paris. Gerolamo Genga (Urbino, 1476 - La Valle, 1551). The Madonna and Child with the Infant Saint John the Baptist and a monk (oil on canvas, 108 x 92 cm).]
Attributed works:
[Paul Prouté. 74 Rue de Seine, 75006. Paris. Rembrandt, the fourth oriental head]
Attributed works:
[R.E. Lewis & Daughter, San Rafael, California. Maisons à Bougival, Maurice de Vlaminck. 1913. Signed and numbered '7', in pencil. From an edition of 30. Woodcut, 16.3 by 24.3 cm]
Attributed works:
[R.S. Johnson FIne Art, Chicago. Lucky chances of the swing, by Nicolas de Launay after Jean-Honoré Fragonard. Etching, 54.9 by 43.3 cm]
Attributed works:
[Redfern Gallery. 20 Cork Street. London. Sybil Andrews, 1898-1992. Market Day, 1936. Linocut, 28 x 33.6 cm]
Attributed works:
[Rogallery. 47-15 36th Street. Lic NY. Pablo Picasso. Visage Brun-Blu Ceramic Plate, 1947]
Attributed works:
[Salamon & Co. Palazzo Cicogna. Via San Damiano 2. Milano. Annibale Carracci. Bologna 1560 - 1609 Roma. The Prodigal Son. Pen and brown ink and brown wash. 382 x 256 mm (15 1/8 x 10 in)]
Attributed works:
[Sims Reed, London. Petite Aurore, by Henri Matisse. 1923. Edition of 50. Lithograph, 28 by 37.5 cm]
Attributed works:
[Stair Sainty, London. Young woman in her boudoir, by Louis-Rolland Trinquesse (1746-c.1800). Oil on canvas, 80 by 62 cm]
Attributed works:
[Talabardon & Gautier, Paris. The Transporting of the orange tree, by Hubert Robert (1733-1808). Oil on canvas, 40.5 by 32.5 cm]
Attributed works:
[The Old Print Shop, New York. Lily, by Arthur Wesley Dow. 1893. Woodcut, 20.3 by 5.1 cm]
Attributed works:
[The Weiss Gallery, London. The carrying of the cross, by Nicolas Tournier (1590-1639). c.1632-35. Oil on canvas, 220 by 121 cm]
Attributed works:
[The Weiss Gallery. 59 Jermyn Street. London. Antonio David (1684-1750). Prince James Edward Stuart, The Old Pretender (1688-1766). Oil on canvas: 31 1/2 x 25 in. (80 x 63.5 cm.). Painted c. 1718]
Attributed works:
[William Weston Gallery, London. Construction, by Laszlo Moholy-Nagy (1895-1946). 1922-23. Signed in pencil. Annotated by Moholy-Nagy as: 'Probe' or trial proof. Lithograph, 59.5 by 36.1 cm]
Western art unattributed:
[Dorotheum. Dorotheergasse 17. Vienna. Circle of Piero di Cosimo (1462-1521), The Madonna and CHild with three Angels, oil on panel, tondo, diam. 89 cm, framed]
Publication Received
Cyril Power Linocuts: A Complete Catalogue
03/2009 | 1272 | 151
Pages: 181
related names
Reviewer:
Shone, Richard (Shone, Richard; S., R.; Shone, Richard)
Subjects
artists:
print:
Reviewed Items
subjects:
Cyril Power Linocuts: A Complete Catalogue | author: Vann, Philip