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31 articles
Article
‘The monarch of the glen’: painting for the new Houses of Parliament
04/2025 | 1465 | 167
Pages: 342-353
related names
Author:
Duffy, Stephen (Duffy, Stephen)
Subjects
dates:
Illustrations
Attributed works:
1. The monarch of the glen, by Thomas Landseer after Edwin Landseer. 1852. Engraving, 70 by 73 cm. (British Museum, London).
Attributed works:
10. Windsor Park, by Edwin Landseer. ?1850. Oil on canvas, 89.5 by 72.5 cm. (Wolverhampton Art Gallery; Bridgeman Images).
Attributed works:
11. The otter speared, by Edwin Landseer. c.1841–44. Oil on canvas, 200 by 153.7 cm (Laing Art Gallery, Newcastle; Bridgeman Images).
Attributed works:
12. A random shot, by Edwin Landseer. c.1847–48. Oil on canvas, 122 by 183 cm. (Bury Art Museum and Sculpture Centre; Bridgeman Images).
Attributed works:
13. Scene in Brae Mar, by Edwin Landseer. ?c.1851–57. Oil on canvas, 271.8 by 251.5 cm. (Private collection; Bridgeman Images).
Attributed works:
2. The monarch of the glen, by Edwin Landseer. 1849–51. Oil on canvas, 163.8 by 168.9 cm. (Scottish National Gallery, Edinburgh; Bridgeman Images).
Attributed works:
3. The Peers’ Refreshment Rooms, by Alfred Newman after George Somers Clarke. 1849. Lithograph, 22.1 by 27.1 cm. (From H.T. Ryde: Illustrations of the New Palace of Westminster, London 1849).
Attributed works:
4. The Peers’ Dining Room. (Photograph courtesy the House of Lords; Roger Harris).
Attributed works:
5. Alfred Denison, 1st Baron Londesborough, by James Faed after Francis Grant. c.1860. Mezzotint, 52.4 by 39.6 cm. (Royal Armouries, Leeds).
Attributed works:
6 and 7. Details of a letter from Edwin Landseer to Edward John Coleman, 9th May 1866 (Cadbury Research Library, University of Birmingham).
Attributed works:
8. The north wall of the Peers’ Refreshment Rooms, by the Office of Charles Barry. 1846. Ink and watercolour on paper, 15.5 by 13 cm. (National Archives, Kew).
Attributed works:
9. The north wall of the Peers’ Dining Room. (Estates Archive; photograph courtesy UK Parliament, London).
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Advertisements (front)
03/2024 | 1452 | 166
Pages: i-xxxvi
Subjects
Illustrations
Attributed works:
A pair of light-blue baroque console tables with original alabaster fiorito marble tops, after the design of Filippo Juvarra (1678-1736) 163 x 89 x 63 cm, Turin, 1700 circa. Burzio/Tefaf]
Attributed works:
A superb example of Dutch Delft imitation of Wanli Kraak porcelain Delft. De Drie Proceleyne Flessies (the three porcelain bottles) Willem van der Kool 1702 - 1716 [Mazereeuw Antiquair]
Attributed works:
AGOSTINO BRUNIAS (1730–1796) Six Paintings of the People of Dominica and Saint Vincent Recently acquired by The Huntingdon Library and Museum, California [Robilant and Voena]
Attributed works:
ANTONIO NOVELLI ( 1599–1650) The Penitent Saint Mary Magdalene Ca. 1640–1650 Terracotta, h. 41 cm Signed ATO. NL . F. [Trinity Fine Art]
Attributed works:
Cockerel caster. by Michael Wissmar (d.1746). c.1720. Silver, cast, repoussé, pierced, engraved, flat-chased and parcelgilt, height 23.5 cm. [Kunstkammer Georg Laue, Munich/Tefaf]
Attributed works:
Comte de l’Empire Etienne Pierre Graf Méjan (Secretary of the Italian Kingdom), by Luigi Manfredini (1771–1840), after Joseph Chinard (1756–1813). Milan c.1811. Bronze, height 75 cm. [Burzio, London/Tefaf]
Attributed works:
Domenico Andrea Pelliccia, Carrara, 1736–1821, Portrait of Grand Duke Pietro Leopoldo of Tuscany, 117, Marble h. 80 x 65 cm [Walter Padovani]
Attributed works:
Françoise de la Rochefoucauld (c.1549–c.1580), by Prosper d’Épinay (1836–1914). c.1885. Polychrome terracotta, height 60.3 cm. [Stuart Lochhead, London/Tefaf]
Attributed works:
Gustav Klimt, “Portrait of Fräulein Lieser”, Estimate: € 30 Mio - 50 Mio 1917, oil on canvas; framed, 140 x 80 cm [Kinsky]
Attributed works:
Hendrick Avercamp (1585–1634), Winter landscape with skaters on the ice, (detail) oil on panel, 41 x 60.5 cm, €220,000 – 250,000, Auction 24 April 2024 [Dorotheum]
Attributed works:
Honey, from the Liechtenstein Tacuinum Sanitatis. c.1450. Illuminated manuscript on vellum, 160 by 170 cm. Dr Jörn Günther Rare Books/Tefaf]
Attributed works:
Infanta Catalina Micaela, Duchess of Savoy (1567–97), by Alonso Sánchez Coello (1532–88). c.1585. Oil on paper laid on panel, 8.3 by 6.8 cm. [Galeria Caylus, Madrid/Tefaf]
Attributed works:
Jean-Baptiste Carpeaux (1827–1875) Plaster model with original polychrome surface , c. 1868 Petite-Modèle, height 35 cm [Stuart Lockhead/Tefaf]
Attributed works:
Johan Zoffany (1733–1810) Edward Townsend singing the ‘Beggar’s Ballad’, 1796. Recently acquired by Staatliche Kunsthalle Karlsruhe Karlsruhe, Germany [Moretti]
Attributed works:
Johann Joachim Kaendler Harlequin and Columbine (1706–1775) with slapstick Model, 1739–1740 Manufacture and decoration, Meissen, c. 1740 H. 15.5 cm (6.1 in), w. 18.5 cm (7.3 in) [Robbig.Munchen, Wawel Royal Castle/Tefaf]
Attributed works:
LOUIS-CLAUDE VASSÉ (PARIS 1716-1772) Study for the funeral monument of Paul-Esprit Feydeau de Brou Estimate: €15,000-25,000 [Christie's]
Attributed works:
Mary Beale (1633-1699) Portrait of a Young Boy seated in a Landscape, 1680s Oil on canvas 50 x 40 in. (127 x 101.6 cm) [Philip Mould]
Attributed works:
MASTER OF THE CANESSO PEDDLER ACTIVE IN NORTHERN ITALY IN THE LATE 17th CENTURY A Book Peddler Oil on canvas, 67½ × 40¾ in (171.5 × 103.5 cm) 1670/1690 [Galerie Canesso, Paris/Tefaf]
Attributed works:
Meyer de Haan or Melancholy, by Paul Gauguin (1848–1903). c.1889. Ink and pencil on paper, 29.8 by 19.1 cm. [FRANÇOIS DELESTRE FINE ARTS, PARIS/Salon du Dessin]
Attributed works:
Nude woman leaning on her left forearm, by Amedeo Modigliani (1884–1920). c.1910. Pencil on wove paper, 43 by 26.7 cm. [Agnews Works on Paper, Brussels/Tefaf]
Attributed works:
Oblong table, by Martin-Guillaume Biennais (1764– 1843). Moulded, chased and gilded bronze, inlaid French scagliola top, 71 by 72 by 45 cm. [Artur Ramon Art, Madrid/ Tefaf]
Attributed works:
Peace and Justice (also known as Love and Justice), by Rosalba Carriera (1673–1757). Pastel on paper, 63 by 54 cm. [Brun Fine Art, London/Tefaf]
Attributed works:
PIER LEONE GHEZZI (1674–Rome–1755) A waiter with a tray Pen and brown ink, 31.2 x 21.5 cm.[Ratton and Ladrière]
Attributed works:
Pierre, by Mary Cassatt (1844–1926). 1906. Pastel on paper mounted on canvas, 58 by 48 cm. GALERIE ERIC COATALEM, PARIS/Salon du Dessin]
Attributed works:
Potted pansies, by Victoria Dubourg (1840–1926). c.1870s. Oil on canvas, in original frame, 21 by 26.8 cm. [Robilant+Voena/Tefaf]
Attributed works:
Rauch, by Franz West (1947–2012). 2008. Papier-mâché, acrylic paint, metal, wood, artist pedestal, 152 by 104 by 62 cm. [Tim Van Laere Gallery, Antwerp/Tefaf]
Attributed works:
Reclining lion and feline head, by Eugène Delacroix (1798–1863). Pen and brown ink and wash, 18 by 23 cm. [GALERIE DE BAYSER, PARIS/Salon du Dessin]
Attributed works:
Sir Anthony Van Dyck, Portrait of a Carmelite monk, (detail) c.1618. [Simon Dickinson/Tefaf]    
Attributed works:
Sir Horace Mann, by Prince Hoare (1755–1834). c.1749. Terracotta, height 51.5 cm. [Walter Padovani, Milan/Tefaf]
Attributed works:
Snow over Zojoji Temple, by Kawase Hasui (1883–1957). 1953. Woodblock print, 36.4 by 47.3 cm. [Galerie Tanakaya, Paris/Tefaf]
Attributed works:
Studio Talk, book cover project, by Sonia Delaunay (1885–1979). 1938. Gouache on paper, 27 by 21 cm. [GALERIE LAURENTIN, PARIS/Salon du Dessin]
Attributed works:
Study for a lion, by Edwin Landseer (1802– 73). c.1822. Oil on canvas, 92.5 by 72.5 cm. [Dickinson Fine Art, London/Tefaf]
Attributed works:
Study for ‘The Levenson Children’, by George Romney (1734–1802). 1777. Brush and brown wash over black chalk, 26 by 27 cm. [W.M. BRADY & CO., NEW YORK/Salon du Dessin]
Attributed works:
Study of a man’s head, by Pierre- Paul Prud’hon (1758–1823). 1819. Black crayon, stumping, and white chalk, 19 by 24 cm. [GALERIE TERRADES, PARIS/Salon du Dessin]
Attributed works:
Study of two characters, by Giovanni Battista Tiepolo (1696–1770). Pen and brown ink wash with traces of black crayon, 20 by 20.7 cm. [GALERIE TARANTINO, PARIS/Salon du Dessin]
Attributed works:
Terracotta group depicting Hercules with lion. Signed and dated: Bardi fecit 1790 68 x 46 x 37 cm[Brun/Tefaf]
Attributed works:
The fall of the damned and the seven-headed Hydra, by Federico Zuccari (1539–1609). Black chalk, pen, brown ink, red chalk and brown wash, 28.7 by 35 cm. [MAURIZIO NOBILE FINE ART, PARIS/Salon du Dessin]
Attributed works:
The fall of the damned and the seven-headed Hydra, by Federico Zuccari (1539–1609). Black chalk, pen, brown ink, red chalk and brown wash, 28.7 by 35 cm. [MAURIZIO NOBILE FINE ART, PARIS/Salon du Dessin]
Attributed works:
The Saccomazzone Players, after a model by Orazio Mochi (1571– 1625). Florence, 17th century. Bronze, 36.5 by 45 by 30 cm. [Tomasso, London/Tefaf]
Attributed works:
The unicorn passes over the sea, by Le Corbusier (1887–1965). 1962. Wool, 213 by 270 cm. [De Wit Fine Tapestries, Mechelen/Tefaf]
Attributed works:
Untitled, 1973, by Sam Francis (1923–94). 1973. Acrylic on paper, 15.2 by 23.1 cm. [GALERIE BÈRES, PARIS/Salon du Dessin]
Attributed works:
Waterfront. Aisnères, by Paul Signac (1863–1935). c.1900. Graphite and watercolour on paper, 12.5 by 17.5 cm. [GALERIE PAUL PROUTÉ, PARIS/Salon du Dessin]
Attributed works:
Winter landscape with fishermen and skaters on the ice, by Jan van Goyen (1596–1656). 1653. Black chalk and grey wash, 17.1 by 27.4 cm. [ONNO VAN SEGGELEN FINE ARTS, ROTTERDAM/Salon du Dessin]
Non-western art unattributed:
A Sind Indo-Portuguese extraordinary cabinet.       Teak, ebony, ivory, green-dyed bone, gilt copper fittings India, Sind (present-day Pakistan), ca.1580–1630.     Dim.: 182.0  ×  97 .0  ×  61.0  cm Provenance: Casa do Costeado, Portugal [São Roque/Tefaf]
Non-western art unattributed:
A Sinhalese Tabernacle Masterpiece, Ceylon, ca. 1590–1630. Dim. 22.8 x 9.8 x 9.8 cm. [São Roque/Tefaf]
Non-western art unattributed:
Gujarat casket. India, Gujarat, second half of the 16th century. Tortoiseshell with silver mounts, 14 by 29.5 by 18 cm. [São Roque, Lisbon/Tefaf]
Book Review
Improbable Pioneers of the Romantic Age: The Lives of John Russell, 6th Duke of Bedford, and Georgina Gordon, Duchess of Bedford
01/2023 | 1438 | 165
Pages: 97-99
Subjects
artists:
Reviewed Items
subjects:
Improbable Pioneers of the Romantic Age: The Lives of John Russell, 6th Duke of Bedford, and Georgina Gordon, Duchess of Bedford By Keir Davidson. 592 pp. incl. 45 col. + 50 b. & w. ills. (Pimpernel Press, London, 2022), £40. ISBN 978–1–910258–25–5. | :
Illustrations
Attributed works:
5. Sketch for Deer-stalking in the Highlands, by Edwin Landseer. c.1828. Oil on canvas, 43 by 53.5 cm. (Wolverhampton Art Gallery; Bridgeman Images).
Article
‘Ecorché’ drawings by Edwin Landseer
05/2012 | 1310 | 154
Pages: 337-344
related names
Author:
Owens, Susan (Owens, Susan)
Subjects
artists:
dates:
Illustrations
Attributed works:
34. Study of an écorché greyhound, lateral view, by Edwin Landseer. c.1817–21. Black and red chalk and graphite heightened with white chalk on buff-coloured paper, 38.9 by 60.4 cm. (Victoria and Albert Museum, London).
Attributed works:
35. Study of an écorché greyhound, lateral view, by Edwin Landseer. c.1817–21. Black and red chalk and graphite heightened with white chalk on buff-coloured paper, 48.6 by 67.3 cm. (Private collection).
Attributed works:
36. Study of an écorché greyhound supported by planks, by Edwin Landseer. ­c.1817–21. Black, red and white chalk on brown paper, 30.7 by 49 cm. (Victoria and Albert Museum, London).
Attributed works:
37. Plate IV: Muscles, by John Bell. Illustration in J. Bell: Engravings, Explaining the Anatomy of the Bones, Muscles and Joints, Edinburgh 1794. (Wellcome Library, London).
Attributed works:
38. Finished study for the second anatomical table for ‘The Anatomy of the Horse’, by George Stubbs. c.1756–58. Pencil and black chalk, 36.5 by 49.5 cm. (Royal Academy of Arts, London).
Attributed works:
39. Study of an écorché horse’s head, by Edwin Landseer. 1817. Watercolour over graphite heightened with touches of bodycolour on grey paper, 30.5 by 40 cm. (Private collection).
Attributed works:
40. Study of an écorché dog’s head, by Edwin Landseer. 1821. Black and red chalk and graphite heightened with white chalk on buff-coloured paper, 29.7 by 44.2 cm. (Victoria and Albert Museum, London).
Attributed works:
41. Study of an écorché horse’s head, seen from the side, by Edwin Landseer. c.1817–21. Black and red chalk heightened with white chalk on buff-coloured paper, 31.5 by 51.2 cm. (Private collection).
Attributed works:
42. Study of an écorché horse’s head, seen from the side, by Benjamin Robert Haydon. 1806. Black, red and white chalk on brown paper, 30.5 by 47 cm. (Royal Academy of Arts, London).
Attributed works:
43. Study of the head and shoulders of an écorché wild cat, by Edwin Landseer. c.1817–21. Black, red and white chalk and graphite on buff-coloured paper, 37.5 by 53.4 cm. (Victoria and Albert Museum, London).
Attributed works:
44. Drawing of a wolf’s head, by John Frederick Lewis. c.1821–22. Black, red and white chalk on brown paper, 33.7 by 27.2 cm. (British Museum, London).
Attributed works:
45. Study of an écorché horse’s head, seen from the front (a sketch of a lion and the torso of a youth in graphite on the verso), by Edwin Landseer. c.1817–21. Black, red and white chalk on buff-coloured paper, 50 by 31 cm. (Snite Museum of Art, University of Notre Dame, Indiana).
Attributed works:
46. Study of an écorché horse’s head, seen from the front, here attributed to Edwin Landseer. c.1817–21. Black, red and white chalk over graphite on grey paper, 56.8 by 38.7 cm. (With W/S Fine Art Ltd., London).
Attributed works:
47. Study of an écorché greyhound with enlarged detail of a paw, by Edwin Landseer. c.1817–21. Black, red and white chalk and graphite on buff-coloured paper, 44.2 by 58.8 cm. (Victoria and Albert Museum, London).
Attributed works:
48. Three studies of the hind leg of an écorché dog, here attributed to Edwin Landseer. c.1817–21. Black, red and white chalk on grey paper, 37.8 by 54.3 cm. (With W/S Fine Art Ltd., London).
Attributed works:
49. Study of an écorché greyhound’s head, by Edwin Landseer. c.1817–21. Black, red and white chalk on buff-coloured paper, 26.6 by 33 cm. (Victoria and Albert Museum, London).
Attributed works:
50. Study of an écorché wild cat, lateral view, by Edwin Landseer. 1817. Black, red and white chalk and graphite on buff-coloured paper, 30.2 by 48.8 cm. (Victoria and Albert Museum, London).
Attributed works:
51. Study of the foreleg of an écorché dog, by Edwin Landseer. 1821. Black, red and white chalk and graphite on buff-coloured paper, 29 by 45 cm. (Victoria and Albert Museum, London).
Advertisements
Advertisements May 2012 (back)
05/2012 | 1310 | 154
Pages: s.p.
Subjects
advertisements:
artists:
subjects:
Illustrations
Attributed works:
[Chanel FIne Jewellery. 173 New Bond Street. London. "1932" Collection 80th Anniversary.]
Attributed works:
[Otto Naumann, Ltd. 22 East 80th Street. New York. Sir Edwin Henry Landseer, R.A. (London 1802-1873). A Dead Stag, with Sketched Figures of a Ghillie and Hounds. Oil on board, 48 by 60.5 cm )19 by 23 3/4 in)]
Advertisements
Advertisements July 2010 (front)
07/2010 | 1288 | 152
Pages: s.p.
Subjects
subjects:
Illustrations
Attributed works:
[Charly Bailly. 10 rue de l’Hotel-de-Ville. Geneva. Louis Le Nain (circa 1593-1648). Les Trois Ages. Circa 1643. Oil on canvas, 50 x 61 cm. (19 1/2 x 24 in)]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Agostino Tassi. Ponzano Romano near Rome, 1578 - Rome, 1644. Lot and his Daughters Fleeing from Sodom. Oil on canvas, 78 x 117 cm (30 11/16 x 46 in)]
Attributed works:
[Hazlitt, Gooden & Fox. 38 Bury Street, St. James’s London. SW1Y 6BB. Sir Edwin Landseer RA (1802-1873). View of Powerscourt, Ireland. Oil on panel, 26 x 35.5 cm (10 1/4 x 14 in)]
Attributed works:
[Philip Mould. 29 Dover Street. London. Tiziano Veccelio, called Titian (1485/9-1576). Portrait of a Venetian Admiral. Oil on canvas. 34 7/8 x 30 1/4 inches, 88.6 by 77 cm. Painted c.1570. Sketched by Sir Anthony Van Dyck when in Italy, c.1623 [British Museum].]
Attributed works:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. Pieter Isaaczs (1569-1625). Madonna and Child with adoring Saints and God the Father. Oil on panel, 180 x 128 cm]
Western art unattributed:
[Fortuna Fine Arts, Ltd., 984 Madison Avenue. New York. A Bronze Figure of Apollo with Silver and Copper Inlays on Original Base Roman, 1st century AD; Height: 10 3/4 inches (27.3 cm)]
Exhibition Review
Landseer: Edinburgh
07/2005 | 1228 | 147
Pages: 503-504
related names
Reviewer:
Green, Richard (Green, Richard)
Subjects
artists:
dates:
places:
subjects:
Reviewed Items
subjects:
Monarch of the Glen: Landseer in the Highlands | institution: Royal Scottish Academy
Illustrations
Attributed works:
54. Glenfeshie, by Edwin Landseer. c.1810-35. Board, 25.4 by 34.3 cm. (Private collection, courtesy of Simon C. Dickinson Ltd; exh. Royal Scottish Academy, Edinburgh).
Attributed works:
55. The hunting of Chevy Chase, by Edwin Landseer. 1825-26. 143 by 170.8 cm. (Birmingham Museums and Art Gallery; exh. Royal Scottish Academy, Edinburgh).
Attributed works:
56. The otter hunt, by Edwin Landseer. c.1844. 200 by 153.7 cm (Laing Art Gallery , Newcastle upon Tyne; exh. Royal Scottish Academy, Edinburgh).
Advertisements
Advertisements September 2002 (front)
09/2002 | 1194 | 144
Pages: i-xvi
Subjects
advertisements:
advertisements:
artists:
Illustrations
Attributed works:
The City of Syracuse from the Ancient Quarries Where the Athenians Were Imprisoned BC 413, by Edward Lear. RA 1853. 122 by 183 cm. (Madresfield Court, Trustees of Lord Beauchamp's 1963 Settlement).
Attributed works:
[Beddington & Blackman Limited, 16 Savile Row, London, UK] Michele Marieschi (Venice 1710-1743). Venice: The Doge's Palace and the Molo from the Bacino di San Marco. Oil on Canvas, $21frac{3}{4}$ × 33 Inches (55.5 × 84 cm.)
Attributed works:
[Charles Ratton & Guy Ladriere, 14, rue de Marignan and 11, quai Voltaire, Paris, France] François Clouet (1515-1572). Portrait of François II, King of France (1559-1560). Bodycolour and Gold on Vellum, Oval Shape 51 × 38 mm. This Miniature Portrait Is Inspired by a Black Chalk Drawing in the Bibliotheque Nationale in Paris. A Copy (Or a Studio Version) Is in the Uffizi in Florence.
Attributed works:
[Chelminski, 616 King's Road, London, UK] The Sleeping Shepherd Boy by John Gibson, Rome 1824.
Attributed works:
[Exh. Biennale Internationale Des Antiquaires] A Pair of Commodes, by Emilio Terry, 1946. Mahogany.
Attributed works:
[Exh. Biennale Internationale Des Antiquaires] A Pair of Seven-Light Candelabra, Louis XVI, Ex-Collection Alphonse de Rothschild. Gilt-Bronze and Lacquered Bronze, 81 × 36 cm.
Attributed works:
[Exh. Biennale Internationale Des Antiquaires] Arbres minéraux/Arbres conjugaux, by Max Ernst, 1940. Oil on Canvas, 46 × 54.9 cm.
Attributed works:
[Exh. Biennale Internationale Des Antiquaires] Bureau à cylindre, by Claude-Charles Saunier, c. 1780. White Vernis Martin and Ormolu Mounted Satinwood.
Attributed works:
[Exh. Biennale Internationale Des Antiquaires] Coin of the Emperor Nero (54-68 A. D.)
Attributed works:
[Exh. Biennale Internationale Des Antiquaires] Corner couch 'à la reine' Attributed to Jean-Baptiste Boulard, c.1785-90. 82 × 170 × 164 cm.
Attributed works:
[Exh. Biennale Internationale Des Antiquaires] David, by Claude Vignon, c. 1625. Oil on Canvas, 122 × 88.5 cm.
Attributed works:
[Exh. Biennale Internationale Des Antiquaires] Landscape with a Bridge, by François Boucher, Signed and Dated 176[5?]. Oil on Canvas, 76 × 59 cm.
Attributed works:
[Exh. Biennale Internationale Des Antiquaires] Le bel encadrement, by Henri Guillaume Schlesinger, Signed and Dated 1853. Oil on Canvas, 91.5 × 72.5 cm.
Attributed works:
[Exh. Biennale Internationale Des Antiquaires] Madonna and Child, by Giuliano Bugiardini (1475-1522). Signed. Oil on Panel, 87 × 71 cm.
Attributed works:
[Exh. Biennale Internationale Des Antiquaires] Portrait of a Bearded Man, by Pablo Picasso, Signed and Dated Upper Right, 1st June 1964. Pastel, 72 × 51 cm.
Attributed works:
[Exh. Biennale Internationale Des Antiquaires] Portrait of a Man in a Red Cape, by Rembrandt, Signed and Dated 1633. Oil on Panel, 63.5 × 50.8 cm.
Attributed works:
[Exh. Biennale Internationale Des Antiquaires] Small Sumerian Stone Face, Mesopotamian, 2600-2340 B. C.
Attributed works:
[Exh. Biennale Internationale Des Antiquaires] The Hunt, Chinese, Kangxi Period (1662-1722). Blanc de Chine, ht.20.3 cm.
Attributed works:
[Hall & Knight Ltd., 43 New Bond Street, London, UK] Antonio Susini (Active 1580-Florence-1624). after a Model by Giovanni Bologna, Called Giambologna (Douai 1525/29-1608 Florence). The Crouching Venus. Bronze, 24.9 cm Height (9 3/4 Inches)
Attributed works:
[Hall & Knight Ltd., 43 New Bond Street, London, UK] Giulio Cesare Procaccini (Bologna 1574-1625 Milan). The Ecstasy of the Magdalene. Oil on Canvas, 215.9 × 146.5 cm (85 × 57½ Inches)
Attributed works:
[Hazlitt, Gooden & Fox, 38 Bury Street, London, UK] Jean Alaux, Called Le Romain (1786-1864). The Painter Pallière in His Room at the Villa Medici, Rome. Oil on Canvas, 57.8 × 45.1 cm
Attributed works:
[Lowell Libson Ltd., 3 Clifford Street, London, UK] Sir Edwin Henry Landseer R. A. 1802 - 1873. A River Landscape at Sunset. Oil with Pen and Ink on Paper Laid on Artist's Board. Size: 10 × 10 5/8 Inches (250 × 270 mm). Painted in the 1820s
Attributed works:
[Paul Proute S. A., 74, rue de Seine, 75006, Paris, France] Giacinto Calandrucci - Palerme 1646 - 1707. Feuille d'étude: Ange musicien et tête d'homme barbu. Sanguine sur papier bleu. 430 × 280. Au verso: putto et étude de pied, pierre noire et légers rehauts de blanc.
Attributed works:
[Talabardon & Gautier, 134, Faubourg St-Honore, Paris, France] Jean-Baptiste Camille Corot, Rome, View from the Artist's Room, 1825
Attributed works:
[Winterberg Auctions, D-69115 Heidelberg, Hildastr. 12, Germany] Felix Schlesinger. (1833 - Hamburg - 1910). In the Passport & Police office before Emigration: Hans Christian Andersen and His Friend Edgar Collin between Emigrants. Oil on Canvas 1859. Signed and Dated "Ddorf 1859" (Düsseldorf). 81 × 106 cm.
Western art unattributed:
[Exh. Biennale Internationale Des Antiquaires] Tragic Mask, Greco-Roman, White Marble.
Article
Isambard Kingdom Brunel's 'Shakespeare Room'
02/1995 | 1103 | 137
Pages: 108-118
related names
Author:
Faberman, Hilarie (Faberman, Hilarie)
Author:
McEvansoneya, Philip (McEvansoneya, Philip)
Subjects
artists:
dates:
places:
subjects:
Illustrations
Attributed works:
59. Isambard Kingdom Brunel, by John Callcott Horsley. c. 1857. 91.5 by 70.5 cm. (National Portrait Gallery, London).
Attributed works:
60. Sketch for Installation of Brunel's Shakespeare Room, by Isambard Kingdom Brunel. c.1848-49. Pencil on Graph Paper, 30.5 by 19 cm. (Brunel Collection, University Library, Bristol).
Attributed works:
61. Sketch for Installation of Brunel's Shakespeare Room, by Isambard Kingdom Brunel. c. 1850. Pencil on Graph Paper, 30.5 by 19 cm. (Brunel Collection, University Library, Bristol).
Attributed works:
62. Jacques and the Stag, by F. R. Lee. 86 by 122 cm. (Sold, Sotheby's, London, 30th March 1982, lot 27).
Attributed works:
63. Macbeth and the Witches, by Clarkson Stanfield. 1850. 80 by 132 cm. (Leicestershire Museum and Art Gallery).
Attributed works:
64. Titania and Bottom, by Edwin Landseer. 82 by 133 cm. (National Gallery of Victoria, Melbourne).
Attributed works:
65. Queen Catherine of Aragon and Capucius, by Charles Robert Leslie. 1849-50. 60.9 by 81.3 cm. (Mead Art Museum, Amherst).
Attributed works:
66. Hermione (Mrs Charles Keane), by Charles Robert Leslie. 1856. 73.7 by 50.8 cm. (Royal Shakespeare Picture Gallery and Museum, Stratford-upon-Avon).
Attributed works:
67. Launce's Substitute for Proteus's Dog, by Augustus Leopold Egg. 1849. 54.9 by 79.4 cm. (Leicestershire Museum and Art Gallery).
Attributed works:
68. Taste, by Abraham Bosse. 1635. Engraving, 25.7 by 32.6 cm. (Smith College Museum of Art, Northampton, MA).
Exhibition Review
Philadelphia Museum of Art Sir Edwin Landseer
01/1982 | 946 | 124
Pages: 55+57-58
related names
Reviewer:
Bendiner, Kenneth (Bendiner, Kenneth)
Subjects
artists:
dates:
subjects:
Illustrations
Attributed works:
53. The Death of the Wild Bull, by Edwin Landseer. c. 1833-36. 223.6 by 222.9 cm. (Tennant Holdings Ltd. Collection; Exh. Philadelphia Museum of Art).
Attributed works:
54. The Last Run of the Season, by Edwin Landseer. c. 1851. 87.6 by 155.5 cm. (C. H. Pittaway Collection; Exh. Philadelphia Museum of Art).
Attributed works:
55. The Sanctuary, by Edwin Landseer. c. 1842. 61 by 152.4 cm. (Royal Collection; Exh. Philadelphia Museum of Art). Reproduced by Gracious Permission of H. M. The Queen.
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