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116 articles
Article
Creativity and disruption in Brussels tapestry, 1698–1706: New data on Jan van Orley and Judocus de Vos
07/2017 | 1372 | 159
Pages: 528-535
related names
Author:
Brosens, Koenraad (Brosens, Koenraad)
Author:
Slegten, Astrid (Slegten, Astrid)
Subjects
dates:
museums and institutions:
Illustrations
Attributed works:
10. Fish quay, from the Teniers series, by Judocus de Vos after Jan van Orley and Augustin Coppens (after David II Teniers), Brussels, c.1710 (Formerly Galerie Chevalier, Paris)
Attributed works:
11. Harvest, from the Teniers series, by Judocus de Vos after Jan van Orley and Augustin Coppens (after David II Teniers). Brussels, c.1710 (Present location unknown)
Attributed works:
12. Fortune-tellers, from the Teniers series, by Judocus de Vos after Jan van Orley and Augustin Coppens (after David II Teniers). Brussels, c.1710 (Present location unknown)
Attributed works:
13. Maypole, from the Teniers series, by Judocus de Vos after Jan van Orley and Augustin Coppens (after David II Teniers). Brussels, c.1710 (Formerly Galerie Chevalier, Paris)
Attributed works:
14. Jan Potage, from the Teniers series, by Judocus de Vos after Jan van Orley and Augustin Coppens (after David II Teniers). Brussels, c.1710 (Present location unknown)
Attributed works:
15. The Battle of Poros, from the Alexander series, by Judocus de Vos after an unknown artist. Brussels, c.1715 (Gaasbeek Castle)
Attributed works:
16. The founding of Alexandria, from the Alexander series, by Judocus de Vos after and unknown artist. Brussels, c.1715 (Gaasbeek Castle)
Attributed works:
9. Naval battle, from the Art of war series, by Judocus de Vos after Lambert de Hondt, Lucas Achtschellinck and Jan van Orley, Brussels, c.1715-20 (Rijksmuseum, Amsterdam)
Book Review
Trading Values in Early Modern Antwerp, by C. Göttler, B. Ramakers and J. Woodall
02/2017 | 1367 | 159
Pages: 139-140
related names
Reviewer:
Vlieghe, Hans (Vlieghe, Hans; Vlieghe, H.)
Subjects
dates:
places:
Illustrations
Attributed works:
66. The moneylender and his wife, by Quinten Metsys. 1514 (Musée du Louvre, Paris)
Book Review
The Making of Hispano-Flemish Style: Art, Commerce, and Politics in Fifteenth-Century Castile, by Ronda Kasl
07/2016 | 1360 | 158
Pages: 565-566
related names
Reviewer:
Trusted, Marjorie (Trusted, Marjorie)
Subjects
dates:
subjects:
Article
Denys Calvaert in Rome
03/2016 | 1356 | 158
Pages: 182-188
related names
Author:
Rinaldi, Furio (Rinaldi, Furio)
Subjects
artists:
dates:
places:
Illustrations
Attributed works:
14. Taddeo Zuccari copying Raphael's frescos in the loggia of the Villa Farnesina, by Federico Zuccari. c.1590 (J. Paul Getty Museum, Los Angeles)
Attributed works:
15. Winged putto riding a lion and a sea horse, after Raphael, here attributed to Denys Calvaert. 1574 (Metropolitan Museum of Art, New York)
Attributed works:
16. Detail of Winged putto riding a lion and a sea horse, by Raphael and workshop. 1517-18 (Loggia of Psyche, Villa Farnesina, Rome)
Attributed works:
17. Denys Calvaert's signature, visible under ultraviolet light; detail of Fig.15
Attributed works:
18. Jacob and Rachel at the well, by Denys Calvaert. 1578 (Musée du Louvre, Paris)
Attributed works:
19. Winged putto with a Gryphon, after Raphael, here attributed to Denys Calvaert. 1574 (Ashmolean Museum, Oxford)
Attributed works:
20. The Three Graces, after Raphael, here attributed to Denys Calvaert, verso of Fig.15. 1574
Attributed works:
21. Cupid introducing the Three Graces, by Raphael and workshop. 1517-18. (Loggia of Psyche, Villa Farnesina, Rome)
Attributed works:
22. Winged putto holding a vine, after Raphael, here attributed to Denys Calvaert. 1574 (Pinacoteca di Brera, Milan)
Attributed works:
23. Winged putto holding a vine, by Raphael and workshop. 1517-18 (Loggia of Psyche, Villa Farnesina, Rome)
Attributed works:
24. Male nude, after Michelangelo, by Denys Calvaert. 1574 (British Museum, London)
Attributed works:
25. Study of standing male nude with notes on proportions and two studies of heads, by Denys Calvaert. c.1573-76 (Rijksmuseum, Amsterdam)
Attributed works:
26. Anatomical study of a left leg, a left foot, with studies of joints and muscles and notes on proportions, by Denys Calvaert. c.1576 (Private collection)
Attributed works:
27. Detail of the Sacrifice of Isaac, by Andrea del Sarto. c.1528 (Museo Nacional del Prado, Madrid)
Attributed works:
28. Seated nude man, seen from behind, after Michelangelo(?), from the circle of Denys Calvaert. c.1574-76 (Frits Lugt Collection, Fondation Custodia, Paris)
Book Review
Dutch & Flemish Drawings in the Victoria and Albert Museum, J. Shoaf Turner and C. White; M. Evans, ed.
04/2015 | 1345 | 157
Pages: 270-271
related names
Reviewer:
Rubinstein, Gregory (Rubinstein, Gregory)
Subjects
Publication Received
Embracing Brussels: Art and Culture in the Court City, 1600–1800. Edited by Katlijne Van der Stighelen, Leen Kelchtermans and Koenraad Brosens.
10/2014 | 1339 | 156
Pages: 681
related names
Reviewer:
Yeager-Crasselt , Lara (Yeager-Crasselt , Lara)
Subjects
dates:
places:
Book Review
Hendrick Goltzius, The New Hollstein Dutch & Flemish Etchings, Engravings and Woodcuts 1450–1700, M. Leesberg
10/2014 | 1339 | 156
Pages: 676-677
related names
Reviewer:
Filedt Kok, Jan Piet (Filedt Kok, Jan Piet; Kok, J. P. Filedt)
Subjects
art literature:
dates:
Illustrations
Attributed works:
45. Medallion with a portrait of a man, by Hendrick Goltzius (Rijksmuseum, Amsterdam; acquired in 2014)
Book Review
Rembrandt. The New Hollstein Dutch & Flemish Etchings, Engravings and Woodcuts 1450–1700, E. Hinterding and J. Rutgers
10/2014 | 1339 | 156
Pages: 675-676
related names
Reviewer:
Orenstein, Nadine M. (Orenstein, Nadine M.)
Subjects
art literature:
dates:
Illustrations
Attributed works:
44. The three trees, by Captain William E. Baillie after Rembrandt (Metropolitan Museum of Art, New York)
Book Review
Catalogue of Early Netherlandish Painting: Royal Museums of Fine Arts of Belgium. The Flemish Primitives VI: The Bernard van Orley Group, A. Galand
08/2014 | 1337 | 156
Pages: 535
Article
The final convulsions of Brussels tapestry: ‘The legend of the miraculous Host’, 1769–85
02/2013 | 1319 | 155
Pages: 82-87
related names
Author:
Brosens, Koenraad (Brosens, Koenraad)
Subjects
Illustrations
Attributed works:
10. The Jews stabbing the Hosts, by the Van der Borcht workshop after Maximiliaan de Hase (Cathedral of St Michael and St Gudula, Brussels)
Attributed works:
11. The Jews taken captive, by the Van der Borcht workshop after Maximiliaan de Hase (Cathedral of St Michael and St Gudula, Brussels)
Attributed works:
12. The reliquary being taken to the church of St Gudula, by the Van der Borcht workshop after Maximiliaan de Hase (Cathedral of St Michael and St Gudula, Brussels)
Attributed works:
13. The reliquary being removed from the beam, by the Van der Borcht workshop after Maximiliaan de Hase (Cathedral of St Michael and St Gudula, Brussels)
Attributed works:
14. The adoration of the Hosts, by the Van der Borcht workshop after Maximiliaan de Hase (Cathedral of St Michael and St Gudula, Brussels)
Attributed works:
15. The Jews taken captive, by Jan van der Heyden (Cathedral of St Michael and St Gudula, Brussels)
Attributed works:
16. The stabbing of the Hosts, by Zeger Jacob van Helmont (Cathedral of St Michael and St Gudula, Brussels)
Attributed works:
9. Jonathan's widow giving the Hosts to the Jews, by the Van der Borcht workshop after Maximiliaan de Hase (Cathedral of St Michael and St Gudula, Brussels)
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