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2 articles
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Advertisements October 1992 (front)
10/1992 | 1075 | 134
Pages: i-xx
Subjects
subjects:
Illustrations
Attributed works:
cLudovico Carracci (Bologna 1555 - Bologna 1619). The Transfiguration. Canvas, 152 × 100 cms
Attributed works:
[37th German Art and Antique Fair in Munich] A Musical Longcase Clock by David Roentgen and Peter Kinzing Neuwied 1786. Height 199 cm, Width 65 cm, Depth 55 cm. Mahogany on Oak, Brass Fittings and Ormolu Mounts.
Attributed works:
[37th German Art and Antique Fair in Munich] Jacques de Claeuw (Active in Dordrecht, Died after 1676). Flowers in a Glass Vase. Oil on Panel, 32.5 × 24 cm.
Attributed works:
[Ackermann and Johnson, 27 Lowndes Street, London] A Portrait of Charles Trelawny, Esq., Master of the Dartmoor Hunt, on His Favourite Hunter, Grimaldi, with the Hounds Conqueror, Lounger and Windermere, a View of Dartmoor Beyond by Sir Francis Grant, PRA 1803-1878. Oil on Canvas 71 × 49 in./180 × 124.5 cm.
Attributed works:
[C. G. Boerner, kasernenstasse 13, Dusseldorf/ 61 East 77th Street, New York] Walter Gramatté Drawings (1897-1929)
Attributed works:
[Caylus Anticuario, Lagasca 28, Madrid] Vicente López (1772-1850). Saint Peter and Saint John Healing a Lame Man. Pencil and Wash on Paper, Inscribed on the Back "V. López". 280 × 170 mm.
Attributed works:
[Colnaghi, 14 Old Bond Street, London/ 108-112 Rue du Faubourg St Honore, Paris/ 21 East 67th Street, New York] Jean-Pierre-Xavier Bidault Carpentras 1743 - Lyon 1813. A Still Life of Flowers. Oil on Canvas: 71.2 × 54.8cms. Signed and Dated at Lower Right: P. Bidault F. 1810/a Lyon
Attributed works:
[Galerie Koller, Hardturmstrasse 102, Zurich] Claude Monet. Pourville near Dieppe. Oil on Canvas, Signed and Dated '82. 60.4 × 79.1 cms.
Attributed works:
[Galerie Koller, Hardturmstrasse 102, Zurich] Fernand Léger. Still Life, the Chair. Oil on Canvas, Signed and Dated (19)49. 65 × 54.5 cms.
Attributed works:
[Galerie Koller, Hardturmstrasse 102, Zurich] Pierre Auguste Renoir. Post Office at Hauts de Cagne. Oil on Canvas, 20 × 28 cms.
Attributed works:
[Galleria Salamon, Via San Damiano 2, Milan] Lucas Cranach (Kronach 1472 - Weimar 1553). The Deer Hunt Woodcut, Hollstein VI, 115; 379 × 513 mm. Watermark: "Cross and Three Mountains in the Shield", Briquet 1243, before 1565.
Attributed works:
[Glerum Auctioneers, Westeinde 12, The Hague/ Beethovenstraat 89, Amsterdam] Jacob de Wit (1695-1754), Oil on Canvas, 134×64 cm. Estimate Dfl 40.000 - 50.000
Attributed works:
[Glerum Auctioneers, Westeinde 12, The Hague/ Beethovenstraat 89, Amsterdam] Louis Gabriel Eugène Isabey (1803-1886). Oil on Canvas, 35×63,5 cm. Estimate Dfl. 30.000 - 40.000
Attributed works:
[Karl & Faber, Amiraplatz 3, Munich] Karl Schmidt-Rottluff, (Germany, 1884-1976), Head of a Woman, Woodcut, 1915. 24.5 × 18 cm, Signed, from the Edition of 10 on Japan Paper.
Attributed works:
[Les Enluminures, Le Louvre des Antiquaires, 2 Place du Palais - Royal, Paris] Jan Gossaert (1478-1532). Saint John on Patmos (210mm Diameter). Belgium, Antwerp, c. 1510-20
Attributed works:
[Leslie Hindman Auctioneers, 215 West Ohio Street, Chicago] Jean Baptiste Robie, Bouquet of Flowers, Oil on Panel, Signed Lower Right, $27frac{5}{8}$ × 20¼ Inches.
Attributed works:
[Marcello Aldega Margot Gordon, New York] Federico Barocci 1535-1612. Preparatory for 'The Crucifixion and Mourners' Urbino. Black Chalk, Blue Grey Paper. 266 × 185 mm.
Attributed works:
[R. S. Johnson Fine Art, 645 N. Michigan, Chicago] Albrecht Dürer. Virgin and Child with Pear, engraving, 1511. A Very Fine, Silvery Impression, Crystal Clear in Even the Minutest Details. Traces of Burr in the Darker Areas. Anchor-in-Circle Watermark (M.171), Dating the Paper to 1506-1516 and Corresponding to Meder's Earliest 'a' Impressions. (Ref.: Meder 33a).
Attributed works:
[Richard L. Feigen & Company, 6 Ryder Street St. James, London/ 49 East 68th Street, New York] Leonaert Bramer, The Raising of Lazarus, Circa 1635. Oil on Panel, 26 by 37¼ Inches (66.04 by 94.61 cm.)
Attributed works:
[Sabrina Forster, Poststrasse 3, Dusseldorf] Carlo Maratta (1625-1715). The Death of St. Joseph. Black Chalk, Brown Wash with White Highlights, Squared, 337 × 290 mm. Verso: Studies of Angels, Black Chalk. Old Inscription Lamponi.
Attributed works:
[Sotheby's Peel & Asociados, Plaza de la Independencia 8, Madrid/ Pasaje Domingo 2, Barcelona] An Important Alabaster Relief of the Pietà with Traces of Gold and Polichromy by Diego de Siloé (c.1495-1563). 135×100 cm. Overall.
Attributed works:
[Sotheby's, 34-35 New Bond Street, London] Frederic, Lord Leighton, P. R. A. The Antique Juggling Girl, Oil on Canvas, 107 by 61 cm. From the Sale of Victorian Pictures, 12 November. Estimate: £400,000-600,000.
Attributed works:
[The Schuster Gallery, 14 Maddox Street, Mayfair, London] David Roberts, R. A. "Approach of the Simoon" Tinted Lithograph, 1842-49
Attributed works:
[Villa Grisebach Auctions, Fasanenstrasse 25, Berlin] Auguste Renoir. Mère et Enfant. Ca. 1885. Two Studies on One Sheet. Ruddle Drawing over White Chalk, Washed, on Paper, 31 × 42.5 (34 × 47.3) cm. Monogrammed in Pencil Bottom Center: R. Estimate: DM 240,000 - 280,000.
Attributed works:
[Villa Grisebach Auctions, Fasanenstrasse 25, Berlin] Camille Pissarro. La Vachère Ca. 1892. Gouache over Chalk on Grey Paper 31.3 × 24 cm. Signed on Lower Right: C. Pissarro; Numbered on Lower Left: T 20. Estimate: DM 140,000 - 180,000.
Attributed works:
[Villa Grisebach Auctions, Fasanenstrasse 25, Berlin] Kurt Schwitters. "MZ 245. Mal Kah." 1921. Collage of Printed Papers and Cardboard Pieces, Mounted on Cardboard, 12.5 × 9.8 cm. Signed and Dated in Pencil on Cardboard Support: K. Schwitters 1921. Entitled with Merz-Number on Lower Left: MZ 245. Mal Kah. Mounted into Passepartout. Estimate: DM 110,000 - 130,000.
Attributed works:
[Villa Grisebach Auctions, Fasanenstrasse 25, Berlin] Oskar Schlemmer. "Blauer, Schrag. Kleinbild VI." 1932. Oil over Pencil on Paper, Backed with Linen and Mounted on Cardboard. 11.5 × 23.3 cm. Signed, Dated and Entitled on Reverse. v. Maur G261: Hildebrandt Nr. 231. Estimate: DM 120,000 - 160,000.
Attributed works:
[Villa Grisebach Auctions, Fasanenstrasse 25, Berlin] Paul Klee. Ausschnitt Einer Stadt. 1915. Watercolour on Thin Cardboard. 8.4 × 18.5 cm. Signed in Ink on Left Edge: Klee; Dated and Numbered on Cardboard Support: 1915 230. Estimate: 180,000 - 240,000.
Non-western art unattributed:
[37th German Art and Antique Fair in Munich] China, Kangxi (1662-1722), Height 29″. Porcelain, Underglaze Cobalt Blue
Western art unattributed:
Stolen in Ireland 1989. Dutch Marquetry Bureau, Nine Drawers and Cupboard inside. Approx. 2.3m High by 1.4m Wide.
Western art unattributed:
[37th German Art and Antique Fair in Munich] A Wine Glass of Clear Crystal. Matt and Polished Cut. With a Triton and a Nereid Making Music in a Cove among the Trees. Nüremberg, Circa 1680, from the Workshop of Hermann Schwinger. Height 25.8 cm.
Western art unattributed:
[37th German Art and Antique Fair in Munich] Madonna and Child. Lindenwood with Original Polychromy. Upper Rhine ca.1480, Height 99 cm. Ex. Collection: Valentiner, USA.
Western art unattributed:
[Cover] Detail of the Interior of the Wilton Diptych, after Cleaning and Restoration. (National Gallery, London).
Advertisements
Advertisements June 1988 (Front)
06/1988 | 1023 | 130
Pages: ii-lii
Subjects
advertisements:
artists:
artists:
Illustrations
Attributed works:
Bust of Isaac Ware, by Louis-François Roubiliac. c.1741. Marble, Height 51.5 cm. (Detroit Institute of Arts)
Attributed works:
[Ader-Picard-Tajan, 12 rue Favart, Paris] Valentin de Boulogne St. John the Evangelist Canvas 97 × 134 cm From a Series of Paintings of the Four Evangelists
Attributed works:
[Adolphe Stein at Douwes Fine Art Gallery, 38 Duke Street, London] Ubaldo Gandolfi 1728-1781 Deposition (Of Christ) Pen and Beige and Brown Ink and Wash on Light Beige Paper, 290 × 206 mm
Attributed works:
[Anthony Roth Fine Arts Ltd, 49 Maddox Street, London] Lorenzo Bartolini (1777-1850). Bust of Giambattista Nicolini (1792-1861). Marble, 30.5 cm. High (Excluding verde antico socle)
Attributed works:
[Arnoldi-Livie, Galeriestr. 2b, Munich] Giambattista Piazzetta Venice 1682-1754 Head of a Shepherd. Black Chalk, Traces of White Heightening on Faded Blue Paper. 36,5 × 28 cm.
Attributed works:
[Asprey, 165-169 New Bond Street, London] Emerald and Diamond Set Edwardian Tiara Convertible to a Necklet
Attributed works:
[Bernheimer, 32 St. George Street, London] A French Transitional Commode Louis XV/XVI Stamped RVLC JME (Roger Vandercruse, called Lacroix, Maître in 1755) Very fine flower marquetry: rosewood, palisander and maplewood veneered on oak. On four s-shaped legs, the straight rectangular body has three shallow drawers in the frieze and two deep drawers, sans traverse, below. Very rich ormolu mounts. Marble top, breche de Mont Cenis. Height: 88 cm Width: 128 cm Depth 57.5 cm
Attributed works:
[Browse & Darby, 19 Cork Street, London] Sickert, Canal Scene, Venice. Oil on Canvas, 18 × 15 Inches
Attributed works:
[Buch und Grafik Antiquariat Falk & Falk, Kirchgasse 38, Zurich] Robert de Vaugondy, G. Nouvel atlas portrait
Attributed works:
[C. John, 70 South Audley Street, London] An Excellent Royal Aubusson Tapestry Signed: Manufacture Royal D'Aubusson and by the Weaver F. Grellet. In pristine Condition. Circa 1750. Size: 9′2″ High × 7′4″ Wide (279cm × 223cm)
Attributed works:
[C.G. Boerner, Kasernenstraße, Dusseldorf] Adolph Menzel. Pencil. 210 × 133 mm. Monogrammed Lower Left: A. M. Study for Heinrich v. Kleist. Der Zerbrochene Krug. 1876/77.
Attributed works:
[Carré Rive Gauche - J&M Duptel, 20 rue de Beaune, Paris] A. Matignon - Sainte Cécile - 146 × 175 - H. S. T. - S. B. G.
Attributed works:
[Carré Rive Gauche - Guy Monégier du Sorbier, 18 rue de Beaune, Paris] "Jeune Fille Endormie" - marbre de A. Bartholome 1848-1928.
Attributed works:
[Carré Rive Gauche - Lyons-Coulemonde-Samson, 9 rue de Beaune, Paris] Jean Antoine Laurent 1763-1832 Jeune fille au dévidoir. Signé b. d. daté. Bois 35,3 × 27
Attributed works:
[Charles Ratton & Guy Ladrière, 14 rue de Matignon, Paris] Portrait of the Knight Riccardo Rota Marble, Venice 16th Century Workshop of the Lombardi Later Inscription
Attributed works:
[Chaucer Fine Arts, 45 Pimlico Road, London] Anton Raphael Mengs Aussig 1728-Rome 1779 The Penitent Magdalen Canvas, 108.7 × 86.8 cm.
Attributed works:
[Christie's, Park Palace, Monte Carlo, Monaco] Jean Auguste Dominique Ingres: Portrait of Madame Victor Baltard with Her Daughter Paule, Signed, Inscribed and Dated 'Rome 1836', Pencil, 306 × 228mm.
Attributed works:
[Christopher Mendez, 58 Jermyn Street, London] Christoffel van Sichem (1546-1624) after Hendrick Goltzius (1558-1617) Portrait of a man with a Plumed Hat Woodcut, Hollstein 135
Attributed works:
[Colnaghi, 14 Old Bond Street, London] Johann Rottenhammer. Munich 1564 - Augsburg 1625. Allegory of the Arts and Sciences. Pen and Wash. 398 × 321mm.
Attributed works:
[David Koester Gallery, Talstrasse 37, Zurich] Hendrik van Vliet (1611-Delft-1675) Panel, 34,5 × 30 cm, Signed
Attributed works:
[Elisabeth Royer, 6 rue de Commaille, Paris] Paul Baudry: Sketch for Salome in the Great Foyer of the Paris Opéra. Oil on Canvas, 132 × 47 cm.
Attributed works:
[Fischer Fine Art, 30 King Street, London] Giacomo Manzu 'Donna Appoggiata'
Attributed works:
[Frederick Cummings Fine Art, 146 West 57th Street, New York] Marc Charles Gabriel Gleyre (1806-1874) Head of Omphale Mine de Plomb on White Laid Paper 9 5/16 × 6⅞ inches (23.5 × 17.3cm), with a Rounded Top.
Attributed works:
[Galerie Gasparrini & Chaucer Fine Arts, via Fontanella Borgheses, Rome] Alessandro Algardi (1598-1654) Bust of Pope Innocent X Terracotta, Painted White, Height 85 cm.
Attributed works:
[Galerie Gasparrini & Chaucer Fine Arts, via Fontanella Borgheses, Rome] Pietro da Cortona (1596-1669) 'Gli angeli segnano la fronte a coloro che devono essere illesi dai flagelli' Canvas, 95 × 198 cm. The Original Oil Sketch for One of the Mosaics in St Peter's
Attributed works:
[Galerie H. Odermatt-Ph. Cazeau, 85 bis rue du Faubourg-Saint-Honoré, Paris] Odilon Redon (1840-1916): "Le Fumeur d'Opium." Huile sur toile. Signé en bas à droite "Odilon Redon." 27,5 × 22,5 cm - 10¾ × 8¾ in.
Attributed works:
[Galerie Patrice Bellanger, 198 boulevard Saint Germain, Paris] François Cressent (1663-?) Père de Charles Cressent, ébéniste du Régent Louis, Duc d'Orléans, Gouverneur du Dauphiné, fils du Régent. Terre cuite originale, vers 1720 Hauteur: 61 cm (avec socle)
Attributed works:
[Gallery Lingard, 50 Pall Mall, London] William Burges Architect 1827-1881 A Design for Knightshayes, North Devon, 1869.
Attributed works:
[Hazlitt, Gooden & Fox, 38 Bury Street, London] Jean-Léon Gérôme 1824-1904. Paul Baudry au travail. Black Chalk, 35.5 × 23cm. Signed and Inscribed à son ami Paul Baudry. Datable Circa 1875
Attributed works:
[Jean-Max Cassel, 15 Quai Voltaire, Paris] Andrea Camassei Bevagna 1602 - Rome 1648 The Death of Orpheus Oil on Canvas, 103 by 80 cm
Attributed works:
[John Davies Framing Ltd, 8 Bury Street, London] The View of Delft by J Vermeer Reproduced by Kind Permission of the Maurithuis, Den Haag. Frame - A Copy of a Combination Forward Moulding Ripple Frame Selected by the Maurithuis and Built to Their Specifications.
Attributed works:
[John Mitchell & Son, 8 New Bond Street, London] Sir Thomas Lawrence Oil Painting on Canvas. Portrait of an Officer. 36 × 28 Inches With Fine Antique Frame
Attributed works:
[Julius Böhler, Pacellistrasse 8, Munich] Madonna with Child and the Infant St. John. Relief in Terracotta, with Original Polychrome. From the Workshop of Benedetto da Maiano (1442-1497). 52 by 43 cm. In the Original Frame, 88,5 by 79,8 cm.
Attributed works:
[Kimbell Art Museum, Fort Worth, Texas] Nicolas Poussin, French, 1594-1665, Diana and Endymion (Detail), 1628, The Detroit Institute of Arts, Founders Society Purchase, Membership and Donations Fund
Attributed works:
[Lefevre, 30 Bruton Street, London] Picasso Etude Pour Saltimbanque, 1905, Carnet 24, p.35 - 5¾in × 3½in.
Attributed works:
[Marlborough Fine Art Ltd, 6 Albemarle Street, London] Frank Auerbach J. Y. M. Seated VI 1983, oil on Canvas 26¼ × 28⅜ in./66.7 × 72.1 cm.
Attributed works:
[Oscar & Peter Johnson Ltd, 27 Lowndes Street, London] Girl with a Doll. A Portrait of Lilly, Daughter of J. Noble, Esq. by Sir John Everett Millais, PRA (1829-1896). Oil Painting; Signed with Monogram and Dated 1864 Inscribed on Labels on Reverse: (1) 'Lilly, Daughter of J. Noble, Esqre. 7 Cromwell Place, South Kensington' (2) 'Royal Academy Winter Exhibition 1898 Sir J. E. Millais, PRA Lilly, Daughter of J. Noble, Esq.' Canvas 35⅞ × 28¼ inches; Framed Exhibited: Royal Academy, 1864, No. 570
Attributed works:
[Palais des Beaux Arts, rue Royale 10, Brussels] J. B. Ommeganck
Attributed works:
[Palais des Beaux Arts, rue Royale 10, Brussels] J. B. Robie
Attributed works:
[Phillips, 7 Blenheim Street, London] Joseph van Aken, "Elegant Figures at a Vegetable Sellers Stall," Oil on Copper, Size 39.5 cm × 52 cm - Estimate: £4,000-£6,000.
Attributed works:
[Phillips, 7 Blenheim Street, London] Pablo Picasso, "Nature Morte à la pipe et au Tabac," oil on Canvas, 22 cm × 27 cm. Estimate: £230,000-£280,000.
Attributed works:
[Pyms Gallery, 13 Motcomb Street, London] Sir William Orpen RA RHA NEAC (1878-1931). An Aran Islander - Oil on Canvas The Model Was Margaret Crilley, a Pupil of Orpen and Later the Wife of Harry Clarke the Stained Glass Artist.
Attributed works:
[Richard L. Feigen & Company, 113 East 79th Street, New York] Jean-Baptiste Joseph Pater, 'Young Lady Resting'. Red Chalk on Paper, 6¾ by 10 Inches (17.1 by 25.4 cm)
Attributed works:
[Ronald A. Lee Plc, 1-9 Bruton Place, London] The cabinet was supplied to William Duckwoth in 1859, who was charged 250 guineas by the excellent Venetian view painter - E.W. Cooke (signed and dated 1859 and monogrammed into the frame). To add further interest we have also managed to purcahse the original pencils sketch for the frame and painting, from the artist's family.
Attributed works:
[Sam Fogg, 66 Highbury, London] A Franciscan Preaching. Master of the Budapest Antiphonary. Lombardy Mid 15th Century
Attributed works:
[Schuster Gallery, 14 Maddox Street, London] Sweert "Tulips" Florilegium, 1612. The Flowering Garden Florilegia 1600-1700
Attributed works:
[Sotheby's, 34-35 New Bond Street London] Eugène Delacroix, An Arab Horseman at the Gallop, Signed, Oil on Canvas, 54 by 45 cm. Estimate: £400,000-600,000
Attributed works:
[Sotheby's, 34-35 New Bond Street, London] A Florentine bronze group of Roger and Angelica by Ferdinando Tacca, Circa 1680-85, 42.5 cm (16¾ in.) High. Estimate: £30,000-40,000
Attributed works:
[Sotheby's, 34-35 New Bond Street, London] Nicolò dell'Abate, Apollo, Black Chalk and Pen and Brown Ink and Wash, Heightened with White, 26.5 by 17.6 cm. Estimate: £10,000-15,000
Attributed works:
[Spink & Son Ltd, King Street, London] Henry Lamb. Lord David Cecil.
Attributed works:
[Spink & Son Ltd, King Street, London] John Methuen (1650-1706) was the man responsible for the famous Methuen trade treaty signed between England and Portugal in 1703. Lord Chancellor and Speaker of the Irish House of Lords in 1697, he became Ambassador Extraordinary to Portugal in the year the treaty was signed. This set of eight silver salvers, engraved with his coat of arms, was almost certainly part of John Methuen's ambassadorial service; no comparable set of eight salvers is known. They were made in 1703 by Andrew Moore, the London silversmith who also made the spectacular silver table, hanging mirror and andirons which the City of London presented to William III. They are now at Buckingham Palace. Each salver measures 10⅛ inches (25.7 cms) in diameter, stands 2⅜ inches (6.1 cms) high and the total weight is 249 ounces 10 dwt. Your attention is drawn to the finely engraved coat of arms and the cut-card decoration round the detachable octagonal foot with screw fitting, a very rare feature.
Attributed works:
[Stair Sainty Matthiesen, 42 East 74 Street, New York] François Boucher. Head of Young Woman. Black Chalk, Heightened with White, on Cream Paper, 6 by 5⅛ Inches (152 by 130 mm.)
Attributed works:
[Thomas Le Clarie, Elbachaussee 156, Hamburg] François Boucher (1703 Paris 1770) 'Studies of a Male Nude' Red and White Chalk on Brown Paper. 35 × 30cm.
Attributed works:
[Wartski, 14 Grafton Street, London] Louis XV Gold Snuff-Box in a Chased Scrolling Cage Work Mount Set with Six Engraved Mother-of-Pearl Panels Encrusted with chinoiserie Scenes in burgau, Coral, Ivory, a Turquoise and Gold. The Cover Shows a Servant Offering tea to a Mandarin Seated upon His Throne. The Front Panel with a Kneeling Servant Working the Bellows on a Fire under a Steaming Tea-Kettle. The Other Panels, Engraved with Colonnading and Trees, Are Decorated with Palm, Pine and Banana Trees and Exotic Birds. By Barnabé Sageret, a Favourite Goldsmith of the King. Paris: 1749 3⅛ × 2¼ in × 1½ in. Sageret (1688-1758) began his career as an orfèvre privilégié, appointed by the King, of the Duc d'Orléans who had in turn been authorized to attach the goldsmith to his household. A gold snuff-box in the Louvre is set with similar panels on mother-of-pearl of the same date, also concerned with the ceremonial preparation and serving of tea. This box however was made much later by Vachette between 1809 and 1819.
Attributed works:
[Wildenstein, 147 New Bond Street, London] Sculpture by Medina-Campeny
Non-western art unattributed:
[Kyburg Limited, 39 Duke Street, London] A Unique Collection of Indian Drawings Illustrating the Production of Kashmir Shawls, Commissioned for the 1867 Paris Exposition
Non-western art unattributed:
[Michael B. Weisbrod, 987 Madison Avenue, New York] GILT BRONZE FIGURE OF A STRIDING DRAGON. Six Dynasties Period 3rd-6th century Height: 2⅛ in (5.2 cm). Length: 3½ in (8.8 cm)
Non-western art unattributed:
[Palais des Beaux Arts, rue Royale 10, Brussels] Canton H. 1.30 m
Western art unattributed:
[Antiquaires a Paris] Armchair Bernard Steinitz, Bureau Plat Aveline, Commode Jacques Perrin, Pedestals Aveline, Candelabras Didier Aaron, Painting Maurice Segoura, Clock Bernard Steinitz, Porcelain Vases Jacques Perrin, Gueridon Table Didier Aaron, Conversation Chair Michel Meyer.
Western art unattributed:
[Antiquaires a Paris] Armchair Jacques Perrin, Drum Table Maurice Segoura, Conversation Chair Michel Meyer, Boulle Cabinet Michel Meyer, Porcelain Vases Jacques Perrin, Clock Bernard Steinitz, Candelabras Didier Aaron, Carpet Aveline.
Western art unattributed:
[de Havilland, 48 Sloane Street, London] Cabinet of Break-Front Form, Satinwood Inlaid with Ebony, with Gilded Bronze Rosettes. Early Nineteenth Century. 4ft 2½in by 2ft 5in. Very Similar to the Cabinet in the V & A Collection, Given by Mr F Howard Reed, but with the Original Panelled Door.
Western art unattributed:
[Palais des Beaux Arts, rue Royale 10, Brussels] Directoire
Western art unattributed:
[Palais des Beaux Arts, rue Royale 10, Brussels] French XVIIIth Century Gold H. 10 cm
Western art unattributed:
[Palais des Beaux Arts, rue Royale 10, Brussels] Galle
Western art unattributed:
[Palais des Beaux Arts, rue Royale 10, Brussels] Imp. Collection Weapons and Helmets (200 Pieces)
Western art unattributed:
[Palais des Beaux Arts, rue Royale 10, Brussels] Louis XIV Period
Western art unattributed:
[Palais des Beaux Arts, rue Royale 10, Brussels] Nap. III Period H. 1.35 m
Western art unattributed:
[Palais des Beaux Arts, rue Royale 10, Brussels] XVIIIth Century
Western art unattributed:
[Pelham Galleries, 163 & 165 Fulham Road, London] An Outstanding Mid 17th Century Franco-Flemish Ebony Cabinet on Stand, the Interior Fitted with Drawers and a Central Tabernacle; Immaculate, Original Condition. Height: 74″ Width: 64″ Depth: 22″
Western art unattributed:
[Stephen Somerville Ltd at Bernheimer's, 32 St. George Street, London] Italian School 18th Century. Study of a Standing Male Figure Seen from Behind. Black Chalk Heightened with White on a Brown-Toned Paper. 431 × 284 mm.