Richard Wright
Camden Art Centre, London
16th April–22nd June |
:
Illustrations
Attributed works:
27. No title
24.10.2019, by
Richard Wright.
2019. Watercolour
and gold leaf on
paper, 66 by 51
cm. (Courtesy the
artist and The
Modern Institute,
Glasgow; exh.
Camden Art
Centre, London)
Attributed works:
28. Installation
view of Richard
Wright at the
Camden Art
Centre, 2025,
showing No
title, by Richard
Wright. 2025.
Acrylic and
graphite on
wall, dimensions
variable.
(Photograph
Rob Harris).
Attributed works:
29. Installation
view of Richard
Wright at the
Camden Art
Centre, 2025,
showing No
title, by Richard
Wright. 2023.
Enamel and
eggshell on
solicitor’s deeds
cabinet, 230 by
169 by 45 cm.
(Photograph
Rob Harris).
The Scottish Colourists:
Radical Perspectives
Dovecot Studios, Edinburgh
7th February–28th June |
:
Illustrations
Attributed works:
25. Blue hat,
Closerie des
Lilas, by
John Duncan
Fergusson.
1909. Oil on
canvas, 76.2 by
76.2 cm. (City
of Edinburgh
Council Museums
and Galleries;
exh. Dovecot
Studios,
Edinburgh).
Attributed works:
26. White shirt,
by Francis
Campbell Boileau
Cadell. c.1922.
Oil on canvas,
76.2 by 63.8 cm.
(Dundee Art
Galleries and
Museums; exh.
Dovecot Studios,
Edinburgh).
Exhibition Review
Jan Mankes: Expressions of
Spiritual Life
Jan Mankes: Silence and Struggle
Jan Mankes: Expressions of
Spiritual Life
Museum Belvédère, Heerenveen
25th January–22nd June
Jan Mankes: Silence and Struggle
Museum Arnhem
2nd February–24th August |
:
Illustrations
Attributed works:
22. Self-portrait
with owl, by Jan
Mankes. 1911.
Oil on canvas,
20.5 by 17
cm. (Museum
Arnhem).
Attributed works:
23. Lane, by Jan
Mankes. 1915. Oil
on canvas, 69 by
52 cm. (Museum
MORE, Gorssel;
exh. Museum
Belvédère,
Heerenveen).
Attributed works:
24. Thrush, by
Jan Mankes.
1911. Oil on
canvas, 17.5 by
17 cm. (Museum
Belvédère,
Heerenveen;
exh. Museum
Arnhem).
Artemisia: Heroine of Art
Musée Jacquemart-André, Paris
19th March–3rd August |
:
Illustrations
Attributed works:
19. Allegory
of inclination,
by Artemisia
Gentileschi. 1615–
16. Oil on canvas,
152 by 61 cm.
(Casa Buonarroti,
Florence;
exh. Musée
Jacquemart-
André, Paris).
Attributed works:
20. A gentleman
(Antoine de Ville),
by Artemisia
Gentileschi.
c.1626–27. Oil on
canvas, 203.2 by
109.2 cm. (Private
collection;
exh. Musée
Jacquemart-
André, Paris).
Attributed works:
21. Penitent
Magdalene,
by Artemisia
Gentileschi.
c.1625. Oil on
canvas, 122.5 by
97.5 cm. (Seville
Cathedral;
exh. Musée
Jacquemart-
André, Paris).
Caravaggio 2025
Palazzo Barberini, Rome
7th March–6th July |
:
Illustrations
Attributed works:
13. Monsignor
Maffeo
Barberini, by
Caravaggio.
c.1596–97. Oil on
canvas, 122 by
95 cm. (Private
collection;
exh. Gallerie
Nazionali d’Arte
Antica, Palazzo
Barberini,
Rome).
Attributed works:
14. Maffeo
Barberini, here
identified as
Melchiorre
Crescenzi, by
Caravaggio.
c.1601–02. Oil on
canvas, 124 by
90 cm. (Private
collection; exh.
Gallerie Nazionali
d’Arte Antica,
Palazzo Barberini,
Rome).
Attributed works:
15. Ecce Homo,
by Caravaggio.
c.1608–10. Oil on
canvas, 111 by
85 cm. (Private
collection; exh.
Gallerie Nazionali
d’Arte Antica,
Palazzo Barberini,
Rome).
Arcimboldo, Bassano, Bruegel:
Nature’s Time
Kunsthistorisches Museum, Vienna
11th March–29th June |
:
Illustrations
Attributed works:
10. Sleeping
shepherd, by
Jacopo dal Ponte,
called Bassano.
c.1568. Oil on
canvas, 99.5 by
137.5 cm. (Museum
of Fine Arts,
Budapest; exh.
Kunsthistorisches
Museum, Vienna).
Attributed works:
11. Return of the
herd (autumn),
by Pieter Bruegel
the Elder. 1565.
Oil on oak panel,
117 by 159.7 cm.
(Kunsthistorisches
Museum, Vienna).
Attributed works:
12. Four seasons
in one head,
by Giuseppe
Arcimboldo. c.1590.
Oil on poplar
panel, 60.4 by
44.7 cm. (National
Gallery of Art,
Washington; exh.
Kunsthistorisches
Museum, Vienna).
Exhibition Review
La seduzione del colore: Andrea
Solario e il Rinascimento tra
Italia e Francia
La seduzione del colore: Andrea
Solario e il Rinascimento tra
Italia e Francia
Museo Poldi Pezzoli, Milan
26th March–30th June |
:
Illustrations
Attributed works:
7. A man holding
a carnation, by
Andrea Solario.
c.1495. Oil on
panel, 49.5 by
38.5 cm. (National
Gallery, London;
exh. Museo Poldi
Pezzoli, Milan).
Attributed works:
8. Salome with
the head of St
John the Baptist,
by Andrea
Solario. 1507–10.
Oil on panel,
58.7 by 57.7 cm.
(Kunsthistorisches
Museum, Vienna;
exh. Museo Poldi
Pezzoli, Milan).
Attributed works:
9. Virgin and
Child (Madonna
of the Green
Cushion), by
Andrea Solario.
c.1510. Oil on
panel, 59.5 by
47.5 cm. (Musée
du Louvre, Paris;
exh. Museo Poldi
Pezzoli, Milan).
Siena: The Rise of Painting
National Gallery, London
8th March–22nd June 2025 |
:
Illustrations
Attributed works:
1. Reconstruction
of the inner
and outer faces
of the Orsini
polyptych.
(Courtesy
Matilde
Grimaldi).
Attributed works:
2. Pieve polyptych,
by Pietro
Lorenzetti. c.1320.
Tempera on panel,
312 by 295 by 9
cm. (S. Maria della
Pieve, Arezzo; exh.
National Gallery,
London).
Attributed works:
3. Crucifixion,
attributed
to Guccio di
Mannaia. c.1310–
20. Marble and
coloured wax,
44.8 by 28 by
3.2 cm. (Palazzo
Arcivescovile,
Siena; exh.
National Gallery,
London).
Attributed works:
4. Angel
presenting a
bishop, by Tino
di Camaino.
1318–21. Marble,
81.5 by 32 by 14
cm. (Liebieghaus,
Frankfurt; exh.
National Gallery,
London).
Attributed works:
6. Entombment,
by Simone
Martini. c.1326–
34. Tempera
on poplar, 23.7
by 16.7 cm.
(Gemäldegalerie,
Berlin; exh.
National Gallery,
London).
Western art unattributed:
5. Reconstruction
of portable
reliquary. 1347.
Frame: gilded
wood, modelled
gesso, gilded
glass, glass and
cabochons, 66.7
by 51.3 by 25.3 cm.
(Cleveland Museum
of Art; exh.
National Gallery,
London). Panel:
Virgin and Child
with saints and
the Annunciation.
Gilded glass,
25.1 by 10.5 cm.
(Fitzwilliam
Museum,
Cambridge; exh.
National Gallery,
London).
Julian Stair: Memory, Materials,
Ceramics
By Ashley Thorpe. 288 pp. incl. 250 col. ills. (Yale
University Press, London and New Haven, 2024),
£40. ISBN 978–0–300–27807–1. |
:
Illustrations
Attributed works:
6. Installation view of Art, Death and the
Afterlife at the Sainsbury Centre, Norwich,
2023, showing Somatic jars, by Julian Stair.
2023. Etruria marl, carboniferous shale,
stoneware and slip, maximum height 117 cm.
(Courtesy Sainsbury Centre, Norwich).
Book Review
Harmony and Dissonance: Orphism in Paris, 1910–1930
Harmony and Dissonance:
Orphism in Paris, 1910–1930
Edited by Vivien Greene. 216 pp. incl.
138 col. + b. & w. ills. (Solomon R.
Guggenheim Museum, New York, 2024),
$65. ISBN 978–0–89207–564–5. |
:
Illustrations
Attributed works:
10. Four part
synchromy,
number 7, by
Morgan Russell.
1914–15. Oil on
paperboard and
canvas mounted
on plywood, 4
parts, overall
dimensions
40.6 by 30.5
cm. (Whitney
Museum of
American Art,
New York; Scala,
Florence; Art
Resource, New
York).
Attributed works:
11. Disques de
Newton (Étude
pour ‘La fugue
à 2 couleurs’),
by František
Kupka. 1912.
Oil on canvas,
100.3 by 73.7 cm.
(Philadelphia
Museum of Art;
Artists Rights
Society, New
York; ADAGP,
Paris).
Attributed works:
9. Painting, by
Mainie Jellett.
1938. Oil on
canvas, 76 by
64.6 cm. (Ulster
Museum, Belfast).