Attributed works:
1. Detail of Baptism of the neophytes, by Masaccio. c.1424–25. Fresco.
(Brancacci Chapel, S. Maria del Carmine, Florence).
Attributed works:
10. Study of a nude figure, after Masaccio, here attributed to Alonso
Berruguete. c.1510. Red chalk on paper, sheet 26.7 by 12.9 cm. (Museo e
Real Bosco di Capodimonte, Naples).
Attributed works:
11. Studies of figures, by Michelangelo. c.1496–1501.Pen and two shades
of brown ink, 26.1 by 38.6 cm. (Musée Condé, Chantilly).
Attributed works:
12. Detail of Three men in conversation?, by Michelangelo. c.1500. Pen
and brown ink on paper, sheet 37.7 by 25 cm. (Ashmolean Museum,
Oxford; Bridgeman Images).
Attributed works:
13. Detail of Fig.2, showing the figure on the left of the sheet.
Attributed works:
16. Detail of the Crucifixion of St Peter, by Michelangelo.
1545–50. Fresco. (Pauline Chapel, Rome; Bridgeman Images).
Attributed works:
17. Fig.1 showing the Genevosio mount.
Attributed works:
18. Study of two women conversing, by Domenico Ghirlandaio after
Filippo Lippi. c.1489. Pen and brown ink, heightened with white gouache,
on blue paper, 24.6 by 15.5 cm. (Hessisches Landesmuseum, Darmstadt).
Attributed works:
2. Three standing figures, one after Masaccio’s ‘Baptism of the
neophytes’, here attributed to Michelangelo. c.1492–96. Pen and two types
of brown ink, brown wash on paper, 33 by 20 cm. (Private collection).
Attributed works:
3. Studies after two figures in the ‘Ascension of St John the Evangelist’
by Giotto, by Michelangelo. c.1492. Pen and two types of brown ink on
paper, 31.7 by 20.4 cm. (Musée du Louvre, Paris; Scala Archives).
Attributed works:
4. St Peter after Masaccio’s ‘Tribute money’ and study of an arm,
by Michelangelo. c.1492. Pen, brown ink and red chalk on paper,
31.7 by 19.7 cm. (Staatliche Graphische Sammlung, Munich; bpk).
Attributed works:
5. Crucifixion with the Virgin, St John and Mary Magdalen,
by Michelangelo. c.1560–64. Black chalk on paper, 40.5 by
21.8 cm. (Royal Collection; © HM Queen Elizabeth II, 2022).
Attributed works:
5. Three standing men in cloaks, after Masaccio’s lost fresco of
the Sagra, by Michelangelo. c.1492–96. Pen and brown ink on paper,
29.2 by 20 cm. (Albertina, Vienna).
Attributed works:
6. Kneeling man seen from behind after Masaccio’s lost fresco
of the Sagra (verso of Fig.5), by Michelangelo. c.1492–96. Pen and
brown ink on paper, 29.2 by 20 cm. (Albertina, Vienna).
Attributed works:
7. Detail of Brutus, by Michelangelo, with later reworking by
Tiberio Calcagni. c.1545–48. Marble, height 74 cm. (Museo Nazionale
del Bargello, Florence; Bridgeman Images).
Attributed works:
8. Three figures, possibly after Masaccio’s lost fresco of the Sagra,
by Michelangelo. c.1492–96. Pen and ink on paper, sheet 26.9
by 19.4 cm. (Teylers Museum, Haarlem).
Attributed works:
9. Two figures in profile, possibly after Masaccio’s lost fresco of the
Sagra (verso of Fig.8), by Michelangelo. c.1492–96. Pen and ink on
paper, sheet 26.9 by 19.4 cm. (Teylers Museum, Haarlem).
