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9 articles
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Advertisements September 2002 (front)
09/2002 | 1194 | 144
Pages: i-xvi
Subjects
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Illustrations
Attributed works:
The City of Syracuse from the Ancient Quarries Where the Athenians Were Imprisoned BC 413, by Edward Lear. RA 1853. 122 by 183 cm. (Madresfield Court, Trustees of Lord Beauchamp's 1963 Settlement).
Attributed works:
[Beddington & Blackman Limited, 16 Savile Row, London, UK] Michele Marieschi (Venice 1710-1743). Venice: The Doge's Palace and the Molo from the Bacino di San Marco. Oil on Canvas, $21frac{3}{4}$ × 33 Inches (55.5 × 84 cm.)
Attributed works:
[Charles Ratton & Guy Ladriere, 14, rue de Marignan and 11, quai Voltaire, Paris, France] François Clouet (1515-1572). Portrait of François II, King of France (1559-1560). Bodycolour and Gold on Vellum, Oval Shape 51 × 38 mm. This Miniature Portrait Is Inspired by a Black Chalk Drawing in the Bibliotheque Nationale in Paris. A Copy (Or a Studio Version) Is in the Uffizi in Florence.
Attributed works:
[Chelminski, 616 King's Road, London, UK] The Sleeping Shepherd Boy by John Gibson, Rome 1824.
Attributed works:
[Exh. Biennale Internationale Des Antiquaires] A Pair of Commodes, by Emilio Terry, 1946. Mahogany.
Attributed works:
[Exh. Biennale Internationale Des Antiquaires] A Pair of Seven-Light Candelabra, Louis XVI, Ex-Collection Alphonse de Rothschild. Gilt-Bronze and Lacquered Bronze, 81 × 36 cm.
Attributed works:
[Exh. Biennale Internationale Des Antiquaires] Arbres minéraux/Arbres conjugaux, by Max Ernst, 1940. Oil on Canvas, 46 × 54.9 cm.
Attributed works:
[Exh. Biennale Internationale Des Antiquaires] Bureau à cylindre, by Claude-Charles Saunier, c. 1780. White Vernis Martin and Ormolu Mounted Satinwood.
Attributed works:
[Exh. Biennale Internationale Des Antiquaires] Coin of the Emperor Nero (54-68 A. D.)
Attributed works:
[Exh. Biennale Internationale Des Antiquaires] Corner couch 'à la reine' Attributed to Jean-Baptiste Boulard, c.1785-90. 82 × 170 × 164 cm.
Attributed works:
[Exh. Biennale Internationale Des Antiquaires] David, by Claude Vignon, c. 1625. Oil on Canvas, 122 × 88.5 cm.
Attributed works:
[Exh. Biennale Internationale Des Antiquaires] Landscape with a Bridge, by François Boucher, Signed and Dated 176[5?]. Oil on Canvas, 76 × 59 cm.
Attributed works:
[Exh. Biennale Internationale Des Antiquaires] Le bel encadrement, by Henri Guillaume Schlesinger, Signed and Dated 1853. Oil on Canvas, 91.5 × 72.5 cm.
Attributed works:
[Exh. Biennale Internationale Des Antiquaires] Madonna and Child, by Giuliano Bugiardini (1475-1522). Signed. Oil on Panel, 87 × 71 cm.
Attributed works:
[Exh. Biennale Internationale Des Antiquaires] Portrait of a Bearded Man, by Pablo Picasso, Signed and Dated Upper Right, 1st June 1964. Pastel, 72 × 51 cm.
Attributed works:
[Exh. Biennale Internationale Des Antiquaires] Portrait of a Man in a Red Cape, by Rembrandt, Signed and Dated 1633. Oil on Panel, 63.5 × 50.8 cm.
Attributed works:
[Exh. Biennale Internationale Des Antiquaires] Small Sumerian Stone Face, Mesopotamian, 2600-2340 B. C.
Attributed works:
[Exh. Biennale Internationale Des Antiquaires] The Hunt, Chinese, Kangxi Period (1662-1722). Blanc de Chine, ht.20.3 cm.
Attributed works:
[Hall & Knight Ltd., 43 New Bond Street, London, UK] Antonio Susini (Active 1580-Florence-1624). after a Model by Giovanni Bologna, Called Giambologna (Douai 1525/29-1608 Florence). The Crouching Venus. Bronze, 24.9 cm Height (9 3/4 Inches)
Attributed works:
[Hall & Knight Ltd., 43 New Bond Street, London, UK] Giulio Cesare Procaccini (Bologna 1574-1625 Milan). The Ecstasy of the Magdalene. Oil on Canvas, 215.9 × 146.5 cm (85 × 57½ Inches)
Attributed works:
[Hazlitt, Gooden & Fox, 38 Bury Street, London, UK] Jean Alaux, Called Le Romain (1786-1864). The Painter Pallière in His Room at the Villa Medici, Rome. Oil on Canvas, 57.8 × 45.1 cm
Attributed works:
[Lowell Libson Ltd., 3 Clifford Street, London, UK] Sir Edwin Henry Landseer R. A. 1802 - 1873. A River Landscape at Sunset. Oil with Pen and Ink on Paper Laid on Artist's Board. Size: 10 × 10 5/8 Inches (250 × 270 mm). Painted in the 1820s
Attributed works:
[Paul Proute S. A., 74, rue de Seine, 75006, Paris, France] Giacinto Calandrucci - Palerme 1646 - 1707. Feuille d'étude: Ange musicien et tête d'homme barbu. Sanguine sur papier bleu. 430 × 280. Au verso: putto et étude de pied, pierre noire et légers rehauts de blanc.
Attributed works:
[Talabardon & Gautier, 134, Faubourg St-Honore, Paris, France] Jean-Baptiste Camille Corot, Rome, View from the Artist's Room, 1825
Attributed works:
[Winterberg Auctions, D-69115 Heidelberg, Hildastr. 12, Germany] Felix Schlesinger. (1833 - Hamburg - 1910). In the Passport & Police office before Emigration: Hans Christian Andersen and His Friend Edgar Collin between Emigrants. Oil on Canvas 1859. Signed and Dated "Ddorf 1859" (Düsseldorf). 81 × 106 cm.
Western art unattributed:
[Exh. Biennale Internationale Des Antiquaires] Tragic Mask, Greco-Roman, White Marble.
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Advertisements June 2001 (front)
06/2001 | 1179 | 143
Pages: i-xxviii
Subjects
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subjects:
Illustrations
Attributed works:
Trilobed Basin, Urbino Workshop (Fontana?). 1560-80. Maiolica, Maximum Width 47 cm. (Ashmolean Museum, Oxford. Acquired in 2001 with the Help of the Re:source/V. & A. Purchase Grant Fund, the National Art Collections Fund, and Private Donations)
Attributed works:
[Carlton Hobbs, 8 Little College Street, London, UK] A Set of Four Extremely Rare Embroidered Silk Wall Hangings. To Designs by Jean-Baptiste Pillement. Lyon. Circa 1755-60.
Attributed works:
[Chanel advertisement] "Matelassée" Collection "Cosmos" Watch in 18ct White Gold and Diamonds
Attributed works:
[Colnaghi, 15 Old Bond Street, London, UK] Antonio Tempesta (1555-1630). The Death of Absalom. Oil on Dendritic Stone. 31 × 37.5 cm (One of a Pair)
Attributed works:
[Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] A Hilly Landscape with a Fortified Monastery and Figures. by Giuseppe Zocchi. Oil on Canvas. 83 × 53.5 cm.
Attributed works:
[Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Bookcase, Designed by E. W. Godwin, Manufacture Attributed to Reuben Burkitt, 1869. Oak, 220.5 × 124 × 54.5 cm.
Attributed works:
[Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Landscape with Figures on a Wooded Path. by Jan Brueghel the Elder. Oil on Copper. 21.5 × 31 cm.
Attributed works:
[Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Mother and Child, Crossed feet, by Henry Moore. Bronze, 23 × 11 × 8.3 cm.
Attributed works:
[Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Oval Mirror. Attributed to John Linnell. c.1765. Carved Giltwood. 42 × 107 cm.
Attributed works:
[Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Quarter-Repeating Spring Table Clock, by Thomas Tompion c.1705. Ebony Veneered Case with Brass dial. ht. 42 cm.
Attributed works:
[Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Retour de la pêche à Berck, by Eugène Boudin. Oil on Panel, 14.4 × 25.8 cm.
Attributed works:
[Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Still Life of Two Dead Birds, a Dragonfly and Other Insects,. by Jean-Baptiste Oudry, 1713. Oil on Canvas, 32.5 × 25 cm.
Attributed works:
[Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Téte penchée, by Julio González. Beaten Copper, 26.7 cm. High
Attributed works:
[Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Through the Trees, South of France, by J. D. Fergusson, c.1924. Oil on Canvas. 55.5 × 61 cm.
Attributed works:
[Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Travellers Passing a Village, by Thomas Gainsborough. Pen and Ink with Black Chalk and Water-Colour, Heightened with White Paint. 21.9 × 30.8 cm.
Attributed works:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] Alexander the Great Receiving the Keys of a City, Brussels, c.1560. Tapestry, 274 × 224 cm.
Attributed works:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] Dante Gabriel Rossetti (1828-1882) Fair Rosamund, Oil, 1868, National Museum of Wales
Attributed works:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] Dessert Stand and Cover, by Paul Storr, London, 1808. Silver, ht. 29.5 cm. Weight 4014 Grams.
Attributed works:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] George IV when Prince of Wales, by Richard Cosway, c.1804. Watercolour on Ivory, ht. 6.9 cm.
Attributed works:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] Spring and Winter, Meissen, Models by F. Meyer, c.1755. Porcelain, ht. 21 cm.
Attributed works:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] Trompe l'oeil of the Back of a Cradled Painting with a Framed Engraving, Feather etc., by Gabriel-Germain Joncherie, 1842. Oil on Canvas, 65,5 × 81.2 cm.
Attributed works:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] Urn, Probably by Joseph Bancroft, Derby, c.1810. Porcelain.
Attributed works:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] Vase, Attributed to Thomas Hope, c.1800, from the Collections of the Earl of Warwick. Black basalt.
Attributed works:
[Hall & Knight Ltd., 43 New Bond Street, London, UK] Antoine Watteau (Valenciennes 1684 - 1721 Nogent-sur-Marne) Le Conteur ("The Romancer"). Oil on Panel, 34.3 × 27.3 cm (13½ × 10 3/4 ins). Engraved: C.-N. Cochin, December 1727
Attributed works:
[Hotspur Ltd., 14 Lowndes Street, London, UK] A Highly Important 18th Century George III Serpentine Commode, Circa 1765, Attributed to the Royal Cabinetmaker John Cobb.
Attributed works:
[Johnny Van Haeften Ltd., 13 Duke Street, London, UK] Gerard ter Borch. (Zwolle 1617 - 1681 Deventer). Portrait of a Lady, Three Quarter Length Seated, Wearing Black and Holding a Tortoise-Shell Fan in Her Left Hand. Oil on Panel. 14¼ × 11¼ in. (36.2 × 30 cm)
Attributed works:
[Katrin Bellinger Kunsthandel, Ismaninger Strasse 73, Munich, Germany] Taddeo Zuccaro. S. Angelo in Vado 1529 - 1566 Rome. Adoration of the Magi. Pen and Brown Ink, Brown Wash, over Red Chalk; Indented for Transfer; inscribed on the Verso: SR 119. 385 × 274 mm.
Attributed works:
[Lestranger, 3 Place Jean-de-Renaud, St-Remy-de-Provance, France] Louis-François Cassas (1756 - 1827) Capriccio («Colonnacce» in the Forum of Nerva), ca. 1787-97 Pen and Black Ink, Watercolour, 42 × 31.5 cm.
Attributed works:
[Neumeister Fine Art Auctioneers, Barer Str. 37, D-80799, Muchen, Germany] A Fine Regency Patented Dining Table by B. P. Titter. First Half of 19th Century. Mahogany, Extendible, Length Maximally about 146 in. On Centre of Both Short Sides an Engraved Brass Plate »B. P. Titter & Co. Inventors & Manufacturers Norwich«. 28 3/4 × 44½ × 58 4/16 in.
Attributed works:
[Phillips International, 101 New Bond Street, London, UK] A 19th Century French Bronze Model of a Woman, Cast from a Model by Aimé Jules Dalou.
Attributed works:
[Phillips International, 101 New Bond Street, London, UK] Giovanni Francesco Barbieri, Called Guercino (1591-1666). Rest on the Flight into Egypt. Red Chalk, 277 × 415 mm
Attributed works:
[Phillips International, 101 New Bond Street, London, UK] Jan Brueghel the Younger (Antwerp 1601-1678). Landscape with Travellers on a Path, a Town beyond. Signed and Dated 1623. Oil on Panel, 37.5 × 52 cm (14 3/4 × 20 ½ in). Estimate: £400,000-600,000.
Attributed works:
[Rafael Valls Limited, 11 Duke Street and 6 Ryder Street, London, UK] Melchior D'Hondecoeter (1636-1695). Dutch School. Bantams and Pigeons in a Classical Landscape. Oil on Canvas. 32 × 31 Inches (81.5 × 78.8 cms). Signed.
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Attributed to the Circle of Germain Pilon. French, Circa 1590 Bronze Figures of the Virgin and St. John from a Crucifixion Group 17 and 18cm.
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Michelangelo Buonarroti (Caprese 1475 - 1564 Rome) A Mourning Woman. Pen and Two Shades of Brown Ink, Heightened with White 26 by 16.4cm. Estimate on Request
Non-western art unattributed:
[British Museum, Great Russell Street, London, UK] Contemporary Black Basalt Statue of Cleopatra c. 51-30 BC. The Three Cobras on Her Headdress are a Sign of Royalty Unique to Cleopatra. Courtesy of The Hermitage Museum, St. Petersburg
Non-western art unattributed:
[Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Table Fountain Incorporating a Chinese Famille verte Covered Vase Flanked by Vincennes Bullfinches. Porcelain with Ormolu Mounts, 30.5 × 30 cm.
Non-western art unattributed:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] Throne, Indian c.1885. Gilt and Silvered Metal.
Non-western art unattributed:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] Triangular Plate with Four Bodhicharmas on Lotus Thrones, Early Ming Dynasty (14th Century). Bronze, ht. 56.3 cm.
Western art unattributed:
[Chanel advertisement] "Comètes" Collection "Nuit Étoilée" Ring and Bracelet in 18ct White Gold, Sapphires and Diamonds
Western art unattributed:
[Charles Ratton & Guy Ladriere, 14, rue de Marignan and 11, quai Voltaire, Paris, France] Portrait of Louis de Buurbon, 'Le Grand Dauphin' (1661-1711). French, Louis XIV (r. 1643-1715). White Marble against an Oval in Grey 'Sainte Anne' Marble Height: 56 cm. Width: 46 cm.
Western art unattributed:
[Hotspur Ltd., 14 Lowndes Street, London, UK] A Very Rare Set of Three George III torchères in Yew Wood and Padouk, Based upon Plate CXX in Thomas Chippendale's, 'The Gentleman & Cabinetmaker's Director', 1st edition
Western art unattributed:
[Norman Adams, 8-10 Hans Road, London, UK] An Extremely Rare and Fine Quality Pembroke Table in Beautifully Figured Mahogany. Circa 1775. Width 39 3/4 ins (101 cms). Depth 27½ ins (70 cms). Height 28 3/4 ins (73 cms).
Western art unattributed:
[Phillips International, 101 New Bond Street, London, UK] A Fine Serpentine Side Table, in the Chinese Chippendale Manner.
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Advertisements June 2000 (front)
06/2000 | 1167 | 142
Pages: i-xxxii
Subjects
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subjects:
Illustrations
Attributed works:
Vase Enamelled with an Allegory of the Arts, Attributed to William Collins, London, c.1820. Ht. 31 cm.
Attributed works:
[Agnew's, 43 Old Bond Street, London] Giovanni Agostino da Lodi (c.1495-1520). The Adoration of the Magi. Panel, 27 × 36 in (68.5 × 91.5 cm)
Attributed works:
[Carlton Hobbs, 8 Little College Street, London, UK] Pair of Coral Mounted Vases. Trapani. Mid-Seventeenth Century. Of Gilt Bronze, Coral and Enamel. Measurements: Height: 8 3/4 (22cm); Width: 7″ (17.7cm); Depth: 4 3/4 (12cm).
Attributed works:
[Charles Ratton & Guy Ladriere, 14, rue de Marignan and 11, quai Voltaire, Paris, France] Bust of Napoleon in Classical Armour by Angelo Pizzi (Milan 1775-1819). White Marble. Height 64.5 cm. Length 55 cm. Depth 22 cm.
Attributed works:
[Christie's, 8 King Street, London, UK] Tiziano Vecellio, Called Titian (Pieve Di Cadore 1477-1576 Venice) Portrait of Giacomo Doria, Half-Length, in Black Robes, His Cap in His Right Hand, before a Marble Column. Signed 'Ticianvs/F' Flower Right, on Pedestal), and with Nearly Contemporary Inscription 'Giacomo. Doria / .Q. Avgvstini' (Centre Right at the top of the Pedestal) and with the Sitter's Coat-of-Arms (Upper Left) Oil on Canvas, $45frac{3}{4}$ × $38frac{3}{4}$ in. (116.2 × 98.4 cm.) Estimate: £800,000-1,200,000
Attributed works:
[Colnaghi, 15 Old Bond Street, London, UK] Giovanni Domenico Tiepolo (1727-1804) Christ and the Centurion. Pen and Brown Ink and Brown Wash, 491 × 383 mm.
Attributed works:
[Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] A Seated Youth Reading, by Guercino, c.1626. Red Chalk, 30.5 × 21.5 cm.
Attributed works:
[Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Bonheur du jour, by Pierre Pioniez, 1765. Oak Veneered with Sycamore, Satin- and Rosewood, 88 × 65 × 38 cm.
Attributed works:
[Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Console Table, Inspired by François de Cuvilliés, German, c.1745. 78 × 137.2 × 58.4 cm.
Attributed works:
[Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Mother and Children before a Fire, by Jean-Honoré Fragonard. 29.9 × 38.1 cm.
Attributed works:
[Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Organ Clock, Case Italian 1791, the Movement by Robert et fils et Cie, Neuchâtel. Wood, Simulating Porphyry and Granite, 94 × 61.5 × 34.5 cm.
Attributed works:
[Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Thistle-Shaped Neo-Classical Vase, by Philip Rundell of Rundell, Bridge and Rundell, 1823. Wt. 52 oz., ht. 24 cm.
Attributed works:
[Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Vase with Cover, Doccia Porcelain Manufactory, Florence, c.1748-50. Modelled by Gaspero Bruschi after a Wax by Massimiliano Soldani. White Doccia Porcelain, 60 by 34.3 by 21 cm.
Attributed works:
[Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Walking Jaguar, by Rembrandt Bugatti, c.1911. Bronze, 17.8 × 38.7 cm.
Attributed works:
[Getty Publications] Photo Credit: Rembrandt Harmensz van Rijn, The Syndics of the Drapers' Guild, 1662, Oil on Canvas, 191.5 × 279 cm, Rijksmuseum, Amsterdam, inv. SK-C-6.
Attributed works:
[Hall & Knight Ltd., 43 New Bond Street, London, UK] Giovanini Francesco Barbieri, Called Il Guercino (1591-Cento-1666) Christ in the Garden of Gethsemane. Oil on Canvas, $84frac{3}{4}$ × 55½ Inches (215.3 × 141 cm) Painted in 1632 for the Benedictine Church of Saint Margaret in Bologna
Attributed works:
[Hazlitt, Gooden & Fox, 38 Bury Street, London, UK] Théodore Géricault (1791-1824). La Porteuse d'eau. Pen and Brown Ink over Black Chalk and Watercolour, 27.8×19.9 cm
Attributed works:
[Johnny Van Haeften Ltd., 13 Duke Street, London, UK] The Triumph of Neptune and Amphitrite, by Frans Francken the Younger. Copper. 53 × 76 cm.
Attributed works:
[Lestranger, 3 Place Jean-de-Renaud, St-Remy-de-Provance, France] Jean-François Thomas dit Thomas de Thomon (Paris 1759 - St. Petersbourg 1813). «Ugolin» Pen, Ink Wash and Watercolour Heightened with White Bodycolour. 51 × 73 cm. Signed and Dated Lower Left: Thomas f. à Rome 1786.
Attributed works:
[Neumeister Fine Art Auctioneers, Barer Str. 37, D-80799, Muchen, Germany] Jacopo Guarana (1720 Verona - 1808 Venice). Oil on Canvas. Each 54 × 37 cm.
Attributed works:
[Norman Adams, 8-10 Hans Road, London, UK] A Fine Regency Painted, Grained and Gilded Chiffonier, Circa 1815. The Original Decoration Is in the Manner of Dawes and Newton of Soho, London (See Furniture History, 1995, p.169, fig.60 etc.) Width 34½ ins (87.5 cms). Depth 13 3/4 ins (34.5 cms). Height 61½ ins (156 cms).
Attributed works:
[Phillips International, 101 New Bond Street, London, UK] François Boucher, Venus Disarming Cupid. Signed, Oil on Canvas, 96.5 × 82.5 cm (One of a Pair), Estimate upon Request
Attributed works:
[Phillips International, 101 New Bond Street, London, UK] John William Waterhouse, Ophelia. Oil on Canvas, Signed J. W. Waterhouse, 124 × 74 cm, Estimate: £1,500,000-2,000,000
Attributed works:
[Phillips International, 101 New Bond Street, London, UK] Sir Peter Paul Rubens, Virgin and Child. Red Chalk Heightened with White. 243 × 133 mm. Estimate: £100,000-150,000
Attributed works:
[Rafael Valls Limited, 11 Duke Street and 6 Ryder Street, London, UK] Gaspar van Wittel, Called Vanvitelli (1652/3-1736). Italian School. An Architectural Capriccio from Inside the Colosseum. Oil on Panel. 6½ × 10 3/4 Inches (16.5 × 27.5 cms). Signed with Initials and Dated 1721
Attributed works:
[Sam Fogg, 35 St. George Street, London, UK] A Page from the Turin-Milan Hours Illuminated in the Workshop of Jan Van Eyck. Painted in Bruges around 1440, This Previously Unknown Sheet Was Removed from the Manuscript before 1713
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Aimé-Jules Dalou French, 1838-1902. A Bust of Albert Ludovici. Signed and Dated: J. Dalou 1873. Terracotta. 57cm., 22½in. Estimate: £30,000-£50,000
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Doménikos Theotokópoulos, El Greco. Crete 1541-1614 Toledo. Christ on the Cross (Detail). Signed in Greek at the Foot of the, Cross: doménikos theotokópolos/époiei. Oil on Canvas 82.6 by 51.6cm. Estimate: £600,000-800,000
Attributed works:
[Sothebys.com] John Varley. On the Mahmoudieh Canal, Alexandria. Circa 1880. Oil on Canvas. 17 7/8 in. by 24 in. (45.5 cm. by 61 cm.). Opening Bid: $2,000
Attributed works:
[The Olympia Fine Art and Antiques Fair, London, UK] Archibald Skirving (1749-1819), Mrs Johnston of Hutton Hall, Circa 1796-1800, Pastel, National Gallery of Scotland
Attributed works:
[The Olympia Fine Art and Antiques Fair, London, UK] Landscape with Herdsmen, Cows and Washerwomen, with the Temple of the Sibyl at Tivoli behind, by Herman van Swanevelt, Rome, 1649. 60.9 × 122 cm.
Attributed works:
[The Olympia Fine Art and Antiques Fair, London, UK] Letter from Elizabeth I to Peregrine Bertie, Lord Willoughby de Eresby, 30th March 1588
Attributed works:
[The Olympia Fine Art and Antiques Fair, London, UK] Magnificent letter signed by Elizabeth I ('Elizabeth R', the signature measuring 63 mm deep and 133 mm wide), dating from just over two months before the Spanish Armada set sail, and one of very few letters by the Queen written in Armada year to have come on the market.
Attributed works:
[The Olympia Fine Art and Antiques Fair, London, UK] Set of Six George III Silver-Gilt Wine Coasters, by Paul Storr, London, 1814
Attributed works:
[The Olympia Fine Art and Antiques Fair, London, UK] Young Nymph, by René Lalique, c.1897-99. Gold and 'Window Enamel', Set with Diamonds.
Attributed works:
[The Weiss Gallery, 1B Albemarle Street, London, UK] Jan van Scorel 1495-1652. Edmund, 1st Lord Sheffield (1521-1549). Painted Circa 1547 Oil on Panel: 17 3/4 × 14 ¼ ins. (45.5 × 36.3 cm.)
Non-western art unattributed:
[Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] A Manuscript of the Garshaspnama with 22 Paintings. Persia Isfahan.
Non-western art unattributed:
[Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Chinese Porcelain Blue-and-White Ewer, Jiajing 1522-66. Ht. 24.2 cm.
Non-western art unattributed:
[The Olympia Fine Art and Antiques Fair, London, UK] Underglaze Blue Charger with V. O. C. Monogram Surrounded by Ho-Ho Birds. Japanese, Arita, 17th Century.
Western art unattributed:
[Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] A Suite of George III Drawing Room Furniture, c.1780. Mahogany.
Western art unattributed:
[Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Manuscript of St Thomas Aquinas's Quaestiones de Veritate, c.1450, in a Contemporary Pigskin Binding.
Western art unattributed:
[Motionworks, 1/5 Clerkenwell Road, London, UK] English Ormolu Automata Clock Recently Restored by Motionwork
Western art unattributed:
[Simon Finch Rare Books, 53 Maddox Street, London, UK] Galerie Theatrale. Three Volumes Containing 144 Fine Engraved Plates Printed in Colours and Finished by Hand. Printed in Paris by Bance ainé, 1812-1834. The First Edition of a masterpiece of Early Colour Printing. £14,000
Western art unattributed:
[The Olympia Fine Art and Antiques Fair, London, UK] Black-Figure Attic Krater, Manner of Lysippides, Late 6th Century BC. Ht 33 cm.
Western art unattributed:
[The Olympia Fine Art and Antiques Fair, London, UK] Female Saint, Attributed to the Heggebacher Meister, Ulm, c.1460. Limewood, ht.98 cm.
Western art unattributed:
[The Olympia Fine Art and Antiques Fair, London, UK] Pastille Burner, Derby, c.1810. Porcelain, 22.5 × 12 × 12 cm.
Western art unattributed:
[The Olympia Fine Art and Antiques Fair, London, UK] Tortoiseshell and Gold piqué boite à Ballon Snuff Box, with Gold Inlay and Hinge, Naples c.1720-40. Diameter 7 cm.
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Advertisements June 1990 (Front)
06/1990 | 1047 | 132
Pages: i-lxxii
Subjects
advertisements:
advertisements:
Illustrations
Attributed works:
[Adolphe Stein at Douwes Fine Art Gallery, 38 Duke Street, London] Iphigenia Jacques Louis David. Black Chalk. 130 × 195 mm. Signed and Dated 'L. David. Brux. 1819'.
Attributed works:
[Adriano Ribolzi Antiquaire, 6 Avenue des Beaux Arts, Monte Carlo] "Erigone" by Guldo Reni 65 cm × 69 cm
Attributed works:
[Agnew's, 43 Old Bond Street, London] Edward Lear (1812-1888). Corfu from Gastouri. Canvas, 18⅛ × 29¼ in. (46 × 74.3 cm)
Attributed works:
[Arnoldi - Livie, Galeriestraß 2B, Munich] Jacques de Gheyn II. Antwerpen 1565-1629 Den Haag - A Kneeling Shepherd Holding a Lamb. Black Chalk Reinforced with the Pen and Heightened with White on Light-Brown Paper. 19.5×10.3 cm.
Attributed works:
[Audap - Godeau - Solanet, 32 rue Drouot, Paris] H. Fragonard - "L'éducation de la Vierge", Circa 1764. Oil on Canvas. 0,90 × 0,72. Mg. Publicite
Attributed works:
[Audap - Godeau - Solanet, 32 rue Drouot, Paris] Mary Cassatt - "La petite fille au chapeau". Watercolor and Gouache, Signed at Lower Left. 0,56 × 0,375.
Attributed works:
[Bourne Fine Art, 14 Mason's Yard, Duke Street, London] Sir D. Wilkie. Queen Adelaide 1836. Watercolour
Attributed works:
[C.G. Boerner, Kasernenstrasse 13, Dusseldorf/61 East 77th Street, New York] Jean de Gourmont. Active 1506-1551. Engraving. Bartsch 14. From the Collection of König Friedrich August II. von Sachsen.
Attributed works:
[Christie's, 8 King Street, London] Frederic, Lord Leighton, P. R. A. (1830-1896): The Dance of the Cymbalists, One of a Group of Three, all 86¾ × 46½ in. (220.8 × 118.1 cm.). Estimate: £60,000-90,000 the Set.
Attributed works:
[Christie's, 8 King Street, London] Johann Zoffany, R. A. (1733-1810): A Group Portrait of the Colmore Family, 39½ × 50 in. (100.3 × 127 cm.)
Attributed works:
[Christie's, 8 King Street, London] Joseph Wright of Derby, A. R. A. (1734-1797): Vesuvius from Posillipo, Signed 'IW.pt'. Dated 178(9?), and with Inscription J. Wright fec.t'/Derby 1780,' 40½ × 50½ in. (102.8 × 128.2 cm.)
Attributed works:
[Christie's, 8 King Street, London] Prince William of Gloucester by William Grimaldi (1751-1830), Signed on the Reverse, 4⅛ in. (105 mm.) High. Estimate: £5,000-6,000, Portrait of an Unknown Lady by William Grimaldi (1751-1830), 4 in. (102 mm.) High. (Reduced). Estimate: £3,000-5,000
Attributed works:
[Colnaghi, 14 Old Bond Street, London] Anton Raphael Mengs, Aussig 1728 - Rome 1779. A Portrait of Franz Xavier Orsini-Rosenberg, Oil on Canvas: 61 × 47.5cms.
Attributed works:
[Crane Kalman Gallery, 178 Brompton Road, London] Still Life with Fruit (Pears and Apples) c.1930. Oil on Canvas, 18 × 21 ins, Signed MS bottom Right
Attributed works:
[Entwistle, 37 Old Bond Street, London] Abraham Bloemaert. The Raising of Lazarus. Lent by Manchester City Art Gallery
Attributed works:
[Francis Briest, 24 avenue Matignon, Paris] Raoul Dufy, Les deux modèles, Oil on Canvas, Signed and Dated 1930 on the Lower Centre, 81 × 100 cm (31⅞ × 39⅜ in.)
Attributed works:
[Frederick Cummings, 146 West 57th Street New York] Jean Baptiste Huet (1745-1811). Study of an Acanthus Plant. Red Chalk, Red Chalk Wash with White Heightening on Blue Grey Paper 465 × 335 cm. Verso: Study of the Tip of a Plant with Its Leaves in Red Chalk.
Attributed works:
[Galerie André Candillier, 26 rue de Seine, Paris] Helleu. L'Allaitement. Dry Point, Colour. (Montesquiou '84). 53 by 33 cms.
Attributed works:
[Galerie Charles et Andre Bailly, 25 Quai Voltaire, Paris] "La Conversation". Gouache, 56 × 66 cm.
Attributed works:
[Galerie D'Arenberg, 14 rue aux Laines, Brussells] Simon-Louis Boquet (1751-1817), Le Génie des Arts, Signed and Dated "Boquet 1782", Marble, 33 × 60 × 15 cm, Exhibited at the Salon of 1791
Attributed works:
[Galerie Melki, 55-57 rue de Seine, Paris] Hans Hartung. 1953. Oil on Canvas. 97 by 130 cms.
Attributed works:
[Galerie Odermatt & Cazeau, 85 bis rue du Faubourg-Saint-Honoré, Paris] Henri Laurens. Femme à l'oiseau. White Stone. Signed with the Monogram H. L. on the Base and Dated 1921.
Attributed works:
[Gallery 27, 27 rue de Seine, Paris] Picasso. Femme Debout. Tinplate. Height: 42.5 cm.
Attributed works:
[Groupe Gersaint, 20 rue D.- Casanova, Paris J. Booets, École Flamande du XVIIe, «Allégorie de la vue et de l'odorat», toile signée et datée «J. Booets, 1660, fecit», 135 × 200 cm
Attributed works:
[Hazlitt, Gooden & Fox, 38 Bury Street, London] Giovanni Francesco Barbieri Called Il Guercino (1591-1666). The Phrygian Sibyl with a Putto, 1647. Canvas, 114.6 × 96 cm
Attributed works:
[Heim, 59 Jermyn Street, London] Jean François de Troy (Paris 1679-1752 Rome). Allegory of Painting. Oil on Canvas Oval 34¾ by 43 ins 88 by 109 cms
Attributed works:
[Laurin - Guilloux - Buffetaud - Tailleur, 12 rue Drouot, Paris] Blaeu & Visscher etc. "Geographia", 118 Superb 18th Century Double Folio Maps, Fully Coloured and Heightened with Gold Silver. Two Volumes in Folio, in Period Gilt Decorated Binding. Mg. Publicite
Attributed works:
[Laurin - Guilloux - Buffetaud - Tailleur, 12 rue Drouot, Paris] Stéphane Mallarme. Poésies. Definitive Autographed Manuscript for the Photolithograph Edition of 1887, from the Library of Jules Le Petit (no2059) Mg. Publicite
Attributed works:
[Laurin - Guilloux - Buffetaud - Tailleur, 12 rue Drouot, Paris] Teynard. Egypte et Nubie Sites et Monuments, 1853-1858 160 Large Photographs (83 of Egypt, 77 of Nubia), Period Binding Mg. Publicite
Attributed works:
[Marlborough Fine Art (London), 6 Albemarle Street, London] The Sailor's Bride 1967-70. Oil on Canvas, 99.7×81.2cm.
Attributed works:
[Michael Simpson Ltd, 11 Savile Row, London] George Henry Harlow (British 1787-1819). "Portrait of a Lady". Oil on Panel: 42cm × 33.5cm
Attributed works:
[Miles d'Agar / N.Gifford-Mead, 533 Kings Road, London] An Important Pair of Lead Lions Attributed to John Van Nost (fl.1679-1710) English, Circa 1700. Ex Bretby. Derbyshire. Ex Elvaston Castle, Derbyshire.
Attributed works:
[Otto Naumann, Ltd, 4 East 74th Street, New York] Anon. Dutch 17th Century. - Panel 4½ × 3½ ins.
Attributed works:
[Palais des Beaux Arts, rue Royale 10, Brussels] Oil on Canvas Signed I. van Kessel, 1666 - 96 × 122cm. Collection of Japanese Porcelain
Attributed works:
[Paul Prouté, 74 rue de Seine, Paris] Eugène Isabey. Faust et Mephistophèles. Gouache. 124 by 175 mm. Signed Lower Left and Dated '82.
Attributed works:
[Phillips, 101 New Bond Street, London] Hendrik Frans van Lint, Called Studio (1684-1763), "An Arcadian Landscape with Classical Figures Dancing", 63cm × 77cm. Estimate: £30,000-£50,000.
Attributed works:
[Phillips, 101 New Bond Street, London] Jansson. Novus Atlas with 56 Hand-Coloured Engraved Maps, Amsterdam 1657. Estimate: £5,000-£6,000.
Attributed works:
[Phillips, 101 New Bond Street, London] Louis Jean Deprez (1743-1804), "A View of the Temple of Segeste," Watercolour with Pen and Ink, 208mm × 345mm.
Attributed works:
[Phillips, 101 New Bond Street, London] Newhouse. The Roadster's Album, Hand-Coloured Title and 16 Hand-Coloured Aquatint Plates, 1845. Estimate: £2,500-£3,000.
Attributed works:
[Richard L. Feigen & Company 6 Ryder Street, London] Giovanni Benedetto Castiglione (Genova 1609-Mantova 1664). 'The Sacrifice of Noah'. Brush and Red and Brown Oilpaint; 39,3 × 54,2 cm.
Attributed works:
[Richard L. Feigen & Company 6 Ryder Street, London] Orazio Gentileschi, Vision of St. Francis Circa 1603-04. Oil on Canvas, 64 by 45¾ Inches (162.5 by 116 cm)
Attributed works:
[Sotheby's, 34-35 New Bond Street, London] Jacques Louis David (1748-1825), A Portrait of Baron Jeanin, Signed and Dated 1810, Oil on Canvas, 73 by 59 cm (28¾ by 23¼ in). Estimate: £1,500,000-2,000,000
Attributed works:
[Sotheby's, 34-35 New Bond Street, London] Jusepe de Ribera, A Nobleman, His Page Carrying a Halberd behind Him, Drawn with the Brush in Red Ink, 230 by 133 mm. Estimate: £25,000-35,000.
Attributed works:
[Stoppenbach & Delestre, 25 Cork Street, London] Henri Joseph Harpignies (1819-1916). Watercolour and Pencil on Paper. Signed "H. Harpignies" Lower Left. La Seine au Pont du Carrousel, 6⅜ × 10⅞ ins. (16.3 × 25 cm) Inscribed "Paris" Lower Right
Attributed works:
[The Adam Salerooms, 26 St. Stephens Green, Dublin] James Barry (1771-1806) King Lear Weeping over the Body of Cordelia (c.1774) Oil on Canvas 40 × 50½″ Signed. Estimate ir£150,000/200,000.
Attributed works:
[The Grosvenor House Antiques Fair, Grosvenor House, Park Lane, London] Detail From The Arsenal: The Water Entrance by Giovanni Antonio Canale, Called Canaletto (1697-1768). Reproduced by Kind Permission of the Marquess of Tavistock and the Trustees of the Bedford Estates.
Attributed works:
[The Grosvenor House Antiques Fair/Alex Wengraf Limited, The Old Knoll, Eliot Hill, London] La Distraction Dangereuse by Augustin Pajou (1730-1809). Signed and Dated 'Pajou 1775'. Terre de Lorraine biscuitée, Height 30 cm (11¾ in).
Attributed works:
[The Grosvenor House Antiques Fair/Alex Wengraf Limited, The Old Knoll, Eliot Hill, London] Marcantonio Doria, Prince of Angri, by Sir Anthony van Dyck (1599-1641). Oil on Canvas, 125 × 94 cm (49 × 37 in).
Attributed works:
[The Grosvenor House Antiques Fair/Alex Wengraf, The Old Knoll, Eliot Hill, London] David Teniers the Elder (1582-1649) Conversion of St Paul. Oil on Panel. 51 × 64 cm.
Attributed works:
[The Grosvenor House Antiques Fair/Bobinet, 102 Mount Street, London] (Left) A Mahogany Wheel Barometer with Thermometer. Signed 'G. Adams, Inst. Maker to His Majesty, London'. Circa 1765. Height 107 cm (42 in). (Right) A Rare Ebonised Wheel Barometer by William Bastard, the Dial Painted with the Coat of Arms of Sir James Howe of Cold Barwick. Circa 1725. Height 127 cm (50 in).
Attributed works:
[The Grosvenor House Antiques Fair/Bobinet, 102 Mount Street, London] A Rare Early Walnut Longcase Clock, by Joseph Knibb. c. 1672. Height 6 ft 6 ins.
Attributed works:
[The Grosvenor House Antiques Fair/C. John (Rare Rugs), 70 South Audley Street, London] Late 18th-Century French Aubusson Tapestry Depicting a Woodland Scene. Signed by the Weaver F. Grellet. Manufacture Royale d'Aubusson. 274 × 223 cm.
Attributed works:
[The Grosvenor House Antiques Fair/D S Lavender (Antiques) Limited, 16B Grafton Street, London] An Important Rare Enamel Portrait Miniature of Jean-Baptiste Massé by Jean-Etienne Liotard. Circa 1725.
Attributed works:
[The Grosvenor House Antiques Fair/D S Lavender (Antiques), 16B Grafton Street, London] George Engleheart. A Miniature Portrait of Lucy Engleheart, c. 1785.
Attributed works:
[The Grosvenor House Antiques Fair/Douwes Fine Art, 38 Duke Street, London] Jacob Toorenvliet (1635-1719). Peasants Merry-Making in a Tavern, Signed. Oil on Canvas. 69.8 × 73 cm.
Attributed works:
[The Grosvenor House Antiques Fair/Douwes Fine Art, 38 Duke Street, London] Still Life with Flowers, Fruits, Insects and a Bird's Nest on a Marble Ledge by Paulus-Theodor van Brussel (1754-Amsterdam-1795). Signed and Dated 1794. Oil on Panel, 80 × 62 cm (31½ × 24½ in).
Attributed works:
[The Grosvenor House Antiques Fair/H Blairman & Sons Limted, 119 Mount Street, London] Oak Cabinet, Designed by Charles Locke Eastlake. English, Circa 1867. Height 210.8 cm (83 in). Width 149.8 cm (59 in). Depth 63.5 cm (25 in).
Attributed works:
[The Grosvenor House Antiques Fair/Halcyon Days, 14 Brook Street, London] Bilston Enamel bonbonnières, Circa 1770. Each One Has a Scene Painted on the Lid Relevant to the Particular Animal.
Attributed works:
[The Grosvenor House Antiques Fair/Johnny van Haeften, 13 Duke Street, London] Salomon van Ruysdael (1601-1670). A River Landscape with the Church of Nordosten beyond. Signed in Monogram and Dated 1641. On Panel. 54.3 × 76.8 cm.
Attributed works:
[The Grosvenor House Antiques Fair/Maurice Asprey Limited, 41 Duke Street, London] A Set of Four Very Fine Silver Salvers by Charles Frederick Kandler, 1755. The Crest Is That of Wentworth. Weight 57 oz 1 dwt.
Attributed works:
[The Grosvenor House Antiques Fair/Maurice Asprey, 41 Duke Street, London] A Fine Silver Pedlar's Box Made by John Linnet London, 1823
Attributed works:
[The Grosvenor House Antiques Fair/P & D Colnaghi, 14 Old Bond Street, London] Sebastiano Ricci (1659-1734). Allegory of the Virgin Annunciate with the Archangel Gabriel and Sts Eusebius, Roch and Sebastian. Oil on Canvas. 113.5 × 63.5 cm.
Attributed works:
[The Grosvenor House Antiques Fair/Pelham Galleries, 163 & 165 Fulham Road, London] An Important George III Ormolu-Mounted Collector's Cabinet, the Exquisitely Engraved Brass Inlay, Related to Designs Published by Thomas Chippendale the Younger in 1779. Height 53.5 cm (21 in). Width 101.5 cm (40 in).
Attributed works:
[The Grosvenor House Antiques Fair/Richard Green, 44 & 39 Dover Street, London] Jacques-Laurent Agasse (1767-1849). The Important Secret: Georgina and George Booth. Signed with Initials. Painted in 1833. 76.2 × 63.5 cm.
Attributed works:
[The Grosvenor House Antiques Fair/Richard Green, 44 Dover Street, London] The Grand Canal, Venice, with the Rialto Bridge from the North, the Fondaco dei Tedeschi and the Palazzo dei Camerlenghi and The Molo Looking West with the Ducal Palace and the Prison and Santa Maria Della Salute in the Distance, Venice, by Michele Marieschi (1710-43). A Pair. Oil on Canvas, 59 × 87 cm (23¼ × 34¼ in).
Attributed works:
[The Grosvenor House Antiques Fair/Ronald A Lee (Fine ArtS) Limited, 1-9 Bruton Place, London] A Roman mosaic panel mounted in a 19th-century gilt metal frame. Inscribed: 'Discovered in the ruins of the Palace of Pope Leo the 12th at the Villa Chichignola, presented by Pope Gregory the 16th to Sir Edward Thomason in the year 1832. This mosaic containing 20,000 silicious pebbles is the work of Sosus Pergami who flourished 320 years before Christ and is mentioned in the writings of Pliny the Elder'. Height 66.7 cm (26¼ in) and Width 56.6 cm (22¼ in) including frame.
Attributed works:
[The Grosvenor House Antiques Fair/Thos. Agnew & Sons Ltd, 43 Old Bond Street, London] A Lady of Fashion by Louis-Roland Trinquesse (1746-1800). Study in Red Chalk, 57.2 × 43.2 cm (22½ × 17 in).
Attributed works:
[The Grosvenor House Antiques Fair/Thos. Agnew & Sons, 43 Old Bond Street, London] Louis Ducros. San Lorenzo in Miranda, Rome. Water-Colour. 44.8 × 65.8 cm.
Attributed works:
[The Grosvenor House Antiques Fair/Wartski, 14 Grafton Street, London] A Group of Hardstone Animal Carvings by Carl Fabergé Cockerel 6.3 cm.
Attributed works:
[The Grosvenor House Antiques Fair/William Drummond, 8 St. James's Chambers, Ryder Street, London] An Alpine Landscape, by Jean DuBois (Geneva, 1789-1849). Signed 'J. DuBois'. Gouache on Paper. 38 × 63 cm (15 × 24¾ in).
Attributed works:
[The Schuster Gallery, 14 Maddox Street, London] No. 41. Alten Stettin. A Fascinating Presentation of 16th-Century Urban Life. All Plates Are Copper Engravings, with Original Hand Colouring.
Attributed works:
[The Sladmore Gallery, 32 Bruton Place, Berkeley Square, London] Detail of a Rare Bronze Model of War by A. L. Barye (1796-1875), 50cms High, Sculpted in 1855 for the Façade of the New Louvre Palace. Paris, to be Included with Its Companion Model Peace, in an Exhibition of 64 Barye Bronzes together with Other Rare Figurative Works for Which a Fully Illustrated Catalogue Is Available.
Attributed works:
[W. M. Brady & Co, 3 East 76th Street, New York] Annibale Carracci (Bologna 1560-1609 Rome). Saint Mary Magdalene in the Wilderness. Inscribed, Lower Left Anble Caracci. Pen and Brown Ink, 4 × 7¼ Inches (102 × 185 mm)
Attributed works:
[Waddington Galleries, 5, 12 & 34 Cork Street, London] Mirth of Snakes 13.8.89 Acrylic on Cotton Duck 60 × 50ins/152.4 × 127cms.
Attributed works:
[Walpole Gallery, 38 Dover Street, London] Jacopo Amigoni Venice 1680's - Madrid 1752. Venus and Adonis, Oil on Canvas: 103 × 129cms
Non-western art unattributed:
[Eskenazi, Foxglove House, 166 Piccadilly, London] Grey Earthenware Figure of Guanyin Seated on a Rock, Decorated with Red and White Pigments Late Tang-Five Dynasties Period. 9th-10th Century Height: 46.5cm
Non-western art unattributed:
[Michael B. Weisbrod Inc., at the Carlyle, 987 Madison Avenue, New York] Clair de lune - Glazed Hundred Ribbed Jar. Qing Dynasty. 18th Century. Height: 6¾ Inches (34.6 cm). Diameter: 7½ Inches (19.2 cm)
Non-western art unattributed:
[The Grosvenor House Antiques Fair/Lin & Emile Deletaille, 12 rue Watteau, Brussels] Exceptional Zapotec Clay Head with Eagle Headdress. Grey Earthenware with Traces of Red Paint. Mexico, 600-900 AD. Height 42 cm (16½ in). Width 45 cm (17¾ in).
Non-western art unattributed:
[The Grosvenor House Antiques Fair/Lin & Emile Deletaille, 12 rue Watteau, Brussels] Mayan Low-Relief Carved Vase Ulua Valley, Western Honduras 600-900 A. D. White Marble. Height 27 cm. Width 30 cm.
Non-western art unattributed:
[The Grosvenor House Antiques Fair/William Drummond, 8 St. James's Chambers, Ryder Street, London] Modun Mistry c. 1850. Horse, Groom and Dog in a Landscape. Calcutta School. Oil on Panel. 34 × 45 cm.
Western art unattributed:
[Bernard Quaritch Ltd, 5-8 Lower John Street, London] The Barningham Psalter. Illuminated Manuscript on Vellum. England, c. 1460-80
Western art unattributed:
[Galerie Camoin, 9 Quai Voltaire, Paris] "Deux bustes en terre cuite, Hauteur 74 cm. Italie XVIIIe siècle. Ancienne Collection Hannibal Visconti. Château de Carrare." Photo Serge Carrié
Western art unattributed:
[Glennie's Wensum Hall, Wensum Street, Norwich] A Louis XVI Fauteuil en Cabriolet and Four Chaises a la Reine. Late 18th Century
Western art unattributed:
[Judith Falk-Mazák, Friedrich Falk, Kirchgasse 38, Zurich] Scheuchzer, J. J. Kupfer=Bibel/In welcher Die Physica Sacra, Oder/Geheiligte/Natur=Wissenschafft/... Deutlich erklärt und bewährt/... 4 vols. in 3. Augsburg and Ulm, Christian Ulrich Wagner, 1733-1735. Folio. First Edition.
Western art unattributed:
[Laurin - Guilloux - Buffetaud - Tailleur, 12 rue Drouot, Paris] Dialogue des Créatures. 15th Century Bruges Manuscript (1482), with 2 Larges and 119 Small Miniatures Execuded for Louis de Bruges, Seigneur de la Gruthuyse, Comte de Steenhuyse, Chambellain of Charles le Téméraire, Created Duke of Winchester by the Grace of King Edouard IV of England. Mg. Publicite
Western art unattributed:
[Philippe Farley, 157 East 64th Street, New York/7 rue d'Aguesseau, Paris] Highly Important George II Giltwood Console with Marble top. England. Circa 1740 36″ High × 70″ Wide × 28 1 2″ Deep
Western art unattributed:
[Sam Fogg, 14 Old Bond Street, London] Christ's Entry into Jerusalem North-East Italy. Second Half of the 13th Century.
Western art unattributed:
[The Grosvenor House Antiques Fair/Asprey, 165-169 New Bond Street, London] A George III Commode in the French Taste. English. c.1785 Length 110.5 cm. Depth 59 cm. Height 31.5 cm.
Western art unattributed:
[The Grosvenor House Antiques Fair/C. John (Rare Rugs) Limited, 70 South Audley Street, London] Rare Italian Silk Needlework Table Carpet. Circa 1730. Dimensions 287 × 165 cm (113 × 65 in).
Western art unattributed:
[The Grosvenor House Antiques Fair/H Blairman & Sons, 119 Mount Street, London] Copy of The Warwick Vase. English. c.1820 Bronze: Gilt-Lacquered Height 11 ins.: Width 14½ ins.
Western art unattributed:
[The Grosvenor House Antiques Fair/Halcyon Days, 14 Brook Street, London] A Fine Miniature Queen Anne Walnut Bureau Cabinet with Bevelled Mirror and Inlaid Marquetry Borders, c.1710. Height 54.4 cm.
Western art unattributed:
[The Grosvenor House Antiques Fair/Jacob Stodel, 116 Kensington Church Street, London] An Important Rococo Burr-Walnut Veneered Dutch Cabinet, Mid-18th Century. Height: 245 cm. Width: 197 cm. Purchased by the Rijksmuseum
Western art unattributed:
[The Grosvenor House Antiques Fair/Maggs Bros, 50 Berkeley Square, London] Large Illuminated Leaf on Vellum, from a Noted Antiphonal. Bologna. c. 1350. Size of Leaf: 51 × 39 cm.
Western art unattributed:
[The Grosvenor House Antiques Fair/Maggs Bros. Limited, 50 Berkeley Square, London] Four Gouache Paintings on Vellum, from an Album of 26 National Costumes, Principally of Greeks and Turks. German, 18th Century. Each Measuring 15.5 × 11 cm (6 × 4⅓ in).
Western art unattributed:
[The Grosvenor House Antiques Fair/Pelham Galleries, 163 & 165 Fulham Road, London] A Very Rare Scale Model of a Coach and Horses. Naples c. 1740. Height 55 cm. Width 33 cm. Length 145 cm.
Western art unattributed:
[The Grosvenor House Antiques Fair/Ronald A Lee (Fine Arts), 1-9 Bruton Place, London] Walnut and Cane Armchair with the Royal Arms; Carved with the Date February 20 1687/88 and the Initials 'GL' (For George Lewis, Elector of Hanover, Who in 1714 Became George I).
Western art unattributed:
[The Grosvenor House Antiques Fair/Wartski Limited, 14 Grafton Street, London] A Profane Reliquary. An oval gold boîte à portrait with a pendant pearl and suspension loop, set with rectangular faceted and rose-cut diamonds, enamelled opaque white overall and decorated with painted enamel lilies and fritillaries and scrolling foliage, the hinged cover applied with a diamond-set sword surmounted by an electoral crown enamelled translucent scarlet. The interior of the pendant (centre) is painted with the miniature likeness of Friedrich Wilhelm, Elector of Brandenburg (1640-1688) in armour and wearing a lace collar and an embroidered sash; the interior of the cover is enamelled with a ducal coronet and the initials F W C for Friedrich Wilhelm Churfürst. The portrait is based upon an engraving by Jeremy Farlett which is dated 1647. Friedrich Wilhelm is traditionally credited with having laid the foundation for the subsequent strength of Prussia. This boîte à portrait exactly follows the tradition of such Royal pendant jewels notably exemplified by those in the Kunsthistorishes Museum in Vienna of circa 1572 attributed to Dujardin with miniature portraits by François Clouet of Catherine de Medici and Charles IX of France and that in the Victoria and Albert Museum in London of circa 1600 by Daniel Mignot containing the painting of Queen Elizabeth by Nicholas Hilliard. The boîte à portrait in general, has been aptly specified by Torben H. Colding as a profane reliquary. North German, circa 1647. Overall height 6 cm ($2frac{3}{8}$ in).
Western art unattributed:
[Zeus Trust c/o Daniel Katz, 27 Lansdowne Walk, London] (Self-) Portrait of a Painter Oil on (Herring-Bone-) Canvas 85 cm by 72 cm 33½″ by 28½″
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Illustrations
Attributed works:
Bust of Isaac Ware, by Louis-François Roubiliac. c.1741. Marble, Height 51.5 cm. (Detroit Institute of Arts)
Attributed works:
[Ader-Picard-Tajan, 12 rue Favart, Paris] Valentin de Boulogne St. John the Evangelist Canvas 97 × 134 cm From a Series of Paintings of the Four Evangelists
Attributed works:
[Adolphe Stein at Douwes Fine Art Gallery, 38 Duke Street, London] Ubaldo Gandolfi 1728-1781 Deposition (Of Christ) Pen and Beige and Brown Ink and Wash on Light Beige Paper, 290 × 206 mm
Attributed works:
[Anthony Roth Fine Arts Ltd, 49 Maddox Street, London] Lorenzo Bartolini (1777-1850). Bust of Giambattista Nicolini (1792-1861). Marble, 30.5 cm. High (Excluding verde antico socle)
Attributed works:
[Arnoldi-Livie, Galeriestr. 2b, Munich] Giambattista Piazzetta Venice 1682-1754 Head of a Shepherd. Black Chalk, Traces of White Heightening on Faded Blue Paper. 36,5 × 28 cm.
Attributed works:
[Asprey, 165-169 New Bond Street, London] Emerald and Diamond Set Edwardian Tiara Convertible to a Necklet
Attributed works:
[Bernheimer, 32 St. George Street, London] A French Transitional Commode Louis XV/XVI Stamped RVLC JME (Roger Vandercruse, called Lacroix, Maître in 1755) Very fine flower marquetry: rosewood, palisander and maplewood veneered on oak. On four s-shaped legs, the straight rectangular body has three shallow drawers in the frieze and two deep drawers, sans traverse, below. Very rich ormolu mounts. Marble top, breche de Mont Cenis. Height: 88 cm Width: 128 cm Depth 57.5 cm
Attributed works:
[Browse & Darby, 19 Cork Street, London] Sickert, Canal Scene, Venice. Oil on Canvas, 18 × 15 Inches
Attributed works:
[Buch und Grafik Antiquariat Falk & Falk, Kirchgasse 38, Zurich] Robert de Vaugondy, G. Nouvel atlas portrait
Attributed works:
[C. John, 70 South Audley Street, London] An Excellent Royal Aubusson Tapestry Signed: Manufacture Royal D'Aubusson and by the Weaver F. Grellet. In pristine Condition. Circa 1750. Size: 9′2″ High × 7′4″ Wide (279cm × 223cm)
Attributed works:
[C.G. Boerner, Kasernenstraße, Dusseldorf] Adolph Menzel. Pencil. 210 × 133 mm. Monogrammed Lower Left: A. M. Study for Heinrich v. Kleist. Der Zerbrochene Krug. 1876/77.
Attributed works:
[Carré Rive Gauche - J&M Duptel, 20 rue de Beaune, Paris] A. Matignon - Sainte Cécile - 146 × 175 - H. S. T. - S. B. G.
Attributed works:
[Carré Rive Gauche - Guy Monégier du Sorbier, 18 rue de Beaune, Paris] "Jeune Fille Endormie" - marbre de A. Bartholome 1848-1928.
Attributed works:
[Carré Rive Gauche - Lyons-Coulemonde-Samson, 9 rue de Beaune, Paris] Jean Antoine Laurent 1763-1832 Jeune fille au dévidoir. Signé b. d. daté. Bois 35,3 × 27
Attributed works:
[Charles Ratton & Guy Ladrière, 14 rue de Matignon, Paris] Portrait of the Knight Riccardo Rota Marble, Venice 16th Century Workshop of the Lombardi Later Inscription
Attributed works:
[Chaucer Fine Arts, 45 Pimlico Road, London] Anton Raphael Mengs Aussig 1728-Rome 1779 The Penitent Magdalen Canvas, 108.7 × 86.8 cm.
Attributed works:
[Christie's, Park Palace, Monte Carlo, Monaco] Jean Auguste Dominique Ingres: Portrait of Madame Victor Baltard with Her Daughter Paule, Signed, Inscribed and Dated 'Rome 1836', Pencil, 306 × 228mm.
Attributed works:
[Christopher Mendez, 58 Jermyn Street, London] Christoffel van Sichem (1546-1624) after Hendrick Goltzius (1558-1617) Portrait of a man with a Plumed Hat Woodcut, Hollstein 135
Attributed works:
[Colnaghi, 14 Old Bond Street, London] Johann Rottenhammer. Munich 1564 - Augsburg 1625. Allegory of the Arts and Sciences. Pen and Wash. 398 × 321mm.
Attributed works:
[David Koester Gallery, Talstrasse 37, Zurich] Hendrik van Vliet (1611-Delft-1675) Panel, 34,5 × 30 cm, Signed
Attributed works:
[Elisabeth Royer, 6 rue de Commaille, Paris] Paul Baudry: Sketch for Salome in the Great Foyer of the Paris Opéra. Oil on Canvas, 132 × 47 cm.
Attributed works:
[Fischer Fine Art, 30 King Street, London] Giacomo Manzu 'Donna Appoggiata'
Attributed works:
[Frederick Cummings Fine Art, 146 West 57th Street, New York] Marc Charles Gabriel Gleyre (1806-1874) Head of Omphale Mine de Plomb on White Laid Paper 9 5/16 × 6⅞ inches (23.5 × 17.3cm), with a Rounded Top.
Attributed works:
[Galerie Gasparrini & Chaucer Fine Arts, via Fontanella Borgheses, Rome] Alessandro Algardi (1598-1654) Bust of Pope Innocent X Terracotta, Painted White, Height 85 cm.
Attributed works:
[Galerie Gasparrini & Chaucer Fine Arts, via Fontanella Borgheses, Rome] Pietro da Cortona (1596-1669) 'Gli angeli segnano la fronte a coloro che devono essere illesi dai flagelli' Canvas, 95 × 198 cm. The Original Oil Sketch for One of the Mosaics in St Peter's
Attributed works:
[Galerie H. Odermatt-Ph. Cazeau, 85 bis rue du Faubourg-Saint-Honoré, Paris] Odilon Redon (1840-1916): "Le Fumeur d'Opium." Huile sur toile. Signé en bas à droite "Odilon Redon." 27,5 × 22,5 cm - 10¾ × 8¾ in.
Attributed works:
[Galerie Patrice Bellanger, 198 boulevard Saint Germain, Paris] François Cressent (1663-?) Père de Charles Cressent, ébéniste du Régent Louis, Duc d'Orléans, Gouverneur du Dauphiné, fils du Régent. Terre cuite originale, vers 1720 Hauteur: 61 cm (avec socle)
Attributed works:
[Gallery Lingard, 50 Pall Mall, London] William Burges Architect 1827-1881 A Design for Knightshayes, North Devon, 1869.
Attributed works:
[Hazlitt, Gooden & Fox, 38 Bury Street, London] Jean-Léon Gérôme 1824-1904. Paul Baudry au travail. Black Chalk, 35.5 × 23cm. Signed and Inscribed à son ami Paul Baudry. Datable Circa 1875
Attributed works:
[Jean-Max Cassel, 15 Quai Voltaire, Paris] Andrea Camassei Bevagna 1602 - Rome 1648 The Death of Orpheus Oil on Canvas, 103 by 80 cm
Attributed works:
[John Davies Framing Ltd, 8 Bury Street, London] The View of Delft by J Vermeer Reproduced by Kind Permission of the Maurithuis, Den Haag. Frame - A Copy of a Combination Forward Moulding Ripple Frame Selected by the Maurithuis and Built to Their Specifications.
Attributed works:
[John Mitchell & Son, 8 New Bond Street, London] Sir Thomas Lawrence Oil Painting on Canvas. Portrait of an Officer. 36 × 28 Inches With Fine Antique Frame
Attributed works:
[Julius Böhler, Pacellistrasse 8, Munich] Madonna with Child and the Infant St. John. Relief in Terracotta, with Original Polychrome. From the Workshop of Benedetto da Maiano (1442-1497). 52 by 43 cm. In the Original Frame, 88,5 by 79,8 cm.
Attributed works:
[Kimbell Art Museum, Fort Worth, Texas] Nicolas Poussin, French, 1594-1665, Diana and Endymion (Detail), 1628, The Detroit Institute of Arts, Founders Society Purchase, Membership and Donations Fund
Attributed works:
[Lefevre, 30 Bruton Street, London] Picasso Etude Pour Saltimbanque, 1905, Carnet 24, p.35 - 5¾in × 3½in.
Attributed works:
[Marlborough Fine Art Ltd, 6 Albemarle Street, London] Frank Auerbach J. Y. M. Seated VI 1983, oil on Canvas 26¼ × 28⅜ in./66.7 × 72.1 cm.
Attributed works:
[Oscar & Peter Johnson Ltd, 27 Lowndes Street, London] Girl with a Doll. A Portrait of Lilly, Daughter of J. Noble, Esq. by Sir John Everett Millais, PRA (1829-1896). Oil Painting; Signed with Monogram and Dated 1864 Inscribed on Labels on Reverse: (1) 'Lilly, Daughter of J. Noble, Esqre. 7 Cromwell Place, South Kensington' (2) 'Royal Academy Winter Exhibition 1898 Sir J. E. Millais, PRA Lilly, Daughter of J. Noble, Esq.' Canvas 35⅞ × 28¼ inches; Framed Exhibited: Royal Academy, 1864, No. 570
Attributed works:
[Palais des Beaux Arts, rue Royale 10, Brussels] J. B. Ommeganck
Attributed works:
[Palais des Beaux Arts, rue Royale 10, Brussels] J. B. Robie
Attributed works:
[Phillips, 7 Blenheim Street, London] Joseph van Aken, "Elegant Figures at a Vegetable Sellers Stall," Oil on Copper, Size 39.5 cm × 52 cm - Estimate: £4,000-£6,000.
Attributed works:
[Phillips, 7 Blenheim Street, London] Pablo Picasso, "Nature Morte à la pipe et au Tabac," oil on Canvas, 22 cm × 27 cm. Estimate: £230,000-£280,000.
Attributed works:
[Pyms Gallery, 13 Motcomb Street, London] Sir William Orpen RA RHA NEAC (1878-1931). An Aran Islander - Oil on Canvas The Model Was Margaret Crilley, a Pupil of Orpen and Later the Wife of Harry Clarke the Stained Glass Artist.
Attributed works:
[Richard L. Feigen & Company, 113 East 79th Street, New York] Jean-Baptiste Joseph Pater, 'Young Lady Resting'. Red Chalk on Paper, 6¾ by 10 Inches (17.1 by 25.4 cm)
Attributed works:
[Ronald A. Lee Plc, 1-9 Bruton Place, London] The cabinet was supplied to William Duckwoth in 1859, who was charged 250 guineas by the excellent Venetian view painter - E.W. Cooke (signed and dated 1859 and monogrammed into the frame). To add further interest we have also managed to purcahse the original pencils sketch for the frame and painting, from the artist's family.
Attributed works:
[Sam Fogg, 66 Highbury, London] A Franciscan Preaching. Master of the Budapest Antiphonary. Lombardy Mid 15th Century
Attributed works:
[Schuster Gallery, 14 Maddox Street, London] Sweert "Tulips" Florilegium, 1612. The Flowering Garden Florilegia 1600-1700
Attributed works:
[Sotheby's, 34-35 New Bond Street London] Eugène Delacroix, An Arab Horseman at the Gallop, Signed, Oil on Canvas, 54 by 45 cm. Estimate: £400,000-600,000
Attributed works:
[Sotheby's, 34-35 New Bond Street, London] A Florentine bronze group of Roger and Angelica by Ferdinando Tacca, Circa 1680-85, 42.5 cm (16¾ in.) High. Estimate: £30,000-40,000
Attributed works:
[Sotheby's, 34-35 New Bond Street, London] Nicolò dell'Abate, Apollo, Black Chalk and Pen and Brown Ink and Wash, Heightened with White, 26.5 by 17.6 cm. Estimate: £10,000-15,000
Attributed works:
[Spink & Son Ltd, King Street, London] Henry Lamb. Lord David Cecil.
Attributed works:
[Spink & Son Ltd, King Street, London] John Methuen (1650-1706) was the man responsible for the famous Methuen trade treaty signed between England and Portugal in 1703. Lord Chancellor and Speaker of the Irish House of Lords in 1697, he became Ambassador Extraordinary to Portugal in the year the treaty was signed. This set of eight silver salvers, engraved with his coat of arms, was almost certainly part of John Methuen's ambassadorial service; no comparable set of eight salvers is known. They were made in 1703 by Andrew Moore, the London silversmith who also made the spectacular silver table, hanging mirror and andirons which the City of London presented to William III. They are now at Buckingham Palace. Each salver measures 10⅛ inches (25.7 cms) in diameter, stands 2⅜ inches (6.1 cms) high and the total weight is 249 ounces 10 dwt. Your attention is drawn to the finely engraved coat of arms and the cut-card decoration round the detachable octagonal foot with screw fitting, a very rare feature.
Attributed works:
[Stair Sainty Matthiesen, 42 East 74 Street, New York] François Boucher. Head of Young Woman. Black Chalk, Heightened with White, on Cream Paper, 6 by 5⅛ Inches (152 by 130 mm.)
Attributed works:
[Thomas Le Clarie, Elbachaussee 156, Hamburg] François Boucher (1703 Paris 1770) 'Studies of a Male Nude' Red and White Chalk on Brown Paper. 35 × 30cm.
Attributed works:
[Wartski, 14 Grafton Street, London] Louis XV Gold Snuff-Box in a Chased Scrolling Cage Work Mount Set with Six Engraved Mother-of-Pearl Panels Encrusted with chinoiserie Scenes in burgau, Coral, Ivory, a Turquoise and Gold. The Cover Shows a Servant Offering tea to a Mandarin Seated upon His Throne. The Front Panel with a Kneeling Servant Working the Bellows on a Fire under a Steaming Tea-Kettle. The Other Panels, Engraved with Colonnading and Trees, Are Decorated with Palm, Pine and Banana Trees and Exotic Birds. By Barnabé Sageret, a Favourite Goldsmith of the King. Paris: 1749 3⅛ × 2¼ in × 1½ in. Sageret (1688-1758) began his career as an orfèvre privilégié, appointed by the King, of the Duc d'Orléans who had in turn been authorized to attach the goldsmith to his household. A gold snuff-box in the Louvre is set with similar panels on mother-of-pearl of the same date, also concerned with the ceremonial preparation and serving of tea. This box however was made much later by Vachette between 1809 and 1819.
Attributed works:
[Wildenstein, 147 New Bond Street, London] Sculpture by Medina-Campeny
Non-western art unattributed:
[Kyburg Limited, 39 Duke Street, London] A Unique Collection of Indian Drawings Illustrating the Production of Kashmir Shawls, Commissioned for the 1867 Paris Exposition
Non-western art unattributed:
[Michael B. Weisbrod, 987 Madison Avenue, New York] GILT BRONZE FIGURE OF A STRIDING DRAGON. Six Dynasties Period 3rd-6th century Height: 2⅛ in (5.2 cm). Length: 3½ in (8.8 cm)
Non-western art unattributed:
[Palais des Beaux Arts, rue Royale 10, Brussels] Canton H. 1.30 m
Western art unattributed:
[Antiquaires a Paris] Armchair Bernard Steinitz, Bureau Plat Aveline, Commode Jacques Perrin, Pedestals Aveline, Candelabras Didier Aaron, Painting Maurice Segoura, Clock Bernard Steinitz, Porcelain Vases Jacques Perrin, Gueridon Table Didier Aaron, Conversation Chair Michel Meyer.
Western art unattributed:
[Antiquaires a Paris] Armchair Jacques Perrin, Drum Table Maurice Segoura, Conversation Chair Michel Meyer, Boulle Cabinet Michel Meyer, Porcelain Vases Jacques Perrin, Clock Bernard Steinitz, Candelabras Didier Aaron, Carpet Aveline.
Western art unattributed:
[de Havilland, 48 Sloane Street, London] Cabinet of Break-Front Form, Satinwood Inlaid with Ebony, with Gilded Bronze Rosettes. Early Nineteenth Century. 4ft 2½in by 2ft 5in. Very Similar to the Cabinet in the V & A Collection, Given by Mr F Howard Reed, but with the Original Panelled Door.
Western art unattributed:
[Palais des Beaux Arts, rue Royale 10, Brussels] Directoire
Western art unattributed:
[Palais des Beaux Arts, rue Royale 10, Brussels] French XVIIIth Century Gold H. 10 cm
Western art unattributed:
[Palais des Beaux Arts, rue Royale 10, Brussels] Galle
Western art unattributed:
[Palais des Beaux Arts, rue Royale 10, Brussels] Imp. Collection Weapons and Helmets (200 Pieces)
Western art unattributed:
[Palais des Beaux Arts, rue Royale 10, Brussels] Louis XIV Period
Western art unattributed:
[Palais des Beaux Arts, rue Royale 10, Brussels] Nap. III Period H. 1.35 m
Western art unattributed:
[Palais des Beaux Arts, rue Royale 10, Brussels] XVIIIth Century
Western art unattributed:
[Pelham Galleries, 163 & 165 Fulham Road, London] An Outstanding Mid 17th Century Franco-Flemish Ebony Cabinet on Stand, the Interior Fitted with Drawers and a Central Tabernacle; Immaculate, Original Condition. Height: 74″ Width: 64″ Depth: 22″
Western art unattributed:
[Stephen Somerville Ltd at Bernheimer's, 32 St. George Street, London] Italian School 18th Century. Study of a Standing Male Figure Seen from Behind. Black Chalk Heightened with White on a Brown-Toned Paper. 431 × 284 mm.
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Advertisements July 1987 (front)
07/1987 | 1012 | 129
Pages: i-xl
Subjects
advertisements:
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artists:
artists:
subjects:
Illustrations
Attributed works:
[ 7th International Biennale of Antique dealers, jewellers and art galleries, Monte Carlo ] Chalice. Rock Crystal. Height: 20cm. Contemporary. Architectural Capriccio, by Simon Challe (1719-1765). Ink and Wash on Paper, 144 by 59cm. Signed with Initials Lower Left. Table de Salon, estampillée: Pierre II Mignon. 66.6 by 98 by 48cm. Vue des Champs-Elysées, by Victor-Gabriel Gilbert. Oil on Canvas, 27 by 35cm. Signed Lower Right. Art Déco Bracelet, Set with Diamonds, Rubies, Onyx and Sapphires, in the Egyptian Renaissance Style.
Attributed works:
[ 7th International Biennale of Antique dealers, jewellers and art galleries, Monte Carlo ] Venus and Pan, by Balthasar Beschey (1708-1776). Oil on Canvas, 56 by 43cm; Signed and Dated 1736. Still Life with Flowers, by Jacob Marrel (1614-1681). Oil on Canvas. 52 by 39cm. Signed Lower Right: "J. Marrel fecit". Le Coquelin. "Mille Fleurs" Tapestry on Blue Background from the Val de Loire. c. 1500, 135 by 105cm. Commode, estampillée: R Lacroix/Roger Vandercruse. 89 by 139 by 54cm.
Attributed works:
[ Antony Embden, 15 Quai Voltaire, Paris ] A Very Important Ivory Group of Mary and the Christ Child (Notre Dame de La Victoire), Both Figures with Glass Eyes. The Serpent Carved in Wood. Height 35 cm. By Simon Troger (Signed)
Attributed works:
[ Athenaeum, Avenue Princesse Alice 5, Monte Carlo ] Satyr and Peasant. "Mathäus Stomer" 1600/sicile 1650. Oil on Canvas 48 by 57 cm
Attributed works:
[ Bernheimer, 32 St. George Street, London / Lenbachplatz 3, Munich ] A Commode, Italy, End 18th Century in the Manner of the Maggiolini Workshop. Height 92.5 cm, Width 131cm, Depth 60cm
Attributed works:
[ Breede, Alter Schmuck, Residenzstrasse 11, Munich ] Art-Deco Pendant with Sapphires, Rubies, Citrines, Amethysts and Diamonds Set in Platinum. Signed: Boucheron, Paris
Attributed works:
[ Brian Breet, 3b Burlington Gardens, London ] A Rare 'Trafalgar' Vinaigrette by Matthew Linwood, Birmingham, 1805.
Attributed works:
[ Brod Gallery, 24 St. James's Street, London ] Louis Leopold Boilly. La Bassée 1761-1845 Paris. L'Escamoteur sur les boulevards. Signed and Dated Boilly 1806. Oil on Panel: 24 × 33 cm (9½ × 13 ins)
Attributed works:
[ Browse & Darby, 19 Cork Street, London ] Augustus John. Girl in a Wide Brimmed Hat. Pencil 14½ × 10½ Inches
Attributed works:
[ Colnaghi, 14 Old Bond Street, London / 26 East 80th Street, New York ] John Piper. The Red House, Painswick
Attributed works:
[ cover ] Detail from Stratford Mill, by John Constable. 1820. National Gallery, London.
Attributed works:
[ David Koetser Gallery, 37 Talstrasse, Zurich ] Abraham van Beyeren. Signed. 103 × 100 cm. (1620 The Hague 1690)
Attributed works:
[ Delomosne and Son Ltd., 4 Campden Hill Road, Kensington High Street, London ] An Irish Decanter with Simple Engraving and Initialled IMR. The Mould-Blown Base Includes the Factory Name: Waterloo Co. Cork. c. 1815.
Attributed works:
[ Galerie Chevalier, 157 East 64th Street, New York ] "Abraham and Sara" - A XVIth Century Flemish Tapestry, Probably from Tournai - 11 ft 1 (H) × 10 ft 5 (W).
Attributed works:
[ Galerie Daniel Malingue, 26 Avenue Matignon, Paris ] Two Characters with Bouquets of Flowers, by Marc Chagall. Gouache, 75,5 by 50cm. Signed and Dated 1967. Galerie Daniel Malingue, 26 Avenue Matignon, 75008 Paris.
Attributed works:
[ Galerie Laggitaire, 23 rue Auguste Comte, Lyon ] 5 scènes chinoises. 170 × 170 cm
Attributed works:
[ Galerie Laggitaire, 23 rue Auguste Comte, Lyon ] 5 scènes chinoises. 170 × 170 cm
Attributed works:
[ Galerie Laggitaire, 23 rue Auguste Comte, Lyon ] 8 panneaux décoratifs. 270 × 166 cm
Attributed works:
[ Galerie Laggitaire, 23 rue Auguste Comte, Lyon ] 8 panneaux sujet décoratif
Attributed works:
[ Galerie Laggitaire, 23 rue Auguste Comte, Lyon ] 8 scènes champêtres. 330 × 290 cm
Attributed works:
[ Galerie Laggitaire, 23 rue Auguste Comte, Lyon ] 8 scènes champêtres. 330 × 290 cm
Attributed works:
[ Gallery Lingard, 50 Pall Mall, London ] Sir James Pennethorne. Architect. 1801-1871. A Sketch of an Idea for the Restoration of the Roman Forum, 1825. Ink & Wash. Signed: J Pennethorne & Dated 1825, Rome. Inscribed: Sketch of an Idea for the Restoration of the Roman Forum. 10½ × 20 Inches (27 × 51 cms)
Attributed works:
[ Ivo Bouwman, Lange Vijverberg 20, The Hague ] J. H. Weissenbruch (1824-1903). River Landscape with Mill and Cows. Oil on Canvas: 60 × 79 cm. (Signed Lower Right)
Attributed works:
[ Jean - Max Tassel, 15 Quai Voltaire, Paris ] Jan Davidsz de Heem (1606-1684). Fruit Still Life. Oil on Panel. Coats of Antwerp. Panel Maker Frans de Bout. 14 × $20frac{3}{4}$ in. - 35,8 × 52,3 cm. Signed on the Top Right-Hand Corner. Dated 1648/1649 According to Professor Berström Comparing to the 50's Glasgow Museum.
Attributed works:
[ Jocelyn Feilding Fine Art Ltd, The Alan Jacobs Gallery, 8 Duke Street, St. James's, London ] Alexander Keirincx. A Stag Hunt. Oil on Panel. 18¼ by 25¼ in.
Attributed works:
[ John Jesse Irina Laski, 160 Kensington Church Street, London ] An Aesthetic Movement Porcelain Teapot, the Base is Inscribed 'The Fearful Consequences Through the Laws of Natural Selection and Evolution, of Living up to One's Teapot'. The Design Was Registered in 1881 and Made by the Worcester Royal Porcelain Works 1882.
Attributed works:
[ Julian Hartnoll, 14 Mason's Yard, Duke Sreet, St. James's, London ] Albert Moore 1841-1893, Head of a Young Woman in Profile 1890-3. Black and White Chalk on Yellow Paper, Laid, 17 × $13frac{3}{4}$ Inches, Image 13 × 12½ Inches
Attributed works:
[ Marlborough, 6 Albemarle Street, London ] Mordecai Ardon. Golan 1986 Oil on Canvas $31frac{3}{4}$ × 39¼ in/81 × 100 cm.
Attributed works:
[ Maurice Asprey Ltd., 41 Duke Street, St. James's, London ] A Small Cream Jug with Flat Chasing and Coat-of-Arms, by Aymé Videau 1738. Height: 4″ to Top of Handle.
Attributed works:
[ Owen Edgar, 9 West Halkin Street, Belgravia, London ] Hendrik van Minderhout (Rotterdam 1632-Antwerp 1696). "Extensive Italianate River Landscape". Oil on Canvas. Signed and Dated 1653. 60 × 81 ins; 157.5 × 205.7 cms.
Attributed works:
[ Peter Oude Kunst, Spoorlaan 438, Tilburg ] Engraved Pewter Plate by Johannes van Swinderen. Amsterdam. 1727.
Attributed works:
[ Phillips, 7 Blenheim Street, New Bond Street, London ] StreetGustave Courbet, "A Chateau by a River," signed and Dated '56, Oil on Canvas, 59 cm. x 73 cm. Estimate: £30,000 - £50,000.
Attributed works:
[ Piero Corsini Inc., 162 East 63rd Street, New York ] Giovanni Battista Moroni. Albino. c. 1520-Bergamo, 1578. Portrait of Prospero Alessandri. Oil on Canvas, 53.7 × 47 cm. ($21frac{1}{8}$ × 18½ Inches)
Attributed works:
[ Richard Green, 44 Dover Street, London ] Jacob Marrel (1614-1681). A Flower Piece of Thirty-Nine Sorts (Eleven Tulips) in a Baroque Vase with a Kingfisher, a Lizard on a Balustrade, and with Three Libellulas and a Fly. Signed and Dated 1639. Panel: 33 × 26½ in/84 × 67.5 cm
Attributed works:
[ Richard L. Feigen & Company, 113 East 79th Street, New York ] Thomas Gainsborough, "Hilly Wooded Landscape with Country Cart," Circa 1745-46 Oil on Canvas, 23.5 by 31.1 cm.
Attributed works:
[ Steppes Hill Farm Antiques, The Hill farm Stockbury, NR. Sittingbourne, Kent ] A Fine Early Worcester Inverted Pear Shaped Teapot and Cover with Faceted Spout, Printed in Black by Robert Hancock with L'amour, c.1756/1758.
Attributed works:
[ Wartski, 14 Grafton Street, London ] Four Cigarette Cases by Carl Fabergé. A pale blue enamelled silver cigarette case set with rose diamonds. Length: 3¼ inches/7.8 cm. A shaped two-coloured gold cigarette case entirely decorated with engraved lozenges each set centrally with a chased gold flower head. The thumbpiece set with a cabochon sapphire. From the collection of the late Edward James. Length: 3½ inches/8.5 cm. A shaped and reeded red and green gold cigarette case. Length: 3 inches/7½ cm. A gold mounted lilac enamel silver cigarette case, the centre applied with an oval moss agate panel surrounded by rose diamonds set in platinum. This case was purchased from Fabergé in London on January 13th 1914 by Sir Everard Hambro. Length: 3½ inches/8.5 cm. All four cases are fully signed.
Attributed works:
[ William Drummond, 8 St. James's Chambers, Ryder Street, St. James's, London ] Scène d'Algerie, by Pierre-Antoine Labouchère (1807-1873). One of a Set of 4. Watercolours. 7″ by $10frac{1}{8}^{prime prime}$. Signed, Inscribed and Dated 1846.
Non-western art unattributed:
[ Emile Deletaille Antiquaire, 12 rue Watteau, Brussels ] Seated Figure in Volcanic Stone A. D. 300-500. Atlantic Watershed Zone. Costa Rica
Non-western art unattributed:
[ Michael Goedhuis Colnaghi Oriental, 14 Old Bond Street, London ] Large Bronze Tripod Censer with Heaven Soaring Handles. China, Qianlong Period. ht: 18 ins.
Non-western art unattributed:
[ Vander Ven & Vander Ven, Peperstraat 6, Hertogenbosch, Holland ] A Chinese Figure of a Porcelain Hound. China 18th Century. Chien-Lung Period (1736-1796)
Western art unattributed:
[ Annabel Jones, 52 Beauchamp Place, Knightsbridge, London ] A Rare Pair of Old Sheffield Plate. Wine Coolers Both in the Form of the Warwick Vase. Circa 1820 1830. Height 10 Inches. (Refer to F. Bradbury, pages 377 381 'The Warwick Vase').
Western art unattributed:
[ Brian Haughton Antiques, 3b Burlington Gardens, Old Bond Street, London ] Pair of Chelsea Figures of a Sportsman and Companion Wearing Richly Gilt, Puce, Green and Yellow-Scale Clothes, She with a Bowl of Fruit and a Dog, He with a Gun, a Flask and a Dog. Gold Anchor Mark c.1768 10½ ins High
Western art unattributed:
[ De Havilland (antiques) ltd, 48 Sloane Street, London ] George II Mahogany Partners Desk Decorated with Vitruvian Scrolls on Hairy Lion's Paw Feet. Circa: 1750 Width: 60½″; Depth: 42″
Western art unattributed:
[ Klaber and Klaber, 2a Bedford Gardens, Kensington Church Street, London ] A Rare Derby Plate Circa 1758
Western art unattributed:
[ O'Shea Gallery, 89 Lower Sloane Street, London ] Duke of Newcastle
Western art unattributed:
[ Pelham Galleries, 163 & 165 Fulham Road, London ] An Outstanding Regency Period Mahogany Writing Table, the Frieze Carved with Greek Key. Ornament Concealing Drawers on Both Sides and Slides in the Ends. Height 31½in (77cm) Width 60in (152cm); With Slides Drawn 94in (238in) Depth 37½in (95 cm)
Western art unattributed:
[ Van Kranendonk Duffels, Rue Paul Lauters 10, Brussels ] A Blue Enamel Brooch. Diamonds & Pearls
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Advertisements June 1986 (Front)
06/1986 | 999 | 128
Pages: i-xxxii
Subjects
advertisements:
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artists:
artists:
Illustrations
Attributed works:
Detail from The Meeting, by Fragonard. (Frick Collection, New York).
Attributed works:
[Adolphe Sten at Douwes Fine Art Gallery, 38 Duke Street, London] Hubert Robert The Capitoline Hill with the Steps of Santa Maria in Aracoeli Red Chalk. 326 by 454 mm. Dated 1762. One of a Series of Roman Views, All Executed in 1762. Another of the Palazzo de' Senatori is in the Louvre (inv. R. F. 785).
Attributed works:
[Agnew, 43 Old Bond Street, London] Simon Vouet 1590-1649. Allegory of Fortune Canvas: 59 × 46 ins
Attributed works:
[Brod Gallery, 24 St. James's Street, London] Philippe de Champaigne Brussels 1602-1674 Paris The Visitation. Oil on Canvas 79×102 cm (31×40 ins)
Attributed works:
[Chaucer Fine arts & Galleria Gasparrini, 45 Pimlico Road, Palazzo Ruspoli, via Fontnella Borghese, Rome] Claude Lorrain Chamagne 1600 — Rome 1682. Wooded Landscape with a Brook. Canvas, 99 × 149 cm. Signed
Attributed works:
[Chaucer Fine arts & Galleria Gasparrini, 45 Pimlico Road, Palazzo Ruspoli, via Fontnella Borghese, Rome] Eliseo Sala Milan 1813 — Bancate di Brianza 1879. The Morning Toilet. Canvas, 166 × 127 cm. Signed
Attributed works:
[Colnaghi, 14 Old Bond Street, London] Camillo Procaccini Bologna 1546—Milan 1629. The Transfiguration. Etching. First State of Two. (572 × 345 mm)
Attributed works:
[Conway Maritime Press Ltd, PO Box 10, Teignmouth] Conway's Marine Artists. Nicholas Pocock 1740-1821. 240 × 184mm (9½″ × 7¼″), 128 Pages, 65 Photographs, Eight-Page Colour Section. ISBN 0 85177 X. £12.95 (+ £1.94 Post and Packing When Ordering Direct).
Attributed works:
[Danielle Harrison Gallery, 68 Prince's Gate Mews, London] Tony Pilbro 'Adam & Eve' 1986. Oil on Canvas 60″ × 39″ 152 × 99 cm
Attributed works:
[Galerie Schmit, 396 rue Saint Honore, Paris] Picasso "Couple d'Espagnols"; Pastel 15 ¾ x 19 ⅝ Inches - Executed in Barcelona during the Summer 1900.
Attributed works:
[Galleri K Bjørn, Farmannsgt 6, Oslo] Edvard Munch, Zum Walde (Schiefler 444), Woodcut Printed in Six Colours. A Fine Impression of This Very Rare Print.
Attributed works:
[Gallery Lingard, 50 Pall Mall, London] G. E. Street 1824-1881 A Travel Sketch of Bruges 1868. Watercolour over Pencil 9 × 11¼ Inches (22.9 × 28.6 cms)
Attributed works:
[Giacomo Algranti Ltd, 66 Westbourne Terrace, London] Pieter van Boucle (Antwerp[?] Early 17th Century - Paris 1673). Still Life with Game. Oil on Canvas, 116 × 189cm
Attributed works:
[Hazlitt, Gooden & Fox, 38 Bury Street, London] Charles-Etienne Leguay 1762-1846. Portrait of a Woman. Black Chalk, Estompé, Slightly Heightened with White, 22.8 × 18.2 cm
Attributed works:
[Johnny van Haeften, 13 Duke Street, London] Jan Fris (c. 1627 - Amsterdam - 1672). A Vanitas with a Skull, Plumed Helmet, Bullae and Musical Instruments. Signed and Dated 1670. On Canvas. 53½ × 44½ ins.
Attributed works:
[Marlborough Fine Art Ltd, 6 Albemarle Street, London] Oskar Kokoschka (1886-1980) Reclining Girl c. 1920 Watercolour 20 × 27 in/50.8 × 68.6 cm
Attributed works:
[Matthiesen, 141 East 69th Street, New York] Michiel Sweerts Brussels 1624—Goa 1664. Mars Destroying the Arts. Canvas: 69 × 51 cm
Attributed works:
[Pelham Galleries, 163 & 165 Fulham Road, London] A Fine George III Tortoise-Shell and Ormolu Mounted Bracket-Clock by John Marriott Striking the Hours and Quarter and Playing Six Tunes. The Music and Automaton with Pull-Repeat. London, Circa 1765. Height: 21 Inches (53 cm)
Attributed works:
[Phillips, 7 Blenheim Street, London] Henri Matisse, Lead Pencil on Paper, Signed and Dated 41, 12½″ x 17″ (32 cm × 43 cm), Certificate Margherite Duthuit. Estimate: £40,000-£50,000 ($60,000-$75,000).
Attributed works:
[Richard L. Feigen & Company, 113 East 79th Street, New York] Thomas Gainsborough, "Mrs Philip Dupont," Circa 1779 Oil on Canvas, 77.5 by 64.4 cm
Attributed works:
[Sotheby's, 34-35 New Bond Street, London] Luca Giordano, Lucretia, Oil on Canvas, 120 × 95 cm. Estimate: £60-80,000.
Attributed works:
[Sotheby's, 34-35 New Bond Street, London] Théodore Gericault, A Portrait of a Young Man, Oil on Canvas, 45.5 × 36.5 cm
Attributed works:
[Stoppenbach & Delestre, 25 Cork Street, London] Nicolas Didier Boguet (1755-1839) Vue de Frascati Oil on Canvas, Signed and Dated 1812 22½×39 in 57.2×99.1 cm
Attributed works:
[Stoppenbach & Delestre, 25 Cork Street, London] Nicolas Didier Boguet (1755-1839). Vue du Frascati Oil on Canvas, Signed and Dated 1812 22½ × 39in 57.2×99.1 cm
Attributed works:
[The Fine art Society, 148 New Bond Street, London] Richard Garbe. The Mummer. Height 20½ ins. (52.1 cm.)
Attributed works:
[Wildenstein, 147 New Bond Street, London] William Blake, The House of Death, c. 1795 480 by 603 mm Colour-Print, Finished in Pen, Chalk and Watercolour, Heightened with White
Non-western art unattributed:
[Eskenazi, Foxglove House, 166 Piccadilly, London] Seated Wood Figure of Guanyin 13th Century Height: 86cm
Non-western art unattributed:
[F. Dörling, Neuer Wall 40/42, Hamburg] Meiping Vase. China 15th Century. Ht. 36.5 cm.
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07/1985 | 988 | 127
Pages: i-xxxvi
Subjects
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artists:
artists:
artists:
artists:
artists:
artists:
Illustrations
Attributed works:
The Incredulity of Thomas, by Dirk Barendsz. Oil on Paper. (British Museum; Exh. Colnaghi London).
Attributed works:
[6th International Biennial Fair & Exhibition of Antique dealers, jewellers & art galleries, Monte Carlo] Le Gascon Puni, by Nicolas Vleughels (1668-1737). On Metal, Monogrammed and Dated Lower Right - N. V. 1728. 36 by 29 cm. Patrick G Perrin. Pietà. Stone Sculpture. Auvergne, Thirteenth Century. L'Antiquaire du Paradou. Saint Tropez, la ville et les pins, by Paul Signac 1902. Oil on Canvas. 65.4 by 81.5 cm. Galerie Daniel Malingue. Feuille de Choux with Monkeys. Manufactures de Grammont. c.1540. 275 by 215 cm Dario Boccara. Stool, Gilt and Carved Wood, Stamped Jacob Desmalter. First Empire, 62 by 90.5 by 44 cm Provenance: Chateau de Saint-Cloud. Maurice Segoura. Occasional Table. Russian, Nineteenth Century. Attributed to A M Operkouchin, 80.5 cm High by 72.5 cm Diameter. Provenance: Grand Duc Nicholas-Nicholaïevitch. Tzigany. The Caravan by Jules van Biesbroeck (1873-1965). Panel, 98 by 122 cm. Signed Lower Right. Berko. Mantel Clock, White Marble and Chased Gilt Bronze, Louis XVI (1754-1793), 44 by 35 by 12 cm Provenance: Collection de Monsieur C... Galerie Perrin. Diamond and Emerald Tiara. Approximately 500 Carats. Probable Provenance: The French Imperial Crown Jewels. Alexandre Reza
Attributed works:
[Agnew, 43 Old Bond Street, London] Giovanni Antonio Canaletto. Warwick Castle, The South Front. Canvas: 28½ × 47½ ins
Attributed works:
[Anthony Dallas & Sons Ltd, 17 Clifford Street, London] James Norie the Elder (1684-1757). A Romantic Coastal Landscape. 10½ × 12½ in. (26.8 by 32 cm)
Attributed works:
[Athenaeum, 5 Avenue Princesse Alice, Monte Carlo] Guiseppe Sanmartino. Napoli 1723-1793. Bronze: H cm 76.
Attributed works:
[Berko fine paintings, Kustlaan 163, Belgium] Thomas Jones Barker (Bath 1815-Haverstock Hill 1882; English School). Departure of the Regiment. Canvas. Signed, 41 × 22in (102 × 55cm)
Attributed works:
[Bernard Baruch Steinitz, 4 rue Drouot, Paris] A Mechanical Automaton Silver Teapot in the Shape of a Camel, Bearing a Rider with Two Drums, One for Tea and the Other for Milk. By Omarsée & Sons, Baroda. Second Half of the Nineteenth Century. Height 53 cm, Length 44 cm, Weight 5,000 gr. A Similar Piece was Recorded at the Hotel Lambert in the Rothschild/Baron Rédé Collections.
Attributed works:
[Bernheimer, Lenbachplatz 3, Munich] Commode, by Roger Vandercruse, Called Lacroix. Stamped R. V. L. C. Louis XV/XVI Transition Period, c.1770-75. Rosewood Veneer on Oak with Very Fine Floral Marquetry with Three Drawers in the Frieze and Two Deep Drawers below.
Attributed works:
[Colnaghi, 14 Old Bond Street, London] Gaetano Gandolfi - S. Matteo Della Decima. 1734 - Bologna 1802. Cain and Abel. Black Chalk, with Touches of White and Red Chalk, on Brown Paper. 497 × 360 mm
Attributed works:
[Colnaghi, 14 Old Bond Street, London] Giovanni Battista Tiepolo. Venice 1696 - Madrid 1770. A Magician Pointing Out a Burning Head to Two Youths. Etching. De Vesme 16, Rizzi 7, Proof State, First State of Three, before the Plate Was Reduced in Size. (226 × 186 mm.)
Attributed works:
[David Koester Gallery, 37 Talstrasse, Zurich] David Teniers, the Younger. Signed. Panel, 21 × 16 cm
Attributed works:
[Didier Aaron Ltd, 21 Ryder Street, London] Portrait of Olympia and Marie Mancini. Attributed to Pierre Mignard (1612-1695). Oil on Canvas. 1.38 m × 1.66 m. (54¼″ × 65½″)
Attributed works:
[E.F.J. Stender, 5271 Ab sint Michielsgestel, Holland] Antide Janvier (1751-1835). Mahogany Month Long Case Clock with Striking Work and Year Calendar. The Dial is Signed: Coteau. (1770-1812)
Attributed works:
[Fischer Fine Art Limited, 30 King Street, London] Window, Leaded Glass, 1904, 40 × 27¼ ins
Attributed works:
[Galerie Sanct Lucas, Josefsplatz 5, Vienna] Theodor Rombouts. A Musical Party. Canvas, 130: 162 cm
Attributed works:
[Hill-Stone Inc., Box 535, Lennox Hill Station, New York] Rembrandt van Rijn 1606-1669. Landscape with a boat beside a canal. Etching and drypoint; 1650. Bartsch 236, Hind 239, Biörklund-Barnard 50-B: ii/II. A brilliant impression with much burr. From the collections of J. D. Böhm(Lugt 271, 272, and 1442), Samuel, Graf von Festetits(Lugt 926) and Friedrich Kalle(Lugt 1021).
Attributed works:
[Ivo Bouwman, Lange Vijverberg, The Hague] Odilon Redon (Bordeaux 1840 - Paris 1916). Flowerstill-Life. Oil on Canvas, 33.4 × 33.5 cm. Signed Lower Left
Attributed works:
[J.H. Bourdon-Smith Ltd, 24 Masons Yard, London] A Fine Wirework Basket. A Good Wirework Table Basket with a Woven Rope Edge and Twisted Rope Handle. It Was Made in London 1780 by John Wakelin and William Taylor. It Measures 10.75 Inches (27.3 cm) across and Weighs 40 Ounces (1244 gm).
Attributed works:
[Johnny van Haeften, 13 Duke Street, London] Gerrit Berckheyde (1638 - Haarlem - 1698). A View of the Kloveniersburgwal, Amsterdam, with the Waag in the Background and the Trippenhuis to the Right. Signed and Dated 1685. On Canvas - 21 × 25 Inches (53 × 63 cms)
Attributed works:
[Marlborough Fine Art Ltd, 6 Albemarle Street, London] Henry Moore. Figure in a Shelter, 1984, Bronze, Height 72 in/183 cm, Edition of 6.
Attributed works:
[Pelham Galleries, 163 & 165 Fulham Road, London] A magnificent late eighteenth century Roman Tapestry Picture of "Cleopatra" after Carlo Maratta in its original carved giltwood and simulated marble frame which bears the arms of Pope Pius VI. The Tapestry was woven in the workshops of San Michele a Ripa which were founded by Pope Clement XI at the beginning of the eighteenth century. It is in perfect unfaded condition. Height-5′7″ Width-3′1½″
Attributed works:
[Phillips, 7 Blenheim Street, London] Emile Claus, the Embankment, Hungerford Bridge. Oil on Canvas, Signed and Dated '16, 78cm. × 65cm.
Attributed works:
[Richard L. Feigen & Company, 620 N. Michigan Avenue, Chicago] Giovanni Cariani, "Portrait of Dominicho Radise," Oil on Canvas, 100.4 by 75 cm.
Attributed works:
[Sotheby's, 102 Rokin, Amsterdam] Sir Pieter Paul Rubens, Landsknechts Fighting Around a Table; Figures at a Table in an Inn, a Pair, Both Pen and Brown Ink and Wash. Each c. 13.3 by 17.4 cm. Provenance: P. J. Mariette; Comte Moritz von Fries.
Attributed works:
[Steppes Hill Farm Antiques, The Hill Farm, Stockbury] A Very Rare First Period Worcester Inverted Pear Shape Milk Jug and Cover on Claret Ground, Painted in the Ciselé Gilt Enriched Reserve with an Exotic Bird on Fruit and Foliage, in the Atelier of James Giles of London. c.1768.
Attributed works:
[Stoppenbach & Delestre Ltd, 25 Cork Street, London] Aimé Jules Dalou (1838-1902). "Portrait of Mademoiselle Vuillier" Also Called "Candeur" Bronze. Height: 37.3 cm ($14frac{11}{16}$ in). Cire Perdue: A. A. Hebrard. Stand No 31
Attributed works:
[The Burlington house Fair at Royal Academy of Arts, London] A Large Chased Sideboard Dish Monogrammed in the Centre 'E. E'. Made in London in 1868 by George Fox. J. H. Bourdon-Smith, London.
Attributed works:
[The Burlington house Fair at Royal Academy of Arts, London] Louis XV Commode by Jean Desforges, maître ébéniste in Paris, 1739. Japanese Black and Gold Lacquer Panels Framed by Elaborate Bronze Doré Mounts Which Continue Down Legs to Form Intricate Sabots. Didier Aaron, Paris and USA.
Attributed works:
[The Burlington house Fair at Royal Academy of Arts, London] Mid-Eighteenth Century Hurdy-Gurdy by Nicholas Lambert of Paris. Circa 1750. Pelham Galleries, London.
Attributed works:
[The Burlington house Fair at Royal Academy of Arts, London] Pair of Louis XVI Ormulu-Mounted Rose Granite des Vosges urns, Mounted with Gilt Bronze Putti, Frieze and Laurel Swags. The Model is Attributed to Thomas Duplessis after a Design by Juste Francois Boucher (1736-1781). Bernard Steinitz. Paris and London.
Attributed works:
[The Burlington house Fair at Royal Academy of Arts, London] Terrace on the Roof with View on Liège, by Evariste Carpentier, Kuurne 1845, Belgium School. Berko, Belgium.
Attributed works:
[The Burlington house Fair at Royal Academy of Arts, London] Venus at the Forge of Vulcan by Gaetano Gandolfi. Oil. Trafalgar Galleries, London.
Attributed works:
[The Leger Galleries Ltd, 13 Old Bond Street, London] William Hogarth 9½ × 12 15/16 Inches. Hudibras Vanquished by Trulla. Pen and Ink and Grey Washes.
Attributed works:
[Trafalgar Galleries, 35 Bury Street, London] Gerrit Van Honthorst (Utrecht 1590-1656). A Musical Party. Oil on Canvas 51¾ Inches × 71½ Inches (131 × 182 cms)
Attributed works:
[Trafalgar Galleries, 35 Bury Street, London] Michele Desubleo (Mauberge Circa 1601- Parma 1676). Jacob's Dream. Oil on Canvas 60 × 83 Inches (153 × 210 cms)
Attributed works:
[William Drummond, 11 Bury Street, London] William Hoare of Bath R. A. 1706-1792. A Sleeping Nymph. Pastel Oval 18¼ × 26 Inches. 45.6 × 66 cms. Painted Circa 1760
Non-western art unattributed:
[Vanderven & Vanderven, Peperstraat 6, 's-Hertogenbosch] A Pair of 18th Century Chinese Large Famille Rose Mandarin Jars and Covers. Chien Lung Period, 1736-1795
Western art unattributed:
[Anthony Woodburn, High Street, Leigh] George Graham. An Important Walnut Longcase Clock from the George I Period. Both Movement and Case are Numbered
Western art unattributed:
[de Havilland (antiques) Ltd, 48 Sloane Street, London] George III Ebony Musical Regulator Spring Clock, Six Dials, Centre Second Hand, ½ Second Dead Beat Escapement, with Chinoiserie Decoration, Signed Simpson, London. Height 28 Inches (71 cms.)
Western art unattributed:
[Galerie Perrin, 3 quai Voltaire, Paris] Outstanding 'Chinoiserie' Clock. Chased, Gilt Bronze. Mark: 'Saint Germain' Struck on the Base. On a Convoluted Base, Adorned with Rocaille Decoration, Foliage and a Pierced Balustrade, Two Half-Kneeling Chinese Figures Support the Clock. The Dial is Signed Vandercruse a Paris. Height 55 cm. Width 53 cm.
Western art unattributed:
[Graham and Oxley Antiques Ltd, 101 Kensington Church Street, London] A Fine Pair of 1st Period Worcester Heart Shaped Dishes Decorated with Hop Trellis Pattern. Circa 1770. Mint Condition.
Western art unattributed:
[The Burlington house Fair at Royal Academy of Arts, London] 17th Century Japanese Blue-White Dish with the Monogram of the Dutch East India Company. Van der Ven & Van der Ven, The Netherlands.
Western art unattributed:
[The Burlington house Fair at Royal Academy of Arts, London] Clock in verre opaline of Deep Lavender Blue with Ormulu Mounts in Original State. French, Circa 1825. Delomosne, London.
Western art unattributed:
[The Burlington house Fair at Royal Academy of Arts, London] Delftware Plate Decorated with a Portrait of George III, Circa 1761. Jonathan Horne, London.
Western art unattributed:
[The Burlington house Fair at Royal Academy of Arts, London] Early 18th Century George I Walnut Bureau - Circa 1725. Hotspur, London.
Western art unattributed:
[The Burlington house Fair at Royal Academy of Arts, London] Louis XV Commode. Gallerie Perrin, Paris.
Western art unattributed:
[The Burlington house Fair at Royal Academy of Arts, London] Pair of Worcester Heart Shaped Dishes Decorated with Hop Trellis Pattern. Circa 1770. Graham & Oxley, London.
Western art unattributed:
[Wartski, 14 Grafton Street, London] An Articulated Diamond Aigrette Mounted in Gold and Set in Silver. English c.1780. (This Jewel is Shown Actual Size)