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03/2018 | 1380 | 160
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Stephen Ongpin Fine Art, London, Great Britain / Robilant and Voena, London, Great Britain / TEFAF (Maastricht) / Mullany Haute Epoque Fine Art, London, Great Britain / Tomasso Brothers Fine Art, Leeds, Great Britain / Galerie Sanct Lucas, Vienna, Austria / Kollenburg Antiquairs, ZK Oirschot, The Netherlands / De Backker Medieval Art, Hoogstraten, Belgium / Trafalgar Galleries, London, Great Britain / Didier Aaron Ltd, London, Great Britain / Venator & Hanstein KG (auction house), Cologne, Germany / Print Quarterly, London / Brun Fine Art, London / Harvey Miller Publishers, London, Great Britain / Irish Art Review / Rubenshuis, Antwerp, Belgium / Salon du Dessin de Collection, Paris / Artcurial, Paris, France / Charles Ratton & Guy Ladrière, Paris, France / Galleria Stanza del Borgo, Milan, Italy / Museum of Fine Arts, Houston, Houston, United States / Emanuel Von Baeyer, London, Great Britain / Museo Nacional del Prado, Madrid, Spain / Galerie Lowet de Wotrenge, Antwerp, Belgium / Meadows Museum, Dallas, United States / Peter Finer (antique arms), London, Great Britain / Caring for your Collection / Sphinx Fine Art, London, Great Britain / The Art Newspaper, London, Great Britain / Simiolus, Art Journal, The Netherlands / Im Kinsky (auction house), Vienna, Austria / Mauritshuis, The Hague, Netherlands / Dorotheum (auction house), Vienna, Austria / Simon Dickinson, London, Great Britain / Alessandro Cesati, Milan, Italy / Day and Faber, London, Great Britain / Rafael Valls, London, Great Britain / Otto Naumann, New York, United States / Trinity Fine Art Ltd, London, Great Britain / Daniel Katz Ltd (dealers), London, Great Britain / Timothy Newbery (frames), London, Great Britain / The-saleroom.com / London Original Print Fair / Hazlitt Gallery, London, Great Britain / Chanel, firm / Burlington Magazine
subjects:
Illustrations
Attributed works:
[Artcurial, Paris. Simon Vouet (1590 – 1649). Portrait of a dog. Black and white chalk]
Attributed works:
[Artcurial, Paris. Simon Vouet (1590 – 1649). Portrait of an artist. Pastel and black pencil]
Attributed works:
[Artcurial, Paris. Simon Vouet (1590 – 1649). Portrait of the poet Neuf Germain. Pastel and black pencil]
Attributed works:
[Charles Ratton & Guy Ladrière, Paris. Peter Oliver (1594-London-1647). Allegory of Astrology (?). Watercolor and pencil, on paper. Height: 19, 2 cm. Length: 15 cm. Signed lower left, in pen and brown ink: P.Olivier, ft]
Attributed works:
[Chiswick Auctions, London. Orazio Andreoni (Italian,fl. late 19th Century): A life size Carrara Marble figure of a dancing girl, 167 cm high]
Attributed works:
[Dorotheum, London. David Vinckboons (Mechelen 1576-circa 1632). St. George‘s kermesse, oil on panel, 41,5 x 77 cm]
Attributed works:
[Emanuel von Baeyer, London. Ludwig Ferdinand Schnorr von Carolsfeld. 1788 Königsberg –1853 Vienna. St. Cecilia . 1823. Oil on panel. Signed with a monogram and dated.]
Attributed works:
[Galerie Lowet de Wotrenge, Antwerp. Travellers in a landscape with ruins (detail), by Gillis Neyts.]
Attributed works:
[Galerie Sanct Lucas, Vienna. Gerrit van Honthorst. 1592 Utrecht 1656. A Boy Blowing on a Firebrand, canvas, 75.5 x 64.5 cm. Remains of a signature upper right: G . v … . f]
Attributed works:
[Galerie Sismann, Paris. Circle of Leonhard Kern (1588-1622). Andromeda. Germany. First half of the 17th century. H. 45 cm; W. 33 cm; D. 25 cm]
Attributed works:
[Kinsky Auction House, Vienna. Lucas Cranach the Elder. The Virgin and Child with the Infant Saint John. c. 1512, Oil on panel, 76 × 59 cm]
Attributed works:
[Kollenburg Antiquairs. Attributed to the Master of the Female Half-Lengths 1520-1530, oil on panel 26,4 x 21 cm]
Attributed works:
[London Original Print Fair. I'm Blue, James Nares, 2017 (detail). Screenprint printed and published by Durham Press.]
Attributed works:
[Lullo Pampoulides, London. Simon Vouet. Paris, 1590–1649. The Apotheosis of Saint Francis of Paola (detail), c.1625-1626. Oil on canvas, 65 x 48 cm.]
Attributed works:
[Mullany / Haute Epoque Fine Art. Cristo Vivo. Giovanni Battista Bissoni (1600 – Genoa – 1657), called the Veneziano. Ivory, ebonised pear wood silver terminals, Sicilian jasper base. c. 1620. H. 72.5 x W. 49.5 cm; H. 158 cm (overall)]
Attributed works:
[Robert Reinhart and Angus Haldane. Andrea Sacchi (1599–1661). 49 x 41 in. Oil On Canvas. “Daedalus & Icarus"]
Attributed works:
[Robilant + Voena, London. Artemisia Gentileschi. Portrait of a Man, 1630-35, signed with initials in the silver trinkets worn around the sitter’s neck, oil on canvas, 204.5 x 109.2 cm]
Attributed works:
[Rubenshuis, Antwerp. Portrait of a Lady and her Daughter, by Titian. c.1550. Canvas, 88.3 by 80.6 cm. (Metropolitan Museum of Art, New York).]
Attributed works:
[Salon du Dessin, Paris. Figure studies, by Bernadino Poccetti (1548–1612). Red chalk, 21.6 by 29.8 cm. Pandora Old Masters, New York]
Attributed works:
[Salon du Dessin, Paris. Follow the flow, by Alexander Calder (1898–1976). 1960. Gouache and ink, 37.5 by 55 cm. Brame & Lorenceau, Paris]
Attributed works:
[Salon du Dessin, Paris. Head of an old man, by Adolph Friederick Erdmann von Menzel (1815–1905). 1893. Graphite and stumping, 20.6 by 12.9 cm. W.M. Brady & Co., Inc., New York]
Attributed works:
[Salon du Dessin, Paris. Hercules fighting the centaurs, by Edmé Bouchardon (1698–1762). Red chalk, 49 by 59.3 cm. Galerie Eric Coatalem, Paris]
Attributed works:
[Salon du Dessin, Paris. Standing girl, by Georges Valmier (1885–1937). Gouache, 20 by 11.5 cm. Galerie Zlotowski, Paris]
Attributed works:
[Salon du Dessin, Paris. Study for Ave Picardia Nutrix, by Pierre Puvis de Chavannes (1824– 1898). 1865. Charcoal, 53 by 42.5 cm. Didier Aaron & Cie, Paris, New York, London]
Attributed works:
[Salon du Dessin, Paris. The family, by Louis Janmot (1814–1892). 1868. Graphite, 65 by 201.5 cm. Galerie Michel Descours, Lyon]
Attributed works:
[Salon du Dessin, Paris. The prisoner, by Odilon Redon (1840–1916). c.1880. Charcoal, 52 by 37 cm. Musée d’Arts de Nantes (museum loan exhibition)]
Attributed works:
[Salon du Dessin, Paris. The rat and the elephant from ‘The Fables of La Fontaine’, by Jean-Baptiste Oudry (1686–1765). Brush, black ink, grey wash and white highlights on blue paper, 24.5 by 19.1 cm. Stephen Ongpin Fine Art, London]
Attributed works:
[Salon du Dessin, Paris. The reaper, by Henri-Baptiste Lebasque (1865–1937). Charcoal and white chalk, 47.7 by 31.1 cm. Galerie Nathalioe Motte Masselink, Paris.]
Attributed works:
[Salon du Dessin, Paris. Two women, by Frank Dobson (1886–1963). 1943. Mixed media, 31.1 by 40.6 cm. Rosenberg & Co., New York]
Attributed works:
[Sphinx Fine Art, London. A horseman holding a roemer of wine with an ostler tending the horses (detail), by Karel Dujardin.]
Attributed works:
[Stanza del Borgo, Milan. Luca Cambiaso (1527–1585), Apollo and Marsyas, 1547-1548 Pen and brown ink, 389 x 287 mm]
Attributed works:
[Stephen Ongpin Fine Art, London. Gerrit Battem 1636(?)-1684. A Scene of Combat Before a Sacrificial Altar. Pen and black ink and white gouache, on brown prepared paper, en grisaille. Signed Battem at the upper right. 146 x 252 mm. (53/4 x 97/8 in.)]
Attributed works:
[TEFAF Maastricht. A draped female figure, by Francesco Maffei (c.1605–1660). Pen and brown ink and two shades of brown wash, 27.1 by 15.9 cm. Stephen Ongpin Fine Art, London]
Attributed works:
[TEFAF Maastricht. Angelique, by Leopold Burthe (1823–1860). Canvas, 117 by 1823 cm. Galerie Sanct Lucas, Vienna]
Attributed works:
[TEFAF Maastricht. Aurora, by John Gibson (1790–1866). c.1843–1845. Marble, 61 by 39 by 23 cm. Lullo Pampoulides Fine Art, London]
Attributed works:
[TEFAF Maastricht. Calvary, by Bernat Despuig (1383–1451) and Jaume Cirera (active 1418–1449/1450). c.1425–1435. Panel with gold leaf, 116 by 105 cm. Mullany Haute Epoch Fine Art, London]
Attributed works:
[TEFAF Maastricht. German vertical table clock with astrolabe, by Johannes Benner (active 1620–1659). c.1640. Height: 51 cm. Kollenburg Antiquairs, Oirschot, the Netherlands]
Attributed works:
[TEFAF Maastricht. Gods of Olympus, by Giovanni Domenico Ferretti (1692–1768). c.1720. Canvas, 46.5 by 115 cm. Rob Smeets Gallery, Geneva]
Attributed works:
[TEFAF Maastricht. Mothers with children, by François Boucher (1703–1770). Brush and brown wash over black chalk, 15.7 by 22.4 cm. Day and Faber, London]
Attributed works:
[TEFAF Maastricht. Nude with elbow, by Bill Brandt (1904–1983). 1952. Gelatin silver print, 34.2 by 29.7 cm. Galerie Johannes Faber, Vienna]
Attributed works:
[TEFAF Maastricht. Traces ces de pas dans la nuit, by Le Corbusier (1887–1965). Wool tapestry, 226 by 298 cm. Laffanour Galerie Downtown, Paris]
Attributed works:
[TEFAF Maastricht. Uranie, by Georges Braque (1882–1963). c.1942. Canvas, 65 by 91.5 cm. Bailly Gallery, Geneva and Paris]
Attributed works:
[TEFAF Maastricht. Woman with a melon, by Libero Andreotti (1875–1933). 1917. Bronze, 83 by 22 by 27 cm. Cesati Works of Art, Milan]
Attributed works:
[The Museum of Fine Arts, Houston. Achille Laugé, French, 1861–1944, La Route (The Road), 1893, oil on canvas]
Attributed works:
[The Museum of Fine Arts, Houston. Baron François Gérard, French, 1770-1837, Portrait of François-Gédéon Reverdin (1772–1828), 1796, oil on panel.]
Attributed works:
[The Museum of Fine Arts, Houston. Berthe Morisot, French, 1841–1895, Jeune Femme, 1871, oil on canvas]
Attributed works:
[The Museum of Fine Arts, Houston. Francisco de Goya, Spanish, 1746–1828, Don Vincente Isabel Osorio de Moscoso y Álvarez de Toledo, Conde de Trastámara, c.1787–1788, oil on canvas.]
Attributed works:
[The Museum of Fine Arts, Houston. George Frederick Watts, English, 1817–1904, Clytie, 1868, painted plaster.]
Attributed works:
[The Museum of Fine Arts, Houston. Jacopo da Empoli, Italian, 1551–1640, Madonna and Child with the the Young St. John the Baptist, ca.1575, oil on panel.]
Attributed works:
[The Museum of Fine Arts, Houston. Vncenzo Gemito, Italian, 1852-1929, Head of a Philosopher, 1890, bronze]
Attributed works:
[Tomasso Brothers Fine Art. Giovanni Battista Cipriani (1727 - 1785) The Houghton Hall Castor and Pollux , 1783 (detail) Oil on canvas 274.9 x 316.2 cm (108¼ x 124½ in.) Signed: 'CIPRIANI.PINT.1783']
Attributed works:
[Torso of a crucifixion, attributed to the ‘Maestro di Sant’Anastasia’, active in Verona, stone with important remnants of the original polychrome. 1st quarter of the 14th century, 51 by 22 cm]
Attributed works:
[Trafalgar Galleries, London. The Emperor Claudius I on a white horse, by Giulio Romano. Oil on panel, 83 by 54 cm.]
Attributed works:
[Venator & Hanstein, Cologne. Charles Darwin. 16 letters to Friedrich Hildebrand. 1862-79.]
Non-western art unattributed:
[TEFAF Maastricht. Fang reliquary figure. Gabon. Wood, 46 cm. Lucas Ratton, Paris]
Non-western art unattributed:
[TEFAF Maastricht. Model of a caparisoned horse. China. Northern Quing dynasty (550–577). Eathenware, 36.5 by 23.5 by 30.8 cm. Ben Janssens Oriental Art, London]
Western art unattributed:
[TEFAF Maastricht. Seated figure of Hygeia. Hellenistic. 3rd–2nd century B.C. Marble. Height: 73 cm. Rupert Wace Ancient Art, London]
Western art unattributed:
[TEFAF Maastricht. The Virgin surrounded by saints. Nuremberg. c.1450–1460. Canvas on wood, 138 by 206 cm. De Backker Medieval Art, Hoogstraten]
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11/2013 | 1328 | 155
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Subjects
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artists:
museums and institutions:
subjects:
Illustrations
Attributed works:
[Andrew Clayton-Payne. 14 Old Bond Street. London. JMW Turner, RA. A Conflagration. Regensburg, Germany: the Neupfarrkirche from an upper floor of the Drei Helmen Hotel, 1840]
Attributed works:
[Andrew Clayton-Payne. 14 Old Bond Street. London. JMW Turner, RA. Deer in Petworth Park, Sussex, 1827]
Attributed works:
[Andrew Clayton-Payne. 14 Old Bond Street. London. JMW Turner, RA. Moonlight on Lake Lucerne with the Rigi in the Distance, 1841]
Attributed works:
[Andrew Clayton-Payne. 14 Old Bond Street. London. JMW Turner, RA. Sunset on Wet Sand, 1845]
Attributed works:
[Bassenge. Erdener str. 5A. 14193 Berlin. Germany. Sidonie Springer (1878 Buchwaldsdorf - 1937 Munich). Paintful Recognition. Black chalk, pencil and red crayon. 44.8 x 41.5 cm. Circa 1919]
Attributed works:
[Bokowskis. Stockholm. Alexander Roslin "Anne Vallayer-Coster" (detail)]
Attributed works:
[Bokowskis. Stockholm. Anders Zorn, "Bathing women" (detail)]
Attributed works:
[Bokowskis. Stockholm. Maximilien Luce, "Le viaduc d'auteuil (le pont)" (detail)]
Attributed works:
[Carlo Virgilio& C., Rome. Caprice with the temple of Diana at Baia, by Carlo Bonavia. c.1770. Oil on canvas, 130 by 195 cm]
Attributed works:
[Charles Beddington, London. Eruption of Vesuvius, by Pierre-Jacques Volaire (1729-99). Signed: 'Le C.er Volaire f.' Oil on canvas, 66.5 by 92 cm]
Attributed works:
[Charles Ratton & Guy Ladrière. 11, quai Voltaire. Paris. Jacques de Bellange (?, before 1575 - Nancy 1616). The raising of Lazarus. Oil on copper, 26 x 36 cm]
Attributed works:
[Daniel Katz, Ltd. 13 Old Bond Street. London. Attribute to Sebastiano Torrigiani. Active, 1573-1596. Bust of Christ. Bronze 25 cm high]
Attributed works:
[From the Loan Exhibition: Sous reserve d'usufruit. Mercury discovering Herse returning from the festival of Minerva, by Jean-François Millet (1643-70). Oil on canvas, 72 by 120.6 cm. ©RMN-Grand Palais (musée du Louvre) / Franck Raux]
Attributed works:
[Galerie Canesso, Paris. Christ mocked, by Giacomo Cavedone (1577-1660). Oil on canvas, 93 by 127 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Pier Francesco Mola. Coldrerio, Canton Ticino, 1612 - Rome, 1666. Young Satyr Drinking through a Reed. Oil on canvas, 68 x 53 cm (26 3/4 x 20 7/8 in)]
Attributed works:
[Gallerie Michel Descours, Lyon. Bamboo bridge on the river Tjsadane in Bogor (West Java), Antoine Payen (1792-1853). Signed and dated lower left: 'AP / 1818'. Oil on panel, 29 by 49 cm]
Attributed works:
[im Kinsky Kunst Auktionen Gmbh. Palais Kinsky, Freyung 4. Vienna. Caspar Gras. Equestrian Statuette of Erzherzog Ferdinand Karl, Tyrol, second half 17th century, Bronze, 44 x 38 cm (without base)]
Attributed works:
[im Kinsky Kunst Auktionen Gmbh. Palais Kinsky, Freyung 4. Vienna. Ferdinand Georg Walmüller. The violet girl, 1865, oil on panel, 57.5 x 42.5 cm]
Attributed works:
[im Kinsky Kunst Auktionen Gmbh. Palais Kinsky, Freyung 4. Vienna. Johann Georg Platzer, Rinaldo and Armida (detail). Oil on copper, 27 x 22 cm]
Attributed works:
[im Kinsky Kunst Auktionen Gmbh. Palais Kinsky, Freyung 4. Vienna. Josef Hoffmann. Arrangement of a table: centerpiece with lid. Wiener Werkstătte, 1903, silver hammered and four lapis lazuli, H. 21.6 cm. Dm. 26 cm]
Attributed works:
[im Kinsky Kunst Auktionen Gmbh. Palais Kinsky, Freyung 4. Vienna. Paul Klee. Ride on the ogre (new version), 1925, watercolour on paper and cardboard, 34.5 x 54 cm]
Attributed works:
[im Kinsky Kunst Auktionen Gmbh. Palais Kinsky, Freyung 4. Vienna. Victor Vasarély, Okta - Cheyt - Blue, 1972, Acrylic on canvas, 100 x 100 cm]
Attributed works:
[Osborne Samuel. 23a Bruton Street. London. Cyril Power. The Tube Station, c.1932, Linocut, from the edition of 60, 25.8 x 29.5 cm]
Attributed works:
[Patricia Wengraf, Ltd. PO Box 31067, London SW1W 9FJ. Corneille van Clève (1646-1732). Perseus Slaying the Orc. Bronze. Height: 59.5 cm]
Attributed works:
[Peter Finer. 38&39 Duke Street. St. James’s. London. A German miniature bronze mortar, circa 1750. The barrel: 18.5 cm / 7.3 in | The carriage: 38 cm / 15 in]
Attributed works:
[Pratt Contemporary Art – Pratt Editions. Ightham, Sevenoaks, Kent TNI5 9HH. England. Ana Maria Pacheco. Homage to Neruda I, 2013, Monotype, 54.6 x 69 cm]
Attributed works:
[Redfern Gallery. 20 Cork Street. London. Cyril Power. The Tube Station, c.1923, Linocut, from the edition of 60, 25.8 x 29.5 cm]
Attributed works:
[Ruiz-Healy Art. San Antonio, Texas and New York City. Pedro Friedeberg, Perros Rojo, 1991]
Attributed works:
[Salamon Fine Old Master Paintings and Drawings. Via San Damiano 2. Milano. Gaetano Gandolfi (San Matteo della Decima 1734 - 1802 Bologna). Saint Mary Magdalene in Meditation. Oil on canvas, 58 x 46 cm. (22 7/8 x 18 1/8 in)]
Attributed works:
[Sam Fogg, Ltd. 15d Clifford Street, London. A monumental and newly reunited retable of the Holy Kinship, attributable to the 'Imperialissima Master' (Heinrich Wylsynck?). North German, Lübeck. c.1490-1494]
Attributed works:
[Sanct Lucas Gallery, Vienna. The abduction of Europa, by Jean-Baptiste-Marie Pierre (1714-89). Oil on paper mounted on canvas, 42.8 by 41.5 cm]
Attributed works:
[Simon Theobald. 16 Savile Row, 1st Floor, Beddington Suite. London. Edvard Munch, Melancholie III, 1902]
Attributed works:
[Sphinx Fine Art. 125 Kensington Church Street. London. Joachim Anthonisz. Wtewael. Caritas (detail)]
Attributed works:
[Talabardon & Gautier, Paris. The Triumph of Galatea, by Joseph Werner (1637-1710). Oil on canvas, 74 by 59.8 cm]
Attributed works:
[The Weiss Gallery, London. Study of an old man, by Peter Paul Rubens (1577-1640). c.1615-18. Oil on panel, 48 by 37.5 cm]
Western art unattributed:
[Bokowskis. Stockholm. An Empire gilt bronze rhyton vase. Height 67cm]
Western art unattributed:
[Enrico Caci, Modena, Italy. A carved wooden frame, gilded with pure gold, of a type known as 'Palatine'. Florence, early 17th century. Height: 125 cm. Width: 136 cm.]
Western art unattributed:
[Mullany Haute Epoque Fine Art. 16 Carlisle Mansions, Carlisle Place. London. Coronation of the Virgin. Limewood, with original polychrome and traces of gilding. Germany, Swabia, circa 1500. H. 56 x W. 45.5 x D. 16 cm]
Western art unattributed:
[Sotheby’s & Co., 34-35 New Bond Street, London, W.1. Mosan or North French, circa 1250-1260. The Syon Virgin and Child. Ivory, with traches of gilding and polychromy.]
Western art unattributed:
[Victoria and Albert Museum. London. Image: Statue, Plaster cast of David by Michelangelo, c.1857]
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11/2012 | 1316 | 154
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Subjects
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subjects:
Illustrations
Attributed works:
[Bassenge. Erdener str. 5A. 14193 Berlin. Germany. Antonio Carneo (1637 Concordia Sagittaria - 1692 Portoguaro). Jephtha and his daughter. Oil on canvas. 94.5 x 133 cm.]
Attributed works:
[Bonhams. 101 New Bond Street. London. A very large bronze figural candelabra after Clodion (294 cm high), France, circa 1880]
Attributed works:
[Charles Beddington, London. A capriccio of a chapel on a knoll, a church, a tower and the pyramid of Caius Cestius Beyond, by Giovanni Antonio Canal, called Il Canaletto (1697-1768). Oil on canvas, 45 by 59.3 cm]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1 Anthony van Dyck (Antwerp 1599 - 1641 London). Portrait of a lady; three-quarter-length. Oil on canvas, 25 7/8 x29 3/8 in. (98.5 cm x 74.5 cm)]
Attributed works:
[Daniel Katz, Ltd. 13 Old Bond Street. London. Jacques-Edme Dumont. Paris, 1761-1844. A portrait of General Marceau (1769-1796). Terracotta. With the name Marceau inscribed on the base 1799-1800. 49 by 28.5 by 23 cm]
Attributed works:
[David Wilson Fine Art. London. A very important mid eighteenth-century white marble portrait bust of the 'Anonymous Republican', Thomas Hollis (1720-74), by Joseph Wilton RA (1722-1803), c.1760]
Attributed works:
[Didier Aaron & Cie, Paris, New York, London. The gale on the Pont Royal, by Michel Garnier (1753-1819). Oil on canvas, 45.3 by 37 cm]
Attributed works:
[Galerie Canesso, Paris. St. Jerome, by Guido Reni (1575-1642). Oil on canvas, 65.1 by 50 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Giuseppe Vermiglio. Milan, 1587 (?) - après 1635. David Holding Goliath's Head. Oil on canvas, 135.5 x 96.5 cm (53 3/8 x 38 cm)]
Attributed works:
[Galerie Eric Coatalem, Paris. The toilet of Esther, by Jean-François de Troy (1679-1752). Oil on canvas, 57 by 51 cm]
Attributed works:
[Haboldt, Paris, Amsterdam and New York. Diana, goddess of the hunt and the moon, by Cornelis van Haarlem (1562-1638) Signed with monogram and dated uppler left 'CvH. 1607'. Oil on panel, 66.5 by 49 cm]
Attributed works:
[Henry Moore Institute. The Headrow, Leeds. Emil Filla: Cubist Head (1913). Private Collection. London]
Attributed works:
[Hubert Duchemin. 8 rue de Louvois. Paris. Nicola Poussin (Les Andelys 1594 - Rome 1665). The Encounter of Egeria and Numa, c.1650. Oil on canvas, 23 by 48 cm]
Attributed works:
[im Kinsky Kunst Auktionen Gmbh. Palais Kinsky, Freyung 4. Vienna. Claude Joseph Vernet. Capriccio, 1775, oil on canvas, 96x128 cm]
Attributed works:
[im Kinsky Kunst Auktionen Gmbh. Palais Kinsky, Freyung 4. Vienna. Franz Christoph Janneck. Christ on the Cross, ca. 1760. oil on canvas, 67 x 52.5 cm]
Attributed works:
[im Kinsky Kunst Auktionen Gmbh. Palais Kinsky, Freyung 4. Vienna. Jan Davidsz de Heem. Sill life, oil on canvas, 75.6x101.4 cm]
Attributed works:
[Osborne Samuel. 23a Bruton Street. London. Sybil Andrews, Rush Hour, 1930. Linocut, from of the edition of 50, 20,9 x 25,1 cm]
Attributed works:
[Patricia Wengraf, Ltd. PO Box 31067, London SW1W 9FJ. Jérome Duquesnoy the younger, Brussels, 1602-Ghen, 1654. Infant Hercules Struggling with a Serpent. Marble. height 99 cm, width of base 42 cm]
Attributed works:
[Paul Prouté S.A. 74, rue de Seine, 75006 Paris. Camille Pissarro, Market in Pontoise]
Attributed works:
[Pratt Contemporary Art – Pratt Editions. Ightham, Sevenoaks, Kent TNI5 9HH. England. Hugo Wilson, Dodus Dei, 2011. Etching and aquatint, 57.5 x72.5 cm]
Attributed works:
[Rafael Vals, London. A young boy pleading with his older sister for the return of his polichinelle doll, by Henri-Pierre Danloux (1753-1809). Signed 'H Danloux'. Oil on canvas, 18.4 by 16.6 cm]
Attributed works:
[Redfern Gallery. 20 Cork Street. London. Lill Tschudi. Jeu de Boules. 1934. Linocut, 58.4 x 83.8 cm]
Attributed works:
[Sanct Lucas Gallery, Vienna. An Italian harbour at sunrise, by Charles de Lacroix de Marseille (1700-82). Signed and dated 1763. Oil on canvas, 80 by 110 cm]
Attributed works:
[Stair Sainty Gallery, London. Classical landscape, with Wren's dome of King Charles court, Greenwich Hospital (today the Royal Naval Collage, Greenwich), by Marco Ricci (1676-1730). Oil on canvas, 61.3 by 101.3 cm]
Attributed works:
[Talabardon & Gautier, Paris. View od the waterfall Ermenonville, by Jean Joseph-Xavier Bidauld (1758-1846). Signed and dated 'J. ph. Bidauld / 1831'. Oil on canvas, 90 by 116.5 cm]
Attributed works:
[The Weiss Gallery, London. Louis XIII, King of France with the sash and badge of the order of St. Esprit, by Frans Pourbus the Younger (1569-1622). Oil on canvas, 71 by 55 cm]
Attributed works:
[Thomas Coulborn & Sons Ltd. Vesey Manor. 64 Birmingham Road. Sutton Coldfield. West Midlands. A George II Searlet and Gilt-japanned Secretaire Cabinet attribute to Giles Grendey. English, circa 1735. Height: 81 inches (206cm). Width: 41 1/4 inches (105 cm). Depth: 22 inches (56 cm)]
Attributed works:
[Thomas Coulborn & Sons Ltd. Vesey Manor. 64 Birmingham Road. Sutton Coldfield. West Midlands. Newly discovered: The Lost Armely House carved marble Bust of "Napoleone" Bonaparte, by Joseph Gott (1786-1860) [after Canova]. Carved: 50 cm (19 1/2 inches). Depth: 22 cm (8 1/4 inches). Width: 27 cm (11 inches)]
Attributed works:
[Thomas Coulborn & Sons Ltd. Vesey Manor. 64 Birmingham Road. Sutton Coldfield. West Midlands. The Crouching Venus. By John Nost the Elder (active 1680s - 1714). Signed and dated 1702. Overall height: 93 inches (237 cm)]
Attributed works:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. Nicolas Cordier (c.1567-1612). Bust of The Emperor Antonins Pius (A.D. 138-161). White marble. 86 cm high (33 3/4 in. high). 66 cm wide (26 in. wide)]
Attributed works:
[Yale Center for British Art. 1080 Chapel Street. New Haven, Connecticut. Anthony Caro, Table Piece XCVII, 1970, steel, painted tan, private collection, London.]
Western art unattributed:
[De Backker Medieval Art, Grote Plaats 31. Hoogstraten, Belgium. Hand forged iron door with remains of polychrome. Spain/Toledo, 15th century, 204 x 115 cm]
Western art unattributed:
[im Kinsky Kunst Auktionen Gmbh. Palais Kinsky, Freyung 4. Vienna. Workshop or Follower of Peter Paul Rubens. Hélène Fourment, oil on panel 54 x 49 cm]
Western art unattributed:
[Mullany Haute Epoque Fine Art. 16 Carlisle Mansions, Carlisle Place. London. Seated Madonna and Child. Meister des Schongauer-Altarchens. Limewood, with original polychrome and traces of gilding. Germany, Ulm, circa 1480-1490- H. 92/5 x W 57.5 x D. 28 cm]
Western art unattributed:
[Thomas Coulborn & Sons Ltd. Vesey Manor. 64 Birmingham Road. Sutton Coldfield. West Midlands. Below: A Pair of Ormolu Mounted Blue John Campana Shaped Pedestrial Urns, English, circa 1815. Height: 38.5 cm (15 1/4 inches). Diameter: 23.5 cm (9 1/4 inches)]
Western art unattributed:
[Thomas Coulborn & Sons Ltd. Vesey Manor. 64 Birmingham Road. Sutton Coldfield. West Midlands. Right: George II Mahogany and Parcel-gilt Side Chair. English, made for the Earl of Guildford circa 1740. Width: 69 cm (27 inches). Depth: 64 cm (25 inches). Height: 102 cm (40 inches)]
Western art unattributed:
[Trinity Fine Art. 29 Bruton Street. London W1J 6QP. Two-handled Cantagalli maiolica vase decorated with green and yellow leaves and enriched with ruby lustre. Florence, circa 1900. Height 54.5 cm]
Advertisements
Advertisements September 1995 (front)
09/1995 | 1110 | 137
Pages: i-xvi
Subjects
subjects:
Illustrations
Attributed works:
[ Arno Winterberg, Hildastrasse 12, Heidelberg ] Pieter Brueghel the Elder, Man of War, Sailing to the Left, in the Background a Town. Engraving by F. Huys after P. Brueghel, 1565. Bastelaer and Hollstein 102. Early Print.
Attributed works:
[ Arno Winterberg, Hildastrasse 12, Heidelberg ] Pieter Brueghel the Elder, Three Men of War in a Tempest, Sailing to the Right. Engraving by F. Huys after P. Brueghel, 1565. Bastelaer and Hollstein 105, I (Of II). Early Print.
Attributed works:
[ Bruno Scardeoni, Via Nassa 54, Lugano ] Domenico Cresti Called Il Passignano (Passignano (FI), 1559 - Firenze, 1638). "Ecce Homo". Oil on Slate, 40 × 53 cm
Attributed works:
[ C. G. Boerner, Kasernenstrasse 13, Düsseldorf / 61 East 77th Street, New York ] Emil Nolde. Prophet. Woodcut. (1912). Signed and Titled. 415 × 325 mm Sheetsize. Schiefler-Mosel 110.
Attributed works:
[ Claude Kuhn, Blumenrain 12, Basel ] Jacopo Ligozzi. Head of a Man with a Turban. Pen and Brown Ink over Some Red Chalk, 9.4 × 7.2 cms
Attributed works:
[ Cover ] After Belshazzar's Feast, by Frank Auerbach. 1990. Acrylic on Board, 55.9 by 69.8 cm. (Marlborough Fine Art, London, Ltd
Attributed works:
[ Dorotheum, Dorotheergasse 17, Vienna ] Johann Heinrich Fiissli or Henry Fuseli (Zurich 1741-1825 Putney Hill), the Expulsion from Paradise, 1803-1805, Oil on Canvas, 0,91 × 0,71 m
Attributed works:
[ Galerie Koller Auctioneers, Hardturmstrasse 102, Zurich ] Chaudet, Antoine-Denis (1763 Paris 1810). Busts of Napoleon Bonaparte and Marie-Louise as a Roman Couple. Paris ca. 1810.
Attributed works:
[ Galerie Koller Auctioneers, Hardturmstrasse 102, Zurich ] Amphora Vase, Manufacture Imperiale de Sèvres and Numbered, Sèvres 1811. Representing Napoleon as an Ancient Hero Being Crowned by Fama. H 105 cm.
Attributed works:
[ Galerie Koller Auctioneers, Hardturmstrasse 102, Zurich ] Firedogs, Empire, Attributed to P. P. Thomire, Paris ca. 1810.
Attributed works:
[ Galerie Sanct Lucas, Palais Pallavicini, Josefsplatz 5, Vienna ] Jacob Toorenvliet. Copper 23.5 × 19 cms. Leyden, 1635 - 1719. Signed J. Toorenvliet Fecit A. D. 1676
Attributed works:
[ Gallery kekko, 14 Prince Arthur Suite 105, Toronto / Kasteelstraat 9, Riemst, Belgium ] Giovanni Battista Tiepolo (1696 - 1770). Christ and the Woman of Samaria. Pen and Brown Ink and Wash over Black Chalk, 29.8 × 21.7 cm
Attributed works:
[ Heribert Tenschert, Kirchplatz 14-15, Rotthalmünster ] Judgement Day. Full Page Miniature (One of 24 Large and 24 Smaller Ones) from the Book of Hours of Christophe de Champagne, Painted Probably by François Fouquet; Tours, around 1480-85. In Mint Condition. From the Cortland F. Bishop and L. Dupont Collections.
Attributed works:
[ Olimpia Theodoli, 55 Cambridge Street, London ] Salvator Rosa (1615-1673). The Genius of Salvator Rosa. Etching and Drypoint, Circa 1662. Bartsch 24; Theodoli 113, Only State
Attributed works:
[ Paul Prouté, S.A., 74 rue de Seine, Paris ] Giovanni Battista Barbieri, Il Guercino (Cento 1591 + Bologne 1666). Saint Joseph and the Infant Jesus. Red Chalk, 250 × 193. Ex Collections Sir Joshua Reynolds (Lugt 2364) and William Esdaile (L. 2617).
Attributed works:
[ Tate Gallery, Millbank, London ] Henry Moore, Recumbent Figure, 1938
Western art unattributed:
[ Colnaghi, 14 Old Bond Street, London / 21 East 67th Street, New York ] Middle Rhenish Master. Late 15th Century. Sts Stephen and John the Baptist. Virgin and Child with St Mary Magdalene. Oil and Gold on Panel: 38 × 28 cms (Each One)
Western art unattributed:
[ Galerie Günter Puhze, Stadstrasse 28, Freiburg ] Bronze Statuette of Marsyas, Roman 1st-2nd Cent. AD, Height: 26cm
Western art unattributed:
[ Neumeister Fine Art Auctioneers, Barer Strasse 37, Μunich ] From a Collection of Rare Early German Stone- and Hafner-Ware. Bartmannskrug, Cologne, 16th Century. H. 16 cm. Feldflasche, Saxony, Late 16th Century. H. 23,5 cm (Provenance Collection Bondy, Vienna). Kurfürstenkrug, Raeren, Early 17th Century. H. 17 cm.
Advertisements
Advertisements August 1995 (front)
08/1995 | 1109 | 137
Pages: i-iv
Subjects
advertisements:
artists:
subjects:
Illustrations
Attributed works:
[ Galerie Hans, Jungfernstieg 34, Hamburg ] Thomas Gainsborough (1727 - 1788). Wooded Landscape with Herdsman and Cows, Grey and Brown Wash and Oil on Brown-Toned Paper, 36,6 × 42,9 cm. Early 1770s
Attributed works:
[ Galerie Sanct Lucas, Palais Pallavicini, Josefsplatz 5, Vienna ] Josef Danhauser. Vienna, 1805 - 1845 Panel, 36 × 40.3 cms. Signed in Monogram and Dated 1845
Attributed works:
[ The Artemis Group, David Garritt Limited, 15 Duke Street, St. James, London / Artemis S. A., 11 Grand Rue, Geneva ] John Sell Cotman 1782-1842. The East End of the Bauchon Chapel in Norwich Cathedral, c.1806-10. Watercolour and Gum Arabic over a Pencil Drawing. Size: 428 × 275 mm.
Western art unattributed:
[ Cover ] Prophet from the Ceiling of the Painted Chamber at Westminster Palace. c.1263-66. Oak Panel, 45.3 by 42.5 cm. (British Museum, London).
Advertisements
Advertisements July 1995 (front)
07/1995 | 1108 | 137
Pages: i-viii
Subjects
advertisements:
subjects:
Illustrations
Attributed works:
[ Arturo Cuellar, Bürglistrasse 18, Zurich ] Claude Gellée dit Le Lorrain (1600 - 1682). "View of an Imaginary Port", France, Circa 1640 - 1645. Pen and Sepia Ink with Sepia Wash over Traces of Black Chalk 5¼ × $7frac{3}{4}$ Inches (13.4 × 19.8 cm)
Attributed works:
[ C. G. Boerner, Kasernenstrasse 13, Düsseldorf / 61 East 77th Street, New York ] Johann Christian Reinhart, 1761 Hof - Rome 1847. A Rocky Landscape with Pan Playing the Flute Black Chalk and Brown Washes, Signed and Dated C. Reinhart fec. Roma 1808. Size 444 × 588 mm.
Attributed works:
[ Colnaghi, 14 Old Bond Street, London / 21 East 67th Street, New York ] Claude Vignon, Tours 1593 - Paris 1670. The Adoration of the Magi, Oil on Copper: 48.5 × 37 cms
Attributed works:
[ Cover ] Sts John the Baptist and Lawrence, by Hans Memling. Panel, 57.5 by 17.2 cm. Each (National Gallery, London).
Attributed works:
[ Galerie Sanct Lucas, Palais Pallavicini, Josefsplatz 5, Vienna ] Herman Saftleven Born 1609 in Rotterdam, Died 1685 in Utrecht Panel, 34.2 × 47.8 cms. Signed and Dated 1634
Attributed works:
[ Sam Fogg, 35 St. George Street, London ] Book of Hours with 74 Miniatures by the Dresden Master, Circa 1495
Attributed works:
[Paul Prouté S.A., 74 rue de Seine, Paris ] Giovanni Benedetto Castiglione, (Genova 1609 + Mantova 1665). The Sacrifice of Noah(?). Pen and Brown Ink, 169 × 252.
Western art unattributed:
[ Cinq Antiquaires a Paris ] A Louis XVI Pair of Jardinieres Carved and Painted Wood Height: 85 in - 216 cm.
Advertisements
Advertisements June 1995 (front)
06/1995 | 1107 | 137
Pages: i-xxxii
Subjects
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
[ Artemis Group, David Garritt Limited, 15Duke Street St. James, London ] Rembrandt Harmensz. van Rijn. Portrait of Jan Asselyn. Etching, Drypoint and Burin. Size: 219 × 167 mm.
Attributed works:
[ Arturo Cuellar, Bürglistrasse 18, Zurich ] Claude Gellée dit Le Lorrain (1600 - 1682). "View of an Imaginary Port". France, Circa 1640 - 1645. Pen and Sepia Ink with Sepia Wash over Traces of Black Chalk 5¼ × $7frac{3}{4}$ Inches (13.4 × 19.8 cm)
Attributed works:
[ Asprey, 165-169 New Bond Street, London ] An Important Pair of George III Neo-Classical Soup Tureens with Covers and Liners, after a Design by Sir William Chambers, One by Daniel Smith and Robert Sharp, 1771, the Other by Robert Sharp, 1794, 13″ Long, 336 ozs. The Arms Are Those of William, 4th Earl Fitzwilliam.
Attributed works:
[ Christie's, 8 King Street, St. James, London ] Rembrandt Harmensz. van Rijn (1606-1669). The Sense of Touch: The Stone Operation on Panel 8½×7in. (21.6×17.7cm.)
Attributed works:
[ Colnaghi, 14 Old Bond Street, London ] Jean-Baptiste Perronneau Paris 1715 - 1783 Amsterdam. Portrait of Jean-Baptiste Antoine Le Moyne. Pastel: 431 × 350 cms (17 × $13frac{3}{4}$ ins)
Attributed works:
[ Compagnia di Belle Arti, Via Olmetto 17, Milan ] Giulio Cesare Procaccini (Bologna 1574 - Milan 1625). Resurrection. Oil on Panel, 76.3 × 55.7 cm
Attributed works:
[ Cover ] Toilet Mirror by Joseph-Germain Dutalis. Silver-gilt, 87 x 118cm.
Attributed works:
[ Dover Street Gallery, 13 Dover Street, London ] Pietro Fabris, (Active in Naples 1754 - 1804). The Tarantella with Merry-Makers at Mergellina with a Distant View of Posillipo. Oil on Canvas, 72.5 × 99.3 cms
Attributed works:
[ Galerie Francois Antonovich, Le Louvre des Antiquaires, 2 Place du Palais Royal, Paris ] The Judgement of Solomon and Samson and the Lion. Two Reliefs by Martin Desjardins (van den Bogaert). (Breda 1640 - Paris 1694), Sculptor to Louis XIV. Dimensions: 0.78 × 1.20m, for each relief. Limestone.
Attributed works:
[ Galerie Sanct Lucas, Palais Pallavicini, Josefsplatz 5, Vienna ] Jean-Michel Picart Canvas. Anvers 1600 - Paris 1682. 51 × 64 cms
Attributed works:
[ Hazlitt, Gooden & Fox, 38 Bury Street St James, London ] Louis-Léopold Boilly, 1761-1845. Study of a Young Girl. Black Chalk, Estompé, 26.7 × 21.5 cm
Attributed works:
[ National Portrait Gallery, St. Martins Place, London ] Jane Patterson, Raphael
Attributed works:
[ Partridge Fine Arts PLC, 144-146 New Bond Street, London ] Silver-Gilt Made for William Beckford of Fonthill Abbey (1760-1844), a Pair of Mounted Chinese Porcelain Coffee Pots, James Aldridge, 1820, a Mounted Agate Cup and Cover, Circa 1820, and a Pair of Candlesticks, John Scofield, 1791
Attributed works:
[ S. J. Shrubsole, 104 East 57th Street, New York ] Important James I Antique English Parcel-Gilt, Pineapple Cup & Cover, One of Only Four Known. Date: London 1610. Maker's Mark: IE a Crescent with Three Pellets below Height: 15½ Inches; Weight: 30ozs., 4 dwts.
Attributed works:
[ Sotheby's, 34-35 New Bond Street, London ] Francisco José Goya y Lucientes, Fuente de Todos 1746-1828 Bordeaux. Sorting the Bulls, Inscribed on the Reverse 5 and 9, Oil on tin Plate, 42.6 by 32cm. Estimate on Request.
Attributed works:
[ Sotheby's, 34-35 New Bond Street, London ] Johann Heinrich Fuseli, R. A. (1741-1825). Edgar, Feigning Madness, Approaches King Lear. Pen and Black Ink and Brown and Grey Washes over Pencil, Recto; Verso-A Study for Balaam Blessing the People of Israel 62.5 cm. by 96 cm.; $24frac{5}{8}$ by $37frac{3}{4}$ in. Estimate £180,000-£240,000
Attributed works:
[ The Grosvenor House Art & Antiques Fair ] Dirck Hals (1591 - Haarlem - 1656). An Elegant Company Feasting in an Arbour. Signed. Netherlands. Height: $19frac{3}{4}$ in (50 cm) Width: 28 in (71 cm). Painted Circa 1615. Oil on Panel.
Attributed works:
[ The Grosvenor House Art & Antiques Fair ] Willem Van Aelst (Delft 1627 - c. 1683 Amsterdam). A Still Life with a Basket of Peaches and a Blue Velvet Cloth on a Marble Ledge. Signed and Dated 1650. Oil on Canvas. Height: $14frac{3}{4}$ in (37.5 cm) Width: 19½ in (49.5 cm)
Attributed works:
[ The Grosvenor House Art & Antiques Fair, London ] Philip van der Linden Van Dyck. Portrait of a Gentleman of the Hoste or Henley Family in Chinese Dress Holland, 1723. Framed: Height: 87 in (221 cm) Width: $55frac{3}{4}$ in (142 cm). 1723. Oil on Canvas.
Non-western art unattributed:
[ Grace Wu Bruce Inc , 701 Universal Trade Centre, 3 Arbuthnot Road, Hong Kong ] A Very Fine Pair of Huanghuali Wood Yokeback Side Chairs. Chinese, Ming Dynasty, Late 16th to Early 17th Century. Height 111 cm ($43frac{11}{16}$ in). Width 51.5 cm (20¼ in). Depth 42 cm (16½ in).
Non-western art unattributed:
[ The Chinese Porcelain Company, 475 Park Avenue at 58th Street, New York ] A Fine Mirror Painting, Circa 1760 (One of a Pair), 71.12 × 55.8 cm (28 × 22 in).
Non-western art unattributed:
[ The Grosvenor House Art & Antiques Fair ] Antique Chinese Snuff Bottle. Glass Red Overlay with Fish Amidst Bubbles. 18th Century.
Western art unattributed:
[ Brimo de Laroussilhe, 7 quai Voltaire, Paris ] Ivory Panel from a Polyptych. Byzantium, Late 10th Century. Ivory (Obverse and Reverse) with Traces of Inscriptions h. 0,12: 1.0.056
Western art unattributed:
[ C. John, 70 South Audley Street, London ] A Highly Decorative Eastern European Bessarabian Carpet with a Design of Stylised Floral Sprays on a Dark Brown Field, Very Finely Woven in the Tapestry Manner. Circa 1880. Wool. Length 385 cm (152 in). Width 251 cm (99 in).
Western art unattributed:
[ Charles Ratton & Guy Ladrière, 14 rue de Marignan and 11 quai Voltaire, Paris ] French Circular Silver Cup of a Set of Six - Paris, Early 15th Century Rim and Foot Gilded, Center Decorated with Enamelled Coat of Arms of the Families Orgemont - Paillard
Western art unattributed:
[ Cinq Antiquaires a Paris ] A Louis XVI Pair of Jardinieres Carved and Painted Wood Height: 85 in - 216 cm.
Western art unattributed:
[ M. Turpin, 27 Bruton Street, London ] A Fine Giltwood Side Table with a Breche Violette top in the Manner of Mathias Lock, the Frieze Carved with Bows above a Band of Fluting, the Apron Richly Carved with Strapwork Scrolls and Shells. Each Cabriole Leg Sumounted by a Bearded Mask with Plumes Raised on Hairy Paw Feet. English: Circa 1740 Height 32 ins (81cms). Width 79 ins (201cms). Depth 29 ins (73.5cms)
Western art unattributed:
[ Norman Adams Limited, 8-10 Hans Road, Knightsbridge, London ] A Pair of Late 18th-Century Marble, Ormolu and Cut Glass Candelabra. Baltic, Circa 1790. Height 81.5 cm (32 in). An Outstanding Pair of Early George III Carved Mahogany Torchères. English, Circa 1760. Height 125 cm (49 in). Width 59 cm (23 in).
Western art unattributed:
[ Philip Antrobus, 11 New Bond Street, London ] Fine Victorian Suite of Necklace, with Detachable Pendant, Hangle, Broooch and Earrings in Gold and Diamonds.
Western art unattributed:
[ The Grosvenor House Art & Antiques Fair ] A Brass Mounted Mahogany Games Table. Russian - Early 19th Century. Height: $29frac{3}{4}$ in (75.5 cm) Width: $40frac{3}{4}$ in (103.5 cm) Diameter: 20½ in (52 cm).
Western art unattributed:
[ The Grosvenor House Art & Antiques Fair ] A Very Rare Queen Anne Red Lacquer Kneehole Desk. England. Height: $28frac{3}{4}$ in (73 cm). Width: $37frac{3}{4}$ in (96 cm). Circa 1710.
Advertisements
Advertisements May 1995 (front)
05/1995 | 1106 | 137
Pages: i-xxviii
Subjects
advertisements:
advertisements:
artists:
subjects:
Illustrations
Attributed works:
[ Artemis Group, David Garritt Limited, 15 Duke Street St. James, London ] Rembrandt Harmensz van Rijn 1606-1669. Portrait of Jan Lutma, Goldsmith. Etching and Drypoint, Size: 198 × 149 mm.
Attributed works:
[ Arturo Cuellar, Bürglistrasse 18, Zurich ] Claude Gellée dit Le Lorrain (1600 - 1682). "View of an Imaginary Port". France, Circa 1640 - 1645. Pen and Sepia Ink with Sepia Wash over Traces of Black Chalk 5¼ × $7frac{3}{4}$ Inches (13.4 × 19.8 cm)
Attributed works:
[ Bassenge, Erdener Strasse 5A, Berlin - Grünewald ] Nicolò della Casa (Active in Rome, ca. 1543-47). Baccio Bandinelli in His Studio. Engraving. 1548. Le Blanc (Salamanca) 1.
Attributed works:
[ C. G. Boerner, Kasernenstrasse 13, Düsseldorf / 61 East 77th Street, New York ] Albrecht Dürer. The Cannon. Etching on Iron. 1518. 220 × 325 mm Sheet Size. Bartsch 99. Meder 96 with Rust Marks a (Of g).
Attributed works:
[ Carlo Orsi, Via Bagutta 14, Milan ] Fra Galgario, Portrait of a man with oriental costume.
Attributed works:
[ Charles Ratton & Guy Ladrière, 14 rue de Marignan and 11 quai Voltaire, Paris ] French Circular Silver Cup by Floch. Brittany Early 16th Century. Diameter 21,5 cm - Weight 223g
Attributed works:
[ Colnaghi, 14 Old Bond Street, London / 21 East 67th Street, New York ] Yuri Ivanchenko. A Still Life with a Self Portrait, Butterflies and Mechanical Objects. Signed and Dated 1993, 569 × 422 mm
Attributed works:
[ Cover ] Thomas Howard, Second Earl of Arundel, by Peter Paul Rubens. Pen and Brush in Brown Ink over Red and Black Chalk, Heightened with White, 28 by 19 cm. (Ashmolean Museum, Oxford).
Attributed works:
[ Didier Aaron, Inc., 32 East 67th Street, New York / Didier Aaron & Cie, 118 Faubourg St. Honoré, Paris / Didier Aaron, Ltd., 21 Ryder Street, London ] François Perrier French: 1594 - 1649. Hercules and Omphale. Oil on Canvas: 98 × 135 cm. Executed ca. 1645-47
Attributed works:
[ Fischer Galleries, Haldenstrasse 19, Lucerne ] Giandomenico Tiepolo (Venice 1727-1804). Ecce Homo. Pen and Brown Ink over Pencil Sketch; 461×363 mm (Drawing); Signed Domo Tiepolo f.
Attributed works:
[ Flavia Ormond Fine Arts Ltd., 24 Brechin Place, London ] Giovanni Battista Pittoni. Venice 1687 - 1767. San Francesco di Paola. Red and Black Chalk. 225 × 187mm.
Attributed works:
[ Galerie Koller, Hardturmstrasse 102, Zurich ] Albrecht Dürer, Underweysung der Messung. Nuremberg 1525. Supplement: Underricht zu befestigung der Stett... Nuremberg 1527.
Attributed works:
[ Galerie Kornfeld, Laupenstrasse 41, Bern ] Ferdinand Hodler. Lake Geneva from Chexbres; Sunday Morning. Oil on Canvas. 1895-1899. 101: 130 cm.
Attributed works:
[ Galerie Sanct Lucas, Palais Pallavicini, Josefsplatz 5, Vienna ] Ferdinand Georg Waldmüller. Canvas, 66,3 × 52,8 cms. Brünn 1793 - Vienna 1865. Signed and Dated 1833
Attributed works:
[ Galerie Siegfried Billesberger, Billesberger Hof, Moosinning, Munich ] Francis Hayman (1708 Exeter - 1776 London). A Scene from 'The Tempest'. Oil on Canvas Mounted on Cardboard. 49.8 × 88.5 cm
Attributed works:
[ Jack Kilgore & Co, 154 East 71st Street, New York ] Pieter Lastman (1583-1633). The Crucifixion. Signed with Monogram "PL". Oil on Shaped Panel, 43 by 25 3/8 Inches (109 by 64.3 cm)
Attributed works:
[ Katrin Bellinger Kunsthandel, Rauchstrasse 2, Munich ] Cornelis van Poelenburch (1594/95 - 1667). Landscape with Trees. Brush in Brown and Grey Ink, Grey Wash, over Black Chalk; 204 × 248 mm
Attributed works:
[ M. Roy Fisher, 170 Mercer St., New York City ] Francesco Zuccarelli. Pitigliano (Tuscany) 1702-1788 Florence. Landscape with Milkmaid and a Troop of Animals. Oil on Canvas: 32 × 51½ Inches, 81 × 131 cm.
Attributed works:
[ Michael Miller Lucy Vivante Fine Arts Inc., 115 East 89th Street, New York ] Giulio Cesare Procaccini (Bologna 1574-Milan 1625). Mythological Scene. Red Chalk; 166 × 316 mm., 6½ × $12frac{3}{8}$ in.
Attributed works:
[ Paul Prouté, 74 rue de Seine, Paris ] Jean-Baptiste Oudry (Paris 1680 + Beauvais 1755). The Fish and the Cormorant, Illustration to the Fable 192 by Jean de la Fontaine. Brush Drawing in China Ink, with Ink Washes and White Gouache Heightening, on Blue Paper with a Cobalt Blue Border, 310 × 266mm, Signed and Dated at Lower Right.
Attributed works:
[ Richard L. Feigen & Company, 49 East 68th Street, New York ] Cristofano Roncalli, Called il Pomerancio, The Death of Ananias and Saphira, 1599-1603, Oil on Canvas, en grisaille 49 by 33½ Inches (124.5 by 85 cm.)
Attributed works:
[ Talabardon, 44 Rue Sainte Anne, Paris ] Léon Bonvin (1834-1866). Pen, Watercolour Heightened with Gouache. The Family Inn at Vaugirard, 1862 - Signed and Dated Lower Left 18,5 cm × 25,5 cm
Attributed works:
[ Thomas Gibson Fine Arts Ltd, 44 Old Bond Street, London ] Federico Barocci c. 1535-1612. The Circumcision of Christ, c. 1585-1590. Oil on Canvas 32 × 25 Inches/81 × 64 cm
Attributed works:
[ Thomas Le Claire, Elbchaussee 156, Hamburg ] Pierre Puget. 1620 Marseille 1694. Ships at Anchor near a Broken Obelisk. Pen and Black Ink on Vellum. Signed in the Lower Left Corner: P. Puget a Tollon. 252 × 352 mm
Attributed works:
[ Trinity Fine Art Ltd, 29 Bruton street, London ] A Gilt Bronze Group of Saint Martin Dividing his Cloak with the Beggar, by Jan-Baptist van Helderberghe, circa 1700, Signed with Initials, 32.8 cm. High.
Attributed works:
[ Villa Grisebach, Fasanenstrasse 25, Berlin ] Hermann Max Pechstein. "Abends". 1911. Oil on Canvas. 98 × 75 cm. Signed and Dated.
Attributed works:
[ W. M. Brady & Co., Inc., 3 East 76th Street, New York ] Jacques-François-Joseph Saly, Valenciennes 1717-1776 Paris. Portrait of a Man in Profile, Red Chalk, 13¼ × $12frac{5}{8}$ Inches (337 × 320 cm.)
Non-western art unattributed:
[ Giuseppe Cerutti, Corso Roma 71, Beregazzo ] China - Han Dynasty (200 - 210 A. D.). Horse Terracotta. Height 52cm
Western art unattributed:
[ Galerie Koller, Hardturmstrasse 102, Zurich ] Book of Hours for Use by Rome. Paris, Kerver, 1 December 1502. 96 pp. With 18 Full-Page Engravings on Vellum.
Western art unattributed:
[ Galerie Koller, Hardturmstrasse 102, Zurich ] Book of Hours. Northern France, Last Third of the 15th c. Illuminated Latin Manuscript on Vellum, 10 Full-Page Miniatures and Numerous Initials.
Western art unattributed:
[ Galerie Koller, Hardturmstrasse 102, Zurich ] Book of Hours. Northern France, Mid-15th c. Illuminated Latin Manuscript on Vellum, 12 Full-Page Miniatures and Numerous Initials.
Advertisements
Advertisements April 1995 (front)
04/1995 | 1105 | 137
Pages: i-xx
Subjects
advertisements:
subjects:
Illustrations
Attributed works:
[ Artemis Group, 15 Duke Street, St James, London ] Rembrandt Harmensz. Van Rijn Etching, Drypoint and Burin. Portrait of Jan Asselyn. Size: 219 × 167 mm.
Attributed works:
[ Artemisia S.R.L., Via Domenico Morelli 33, Naples ] Luca Giordano. Naples 1634-1705. Oil on canvas. 74.5 × 60.5 cms.
Attributed works:
[ Arturo Cuellar, Bürglistrasse 18, Zurich ] Claude Gellée dit Le Lorrain (1600 - 1682) "View of an Imaginary Port" France, Circa 1640 - 1645 Pen and Sepia Ink with Sepia Wash over Traces of Black Chalk 5¼ × $7frac{3}{4}$ Inches (13.4 × 19.8 cm)
Attributed works:
[ C. G. Boerner, Kasernenstrasse 13, Düsseldorf / 61 East 77th Street, New York ] Bernhard Heisig (Born 1925 in Breslau). Aufbahrung der Märzgefallenen V. 1953. Chalk Lithograph. 490 × 628 mm Sheet Size.
Attributed works:
[ Carlo Orsi, Via Bagutta 14, Milan ] Sebastiano Ricci 1659 - 1734. Adoration of the Shepherds. Oil on Canvas, 117 × 90 cm.
Attributed works:
[ Colnaghi, 14 Old Bond Street, London / 108-112 Rue du Faubourg St. Honoré, Paris / 21 East 67th Street, New York ] Francesco Guardi 1712 - Venice - 1793. A View of the Piazzetta from the South-West Corner of the Doge's Palace. Oil on Panel: 25.8 × 46 cms
Attributed works:
[ Cover ] Woman in Landscape III, by Willem de Kooning. 1968. 141 by 121.9 cm. (Annabel Waller Collection).
Attributed works:
[ Dorotheum, Dorotheergasse 17, Vienna ] Emile Gallé, Marquetry Vase, "Rose de France". Nancy Approx, 1903, Signed, Sale on 3rd May
Attributed works:
[ Gallerie d' Arte Armondi S.R.L., C.so Palestro 37B, Brescia ] The Martyrdom of St. Sebastian by Giovanni Battista Crespi, "Il Cerano". Oil on Canvas. 200 × 150 cm
Attributed works:
[ Gallerie Sanct Lucas, Palais Pallavicini, Josefsplatz 5, Vienna ] Bartholomaeus Breenbergh 1598/1600 Deventer-1657 Amsterdam Panel, Circular. Diameter 32,5 cms
Attributed works:
[ Glass Gallery Michael Kovacek, Spiegelgasse 12, Vienna ] Vase with design "exhibition phenomenon pink with silver, candia with silver, brown", prod. nr. 387 Lötz Witwe. Klostermühle, Bohemia, 1900 Design: Franz Hofstätter White opal glass with colourless overlay. Differently coloured glass threads applied to the bowl and combed in different strength. Mould blown. Treated by reducing and iridescing. Engraved signature "Lötz Witwe" in basal globe. Height 48 cm.
Attributed works:
[ Hill-Stone, New York ] Giovanni Battista Piranesi 1720 - 1778 The Skeletons Etching, Plate 1 of 4 from the Grotteschi. Hind 24. Robison 21, the Second State of Five (Second Edition, First Through Fifth Issues; 1750 to Early 1770s). Watermark: Fleur-de-lys in a Single Circle, Robison Watermark 5 (Circa 1748-1760) thus First Issue, 1750-1759. A Brilliant Impression with Full Margins.
Attributed works:
[ Katrin Bellinger Kunsthandel, Rauchstrasse 2, Munich ] Cornelis van Poelenburch (1594/95 - 1667) Landscape with Trees Brush in Brown and Grey Ink, Grey Wash, over Black Chalk; 204 × 248 mm
Attributed works:
[ Richard L. Feigen & Company, 49 East 68th Street, New York ] Bartholomeus Breenbergh, Coastal Landscape with St. Paul after the Conversion, 1633, Oil on Canvas, $24frac{3}{8}$ by $54frac{3}{8}$ Inches (62 by 138 cm.) Signed, Bottom left: BBreenborch. Fecit./A°.1633.
Attributed works:
[ Talabardon, 44 Rue Sainte - Anne, Paris ] Jean-Baptiste Greuze (1725-1805) Pen and Brown Ink, Brush and Brown Wash over Black Chalk. The Inheritance - Signed Lower Right 22,8 cm × 37,7 cm
Attributed works:
[ Trinity Fine Art Ltd, 29 Bruton Street, London ] Jean-Auguste-Dominique Ingres (Montauban 1780 - Paris 1867) Three Studies of Nymphs from the Fountain of the Innocents, after Jean Goujon, Black Chalk, One Signed with Initial, One 443 × 108 mm, Two 445 × 109 mm
Attributed works:
[ Villa Grisebach , Fasanenstrasse 25 D, Berlin ] Max Pechstein. "Abends". 1911. Oil on Canvas. 98 × 75 cm. Signed and Dated. Estimate: DM 700,000 - 900,000
Non-western art unattributed:
[ Giuseppe Cerutti, Corso Roma 71, Beregazzo ] China - T'ang Dynasty (618 - 906 A. D.) Fat Lady Terracotta with Tempera Overpainting Height 60cm
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Subjects
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Illustrations
Attributed works:
[ Arno Winterberg, Hildastrasse 12, Heidelberg ] Anthony van Dyck, Pentecost. Pen and Brown Ink and Brown Washes over Traces of Red Chalk. 24.8 × 21.5 cm. Exhibited: New York, Seligmann, Original Drawings by Old Masters, 1925; Antwerp/Rotterdam, Antoon van Dyck, Tekeningen en olieverfschetsen, 1960.
Attributed works:
[ Artemis Group, David Garritt Limited, 15 Duke St. James, London ] Rembrandt Harmensz. van Rijn Etching, Drypoint and Burin. Portrait of Jan Asselyn Size: 219 × 167 mm.
Attributed works:
[ Artemisia, S. R.L., Via Domenico Morelli 33, Naples ] Luca Giordano Naples 1634-1705 Oil on Canvas 74.5 × 60.5 cms.
Attributed works:
[ August Laube, Trittligasse 19, Zurich ] Giovanni Domenico Tiepolo (1727 - 1804). God the Father Welcoming Christ in Paradise. Pen and Brown Wash. Signed "Dom Tiepolo" a. Numbered: "33". Mounted on 19th Century Cardboard. 28,8:19,8 cm. Unident. Collector's Stamp.
Attributed works:
[ Bernheimer, 1 Mount Street, London / Promenadeplatz 13, Munich ] Denis van Alsloot (1570 Brussels 1628). Hendrick de Clerck (1570 Brussels 1629). The Holy Family with the Infant St. John and Attendant Angels in a Wooded Landscape with the Flight into Egypt in the Distance. Oil on Panel 104.7 × 94 cms. 41¼ × 37 ins
Attributed works:
[ C. G. Boerner, Kasernenstrasse 13, Düsseldorf / 61 East 77th Street, New York ] Adrian Ludwig Richter. Pencil. (Ca. 1845). 221 × 136 mm. Study for the Woodcut Hoff-Budde 1152.
Attributed works:
[ Charles Ratton & Guy Ladrière, 14 rue de Marignan and 11 quai Voltaire, Paris ] LadrièreJacques Berge (1693 - 1756). Flemish Terracotta Bozzetto for the Tomb of the Bishop Jean-Baptiste De Smet - Gent. Signed and Dated 1745 H: 25cm; L: 48cm
Attributed works:
[ Colnaghi, 14 Old Bond Street, London / 108-112 Rue du Faubourg St. Honoré, Paris / 21 East 67th Street, New York ] Hubert Robert 1733 - Paris - 1808. The Hermit of the Colisseum. Oil on Panel: 59 × 50 cms. Monogrammed, R, and Signed and Dated at Lower Right: H/Robert/pinxit/anno/1790
Attributed works:
[ cover ] Hunting on the Lagoon, by Vittore Carpaccio. c. 1490. Oil and Tempera on Panel, 75.2 by 63.6 by 1.8 cm. (J. Paul Getty Museum, Malibu)
Attributed works:
[ Dover Street Gallery, 13 Dover Street, London ] Carlo Maratta Diana the Huntress. Oil on Canvas, 49.5cm × 65 cm
Attributed works:
[ Flavia Ormond Fine Arts, Ltd., 24 Brechin Place, London ] Giuseppe Passeri Rome 1654-1714 Rome. The Multiplication of the Loaves and Fishes. Red Chalk, Pen and Brown Ink, Reddish-Brown Wash, Heightened with White. 195 × 325mm.
Attributed works:
[ Galerie Francois Antonovich, Le Louvre des Antiquaires, 2 Place du Palais Royal ] The Judgement of Solomon and Samson and the Lion Two Reliefs by Martin Desjardins (Van den Bogaert). (Breda 1640 - Paris 1694). Sculptor to Louis XIV. Dimensions: 0.78 × 1.20m, for Each Relief. Limestone
Attributed works:
[ Galerie Sanct Lucas, Palais Pallavicini, Josefsplatz 5, Vienna ] Johann Georg Platzer Copper. 1704 - 1761 St. Michael in Eppan. 37.5 × 49.3 cms
Attributed works:
[ Galerie Siegfried Billesberger, Billesberger Hof, Moosinning, Munich ] Johann Wolfgang Baumgartner (1709 Kufstein - 1761 Augsburg). Evening: Sunset Pen and Black Ink, Point of Brush in Gray and Black, Gray Wash, Heightened with White, on Blueish Laid Paper. 22.3 × 36.4 cm. From the Complete Set with Morning, Midday, Evening and Night.
Attributed works:
[ Glass Gallery Michael Kovacek, Spiegelgasse 12, Vienna ] Plate, J. & L. Lobmeyr, Vienna, c. 1887 Models: Engravings by Jost Amann, text by Hans Sachs, Design: Richard von Kralik Colourless glass, the front painted in sepia colours. The centre decorated with a depiction of the Emperor with the Princes of the Empire, sorrounded by allegorical scenes "Der Papst" (Pope), "Der Fürst" (Prince), "Kauffmann" (merchant), "der Bauer" (farmer), "Astronom" (astronomer), and "Der König" (King) with the corresponding rhymes by Hans Sachs in framed panels. Signed with the "Lobmeyr-mark" and the initials "R. V. K." (Richard von Kralik) on either end of the scroll in central panel. Diam. 41,5 cm.
Attributed works:
[ Jonathan Horne, 66c Kensington Church Street, London ] Staffordshire Lion Decorated in Pratt Colours, c.1800.
Attributed works:
[ Julius Böhler, Brienner Strasse 10, Munich ] Saint George Slaying the Dragon Styria, Late 15th Century. Limewood, Partially Polychromed, Height 135 cm.
Attributed works:
[ M. Roy Fisher, 170 Mercer Street, New York ] Barthel Bruyn the Elder Cologne (Or Vicinity) 1493-1555. Portrait of Chancellor Balthasar von Kerpen. Oil on Oak Panel, Shaped Top: 83 × 58.5 cm. Upper Left, the Coat of Arms of the von Kerpen Family: Gold Lily on a Blue Ground.
Attributed works:
[ Marcello Aldega Margot Gordon, New York ] Girolamo Romanino, 1484/7 - 1562. Deposition. Verso: Studies. Red Chalk. 270 × 192mm.
Attributed works:
[ Olimpia Theodoli, 55 Cambridge Street, London ] Giandomenico Tiepolo (1727-1804) Mary and Joseph. Holding the Child, Escorted by an Angel Etching, from the Flight into Egypt. Rizzi 78, First State of Two.
Attributed works:
[ Otto Naumann Ltd., 22 East 80th Street, New York ] Franconian Master (Germany, Active Circa 1510 - 1530). Central Panel of a Triptych: Lamentation of Christ with a Group of Donors
Attributed works:
[ Paul Prouté, S. A., 74 rue de Seine ] Johan Barthold Jongkind (Latrop 1819 + Côtc-Saint-André 1891). Marine, Vers 1865. Charcoal and Watercolour on Blue Paper, 201 × 250mm, Signed Bottom Left.
Attributed works:
[ Phillips, 101 New Bond Street, London ] An important George III painted chamber organ. The case designed by Robert Adam, the instrument by John Snetzler.
Attributed works:
[ Phillips, 101 New Bond Street, London ] Jan Havicksz. Steen, (1623-Leyden-1679), "A Village Fair with Numerous Figures Conversing, Carousing, Playing Music, Dancing, Playing Skittles and Other Games beside a River", Signed J. Steen, Oil on Panel, 80cm × 109.8cm.
Attributed works:
[ R. S. Johnson Fine Art, 645 N. Michigan Ave. Chicago ] Paolo Farinati. (Verona 1524-1606 Verona). The Triumph of a Roman Emperor. Pen, Brown Ink and Black Chalk, 17½ × 13 Inches
Attributed works:
[ Richard L. Feigen & Company, 49 East 68th Street, New York ] Nicolas Poussin (?), St. Denis Frightening His Executioners (Fragment), Oil on Canvas, 34.5 by 40cms.
Attributed works:
[ Rob Smeets, Via Camperio 9, Milan ] Giovanni da Milano active 1345 - 1370. Crucifixion with the Virgin, the Holy Women, Saints John and Francis of Assisi and Roman Soldiers. Gold Ground, Tempera on Panel 39,4 × 27,9 cm
Attributed works:
[ Schlichte Bergen, P.C. Hoofstraat 53, Amsterdam / Velazquezstraat 8, Amsterdam ] Jacob Jordaens Antwerp 1593 - 1678. Study of a Man's Head by Candlelight. Oil on Paper Laid down on Panel, 38.5 × 26cm
Attributed works:
[ Talabardon, 44 Rue Sainte-Anne, Paris ] Jean-Baptiste Mauzaisse (1784-1844) Black and White Chalk on Blue Paper. Œdipus and Antigone - Signed Lower Left 50 cm × 38,5 cm
Attributed works:
[ Tate Gallery Millbank, London ] Dod Proctor, Morning, 1926
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