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14 articles
Book Review
Connecting Worlds: Artists and Travel
08/2024 | 1457 | 166
Pages: 870–2
related names
Reviewer:
Pietrabissa, Camilla (Pietrabissa, Camilla )
Subjects
art literature:
subjects:
Reviewed Items
subjects:
Connecting Worlds: Artists and Travel Edited by Stephanie Buck and Anita Viola Sganzerla with the assistance of Jane Boddy. 274 pp. incl. 200 col. ills. (Staatliche Kunstsammlungen Dresden and Paul Holberton Publishing, London, 2023), £45. ISBN 978–1–913645–48–9. | :
Illustrations
Attributed works:
10. The artist sketching while trapped in a crevasse, by Eugène Emmanuel Violletle- Duc. 1870. Watercolour and gouache on paper, 22.9 by 13.3 cm. (Private collection).
Attributed works:
11. The Colosseum seen from the Palatine Hill, Rome, by Carlo Labruzzi. Late 1760s–1780s. Pen and ink, watercolour and graphite on paper, 37.5 by 54 cm. (Private collection).
Advertisements
Advertisements (front)
09/2023 | 1446 | 165
Pages: i-xx
Subjects
Illustrations
Attributed works:
A field of sunflowers, by Mary Fedden (1915–2012). 1972. Pencil, charcoal and graphite on paper, 45 by 71 cm. [ORIEL FINE ART, CAMBRIDGE/British Art Fair]
Attributed works:
Aerial disturbance, by John Tunnard (1900–71). 1946. Gouache on paper, 36 by 55 cm. [OSBORNE SAMUEL, LONDON/British Art Fair]
Attributed works:
April nude no. 1, by Ivon Hitchens (1893–1979). 1949. Oil on canvas, 51 by 76.5 cm. UPSTONE, LONDON/British Art Fair]
Attributed works:
B. Besler. Hortus Eystettensis. 1613. Complete copy of the first edition.[Venator and Hansen]
Attributed works:
Ben Nicholson, OM, painting 1938 (red circle). Oil on canvas 97.2 x 123.2 cm. © Angela Warren Taunt. All rights reserved, DACS 2023. [Christie's]
Attributed works:
Charles Inge, Sugar Candy Mountain Series [The Stratford Gallery]
Attributed works:
Colin Hayes (1919-2003) ‘Heraklion’ [Louise Kosman]
Attributed works:
F.C.B. Cadell, R.S.A. (1883-1937) Cassis Sur Mer, 1923 Oil on panel, 15 x 18 in / 38 x 46 cm [Portland Gallery/British Art Fair]
Attributed works:
Headland with brigantine and ship, by Alfred Wallis (1855–1942). Oil and pencil on paper, 12 by 19 cm. [PATRICK BOURNE & CO, LONDON/British Art Fair]
Attributed works:
Jan Brueghel the Elder, River Landscape (detail), 1612. Indianapolis Museum of Art at Newfields, The Clowes Collection, 2000.343. [Clowes Collection, Indianapolis Museum of Art]
Attributed works:
Landscape with whistling boy, Yorkshire, by Keith Vaughan (1912–77). Gouache on paper, 28 by 36.8 cm. [THE FINE ART SOCIETY LTD, LONDON/British Art Fair]
Attributed works:
Our dreams keep growing on Sugar Candy Mountain, by Charles Inge (b.1961). 2023. Oil and acrylic on canvas, 120 by 100 cm. [THE STRATFORD GALLERY, BROADWAY/British Art Fair]
Attributed works:
People in the wind, by Kenneth Armitage (1916–2002). 1959. Bronze, height 59 cm. [JONATHAN CLARK FINE ART, LONDON/British Art Fair]
Attributed works:
Portrait tiles of Charles 2 King & Prince James Workshop of Sijbrand Pieter Feijtama Zoutsloot, Harlingen, The Netherlands Circa 1670 - 1685. [Mazereeuw Antiquair]
Attributed works:
Shelley head, by Emily Young (b.1951). 2022 Jaisalmer, 49 by 33 by 46 cm. WILLOUGHBY GERRISH, LONDON AND YORKSHIRE/British Art Fair]
Attributed works:
Standing Flower’ by Humphrey Spender 1910-2005 Watercolour on paper, signed, dated’95, 70 x 53 cm [Oriel Fine Art]
Attributed works:
The arrival of spring in Woldgate, East Yorkshire, by David Hockney (b.1939). 2011. iPad drawing printed on paper. Edition of 25. 139.7 by 105.4 cm. [CLARENDON FINE ART, LICHFIELD/British Art Fair]
Attributed works:
Untitled 8, by Albert Irvin (1922–2015). c.1965. Oil on canvas, 152.5 by 127 cm. [WHITFORD FINE ART, LONDON/British Art Fair]
Attributed works:
Yellow tulips, by Mary Fedden (1915–2012). 1997. Oil on board, 51 by 61 cm. PORTLAND GALLERY, LONDON/British Art Fair]
Western art unattributed:
Early 19th century school, Three Sisters, oil on canvas, 100 x 128cm, £!0,000-15,000 [Sworders]
Advertisements
Advertisements (front)
06/2023 | 1443 | 165
Pages: i-xxxvi
Subjects
Illustrations
Attributed works:
A group of Mars and History, by Wilhelm Christian Meyer (b.1726). 1766/67. Berlin porcelain, 44.2 cm. [E. & H. MANNERS LTD, LONDON/Treasure House London]
Attributed works:
A lady reading in an interior, by Carl Vilhelm Holsøe (1863–1935). Oil on canvas, 64.8 by 61 cm. MACCONNAL-MASON, LONDON/Treasure House Fair]
Attributed works:
Adolf Michael Böhm Othello Oil on canvas 53 x 42.5 cm, 207/8 x 16¾ in [Trinity Fine Art]
Attributed works:
An unknown noble boy, by Robert Peake (1551–1619). c.1605. Oil on panel, 113.2 by 88 cm. [THE WEISS GALLERY, SW1Y/London Art Week]
Attributed works:
Anne, Viscountess Pollington, later Countess of Mexborough, with her son John Charles, later 4th Earl of Mexborough, by Thomas Lawrence (1769–1830). c.1812. Oil on canvas, 236.2 by 144.8 cm. [MORETTI FINE ART, SW1Y/London Art Week]
Attributed works:
Anthony van Dyck (1599–1641), John Belasyse, First Baron Belasyse of Worlaby, 1636 [Robilant and Voena]
Attributed works:
Antoine-Jean GROS La Citoyenne Poussielgue Oil on canvas 28 7/8 x 23 1/2 inches Executed 1797 [Wildenstein]
Attributed works:
Artemisia Gentileschi Rome, 1593 – Naples, after 1654 Susanna and the Elders, about 1636–7 Oil on canvas, 265 x 210 cm [Moretti]
Attributed works:
Cake basket, by Paul de Lamerie (1688–1751). 1742. Silver, height 35.5 cm. [SHRUBSOLE GALLERY, NEW YORK/Treasure House Fair]
Attributed works:
Calle San Pedro, Cuenca, by David Bomberg (1890–1957). 1934. Oil on canvas, 67 by 52 cm. OSBORNE SAMUEL, LONDON/Treasure House Fair]
Attributed works:
CIRCLE OF PIERRE PUGET (1620–1694) Aeneas and Anchises, c.1680–90 Bronze, 23 in. (58.5 cm.) high Estimate: £150,000–250,000 [Christie's]
Attributed works:
Crucifixion with the Virgin, St John the Baptist and the Magdalen, by Fra Angelico (c.1395/1400–1455). c.1419–25. Tempera on gold-ground poplar panel, 59.7 by 34.2 cm. [CHRISTIE’S, SW1Y/London Art Week]
Attributed works:
David Roberts, R.A. (1796-1864), View of Tetouan from the Terrace of Cohen’s House, Morocco, inscribed and dated 10th April 1833, watercolour over pencil on two sheets of joined paper, 23 by 67.9 cm., 9 by 26¾ in. This is a rare double sketchbook sheet from Roberts’s first trip to Africa in the spring of 1833. [Guy Peppiatt Fine Art]
Attributed works:
Downshire Hill, Hampstead, by Algernon Newton (1880–1968). 1934. Oil on canvas, 45 by 75 cm. [ABBOTT & HOLDER, WC1/London Art Week]
Attributed works:
EDGAR DEGAS (1834-1917) Danseuse rajustant sa jupe, c. 1895 stamped with signature lower left charcoal heightened with white chalk on toned paper 12 x 10 in. (30.4 x 25.4 cm) [John MItchell Fine Paintings/London Art Week]
Attributed works:
Edward Wortley Montagu and his son Massoud Fortunatus, by Pietro Longhi (1701–85). Oil on canvas, 52 by 67 cm. [TRINITY FINE ART & WALTER PADOVANI, W1S/London Art Week]
Attributed works:
Etretat, le cap d’Antifer, by Claude Monet (1840–1926). c.1885. Pastel on paper, 27 by 35 cm. [JOHN MITCHELL FINE PAINTINGS, W1K/London Art Week]
Attributed works:
GA S PA R D D U G H E T Rome, 1615–1675 FIGURES BY A RIVER IN A CLASSICAL LANDSCAPE Black & white chalks on blue paper, with black ink framing lines 38 x 50 cm | 15 x 19  in [Nonesuch Gallery]
Attributed works:
GUSTAVE DORÉ (Strasbourg 1832 – Paris 1883) The fall of the Rebel Angels, circa 1871–72 Signed G Doré lower left. Oil on canvas, 125 x 148 cm (49¼ x 58¼ in) [Clase Fine Art]
Attributed works:
Head of a woman, by Erich Wolfsfeld (1884–1956). c.1920. Oil on paper, 36.5 by 26 cm. [AGNEWS, SW1A/London Art Week]
Attributed works:
Iron composition, by Lynn Chadwick (1914–2003). 1954. Iron and copper on a marble base, 53 by 33 by 25 cm. [PIANO NOBILE, LONDON/Treasure House Fair]
Attributed works:
JEAN-BAPTISTE WICAR Lille 1762–1834 Rome Portrait of Luigi Isingard, Ligure, c. 1800 Graphite 24.5 x 19.7 cm. (95/8 x 73/4 in.) [James Mackinnon]
Attributed works:
Kehinde Wiley (b. 1977), Triple Portrait of Charles II, 2008 [Robilant and Voena]
Attributed works:
MARLOW MOSS (1889-1958) Untitled, 1950 Black ink, pencil and tempera, 241 x 271 mm. (9½ x 10¾ in.) [Stephen Ongpin]
Attributed works:
Painting with orange and purple, by Adrian Heath (1920–92). 1956. Oil on canvas, 127 by 101.6 cm. [RICHARD GREEN, LONDON/Treasure House Fair]
Attributed works:
Pair of armchairs, attrib. Thomas Chippendale (1718–79). c.1780. Giltwood and upholstery, 44.5 by 65 by 66 cm. [RONALD PHILLIPS, LONDON/Treasure House Fair]
Attributed works:
Paul Cézanne (Aix-en-Provence 1839–1906) La Vie des Champs Oil on canvas, 10  x 13  in. (27.6 x 35.2 cm.) Painted c.1876-77 [Agnews]
Attributed works:
Portrait of Rudolph Nureyev, by David Hockney (b.1937). 1969. Pen and ink on paper, 43.3 by 35.3 cm. [CHRISTOPHER KINGZETT, LONDON/Treasure House Fair]
Attributed works:
Self-portrait of the artist with a bearded man, by Auguste- Barthélémy Glaize (1807–93). c.1830. Oil on card affixed to board, 44.5 by 59 cm. [ELLIOTT FINE ART, SW1/London Art Week]
Attributed works:
Stained glass panel, designed by A.W.N. Pugin (1812–52) and made by John Hardman & Son (founded 1845). English (Birmingham), 1846–52 and later. Stained glass and lead, 107 by 52 cm. [H. BLAIRMAN & SONS, SW1H/London Art Week]
Attributed works:
Striding Mars, by Giambologna (1529– 1609). c.1580. Bronze, height 39.4 cm. [STUART LOCHHEAD, SW1Y/London Art Week]
Attributed works:
Study after the monument to Sir Francis Vere, Westminster Abbey, by Richard Parkes Bonington (1802–28). c.1825. Wash over pencil, 14.6 by 19.6 cm. [JAMES MACKINNON, SW1Y/London Art Week]
Attributed works:
The Iberian Graham, no.722, by George Graham (1673–1751). c.1736. Walnut, silver, brass and steel, height 45.7 cm. [CARTER MARSH & CO., WINCHESTER/Treasure House Fair]
Attributed works:
The new home, by Walter Sickert (1860–1942). c.1912. Oil on canvas, 50.8 by 40.6 cm OFFER WATERMAN, LONDON/Treasure House Fair]
Attributed works:
The north front of Chalfont Lodge, Buckinghamshire, by Thomas Girtin (1775–1802). Commissioned c.1800. Watercolour over traces of pencil heightened with bodycolour, 42 by 54.9 cm. [GUY PEPPIATT FINE ART, SW1Y/London Art Week]
Attributed works:
The punishment of Cupid, by Luigi Pichler (1773–1854). c.1830. Brown sard and gold, height and width of gem 2.1 by 1.8 cm. WARTSKI, LONDON/Treasure House Fair]
Attributed works:
THOMAS LANDSEER (1795 - 1880), A Bengal Tiger, 46 in. (H) x 59 in. (W); Estimate: £50,000-£80,000 [Sloane Street Auctions].
Attributed works:
THOMAS SMITH OF DERBY (1720 - 1767), A View of Oxford, Christ Church Meadows, 27 in. (H) x 48 in. (W); Estimate: £25,000-£35,000 [Sloane Street Auctions].
Attributed works:
Torso (woman rubbing her back), by Edgar Degas (1834–1917). Early 20th century. Bronze, height 43 cm. [SLADMORE, LONDON/Treasure House Fair]
Attributed works:
Untitled, by Gillian Ayres (1930–2018). 1993. Acrylic on canvas, 40.2 by 56.5 cm. [STEPHEN ONGPIN FINE ART, W1K/London Art Week]
Attributed works:
Vase, Sèvres. 1843. Porcelain, height 63 cm. [MICHELE BEINY, NEW YORK/Treasure House Fair]
Attributed works:
VUE DU PONT DU VICOVARO SUR LE TEVERONE 27 MILLES DE ROME SÈVRES IMPERIAL MANUFACTORY OF PORCELAIN, CIRCA 1805 FROM THE SERVICE CAMBACÉRÈS DEPICTING ITALIAN VEDUTE Hard-paste porcelain. Diameter 23.3 cm Provenance: Twinight collection, New York, n°2106. [Raccanello & Leprince/London Art Week]
Attributed works:
William Adolphe Bouguereau (French, 1825-1905) Bergère (Shepherdess), 1888 Oil on canvas 45-1/2 x 32-1/2 inches (115.6 x 82.6 cm) Property from the Estate of Mrs. Amon G. Carter, Jr., Fort Worth, Texas Estimate: $500,000 - $700,000 [Heritage Auctions]
Attributed works:
‘But whose velvet violet lining with the lamplight gloating o’er, She shall press, ah nevermore!’, by Gustave Doré (1832–83). c.1882–83. Ink, wash and white heightening on paper, 51.5 by 35.8 cm. [CLASE FINE ART, SW1Y/London Art Week]
Non-western art unattributed:
A shabti for the controller vizier of the city (Thebes). Egypt, Ity New Kingdom, late 18th dynasty, c.1323– 1295 BC. Steatite, height 15.8 cm. [CHARLES EDE, LONDON/Treasure House Fair]
Non-western art unattributed:
Grasshopper. Central Mexico, Aztec Culture (1325–1521). Grey basalt, length 35.5 cm. [GALERIE MESTDAGH, BRUSSELS/Treasure House Fair]
Non-western art unattributed:
Serapi carpet. Persia, c.1880. Cotton and wool, 310 by 290 cm. KESHISHIAN, LONDON/Treasure House Fair]
Non-western art unattributed:
Study of a male Common Emerald Dove (Chalcophaps Indica). China, 19th century. Watercolour and gold leaf on paper, 38 by 25 cm. [AMIR MOHTASHEMI, W8/London Art Week]
Western art unattributed:
Archittetura dell’Africa. Pavia, c.1710. Tin-glazed earthenware, diameter 26 cm. RACCONELLO LEPRINCE, SW7/London Art Week]
Western art unattributed:
Corpus Christi. France, c.1400. Gilt and polychromed walnut, 73 by 65 cm. [DANIEL KATZ GALLERY, W1J/London Art Week]
Western art unattributed:
Roman oscillum fragment from a mask of Silenus. c.1st century AD. Marble, height 14.5 cm. [RUPERT WACE, AT SHAPERO RARE BOOKS, W1S/London Art Week]
Western art unattributed:
Somerset; a view from the garden of Montacute House with St Michael’s Hill in the foreground and Glastonbury Tor in the distance Oil on canvas, 18¾ x 24½ inches. c.1755, before the building of St Michael’s Hill Tower in 1760. [Abbott and Holder]
Book Review
Zeichnen im Zeitalter Bruegels: Die niederländischen Zeichnungen des 16. Jahrhunderts im Dresdner Kupferstich-Kabinett. Beiträge zu einer Typologie
03/2013 | 1320 | 155
Pages: 180-181
related names
Reviewer:
Buck, Stephanie (Buck, Stephanie)
Subjects
dates:
museums and institutions:
Short Notice
A new drawing by the young Raphael and its source in Donatello
11/2007 | 1256 | 149
Pages: 772-778
related names
Author:
Bambach, Carmen C. (Bambach, Carmen C.)
Subjects
artists:
collectors and dealers:
dates:
museums and institutions:
places:
print:
print:
subjects:
subjects:
Illustrations
Attributed works:
30. Putti with offerings and an amphora, here attributed to Raphael. c.1504–08. Silverpoint and leadpoint on pale ochre prepared paper with later additions, 14.9 by 25.2 cm. (Kupferstich-Kabinett, Dresden).
Attributed works:
31. Detail of the ‘Madonna del Granduca’, by Raphael. 1504. Panel, 84.4 by 55.9 cm. (Galleria Palatina, Palazzo Pitti, Florence).
Attributed works:
32. Charity, by Raphael. 1507. Pen and brown ink, 38 by 27.2 cm. (Graphische Sammlung Albertina, Vienna).
Attributed works:
33. Virgin and Child with the Infant St John the Baptist and a lamb, by Raphael. 1504–05. Pen and brown ink, 16.1 by 13.2 cm. (Gabinetto Disegni e Stampe degli Uffizi, Florence).
Attributed works:
34. Detail of Fig.30.
Attributed works:
35. Detail of Fig.30.
Attributed works:
36. Detail of Fig.30.
Attributed works:
37. Photograph in ultraviolet light of Fig.30, the later additions by restorer(s) show as a dark blueish grey tone.
Attributed works:
38. Putti on a raft, detail of the frieze above the Crucifixion on pulpit A, by Donatello and his workshop. c.1485. Bronze. (S. Lorenzo, Florence).
Attributed works:
39. Putti on a raft, detail of the frieze above Christ in Limbo on pulpit B, by Donatello and his workshop. c.1485. Bronze. (S. Lorenzo, Florence).
Attributed works:
40. Watermark of two aligned circles with a cross in the paper of Fig.30.
Attributed works:
41. Sketch for a scene with putti, by Raphael. 1504–08. Pen and brown ink, 14.5 by 21.4 cm. (Christ Church, Oxford).
Attributed works:
42. Putti at play, a mother and child and floral ornament, by Raphael. 1504–08. Pen and brown ink, 27.3 by 19.4 cm. (Ashmolean Museum, Oxford).
Article
New information on Jan van Eyck's portrait drawing in Dresden
03/2005 | 1224 | 147
Pages: 170-175
related names
Author:
Ketelsen, Thomas (Ketelsen, Thomas)
Author:
Merchel, Silke (Merchel, Silke)
Author:
Reiche, Ina (Reiche, Ina)
Author:
Simon, Olaf (Simon, Olaf)
Subjects
artists:
dates:
print:
Illustrations
Attributed works:
24. Portrait of a cardinal (?Niccolò Albergati), by Jan van Eyck. c. 1435. Silverpoint on paper, 21.2 by 18 cm. (Kupferstich-Kabinett, Staatliche Kunstsammlungen, Dresden).
Attributed works:
25. Portrait of a cardinal (?Niccolò Albergati), by Jan van Eyck. c.1438. Panel, 34.1 by 27.3 cm. (Kunsthistorisches Museum, Vienna).
Attributed works:
26. Ultra-violet photograph of the inscription on the left-hand side of Fig.24. (Photograph: A. L. Dierick).
Attributed works:
27. Prick marks (magnification of 40) on the earlobe in Fig. 24. (Photograph: Herbert Boswank).
Attributed works:
28. Superimposition of Figs.24 (red) and 25 (blue). (Illustration: Bernhard Illerhaus).
Attributed works:
29. Superimposition of Fig.24 (red) and the underdrawing of Fig. 25 (green). (Illustration: Bernhard Illerhaus).
Publication Received
Van Eyck, Bruegel, Rembrandt. Niederlandische Zeichnungen des 15. bis 17. Jahrhunderts aus dem Kupferstich-Kabinett Dresden
03/1999 | 1152 | 141
Pages: 185
related names
Reviewer:
Royalton-Kisch, Martin (Royalton-Kisch, Martin; Kisch, Martin Royalton-)
Subjects
dates:
museums and institutions:
Reviewed Items
subjects:
Van Eyck, Bruegel, Rembrandt. Niederlandische Zeichnungen des 15. bis 17. Jahrhunderts aus dem Kupferstich-Kabinett Dresden | author: Dittrich, Christian
Publication Received
Vermisste Zeichnungen des Kupferstich-Kabinettes Dresden
06/1989 | 1035 | 131
Pages: 437
related names
Reviewer:
Andrews, Keith (K. A., K. K. A.) (Andrews, Keith (K. A., K. K. A.); Andrews, Keith K.; A., K.; A., K. K.)
Subjects
museums and institutions:
Reviewed Items
museums and institutions:
Vermisste Zeichnungen des Kupferstich-Kabinettes Dresden | author: Dittrich, Christian
Publication Received
Vermisste Zeichnungen des Kupferstich-Kabinettes Dresden
01/1989 | 1030 | 131
Pages: 47
related names
Reviewer:
Andrews, Keith (K. A., K. K. A.) (Andrews, Keith (K. A., K. K. A.); Andrews, Keith K.; A., K.; A., K. K.)
Subjects
museums and institutions:
Reviewed Items
museums and institutions:
Vermisste Zeichnungen des Kupferstich-Kabinettes Dresden | author: Dittrich, Christian
Exhibition Review
Current and Forthcoming Exhibitions: Drawings from Prague in Dresden
09/1977 | 894 | 119
Pages: 665+667
related names
Reviewer:
Roberts, Keith (Roberts, Keith; R., K.)
Subjects
dates:
museums and institutions:
museums and institutions:
places:
subjects:
Illustrations
Attributed works:
85. St Sebastian Tended by Angels, by František Tkadlík. Signed and Dated 1817. Pen and Wash with White Heightening, 30.6 by 44.6 cm. (National Gallery, Prague; Exh. Dresden Print Room).
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