By using this website you agree to our Cookie policy

Search

48 articles
Advertisements
Advertisements August 1995 (front)
08/1995 | 1109 | 137
Pages: i-iv
Subjects
advertisements:
artists:
subjects:
Illustrations
Attributed works:
[ Galerie Hans, Jungfernstieg 34, Hamburg ] Thomas Gainsborough (1727 - 1788). Wooded Landscape with Herdsman and Cows, Grey and Brown Wash and Oil on Brown-Toned Paper, 36,6 × 42,9 cm. Early 1770s
Attributed works:
[ Galerie Sanct Lucas, Palais Pallavicini, Josefsplatz 5, Vienna ] Josef Danhauser. Vienna, 1805 - 1845 Panel, 36 × 40.3 cms. Signed in Monogram and Dated 1845
Attributed works:
[ The Artemis Group, David Garritt Limited, 15 Duke Street, St. James, London / Artemis S. A., 11 Grand Rue, Geneva ] John Sell Cotman 1782-1842. The East End of the Bauchon Chapel in Norwich Cathedral, c.1806-10. Watercolour and Gum Arabic over a Pencil Drawing. Size: 428 × 275 mm.
Western art unattributed:
[ Cover ] Prophet from the Ceiling of the Painted Chamber at Westminster Palace. c.1263-66. Oak Panel, 45.3 by 42.5 cm. (British Museum, London).
Advertisements
Advertisements July 1995 (front)
07/1995 | 1108 | 137
Pages: i-viii
Subjects
advertisements:
subjects:
Illustrations
Attributed works:
[ Arturo Cuellar, Bürglistrasse 18, Zurich ] Claude Gellée dit Le Lorrain (1600 - 1682). "View of an Imaginary Port", France, Circa 1640 - 1645. Pen and Sepia Ink with Sepia Wash over Traces of Black Chalk 5¼ × $7frac{3}{4}$ Inches (13.4 × 19.8 cm)
Attributed works:
[ C. G. Boerner, Kasernenstrasse 13, Düsseldorf / 61 East 77th Street, New York ] Johann Christian Reinhart, 1761 Hof - Rome 1847. A Rocky Landscape with Pan Playing the Flute Black Chalk and Brown Washes, Signed and Dated C. Reinhart fec. Roma 1808. Size 444 × 588 mm.
Attributed works:
[ Colnaghi, 14 Old Bond Street, London / 21 East 67th Street, New York ] Claude Vignon, Tours 1593 - Paris 1670. The Adoration of the Magi, Oil on Copper: 48.5 × 37 cms
Attributed works:
[ Cover ] Sts John the Baptist and Lawrence, by Hans Memling. Panel, 57.5 by 17.2 cm. Each (National Gallery, London).
Attributed works:
[ Galerie Sanct Lucas, Palais Pallavicini, Josefsplatz 5, Vienna ] Herman Saftleven Born 1609 in Rotterdam, Died 1685 in Utrecht Panel, 34.2 × 47.8 cms. Signed and Dated 1634
Attributed works:
[ Sam Fogg, 35 St. George Street, London ] Book of Hours with 74 Miniatures by the Dresden Master, Circa 1495
Attributed works:
[Paul Prouté S.A., 74 rue de Seine, Paris ] Giovanni Benedetto Castiglione, (Genova 1609 + Mantova 1665). The Sacrifice of Noah(?). Pen and Brown Ink, 169 × 252.
Western art unattributed:
[ Cinq Antiquaires a Paris ] A Louis XVI Pair of Jardinieres Carved and Painted Wood Height: 85 in - 216 cm.
Advertisements
Advertisements June 1995 (front)
06/1995 | 1107 | 137
Pages: i-xxxii
Subjects
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
[ Artemis Group, David Garritt Limited, 15Duke Street St. James, London ] Rembrandt Harmensz. van Rijn. Portrait of Jan Asselyn. Etching, Drypoint and Burin. Size: 219 × 167 mm.
Attributed works:
[ Arturo Cuellar, Bürglistrasse 18, Zurich ] Claude Gellée dit Le Lorrain (1600 - 1682). "View of an Imaginary Port". France, Circa 1640 - 1645. Pen and Sepia Ink with Sepia Wash over Traces of Black Chalk 5¼ × $7frac{3}{4}$ Inches (13.4 × 19.8 cm)
Attributed works:
[ Asprey, 165-169 New Bond Street, London ] An Important Pair of George III Neo-Classical Soup Tureens with Covers and Liners, after a Design by Sir William Chambers, One by Daniel Smith and Robert Sharp, 1771, the Other by Robert Sharp, 1794, 13″ Long, 336 ozs. The Arms Are Those of William, 4th Earl Fitzwilliam.
Attributed works:
[ Christie's, 8 King Street, St. James, London ] Rembrandt Harmensz. van Rijn (1606-1669). The Sense of Touch: The Stone Operation on Panel 8½×7in. (21.6×17.7cm.)
Attributed works:
[ Colnaghi, 14 Old Bond Street, London ] Jean-Baptiste Perronneau Paris 1715 - 1783 Amsterdam. Portrait of Jean-Baptiste Antoine Le Moyne. Pastel: 431 × 350 cms (17 × $13frac{3}{4}$ ins)
Attributed works:
[ Compagnia di Belle Arti, Via Olmetto 17, Milan ] Giulio Cesare Procaccini (Bologna 1574 - Milan 1625). Resurrection. Oil on Panel, 76.3 × 55.7 cm
Attributed works:
[ Cover ] Toilet Mirror by Joseph-Germain Dutalis. Silver-gilt, 87 x 118cm.
Attributed works:
[ Dover Street Gallery, 13 Dover Street, London ] Pietro Fabris, (Active in Naples 1754 - 1804). The Tarantella with Merry-Makers at Mergellina with a Distant View of Posillipo. Oil on Canvas, 72.5 × 99.3 cms
Attributed works:
[ Galerie Francois Antonovich, Le Louvre des Antiquaires, 2 Place du Palais Royal, Paris ] The Judgement of Solomon and Samson and the Lion. Two Reliefs by Martin Desjardins (van den Bogaert). (Breda 1640 - Paris 1694), Sculptor to Louis XIV. Dimensions: 0.78 × 1.20m, for each relief. Limestone.
Attributed works:
[ Galerie Sanct Lucas, Palais Pallavicini, Josefsplatz 5, Vienna ] Jean-Michel Picart Canvas. Anvers 1600 - Paris 1682. 51 × 64 cms
Attributed works:
[ Hazlitt, Gooden & Fox, 38 Bury Street St James, London ] Louis-Léopold Boilly, 1761-1845. Study of a Young Girl. Black Chalk, Estompé, 26.7 × 21.5 cm
Attributed works:
[ National Portrait Gallery, St. Martins Place, London ] Jane Patterson, Raphael
Attributed works:
[ Partridge Fine Arts PLC, 144-146 New Bond Street, London ] Silver-Gilt Made for William Beckford of Fonthill Abbey (1760-1844), a Pair of Mounted Chinese Porcelain Coffee Pots, James Aldridge, 1820, a Mounted Agate Cup and Cover, Circa 1820, and a Pair of Candlesticks, John Scofield, 1791
Attributed works:
[ S. J. Shrubsole, 104 East 57th Street, New York ] Important James I Antique English Parcel-Gilt, Pineapple Cup & Cover, One of Only Four Known. Date: London 1610. Maker's Mark: IE a Crescent with Three Pellets below Height: 15½ Inches; Weight: 30ozs., 4 dwts.
Attributed works:
[ Sotheby's, 34-35 New Bond Street, London ] Francisco José Goya y Lucientes, Fuente de Todos 1746-1828 Bordeaux. Sorting the Bulls, Inscribed on the Reverse 5 and 9, Oil on tin Plate, 42.6 by 32cm. Estimate on Request.
Attributed works:
[ Sotheby's, 34-35 New Bond Street, London ] Johann Heinrich Fuseli, R. A. (1741-1825). Edgar, Feigning Madness, Approaches King Lear. Pen and Black Ink and Brown and Grey Washes over Pencil, Recto; Verso-A Study for Balaam Blessing the People of Israel 62.5 cm. by 96 cm.; $24frac{5}{8}$ by $37frac{3}{4}$ in. Estimate £180,000-£240,000
Attributed works:
[ The Grosvenor House Art & Antiques Fair ] Dirck Hals (1591 - Haarlem - 1656). An Elegant Company Feasting in an Arbour. Signed. Netherlands. Height: $19frac{3}{4}$ in (50 cm) Width: 28 in (71 cm). Painted Circa 1615. Oil on Panel.
Attributed works:
[ The Grosvenor House Art & Antiques Fair ] Willem Van Aelst (Delft 1627 - c. 1683 Amsterdam). A Still Life with a Basket of Peaches and a Blue Velvet Cloth on a Marble Ledge. Signed and Dated 1650. Oil on Canvas. Height: $14frac{3}{4}$ in (37.5 cm) Width: 19½ in (49.5 cm)
Attributed works:
[ The Grosvenor House Art & Antiques Fair, London ] Philip van der Linden Van Dyck. Portrait of a Gentleman of the Hoste or Henley Family in Chinese Dress Holland, 1723. Framed: Height: 87 in (221 cm) Width: $55frac{3}{4}$ in (142 cm). 1723. Oil on Canvas.
Non-western art unattributed:
[ Grace Wu Bruce Inc , 701 Universal Trade Centre, 3 Arbuthnot Road, Hong Kong ] A Very Fine Pair of Huanghuali Wood Yokeback Side Chairs. Chinese, Ming Dynasty, Late 16th to Early 17th Century. Height 111 cm ($43frac{11}{16}$ in). Width 51.5 cm (20¼ in). Depth 42 cm (16½ in).
Non-western art unattributed:
[ The Chinese Porcelain Company, 475 Park Avenue at 58th Street, New York ] A Fine Mirror Painting, Circa 1760 (One of a Pair), 71.12 × 55.8 cm (28 × 22 in).
Non-western art unattributed:
[ The Grosvenor House Art & Antiques Fair ] Antique Chinese Snuff Bottle. Glass Red Overlay with Fish Amidst Bubbles. 18th Century.
Western art unattributed:
[ Brimo de Laroussilhe, 7 quai Voltaire, Paris ] Ivory Panel from a Polyptych. Byzantium, Late 10th Century. Ivory (Obverse and Reverse) with Traces of Inscriptions h. 0,12: 1.0.056
Western art unattributed:
[ C. John, 70 South Audley Street, London ] A Highly Decorative Eastern European Bessarabian Carpet with a Design of Stylised Floral Sprays on a Dark Brown Field, Very Finely Woven in the Tapestry Manner. Circa 1880. Wool. Length 385 cm (152 in). Width 251 cm (99 in).
Western art unattributed:
[ Charles Ratton & Guy Ladrière, 14 rue de Marignan and 11 quai Voltaire, Paris ] French Circular Silver Cup of a Set of Six - Paris, Early 15th Century Rim and Foot Gilded, Center Decorated with Enamelled Coat of Arms of the Families Orgemont - Paillard
Western art unattributed:
[ Cinq Antiquaires a Paris ] A Louis XVI Pair of Jardinieres Carved and Painted Wood Height: 85 in - 216 cm.
Western art unattributed:
[ M. Turpin, 27 Bruton Street, London ] A Fine Giltwood Side Table with a Breche Violette top in the Manner of Mathias Lock, the Frieze Carved with Bows above a Band of Fluting, the Apron Richly Carved with Strapwork Scrolls and Shells. Each Cabriole Leg Sumounted by a Bearded Mask with Plumes Raised on Hairy Paw Feet. English: Circa 1740 Height 32 ins (81cms). Width 79 ins (201cms). Depth 29 ins (73.5cms)
Western art unattributed:
[ Norman Adams Limited, 8-10 Hans Road, Knightsbridge, London ] A Pair of Late 18th-Century Marble, Ormolu and Cut Glass Candelabra. Baltic, Circa 1790. Height 81.5 cm (32 in). An Outstanding Pair of Early George III Carved Mahogany Torchères. English, Circa 1760. Height 125 cm (49 in). Width 59 cm (23 in).
Western art unattributed:
[ Philip Antrobus, 11 New Bond Street, London ] Fine Victorian Suite of Necklace, with Detachable Pendant, Hangle, Broooch and Earrings in Gold and Diamonds.
Western art unattributed:
[ The Grosvenor House Art & Antiques Fair ] A Brass Mounted Mahogany Games Table. Russian - Early 19th Century. Height: $29frac{3}{4}$ in (75.5 cm) Width: $40frac{3}{4}$ in (103.5 cm) Diameter: 20½ in (52 cm).
Western art unattributed:
[ The Grosvenor House Art & Antiques Fair ] A Very Rare Queen Anne Red Lacquer Kneehole Desk. England. Height: $28frac{3}{4}$ in (73 cm). Width: $37frac{3}{4}$ in (96 cm). Circa 1710.
Advertisements
Advertisements May 1995 (front)
05/1995 | 1106 | 137
Pages: i-xxviii
Subjects
advertisements:
advertisements:
artists:
subjects:
Illustrations
Attributed works:
[ Artemis Group, David Garritt Limited, 15 Duke Street St. James, London ] Rembrandt Harmensz van Rijn 1606-1669. Portrait of Jan Lutma, Goldsmith. Etching and Drypoint, Size: 198 × 149 mm.
Attributed works:
[ Arturo Cuellar, Bürglistrasse 18, Zurich ] Claude Gellée dit Le Lorrain (1600 - 1682). "View of an Imaginary Port". France, Circa 1640 - 1645. Pen and Sepia Ink with Sepia Wash over Traces of Black Chalk 5¼ × $7frac{3}{4}$ Inches (13.4 × 19.8 cm)
Attributed works:
[ Bassenge, Erdener Strasse 5A, Berlin - Grünewald ] Nicolò della Casa (Active in Rome, ca. 1543-47). Baccio Bandinelli in His Studio. Engraving. 1548. Le Blanc (Salamanca) 1.
Attributed works:
[ C. G. Boerner, Kasernenstrasse 13, Düsseldorf / 61 East 77th Street, New York ] Albrecht Dürer. The Cannon. Etching on Iron. 1518. 220 × 325 mm Sheet Size. Bartsch 99. Meder 96 with Rust Marks a (Of g).
Attributed works:
[ Carlo Orsi, Via Bagutta 14, Milan ] Fra Galgario, Portrait of a man with oriental costume.
Attributed works:
[ Charles Ratton & Guy Ladrière, 14 rue de Marignan and 11 quai Voltaire, Paris ] French Circular Silver Cup by Floch. Brittany Early 16th Century. Diameter 21,5 cm - Weight 223g
Attributed works:
[ Colnaghi, 14 Old Bond Street, London / 21 East 67th Street, New York ] Yuri Ivanchenko. A Still Life with a Self Portrait, Butterflies and Mechanical Objects. Signed and Dated 1993, 569 × 422 mm
Attributed works:
[ Cover ] Thomas Howard, Second Earl of Arundel, by Peter Paul Rubens. Pen and Brush in Brown Ink over Red and Black Chalk, Heightened with White, 28 by 19 cm. (Ashmolean Museum, Oxford).
Attributed works:
[ Didier Aaron, Inc., 32 East 67th Street, New York / Didier Aaron & Cie, 118 Faubourg St. Honoré, Paris / Didier Aaron, Ltd., 21 Ryder Street, London ] François Perrier French: 1594 - 1649. Hercules and Omphale. Oil on Canvas: 98 × 135 cm. Executed ca. 1645-47
Attributed works:
[ Fischer Galleries, Haldenstrasse 19, Lucerne ] Giandomenico Tiepolo (Venice 1727-1804). Ecce Homo. Pen and Brown Ink over Pencil Sketch; 461×363 mm (Drawing); Signed Domo Tiepolo f.
Attributed works:
[ Flavia Ormond Fine Arts Ltd., 24 Brechin Place, London ] Giovanni Battista Pittoni. Venice 1687 - 1767. San Francesco di Paola. Red and Black Chalk. 225 × 187mm.
Attributed works:
[ Galerie Koller, Hardturmstrasse 102, Zurich ] Albrecht Dürer, Underweysung der Messung. Nuremberg 1525. Supplement: Underricht zu befestigung der Stett... Nuremberg 1527.
Attributed works:
[ Galerie Kornfeld, Laupenstrasse 41, Bern ] Ferdinand Hodler. Lake Geneva from Chexbres; Sunday Morning. Oil on Canvas. 1895-1899. 101: 130 cm.
Attributed works:
[ Galerie Sanct Lucas, Palais Pallavicini, Josefsplatz 5, Vienna ] Ferdinand Georg Waldmüller. Canvas, 66,3 × 52,8 cms. Brünn 1793 - Vienna 1865. Signed and Dated 1833
Attributed works:
[ Galerie Siegfried Billesberger, Billesberger Hof, Moosinning, Munich ] Francis Hayman (1708 Exeter - 1776 London). A Scene from 'The Tempest'. Oil on Canvas Mounted on Cardboard. 49.8 × 88.5 cm
Attributed works:
[ Jack Kilgore & Co, 154 East 71st Street, New York ] Pieter Lastman (1583-1633). The Crucifixion. Signed with Monogram "PL". Oil on Shaped Panel, 43 by 25 3/8 Inches (109 by 64.3 cm)
Attributed works:
[ Katrin Bellinger Kunsthandel, Rauchstrasse 2, Munich ] Cornelis van Poelenburch (1594/95 - 1667). Landscape with Trees. Brush in Brown and Grey Ink, Grey Wash, over Black Chalk; 204 × 248 mm
Attributed works:
[ M. Roy Fisher, 170 Mercer St., New York City ] Francesco Zuccarelli. Pitigliano (Tuscany) 1702-1788 Florence. Landscape with Milkmaid and a Troop of Animals. Oil on Canvas: 32 × 51½ Inches, 81 × 131 cm.
Attributed works:
[ Michael Miller Lucy Vivante Fine Arts Inc., 115 East 89th Street, New York ] Giulio Cesare Procaccini (Bologna 1574-Milan 1625). Mythological Scene. Red Chalk; 166 × 316 mm., 6½ × $12frac{3}{8}$ in.
Attributed works:
[ Paul Prouté, 74 rue de Seine, Paris ] Jean-Baptiste Oudry (Paris 1680 + Beauvais 1755). The Fish and the Cormorant, Illustration to the Fable 192 by Jean de la Fontaine. Brush Drawing in China Ink, with Ink Washes and White Gouache Heightening, on Blue Paper with a Cobalt Blue Border, 310 × 266mm, Signed and Dated at Lower Right.
Attributed works:
[ Richard L. Feigen & Company, 49 East 68th Street, New York ] Cristofano Roncalli, Called il Pomerancio, The Death of Ananias and Saphira, 1599-1603, Oil on Canvas, en grisaille 49 by 33½ Inches (124.5 by 85 cm.)
Attributed works:
[ Talabardon, 44 Rue Sainte Anne, Paris ] Léon Bonvin (1834-1866). Pen, Watercolour Heightened with Gouache. The Family Inn at Vaugirard, 1862 - Signed and Dated Lower Left 18,5 cm × 25,5 cm
Attributed works:
[ Thomas Gibson Fine Arts Ltd, 44 Old Bond Street, London ] Federico Barocci c. 1535-1612. The Circumcision of Christ, c. 1585-1590. Oil on Canvas 32 × 25 Inches/81 × 64 cm
Attributed works:
[ Thomas Le Claire, Elbchaussee 156, Hamburg ] Pierre Puget. 1620 Marseille 1694. Ships at Anchor near a Broken Obelisk. Pen and Black Ink on Vellum. Signed in the Lower Left Corner: P. Puget a Tollon. 252 × 352 mm
Attributed works:
[ Trinity Fine Art Ltd, 29 Bruton street, London ] A Gilt Bronze Group of Saint Martin Dividing his Cloak with the Beggar, by Jan-Baptist van Helderberghe, circa 1700, Signed with Initials, 32.8 cm. High.
Attributed works:
[ Villa Grisebach, Fasanenstrasse 25, Berlin ] Hermann Max Pechstein. "Abends". 1911. Oil on Canvas. 98 × 75 cm. Signed and Dated.
Attributed works:
[ W. M. Brady & Co., Inc., 3 East 76th Street, New York ] Jacques-François-Joseph Saly, Valenciennes 1717-1776 Paris. Portrait of a Man in Profile, Red Chalk, 13¼ × $12frac{5}{8}$ Inches (337 × 320 cm.)
Non-western art unattributed:
[ Giuseppe Cerutti, Corso Roma 71, Beregazzo ] China - Han Dynasty (200 - 210 A. D.). Horse Terracotta. Height 52cm
Western art unattributed:
[ Galerie Koller, Hardturmstrasse 102, Zurich ] Book of Hours for Use by Rome. Paris, Kerver, 1 December 1502. 96 pp. With 18 Full-Page Engravings on Vellum.
Western art unattributed:
[ Galerie Koller, Hardturmstrasse 102, Zurich ] Book of Hours. Northern France, Last Third of the 15th c. Illuminated Latin Manuscript on Vellum, 10 Full-Page Miniatures and Numerous Initials.
Western art unattributed:
[ Galerie Koller, Hardturmstrasse 102, Zurich ] Book of Hours. Northern France, Mid-15th c. Illuminated Latin Manuscript on Vellum, 12 Full-Page Miniatures and Numerous Initials.
Advertisements
Advertisements April 1995 (front)
04/1995 | 1105 | 137
Pages: i-xx
Subjects
advertisements:
subjects:
Illustrations
Attributed works:
[ Artemis Group, 15 Duke Street, St James, London ] Rembrandt Harmensz. Van Rijn Etching, Drypoint and Burin. Portrait of Jan Asselyn. Size: 219 × 167 mm.
Attributed works:
[ Artemisia S.R.L., Via Domenico Morelli 33, Naples ] Luca Giordano. Naples 1634-1705. Oil on canvas. 74.5 × 60.5 cms.
Attributed works:
[ Arturo Cuellar, Bürglistrasse 18, Zurich ] Claude Gellée dit Le Lorrain (1600 - 1682) "View of an Imaginary Port" France, Circa 1640 - 1645 Pen and Sepia Ink with Sepia Wash over Traces of Black Chalk 5¼ × $7frac{3}{4}$ Inches (13.4 × 19.8 cm)
Attributed works:
[ C. G. Boerner, Kasernenstrasse 13, Düsseldorf / 61 East 77th Street, New York ] Bernhard Heisig (Born 1925 in Breslau). Aufbahrung der Märzgefallenen V. 1953. Chalk Lithograph. 490 × 628 mm Sheet Size.
Attributed works:
[ Carlo Orsi, Via Bagutta 14, Milan ] Sebastiano Ricci 1659 - 1734. Adoration of the Shepherds. Oil on Canvas, 117 × 90 cm.
Attributed works:
[ Colnaghi, 14 Old Bond Street, London / 108-112 Rue du Faubourg St. Honoré, Paris / 21 East 67th Street, New York ] Francesco Guardi 1712 - Venice - 1793. A View of the Piazzetta from the South-West Corner of the Doge's Palace. Oil on Panel: 25.8 × 46 cms
Attributed works:
[ Cover ] Woman in Landscape III, by Willem de Kooning. 1968. 141 by 121.9 cm. (Annabel Waller Collection).
Attributed works:
[ Dorotheum, Dorotheergasse 17, Vienna ] Emile Gallé, Marquetry Vase, "Rose de France". Nancy Approx, 1903, Signed, Sale on 3rd May
Attributed works:
[ Gallerie d' Arte Armondi S.R.L., C.so Palestro 37B, Brescia ] The Martyrdom of St. Sebastian by Giovanni Battista Crespi, "Il Cerano". Oil on Canvas. 200 × 150 cm
Attributed works:
[ Gallerie Sanct Lucas, Palais Pallavicini, Josefsplatz 5, Vienna ] Bartholomaeus Breenbergh 1598/1600 Deventer-1657 Amsterdam Panel, Circular. Diameter 32,5 cms
Attributed works:
[ Glass Gallery Michael Kovacek, Spiegelgasse 12, Vienna ] Vase with design "exhibition phenomenon pink with silver, candia with silver, brown", prod. nr. 387 Lötz Witwe. Klostermühle, Bohemia, 1900 Design: Franz Hofstätter White opal glass with colourless overlay. Differently coloured glass threads applied to the bowl and combed in different strength. Mould blown. Treated by reducing and iridescing. Engraved signature "Lötz Witwe" in basal globe. Height 48 cm.
Attributed works:
[ Hill-Stone, New York ] Giovanni Battista Piranesi 1720 - 1778 The Skeletons Etching, Plate 1 of 4 from the Grotteschi. Hind 24. Robison 21, the Second State of Five (Second Edition, First Through Fifth Issues; 1750 to Early 1770s). Watermark: Fleur-de-lys in a Single Circle, Robison Watermark 5 (Circa 1748-1760) thus First Issue, 1750-1759. A Brilliant Impression with Full Margins.
Attributed works:
[ Katrin Bellinger Kunsthandel, Rauchstrasse 2, Munich ] Cornelis van Poelenburch (1594/95 - 1667) Landscape with Trees Brush in Brown and Grey Ink, Grey Wash, over Black Chalk; 204 × 248 mm
Attributed works:
[ Richard L. Feigen & Company, 49 East 68th Street, New York ] Bartholomeus Breenbergh, Coastal Landscape with St. Paul after the Conversion, 1633, Oil on Canvas, $24frac{3}{8}$ by $54frac{3}{8}$ Inches (62 by 138 cm.) Signed, Bottom left: BBreenborch. Fecit./A°.1633.
Attributed works:
[ Talabardon, 44 Rue Sainte - Anne, Paris ] Jean-Baptiste Greuze (1725-1805) Pen and Brown Ink, Brush and Brown Wash over Black Chalk. The Inheritance - Signed Lower Right 22,8 cm × 37,7 cm
Attributed works:
[ Trinity Fine Art Ltd, 29 Bruton Street, London ] Jean-Auguste-Dominique Ingres (Montauban 1780 - Paris 1867) Three Studies of Nymphs from the Fountain of the Innocents, after Jean Goujon, Black Chalk, One Signed with Initial, One 443 × 108 mm, Two 445 × 109 mm
Attributed works:
[ Villa Grisebach , Fasanenstrasse 25 D, Berlin ] Max Pechstein. "Abends". 1911. Oil on Canvas. 98 × 75 cm. Signed and Dated. Estimate: DM 700,000 - 900,000
Non-western art unattributed:
[ Giuseppe Cerutti, Corso Roma 71, Beregazzo ] China - T'ang Dynasty (618 - 906 A. D.) Fat Lady Terracotta with Tempera Overpainting Height 60cm
Advertisements
Advertisements March 1995 (front)
03/1995 | 1104 | 137
Pages: i-xxviii
Subjects
advertisements:
artists:
subjects:
Illustrations
Attributed works:
[ Arno Winterberg, Hildastrasse 12, Heidelberg ] Anthony van Dyck, Pentecost. Pen and Brown Ink and Brown Washes over Traces of Red Chalk. 24.8 × 21.5 cm. Exhibited: New York, Seligmann, Original Drawings by Old Masters, 1925; Antwerp/Rotterdam, Antoon van Dyck, Tekeningen en olieverfschetsen, 1960.
Attributed works:
[ Artemis Group, David Garritt Limited, 15 Duke St. James, London ] Rembrandt Harmensz. van Rijn Etching, Drypoint and Burin. Portrait of Jan Asselyn Size: 219 × 167 mm.
Attributed works:
[ Artemisia, S. R.L., Via Domenico Morelli 33, Naples ] Luca Giordano Naples 1634-1705 Oil on Canvas 74.5 × 60.5 cms.
Attributed works:
[ August Laube, Trittligasse 19, Zurich ] Giovanni Domenico Tiepolo (1727 - 1804). God the Father Welcoming Christ in Paradise. Pen and Brown Wash. Signed "Dom Tiepolo" a. Numbered: "33". Mounted on 19th Century Cardboard. 28,8:19,8 cm. Unident. Collector's Stamp.
Attributed works:
[ Bernheimer, 1 Mount Street, London / Promenadeplatz 13, Munich ] Denis van Alsloot (1570 Brussels 1628). Hendrick de Clerck (1570 Brussels 1629). The Holy Family with the Infant St. John and Attendant Angels in a Wooded Landscape with the Flight into Egypt in the Distance. Oil on Panel 104.7 × 94 cms. 41¼ × 37 ins
Attributed works:
[ C. G. Boerner, Kasernenstrasse 13, Düsseldorf / 61 East 77th Street, New York ] Adrian Ludwig Richter. Pencil. (Ca. 1845). 221 × 136 mm. Study for the Woodcut Hoff-Budde 1152.
Attributed works:
[ Charles Ratton & Guy Ladrière, 14 rue de Marignan and 11 quai Voltaire, Paris ] LadrièreJacques Berge (1693 - 1756). Flemish Terracotta Bozzetto for the Tomb of the Bishop Jean-Baptiste De Smet - Gent. Signed and Dated 1745 H: 25cm; L: 48cm
Attributed works:
[ Colnaghi, 14 Old Bond Street, London / 108-112 Rue du Faubourg St. Honoré, Paris / 21 East 67th Street, New York ] Hubert Robert 1733 - Paris - 1808. The Hermit of the Colisseum. Oil on Panel: 59 × 50 cms. Monogrammed, R, and Signed and Dated at Lower Right: H/Robert/pinxit/anno/1790
Attributed works:
[ cover ] Hunting on the Lagoon, by Vittore Carpaccio. c. 1490. Oil and Tempera on Panel, 75.2 by 63.6 by 1.8 cm. (J. Paul Getty Museum, Malibu)
Attributed works:
[ Dover Street Gallery, 13 Dover Street, London ] Carlo Maratta Diana the Huntress. Oil on Canvas, 49.5cm × 65 cm
Attributed works:
[ Flavia Ormond Fine Arts, Ltd., 24 Brechin Place, London ] Giuseppe Passeri Rome 1654-1714 Rome. The Multiplication of the Loaves and Fishes. Red Chalk, Pen and Brown Ink, Reddish-Brown Wash, Heightened with White. 195 × 325mm.
Attributed works:
[ Galerie Francois Antonovich, Le Louvre des Antiquaires, 2 Place du Palais Royal ] The Judgement of Solomon and Samson and the Lion Two Reliefs by Martin Desjardins (Van den Bogaert). (Breda 1640 - Paris 1694). Sculptor to Louis XIV. Dimensions: 0.78 × 1.20m, for Each Relief. Limestone
Attributed works:
[ Galerie Sanct Lucas, Palais Pallavicini, Josefsplatz 5, Vienna ] Johann Georg Platzer Copper. 1704 - 1761 St. Michael in Eppan. 37.5 × 49.3 cms
Attributed works:
[ Galerie Siegfried Billesberger, Billesberger Hof, Moosinning, Munich ] Johann Wolfgang Baumgartner (1709 Kufstein - 1761 Augsburg). Evening: Sunset Pen and Black Ink, Point of Brush in Gray and Black, Gray Wash, Heightened with White, on Blueish Laid Paper. 22.3 × 36.4 cm. From the Complete Set with Morning, Midday, Evening and Night.
Attributed works:
[ Glass Gallery Michael Kovacek, Spiegelgasse 12, Vienna ] Plate, J. & L. Lobmeyr, Vienna, c. 1887 Models: Engravings by Jost Amann, text by Hans Sachs, Design: Richard von Kralik Colourless glass, the front painted in sepia colours. The centre decorated with a depiction of the Emperor with the Princes of the Empire, sorrounded by allegorical scenes "Der Papst" (Pope), "Der Fürst" (Prince), "Kauffmann" (merchant), "der Bauer" (farmer), "Astronom" (astronomer), and "Der König" (King) with the corresponding rhymes by Hans Sachs in framed panels. Signed with the "Lobmeyr-mark" and the initials "R. V. K." (Richard von Kralik) on either end of the scroll in central panel. Diam. 41,5 cm.
Attributed works:
[ Jonathan Horne, 66c Kensington Church Street, London ] Staffordshire Lion Decorated in Pratt Colours, c.1800.
Attributed works:
[ Julius Böhler, Brienner Strasse 10, Munich ] Saint George Slaying the Dragon Styria, Late 15th Century. Limewood, Partially Polychromed, Height 135 cm.
Attributed works:
[ M. Roy Fisher, 170 Mercer Street, New York ] Barthel Bruyn the Elder Cologne (Or Vicinity) 1493-1555. Portrait of Chancellor Balthasar von Kerpen. Oil on Oak Panel, Shaped Top: 83 × 58.5 cm. Upper Left, the Coat of Arms of the von Kerpen Family: Gold Lily on a Blue Ground.
Attributed works:
[ Marcello Aldega Margot Gordon, New York ] Girolamo Romanino, 1484/7 - 1562. Deposition. Verso: Studies. Red Chalk. 270 × 192mm.
Attributed works:
[ Olimpia Theodoli, 55 Cambridge Street, London ] Giandomenico Tiepolo (1727-1804) Mary and Joseph. Holding the Child, Escorted by an Angel Etching, from the Flight into Egypt. Rizzi 78, First State of Two.
Attributed works:
[ Otto Naumann Ltd., 22 East 80th Street, New York ] Franconian Master (Germany, Active Circa 1510 - 1530). Central Panel of a Triptych: Lamentation of Christ with a Group of Donors
Attributed works:
[ Paul Prouté, S. A., 74 rue de Seine ] Johan Barthold Jongkind (Latrop 1819 + Côtc-Saint-André 1891). Marine, Vers 1865. Charcoal and Watercolour on Blue Paper, 201 × 250mm, Signed Bottom Left.
Attributed works:
[ Phillips, 101 New Bond Street, London ] An important George III painted chamber organ. The case designed by Robert Adam, the instrument by John Snetzler.
Attributed works:
[ Phillips, 101 New Bond Street, London ] Jan Havicksz. Steen, (1623-Leyden-1679), "A Village Fair with Numerous Figures Conversing, Carousing, Playing Music, Dancing, Playing Skittles and Other Games beside a River", Signed J. Steen, Oil on Panel, 80cm × 109.8cm.
Attributed works:
[ R. S. Johnson Fine Art, 645 N. Michigan Ave. Chicago ] Paolo Farinati. (Verona 1524-1606 Verona). The Triumph of a Roman Emperor. Pen, Brown Ink and Black Chalk, 17½ × 13 Inches
Attributed works:
[ Richard L. Feigen & Company, 49 East 68th Street, New York ] Nicolas Poussin (?), St. Denis Frightening His Executioners (Fragment), Oil on Canvas, 34.5 by 40cms.
Attributed works:
[ Rob Smeets, Via Camperio 9, Milan ] Giovanni da Milano active 1345 - 1370. Crucifixion with the Virgin, the Holy Women, Saints John and Francis of Assisi and Roman Soldiers. Gold Ground, Tempera on Panel 39,4 × 27,9 cm
Attributed works:
[ Schlichte Bergen, P.C. Hoofstraat 53, Amsterdam / Velazquezstraat 8, Amsterdam ] Jacob Jordaens Antwerp 1593 - 1678. Study of a Man's Head by Candlelight. Oil on Paper Laid down on Panel, 38.5 × 26cm
Attributed works:
[ Talabardon, 44 Rue Sainte-Anne, Paris ] Jean-Baptiste Mauzaisse (1784-1844) Black and White Chalk on Blue Paper. Œdipus and Antigone - Signed Lower Left 50 cm × 38,5 cm
Attributed works:
[ Tate Gallery Millbank, London ] Dod Proctor, Morning, 1926
Advertisements
Advertisements February 1995 (front)
02/1995 | 1103 | 137
Pages: i-viii
Subjects
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
[ Artemis Group, David Garritt Limited, 15 Duke Street, St. James, London ] Rembrandt Harmensz. van Rijn Etching, Drypoint and Burin. Portrait of Jan Asselyn Size: 219 × 167 mm.
Attributed works:
[ C. G. Boerner, Kasernenstrasse 13, Düsseldorf / 61 East 77th Street, New York ] Leonhard Beck. Woodcut (ca. 1514). 276 × 235 mm Sheet Size. Watermark: Imperial Eagle (Briquet 243). Petermann 200 II (of VI). For Emperor Maximilian's "Weisskunig". From the Collection of Prince Liechtenstein.
Attributed works:
[ Colnaghi, 14 Old Bond Street, London, 108-112 Rue du Faubourg St. Honoré, Paris / 21 East 67th Street, New York ] Carlo Dolci. 1616 - Florence - 1689. St. Jerome in the Wilderness. Oil on Panel: 43 × 54 cms Dated at Lower Centre: 1655
Attributed works:
[ cover ] Detail of a Design for the Ceiling of the Duchess of Bolton's Dressing Room, by Robert Adam. 1770. Pen, Ink and Water-Colour, 45.9 by 56 cm. (Sir John Soane's Museum, London).
Attributed works:
[ Galerie Sanct Lucas, Palais Pallavicini, Josefsplatz 5, Vienna ] Herman Saftleven, Panel, 21 × 28cms. Utrecht 1609 - 1685, Rotterdam Signed
Attributed works:
[ Richard L. Feigen & Company, 6 Ryder Street, St. James, London / 49 East 68th Street, New York] Nicolas Poussin Death of the Virgin. Pen, Ink and Wash 15½ × 12 in/39.5 × 31 cm Private Collection, U. K.
Attributed works:
[ Rob Smeets, Via Camperio 9, Milan ] Lorenzo Pasinelli 1629 - Bologna - 1700. The Muse of Poetry. Oil on Canvas 65.5 × 55.5 cm
Advertisements
Advertisements January 1995 (front)
01/1995 | 1102 | 137
Pages: i-xvi
Subjects
advertisements:
advertisements:
artists:
subjects:
Illustrations
Attributed works:
[ Alex Wengraf Limited, The Old Knoll, Eliot Hill, London ] Karel Philips Spierincks Called Carlo Filipo 1609 - Brussels - Rome - 1639. Apollo and Hyacinth. Oil on Canvas, 88.5 × 84.5 cm ($34frac{3}{4}$ × 33¼ Inches)
Attributed works:
[ Arturo Cuellar, Bürglistrasse 18, Zurich ] Claude Gellée dit le Lorrain (1600 - 1682). "View of an Imaginary Port". France, Cica 1640-1645. Pen and Sepia Ink with Sepia Wash over Traces of Black Chalk 5¼ × $7frac{3}{4}$ Inches (13.4 × 19.8 cm)
Attributed works:
[ C. G. Boerner, Kasernenstrasse 13, Düsseldorf / 61 East 77th Street, New York ] Eugen N. Neureuther. Illustrations to G. A. Bürger's Ballad "Lenore". Pen and Black Ink, Water-Colours and Body-Colour. Signed and Dated. 1835. 420 × 282 mm. Von Boetticher 72.
Attributed works:
[ Charles Ratton & Guy Ladrière, 14 rue de Marignan and 11 quai Voltaire, Paris ] Jean-François de Troy (Paris 1679 - Rome 1752). La Sainte Famille. Oil on Panel - 26.5 × 25.8cm. Signed "De Troy Fils" - Dated 1732
Attributed works:
[ Colnaghi, 14 Old Bond Street, London / 108-112 Rue du Faubourg St. Honoré, Paris / 21 East 67th Street, New York ] Giovanni David (1743-1790). An Allegory of the Wool Guild, with Athena and Fates Pen and Grey Ink and Wash, Heightened with White and Yellow, 16¼ × $9frac{3}{4}$ ins
Attributed works:
[ cover ] The Judgment of Solomon, by Nicolas Poussin. 100 by 150 cm. (Louvre, Paris).
Attributed works:
[ Dover Street Gallery, 13 Dover Street, London ] Luigi Garzi (1638-1721). The Finding of Moses. Oil on canvas. 312 by 221 cms
Attributed works:
[ Galerie Sanct Lucas, Palais Pallavicini, Josefsplatz 5, Vienna ] Pieter Neefs the Elder. Antwerp 1578-1656. Panel, Signed and Dated 1612. 36,8 × 31,2 cms
Attributed works:
[ Otto Nauman, Ltd, 22 East 80th Street, New York ] Simon Pietersz. Verelst (1644-1721). An Opium Poppy and other Flowers in a Glass Vase.
Attributed works:
[ Paul Prouté S. A., 74 rue de Seine, Paris ] Giovanni Paolo Pannini. Piacenza 1691 + Rome 1765. Antique Architectural Capriccio. Pen and Brown Ink, Brown and Indian Ink Wash, 715 × 453.
Attributed works:
[ Richard L. Feigen & Company, 6 Ryder Street, St James, London / 49 East 68th Street, New York] Nicolas Poussin. Saint Denis couronné par un ange. Oil on Canvas, 173 by 107.5 cms. Musée des Beaux-Arts, Rouen.
Attributed works:
[ Schlichte Bergen, P. C. Hooftstraat 53, Amsterdam / Velazquezstraat 8, Amsterdam ] Jacob Jordaens Antwerp 1593 - 1678. Study of a Man's Head by Candlelight. Oil on Paper Laid down on Panel, 38.5 × 26cm
Attributed works:
[ The Olympia Antiques Fairs, Exhibition Centre, Warwick Road, London ] Gwen John Self Portrait (Detail), Circa 1900, by Courtesy of the National Portrait Gallery, London.
Attributed works:
[ Thomas Colville Fine Art, 58 Trumbull Street, New Haven / 1000 Madison Avenue, New York ] The Three Oaks, c. 1835-40. Oil on Canvas. 20 × 29¼ Inches Initialed Lower Right J. D.
Western art unattributed:
[ Glass Gallery Michael Kovacek, Spiegelgasse 12, Vienna ] Beaker, façon de Venise Netherlands. ca. 1700. Colourless Glass with Chips of Red, White and Yellow Glass Embedded in the Surface: Trailed and Milled Foot-Rim: Kicked-in Base with Pontil-Mark, Height 18.6 cm.
Advertisements
Advertisements December 1994 (front)
12/1994 | 1101 | 136
Pages: i-xx
Subjects
advertisements:
subjects:
Illustrations
Attributed works:
[ Christie's, 502 Park Avenue, New York ] Jacopo del Casentino: (active 1339-died between 1349/58). A Portable Tabernacle: The Madonna and Child enthroned with a Royal female Saint, a Bishop Saint, Saints John the Baptist, Peter and adoring Angels; The wings: the Nativity; and the Crucifixion, with the Annunciation above. Tempera on gold ground panel. Centre: 16 × 8 in. (40.6 × 21.6cm.) wings: 16 × 5 in. (40.6 × 14cm.) Estimate: $250,000-350,000. Property from the Collection of Carel Goldschmidt.
Attributed works:
[ Colnaghi, 14 Old Bond Street, London / 108-112 Rue du Faubourg St. Honoré, Paris / 21 East 67th Street, New York ] Pierre Henri de Valenciennes. Toulouse 1750 - Paris 1819. An Ideal Classic Landscape with Washerwomen around a Fountain. Oil on Canvas: 205.7 × 162.8 cms. Signed and Dated at lower Right: Valenciennes 1809
Attributed works:
[ cover ] Detail of a Crucifix, Attributed to Andrea del Verrocchio. Limewood and Cork with Stucco and Polychromy, 87 cm High (Whole). (Confraternity of S. Francesco Poverino, Florence).
Attributed works:
[ Flavia Ormond Fine Arts, 24 Brechin Place, London ] Ubaldo Gandolfi, 1728 - 1781. Christ and the Woman of Canaan. c. 1763 - 5. Pen and Brown Ink and Brown Wash over Black Chalk. 212 × 295 mm.
Attributed works:
[ Galerie Sanct Lucas, Palais Pallavicini, Josefsplatz 5, Vienna ] Pieter van LAER. Born between 1582 and 1613 in Haarlem, Died There Approx. 1642 Copper, 9,6 × 11,8 cms.
Attributed works:
[ Hill-Stone, New York ] After Pieter Brueghel, the Elder c. 1525 - 1569 The Battle of the Money-Bags and the Strong-Boxes.
Attributed works:
[ Joanna Barnes Fine Arts, 14 Mason's Yard, Duke Street, St. James, London ] Cardinal Cheverus by Pierre-Jean David d'Angers (Angers 1788 - Paris 1856) Terracotta. H. 49cm Signed: David
Attributed works:
[ Olimpia Theodoli, 55 Cambridge Street, London ] Pietro Testa (1611-1650) The Lyceum of Painting. Etching, c. 1638 (Cropper 41, II/II)
Attributed works:
[ Otto Naumann, Ltd., 22 East 80th Street, New York ] Antiveduto Gramatica (1571 between Siena and Rome - 1626 Rome) Samson and Delilah (One of a Pair) in Its Original 17th Century frame
Attributed works:
[ Richard Green, 33 New Bond Street, London ] Anthonie Palamedesz. (1601-1674). Cavaliers and Ladies Making Music. Signed and Dated 1634. Panel: 23½× 26¼in/52 × 66.5 cm
Attributed works:
[ Richard L. Feigen & Company, 6 Ryder Street, St James, London / 49 East 68th Street, New York] Abraham Bloemaert, Miracle of the Loaves, 1593. Oil on Canvas Laid down on Panel 15 by 19¼ Inches (38 by 49 cm.) Indistinctly Signed and Dated, lower Right: "A Bloemaert/fecirir 1593"
Attributed works:
[ Sam Fogg, 35 St. George Street, London ] A Seraph, from the Ceiling of the Painted Chamber at Westminster. Painted in about 1265, Probably by Walter of Durham, 'The King's Painter'. Oil on Panel; 45 × 42 cm.
Attributed works:
[ Sotheby's, 1334 York Avenue, New York ] Giuseppe Bernardino Bison (1762-1844). A Lady and Gentleman Looking out of an Ornate Window. Pen and Brown Ink and Wash and Watercolour. 305×197mm. Estimate:$12,000-$16,000
Attributed works:
[ Sotheby's, 1334 York Avenue, New York ] Pierre-Paul Prud'hon (1758-1823). Study for the "Glorification of the House of Burgundy" (Glorification of the Prince de Condè) Oil on Canvas, 136.5cm × 84.5cm). Estimate:$100,00-$150,000.
Western art unattributed:
[ C. G. Boerner, Kasernenstrasse 13, Düsseldorf / 61 East 77th Street, New York ] Mater Sapientiae. Franconian (? Ca. 1450). Watercolour, Coloured in Redbrown, Greybrown, Pale Yellow and Light Green. Schreiber II, 1046. Unique.
Western art unattributed:
[ Glass Gallery Michael Kovacek, Spiegelgasse 12, Vienna ] Marriage Goblet for Georg Wolf von Tettau and his wife Dorothea von Wallenfels, Hall in Tirol?, dated 1586. Colourless glass, blown and free-formed, diamond-engraved. Bowl diamond-engraved with the alliance coat-of-arms of Georg Wolf von Tettau and his wife Dorothea von Wallenfels. Above the arms the initials of the married couple GWVT (Georg Wolf von Tettau) and DVWF (Dorothea von Wallenfels) as well as the wedding date 1.5.8.6.; framing scriptband with continous inscription: ICH. STELL. MEIN. SACH. ALLEIN. ZV. GOTT. DER. WIRT. MIR. HELFEN. IN. ALLER. NOT. (I trust in God who will help me in distress.) Height 39.8 cm - 41.2 cm. Upper diam. 26.4 cm.
Western art unattributed:
[ Nella Longari, Via Bigli 15, Milan ] ATTAVANTE Miracle of San Michele on Monte Gargano. Florence, 1480 Circa. Tempera on Vellum, Cut to Shape, 265 × 280 mm. Musical Annotations on Four-Line Stave and Fragments of Text in round Gothic Script on Reverse (Super eum Spiritum Meum) Annotation in Ink, Bottom-Left: 1834 W. E. 324 Master Unknown.
Advertisements
Advertisements November 1994 (front)
11/1994 | 1100 | 136
Pages: i-xxviii
Subjects
subjects:
Illustrations
Attributed works:
[ Arturo Cuellar, Bürglistrasse 18, Zurich ] Adolph von Menzel (Breslau 1815-1905 Berlin) "View from a Window" (Schöneberger Ufer Berlin) Charcoal Drawing. Signed with Monogram. "AM". Dated: Aug. (18)89. 11.3 × 18 cm
Attributed works:
[ Bassenge Art and Book Auctions, Erdener Strasse 5A, Berlin - Grünewald ] Martin Schongauer (um 1450 Colmar - 1491 Breisach). The Virgin of the Annunciation. Engraving. Circa 1490-91. Bartsch 2, Lehrs V, 3.
Attributed works:
[ Brame & Lorenceau, 68 boulevard Malesherbes, Paris ] Jacques-Emile Blanche "L'heure du thé" Pastels - H. 0m50 - W. 0m65
Attributed works:
[ Bukowskis, Arsenalsgatan 4, Stockholm ] Max Alexandre Koester. Ducks in a Pond. Signed A Koester. Oil on Canvas 49 × 79. Estimate: 250.000 - 300.000:-
Attributed works:
[ C. G. Boerner, Kasernenstrasse 13, Düsseldorf/ 61 East 77th Street, New York ] Adrian Ludwig Richter (1803 - Dresden - 1884). Pencil, Pen and Brown Ink and Watercolour. 1856. 175 × 240 mm.
Attributed works:
[ Charles Ratton & Guy Ladrière, 14 rue de Marignan and 11 quai Voltaire, Paris ] Jean-Antoine Houdon (1741-1828) Plaster Statuette of Voltaire Signed: 'houdon' - Height: 42cm
Attributed works:
[ Colnaghi, 14 Old Bond Street, London / 108-112 Rue du Faubourg, St. Honoré, Paris / 21 East 67th Street, New York ] Cornelis de vos. Hulst c. 1585 - Antwerp 1651. Portrait of a Young Woman. Oil on Panel: 121 × 96.5 cms ($47frac{5}{8}$ × 38 ins)
Attributed works:
[ cover ] Pool of London, by André Derain. 1906. 65.7 by 99.1 cm. (Tate Gallery, London).
Attributed works:
[ Didier Aaron, Inc., 32 East 67th Street, New York / 118 Faubourg St. Honoré, Paris / 21 Ryder Street, London ] Adélaïde Labille-Guiard 1749 Paris 1803. Portrait of Joachim Le Breton. Oil on Canvas: 28¼ × 23½ Inches. Signed and Dated, Lower Left: Labille dlle Guiard/l'an 3eme. de la R: Exhibited in the Salon of 1795
Attributed works:
[ Galerie Sanct Lucas, Palais Pallavicini, Josefsplatz 5, Vienna ] Jan Miense Molenaer, Oil on Canvas. 1610 - 1668 Haarlem 91,5 × 106,5 cms
Attributed works:
[ Grosvenor Gallery, 18 Albemarle Street, London ] Alberto Giacometti. Bust Head, Bronze, Height 27 cm
Attributed works:
[ Johnny Van Haeften, 13 Duke Street, St James, London ] On Panel. Osias Beert, the Elder (Active 1596 - Antwerp - Before 1624) 21 × 29 in.
Attributed works:
[ Le Enluminures, Le louvre des Antiquaires, 2 Place du Palais Royal, Paris / 2970 North Lake Shore Drive, Chicago ] Sir Peter Paul Rubens (1577-1640) The Garden of Love. Oil on Canvas, 198 × 283 cm. Madrid, Museo del Prado, no. 1690 (Copyright© Museo del Prado Madrid)
Attributed works:
[ Les Enluminures, Le Louvre des Antiquaires, 2 Place du Palais Royal, Paris / 2970 North Lake Shore Drive, Chicago ] Black, Red, and White Chalk on Buff Paper 225 × 204 mm. ca, 1631-33
Attributed works:
[ M. Roy Fisher, 170 Mercer Street, New York City ] Louis-Jean-François Lagrenée (1725-1805). A Pair of Paintings: The Virgin and Child with SS. Anne and the Infant John the Baptist. Signed and Dated Lower Left on the Base of the Cradle: L. Lagrené 1771. The Virgin Mary with the Christ Child Riding a Lamb. Signed and Dated Lower Right: L. Lagrenée 1772. Oil on Copper, Each 16¼ × 13 Inches, 42 × 33 cm.
Attributed works:
[ Mellors & Kirk, 147 Derby Road, Nottingham ] J. M. W. Turner, Nantes. 11.75 ins × 17.25 ins. c.1830
Attributed works:
[ Michael Miller Lucy Vivante Fine Arts Inc., 115 East 89th Street, New York ] Henri Lerambert or His Workshop (French. c. 1550-1609). Modello for Scene 5 of the Tapestry Series of Corialanus: Corialanus Vows Eternal Hatred to Rome. Pen and Brown Ink, Brush and Brown Wash, Heightened with White, over Black Chalk Indications: 370 × 428 mm. 14½ × 17 in.
Attributed works:
[ National Gallery Technical Bulletin ] Hans Holbein: A Lady with a Squirrel and a Starling
Attributed works:
[ Otto Naumann, Ltd, 22 East 80th Street, New York ] Jacob Cornelisz van Oostsanen (Circa 1470 - 1533) The Crucifixion: The Central Panel of a Triptych
Attributed works:
[ Paul Prouté S. A., 74 rue de Seine, Paris ] Danicle Crespi. Busto Arsizio c. 1598/1600 Milano 1630 Study for a Ceiling Decoration. Pen and Brown Ink, Heightened with White Gouache on Paper Prepared with a Red-Chalk Wash, 136 × 194.
Attributed works:
[ Richard L. Feigen & Co, 6 Ryder Street, St James, London ] Sir David Wilike (1785-1841), The Village Politicians, Oil on Canvas, 22½ × 29½ Inches By Courtesy of the Earl of Mansfield
Attributed works:
[ Senger Bamberg, Karolinenstr. 8 and 10, Bamberg ] Venus A. Kaindl (1849 - Munich - 1924). Signed and Dated 1887. Height: 255cms. Bronze Cast by Christian Lenz, Nuremburg
Attributed works:
[ Société Labatut & Cie, 199 bis, Boulevard Saint Germain Paris ] Vicente Macip (Valencia 1490 - 1550). The Lamentation of Christ. Oil on Panel 78.5 × 65 cm. Giulio Romano (Rome 1499 - Mantua 154?) Hercules and Atlas? Oil on Paper 41.5 × 56 cm. Baron Gerard (Rome 1770 Paris 1837). Portrait of a Woman
Attributed works:
[ Sotheby's, 34-35 New Bond Street, London ] A Silver and Bronze Bust of Charles II as Prince of Wales, by Francesco Fanelli, Circa 1642, 22.5cm High $(8frac{5}{8}^{prime prime})$, on an Original Ebony Base.
Attributed works:
[ Villa Grisebach Auctions, Fasanenstr. 25, Berlin ] Herm. Scherer. "Liebespaar" 1924. Pinewood
Attributed works:
[ Villa Grisebach Auctions, Fasanenstr. 25, Berlin ] Max Liebermann. "Tiergartenallee". 1917. Oil on Canvas. 72 × 92.5 cm. Signed and Dated. Estimate DM 600,000 - 800,000
Attributed works:
[ Wiener Kunst Auktionen GMBH, Kärtner Ring 5-7, Vienna ] Julius von Blaas: Austrian Emperor Franz Joseph I., 1898; Uniform of Emperor Franz Joseph I. as a Hungarian field Marshal; Moritz Michael Daffinger: Archduke Franz Joseph as a Boy with the Medal of the "Golden Vlies", Watercolour on Ivory; Emperor Franz Josephs Cap, Slippers, Tie and Gloves; Empress Elisabeth's ("Sissi") Riding Gloves; Altogether More Than 300 Collector's Items.
Attributed works:
[ Wildenstein, 147 New Bond Street, London ] Carle Vernet (1758 - 1836), Pencil Drawings from the Wildenstein Album.
Western art unattributed:
[ Brimo de Laroussilhe, 11 rue de Lille, Paris ] Head of an Ivory Crosier. Sicilian (Siculo-Arabic Style), Late 12th Century. Ex Collection Trivulzio (Milan) and D. David-Weill (Paris)
Western art unattributed:
[ Cinq Antiquaires a Paris : Aveline-Jean-Marie Rossi, 20 rue du Cirque, Paris / Didier Aaron & Cie / Maurice Segoura, 20 St. Honoré, Paris / Michel Meyer, 24 av. Matignon, Paris / Jacques Perrin, 3 quai Voltaire, Paris ] A Louis XVI Pair of Jardinieres Carved and Painted Wood Height: 85 in - 216 cm.
Western art unattributed:
[ Glass Gallery Michael Kovacek, Spiegelgasse 12, Vienna ] "Humpen" Painted with Coats-of-Arms of Soner and Gruber Hall in Tirol, dated "1592" Slightly greyish-tinged glass painted in enamels and gold. Flat base with pontil-mark. Applied hollow foot with folded rim formed from a gather of glass. The conical bowl decorated with the coats-of-arms of the noble family Soner and the patrician family Gruber. The coats-of-arms are interspersed with the date "1592" divided into two halves. Below the rim gilt border with etched scales and blue dots framed by white dot lines. Height 21.3 cm.
load more