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119 articles
Article
A Saxon in Hamburg: a leaf from the lost tournament book of Duke John the Steadfast
07/2025 | 1468 | 167
Pages: 650–660
related names
Author:
Burger, Alexandra (Burger, Alexandra)
Subjects
dates:
museums and institutions:
Illustrations
Attributed works:
10. A German tournament (Anzogenrennen), by Lucas Cranach the Elder. c.1516–17. Woodcut, 22.8 by 33 cm. (Albertina, Vienna).
Attributed works:
11. Tournament, by Lucas Cranach the Younger. 1543. Pen and ink with watercolour and body colour on paper, 24.9 by 41 cm. (Staatliche Museen zu Berlin; photograph Jörg P. Anders).
Attributed works:
12. Detail of Fig.11, showing the fallen rider.
Attributed works:
3. Electors of Saxony: Friedrich the Wise, Johann the Steadfast and Johann Friedrich the Magnanimous, by Lucas Cranach the Elder. 1532. Oil on panel, 68.7 by 131.6 cm. (Hamburger Kunsthalle; Bridgeman Images).
Attributed works:
4. Tournament Book of Elector John Frederick the Magnanimous, Elector of Saxony, by the workshop of Lucas Cranach the Elder. 1539– 43. Pen and ink with watercolours and body colours on paper, partly heightened with white, silver and gold, 22.3 by 31.5 cm. (Kunstsammlung, Coburg, Ms.02, fols.4v–5r).
Attributed works:
5. Der sächsischen Kurfürsten Turnierbücher in ihren hervorragendsten Darstellungen auf vierzig Tafeln, by Erich Haenel. 1910. Print. (Württembergische Landesbibliothek; Stuttgart, fig.12).
Attributed works:
6. Fragment from the tournament book of Duke John of Saxony. Southern Germany. c.1527–32. Pen and ink with watercolour and body colour on vellum, partly heightened with white, silver and gold, 24.5 by 28.5 cm. (Staats- und Universitätsbibliothek, Hamburg, Cod. in scrin. 10 Fragm. 15, verso).
Attributed works:
7. The tournament with lances, by Lucas Cranach the Elder. 1509. Woodcut, 29 by 41.5 cm. (Albertina, Vienna).
Attributed works:
8. Detail of Fig.6, showing the horses hair and fur.
Attributed works:
9. Detail of Fig.1, showing the hatching on the armour.
Western art unattributed:
1. Fragment from the tournament book of Duke John of Saxony. Southern Germany. c.1527–32. Pen and ink with watercolour and body colour on vellum, partly heightened with white, silver and gold, 24.5 by 28.5 cm. (Staats- und Universitätsbibliothek, Hamburg, Cod. in scrin. 10 Fragm. 15, recto).
Western art unattributed:
2. Tournament book Freydal. Southern Germany. c.1512–15. Pen and ink with watercolours and opaque colours on paper, partly heightened with white, silver and gold, 38.5 by 26.5 cm. (Kunsthistorisches Museum, Hofjagd- und Rüstkammer, Vienna, KK 5073, fol.90).
Exhibition Review
Lucas Cranach der Ältere und Hans Kemmer: Meistermaler zwischen Renaissance und Reformation
11/2022 | 1436 | 164
Pages: 1142-1142
related names
Reviewer:
Westermann-Angerhausen, Hiltrud (Westermann-Angerhausen, Hiltrud; Angerhausen, Hiltrud Westermann-)
Subjects
art literature:
dates:
museums and institutions:
places:
subjects:
Reviewed Items
subjects:
Lucas Cranach der Ältere und Hans Kemmer: Meistermaler zwischen Renaissance und Reformation Edited by Dagmar Täube. 304 pp. incl. 180 col. ills. (Hirmer, Munich, 2021), £49.90. ISBN 978–3–7774–3748–4. | :
Illustrations
Attributed works:
3. Gift of love, by Hans Kemmer. c.1529. Oil on panel, 59 by 39 cm. (St Annen- Museum, Lübeck).
Exhibition Review
Cranach: The Early Years in Vienna
11/2022 | 1436 | 164
Pages: 1140-1132
related names
Reviewer:
Silver, Larry (Silver, Larry)
Subjects
art literature:
dates:
subjects:
Reviewed Items
subjects:
Cranach: The Early Years in Vienna Edited by Guido Messling and Kerstin Richter. 168 pp. incl. 70 col. ills. (Hirmer Verlag, Munich, 2022), £25. ISBN 978–3–7774–3926–6. | :
Illustrations
Attributed works:
1. St Martin and the beggar, by Lucas Cranach the Elder. 1504. Pen, black ink and greyishbrown wash heightened with white on bluish-green prepared paper, 15.5 by 12.5 cm. (Staatliche Graphische Sammlung, Munich).
Attributed works:
2. Marriage diptych of Dr Johannes Cuspinian and Anna Cuspinian- Putsch, by Lucas Cranach the Elder. 1502–03. Oil on pine wood, each 60 by 45 cm. (Oskar Reinhart Collection ‘Am Römerholz’, Winterthur).
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Advertisements (front)
06/2022 | 1431 | 164
Pages: i- xxix
Subjects
artists:
artists:
Illustrations
Attributed works:
A centaur abducting a nymph, by Giandomenico Tiepolo (1727– 1804). Pen and ink and watercolour on paper, 18.6 by 27 cm. [Maurizio Nobile, Bologna, Paris and Milan/Tefaf]
Attributed works:
A predella panel showing The Marriage of the Virgin, by Lippo Vanni (active c.1340–75). c.1345. Tempera on wood, 24.6 by 28.5 cm. [Brimo de Laroussilhe, Paris/Tefaf]
Attributed works:
Aimé-Jules Dalou (Paris 1838–1902) Bacchanale Plaster Diameter: 44  in. (114 cm.) [Agnews/Tefaf]
Attributed works:
Allegory of abundance, by Guiseppe Maria Mazza (1653–1741). c.1730. Terracotta, height 30 cm. Walter Padovani, Milan/Tefaf]
Attributed works:
Angelica Kauffman, Portrait of Marquise Orsola Priuli Maccarani. [Walter Padovani/Tefaf]
Attributed works:
Angelo de ROSSI (Genoa 1671 – Rome 1715) The Adoration of the Shepherds Executed in 1711 Original terracotta relief 54 x 50 x 11 cm Estimate : €300,000 / 500,000. [Camper Dabernat]
Attributed works:
Aphrodite. Roman. c.1st century AD. Marble, height 125 cm. [Galerie Chenel, Paris/Tefaf]
Attributed works:
Bacchanale or La Statue, by Paul Delvaux (1897–1994). 1967. Watercolour and ink on paper, 71 by 106 cm. [David Lévy, Brussels/Tefaf]
Attributed works:
Bartolomé Esteban MURILLO (Seville, 1617 - 1682) The Good Shepherd Oil on canvas. 165 x 112 cm In the same French private collection since 1764 [Aguttes]
Attributed works:
Bust of Lucrezia d’Este, by Antonio Canova (1757– 1822). 1821–22. Marble, height 42 cm. [Daniel Katz, London/Tefaf]
Attributed works:
Clockface from a longcase clock, by Thomas Mudge (1715–94). c.1758. Brass and silver in a mahogany case, height 195 cm. [TOBIAS BIRCH, EVESHAM/Masterpiece]
Attributed works:
Diamond cut egg, by David Nash (b.1945). 2020. Maple, 71 by 30 by 30 cm. ANNELY JUDA FINE ART, LONDON/Masterpiece]
Attributed works:
Effigy of Riccardo Rota, by Giovanni Da Nola (1478– 1559). c.1540–50. Marble, 129 by 60 by 43 cm. [Sam Fogg, London/Tefaf]
Attributed works:
Form, Forbabstufung, by Marina Apollonio (b. 1940). 1972. Acrylic on canvas, 70 by 70 cm. [The Mayor Gallery, London/Tefaf]
Attributed works:
Francesco SOLIMENA (Canale di Serino, 1657 - Naples, 1747) The triumph of Faith over Heresy through the intercession of Dominicans Canvas, 90 9/16 x 36 5/8 in. [Tajan]
Attributed works:
FRANCISCO DE GOYA Y LUCIENTES (Fuendetodos, 1746 – 1828, Bordeaux) Portrait of Don Juan López de Robredo, Embroiderer to King Carlos IV of Spain 1798-1799 Oil on canvas, 108.3 x 82.3 cm [Caylus/Tefaf]
Attributed works:
Fruit and leaves, by Matthew Smith (1879–1959). 1947. Oil on canvas, 38.1 by 61 cm. RICHARD GREEN, LONDON/Masterpiece]
Attributed works:
Funerary head of a woman. Southern Arabia, c.100 BC–100 AD. Calcite alabaster, height 28.3 cm. [Art Ancient, London/Tefaf]
Attributed works:
Georges de Porto- Riche, by JacquesÉmile Blanche (1861–1942). 1889. Oil on canvas, 100 by 65 cm. ROBILANT + VOENA, LONDON/Masterpiece]
Attributed works:
GIACOMO GINOTTI (1845–1897) Rome, c. 1877–1886 L’Emancipazione della schiavitù (The Emancipation of Slavery) White statuary marble, on a revolving Portasanta marble pedestal with octagonal foot 52 in. (132 cm.) high, the figure 83 in. (211 cm.) high, overall; 24 in. (61 cm.) diameter at foot Signed: ‘GINOTTI’ [Tomasso/Tefaf]
Attributed works:
GIOVANNI ANTONIO PELLEGRINI (Venice 1675 –1741) An unidentified allegory. Oil on canvas, 26 x 41 cm PROVENANCE: Private collection, England [Santa Tecla]
Attributed works:
Giovanni Battista Piamontini Faun with a Kid (detail) marble, height 152 cm, 60 in [Trinity Fine Art/Tefaf]
Attributed works:
GIOVANNI BATTISTA TIEPOLO (1696–1770) Allegorical Figures of Valour and Fame: The Apotheosis of a Warrior Pen and brown ink and brown wash, over an underdrawing in black chalk. 216 x 289 mm. (81⁄2 x 113⁄8 in.) [Stephen Ongpin Fine Art]
Attributed works:
Island of the Lights from Pinocchio, by Paula Rego (b.1935). 1996. Pencil, ink and watercolour on paper, 150 by 180 cm. PIANO NOBILE, LONDON/Masterpiece]
Attributed works:
Jean-Baptiste Greuze (1725–1805) The Head of a Young Girl Red and black chalk over stumped black chalk outline, heightened with white on prepared paper, 272 x 224mm [Christopher Bishop Fine Art/Tefaf]
Attributed works:
La Danse des Bacchantes – La Grande Vitrine Faune et Faunesse, by Maison Roux et Brunet and Léon Messagé (1842– 1901). 1890. Gilt-bronze and various woods, height 246 cm. Adrian Alan, London/Tefaf]
Attributed works:
LUCAS CRANACH I (1472–1553) The Nymph of the Spring oil on panel 32 ¼ x 47 ⅜ in. (82.1 x 120.5 cm.) £6,000,000–8,000,000. Christie's/Masterpiece]
Attributed works:
Monumental mixed metal exhibition vase, by Suzuki Chokichi Company. c.1882. Bronze, 91 by 43 cm. [STEVE SLY JAPANESE ART, BOURNEMOUTH/Masterpiece]
Attributed works:
Pierres number 2, by Alberto Magnelli (1888–1971). 1932. Oil on canvas, 168 by 100 cm. Applicat-Prazan, Paris/Tefaf]
Attributed works:
Suburbs of Amsterdam, by Jan Sluijters (1881–1957). 1907. Oil on canvas, 42 by 33.5 cm. [Daatselaar, Utrecht/Tefaf]
Attributed works:
The Mattias De Medici Blue Boys. Attributed to Jacopo Maria Foggini. Pair of polychrome lacca wood sculptures with glass eyes. Florence 1650s (Burzio/Tefaf]
Attributed works:
The sisters, by Augustus Edwin John (1878–1961). 1937. Oil on canvas, 76.2 by 63.5 cm. PHILIP MOULD, LONDON/Masterpiece]
Non-western art unattributed:
Egyptian canopic jar for Hena. Late Dynastic Period, c.664–525 BC. Alabaster, height 32.5 cm. GALERIE MALAQUAIS, PARIS/Masterpiece]
Non-western art unattributed:
Guro-Bete mask. Ivory Coast, 19th century. Wood, height 20.5 cm. [Serge Schoffel, Brussels/Tefaf]
Non-western art unattributed:
Skull of a Triceratops prorsus. Late Cretaceous period. Fossil, 170 by 115 by 150 cm. DAVID AARON, LONDON/Masterpiece]
Western art unattributed:
Altarolo with Madonna and Child and the Infant St John The Baptist Ebony, pietre dure, gilded bronze. 88 x 60 x 28 cm [Brun/Tefaf]
Western art unattributed:
Barocchetto period commode. Venice, 1720–70. Lacquered wood with gilding, height 90 cm. [Brun Fine Art, London/Tefaf]
Western art unattributed:
Detail of a cabinet incorporating 11 pietra dura, pietra tenere and pietra paesina tablets representing Tuscan landscapes. Cabinet and stand c.1720; plaques c.1690. Walnut and limestone, 170 by 111 by 56 cm. ANTHONY OUTRED, LONDON/Masterpiece]
Western art unattributed:
FRENCH, LATE 17TH / EARLY 18TH CENTURY Silenus After the Antique Bronze 38 cm (15 in.) high PROVENANCE Private collection, USA [Tomasso/Tefaf]
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Advertisements (front)
03/2022 | 1428 | 164
Pages: IFC-viii
Subjects
Illustrations
Attributed works:
Fernando de Rojas, La Célestine. 1971. With 66 etchings by Pablo Picasso.[Venator and Hanstein]
Attributed works:
FRANCESCO TIRONI (c.1745–1797) The Piazza San Marco Decorated for the Festa della Sensa on Ascension Day Pen and brown ink, black and grey wash, heightened with white. 349 x 590 mm. (13¾ x 23¼ in.)[Stephen Ongpin]
Attributed works:
Giuseppe Costa Italian 1852-1912 The new arrival Oil on canvas Signed and inscribed ‘G Costa Firenze’ 73 x 106.5 cm. £8,000-12,000 [Roseberys, London]
Attributed works:
Jean Marc NATTIER (Paris 1685-1766) Portrait présumé de Philippine Élisabeth Charlotte d’Orléans dite Mademoiselle de Beaujolais (1714-1734) Canvas. 113 x 145,6 cm Estimate: 150 000/200 000 € (Drout, Paris]
Attributed works:
Lucas Cranach the Elder and Workshop (Kronach 1472 – 1553 Weimar) The Judgement of Paris Oil on panel, 24 ⅛ x 15 ⅝ inches (61.1 x 38.8 cm) [Robert Simon Fine Art]
Attributed works:
SEBASTIANO FILIPPI, CALLED “IL BASTIANINO” (Ferrara, circa 1532–1602) Portrait of Margherita Gonzaga D’Este, Duchess of Ferrara, with her dwarf Isabella Oil on canvas, 190 x 135 cm PROVENANCE: Private collection, northern Europe [Santa Tecla]
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Advertisements (back)
02/2022 | 1427 | 164
Pages: OBC
Subjects
Illustrations
Attributed works:
Lucas Cranach the Elder and Workshop (Kronach 1472 – 1553 Weimar) The Judgement of Paris Oil on panel, 24 ⅛ x 15 ⅝ inches (61.1 x 38.8 cm) [Robert Simon Fine Art]
Article
The reopening of the Dresden Gemäldegalerie Alte Meister
11/2020 | 1412 | 162
Pages: 992-977
related names
Author:
Gajewski, Alexandra (Gajewski, Alexandra)
Subjects
museums and institutions:
Illustrations
Attributed works:
1. Hall of antiquities, Gemäldegalerie Alte Meister und Skulpturensammlung bis 1800 (Staatliche Kunstsammlungen Dresden; photograph H.C. Krass).
Attributed works:
2. Christ flagellated, by Balthasar Permoser. 1728. Coloured marble, 81 by 27 by 25 cm. (Skulpturensammlung bis 1800, Staatliche Kunstsammlungen Dresden; photograph David Brandt).
Attributed works:
3. Plan of the first storey of the Gemäldegalerie, with the south-side at the top. c.1845. Lithograph, 23 by 41.5 cm. (Kupferstich-Kabinett, Staatliche Kunstsammlungen Dresden).
Attributed works:
4. Installation view of the Italian galleries, looking towards Raphael’s Sistine Madonna, Gemäldegalerie Alte Meister (Staatliche Kunstsammlungen, Dresden; photograph H.C. Krass).
Attributed works:
5. Frederick III of Saxony, called the Wise, by Adriano Fiorentino. 1498. Bronze, 62.8 by 51 by 30.6 cm. (Skulpturensammlung bis 1800, Staatliche Kunstsammlungen Dresden).
Attributed works:
6. Madonna of the Cuccina family, by Paolo Veronese. c.1571. Oil on canvas, 167 by 416 cm. (Gemäldegalerie Alte Meister, Staatliche Kunstsammlungen Dresden).
Attributed works:
8. Installation view of the ‘Rubens and Van Dyck’ gallery, Gemäldegalerie Alte Meister und Skulpturensammlung bis 1800 (Staatliche Kunstsammlungen, Dresden; photograph Alexandra Gajewski).
Exhibition Review
Cranach: Artist and Innovator
06/2020 | 1407 | 162
Pages: 524-526
related names
Reviewer:
Watson, Roisin (Watson, Roisin)
Subjects
dates:
media:
Reviewed Items
subjects:
Cranach: Artist and Innovator Compton Verney 14th March–14th June | :
Illustrations
Attributed works:
5. Venus and Cupid, by Lucas Cranach the Elder. c.1525. Oil on panel, 39 by 26 cm. (Compton Verney).
Attributed works:
6. Judith with the head of the artist, by Claire Partington. 2020. Earthenware, enamel, lustre and mixed media, height 78 cm. (Courtesy the artist; exh. Compton Verney).
Attributed works:
7. John Frederick the Magnanimous, by Lucas Cranach the Elder. 1509. Oil on panel, 42 by 31.2 cm. (National Gallery, London; exh. Compton Verney).
Exhibition Review
The Last Knight: The Art, Armor and Ambition of Maximilian I. Metropolitan Museum of Art, New York
01/2020 | 1402 | 162
Pages: 57-59
related names
Reviewer:
Capwell, Tobias (Capwell, Tobias)
Subjects
dates:
styles:
Reviewed Items
subjects:
The Last Knight: The Art, Armor and Ambition of Maximilian I Metropolitan Museum of Art, New York 7th October 2019–5th January | :
Illustrations
Attributed works:
7. The skilfulness and wit of armour making, from The White King, by Hans Burgkmair. c.1510–16. Woodcut, 43.4 by 30.5 cm. (Museum of Fine Arts, Boston; exh. Metropolitan Museum of Art, New York).
Attributed works:
8. Field armour of Maximilian I, Augsburg, by Lorenz Helmschmid. 1480. Steel, copper alloy and leather, as mounted 179.5 by 76 by 68.5 cm. (Sallet: private collection; all other elements of the armour: Kunsthistorisches Museum, Vienna; photograph Bruce M. White; exh. Metropolitan Museum of Art, New York).
Attributed works:
9. Maximilian I in imperial regalia, by Bernhard Strigel. After 1508. Oil on panel, 84 by 51.8 cm. (Tiroler Landesmuseum Ferdinandeum, Innsbruck; exh. Metropolitan Museum of Art, New York).
Exhibition Review
The Renaissance Nude
05/2019 | 1394 | 161
Pages: 416-419
related names
Reviewer:
Nuttall, Paula (Nuttall, Paula)
Subjects
dates:
Illustrations
Attributed works:
8. A male nude with proportions indicated, by Michelangelo Buonarroti. c.1515–20. Red chalk on paper, 28.9 by 18 cm. (Royal Collection Trust / © Her Majesty Queen Elizabeth II 2019; exh. Royal Academy of Arts, London).
Attributed works:
9. A myth of Pan, by Dosso Dossi. c.1524. Canvas, 163.8 by 145.4 cm. (J. Paul Getty Museum, Los Angeles; exh. Royal Academy of Arts, London).
Western art unattributed:
10. Elderly bather. German, c.1480. Boxwood with some polychromy, height 16.2 cm. (Liebieghaus Skulpturensammlung, Frankfurt; exh. Royal Academy of Arts, London).
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