72. The little garden of Paradise, by the Master of the Garden of Paradise (active in Strasbourg?) (Städel Museum, Franfurt; exh. Museum Boijmans Van Beuningen, Rotterdam)
Attributed works:
73. Birth of John the Baptist, by Jan van Eyck. Fol.116r of the Turin-Milan Hours (Palazzo Madama, Museo Civico d'Arte Antica, Turin; exh. Museum Boijmans Van Beuningen, Rotterdam)
Attributed works:
74. Crucifixion, from the workshop of Jan van Eyck (Private collection; exh. Museum Boijmans Van Beuningen, Rotterdam)
Western art unattributed:
71. St Servatius slays the dragon. Plaque from the Reliquary of St Servatius. (Maastricht(?), 1403. Silver-gilt (Museum für Kunst und Gewerbe, Hamburg; exh. Museum Boijmans Van Beuningen, Rotterdam)
Publication Received
Matter of Light and Flesh. Alabaster in the Netherlandish sculpture of the 16th and 17th centuries
Matter of Light and Flesh. Alabaster in the Netherlandish sculpture of the 16th and 17th centuries |
editor: Kriegseisen, Jacek
, editor: Lipinska, Aleksandra
1. Central panel and inner shutters of the triptych of the Apocalypse, by Master Bertram. c.1368–90. Oil on panel transferred to canvas, 123.4 by 83; 123.4 by 167.6; 123.6 by 82.9 cm. After cleaning and restoration. (Victoria and Albert Museum, London).
Attributed works:
10. St Giles receiving the papal privilege, detail of Fig.3. After cleaning and restoration.
Attributed works:
11. The first horseman, detail of Fig.1. After cleaning and restoration.
Attributed works:
12. The armies of horsemen, detail of Fig.1.
Attributed works:
13. The sixth trumpet, detail of Fig.1.
Attributed works:
14. Magnified detail of punchwork from the triptych of the Apocalypse illustrated in Figs.1 and 3.
Attributed works:
15. Magnified detail of punchwork from Fig.04.
Attributed works:
2. Detail of the Bekrönung in Fig.1. After cleaning and restoration.
Attributed works:
3. Outer shutters of the triptych illustrated in Fig.1. After cleaning and restoration.
Attributed works:
4. Intermediate shutters of the Petri altarpiece, by Master Bertram. c.1379–83. Oil on oak panel, overall 217.5 by 726 cm. (Kunsthalle, Hamburg).
Attributed works:
5. Left inner shutter of the Petri altarpiece, carved by an unknown Hamburg sculptor, designed and polychromed by Master Bertram. c.1379–83. Carved and gilded oak, 180.3 by 180.5 by 19.5 cm. (Kunsthalle, Hamburg).
Attributed works:
6. Detail of the Coronation of the Virgin from the right outer shutter of the Buxtehude altarpiece, by
Master Bertram. c.1381–1410. Oil on oak panel, overall 108.5 by 93 cm. (Kunsthalle, Hamburg).
Attributed works:
7. The detail illustrated in Fig.8 before cleaning and restoration.
Attributed works:
8. The lamb on Mount Sion, detail of Fig.1. After cleaning and restoration.
Western art unattributed:
9. The lamb on Mount Sion, from a commentary on the Revelation of St John by Alexander of Bremen. Cologne or Lower Saxony, c.1270–75. Tempera on parchment, 24.8 by 17.4 cm. (University Library, Cambridge; MS. Mm. V. 31, fol.89r).
Book Review
Figures of Speech: Picturing Proverbs in Renaissance Netherlands
Figures of Speech: Picturing Proverbs in Renaissance Netherlands |
author: Gibson, Walter S.
Book Review
The Pushkin State Museum of Fine Arts: Netherlandish, Flemish and Dutch Drawings of the XVI–XVIII Centuries. Belgian and Dutch Drawings of the XIX–XX Centuries
The Pushkin State Museum of Fine Arts: Netherlandish, Flemish and Dutch Drawings of the XVI–XVIII Centuries. Belgian and Dutch Drawings of the XIX–XX Centuries |
author: Sadkov, Vadim
Illustrations
Attributed works:
42. Fantastic creature in a landscape (so-called ‘Seven-headed, seven-armed satyr’), by Nicolaes Berchem. 1654. Pen, brush, brown ink and brown wash, 27.5 by 18.8 cm. (Pushkin State Museum of Fine Arts, Moscow).
Publication Received
Wirklichkeit und Wahrnehmung: Hans Memlings Turiner Passion und die Bildgruppe der Passionspanoramen