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47 articles
Exhibition Review
Edward Lear: Moment to Moment
11/2022 | 1436 | 164
Pages: 1130-1132
related names
Reviewer:
Green, Richard (Green, Richard)
Subjects
artists:
dates:
museums and institutions:
Reviewed Items
subjects:
Edward Lear: Moment to Moment Ikon Gallery, Birmingham 9th September–13th November | :
Illustrations
Attributed works:
1. Amada, by Edward Lear. 7.25 a.m. 12th February 1867. Watercolour, pen and brown ink and graphite, 9.2 by 17.8 cm. (Yale Center for British Art, New Haven; exh. Ikon Gallery, Birmingham).
Attributed works:
2. Santa Maura, by Edward Lear. 6 p.m. 19th April 1863. Watercolour over pen and ink, 21 by 32 cm. (Private collection; exh. Ikon Gallery, Birmingham).
Attributed works:
3. The Forest of Bavella, Corsica, by Edward Lear. 7.10 a.m. 29th April 1868. Pen and ink and watercolour on buff paper, 63.5 by 80 cm. (Private collection; photograph Woolley and Wallis Salerooms Ltd; exh. Ikon Gallery, Birmingham).
Exhibition Review
Sights of Wonder
10/2020 | 1411 | 162
Pages: 887-889
related names
Reviewer:
Stein, Lisa (Stein, Lisa)
Subjects
dates:
places:
Reviewed Items
subjects:
Sights of Wonder Barber Institute of Fine Arts, University of Birmingham 12th June–ongoing | :
Illustrations
Attributed works:
11. Portion of the propylon of the Temple from the Great Court [Temple of Horus, Edfu], by Francis Bedford. 14th March 1862. Albumen print, 23.8 by 29.1 cm. (Royal Collection Trust / © Her Majesty Queen Elizabeth II 2020).
Attributed works:
12. Acropolis and Temple of Jupiter Olympus [Olympieion], by Francis Bedford. 31st May 1862. Albumen print, 22 by 29.4 cm. (Royal Collection Trust / © Her Majesty Queen Elizabeth II 2020).
Attributed works:
13. The Prince of Wales at Thebes, 18 March 1862, by Jemima Blackburn. 1862. Watercolour on paper, 22.7 by 28.8 cm. (Royal Collection Trust / © Her Majesty Queen Elizabeth II 2020).
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Advertisements January 2016 (front)
01/2016 | 1354 | 158
Pages: s.p.
Subjects
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subjects:
Illustrations
Attributed works:
[Boon Gallery, Knokke-Zoute. Bust of a woman, by Alberto Giacometti (1902-66). Bronze with patina. Height: 47.7 cm. Width: 13.1 cm. Diameter: 13 cm.]
Attributed works:
[Christopher Bishop FIne Art Exhibiting at: Leslie Feely Fine Art, 5th floor, 33 East 68th Street. Holy family, by Luigi Garzi (1638-1721). Pen and brown in highlighted in white on blue paper, 18.7 by 14.8 cm]
Attributed works:
[Christopher Bishop Fine Art. Milford. Connecticut exhibiting at Leslie Feely Fine Art. 33 East 68th Street. New York. Giuseppe Bernardino Bison (1762-1844) The Holy Family. Pen and brown washes over traces of black chalk, highlighted in white pink paper. 5 3/4 x 7 3/16 in. - 136 x 186 mm (oval)]
Attributed works:
[Didier Aaron, Inc. 32 East 67th Street. The father's curse - the punished son, by Jean-Baptiste Greuze (1725-1805). Grey brown ink over graphite, 24.5 by 36.5 cm]
Attributed works:
[Douwes Fine Art BV, Amsterdam. Flower piece with roses, tulips, and other flowers in a cylindrical glass on a stone ledge with a pansy and a red admiral butterfly, by Ambrosius Bosschaert the Younger (1609-45). c.1625. Oil on panel, 32.5 by 20.3 cm]
Attributed works:
[Eric Coatalem, Paris. Studies for river Gods, traditionally identified as the Rhône and the Rhine, by François Boucher (1703-70). Oil on canvas, 91.5 by 73.7 cm]
Attributed works:
[Galerie Boulakia, Paris. Bride and groom, by Marc Chagall (1897-1985). 1979. Tempera on masonite, 110 by 80 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Alessandro Magnasco. Genoa, 1667-1749. Teaching a Magpie to sing. Oil on canvas, 48.5 x 38.5 cm (19 1/18 x 15 13/16 in)]
Attributed works:
[Gallery Mathiev, Paris. Low table, by André Groult (1884-1966). c. 1912. Pylma and ebonised wood. Height: 51 cm. Width: 90 cm. Diameter: 59.5 cm]
Attributed works:
[Guy Peppiatt Fine Art. Exhibiting at: Arader Galleries, 1st Floor, 1016 Madison Avenue. Ludlow Castle, Shropshire, by Francis Towne (1740-1816). Signed lower left: F. Towne/delt. 1777/no 46, and inscribed verso: a view of Ludlow Castle, Shrospshire./ Drawn on thespot/ by /FrancisTowne July 21st 1777. Pen and grey ink and watercolour on five sheets of paper joined on original washline mount, 30 by 57 cm]
Attributed works:
[Guy Peppiatt Fine Art. River wide House. 6 Manson’s Yard. Duke St., St. James’s. London. Edward Lear (1812-1888). View of Capri from Massa, Italy. Signed and dated 1840, black and white chalk on grey paper, 255 by 422 mm., 10 by 16 1/2 in.]
Attributed works:
[Jablonka Maruani Marcier Gallery, Brussels. Robert Mapplethorpe, by Andy Warhol (1928-87). 1983. Screenprint on lenox museum board, 102 by 102 cm]
Attributed works:
[Lowell Libson Ltd Exhibiting at: Stellan Holm Gallery, 1018 Madison Avenue at 78th Street. Sunset: a stormy evening, by John Constable (1776-1837). Painted in the early 1820s. Oil on paper laid down on panel, 7.7 by 11.7 cm]
Attributed works:
[Mia N Weiner Exhibiting at: L'Antiquaire and the Connoisseur, 36 East 73rd Street. Design for a reliquary for Pope Innocent X, by Alessandro Algardi (1598-1654). c.1644. Black chalk under drawing, pen and brown ink, brush and blue-grey wash, 37.5 by 27.5 cm]
Attributed works:
[Otto Naumann, Ltd and Robert Simon. 22 East 80th Street. New York. Palma Il Vecchio (Bergamo ca. 1480-1528 Venice). A Shepherd and Two Women. Oil on panel, 27 1/4 x 37 1/4 in. (69.2 x 94.6 cm)]
Attributed works:
[Sperone Westwater. 257 Bowery. New York. Nanda Vigo. Early Works]
Attributed works:
[Sphinx Fine Art. 125 Kensington Church St. London. Jan Brueghel I & Joos de Momper II. A Costal Landscape with Fishermen with their Catch by a Ruined Tower (detail)]
Attributed works:
[Stephen Ongpin Fine Art Exhibiting Roundell Inc., 19 East 66th Street. Portrait of a child, by Egon Schiele (1890-1918). Black crayon, 38.1 by 28.3 cm]
Attributed works:
[Stephen Ongpin Fine Art. Riverwide House. 6 Mason’s Yard, Duke Street St. James’s. London at Dickinson Roundell Inc. 19 East 66th Street. New York. Francesco Monti (1683-1768). Study of a Male Nude Holding a Pole. Black chalk and charcoal, with stumping. 420 x 293 mm (16 1/2 x 11 1/2 in.)]
Attributed works:
[Stephen Ongpin Fine Art. Riverwide House. 6 Mason’s Yard, Duke Street St. James’s. London at Dickinson Roundell Inc. 19 East 66th Street. New York. Odilon Redon (1840-1916). The Crucifixion. Pastel and chalk on paper, laid down on board. 488 x 372 mm. (19 1/4 x 14 5/8 in.)]
Attributed works:
[Stern Pissarro, London. Guitar on the table, by Pablo Picasso (1881-1973). Pastel and pencil on paper, 32.5 by 25 cm]
Non-western art unattributed:
[Eric Pouillot, Paris. Pair of ladies, China, Tang Dynasty. Coated salmon terracotta with traces of polychrome. Height: 59 cm]
Western art unattributed:
[De Backker Medieval Art, Grote Plaats 31. Hoogstraten, Belgium. Corpus [detail], gilt bronze, Paris, 3rd quarter 13th century, h: 20 cm]
Western art unattributed:
[De Wit Fine Tapestries, Mechelen. Pastoral life. Southern Netherlands. c.1530. Wool and silk, 225 by 202 cm]
Western art unattributed:
[Fortuna Fine Arts, Ltd. 13 East 69th Street. New York. A Roman Glass and Strone Mosaic Panel with Theatre Masks of a Meaned and a Silenus by a Wonderful Guilloche Pattern. Date: 2nd Century AD; Dimensions: 27 x 32 7/8" (68.5 x 83.5 cm)]
Western art unattributed:
[Mullany Haute Epoch Fine Art, London. Relief with the ascension of Christ. English, Nottingham, 15th century. Alabaster with original polychrome and gilding. Height: 39.5 cm. Width: 24 cm]
Western art unattributed:
[Mullany Haute Epoque Fine Art. 16 Carlisle Mansions, Carlisle Place. London. Salome with the head of Saint John the Baptist. Oak. Netherlandish, Antwerp. circa 1510-1521. H. 44.5 x W. 31 x D. 7.5 cm]
Western art unattributed:
[Peter Finer. 38&39 Duke Street. St. James’s. London. A "Corinthian" Helmet, circa 580-520 B.C.]
Western art unattributed:
[Safani Gallery Inc, New York. Statue of Dionysos, Roman, 1st to 2nd century AD. Marble. Height: 46.5 cm]
Exhibition Review
Edward Lear. Oxford
12/2012 | 1317 | 154
Pages: 868-869
related names
Reviewer:
Green, Richard (Green, Richard)
Subjects
artists:
dates:
museums and institutions:
places:
subjects:
Illustrations
Attributed works:
48. Red and yellow macaw, by Edward Lear. 1831. Lithograph with watercolour, 57 by 37 cm. (Alexander Library of Ornithology, Bodleian Libraries, University of Oxford; exh. Ashmolean Museum, Oxford).
Attributed works:
49. Coast near La Piana, Corsica, by Edward Lear. (?)c.1880. Watercolour and bodycolour on wove paper, 15.7 by 25.2 cm. (Ashmolean Museum, Oxford).
Attributed works:
50. Beachy Head, by Edward Lear. 1862. Canvas, 73 by 102 cm. (Private collection; exh. Ashmolean Museum, Oxford).
Attributed works:
51. Constantinople from Eyüp, by Edward Lear. 4th September 1848. Pen and brown ink with watercolour over graphite on wove paper, 35.5 by 52.5 cm. (Ashmolean Museum, Oxford).
Book Review
English drawings and watercolours 1600–1900
06/2012 | 1311 | 154
Pages: 426-427
related names
Reviewer:
Wilcox, Timothy (Wilcox, Timothy; Wilcox, Tim)
Subjects
collectors and dealers:
collectors and dealers:
dates:
print:
subjects:
subjects:
Reviewed Items
subjects:
English drawings and watercolours 1600–1900 | author: Baker, Christopher
Illustrations
Attributed works:
62. The village of Jedburgh, Roxburgh, by Thomas Girtin. 1800. Watercolour over pencil on paper, 30.2 by 52.1 cm. (National Gallery of Scotland, Edinburgh).
Book Review
Edward Lear the Landscape Artist: Tours of Ireland and the English Lakes, 1835 & 1836
05/2010 | 1286 | 152
Pages: 332-333
related names
Reviewer:
Green, Richard (Green, Richard)
Subjects
artists:
dates:
print:
Reviewed Items
subjects:
Edward Lear the Landscape Artist: Tours of Ireland and the English Lakes, 1835 & 1836 | author: Nugent, Charles
Illustrations
Attributed works:
39. Loweswater, by Edward Lear. 28th September 1836. Pencil and stump, heightened with white on blue-grey paper, 17.8 by 25.9 cm. (Cecil Higgins Art Gallery, Bedford).
Publication Received
Edward Lear in Albania: Journals of a Landscape Painter in the Balkans
04/2009 | 1273 | 151
Pages: 251-252
related names
Reviewer:
Treuherz, Julian (Treuherz, Julian)
Subjects
artists:
dates:
places:
print:
Reviewed Items
subjects:
Edward Lear in Albania: Journals of a Landscape Painter in the Balkans | editor: Destani, Bejullah , editor: Elsie, Robert , introduction by: Noakes, Vivien
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Advertisements June 2004 (Front)
06/2004 | 1215 | 146
Pages: i-xxx
Subjects
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Illustrations
Attributed works:
[Adrian Sassoon, London. The Yellow Bedspread, 2002, by Michael Flynn. Waldenburg (Walbrzych) porcelain]
Attributed works:
[Agnew’s, LTD, 43 Old Bond Street, London, W.1. François Boucher (1703-1770). Rest on the Flight into Egypt. Pen and brown ink with pink and brown washes, 209 x 245mm]
Attributed works:
[Agnew’s, LTD, 43 Old Bond Street, London, W.1. The infant Romulus and two studies of a man's left arm, by Carlo Maratta (1625-1713). Black, red and white chalk on blue paper, 260 x 343 mm. Inscribed 'di Carlo Maratti' on the mount.]
Attributed works:
[Bonhams. 101 New Bond Street. London. Illustrated: A George III satinwood, Tulipwood, crossbanded demi-lune Commode possibly attributable to Mayhew and Ince.]
Attributed works:
[Bonhams. 101 New Bond Street. London. Opposite above: Giovanni Francesco Barbieri, called Il Guercino (1591-1666). Recto: The Return of the Prodigal Son. Verso: Sketches of clouds for an arched composition, 261 x 207 mm]
Attributed works:
[Bonhams. 101 New Bond Street. London. Pictured: John Constable, RA. A sketch of East Bergholt from East Bergholt House, inscribed '10 augst 1811' (upper left), oil on canvas laid on panel, 12.5 x 19.5 cm]
Attributed works:
[Brian Haughton Antiques. A scalloped Worcester dessert plate, painted by Jeffryes Hammett O'Neale with the fable of the fox and the stork, c. 1768-70)]
Attributed works:
[Browse & Derby. Danseuse attachant le cordon de son maillot, by Edgar Degas (1834-1917). Bronze, stamped with signature and foundry mark A.A. Height: 431 mm]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. Giovanni Domenico Tiepolo (Venice 1727-1804). Punchinello's wedding procession. Black chalk, pen and brown ink, brown wash. 14 x 18 1/2 in. (354 x 472 mm)]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. La Scuola San Marco, by Francesco Guardi (1712-93).]
Attributed works:
[Crispian Riley-Smith. Exhibiting at John Mitchell & Son. A landscape with cattle, sheep and herders, by Jacob van Stry (1756-1815). Pencil, pen and black ink with framming lines, 350 x 472 mm. Signed 'J:van Stry']
Attributed works:
[David Jones Fine Art, exhibiting at Derek Johns Ltd, London. Two Nude Putti, by Bartholomé Esteban Murillo (1618-82). Pen and brown ink, 135 x 95mm.]
Attributed works:
[David Jones, 19 Kestrel Avenue, Herne Hill, London. Caspar Freisinger (1550/55-1599), Christ on the Road to Calvary. Pen and brown ink, brown and pink wash, 127 x 182 mm]
Attributed works:
[Dickinson & son. 108 Wigmore St., London, W. Caryatid, 1913, by Amedeo Modigliani (1884-1920). Signed and inscribed lower left 'à Tibaut bien amicalement / modigliani'. Wotercolour and pencil heightened with whiteon paper laid down on card, 432 x 264 mm]
Attributed works:
[Didier Aaron & cie 118 Fbg Saint Honoré. Paris. 32 East 67th Street. New York. 21 Ryder Street. London. Head of a Lady with a Diadem and strings of pearls tied to her hair' (recto): Head of a Lady looking to the left (verso), by Nicolas-Guy Brenet (1728-92). Black chalk heightned with white, 455 x 280 mm]
Attributed works:
[Dragesco Cramoisan, France. Very rare pair of Sévres hard-paste biscuit busts of King Louis XVI and Queen Marie-Antoniette, modelled in 1785 by the leading sculptor Louis-Simon Boizot. These examples can be dated c. 1785-90]
Attributed works:
[Felder. London. W1. Sir D.Y. Cameron RA, RSA (1865-1945). The Walds of Rannoch. Oil on canvas, 21x30 cm]
Attributed works:
[Garton & Co. Exhibiting at Pitcher / Brandt. Study for a mural in DIeter Keller's house in Stuttgart, No. 1, by Oskar Schlemmer (1888-1943). 1940. Crayon and pencil, 205 x 298 mm.]
Attributed works:
[H. Blairman & Sons Ltd. 119 Mount Street. London. Enamel vase on stand by Charles Lepec (born 1830). French (Paris), circa 1867.]
Attributed works:
[H. Blairman & Sons Ltd. A pair of bronze 'Atlas' candelabra, designed and manufactured by Benjamin Lewis Vulliamy. English, c. 1815.]
Attributed works:
[Hazlitt Holland-Hibbert. 38 Bury Street. St. James’s, London SW1Y 6BB. 17 East 76th Street, New York. Edward Burra. 1905-1975. Three Sailors at a Bar, 1930. Watercolour. 26x19 inches: 67.3 x 48.2 cm. Signed and dated]
Attributed works:
[Hazlitt Holland-Hibbert. 38 Bury Street. St. James’s, London SW1Y 6BB. 17 East 76th Street, New York. Helicoid in Sphere, 1938, by Barbara Hepworth (1903-75). Lignum vitae on original base, Height: 25.5 cm]
Attributed works:
[James Hyman, Fine Art. 6 Manson’s yard. Duke Street, St. James’s. London. Patrick Heron (1920-1999). Blues with Brown Area. Oil on canvas. 1962. h 76.2 cm (30in) w 121.9 cm (48in)]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. The Arch of Janus, with the Church of San Giorgio in Velabro, by Giovanni Antonio Canal, called Canaletto. Pen, brown ink and grey wash over an underdrawing in graphite, 153 x 256 mm]
Attributed works:
[John Lishawa. 42 Vicarage Crescent, London. Dirk van Baburen (1595-1624). Taste. Oil on canvas: 104.4 x 84 cm]
Attributed works:
[John Whitehead. Sévres biscuit group La Fete au Chateau or La Fidélité Modéle. After Falconet. Incised B for Bachelier. c. 1767-73. Height: 8 inches (21cm)]
Attributed works:
[Johnny van Haeften Ltd. 13 Duke Street, St. James’s, London SW1Y 6DB. Peter Codde. (1500-Amsterdam-1678). An interior with a Lady seated at a virginal, seen from behind, a viola da gamba resting beside her. On panel. 16 7/8 x 13 in. 42.8 x 32.9 cm]
Attributed works:
[Kate de Rothschild, exhibiting at Didier Aaron Ltd. Study of a lady reclining in a chair, by René-François-Xavier Prinet (1861-1946). Black, red and white chalks with Prinet's atelier stamp on the verso.]
Attributed works:
[Katrin Bellinger. 15 Old Bond Street. London. A man in profile seen from above, by Adolph von Menzel (1815-1905). Carpenter's pencil and stumping, 311x234 mm. Signed and dated, lower left, A. Menzel / 86.]
Attributed works:
[Lowell Libson. 3 Clifford Street, New Bond Street, London, W1S 2LF. William Turner of Oxford. 1789-1862. An April shower. Binsey Ferry near Oxford looking towards Port Meadow. Watercolour. 18 x 27 inches; 455 x 685 mm. Signed, also signed and inscribed recto.]
Attributed works:
[Mallett, 40 New Bond St., London. An eighteenth-century green glass chandelier, attributed to John Blades. English, c. 1790. Height: 183cm. Width: 101.5 cm]
Attributed works:
[Martin F. Bonham-Carter, Ltd. 27 Ansdell Street, Kensington. London W8 5BN. Sévres Seauz à Glaces, c. 1796. Soft-paste porcelain. Height: 9 inches (24.5 cm). Diameter: 8 inches (22 cm). Blue painted and gilt marks for Sévres, the painters Bouillat and Girard, the gilder Vincent.]
Attributed works:
[N & I Franklin. 11 Bury Street. St. James’s. London. A pair of George III Silver-gilt mounted ostrich egg cups and covers. Marker's mark John Robinson, the heraldic finials modelled as the crest of Greville for George 2nd Earl of Warwick made in London in 1812.]
Attributed works:
[Offer Waterman & Co. London. 2nd Bus, by Allen Jones (b 1937). Oil on canvas in three parts, 121.8 x 152.3 cm]
Attributed works:
[Rafael Valls. 11 Duke Street, St. James’s, London. A Trompe L'Oil of a leading staff, a partizan, a Matchlock musket, a longbow, a fowling piece and other weaponry hanging on a wall, by Jacobus Biltius (1633-81). Dutch school. Oil on canvas, 169.5 x 344 cm. Signed and dated 1666.]
Attributed works:
[Rafael Valls. 11 Duke Street, St. James’s, London. Flemish School, circa 1605. A highly important view of the between the English Fleet and the Spanish Armada the launching on English fireships on the Spanish Fleet off Calais, with troops holding an English standard in the foreground and Queen Elizabeth I on horseback attended by a Nobleman, possibly the Early of Leicester, beyond. Gouache on vellum heightened with gold: 14 x 35 cm (5 1/2 x 13 3/4 inches).]
Attributed works:
[Renaissance Bronzes. 77 Pimlico Road, London. The dancing faun. Massimiliano Soldani Benzi. Blenheim Palace. Date 1711. Height: 1.42 metres.]
Attributed works:
[Robilant + Voena. 13Dover Street, London W1S 4LN. Giovanni Migliara. Alessandria 1785-1837 Milan. Washerwomen and Gentleman Among Classical Ruins, A Church Beyond (detail). Oil on canvas. 47 x 89 cm, 18 1/2 x 35 in]
Attributed works:
[Sotheby’s & Co., 34-35 New Bond Street, London, W.1. A pair of Sévres glass coolers from the Du Barry service, circa 1771.]
Attributed works:
[Sotheby’s & Co., 34-35 New Bond Street, London, W.1. Francesco Bertos, Italian, active 1693-1739. A pair of large venetian allegorical bronze groups. 112 cm. 44in. and 108cm. 42 1/2in.]
Attributed works:
[Sotheby’s & Co., 34-35 New Bond Street, London, W.1. Madonna and Child, by Polidoro Caldara, called Polidoro da Caravaggio (1499-1543).]
Attributed works:
[Sotheby’s & Co., 34-35 New Bond Street, London, W.1. Raffaello Sanzio, called Raphael. Urbino 1483-1520 Rome. Recto: Head of a child. Verso: study of a vessel, probably an incense burner. Red chalk over stylus (recto). Pen and brown ink (verso). Arched top. 114 by 93 mm]
Attributed works:
[Trinity Fine Art. 29 Bruton Street. London W1J 6QP. Frederico Barocci (Urbino 1535-1612). Study of the head of a child, with studies of the leg of a child and of a woman (recto); two studies of Psyche, after the Antique (verso). Black chalk and pastel (recto); pen and brown ink, brown wash (verso), 265 x 208 mm]
Attributed works:
[Trinity Fine Art. 29 Bruton Street. London W1J 6QP. The Doge's Palace, Venice, by Edward Lear (1812-88). Pencil, pen and brown ink and watercolour, 295 x 485 mm. Signed, inscribed and dated: nov. 16. Sunset./ Venice. 1865 (27) (lower right), and with colour notes.]
Non-western art unattributed:
[Gregg Baker Asian Art. A six-fold paper screen painted in ink and colour on a gold ground with insects and pampas grass amongst which the sun is setting. Japan, Edo period, 17th century, 110.5 x 245cm]
Western art unattributed:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. A Sévres Royal plate from the 'Service arabesque', 1783. 9 7/8 in. (25.1 cm.) wide]
Western art unattributed:
[Martin F. Bonham-Carter, Ltd. 27 Ansdell Street, Kensington. London W8 5BN. Sévres biscuit group of 'Africa'. Designed in 1791, dated 1817. Height: 15 ins (36cm). Diameter: 9 ins (22cm). Marks: impressed 'Sévres' on base, front. incised 'Mas 11.av.DS' on base rear.]
Western art unattributed:
[Martin F. Bonham-Carter, Ltd. 27 Ansdell Street, Kensington. London W8 5BN. St. Cloud Hound, c. 1735. Height: 4 inches (12.2 cm). Depth: 3 inches (8.5 cm)]
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Advertisements April 2003 (front)
04/2003 | 1201 | 145
Pages: i-viii
Subjects
advertisements:
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artists:
subjects:
Illustrations
Attributed works:
Les comédiens italiens, by Antoine Watteau. 1719-20. 63.8 by 76.2 cm. (National Gallery of Art, Washington).
Attributed works:
[Charles Ratton & Guy Ladriere, 14, rue de Marignan and 11, quai Voltaire, Paris, France] Jean-Baptiste Santerre (1651-1717) Young woman drawing by candlelight Oil on canvas, 65 x 81 mm.
Attributed works:
[Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Annunciation by Benvenuto Tisi called 'Il Garofalo' (Ferrara 1475-1539). Oil on panel 47.5 x 31 cm.
Attributed works:
[Exh. International Fine Art Fair, New York] Danseuse assise by Edgar Degas (1834-1917). Pastel and charcoal, 57 x 42 cm.
Attributed works:
[Exh. International Fine Art Fair, New York] Figure humaine (Les oiseaux) by Max Ernst. Oil on canvas, 61 x 50 cm. Signed lower right.
Attributed works:
[Exh. International Fine Art Fair, New York] Isabel I (Head) by Jacob Epstein (1880-1959). Bronze, 33 cm high.
Attributed works:
[Exh. International Fine Art Fair, New York] La Statue de la Liberté by Frédéric-Auguste Bartholdi (1834-1904). Watercolour
Attributed works:
[Exh. International Fine Art Fair, New York] Le Garçon d'Etage c. 1927-28, by Chaim Soutine (1894-1943). Oil on canvas, 55 x 38 cm.
Attributed works:
[Exh. International Fine Art Fair, New York] Musical Company by Jan van Bijlert (Utrecht 1597/98-1671). Oil on panel, 97 x 114.5 cm.
Attributed works:
[Exh. International Fine Art Fair, New York] Saddled Horse Tied to a Fence by Horace Vernet. Signed and dated 1828. Oil on canvas, 82 x 101 cms.
Attributed works:
[Exh. International Fine Art Fair, New York] Solomon's Wall, Jerusalem (The Western Wall) by Jean-Léone Gérôme (1824-1904). Oil on canvas. 92.4 x 73.7 cm.
Attributed works:
[Hazlitt, Gooden & Fox, 38 Bury Street, London, UK] Edward Lear (1812-1888) View of Florence Oil on canvas, 47 x 76 cm (18½ x 30 in) Signed with initials and dated 1861
Attributed works:
[Nevill Keating Tollemache Ltd, 5 Pickering Place, London, UK] Camille Claudel (1864 - 1943) La Valse bronze, height 46.4 cm; Eugène Blot cast
Attributed works:
[Trinity Fine Art Ltd, 29 Bruton Street, London, UK] Sigismondo Coccapani (Florence 1583-1643) Standing Male Figure, his right arm raised; study of a dog (recto) Man wearing a clock; study of a Soldier (verso) Pen, brown ink and red chalk (recto); red chalk (verso), 412 x 262 mm.
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Advertisements September 2002 (front)
09/2002 | 1194 | 144
Pages: i-xvi
Subjects
advertisements:
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artists:
Illustrations
Attributed works:
The City of Syracuse from the Ancient Quarries Where the Athenians Were Imprisoned BC 413, by Edward Lear. RA 1853. 122 by 183 cm. (Madresfield Court, Trustees of Lord Beauchamp's 1963 Settlement).
Attributed works:
[Beddington & Blackman Limited, 16 Savile Row, London, UK] Michele Marieschi (Venice 1710-1743). Venice: The Doge's Palace and the Molo from the Bacino di San Marco. Oil on Canvas, $21frac{3}{4}$ × 33 Inches (55.5 × 84 cm.)
Attributed works:
[Charles Ratton & Guy Ladriere, 14, rue de Marignan and 11, quai Voltaire, Paris, France] François Clouet (1515-1572). Portrait of François II, King of France (1559-1560). Bodycolour and Gold on Vellum, Oval Shape 51 × 38 mm. This Miniature Portrait Is Inspired by a Black Chalk Drawing in the Bibliotheque Nationale in Paris. A Copy (Or a Studio Version) Is in the Uffizi in Florence.
Attributed works:
[Chelminski, 616 King's Road, London, UK] The Sleeping Shepherd Boy by John Gibson, Rome 1824.
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[Exh. Biennale Internationale Des Antiquaires] A Pair of Commodes, by Emilio Terry, 1946. Mahogany.
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[Exh. Biennale Internationale Des Antiquaires] A Pair of Seven-Light Candelabra, Louis XVI, Ex-Collection Alphonse de Rothschild. Gilt-Bronze and Lacquered Bronze, 81 × 36 cm.
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[Exh. Biennale Internationale Des Antiquaires] Arbres minéraux/Arbres conjugaux, by Max Ernst, 1940. Oil on Canvas, 46 × 54.9 cm.
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[Exh. Biennale Internationale Des Antiquaires] Bureau à cylindre, by Claude-Charles Saunier, c. 1780. White Vernis Martin and Ormolu Mounted Satinwood.
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[Exh. Biennale Internationale Des Antiquaires] Coin of the Emperor Nero (54-68 A. D.)
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[Exh. Biennale Internationale Des Antiquaires] Corner couch 'à la reine' Attributed to Jean-Baptiste Boulard, c.1785-90. 82 × 170 × 164 cm.
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[Exh. Biennale Internationale Des Antiquaires] David, by Claude Vignon, c. 1625. Oil on Canvas, 122 × 88.5 cm.
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[Exh. Biennale Internationale Des Antiquaires] Landscape with a Bridge, by François Boucher, Signed and Dated 176[5?]. Oil on Canvas, 76 × 59 cm.
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[Exh. Biennale Internationale Des Antiquaires] Le bel encadrement, by Henri Guillaume Schlesinger, Signed and Dated 1853. Oil on Canvas, 91.5 × 72.5 cm.
Attributed works:
[Exh. Biennale Internationale Des Antiquaires] Madonna and Child, by Giuliano Bugiardini (1475-1522). Signed. Oil on Panel, 87 × 71 cm.
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[Exh. Biennale Internationale Des Antiquaires] Portrait of a Bearded Man, by Pablo Picasso, Signed and Dated Upper Right, 1st June 1964. Pastel, 72 × 51 cm.
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[Exh. Biennale Internationale Des Antiquaires] Portrait of a Man in a Red Cape, by Rembrandt, Signed and Dated 1633. Oil on Panel, 63.5 × 50.8 cm.
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[Exh. Biennale Internationale Des Antiquaires] Small Sumerian Stone Face, Mesopotamian, 2600-2340 B. C.
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[Exh. Biennale Internationale Des Antiquaires] The Hunt, Chinese, Kangxi Period (1662-1722). Blanc de Chine, ht.20.3 cm.
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[Hall & Knight Ltd., 43 New Bond Street, London, UK] Antonio Susini (Active 1580-Florence-1624). after a Model by Giovanni Bologna, Called Giambologna (Douai 1525/29-1608 Florence). The Crouching Venus. Bronze, 24.9 cm Height (9 3/4 Inches)
Attributed works:
[Hall & Knight Ltd., 43 New Bond Street, London, UK] Giulio Cesare Procaccini (Bologna 1574-1625 Milan). The Ecstasy of the Magdalene. Oil on Canvas, 215.9 × 146.5 cm (85 × 57½ Inches)
Attributed works:
[Hazlitt, Gooden & Fox, 38 Bury Street, London, UK] Jean Alaux, Called Le Romain (1786-1864). The Painter Pallière in His Room at the Villa Medici, Rome. Oil on Canvas, 57.8 × 45.1 cm
Attributed works:
[Lowell Libson Ltd., 3 Clifford Street, London, UK] Sir Edwin Henry Landseer R. A. 1802 - 1873. A River Landscape at Sunset. Oil with Pen and Ink on Paper Laid on Artist's Board. Size: 10 × 10 5/8 Inches (250 × 270 mm). Painted in the 1820s
Attributed works:
[Paul Proute S. A., 74, rue de Seine, 75006, Paris, France] Giacinto Calandrucci - Palerme 1646 - 1707. Feuille d'étude: Ange musicien et tête d'homme barbu. Sanguine sur papier bleu. 430 × 280. Au verso: putto et étude de pied, pierre noire et légers rehauts de blanc.
Attributed works:
[Talabardon & Gautier, 134, Faubourg St-Honore, Paris, France] Jean-Baptiste Camille Corot, Rome, View from the Artist's Room, 1825
Attributed works:
[Winterberg Auctions, D-69115 Heidelberg, Hildastr. 12, Germany] Felix Schlesinger. (1833 - Hamburg - 1910). In the Passport & Police office before Emigration: Hans Christian Andersen and His Friend Edgar Collin between Emigrants. Oil on Canvas 1859. Signed and Dated "Ddorf 1859" (Düsseldorf). 81 × 106 cm.
Western art unattributed:
[Exh. Biennale Internationale Des Antiquaires] Tragic Mask, Greco-Roman, White Marble.
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